#Historic Ride Aesthetic

[aeztheticzforthemuzes]

[shortnotsweet]

This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.

Alicent’s Costuming

Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.

Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status

Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement

The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles

Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve

Shoes should stick mostly to slippers, or flat designs

In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.

Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.

Rhaenyra’s Costuming

Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.

Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.

There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.

Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.

Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.

Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.

Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.

Avoid headpieces that are not either a) her crown or b) ceremonial.

[applepieshy]

I had an idea to redesign vox because I didn't love that a character obsessed with modernization would wear a top hat and bowtie. then after a brief stint into madness where I read my partner's historic costuming textbook I drew.... all this.

(side note: the idea of vox being a trans man who transitioned AFTER death was super compelling and absolutely inspired by @prince-liest so while this is not direct fanart of their series I wanted to give a shoutout anyway!!!)

okay some TRULY unhinged rambling about historic costume below the cut YOU HAVE BEEN WARNED!

1950s: for this design I very much did not want to go to the typical a-line housewife look, because I feel that is unfitting for vox's character. instead I went for a more business look, but there is still a level of femininity that he would have been expected to perform. i wanted to express his discomfort with that through the pose and expression, though at the time he wouldn't necessarily have a framework for why he hated it

1960s: this one was very fun. i loved the idea of vox beginning to eschew some of the expected feminine presentation, and he no longer wears makeup, jewelry, or hose (though its hard to tell in black & white); however, he's kind of at war with himself in this time period. he's obsessed with seeming perfect and having a respectable image, so he would not go in for the counter-culture movements that were so big in the 60s. he's still kind of riding those coattails though, pushing those boundaries while still not acknowledging his queerness.

1970s: to me, it was very important that the gender hit as he entered the world in color. in my mind the gender euphoria is physically manifested in a wizard of oz situation - he can become who he always has been. anyway, gender aside, I think it was very important to me personally that he wore an ascot. it was for my mental health.

1980s: I wanted the 1980s to be the period where he began to gain some power and notoriety because of the de-regulation of television during this period to allow more ads, mirroring real-world history. I think if the 70s were when vox gained some real confidence, the 80s are when he got an Ego (tm). "business casual" also began to become more acceptable in this time period, and the t-shirt/suit jacket combo was very important for me to include, as to me it epitomizes the commercialism and machismo of the 80s.

1990s: this was actually the decade I was the most nervous to design, and yet I think it turned out the best? the 90s are known for grunge, which I think is NOT vox's style at all. I decided instead to lean hard into the yuppie look, which I know is more associated with the 80s but was definitely still a thing in the 90s. I also allowed a little hip-hop influence in the form of a gold chain from val, which is not something I think vox would ever pick on his own.

2000s: if the 90s were the decade I was worried about and turned out great, the 2000s are the decade I thought I had down SO GOOD and then totally floundered in execution. I still love the bubble-mac inspired head, and I tried to make his clothes as "round" as possible. I also like that this is the time where his saturation got cranked. however, I don't know if I'm in love with the vest and super bright sneakers, because again, looking back on it, he kind of looks like he works at a movie theater or best buy or some shit lol,,,

2010s: I think it's telling that this is by far the closest to his canon design (2014 tumblr lookin ass). I really wanted to pull from that hipster tech bro era, but unfortunately that aesthetic has a veneration for "retro" which again, is not fitting for vox. I still think he would wear the bowtie during this time because, well... he sure does in the show!

2020s: this was fun because I had an excuse to pull from haute couture design rather than street fashion because of the introduction of velvette into his life. I truly do not think velvette would let vox and val walk around in the outfits that they do because it would be an actual embarrassment LMAO. for this, I wanted his decorative "robes" to be evocative of the time he depicted himself as a priest AND of a cape/robe of an emperor. he does think of himself as that bitch, after all.

[madridfangirl]

Star crossed lovers (Jude Bellingham fanfic)

Chapter 1

(Series Link)

Jude * female reader. No warnings.

Synopsis: A chance encounter in a tiny Madrid cafe with the newest superstar of her fav club. The two couldn't be more different, yet both feel the pull toward the other. Would this girl be the one he finally falls for? Would she make him change his ways? Even though she resists him every step of the way, would he fight all odds (& her) to have her in his life? Or would life come in the way of these star-crossed lovers?

……………………………………

Madrid was such a beautiful city. Ananya had been here for nearly four months now, yet couldn’t stop marvelling almost daily over some or the other detail she kept discovering. She loved the hustle bustle but also the quaint historical aesthetic that the city provided. That way, it was quite similar to Delhi, the city she was from.

She was practically in a different continent now, far far away from India. To move to another country, with a completely different language and culture, while she was just 20, had been a tough choice. But she was offered a great job in her undergraduate college placements and no career-minded adult would say no to such an opportunity. So, she had managed to convince her overprotective parents to let her move to Madrid, on her own. Her parents thought she would want to return in a few months itself, but she surprised even her own self with how well she was adjusting to the city. Madrid was beautiful, after all.

As she sat in a sweet little cafe on the side of a small road, close to her office in downtown Madrid, on a Friday evening, she smiled to herself on how the last few months had transpired. So much had changed in her life, and she was loving the ride she was on. An independent girl, with a decently fancy job in one of the best European cities. Life was good right now.

This tiny cafe was one of her favourite spots in the city. It was run by an older couple who always greeted her with a smile and the best churros in the galaxy. It was never too crowded, most people just took takeouts. So it was an ideal place to relax, and it was walking distance from her office.

She pulled out her laptop while munching on her plate of churros. It was already Friday evening but she still had a few hours of work left. Investment banking was fun but the hours came with it. Mr. Iglesias (the owner) quietly placed a cup of cappuccino, her usual, next to her plate. She smiled gleefully at his hospitality, then engrossed herself in her work.

30 minutes later, a distinct baritone and accent broke her out of her reverie.

‘A Spanish omelette please?’

Ananya turned around, drawn to the voice. A tall man, wearing stylish all black attire, was standing at the counter. She could only see his back.

Mr. Iglesias drew a blank expression. The tall man tried again.

‘Umm, an omelette, Spanish omelette, por favor?’

‘Un tortilla de patatas, senor.’

Mr. Iglesias nodded happily at the man and signalled 10 mins with his hands.

The man whipped his head in her direction, and smiled gratefully at her.

She had to look away. Immediately. Not just because he had the most infectious smile in the world. But because she recognised who it was and she absolutely would die if she acted crazy at this instant. No, she willed to not make a fool of herself.

But he was walking over to her now.

‘Hey, thanks a ton for that.’

She had taken a few deep breaths by now and was back to her typical poise.

‘No problem at all. I could see you were struggling there.’

He hung his head and laughed sheepishly.

‘I did learn what it was called in Spanish, I swear. But had a long day and completely blanked out. Umm, Spanish is not my first language you see. But I am learning.’

Despite the situation, she somehow managed to smile back genuinely at how he was trying to explain himself to a complete stranger.

‘Well, I am new to the city and the language as well. But my favourite dishes are something I never forget. Can’t go without those, right?’

He smiled at her again. A smile that lit up his whole face. A smile that could light up a black hole. She was amazed at how real, how normal he came across. He was wearing his cap backwards and had glasses on to serve as some disguise she supposed, but she doubted whether those would generally be of any help to him. Not anymore at least.

He played with the back of the chair opposite hers, and looked around.

‘Umm, are you alone? May I join you?’

She channelled all her inner poise before answering.

‘Yeah sure.’

And he flashed her another joyful smile while settling on the small table, opposite her. Man could charge 1000 euros for each smile and people would line up to pay.

He removed the godforsaken glasses, unveiling his big, coffee brown eyes. The hat he just turned backwards, which somehow suited his chiseled face even more.

‘You said you are not from here. May I ask where you are from?’

‘Sure, I am from India.’

‘Wow. I have heard so much about that place. Some of my neighbors back home are also from India. Would love to visit sometime.’

‘You should. There are many flavours to India which you could only experience when you visit.’

He nodded along, agreeing with her wholeheartedly. Mr. Iglesias waved to him from the counter, signalling 5 mins more. He smiled at him as well. Was that his default setting? Not that she was complaining. Oh hell, no.

He suddenly looked back at her.

‘Hey, I didn’t catch your name. So silly of me to not ask earlier.’

She found herself smiling again.

‘Ananya.’

‘A-nan-ya?’

He tried to break down the foreign sounding name in syllables. It was her turn to giggle now, and he rubbed the back of his head sheepishly.

‘Not A as in Ancelloti but A as in Alvaro Morata.’

He leaned back in his chair, still rubbing the back of his head, and looked straight into her eyes.

‘So, you do know who I am?’

She tuned her laptop towards him. The screensaver was her in the trophy room at the Bernabeu, along with the 14 Champions League trophies.

He looked at the photo and her beaming smile. Her love for the club was evident.

‘Been a Madridista since 2009. 15 years. That’s 75% of my life. So yes, I do know who you are Jude.’

Somehow, just somehow she had managed to find her footing amidst all this madness and was having what would appear to be a fairly normal conversation with a global superstar. She felt it was because of him, though. Because how easygoing and grounded he seemed.

‘Wow. That’s awesome. You know, I didn’t even like football at that age? It’s strange, I know. My dad always wondered what was wrong with me. But one day, suddenly, I decided I wanted to play.’

‘I get it. Sometimes god acts in mysterious ways. You won’t even know how or when, it just happens.’

‘I know right.’

They fell into a comfortable silence. Just looking at each other. And smiling. Both couldn’t stop smiling for some reason.

Mr. Iglesias appeared then with the omelette and Jude nearly hugged him in delight.

He stuffed his face with a gigantic bite, moaning at the taste. Then, he ended up coughing vigorously because the bite was almost one third of his plate.

‘Easy. Here, take this.’

Ananya offered her glass of water to him, which he gulped down in three sips. Then rubbed his mouth with the back of his hand as he looked back into her eyes.

‘My mom had once gotten me an omelette from this place. Felt like little drops of heaven. Since then I have been meaning to have this. Sorry for the clumsiness, I got a little carried away.’

He was apologising to her again, which was so endearing. And that accent made everything sound twice as cute.

They went back to their food, and the comfortable silence was back. But she was learning that he couldn’t stay silent for long.

‘Since you already have a head start in knowing about me, would you tell me something about you? What brings you to Madrid?’

‘I work at an investment bank here. Kind of my dream job and my dream firm.’

He leaned forward, tapping his fingers on the table.

‘Ooooh fancy.’

‘Yeah right. Look who is talking.’

‘No, it is fancy. Seems like a smart person thing. I had a feeling you were like that.’

He spent the next 15 mins learning about her job, and by the end he accused her of showing off by using big terms he won’t understand. She neither confirmed nor denied that accusation.

He took another mouthful again, completely ignoring what happened the last time. She couldn’t help but be amused at his antics.

‘So, have you seen any match live?’

Her whole demeanour changed and she was practically bouncing off the chair now. He found that extremely amusing.

‘Oh yes. I was here for internship last year and I managed to watch one game. Vini scored two kickass goals and we won. It was amazing - easily one of the best days of my life.’

‘Um-hmm.’

Something in his tone was off but she was too happy to care.

‘Is he…your favourite player, then?’

‘Oh he’s amazing. Us fans have seen him since he was 17 I guess? And look at the journey. Love the player he has become. But my favourite will only ever be one. I am a Ronaldo fan girl.’

Well, that seemed to cheer him up. He kind of figured that given she had mentioned 2009.

He watched her face fondly for a few seconds as she turned nostalgic and relived the memories in her head.

‘Nothing this season, then?’

‘No luck. The tickets are always sold out. Last year also it was our firm which arranged them for us.’

‘Hmm.’

She hadn’t seen him play, then.

He went back to his last bite and turned it around with his fork a few times, pondering over his next words.

‘Well, there is a home game tomorrow.’

‘A HOME GAME? It’s the first Classico of the season. Ofcourse I know that. God I am so nervous. Hated them winning the league last year. Hate their guts. Jude, you guys better win tomorrow, please. ’

He watched her keenly though her rant, thoroughly amused.

‘Thanks for the order. But, what I meant was, do you want to watch the game tomorrow?

‘But, Classicos get sold out in the beginning of the season right?

She looked confused. Still not getting the point. He realised he would have to spell it out for her.

So smart in her work but not as much in this, which was cute in its own way.

‘Ananya, do you want to watch the match tomorrow from my box? Because you are welcome to do that.’

Oh. Oh.

She stayed still, and he scanned her face for a response.

A volcano erupted inside her. She had been so lost in talking about Madrid and that match that she had completely missed the way he had been looking at her. And what he had asked her just now.

He could tell from her face that something deep was holding her back.

‘Listen, bring your friends / colleagues if you want to. Many of my friends have attended. Plus the boxes are all next to each other so the media / fans can’t really tell who is in whose box, if that’s what’s concerning you. You can just attend as a friend, that’s it.’

She wasn’t buying the last line.

‘That’s it?’

She called his bluff while meeting his gaze. Which he admired. The smart girl was back.

‘Well, after the match, we could grab a bite maybe? Doesn’t have to be a public place, don’t need that drama. So maybe, your place? Or….mine?’

She shook her head sadly.

‘Jude…it’s not that you are not…but…we live in very different worlds and…’

He had an inkling of what was coming and he cut her off before she could finish the sentence. Taking no for an answer was not an acceptable option right now, not when the last 30 mins had been so pleasant and refreshing.

‘What if I score tomorrow? Against the team you detest? How about then?’

She looked at him with her mouth half open. Which made him look down to her lips. But he had the good sense to quickly revert to her eyes.

‘Won’t you want to give me some extra motivation to score against Barca? Or would you rather I be sad and distracted tomorrow?’

She couldn’t believe what she was hearing. He was really doubling down on this.

‘Let me get this straight. You are seriously using my love for Real Madrid to get me to go out with you?’

He leaned back in his chair, smirked that gorgeous smirk, and shrugged casually, with an iota of arrogance, knowing he was going to win this. Even the arrogance suited him, for crying out loud.

But then, he leaned forward and covered her hand with his, expression all sincere. Her breath hitched at his touch.

‘Look. I just want to spend some time with you, and I really would love for you to see me play. I get that my lifestyle comes with a zillion challenges but that’s step 10. Can we please just spend a few hours together, just you and me, where we talk and get to know each other? I promise, that’s all I am asking. And you don’t have to say yes to that now. You can decide tomorrow after the match. How does that sound?’

The earnestness in his silky smooth voice was drawing her in. She believed him, and was on the verge of saying yes.

But he got restless and played his final card, which he always had up his sleeve.

‘Also, Zidane is going to be there. Their box is just two rows down from where you would be.’

She burst out laughing and threw the table napkin in his face, which he caught easily. Then flashed her a million dollar smile.

‘You really are something aren’t you?’

‘Well, I try.’

She had forgotten that his hand was still on top of hers and was reminded of it when he squeezed it briefly, then withdrew it.

He pulled out his phone and slid it in front of her.

‘Gonna need your number to send the passes.’

Her mind was still registering what she had agreed to but her body reacted involuntarily and typed in her number.

He saved it quickly and sent over the passes in seconds.

‘So, I will see you tomorrow then?’

‘Yes. You leave me no choice. And you better win now, after what you just pulled.’

His phone chimed with a reminder then, for an evening home fitness session prior to the match. He had to leave, she could tell.

He stood up, and she got reminded of how tall he was. His lean physique made him look even taller.

He reached out for her hand again, shaking it this time. And lingered for a few seconds.

‘I will have to go thank my mom now for recommending this place.’

He chuckled, while finally getting go of her hand. She couldn’t stop admiring how his eyes crinkled when he smiled.

‘Can I drop you home?’

‘I have some work to finish - you carry on.’

‘Ok. Looks like it’s gonna rain tonight so pls leave soon.’

Gosh, could this guy get any more charming?

‘Yeah, I will.’

Grudgingly, he went towards the door of the small cafe but looked back one final time.

‘Ananya - such a beautiful name.’

He said it perfectly this time and she gave him a hearty smile, exactly what he needed before he made his way out.

She fell back in her chair, buried her face in her hands and tried to make sense of what had just happened. Tomorrow was going to be nuts. She was going to see Zidane, who she loved to bits. She was gonna watch El Classico. And then, if Jude had his way, she was going to go out on a date with him.

………………………………………………………..

Author’s note: This is set in October and pls assume the classicos were reversed :)

Lots more to come, hope you liked the setup.

[jesncin]

Spirit World, Ride the Cyclone and Death. A weird comparative analysis

Gonna combine my musical nerd and cape comics fixation together for a rambling meta thought. I've been reflecting on how taboo the topic of death is in media after getting into Ride The Cyclone (highly recommend watching the slime tutorial and Waiting in the Wings' documentary on it) but also contrasting that musical with how Spirit World handled similar topics.

Both stories cover characters whose lives were cut short from a tragic circumstance, but while Cyclone directly talks frankly about how each character uniquely grieves over their lost life (and eventually accepts death)- Spirit World uses death as largely an aesthetic to a generic fantasy superhero adventure.

[spoilers for Ride the Cyclone and Spirit World]

Spirit World is about non-binary, half dead half living Envoy Xanthe Zhou, as they go into the Spirit World with John Constantine to rescue Cassandra Cain Batgirl. They eventually go toe to toe with the spirit of a bitter dead poet.

Ride the Cyclone is about 6 choir teenagers who die in a roller coaster accident in their small town. In the afterlife, they are given the chance to vote which one of them they believe should be resurrected.

For Spirit World, do we even know how Xanthe feels about being "half dead"? What does that even mean? They died as (what looks like) a 3 year old, and have clearly aged 15 more years since then. So they can age? Do they need to eat or drink (they're seen with a drink in a Pride comic)? Xanthe keeps mentioning they're half dead and half living, but the comic doesn't seem to want to discuss what that means. How would Xanthe feel that they were essentially given a job as an Envoy the minute they died as a very young child? Was this even a choice?

We've already covered the numerous plot holes in Xanthe Zhou's poorly thought out backstory so I won't go over that again. But honestly apart from the thematically loose "the dead shouldn't be forgotten" moral, a lot of how death is presented in Spirit World feels so superficial. When Xanthe is formally introduced as this cool character with a giant sword hanging around a gravesite, fighting all these hopping vampire creatures... this scene would play out the same if you swapped the setting with a forest and zombies as bad guys.

The Spirit World is less an afterlife for the spirits to move onto and more an MMORPG setting for our superheroes to travel across and fight generic evil beings and encounter eviler, bigger, boss battles at the end. Then there's the poet clout villain whose problems are just easily solved by Xanthe promising to remember her. I've already covered what a lost opportunity thematically this character was in my last Xanthe essay, but this time I want to contrast her with Ride the Cyclone's Jane Doe. I also want to compare Xanthe with Noel Gruber afterwards.

Ride the Cyclone's musical numbers follow each character performing a song reflecting their wishes, and musings on life (this sounds depressing but the musical handles all this with comedy and wit), hoping to prove themselves as worthy of a second chance at life. Of the characters, Jane Doe is the mysterious odd one out. The accident decapitated her, leaving her to enter the after life with no memories and the people of the living unable to identify her.

You might see where I'm going with this. So in Spirit World, Wan Yujing was this famous poet mourned by an entire empire. She only goes monster mode when a handwave-y "time erodes all" happens in the Spirit World and she is eventually forgotten- so she becomes desperate to demand to be reincarnated by the Jade Court. Because her clout ran out. Again, I already made the critique in my previous essay that this villain would better link to our protagonist if she was a queer poet whose poetry was being purposefully straight washed as an act of queer historical erasure. But I want to bring up how truly unsympathetic this villain is. She gets Shakespeare levels of clout but still demands more because she isn't getting reincarnated fast enough. Xanthe promises that as an immortal "half dead half living" person that they will remember Wan Yujing, so she too can be immortal in some way.

I think about all the Jane Doe-s in the Spirit World who don't get to be famous poets that have Empires remembering who they were. People who died anonymously without a past. In Cyclone, the main character chooses Jane Doe as the person who should be brought back to life. Our cast of teens come to terms with the fact that while it's tragic that their lives ended shortly, they conclude "to say that if one dies young, they die needlessly... that is to discount the years we had. We had a life, she didn't. That's my vote." Since Jane Doe has no memory of who she is, it's only fair that she is given that second chance.

I get that Spirit World is choosing these "larger than life" characters as villains, but it's at the expense of their own supposed themes. Of all the people to die and face off our hero as the villain, a character who's essentially an influencer but somehow has an entire empire forget about her anyway feels thematically hollow.

Modern Superhero comics are suffering from a specific problem right now; they're not really about anything. Characters don't feel like people with interior lives informed by the context of who they are. Class, race and bigotry are only touched upon as lightly as possible. Queer characters are now Pride ads with no personhood or flaws. They punch gentrified crime and fight for no one in particular. Even recent adapted media such as My Adventures with Superman and Caped Crusader follow this. Superman fights white-washed xenophobia, while Batman fights gentrified, white-washed classicism. It's why comics like Superman Smashes the Klan, Catwoman Lonely City and Alan Scott Green Lantern stand out so much. It's been a while since these characters talked about anything that matters. Don't get me wrong, slop that's about nothing exists in every industry. But when these characters and worlds historically used to have more bite- it's especially obvious.

If I could be playfully conspiracy theory-like for a second; I believe Xanthe Zhou was pitched so that DC Comics can buff out their Pride Anthology or AAPI anthology with a new younger character. The company will give this character one limited series, but that's it. Xanthe will appear in the larger DC universe whenever big magic plots happen, but that's it. Maybe they'll get a YA graphic novel. I would love to be proven wrong, but the problems with Xanthe are baked in the dough.

Because they don't feel like a person, Xanthe feels more like an industry planted Pride ad. They're designed to be the most palatable and marketable image of Asian androgyny. They literally have no flaws to grow out of, and their backstory makes no sense. They weren't built to be a sustainable solo character.

So I want to contrast Xanthe Zhou against Noel Gruber from Ride the Cyclone. Because they're both queer characters whose lives were cut short at a young age.

In a dramatic lament, Noel Gruber expresses how if he had a chance to live, he'd want to live the horrible cinematic messy life of a French sex worker woman in post-war France. He struggled as the only gay boy in a small town and never got to kiss a boy before he died. It's a look into a queer life that could've been lived, one with all the messy texture and self destruction Noel couldn't have but desires. We get to see how death and queerness intersect into rich, unflattering, gender-messy themes. "I want to be that fucked up girl." Noel sings.

But what's Xanthe's deal? They died as a 3 year old, got brought back, avoided their family at all costs for 15 years, and then had a transphobic confrontation with their family when they're invited to dinner way later. If Xanthe grew up in a transphobic household, how did they ever figure out they were non-binary when they were 3? Could they even verbalize it? Or did they instead figure out their queerness after they died? But how is that possible when they already held a level of familiar resentment towards their family's transphobia as if they've had several fights about it? It's hard to picture a 3 year old having multiple heated debates about gender with their parents for this level of resentment to make any sense.

Details aside, how does Xanthe's queerness intersect with themes of death and grief? Well, it just doesn't. This scene ends with Xanthe's sister telling them that she bothered remembering them even though their parents moved on from their death (which makes no sense since the parents wanted to have dinner with a random 18 year old they correctly assumed was their long dead "daughter" but whatever). Honestly, the only reason queerness exists in this family drama is so that Xanthe has a tense relationship with their family. The story would be exactly the same if Xanthe was a troublemaker that brought shame to their family. Who they are isn't specific to whatever grief exists in the comic.

When people give the critique that modern Superhero comics aren't about anything anymore, we usually think of these comics as "lacking political bite and commentary". We don't often think of something like Death to be political. And even though it is in many ways, it's also a social taboo to talk about. Death is an uncomfortable thing to confront, even in the safety of fiction. It's what made Ride the Cyclone such a difficult stage musical to market.

So how does a modern mainstream comic like Spirit World fit into that? It just sits there in this non-committal way. Yes, this is a story about a trans teenager who died, but only in a cool Superhero Origin Way, not in any way that would make readers uncomfortable. Bury Your Gays is a stereotype after all, so we can't talk about how queer people feel about death. We don't get to know how Xanthe feels about death as a non-binary Asian American. Especially if it's messy. It's the reason why Wan Yujing's character can never commentate on themes of historical queer erasure. God forbid superhero comics be about something.

I think about how, in the original Hellblazer run from the 80s, John Constantine had an elderly gay friend who was diagnosed with AIDS but was killed by a homophobic hate group. The comic openly talks about the sheer amount of gay people dying of the epidemic, a looming threat that informs John's queer life. It's such a culture shock, to contrast these early comics with how John Constantine is written in Spirit World. A character stripped of his own queer history and is at the mercy of incessant slutty bi jokes. Where is the desire to talk about how death informs a queer person's life? The mourning of a lost generation to the AIDS crisis? Something John lived through?

How about how any of this intersects with being an Asian American queer person? Queer people of color are often erased or purposefully excluded from queer history and communities. As a Queer Asian American, what does it mean to have identities that are often perceived to be in conflict with each other? Would your queer Asian ancestors even be remembered? Cultural differences with how you'd mourn your communities? But answering any of these questions means an uncomfortable conversation for Spirit World. For Xanthe. It threatens to be about something.

Which makes it all the more silly that, of the two stories, a musical about teenagers dying from a rollercoaster malfunction is more willing to have that uncomfortable conversation. You should ride the Cyclone.

[sakuralovespossums]

Peter Steele x Witch Reader 🐈‍⬛🧹🌙

Of course he would date a witch

He def asks if you could put a curse on someone he hates

One of the things he loves about you is your spiritual bond with nature and anger at seeing it being disrespected. Peter is also a huge nature lover and finds any woman who shares the same feelings/values so attractive

He’s always hugging you from behind while watching as you prepare a potion in your cauldron. He just thinks you look so gorgeous when your deep into your work

He was curious once about trying to drink from it like soup and you had to stop him

He asked if he could make a killer drink out of it and you just gave him a deadpan “what do you think” look

You and Peter often go on long rides together through the forest, just basking in each others company. He would gladly let you take his hand, drag him away deep into the dark woods to escape from the world, and let him worship you forever

Obviously you have a sick sense of humor like Peter

In an interview, someone asked how you manage to stay looking so young and you replied “by eating fetuses”

Your both getting cancelled

Peter jokingly asks you why your skin isn’t green despite being a witch, which would honestly match with Type O’s green aesthetic

The other band members really like you and find you so cool. They ask the same stupid questions as Peter (can you curse someone for them? Why aren’t you green? Where’s your broom stick? Can you shape shift?)

They (along with Peter) always go to you for remedies to help with hangovers

He really wants you to put a spell on him that’ll bind him to you as your forever faithful servant (you can’t tell me he wouldn’t)

Will bring you literally anything you need/want. Need ingredients for a new potion? He’s on it. Need a specific type of marker to draw a summoning circle with? He’s on it. Need someone to take your familiar to the vet? He’s on it!

Hell, he’ll even offer himself as a sacrifice

He just loves petting and cuddling with your familiar (especially if it’s a cat)

There are backstage videos of you dressed up like the wicked witch of the west and chasing the band around as they laugh at you doing your best impression

Peter LOVES reading old European texts with you or just listen to you read them out loud, especially if their about ancient magic

Sometimes he wonders if you know all these historical accounts because you read a lot like him, or if maybe you’ve lived through them and are much older than you appear

He also enjoys listening to you explain the scientific properties behind the spells and potions you create. Even witch magic uses science

You’re such a beautiful mystery to him. He writes so many songs about you and your love

Your also a pretty terrifying force to be reckoned with when you feel you need to be, and he finds it so arousing

You can easily turn on an aura of darkness that leaves everyone around you suddenly feeling anxious without knowing why. Peter just feels immediate lust

Imagine if the jokes about Peter being a vampire were true. Then you really are the ultimate goth couple lmao

[aeztheticzforthemuzes]

[fantasyescapes17]

Manners (Part 2, Final)

Viscount Joshua Hong is by far the most eligible bachelor in London. Rich, handsome, and renowned for his excellent manners and refined tastes. Young woman would kill for the chance to be the Viscount's chosen bride. But nobody can quite determine which of the young ladies he prefers, and you are beginning to have your doubts. Is the Viscount really as gentlemanly as the ton seems to think?

Genre: Joshua Hong x Female!reader. Regency!AU (It's sort of Bridgerton-esque in the sense that I give zero attention to historical accuracy and prioritize aesthetics lmao) You are a sibling to all the Lees (Woozi, DK, Dino) so your last name is Lee but the reader has no other specific characteristics, physical or otherwise.

Word Count: 5.2k+

Part 1

Series Masterlist [I would highly recommend reading the earlier stories in this series, Patience, and Candle, before this one but it's not strictly necessary.]

You had never been formally courted before, and therefore had no inkling of what to expect from your new courtship with Viscount Hong. Indeed, you had scarcely even processed the events of the night before. The entire evening- right from Viscount Hongs' unannounced arrival up until his proposal of marriage- felt rather like an intense fever dream.

You were awoken from a fitful sleep early that morning by your maid. 

“Miss- oh miss, you must  awaken, there has been a delivery for you!” she cried frantically. 

You sat up in bed and rubbed your tired eyes. Lily and Nessie ran into your room in their nightgowns, giggling as they climbed up onto the bedcovers. They were followed by two maids struggling to carry an enormous basket of arranged pink and red roses between them. They placed the assortment precariously on your bedside table. 

“What is this?” you asked, confused. 

“A delivery for you miss- there is a card as well.” 

The maid handed you the card and your sisters climbed up behind you eagerly to peek at it. 

“Read it aloud!” Lily ordered, and you had no choice but to take the card into your hands and read out the message written in Viscount Hong’s neat and careful handwriting. 

Miss Lee,

I thought perhaps some flowers would brighten your morning- I hope the events of last night have not caused you too much distress. I did fear that writing to you would be too forward but then again, I believe we can agree that the mistake I have made so far is failing to be forward enough. 

May I persuade you to join me for a ride in the park this evening? If you are concerned about the lack of a chaperone, you may bring Chan- I will ensure an extra horse is available for him. 

Yours, 

Joshua

Lily and Nessie squealed in delight and even the maids were biting back their smiles. Sending flowers and a personalised invitation was a bold and romantic gesture indeed; you could not help the fluttering that arose in your heart. 

It appeared that Viscount Hong meant business. 

—-----------------------------------------

“I did suspect that Joshua might harbour some affection for you,” Jihoon admitted over breakfast. Your father was eating in his study, leaving you and your siblings to speak freely about the previous night's events in the dining room. “He always asks after you whenever he sees me or Seokmin.” 

Seokmin agreed, mouth full of scrambled eggs. “He does ask about you often, now that I think of it, but I thought he was only being polite. The Viscount is always so well-mannered.” 

You frowned at your brother. “Unlike you, Seokmin. Please swallow your food before you speak.” 

“It’s only us siblings here,” Seokmin protested.  

“You should be setting a better example as a gentleman for Chan.” 

Chan scoffed before sipping at his tea. “Please don’t insult me, sister. I know better than to emulate anything Seokmin does.” 

They began to argue and you did not have the energy or inclination to interrupt them. The gravity of your situation was slowly beginning to set in. You still harboured a certain girlish pleasure at the thought of Viscount Hong being in love with you- but you were also forced to begin thinking about what this proposal from a nobleman so superior in station to you would mean for you and your family. 

Jihoon noticed your expression. 

“Are you all right, sister?” he asked gently as Seokmin and Chan continued to argue. 

You turned to your elder brother with a hesitant smile. Jihoon was certainly the most mature of your siblings, and you trusted him implicitly.

"Do you think it will be alright? The entire ton has been watching to see whom the Viscount will marry. I cannot even begin to think of  how many young ladies must have their sights set on him. The thought of the gossip alone…"

Jihoon smiled kindly. "I did not think you were the sort of woman to be easily disturbed by gossip, sister."

"I-I am not, but you must admit that people will talk about it and you know that everyone holds him in exceedingly high regard while I am…" you bit your lip and looked at your brother, hoping he would understand your fears. 

Jihoon sighed and nodded. "I won't lie. It is an unexpected proposal and will certainly generate some surprise among the ton."

"What should I do?"

"I am sure word has not spread just yet. You should speak to Joshua about your fears."

You sighed and nodded. Perhaps you should. 

—--------------------------------------------------

It was a warm and pleasant afternoon; perfect for a ride in the park. Unfortunately, this meant that many other members of the ton had made similar plans. You were uncomfortably aware of the curious stares of some young ladies who passed by you on the walking trail. 

The Viscount was already waiting for you and Chan with the horses, but you had to stand aside and wait for a few moments as Chan monopolised the Viscount's attention. Once your younger brother's questions had been answered and he had taken his pick of the horses, the Viscount carefully took the reins of the horse you would ride and turned to you with a smile. 

"May I help you up, Miss Lee?"

Joshua stepped closer to you when you nodded. You tried not to show how flustered you felt when he gently took your hand and placed it on his shoulder, giving you the boost you needed to push yourself up onto the horse and seat yourself side-saddle. 

"Are you comfortable?" he asked with a caring smile. 

"Uh-yes, yes thank you very much," you replied. 

The Viscount and Chan each mounted their own horses. The three of you began a slow-paced ride around the park, but Chan could not resist pushing the purebred horse for a little more speed. 

"Chan! Don't go far, stay within sight!" you called after your brother as he went further ahead. Your brother merely lifted a hand to signal that he'd heard you. 

The Viscount brought his horse up to trot gently alongside yours. He was a skilled rider. 

"I… I received the flowers you sent me this morning," you began awkwardly in an attempt to make some conversation with Joshua. "Thank you. They were beautiful."

He nodded. "I am glad you liked them."

"I did. Very much."

"Have I made you uncomfortable, Miss Lee?" Joshua asked suddenly. He had a worried smile on his face. 

"N-no, why would you think so?"

"You seem to be avoiding my eyes."

You cleared your throat. Why did Joshua have to notice? It was true. You couldn't look at him, and not only because he was extremely handsome and his kind eyes caused butterflies to erupt in your stomach. You were simply too aware of the people watching you- there was a group of young ladies near the trees that gaped at you openly, and another pair of gentlemen who had been casting glances at you since Viscount Hong had helped you up onto your horse. 

"It… it is nothing," you said quickly. 

Joshua sighed. "Miss Lee. Please. The intention behind this courtship is to make you more comfortable with me and to trust me. If there is anything that troubles you-"

"There are too many eyes on us," you blurted out. 

Joshua was silent for a long moment. 

"I see. I've made another mistake," he said quietly. 

You turned to him with wide eyes. "No, not at all-"

"I have. It was quite foolish of me to ask you to come here with just your brother and no proper chaperone- and our courtship is not yet common knowledge to the ton. I failed to take your feelings into consideration, and-"

You felt miserable and rushed to correct him. "Viscount Hong, please, I never meant to suggest that you were responsible for this-"

"But I am responsible."

You shook your head and began to explain that it wasn't his fault, that it was your own insecurities and fears that were making you uncomfortable. But Joshua had already set his lips in a straight line and spurred his horse forward to catch up with Chan, leaving you behind. 

This was not a good start. 

Not at all. 

—-------------------------------------------

The ride at the park ended earlier than it should have; Chan was vocally disappointed but you were too mortified by the entire incident to object and Joshua was firm in sending you home safely escorted by his servants. 

Still; the damage was done. 

Word of your potential courtship with Joshua Hong had spread among the ton and you were faced with the full extent of the situation not three days later, at the ball hosted by the Hessingtons. 

Joshua had sent you flowers every single morning leading up to the ball, and had even written to apologise for his thoughtless invitation to ride in the park. He requested you to reserve him a dance at the Hessingtons' ball. 

You had, of course, accepted. 

The reality that this would be the first, formal social event where almost every single person in the room would have their eyes on you was clear from the moment you made your entrance with Jihoon and Seokmin. 

You had become accustomed to blending into the background at balls- Seokmin was lively and charming, hence rarely had trouble obtaining his desired female dance partners. Jihoon was more reserved when it came to women and dancing. But he had many friends among the ton and was often in the company of other gentlemen engaging in conversations about business. You had always been content to sit at the sidelines, accepting the offer of a dance when you received one and mingling with other ladies when they approached you.

But a lady being courted by Viscount Joshua Hong did not have the luxury of being ignored by the ton. 

“Miss Lee!” cried one of the more obnoxious gossip-mongers, Mrs. Patty, as soon as she found you alone at a bench. “You must come and dispel these strange rumours about you. Is it true that you are being courted by our lovely Viscount Hong?” 

You hesitated. “Erm…”

“Ha!” Mrs. Patty cried triumphantly, turning to her companions. She understood your hesitation to be a confirmation of her beliefs. “I knew there was no chance that little Miss Lee could capture our Viscount. I have been quite observant of his attention to the Duchess of Graham of late and I believe it is only a matter of time until they announce their engagement.” 

One of the other ladies tutted with disapproval. “But then Miss Lee must explain how she came to be riding in the park with Viscount Hong!” 

Your response was interrupted by the sound of a strong female voice behind you. 

“Miss Lee is not required to explain anything,” a young lady said sharply as she took your arm. You recognised her immediately, despite never having conversed with her before. 

This was Miss Hong. Viscount Hong’s infamous younger sister. 

"Miss Hong-" you began to greet her. 

"Come, Miss Lee. I have saved a seat for you near the refreshment tables, and you must sit with me until the dancing begins," Miss Hong said simply. 

You allowed her to lead you away from the gossip-mongers. 

You knew what everyone in London society said about Miss Hong. She was praised for being the most skilled pianoforte player among the ton, and it was well established that there was no young lady who could rival the musical talents of the Viscount's sister. 

But Miss Hong also had a reputation for being excessively fashionable, vain, and quick-tempered. While her status and wealth prevented anyone from saying so to her face, Miss Hong did not enjoy the same universal approval of society that her older brother did. 

"Miss Hong," you said gently. "Thank you for interrupting on my behalf. I really did not know how to answer their questions."

She brushed off your gratitude. "You need not bother about Mrs. Patty. That odious woman has been trying to make my life miserable since I was a child. I am not surprised she attempted to sink her claws into you."

You smiled awkwardly. "I see."

"I have been looking forward to meeting this elusive Miss Lee that seems to have the power to make my brother miserable," she said. You were shocked by her words, but when you turned to look at her, she was giggling. 

"I-I am so sorry, I really have no intention of upsetting the Viscount," you tried to explain. 

"Oh Miss Lee, you are such a sweetheart!" Miss Hong said with a carefree laugh. "I meant that my normally suave brother makes the most foolish mistakes around you and then renders himself miserable afterwards. You needn't apologise to me, I find the whole affair quite entertaining."

You relaxed a little. You had been anxious about how Viscount Hong's family would react to your courtship but, judging from Miss Hong's behaviour, she at least did not openly disapprove of you. 

"I warned Joshua he was being hasty about the proposal and that he should have someone speak to you first to assess your reaction," Miss Hong continued as she gestured for you to join her on the bench. "But he said it was not appropriate and that naturally he had to seek your father's permission before speaking to you."

You nodded. "I see…"

Miss Hong gave you a sympathetic smile. "My brother is kind but he is still a man. Society is more forgiving towards his type. He does not understand the fears and pressures that we face as young ladies."

You felt the need to defend your Viscount. 

"He has certainly been very thoughtful and considerate towards me-"

Miss Hong laughed. "Has he? Or perhaps you are blinded by your love for him."

"But the entire ton agrees that the Viscount has the most excellent manners, and-"

"Oh," Miss Hong said scornfully. "The ton. Miss Lee, I am sorry to say that if you intend to marry my brother, you must learn to take the opinions of the ton with a pinch of salt. Being a Viscountess is not an easy job. And it is certainly not one for a weak or feeble-minded woman."

Her words struck you like a blow to the face. 

A Viscountess. You would be a Viscountess if you were to marry Joshua. It suddenly occurred to you how much power and authority came from a title like that, and the strength and poise with which women carrying such coveted titles conducted themselves. 

You had certainly never seen a Viscountess who stumbled over her words in front of gossiping old women. 

Miss Hong noticed your sudden silence. 

"I apologise if I have offended you, Miss Lee," she said quickly. "It was not my intention to call you weak or feeble-minded. I am sure you are neither. But if I may be so bold as to make a suggestion, purely coming from my goodwill as your potential future sister-in-law…"

You nodded at her. You did not know if Miss Hong was as vain or quick-tempered as the ton claimed. But in this confusing reality, she was the only person willing to tell you the truth. 

 "Please do," you said. 

"You should use this courtship wisely. Not only to consider whether you wish to marry my brother… but also whether you wish to become a Viscountess. If you choose to marry Joshua, you should carry his title as a matter of pride, not as a burden. That is the only way you can be happy together."

Oh. 

You took a deep breath as you considered her words and then turned to Miss Hong, clasping her hand in yours.

"Thank you," you told her quietly. "For your honesty."

She smiled- a sudden, genuine smile that was rare for the fashionable young debutante. 

"Thank you for not being offended by it," Miss Hong replied. "Now, I regret to inform you that the dancing has begun and my brother approaches to claim your company for the first dance."

You nodded before turning to see that Joshua had indeed appeared from the crowd with his usual handsome smile. 

"Miss Lee," the Viscount greeted you warmly, offering you his hand. He raised an eyebrow at his sister. "I hope my sister has not been troubling you."

"Not at all!" you said quickly. "She has been very kind."

Miss Hong stood and smiled as she smoothed down the front of her fashionably decorated ball-gown. "Excuse me- I have promised this dance to Mr. Hessington," she said lightly before disappearing into the crowd. 

The Viscount turned to you. 

"And I believe you have promised this dance to me," he reminded you with a smile. 

"So I have."

You allowed Joshua to lead you out onto the floor for a pleasant waltz. The dance was not very demanding- and it allowed you both the chance to have a much-needed conversation. 

"I do hope my sister did not trouble you," Joshua said slowly. "She is known to be rather…"

"Honest?" you asked. 

"I was going to say impudent," he replied with a chuckle. "Although I dare say she usually means well."

"No, not at all. She helped me put things in perspective. I will admit that everything about our courtship is… new to me. I cannot help but have some fears and concerns about it all, and… I… I do not want you to think that I am ungrateful for the flowers and letters because I really am not, you have been very thoughtful and kind, I-I only…"

You were beginning to stumble over your words and your cheeks turned hot. Joshua's hand squeezed your gloved one reassuringly. 

"Tell me," he pressed you softly. "I would like nothing more than to hear your feelings."

"I wish we could have a conversation," you admitted slowly. "Only the two of us. Without- without any interruptions or eavesdropping chaperones so that-that we could have an honest discussion about the future and what this really means for each of us."

Joshua's expression was gentle. 

"Of course, Miss Lee. I agree entirely. I think we have stumbled blindly through this courtship without understanding each other. An open discussion would certainly help."

You nodded. "Well, yes. Open but…" you cleared your throat and glanced around you anxiously. "Well. Discreet, if you understand my meaning. Since we are not officially engaged."

He chuckled. 

"Of course. I understand perfectly. Would you do me the honour of coming to the assembly rooms on Thursday evening? I believe I can arrange for our… discreet discussion there."

You smiled and nodded. 

"Yes. Yes, that sounds wonderful."

"Excellent."

—---------------------------------------------------

Viscount Hong was a man of his word. 

You arrived at the assembly rooms on Thursday; Seokmin had been glad to accompany you as he had a bet to settle at the card tables with Mr. Yoon Jeonghan. 

Upon your arrival, the Viscount offered you his arm and requested your company for a walk around the gardens. You accepted- after all, you were now openly courting him, what harm could a walk about the gardens do? To your surprise, Joshua led you towards a thick copse of trees at the end of the path that provided complete cover and privacy from the rest of the gardens and the assembly rooms. 

"Shall we speak here?" Viscount Hong asked you. 

You nodded hesitantly. "Yes- I am shocked that you discovered this, it is such a private little corner."

Joshua looked slightly embarrassed. "The spot was recommended to me by Mr. Kim Mingyu. He is rather more… experienced than I am when it comes to finding ways to do things that society may not approve of."

You giggled. "You mean he is a rake."

"He admits it quite openly," Joshua agreed. 

"And we will not be interrupted- nobody will accidentally stumble upon us here?" you asked nervously.

"It is unlikely. In any case, I have asked Mr. Kim to watch over the garden path from the balcony. If anyone begins to walk in this direction, he will send us a warning," Joshua replied. 

You were flattered that Joshua would go to so much effort to indulge your simple request for a private conversation. 

"Thank you," you told him honestly. 

"It is the least I could do, Miss Lee. I understand that I have thrown quite a wrench in your life this past week. You have me quite flustered- I seem to repeatedly make poor judgements in your regard, and I will strive to remedy that."

You looked up to see the genuine regret in his eyes. It was still so strange to you that the Viscount should care so much about you and you could not help but feel a warmth towards him. 

"Viscount Hong, please do not say so. You have not made any mistakes, really."

Joshua reached his hands out hesitantly towards yours. You realised that he was seeking permission to hold your hands- and you offered them to him freely. 

His warm hands clasped yours. 

"May I go first?" he asked. 

You nodded.

"You asked me the other night why I wanted to marry you," Joshua began. He spoke slowly- as though every word was being carefully considered. "I will admit I was not prepared for that question, and I did a poor job of answering it. Will you allow me to answer it again?"

"Of course."

"Over the last year, ever since it became clear that the time had come for me to marry- I have met and considered many young women of my acquaintance. They all have their charms, of course, but I found that only your charms made a consistent and lasting impact on me."

You looked at him with surprise. 

"My charms? I must insist you tell me what these are, Viscount Hong, since I am entirely unaware of them," you laughed as your cheeks slowly turned hot.

Joshua chuckled. "I would be glad to elaborate. I know your brothers well, Miss Lee, and I am familiar with the difficulties that your family has faced. I have watched you bear them with quiet dignity. You have a strength and maturity that is rare among young women of your age- indeed, rare for any person at all. Even in the face of my hasty proposal, you had the presence of mind to stop me and question me. You are kind and generous; but not a woman who is easily swayed. That is what makes me confident that you would be a perfect choice for a life partner, and makes me want more than anything in the world to be your husband."

Your heart swelled. It was strange; you had expected some vague words from him about love and admiration- something along the lines of what you read in novels. 

But Joshua's answer gave you more confidence than any declaration of love could have. 

You now understood that his proposal, as sudden as it may have seemed to you, was not a rash or hasty decision on his part. Joshua had watched you, considered you, understood you… and still chosen you. 

"I… don't know if I deserve such praise," you told him softly. "I have not behaved very maturely this past week."

"What makes you say that?" he asked gently. 

"I have been selfish. My fears and insecurities got the better of me, and I worried about the gossip that our courtship would create and what people would think. How they would react to you proposing to someone like me."

Joshua shook his head. "Those are reasonable fears. And I have not done a very good job of protecting you from the ton's speculations."

You took a deep breath and looked up at him. 

"You do not need to protect me."

Joshua looked startled. "Miss Lee…"

"I have had time to think about what I want from our courtship, and what I can offer.  Entering into this with the expectation that I should be protected from the hardships involved is foolish. If we are to be married, then I will be a Viscountess. I cannot live my life fearing the opinions of the ton."

Joshua smiled. Your face had taken on a determined expression. It was the first time since the night of his proposal that you looked like yourself again- without that fear and anxiety looming behind your eyes. 

"You have nothing to fear from the ton," he assured you. "I will always be with you."

"Your sister said something to me that struck me deeply," you told him. "She said that if I was to become a Viscountess, then I should carry the title as a matter of pride and not as a burden."

Joshua sighed. "My sister has a strange relationship with pride."

"Perhaps so, but I think there is some truth in what she said," you replied. "It boils down to this… I would be proud to call myself your wife. And as long as you would be proud to call yourself my husband, then I do not think that there is anything society can do to ruin our happiness."

Joshua's eyes twinkled. His grip on your hands pulled you closer to him- you were mere inches away from him now and you could not tear your eyes away from his. 

"Dangerous words, Miss Lee," he warned. 

"Oh?"

"You are only making me fall more in love with you."

Your cheeks turned hot but you smiled up at him. "And you are treading dangerous waters, Viscount Hong. We are alone here, without a chaperone. I thought you were a gentleman?"

Joshua nodded. His eyes briefly flickered down to your lips. "I am. Will you allow me to kiss you?"

You flushed. "We are not even engaged…"

"I will stop if you ask me to."

"... Do not stop."

Joshua's right arm wrapped around your waist and pulled you closer to him. Your hands naturally placed themselves on his shoulders as he leaned down and pressed his lips to yours. 

It was a delicate kiss; one filled with passion and longing. Joshua was careful with you. One of his hands cupped your cheek as he pulled away slightly. He pressed his forehead to yours and gave you a small smile. 

"Have I made another mistake?" he asked breathlessly. 

You felt light-headed from the kiss but you managed to look up at him with a small pout. 

"You know perfectly well that you have not," you scolded him. 

"I had to check- my judgement always fails me around you. You cloud my senses," Joshua whispered. "You are the only woman that can make me doubt my own actions."

You looked up at the handsome man in front of you with adoration.

"I would never want you to doubt yourself," you told him firmly. 

"Then shall I kiss you again?"

"Please."

Joshua kissed you again- and again, and again, until you were both entangled in a mess of lips and tongues and limbs, allowing your bodies to express the adoration that words could not satisfy. In your heated whispers between soft, sensuous kisses, Viscount Hong became Joshua, and Joshua became my love. 

—---------------------------------------------------------

The passionate courtship that ensued had the ton in an uproar. 

It was all over the gossip sheets, and on the lips of every member of the ton: Miss Lee had cast a spell on Viscount Joshua Hong and he was absolutely smitten with her. 

Joshua made no effort to abate the gossip. Instead, flowers and letters arrived at your doorstep every single morning. Some days he would send you presents; pretty little hand mirrors, ribbons, satin gloves…. always accompanied by love notes stating how they made him think of you. (He even once sent you a set of silk garters that was almost opened by Nessie. You scolded him thoroughly and his gifts remained family-appropriate thereafter). 

Joshua danced with you-and only you- at every ball. It caused an immense displeasure among the ladies of the ton and Mrs. Patty even saw fit to complain to you on one occasion. 

"How unfortunate that Viscount Hong will not look at the Duchess anymore," Mrs. Patty bemoaned openly to you. "She would have suited him so well- so rich and with her own title."

"Yes," you said to the older woman calmly. "It is unfortunate indeed that Viscount Hong has no need to marry for riches or titles. He shall have to settle with marrying for love, instead."

Mrs. Patty gave you a sharp look but you heard no more from her on the subject. 

The whispers were not all pleasant, naturally. Many gossiped about how Viscount Hong was clearly marrying down, how your dowry and station and beauty were so far beneath his. It was painful when these whispers reached your ears- but it was a pain that you would gladly bear for the privilege of being with Joshua. To his credit, Joshua swiftly and politely silenced anything that reached his ears. 

The weeks flew by; and on the 30th day from his initial hasty proposal, Viscount Joshua Hong appeared once more on your doorstep just before suppertime. (This time with notice- Dotty had been able to prepare her venison pie.)

"My father is away on business," you informed Joshua as you led him to the dining room where your siblings were all waiting for supper to be served. "So I am afraid that you will not be able to ask for his permission to  propose to me again."

"How unfortunate," Joshua said with a chuckle as Lily ran up to him and greeted him with a hug. He lifted her into his arms easily and set her down in her seat at the table. "It would be very inappropriate to propose to you without permission- but whose permission shall I seek?"

Chan piped up. "You could ask Jihoon."

Jihoon looked up from his plate with a raised eyebrow. "I would not dare to assume such a monumental responsibility. You will have to seek permission elsewhere."

"Seokmin?" Joshua asked. 

Seokmin shrugged. "Ask me again after supper. I am too hungry to grant any permissions at the moment."

Joshua chuckled. "Chan?"

Chan rubbed his chin thoughtfully. "I could be persuaded… for the price of an Arabian horse, perhaps?"

"Absolutely not," you said firmly. 

Joshua settled down into his seat and turned to your little sister Lily, who was looking up at him with a big smile and a gap in her teeth. 

"What shall I do, Lily?" Joshua asked her with a mock sigh. "I had hoped to propose to your elder sister tonight, but your father is not in town and none of your brothers will grant me permission."

Lily frowned. "Why do you need permission?"

"It is good manners to seek the permission of a woman's loved ones before making an offer to her."

"Then I shall grant you permission, Viscount Hong! You may marry my sister."

You couldn't hold back your laugh; Nessie giggled and the corner of even Jihoon's lips curved upwards. Joshua gracefully accepted her permission and then turned to you with his usual handsome, charming smile. 

"Well, Miss Lee; what say you? Will you do me the honour of becoming my wife?" Joshua asked you with a chuckle. Lily looked up at you expectantly with big eyes. 

You smiled back at Joshua. 

"Well, since Lily has granted her permission…"

"Is that a yes?"

"Yes, Viscount Hong. I would be honoured to become your wife."

—--------------------------------------------------------

[phospadparadscha]

Church dance + Gems au = accidental near-fusion???

And now, for the main event: Black Opal, the fusion of an Orange Pearl (Kim Kitsuragi) and mystery gem (Harry Du Bois). Below is a reference I made:

Black Opal, the fusion of Harry and Kim as part of my Disco Elysium / Steven Universe crossover AU. I really wanted to lean into the nostalgia and adrenaline junkie aspects of both characters. The conclusion I came to was a 70s biker. I think every time I've seen a picture of someone's american dad back when they were younger, it was a guy with insane facial hair and a homoerotic biker fit, which lead me to this as the aesthetic for a fusion of these two. These are black opals, for reference:

As a fusion, they both struggle to speak as a singular being. They are not a very stable fusion, mostly due to Harry's damaged gem and how quickly they both can diverge from each other in action and personality. When they do agree however and can maintain Black Opal, its the aspect of themselves that brings out the daring qualities of the other; the one that says "hold on!" and presses their foot on the accelerator, the one that revs their engine, the one that brings a boombox to a boat ride. After a while Black Opal is able to assimilate both aspects of Kim and Harry, as seen in the last panel where his enthusiastic and showboating personality (which both Harry and Kim posses individually in different ways) becomes more like a singular being, like other fusions in the show.

I arranged their limbs and eyes according to where I think they diverge in terms of personality and what they try to accomplish as a fusion / where their interests conflict. This seems to be the case for fusions in Steven Universe as well, where the less harmonious a fusion is, the less proportional the limbs and eyes are to a human body. Harry and Kim have divergences in their eyes and in their forearms. While physically they follow each other in a common goal, Harry and Kim have different ways of handling the world and diverge in their sense of interfacing. Kim has a delicate touch generally, while Harry tends to brute force his way through obstacles. They also have divergent eyes; They both see the world very differently and have different reactions to the same stimulus. Besides these two divergences, they are a fairly harmonious fusion physically.

This is Kim's first fusion, meanwhile Harry has fused before with multiple people from Precinct 41 and his ex, but due to his amnesia he doesn't remember that he has.

Harry and Kim are both basically in historical cosplay throughout the entire game, and I liked the idea of them both being a fusion that dresses in an outdated and charming way as well, like a person out of time. Black Opal as a gemstone I chose because the rainbow coloration of Harry's pale damage on his gem would intermingle with Kim's orange pearl, while the orange and green of the two of them mixed as colors would be a darker muddy color. Thus, this would equate to a dark gem with rainbow coloration inside. Opals tend to be porous as well, which I found fitting for Harry's eroded gemstone.

I love how Harry and Kim have whack-ass facial hair in game and I wanted to give them both an insane facial hair combo. The leather jacket is basically a combination of Harry's green disco blazer and Kim's orange bomber jacket. Kim's gloves become biker's gloves, the "tie" from Harry is the bandana they both wear around their mullet with buzzed sides. They're wearing these big biker's boots, which are drawn largely from Kim's boots in game. Kim has a ton of little compartments to his clothes, so I liked the idea of there being a bunch of zippers everywhere. I'd have put even more and drawn on some patches but my hand was starting to fall off from drawing so for now this is it.

I'll definitely be drawing more of this fusion and for this AU in the future but if you guys have suggestions, ideas, art requests for the crossover let me know. The tag for posts about this au is "disco universe".

Below are some of the clothing and aesthetics I referenced while drawing Black Opal:

[beronicalongcon]

MY TOP 10 RIVERDALE MOMENTS

In honor of the most gorgeous beast of a show to ever air being put in the ground tonight, here are my top 10 Riverdale moments. It was pretty impossible to make this list because I had to leave out so many beautiful things like that time Archie got forged, that time Cheryl was Queen of the Bees, and that time he was looking for the girl next door, but instead he found me.

10. JUGHEAD MEETS THE RAT KING

Sweaty, unhinged Loser-Jughead hallucinates his literary agent appearing to him as a Dark God of sewer rats. In a bid to save his life, he offers to be the Rat King's personal storyteller, like a Riverdalien Scheherazade. Betty appears to him and guides him out of the underworld and it's revealed that he was in the hospital for RABIES, which is made one billion percent funnier by the fact that rabies is 99% fatal. This made me so happy I was literally riding the high for weeks.

9. Archie boxes Hiram in the secret speakeast while Veronica sings "Daddy Lessons" by Beyonce.

This is just one of those great Riverdale musical moments - cutting between the blood spatter and bulging muscles of Archie and Hiram's furious machismo coming to fruition and Veronica dressed in gold singing about her terrible and vital love for her insane mob boss Daddykins.

8. PSYCHO KILLER PROM NIGHT

This whole plotline is great because 1. the auteur making big, clunky comic book caricatures of the main cast and having them relive their traumas through the mode of film with all the edges sanded off is metatastic, 2. Jellybean is the coolest middle schooler ever, and 3. Psycho Killer playing at Prom Night while they all dance around Mr. Honey's corpse is just objectively great television.

7. THE FOOTBALL WAR OF UZBEKISTAN

"Haha football war" shut up this is one of the most artistically cohesive and interesting sequences in the entire series. It lays bare the twisted knot of dream logic and aestheticism that governs Riverdale's universe. "Why do all the visual cues point to Archie fighting in WWI if Riverdale is set in 2021?" Because WWI was the period where America most successfully fetishized the IMAGE and AESTHETIC of young men going to war as a MASCULINE IDEAL. "Why are they fighting on a football field?" Because football is another heavily fetishized mode of expressing American masculinity and violence as heroic. "Why is Jughead there?" Because Archie loves Jughead.

6. BERONICA KISS IN OUTER SPACE

I may not like season 7 but my URL is 'beronicalongcon', and the way this episode reminds us how Betty and Veronica are historically positioned as diametrically opposed forces vying over Archie's love before bringing them together and letting them truly see each other is really nice. Also they kiss in space to symbolize that the world of the narrative by definition cannot allow women to connect independent of men, the only way they can truly be together is by inventing a new universe that is able to hold them.

This got long so I am making another one.

[watchnrant]

A Discovery of Witches Season 2: A Darker, Richer Narrative

If you thought A Discovery of Witches was just another fantasy romp with a bit of historical flair, buckle up for Season 2—this ride gets delightfully more treacherous. Based on Deborah Harkness’s All Souls Trilogy, the show kicked off with a seductive blend of magic, academia, and some good old-fashioned supernatural skullduggery. But with its sophomore season, it doesn’t just dip its toes into darkness—it dives headfirst into the murky waters of power struggles, betrayal, and Elizabethan angst. The result? A more prosperous, textured narrative that wraps around you like a cloak on a chilly London night, refusing to let go.

Power and Betrayal: The Core of Season 2

This season isn’t content with picking up where the first left off—it’s a full-blown transformation. Power dynamics take center stage; with stakes so high, you’ll need a ladder to catch your breath. In a world where every glance, whisper, and seemingly innocuous gesture could be a precursor to betrayal, the relentless pursuit of control gives the season its teeth. Whether safeguarding ancient secrets or simply trying to survive another day, the characters are pushed to their limits, leaving you glued to the screen, wondering who will crack under the pressure first.

From Modernity to Mystery: The Haunting Atmosphere of Elizabethan London

Say goodbye to the sleek, modern settings of Season 1—this time, we’re strolling through the gritty, shadow-laden streets of Elizabethan London. The production design team has outdone themselves, crafting an environment where every alleyway feels like it’s hiding something sinister. With dim lighting and claustrophobic sets, the atmosphere is laced with palpable tension. It’s a visual feast that perfectly complements the season’s darker tone, making you feel like danger lurks around every corner—and honestly, it probably does.

A Walk Through Time: The Immersive Historical Detail

For the history buffs out there, Season 2 is a love letter to the past, filled with all the pomp and peril you’d expect from the era. The Elizabethan setting isn’t just a backdrop; it’s a living, breathing character in its own right. Every detail pulls you deeper into this world, from the meticulously crafted costumes to the period-accurate architecture. This historical immersion doesn’t just serve the aesthetics—it enriches the entire narrative, grounding the fantastical elements in a world that feels as real as your own. Unless you know something we don’t, except for the witches and vampires?

The Dark Evolution of Matthew Clairmont

Matthew Clairmont’s past comes back to haunt him with a vengeance, and Matthew Goode’s performance is captivating. He expertly navigates the fine line between restrained intensity and explosive emotion, bringing the character to life with smoldering intensity and magnetic terror. It’s a masterclass in understated menace that makes for some compelling viewing.

Love and Power: The Shifting Dynamics of Matthew and Diana

The relationship between Matthew and Diana remains the beating heart of the series, but in Season 2, it’s fraught with tension from external threats and an evolving power struggle. Diana is no longer the hesitant scholar we met in Season 1—she’s coming into her own, challenging Matthew in ways that shake the foundations of their relationship. The patriarchal backdrop of Elizabethan society adds another layer of complexity, making their love story as much about power as it is about passion. It’s a push and pull that keeps the drama sizzling, and you’ll find yourself invested in every charged exchange.

Blending Fact with Fiction: Historical Figures in the Plot

One of the season’s most delightful tricks is its seamless blending of historical figures with its fictional narrative. Queen Elizabeth I and Christopher Marlowe are more than name-drops—they’re integral to the plot, adding a layer of authenticity that enriches the story. Their interactions with Matthew and Diana aren’t just for show; they’re pivotal to the unfolding drama, offering some of the season’s most electrifying moments. This blending of fact and fiction grounds the supernatural elements in history and sets the series apart from other contemporary fantasy offerings.

A Delicate Balance: Romance and the Supernatural

A Discovery of Witches has always balanced romance with its supernatural elements, and Season 2 is no different. The romantic tension between Matthew and Diana is as intoxicating as ever, but it never overshadows the show’s broader mythos. Instead, the romance enhances the narrative, adding an emotional depth that complements the dark intrigue at the heart of the plot. It’s a careful dance between the heart and the supernatural, and the show pulls it off with aplomb.

Star Performances: Matthew Goode and Teresa Palmer

Matthew Goode and Teresa Palmer continue to anchor the show with stellar performances. Goode brings Matthew Clairmont to life with a smoldering intensity and magnetic terror, while Palmer’s portrayal of Diana Bishop is a revelation. She embodies the character’s transformation with grace and strength, creating an electric dynamic that crackles with every scene. The supporting cast also shines, each actor bringing something unique to the table, further enriching the narrative’s tapestry.

A Visual Feast: The Cinematic Brilliance of Season 2

Visually, Season 2 is a triumph. The cinematography is nothing short of cinematic, with each shot meticulously crafted to enhance the story’s mood and tone. The interplay of light and shadow, the rich color palettes, and the precise camera angles all work harmoniously to create a world that is as visually compelling as it is narratively rich. It’s the kind of show where you could pause at any moment and find a frame worthy of hanging on your wall—a testament to the care and craft that’s gone into every aspect of its production.

Fan and Critic Reactions: Embracing the Darker Narrative

Season 2 has struck a chord with fans and critics alike. The darker, more intricate narrative has been widely praised, with many appreciating the show’s boldness in deepening its themes and expanding its world. The shift to the gritty realism of Elizabethan London has been a particular highlight, adding a fresh dynamic that keeps the series from stagnating. Critics have lauded the show for its character development, atmospheric tension, and historical detail, solidifying its place as a standout in the fantasy genre. It’s a season that doesn’t just continue the story—it elevates it, pushing the boundaries of what a fantasy series can be.

Building on a Solid Foundation: How Season 2 Outshines the First

While Season 1 laid the groundwork, Season 2 takes it to new heights. The progression in tone, plot, and character arcs is evident in every frame, with the creators intent on building something more ambitious and complex. The historical setting, darker themes, and more intense character dynamics contribute to a fresh yet familiar season—a continuation of the story, but one willing to take risks and challenge its audience in new ways.

Delving into Darkness: The Weight of Season 2

The thematic weight of Season 2 is undeniable. It’s not just a stylistic shift—it’s a narrative evolution that delves into the darker corners of its characters’ psyches and the world they inhabit. The exploration of power, betrayal, and control resonates deeper, making the stakes feel higher and the choices more consequential. This isn’t just about good versus evil—it’s about survival, legacy, and lengths to protect what one loves. It’s a season that engages the heart and the mind, leaving you pondering its themes long after the credits roll.

Season 2’s Triumph: A Captivating Blend of Fantasy and History

Ultimately, Season 2 of A Discovery of Witches is a triumph. It’s a masterful blend of fantasy and history, romance and intrigue, all wrapped up in a visually stunning package. The darker, richer narrative pulls you in and refuses to let go, offering an experience as intellectually stimulating as it is emotionally engaging. Whether you’re here for the history, the romance, or the supernatural spectacle, Season 2 delivers on all fronts, leaving you eagerly awaiting what the series has in store next.

[trustfratedjin]

BANGTAN OT7 FIC RECS VOL. 1

Aight, here we go

Keep in mind that the 18+ warning does NOT only apply to smut, so please read the individual warnings on EVERY fic, thank yeowww :)

OT7

Idol!AU

Little Do You Know by @yoongiofmine Complete 18+

Relax, It’s Our Honeymoon! by @birchandspruce Complete 18+

You Complete Us by birchandspruce Complete

wild, wild, wilderness by @kimnjss Complete 18+

home sweet castle by kimnjss Complete 18+

The Plot Twist ft Soulmate!AU by @blog-name-idk Ongoing 18+

The Line Between Love And War ft Soulmate!AU by @purpleyoonn Ongoing

baby (you complete us) ft Soulmate!AU by purpleyoonn Ongoing 18+

Unorthodox by @beahae Ongoing 18+

The curious move-in to apartment 27 by @sor-vette Ongoing 18+

Got the music in you baby by @minniedaisies One Shot

Love Starved by @hollyhomburg One Shot 18+

The Sex Strike by @borathae One Shot 18+

Soulmate!AU

The Book of Soulmates by @alpacaparkaseok Complete

Moonchild by @jeonggukkiepabo Ongoing? idk hehe 18+

Mafia!AU

Between The Bloodshed by @agustdakasuga Complete 18+

Ethereal ft Fantasy!AU by purpleyoonn Complete 18+

Ride With you by @jellifysh Ongoing 18+

The Way Of A Criminal by agustdakasuga Ongoing 18+

Thou Shall Not Steal by @xherxx Ongoing 18+

A/B/O!AU

House of the Omegaverse ft Dark!AU by @sopejinsunflower Complete 18+

Lone Wolf by @sopebubbles Ongoing 18+

Before I leave you ft Dark!AU by @hollyhomburg (READ THE TW FOR REAL) Ongoing 18+

Royal!AU / Historical!AU

The Return of an Empress by @you-are-my-joy Complete 18+

Fall of Empire by @aloneatpeace Ongoing 18+

Hybrid!AU

Abundance by @angelicyoongie Ongoing 18+

100% sure i've read more but i can't remember any of em rn lol

Dark!AU

Death Valley by @bangtangalicious Complete 18+

College!AU

Everything Falls (Into Place) by blog-name-idk Complete 18+

Thesis It by xherxx Complete 18+

The Apartment Games by @softiejoon Maybe discontinued but here for the aesthetics

Kings of Campus by @luxekook Ongoing 18+

Journey to the dick by @whatifyoulivelikethat One Shot 18+

Sharing is Caring by @theharrowing One Shot 18+

Fantasy!AU

Recrudescence ft Idol!AU by @chimchimsauce Complete 18+

To have, to hold, to make you stay by sor-vette Complete 18+

Other

All the Kinks ft Multifandom, Multi!AU’s by @helvonasche Complete 18+

Getting Back Into The Swing Of Things by jellifysh Complete 18+

Boyfriend for Hire by @remedyx Ongoing 18+

Audios by @youmyjhope 18+

Sh. by @wwilloww Ongoing? idk hehe 18+

NOT OT7

Idol!AU

Need by @bang-tan-bitches ft KNJ, JHS and MYG ft A/B/O!AU Complete 18+

The bias room by @chimivx ft MYG, KTH and JJK One Shot

Desperate by borathae ft PJM, KTH and JJK One Shot 18+

Floored by @lavienjin ft JHS, PJM, JJK One Shot 18+

College!AU

Stretch You Out by @chateautae ft KNJ and JJK One Shot 18+

Fantasy!AU

bitten & knotted by @jamaisjoons ft JHS and KNJ One Shot 18+

Other

Magic Hands by @breadoffoxy ft PJM and KTH Complete 18+

Fucking Around by @tanniefm ft PJM, KTH and JJK One Shot 18+

The Art Of Self Restraint by @scribblemetae ft PJM, KTH and JJK One Shot 18+

The Sope Surprise by @chelsea-chee ft JHS and MYG One Shot 18+

The D Box by breadoffoxy ft KSJ, MYG and JJK One Shot 18+

Swiss Miss by @here4kpopfics ft KNJ and KSJ One Shot 18+

Bigger & Better by lavienjin ft KNJ and KTH One Shot 18+

Package Deal by @hoseokhasmyheartxx ft JHS and MYG One Shot 18+

Rain On Me by @dawnagustd ft KTH and JJK One Shot 18+

When i tell you my hand is cramped from all the clicking and my eyes are blurry for staring at the screen for 8+ hours...

AND THIS IS HOW WE CONCLUDE 1/9 REC POSTS WUUUU

Stay tuned because I still have to post the recs from each member and one final giving a massive shoutout to all my favorite BTS fic authors of all time (including everyone here and many more hehe)

You'll notice that some authors weren't properly tagged, that's cause tumblr wouldn't let me tag more than 50 users, so I made sure to tag the writers AT LEAST ONE TIME in case there were more than one of their works mentioned here :)

Btw, if any of the links don't work or there is a mistake or anything, please let me know so I can fix it :)

BANGTAN'S HYUNG LINE FIC RECS VOL. 1

BANGTAN'S MAKNAE LINE FIC RECS VOL. 1

[hiddenincommand]

The Leather Overcoat: The Cloak of Command

In the Alpha’s arsenal of refinement and authority, the leather overcoat occupies a unique and commanding position. It is more than just an article of clothing; it is a symbol of dominance, power, and presence—an extension of the Alpha himself. With its weight, tailored precision, and undeniable aesthetic, the leather overcoat envelops the Alpha in an aura of calculated menace and controlled mastery. Every fold of the coat, every seam, and every button is deliberate, communicating unspoken authority to all who stand in his presence.

This essay explores the role of the leather overcoat as the Alpha’s cloak of command: its historical significance, its function as a statement of power, and its psychological impact on those who witness its imposing silhouette.

The History of the Leather Overcoat

The leather overcoat’s origins are rooted in military and equestrian traditions, where durability, practicality, and presence were paramount. Worn by officers, commanders, and aristocrats alike, the coat was designed not only to withstand harsh climates and environments but also to project strength and leadership.

1. Military Origins:

Leather coats became synonymous with authority during the late 19th and early 20th centuries. Officers wore them on horseback and in trenches, the heavy material offering protection against the elements while their polished finish reinforced their rank and status.

2. Aristocratic Utility:

In aristocratic circles, leather coats were tailored with meticulous precision. They combined functionality with refinement, designed to drape over riding uniforms and complement tall boots, breeches, and gloves. This seamless blend of utility and style elevated the coat to an unmistakable symbol of power.

3. Cultural Symbol:

Over time, the leather overcoat transcended its practical roots to become a statement of command and menace in broader culture—adopted by those who sought to impose fear, respect, or awe with nothing more than their presence.

For the Alpha, these historical associations elevate the leather overcoat into something far more than a garment: it becomes his personal insignia of dominance.

The Physical Power of the Leather Overcoat

A leather overcoat is designed to command attention. Its weight alone distinguishes it from lesser fabrics, and when draped over the Alpha’s shoulders, it amplifies his presence. The deliberate swish of leather as he moves signals precision, control, and menace, each step a reminder of his authority.

1. Weight and Fit:

• The coat must be heavy, tailored to perfection to complement the Alpha’s physique.

• It must drape over his flared breeches and polished boots, creating a silhouette of power.

2. Leather Quality:

• Only the finest leather is acceptable—thick yet supple, polished to a subtle sheen.

• The coat must retain its structured shape, embodying durability and refinement.

3. Functionality:

• The overcoat is practical as well as symbolic. It protects against the elements while remaining immaculate, a reflection of the Alpha’s ability to remain unshaken by adversity.

When the Alpha dons his leather overcoat, he does so with deliberate purpose. The coat becomes an extension of his presence, its movement as calculated as his stride, its weight as uncompromising as his standards.

The Psychological Impact

The leather overcoat carries with it a psychological weight, both for the Alpha and those who encounter him.

1. Authority:

The Alpha’s coat announces his authority before he speaks. Its tailored perfection and heavy presence create an imposing silhouette, forcing others into silence and submission.

2. Fear and Respect:

The gleam of the leather and the way it moves create a psychological trigger—instilling awe in those beneath him and fear in those who dare oppose him. It is a cloak of command in every sense of the word.

3. Detachment:

The Alpha’s coat forms a barrier between himself and the world. It symbolizes his emotional detachment, a reminder that he is untouchable, unyielding, and resolute.

The Alpha understands the power of psychology, and the overcoat becomes part of his strategy. To look upon him is to witness perfection—a controlled, dominating force that cannot be ignored.

How the Alpha Wears His Overcoat

The leather overcoat is not thrown on casually. It is worn with purpose, each element carefully considered to enhance the Alpha’s authority.

1. With Gloves:

Leather gloves complement the coat, completing the look of precision and dominance. Whether clasping a riding crop, a swagger stick, or resting at his sides, the Alpha’s gloved hands move with deliberate grace.

2. Over Breeches and Boots:

The coat must flow over the Alpha’s flared breeches and polished riding boots, drawing the eye to his imposing stance and confident stride.

3. Shoulder Posture:

The Alpha stands tall, shoulders squared and back straight. The overcoat enhances his silhouette, exaggerating the breadth of his chest and the refinement of his physique.

4. Silent Command:

When the Alpha removes his coat, it is done with ceremony—slowly and deliberately, as a reminder of his control. The submissive entrusted with holding or caring for the coat must treat it with reverence, understanding its symbolic importance.

Sir Cedric’s Reflection

The leather overcoat is my armor and my insignia. It carries with it a weight—both physical and symbolic—that reinforces my authority with every step I take. When I fasten its buttons and feel its weight settle on my shoulders, I am reminded of who I am: a man of discipline, control, and refinement.

The swish of leather as I move is not accidental—it is a calculated declaration of my presence. Those beneath me understand the significance of the coat, for it is no mere garment. It is a statement.

To the submissives entrusted with polishing its surface or carrying it in my stead, the leather overcoat is a lesson in reverence. Treat it well, and you honor me. Fail to do so, and you dishonor yourself.

How do you present yourself? Do you command attention before you speak? Do others feel your authority in the weight of your presence? If not, you have failed.

The leather overcoat is not an option. It is a necessity—for the Alpha who understands that power is projected as much as it is enforced.

The Alpha does not wear the coat. The coat wears his dominance.

[from-the-coffee-shop-in-edoras]

I see you very much as an expert on all things Rohirrim, so I bring to you this question, hoping I can pick your brain for info to use in my own fics (full disclosure). 😅

It seems to be a popular fanon that the Rohirrim/Riders of Rohan have tattoos, and that body art is a part of their culture. Do you have any thoughts or personal HCs about this that you're willing to share?

Thank you in advance! I appreciate you and your blog so much (if you didn't already know that).

Oh my goodness!!! I am so very honored to be thought of as a person who is knowledgeable about my beloved Rohirrim, and I hope very much that I can live up to that reputation. Thank you!!!

I’m not aware of any real textual evidence for body art among the Rohirrim, and the historical record in the medieval Anglo Saxon and Norse societies that Tolkien used as a reference for them seems to be disputed. But I absolutely understand and agree with the conventional wisdom that tattoos are a thing in Rohan. It just fits well with a warrior culture that has a wilder, dare-I-say more pagan aesthetic as compared to the smooth solemnity of Gondor or the formal elegance of the elves. And since they’re a culture that doesn’t document things in written words, pictorial representations such as tattoos and body art would be one way to fill that gap (along with their songs and oral traditions).

In my mind, tattoos in Rohan are common but basic—they’ve really only got the technology for the “stick and poke” method so the designs are kept simple because anything too elaborate is difficult to pull off well. They’re mostly in black line (using soot) but some have color using powder made from grinding up certain dried roots and plants.

Each village/community has its own distinctive tattoo motif that is worn by all of that community’s members. So you can tell just by looking at someone whether they’re from Upbourn (a fish because it’s a river town) or Dunharrow (mountain peaks since they’re in the White Mountains) or Everholt (a boar in honor of the wild boar that live in this part of the Firien Wood), etc. And soldiers also tend to share tattoo designs specific to their éored—getting your éored’s mark is a formal rite of passage for the younger members when they first get assigned to their company. These shared tattoo designs are important both for group cohesion and as a means of identifying fallen Rohirrim even if the deceased isn’t known to whoever finds the body.

Beyond these ritualized and practical functions, I do also like to think that there are some purely decorative tattoos among them as a means of personal expression and/or to help cover small scars that so many Rohirrim have from battle, riding accidents or other mishaps. Obviously horse-based designs would be very popular, as well as other flora and fauna of Rohan. But they’re a very sentimental people and so I think little emotional signifiers would also be very common (again, especially because they generally don’t have a means to pay tribute to beloved people/things in written form, this sort of symbol would serve the purpose of making some kind of record of those tributes).

In terms of specific people in my head canon: Éomer has a little simbelmynë blossom for each of the major figures in his life that he’s lost (forearm). Háma had a sun to remind him of his wife, who brought warmth and light to his life (shoulder). Théodred had stars in the shape of a particular constellation that is visible every year on his mother’s birthday (chest). Éowyn has a representation of her father’s sword (left wrist) and gets a quill (right wrist) to represent Faramir after they get married. (Faramir got a little running horse in her honor on his first trip to Rohan. He was glad he did it, but he never wants to sit through that again.)

Merry brought tattooing back to the Shire when he showed up with a tobacco pipe on his bicep (both for its association with Buckland and in tribute to Théoden, whose last words to Merry were about smoking together someday when peace was restored). Unsurprisingly, tattoos did not catch on with the other hobbits, but Merry remains very proud of it.

Anywayyyy…I hope that was in any way helpful! Thanks so much for asking!! I remain a huge fan and am so grateful to you for helping convince me to put some of my thoughts and stories out there vs keeping them all in the confines of my own Google drive!

[pruneunfair]

Weirdly how I'm the one who does judge the book by its cover, it can be aesthetically and fully as in it can tell you what the stories will hold

Like the cover is the first impression of the story and it's also pretty much a surface portrayal of the story

I always dislike those harem manhwha covers where the FL is surrounded by a bunch of men, never like it, especially when the FL is a minor and it's just off-putting, it's uncomfortable and it's glorified at that, just weird for me

I believe the cover is just as important as the stories, cuz it can show the essence of the stories or give you hints of what to expect, so I wouldn't say judging the covers are all that bad, I only make big opinions on stuff I've consumed, not just the stuff I've seen a cover once and decided "Yep I know where this is going and I'm not staying", I only do that to works I'll never bother to read further at all, like I'm the Queen of this Life, like I see the manhwha cover and only read the first chapter, after careful observation of the 1st chapter, I decided "Yeah I'm not taking this ride", ig recent bad stuff happening in Fiction have broaden my taste and it got better but it's not that good cuz it kinda become hard to find works to my taste, ughh being picky isn't fun and it's sad that I might get "scolded" for it by some strangers I don't know at all

I feel like harem stories are the genre that can truly only be done two ways: for a historical piece or for a fantasy fufilment and well, guess which one is more popular.

Covers are definitely what give you the first impressions, they can tell you the priorities of the plot even outside the title. As you've said if the lead is surrounded by multiple men it's more than likely going to prioritize romance

[unbizzarre]

BARRAYARAN COSTUME DESIGN

The process for costume design:

Had fun looking through a whole bunch of reference images to try to create a costume set that reflected the strong sense of tradition with midieval-esque holdovers from hand textiles that would have had to be the norm during barreyars period of isolation, while also accounting for the wealth of the current barreyaran aristocracy and their access to modern galactic trends and clothing. I also didn’t want the midieval influences to be generic-fantasy-vaguely-european-bulshit, so I also tried to find reference images with styles, patterns, and silhouettes that where somewhat reminiscent of the French, Russian, and Greek cultural heritage barnyard first settlers may have brought with them. That being said, it wouldn’t make sense for any of these traditional garments to have been preserved with 1-for-1 accuracy from there earth origins over the many centuries (cuz like, irl traditional dress in these countries is less and less common) so I didnt want to just copy exactly historical garments.

OH! And then I also had to make sure the men’s clothing also reflected the pseudo-military affectations which Bujold has mentioned in multiple books as being popular in menswear amongst the vor cast. (Ex: the formal riding boots, and the two swords carried at formal events, or less formally vor “town clowns” also wearing casual clothing reminiscent of a military cut.) but! In order to do this, I had to think of both what would have been military uniforms both in isolation-barrayar and modern barrayar, and which aspects of each set of military uniforms would be incorporated into modern men’s fashion. Would any women’s clothing also reflect this warrior trend?

Finally, since all of this costume design was brainstorming for the dinner party scene, I wanted to make sure that the clothes matched the personalities of the people wearing them. Like aunt Alice and Professors Vorthis are both middle aged Vor-caste women, but will have vastly contrasting style. Alice being alice, her clothing will likely be both perfect for the occasion while also a sleek and elegant combination of the leading barreyaran fashions, while also giving a nod to traditional barreyaran costume at times as she is a representative of both the state and her old-vor house. The professora on the other hand, will probably opt for something comfortable and cozy, while not especially showy, as she is more concerned with her studies and gardens and is not super involved in the Vorbarra-sultana social scene.

Some of the reference images I used:

And many many sooooo many more. So much borrowed creativity from all over the internet I feel bad I can’t more accurately site all my sources 😞

Also some random cool aesthetic modern shit that I thought had fun sci fi vibes as well as some *sigh* generic-euro fantasy clothing cuz sometimes you need to be a little basic.

Also a lot of cool art by artists I love that is just dope costume design and totally all their work. Idk the names of a lot of them cuz I’m not really active on social media and only really see the images amidst thousands of others in my Pinterest hoard but I always recognize the artsyles and creativity and wind up saving them to reference art boards 🙈

Some that I do remember and love a lot are cy-lindric, Juliette, and Celia Lowenthall