#Hiroyuki Maeda
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真ゲッターロボ ゲッター1 by 前田ヒロユキ
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Thursday, 1 February at 22:00 at #TheYakaicasino with the cast of the film "Golden Deity" SP!
Guests include Kento Yamazaki, Anna Yamada, Hiroshi Tamaki, Gordon Maeda, Asuka Kudo, and Ryohei Otani from the film "Golden Deity"!
The lead performer Kento Yamazaki challenges himself to a difficult bowling match with a football! He also shows off his brilliant lifting skills!
Hiroshi Tamaki, who has played many roles, shoots a gun in low visibility!
Maeda-san, who plays the role of a genius sniper, tried shooting without the sound of an ocarina, while feeling a lot of pressure on his legs!And Asuka Kudo, an agricultural university graduate, as a real agricultural actor, takes on the challenge of a three-round agricultural fight that he can't help but win!He's also very popular in South Korea! Does Ryohei Otani add soy sauce or salt and pepper to his fried eggs? Salt and pepper? The studio is also excited about the challenge of a great celebrity!Looking forward to challenges from our gorgeous guests!𝑰𝒕'𝒔 𝑺𝒉𝒐𝒘 𝑻𝒊𝒎𝒆The programme airs on Thursdays at 22.00 Japanese time and at 16.00 Moscow time.
#Sakurai Sho#Arashi#Hiroyuki Ariyoshi#Kento Yamazaki#Anna Yamada#Hiroshi Tamaki#Gordon Maeda#Asuka Kudo#Ryohei Otani#The Yakai#Japanese Entertainment Programme#TBS
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Kanata no Senko 彼方の閃光 (2023) Director: Yoshihiro Hanno [Japan Film Festival LA]
Lightning Over the Beyond 彼方の閃光 「Kanata no Senko」 Release Date: December 08th, 2023 Duration: 169 mins. Director: Yoshihiro Hanno Writer: Yoshihiro Hanno, Natsuo Shimao, Toru Okada (Screenplay), Yoshihiro Hanno (Original Story), Starring: Gordon Maeda, Hiroyuki Ikeuchi, Awich, Shogen, Masayuki Ito, Masaya Kato, Website JFDB IMDB Lightning Over the Beyond is an indie production from…
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#Awich#Hiroyuki Ikeuchi#Japan Film Festival LA#Kanata no Senko#ordon Maeda#Shogen#Yoshihiro Hanno#彼方の閃光
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i redrew an og aerith from an old famitsu illustration by hiroyuki maeda…i miss her giant bangs her giant bow and her og dress sometimes…shes so buglike and cute
#ffvii#final fantasy vii#aerith gainsborough#aeris gainsborough#ffviir#final fantasy vii remake#final fantasy 7#final fantasy#ffvii rebirth#ffvii remake#final fantasy vii rebirth#whydoes jt have SO MANY NAMES!!!!#i love her so much i m gonna stary biting people#no one understands her like i do#soda art
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Shinzo (2000) 爆裂战士マシュランボー
Director: Tetsuo Imasa / Kenji Nakamura / Haruo Kosaka / Toshiaki Komura / Miyo Sasaki / Mitsuo Hashimoto / Tomoharu Arata Edited by: Izumi Higashido / Makoto Kanjima / Kenichi Kaneka / Hiroyuki Kawasaki / Yukito Nonaka / Kenichi Yamada / Yōmichi Shirai Starring: Minami Takayama / Yuko Minakuchi / Yasuhiko Kawazu / Naosuke Tatsuta / Atsushi Kashiwagi / Kyoko Yamada / Ai Maeda / Tsuyoshi Hisakawa / Atsushi Kashiichi / Tomoe Sato / Junko Shimakata / Michitaka Kobayashi / Hideyuki Hori / Kenji Utsumi / Takashi Nakao / Mami Koyama / Toshio Furukawa / Keiko Han / Hiroo Egawa / Takeshi Aono / Banjo Ginga / Takashi Koda / Koji Fukusaku / Kazuko Sugiyama / Takumi Yamazaki / Horinoku / Nobutake Tatsuya / Tomohisa Aso / Norio Tsukui / Ienaka Hiroshi / Chie Seguchi / Hitoshi Domon / Akira Tahara / Kazuya Ichijo / Masaya Takatsuki / Masaharu Sato / Mitsuo Iwata / Keiko Yamamoto / Kunihiko Yasui / Hikaru Midorikawa / Mami Kanazuki / Hisaya Suganuma / Chigusa Ikeda / Hiromi Konno / Daisuke Nari / Yuko Nagashima / Nobuo Satouchi / Daifumi Tanaka / Naosuki Imamura / Takayuki Inoue / Akiki Chatan / Munehiro Ehoku / Rie Aoki / Yo Murakami / Tsuyoshi Nishi / Tsuyoshi Toshita / Higashi Genre: Animation Official website: www.toei-anim.co.jp/tv/mashura/ Country/Region of Production: Japan Language: Japanese Date: 2000-02-05 (Japan) Number of epsiode: 32 Also known as: Mushrambo IMDb: tt0293741 Type: Reimanging
Summary:
In the distant past, the Guardian of the Milky Way galaxy named Lanancuras began to harbor a desire for more power. Because of his connection to the galaxy, he was able to absorb parts of planets and add them to his strength. As a result, he began invading the worlds he was assigned to protect. In the wake of his destruction, a following of creatures from across the galaxy pledged allegiance to Lanancuras and became known as the Kadrians. Taking notice of his ever-growing power and followers, the other Celestial Guardians confronted him; however, he had become too powerful, and they were defeated. Unable to subdue Lanancuras, the Celestial Guardians each gave up a part of their power and combined it into a single new Guardian, Mushra. In a final desperate attempt, they used Mushra's core by transforming it into a powerful card with which to seal Lanancuras in a prison. The prison was created from the remains of planets that had suffered under Lanancuras' tyranny. Because planets are themselves large beings, their combined strength (along with the power of the card) was able to restrain him. Thus Lanancuras was successfully sealed in a large meteorite.
The meteorite was sent off into the galaxy to be sealed forever. Meanwhile, the way Lanancuras had increased his strength had consequences on the planets of the Milky Way On Earth, around the 22nd century, it was in the shape of a virus that merged with human DNA and destroyed the humans that way. In order to eliminate the virus, scientists worked on combining human DNA with the DNA of animals and other creatures immune to the effects. They succeeded and created a sentient race known as Enterrans (a race of engineered Earthlings) which are based on humans, insects, reptiles, birds, sea creatures, wild beasts, and phantom beasts. Eventually, a cure was found and the human race survived.
However, due to Lanancuras' influence, the Enterrans fought their human creators as well as the robots that worked with the humans, driving the human race to a near extinction state. Luckily, a scientist named Dr. Daigo Tatsuro placed his 4-year-old daughter Yakumo in a sleep chamber in hopes that she would save the human race and find the human sanctuary Shinzo and bring peace back to Earth which was then renamed to Enterra. When the meteor that Lanancuras was imprisoned in struck Earth during the earlier parts of the Human-Enterran War, its fragment had struck an infant Yakumo giving her abilities that she would later discover.
Source: https://en.wikipedia.org/wiki/Shinzo
Link: https://kissanime.com.ru/Anime/Shinzo-Sub/
#Shinzo#爆裂战士#マシュランボー#Mushrambo#jttw media#jttw television#television#animation#reimaging#reimagining#alternative universe#sun wukong#zhu bajie#sha wujing#tang sanzang#xiao bailong ma
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Daitarn 3, l'incredibile redesign di Hiroyuki Maeda diventa virale L'illustratore e character designer giapponese ha condiviso su Twitter la rielaborazione del robot a energia solare pilotato da Haran Banjo. Info:--> https://www.gonagaiworld.com/daitarn-3-lincredibile-redesign-di-hiroyuki-maeda-diventa-virale/?feed_id=430844&_unique_id=65ca4320ba88b #Daitarn3 #HiroyukiMaeda #LimbattibileDaitarn3 #Redesign #Sunrise
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Ancient Magus Bride S2 #2 Screenplay: Youko Yonaiyama Storyboard: Tetsuya Endo Episode Director: Tetsuya Endo Animation Director: Hiroyuki Terao, Yoshihiro Maeda, Yumiko Nakamura
It was a fun episode and it was very interesting to see the show function with a more extensive cast. I can't wait to learn more about them. The world and magic of Ancient Magus Bride continue to be extremely fascinating. The anime truly has not skipped a beat from season 1, and it has been great to see the wonders in the magic, the threat in the creatures, and the mystique of our cast. The preview for the next episode also seems to have returning faces…
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this post has been getting a steady stream of reblogs for more than a week now. i don't really get it, does tumblr give you notifications for downstream reblogs even if you're not the OP now? if not, why are so many people reblogging it direct from me? so strange...
here's a couple more anno-cdotes though. (I'm not sorry).
when Daicon Film - a group of young otaku trying to make a short film to play at the beginning of their scifi convention - was first assembling, the organisers heard of a young prodigy animator from a local art college - Hideaki Anno. Yasuhiro Takeda met with Anno and his classmate Hiroyuki Yamaga at a scifi café called Solaris; the story goes that Anno drew an animation of a robot on napkins, blowing his mind. there's a dramatisation of this near the beginning of SteveM's astonishingly detailed retrospective of Anno:
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(don't be misled by the title, that's just how he titles all his retrospective videos for some reason! it's actually very even-handed and positive lmao)
The sources I have differ a bit on what it was that Anno drew. In that clip (based on Notenki Memoirs by Yasuhiro Takeda) he's shown drawing a robot run cycle, but I've also heard that it was a transformation sequence, or a prototype of one of the scenes in the Daicon III film. In any case, Anno got involved in the project; the Daicon III film led to the incredibly technically ambitious Daicon IV film, and off the back of that, Daicon Film became Gainax.
anyway if you want more Anno scenes from Blue Blazes (based on an autobiographical manga whose author Kazuhiko Shimamoto went to school with Anno), here he is reacting to Hayao Miyazaki's animation:
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and Zimmerit has a collection of Anno's drawings from this period.
Anno was apparently just as bombastic in real life as he is portrayed in this show. From here, Yoshiyuki Sadamoto talks about meeting Anno while he worked on Macross at Artland alongside Ichirō Itano:
Takekuma: At that time, he didn’t give off a sense that you could approach him very easily, right? Sadamoto: I didn’t approach him. Anno-san, he was always talking to himself in a loud voice. You could understand what he was saying even from far away. You would hear this loud voice from the other side of the hallway: “I’ve got it! The timing of Itano’s explosions-!” (laughing loudly) Sato: That’s the same as he is now. Sadamoto: He would say “I’ve got it!” and suddenly begin drawing, and go to (Shojo) Kawamori-san, or some other director - my own immediate [supervising] director was Fumihiko Takayama-san - he would go to Takayama-san and explain the drawing in minute detail, saying how many frames it should take, and how things were to be arranged, and how it would disappear. So, when, seeing his intensity, I wondered who he was, Mahiro Maeda told me “That’s Anno-san; he worked on Daicon III.” “Ah, I see,” I thought. “He loves to draw mecha.”
As impressive as the above scenes are, the most iconic Anno scenes have gotta be the God Warrior scene in Nausicaa of the Valley of the Wind (1984)...
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...and the rocket takeoff scene in Royal Space Force: The Wings of Honneamise (1987)...
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which is unquestionably some of the most impressive mechanical animation ever drawn. (When Midori geeks out over the attention to detail need to 'act' something like a rocket launch in Eizouken, you can bet they had this sequence in mind.)
Anno went into direction in part because he felt he'd done everything he could in animation. He debuted as a director with the OVA series Gunbuster/トップをねらえ! (1988). Which was, fittingly, a mecha series in large part framed as a tribute to Dezaki's Aim for the Ace! that gradually turns into grand time dilation cosmic horror (with a side of yuri). He became truly world famous with Eva, and Eva certainly deserves all its accolades, but it would be a shame for that to eclipse his animation ^^
Metal Skin Panic MADOX-01 (1987) Dir. By Shinji Aramaki Animated By: Hideaki Anno & Kōji Akimoto
Legendary Neon Genesis Evangelion creator Hideaki Anno was only in his mid to late 20s and Kōji Akimoto being only 14 when he helped designed and animated Metal Skin Panic a mecha cyberpunk anime film.
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GReeeeN
グリンピース Music Video
Starring: Airin
Cast: Makoto Koike
Kyoko Kubo
Ryusei Oomine
Hinako Yamakawa
Toraji Endo
Mizuki Tsuruta
Ryuta Nakajima
Tomaki Maeda
Hiroyuki Hata
Shoichi Tamayama
Natsuki Matsuoka
Midori Matsuoka
Tai Kazeno
Yoshiko Kokubun
Sumie Watanabe
Chihiro Asou
Director: Mani Kato
Camera: Naoyuki Matsui (SPIC)
Camera Assistant: Ryo Kawasaki (SPICE)
Lighting Director: Norikazu Azuma (OFFICE DOING)
Lighting Assistant: Oh Jangwon (OFFICE DOING)
Yuki Arita (OFFICE DOING)
Yuna Sugimoto (OFFICE DOING)
Produciton Designer: Akiko Saegusa
CG: Atsuo Kobayashi
Transporter: Junnichiro lkuta
Hair&Make-up Artist: Miyuki Namba
Casting: Naoya Watanabe (Palomapromotion)
Yurie Abo (Palomapromotion)
Location: Oyama Film Commission
Production Assistant: Yutaro Onishi (Hatch)
Kazuyoshi Kojima
Yoshihiro Adachi
Tatsuru Terado
Producer: Tsukasa lto (Hatch)
Production: Hatch&.manifilms
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ゲッター3武装強化型 アレンジデザイン by 前田ヒロユキ
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Kasumi & Ayane by Hiroyuki Maeda
#doagraphics#doaedits#kasumi#ayane#dead or alive#ninja gaiden#Hiroyuki Maeda#myedit*#edit: video game#edit: anime
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#Neko no ongaeshi#猫の恩返し#The Cat Returns#Hiroyuki Morita#Chizuru Ikewaki#Yoshihiko Hakamada#Aki Maeda#Takayuki Yamada#Hitomi Satô#Kenta Satoi#Mari Hamada#Tetsu Watanabe#Yôsuke Saitô#Tetsurô Tanba#Yoko Honna#Kumiko Okae
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The Cat Returns (2002)
#The Cat Returns#Kumiko Okae#Chizuru Ikewaki#Yoshihiko Hakamada#Aki Maeda#Takayuki Yamada#Hiroyuki Morita#studio ghibli#movies#movie posters#films#film posters
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The Cat Returns (2002)
My rating: 8/10
Who'd've thought that a movie about a young girl being kidnapped into a fae realm, transformed against her will and forced into marriage could be so pleasant and wholesome? Ah, Ghibli.
Also, the Baron is stone cold furry bait, and we all know it.
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| The Cat Returns (Neko No Ongaeshi) (2002) | ★★★★✩
|MOVIE ENTRY#| 6/100; first watch
|SUMMARY| After helping a cat, a seventeen-year-old girl finds herself involuntarily engaged to a cat Prince in a magical world where her only hope of freedom lies with a dapper cat statuette come to life.
|GENRE| Animation, Adventure, Comedy
|DIRECTOR| Hiroyuki Morita
|STARRED BY| Chizuru Ikewaki, Yoshihiko Hakamada, Aki Maeda
#2020#2020movies#2020movie#the cat returns#neko no ongaeshi#animation#adventure#comedy#studio ghibli#hayao miyazaki#hiroyuki morita#chizuro ikewaki#yoshihiko hakamada#aki maeda#film#films#movie#movies#poster#posters#movie poster#movie posters#cinema#8outta10
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Lo strepitoso redesign di Trider G7 di un artista giapponese diventa virale Il redesign di Hiroyuki Maeda porta una ventata di modernità al Trider G7, mantenendo però intatto il fascino originale del robot. Info:--> https://www.gonagaiworld.com/lo-strepitoso-redesign-di-trider-g7-di-un-artista-giapponese-diventa-virale/?feed_id=450942&_unique_id=664a0c1468bf6 #Culturaotaku #HiroyukiMaeda #LinvincibilerobotTriderG7
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