#Hire Personal Hollywood

[vardmov]

VardMov

With a Master's in Education and a passion for style, Vard pursued certification from the Style Coaching Institute in London and has embraced her full-time career as a Style Coach in Hollywood CA.

Address: 9000 Cynthia St, West Hollywood, CA 90069, USA Phone: 818-791-8961 Website: https://vardmov.com

[myclutteredbookshelf]

"luc besson's dracula" "netflix's dorian gray" "emerald fennell's wuthering heights" guillermo del toro is RIGHT THERE!!!!

[einaudis]

Super, super insane to me, to think about the studio making that Bob Dylan biopic with TC, because I assume they didn't KNOW who Dominic Sessa was or how a lot of people would obsess over him AND demand him to play Bob Dylan, thanks to The Holdovers. It's like I'm almost sure, they would have cast him, if TH had premiered way before.

[fridaywormteeth]

they should have cast my cat to play heathcliff

[palukoo]

i love watching a semi obscure and often not very good old movie bc uh. woman. and then walking away with niche and in depth queer interpretations of the film and like having a mental conspiracy board and being like do you see it? do you see the vision? but like no. you haven’t even seen the movie lol

[soft-jihyo]

Chris Pratt should honestly get an award for his voice acting - best performance for absolutely phoning it in

[fratboykate]

PREACH TO ALL OF THIS I’d fully dare say that 95% of actors making it to shows and films these days can’t act. It’s simply a fact and it baffles the mind. But then when those of us who actually know what good acting is tell you your faves are shit you then get mad because fans don’t want to hear the truth anymore. They now seem to think that if they got hired it automatically means they’re good which…FALSE. You’d be shocked how nuanced casting decisions are these days.

I don’t care how good you claim a thing’s story is (it often isn’t but that’s a point for another day). If I watch five minutes and the acting is terrible I’m shutting that shit off. I don’t care how compelling a script may be since that becomes IMMEDIATELY irrelevant if the person saying the lines can’t do the thing justice and is bringing nothing to the table.

[melxncholymermxid]

I was listening to Pat Benetar's cover of "Wuthering Heights" and got upset about the casting again

[femaleboysblog]

movie about a sweet girl or woman who turns out to be genuinely evil BUT not because she got cheated on or her crush rejected her. she's evil because it's fun

[ordinarytalk]

I appreciate the education, but why is it as backrooms SCP horror as possible? Just imagine everyone you meet has the same generic face, that's what it looks like.

Prosopagnosia (face blindness)

The Autistic Teacher

[lackadaisycats]

I hope you know that literally nobody is going to be able to live up to the standard you, V*v, and Glitch have set and your arrogance and exploitation of your fanbase and connections has screwed millions of creatives out of their dreams because Hollywood is a joke that isn't worth telling and wealthy e-celebs like yourself have claimed the indie scene all to yourselves and moved the goalposts into the stratosphere.

Nope. This isn't a zero sum game. There is not some limited, prescribed number of indie trophy slots that a few studios greedily filled up, blocking everyone else out. That is not how it works. Nothing any other creator is doing - short of personally sending hired goons to your doorstep or stealing your credit cards - is taking anything away from you or preventing your success. In fact if an indie creator can manage to demonstrate that they've got something viable going, it may help to map out a pathway for others.

I think I'm not going to bother trying to address whether or not cartoons in return for support from fans - an entirely voluntary exchange - constitutes exploitation. And I'm living in the Midwest driving a 2007 economy car with 200k+ miles on it, but let's just skip past the assumptions that I'm wealthy and connected too.

Instead, let's get to the weirdly myopic notion that the indie scene is held captive by three studios. Maybe YouTube algorithms or Twitter bubbles are somewhat to blame, but in actuality there are so, so many individual people, friend groups, and small production houses out there making independent animation, I cannot possibly name them all.

Here are some anyway:

Far-Fetched Worthikids Satina | Scumhouse Noodle and Bun Punch Punch Forever Ramshackle Noodle Papajoolia | Pipi Angel Hare | The East Patch Jonni Peppers Salad Fingers Monkey Wrench Studio Heartbreak Felix Colgrave JelloApocalypse Odd1sout (started indie, got picked up by Netflix) Allie Mehner JaidenAnimations Lumi and the Great Big Galaxy Cloudrise | The Worlds Divide Telepurte RubberRoss James Lee ENA Godspeed | Olan Rogers Ollie and Scoops Meat Canyon Port by the Sea Kekeflipnote Boxtown Kevin Temmer Weebl Joel Haver CircleToons Long Gone Gulch Atlas and the Stars Animist Skibidi Toilet A Fox in Space Alex Henderson Talon Toniko Pantoja Sr. Pelo Hullabaloo Kane Pixels (started indie, picked up by A24) Homestar Runner Fennah Gods' School Alan Becker Dungeon Flippers JazLyte Psychicpebbles (started indie, Smiling Friends picked up by AS) Piemations vewn Metal Family Dead Sound chluaid Jacknjellify Betsy Lee | No Evil My Pride Cranbersher GeoExe | Gwain Saga Horatio the Vampire Mech West Playground | Rodrigo Sousa The Brave Locomotive Finchwing (+ many other Warrior Cats animators) Quazies SamBakZa Kamikaze: Trial by Fire

By no means a full list. That's just YouTube, and mostly just English language stuff, and I didn't even get to the multitudes of Warrior Cats animation collabs.

The point is, the indie landscape is vast and populated by creators new and old, making all kinds of animated media from skits, to shows, to ARGs, to films. Audience sizes vary as much as the content, stylistic approaches, subject matter, and budgets do. There are no compliance standards, no gateways to entry, no goalposts. There's not even any preset definition of success except what you decide for yourself.

Anyway, instead of nurturing your resentments, consider making something. I assure you, it's a far more rewarding use of your time and energy, and pretty much no one can stop you. ------------- EDIT- Made some additions to the list based on comments. Thanks!

[vardmov]

VardMov

With a Master's in Education and a passion for style, Vard pursued certification from the Style Coaching Institute in London and has embraced her full-time career as a Style Coach in Hollywood CA.

Address: 9000 Cynthia St, West Hollywood, CA 90069, USA Phone: 818-791-8961 Website: https://vardmov.com

[aquitainequeen]

The WGA has two main stipulations. First, the guild wants to make sure that “literary material” — the MBA term for screenplays, teleplays, outlines, treatments, and other things that people write — can’t be generated by an AI. In other words, ChatGPT and its cousins can’t be credited with writing a screenplay. If a movie made by a studio that has an agreement with the WGA has a writing credit — and that’s over 350 of America’s major studios and production companies — then the writer needs to be a person.

“Based on what we’re aiming for in this contract, there couldn’t be a movie that was released by a company that we work with that had no writer,” says August.

Second, the WGA says it’s imperative that “source material” can’t be something generated by an AI, either. This is especially important because studios frequently hire writers to adapt source material (like a novel, an article, or other IP) into new work to be produced as TV or films. However, the payment terms, particularly residual payouts, are different for an adaptation than for “literary material.” It’s very easy to imagine a situation in which a studio uses AI to generate ideas or drafts, claims those ideas are “source material,” and hires a writer to polish it up for a lower rate. “We believe that is not source material, any more than a Wikipedia article is source material,” says August. “That’s the crux of what we’re negotiating.”

In negotiations prior to the strike, the AMPTP refused the WGA’s demands around AI, instead countering with “annual meetings to discuss advancements in technology.”

The looming threat of AI to Hollywood, and why it should matter to you by Alissa Wilkinson

[euqinim0dart]

Some positivity in these turbulent AI times

*This does not minimize the crisis at hand, but is aimed at easing any anxieties.

With every social media selling our data to AI companies now, there is very little way to avoid being scraped. The sad thing is many of us still NEED social media to advertise ourselves and get seen by clients. I can't help but feeling that we as artists are not at risk of losing our livelihoods, here is why:

Just because your data is available does not mean that AI companies will/want to use it. Your work may never end up being scraped at all.

The possibility of someone who uses AI art prompts can replace you (if your work is scraped) is very unlikely. Art Directors and clients HAVE to work with people, the person using AI art cannot back up what a machine made. Their final product for a client will never be substantial since AI prompts cannot be consistent with use and edits requested will be impossible.

AI creators will NEVER be able to make a move unless us artists make a move first. They will always be behind in the industry.

AI creators lack the fundamental skills of art and therefore cannot detect when something looks off in a composition. Many professional artists like me get hired repeatedly for a reason! WE as artists know what we're doing.

The art community is close-knit and can fund itself. Look at furry commissions, Patreon, art conventions, Hollywood. Real art will always be able to make money and find an audience because it's how we communicate as a species.

AI creators lack the passion and ambition to make a career out of AI prompts. Not that they couldn't start drawing at any time, but these tend to be the people who don't enjoy creating art to begin with.

There is no story or personal experience that can be shared about AI prompts so paying customers will lose interest quickly.

Art is needed to help advance society along, history says so. To do that, companies will need to hire artists (music, architecture, photography, design, etc). The best way for us artists to keep fighting for our voice to be heard right now is staying visible. Do not hide or give in! That is what they want. Continue posting online and/or in person and sharing your art with the world. It takes a community and we need you!

[buckyalpine]

Actor Bucky x civilian reader 

I’m feeling angsty. Fluffy. Just a thought. But like a long thought. 

-

You should have known this would happen eventually. 

You knew you should have put your phone down and gone to sleep hours ago. Scrolling through social media did nothing to ease you mind as you stared at the 100′s of posts that showed Bucky whispering in her ear with a boyish smile. A sickly feeling spread from your chest, up your neck and to your cheeks, the type of heat that made your throat constrict and your eyes burn. The lump in your throat was painful to swallow, blinking back tears when you clicked on a video that had been shot by the paparazzi and leaked to the press, all the news outlets having a field day with brand new pics of a budding Hollywood romance. 

“Well, there you have it folks! Looks like Winter is warming up over here, stay tuned for more updates” 

“Single no more? Things steam up on the set of The Winter Soldier” 

“Swipe to get a sneak peak on the hottest new romance everyone’s excited about”

You wanted to throw your phone across the room, instead keeping your eyes locked on the way your boyfriend was cozied up with his co-star, the two of them seemingly giggling over an inside joke while taking a break between shoots. Her face was practically tucked into his neck while he laughed, both of them apparently blissfully unaware someone was watching. 

The image turned blurry from unshed tears, squeezing your eyes shut, turning your phone off all together. Your deepest insecurities reared their ugly head, thinking about Bucky’s effortlessly gorgeous co-star with her tall and slim build with curves in the right places. They looked like a dream couple; both attractive with obvious chemistry on screen and based on the “leaked photos”, in real life as well. Every single fear you had over the last few weeks were proved to be true with a few viral pictures. 

- 

Bucky groaned, silencing his phone after getting yet another unknown caller asking him if he’d care to comment on the latest headline about him and the lead actress in his upcoming movie. He ran his hand over his face seeing the way social media blown up overnight after someone had taken pictures taken out of context making it look like he was smitten and in love. His PR team insisted that a few candid shots would be good for promoting the movie and great for his image; when he agreed to having hired paparazzi's take a few “spontaneous” pictures, he thought it would be pictures with the whole cast; not just suggestive close up shots with his co-star that appeared intimate. 

Great.

He’d tried to call you repeatedly, every single one going straight to voicemail and all his texts unanswered. It had been a days since the new broke out and nothing had died down. Bucky hated that he was miles away from you, unable to even send anyone to check on you after you both agreed to keep the relationship a secret. The only person in his life who knew was his best friend, Steve, who was also on set. You’d been so understanding of his career, you hadn’t told a soul to make sure nothing ever leaked. Bucky knew you were used to a few rumors popping up every now and then about him and a potential new girlfriend but this was the first time there was photo evidence. 

New stories popped up like weeds. 

The last straw for him was when he spotted a magazine cover talking about his upcoming wedding and speculation over if there was a secret child on the way.

He couldn’t care less about PR or the movie anymore. A text to the director later, he was in his car driving off straight to you, carefully weaving through traffic while making a pitstop with his best disguise of a hat and sunglasses before speeding off once more. 

-

You sighed at the new stories that were still being posted on your social media feed, locking your phone once more to go back to the book you were reading. You’d ignored all of Bucky's attempts to reach out, choosing to spend less time on your phone, already drowning in insecurities and doubt. You took out a bunch of books from the library and spent more time the kitchen hoping anything would help take your mind off of the love of your life having an affair with another woman. 

The sound of the doorbell pulled you away from your book; you weren’t expecting anyone and it wasn’t usual for any of your friends to stop by in the middle of the afternoon. You were going to ignore it, thinking it was probably someone attempting to sell you something but-

“Y/n, doll I know you’re home, it’s me baby” 

Oh.

Your felt your stomach drop. Heart beating so fast, you could feel your veins tremble in your finger tips. He rang the bell again in hopes that you’d even hit him, smack him, happy to take it, anything to at least see you again. Your emotions swarmed all over the place, anxiety, anger, love, all of it fighting for dominance while you stayed glued to your spot on the couch. 

Asshole.

But that was your Jamie.

Dick.

But you loved him with your whole heart. 

“Babygirl” Bucky pleaded outside of your door, realizing the giant teddy that was 4 times his size and flower bouquet of 100 red roses did nothing to keep him discreet. “Sweetheart, please let me explain” 

You reluctantly opened the door, more worried that if someone saw Bucky at your door, a crowd of fans would end up swarming the area. If not for all the other emotions you were feeling, you almost giggled at the sight of a very wide, puppy eyed Bucky holding a stuffy that was larger than him and a bouquet of flowers that nearly covered his face. You wordlessly stepped out of the way while he dragged the comically large bear into the living room, placing the roses in its caramel fuzzy paws before turning to you.

You.

His pretty doll.

He could see your eyes were still puffy from nights of crying. Your lips were glossy from the balm you used when they were chapped after you’d nervously chew on them. Your poor little nose he loved to boop and kiss so much looked dry from how much you sniffled. Those gorgeous eyes he loved to stare into refused to even look at him, looking at your fluffy sock clad feet instead. You were still wearing a large hoodie of his but you probably hadn’t noticed when you slipped it on. 

Bucky hated it. 

His poor precious doll was so hurt all because of a stupid PR stunt. 

“Baby” You stood rigid as Bucky stepped towards you, his hand coming to cup your cheek, his thumb stroking your skin, “Those pictures, they were taken out of context darling, they weren’t meant to come out like that-

“Then how were they meant to come out” You frowned, moving away till Bucky’s hand dropped, a sad sigh leaving his lips. 

“The team-they thought a few random, candid pictures would garner some publicity to get people talking. I thought they’d post pictures of everyone together, not just me and her”

“That doesn’t explain why you were so close to her” You fidgeted with the long sleeve of the hoodie, this time letting Bucky reach out to hold your hands though you left them limp while he gently squeezed them. “So that was all you then? That’s even worse Bucky” 

“No baby, no” Bucky frantically shook his head, pulling you closer with his hands now on your waist, “I pushed her away the second she got too close but apparently finding your co-star insufferable isn’t good PR. I looked irritated in all the other pictured so they didn’t use them. I promise baby, I’d never do anything to hurt you. I know I did and I’m so sorry, doll” 

While a part of you believed him, the other part of you couldn’t digest the fact that the rest of the world still thought they were a dream couple. It shouldn’t have mattered. But it did. You didn’t even want to begin to imagine the headlines that would pop up if the public saw you with Bucky. You couldn’t scrub the image away of how perfect they looked together, feeling frumpy and awkward in comparison.

“I can’t be like her Bucky” You struggled to keep your voice steady, not willing to cry in front of someone who clearly could do better even if he looked like he was ready to fall on his knees for you.

And then he did. 

“Y/n, I don’t want you to be her. Or anyone else, I want you” Bucky looked at you with pleading eyes, taking your hands in his and kneeling, pressing his lips to your knuckles. 

“But no one else thinks I deserve you. I thought I’d be okay with you maintaining a single image, I know it’s important for your career but I-I can’t watch interviews with people talking about how perfect you look with someone else, how you both look so in love-

“I’m done”

“What?” Your heart stopped, your hands shaking wondering if done meant he was done dealing with your worries, your insecurities, done with you-

“You’re the one I want. Not anyone else. I couldn’t care less about what others think baby, not when it’s hurting you so much. I want people to know who I’m in love with”

“But-

“If you’re not comfortable with it, I understand. But I don’t want to hide you anymore angel. Never again” 

Movie Premier 

You swallowed thickly, your heart beating out of your chest, fidgeting with the gown you had been dressed in, nervously twirling the ring on your finger. The limo came to a halt, the driver opening the door to a sea of screaming and cheers, a plush red carpet ready for you to step onto. 

“Ready, princess?” Bucky grinned, stepping out of the limo and reaching his hand out for you to take, helping you step out of the car. You gasped at the flashes of cameras and shrieks of fans coming from all sides, everyone trying to get Bucky’s and your attention. 

“James! Over here! Who is your date for the night?” 

“Miss! Miss!” 

“Over there, darling”, Bucky whispered in your ear while you smiled at a different set of photographers, each of them clambering over another to get the best picture of you both. 

“Could you step over here please, great, now one with the young lady, beautiful, James, one more!” 

Bucky simply smiled and nodded, keeping his hand around your waist, guiding you down the red carpet and stopping for more pictures along the way. He skillfully avoided the reporters who called for him, keeping a protective grip around you as you both entered the hall to get seated. Hardly moments later, headlines had already started spreading everywhere, your phone blowing up with messages from friends and family wondering if they were seeing the news articles correctly: 

James Barnes steps out with Mystery woman

Secret lover? James Barnes shocks fans with his premier date

10 things we know about James’s girlfriend

You giggled at the numerous posts that started to pop up on social media, your heart fluttering at the beautiful pictures of Bucky looking at you with heart eyes in every single one. There wasn’t one where he was looking anywhere else, focused on you the entire time and clearly people had noticed. You couldn’t help but feel warm and fuzzy at the comments people left, silencing all the doubts you had in your mind.

Get you a man that looks at you the way he looks at her

No wonder he was hiding her, shes gorgeous

I love him but like can someone tell me who SHE is?!

Look at him, he looks like an absolute puppy around her

She’s perfect for him, they’re babies are gonna be BEAUTIFUL 

There goes my chance. I can’t even be mad cause he looks so happy and they look so cute

“What you reading there, baby” Bucky kissed your shoulder, peering over to see what you were looking at on your phone before slipping it away into your clutch. He smirked, sneakily nipping your ear lobe making you gasp before continuing to whisper in your ear. “They’re right you know. You look so beautiful baby, gonna rip this dress off as soon as we get to the hotel room”

“You can’t rip it Bucky, I have to give it back-” You hissed but he wasn’t having any of it, his hand moving to squeeze your thing, grazing your skin from the slit on the dress. 

“I’ll pay for it. But you’re right, I won’t rip it. We’re keeping it, I wanna fuck you all type of ways in that-

“Oh my god” You hushed him with a peck to his devilish lips, your face hot while he gave you a smug smile. He couldn’t wait for the news that would go wild in the next few months.

James Barnes proposes to long time girlfriend, y/n y/l/n

Ready to tie the knot? James and fiancée spotted at wedding venue 

Welcome Mr. and Mrs. Barnes!

James and y/n fly to the Amalfi coast for Honeymoon 

Happy Anniversary to Hollywood's favorite couple

Baby bump or food baby? Y/n Barnes steps out in oversized hoodie for a late night food run

Baby Barnes on the way? 

Double trouble? James reveal’s he and his wife are expecting twins 

y/n Barnes posts first pictures of babies and they couldn’t be cuter 

Bucky couldn’t wait. 

[mostlysignssomeportents]

"Efficiency" left the Big Three vulnerable to smart UAW tactics

Tomorrow (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tomorrow night, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

It's been 143 days since the WGA went on strike against the Hollywood studios. While early tactical leaks from the studios had studio execs chortling and twirling their mustaches about writers caving once they started losing their homes, the strikers aren't wavering – they're still out there, pounding the picket lines, every weekday:

https://www.cnbc.com/2023/08/09/how-hollywood-writers-make-ends-meet-100-days-into-the-writers-guild-strike.html

The studios obviously need writers. That gleeful, anonymous studio exec who got such an obvious erotic charge at the thought of workers being rendered homeless as punishment for challenging his corporate power completely misread the room, and his comments didn't demoralize the writers. Instead, they inspired the actors to go on strike, too.

But how have the writers stayed out since May Day? How have the actors stayed out for 69 days since their strike started on Bastille Day? We can thank the studios for that! As it turns out, the studios have devoted so much energy to rendering creative workers as precarious as possible, hiring as little as they can getting away with and using punishing overtime as a substitute for adequate staffing that they've eliminated all the workers who can't survive on side-hustles and savings for six or seven months at a time.

But even for those layoff-hardened workers, long strikes are brutal, and of course, all the affiliated trades, from costumers to grips, are feeling the pain. The strike fund only goes so far, and non-striking, affected workers don't even get that. That's why I've been donating regularly to the Entertainment Community Fund, which helps all affected workers out with cash transfers (I just gave them another $500):

https://secure2.convio.net/afa/site/Donation2?df_id=8117&8117.donation=form1&mfc_pref=T

As hot labor summer is revealed as a turning point – not just a season – long strikes will become the norm. Bosses still don't believe in worker power, and until they get their minds right, they're going to keep on trying to starve their workforces back inside. To get a sense of how long workers will have to hold out, just consider the Warrior Met strike, where Alabama coal-miners stayed out for 23 months:

https://www.thenation.com/article/activism/warrior-met-strike-union/

As Kim Kelly explained to Adam Conover in the latest Factually podcast, the Alabama coal strikers didn't get anywhere near the attention that the Hollywood strikers have enjoyed:

https://www.youtube.com/watch?v=UvyMHf7Yg0Q

(To learn more about the untold story of worker organizing, from prison unions to the key role that people of color and women played in labor history, check out Kelly's book, "Fight Like Hell," now in paperback:)

https://www.simonandschuster.com/books/Fight-Like-Hell/Kim-Kelly/9781982171063

Which brings me to the UAW strike. This is an historic strike, the first time that the UAW has struck all of the Big Three automakers at once. Past autoworkers' strikes have marked turning points for all American workers. The 1945/46 GM strike established employers' duty to cover worker pensions, health care, and cost of living allowances. The GM strike created the American middle-class:

https://prospect.org/labor/2023-09-18-uaw-strikes-built-american-middle-class/

The Big Three are fighting for all the marbles here. They are refusing to allow unions to organize EV factories. Given that no more internal combustion cars will be in production in just a few short years, that's tantamount to eliminating auto unions altogether. The automakers are flush with cash, including billions in public subsidies from multiple bailouts, along with billions more from greedflation price-gouging. A long siege is inevitable, as the decimillionaires running these companies earn their pay by starving out their workers:

https://www.businessinsider.com/general-motors-ceo-mary-barra-salary-auto-workers-strike-uaw-2023-9

The UAW knows this, of course, and their new leadership – helmed by the union's radical president Shawn Fain – has a plan. UAW workers are engaged in tactical striking, shutting down key parts of the supply chain on a rolling basis, making the 90-day strike fund stretch much farther:

https://prospect.org/blogs-and-newsletters/tap/2023-09-18-labors-militant-creativity/

In this project, they are greatly aided by Big Car's own relentless pursuit of profit. The automakers – like every monopolized, financialized sector – have stripped all the buffers and slack out of their operations. Inventory on hand is kept to a bare minimum. Inputs are sourced from the cheapest bidder, and they're brought to the factory by the lowest-cost option. Resiliency – spare parts, backup machinery – is forever at war with profits, and profits have won and won and won, leaving auto production in a brittle, and easily shattered state.

This is especially true for staffing. Automakers are violently allergic to hiring workers, because new workers get benefits and workplace protection. Instead, the car companies routinely offer "voluntary" overtime to their existing workforce. By refusing this overtime, workers can kneecap production, without striking.

Enter "Eight and Skate," a campaign among UAW workers to clock out after their eight hour shift. As Keith Brower Brown writes for Labor Notes, the UAW organizers are telling workers that "It’s crossing an unofficial picket line to work overtime. It’s helping out the company":

https://labornotes.org/2023/09/work-extra-during-strike-auto-workers-say-eight-and-skate

Eight and Skate has already started to work; the Buffalo Ford plant can no longer run its normal weekend shifts because workers are refusing to put in voluntary overtime. Of course, bosses will strike back: the next step will be forced overtime, which will lead to the unsafe conditions that unionized workers are contractually obliged to call paid work-stoppages over, shutting down operations without touching the strike fund.

What's more, car bosses can't just halt safety stoppages or change the rules on overtime; per the UAW's last contract, bosses are required to bargain on changes to overtime rules:

https://uaw.org/wp-content/uploads/2023/09/Working-Without-Contract-FAQ-FINAL-2.pdf

Car bosses have become lazily dependent on overtime. At GM's "highly profitable" SUV factory in Arlington, TX, normal production runs a six-days, 24 hours per day. Workers typically work five eight-hour days and nine hours on Saturdays. That's been the status quo for 11 years, but when bosses circulated the usual overtime signup sheet last week, every worker wrote "a big fat NO" next to their names.

Writing for The American Prospect, David Dayen points out that this overtime addiction puts a new complexion on the much-hyped workerpocalypse that EVs will supposedly bring about. EVs are much simpler to build than conventional cars, the argument goes, so a US transition to EVs will throw many autoworkers out of work:

https://prospect.org/labor/2023-09-20-big-threes-labor-shortages-uaw/

But the reality is that most autoworkers are doing one and a half jobs already. Reducing the "workforce" by a third could leave all these workers with their existing jobs, and the 40-hour workweek that their forebears fought for at GM inn 1945/46. Add to that the additional workers needed to make batteries, build and maintain charging infrastructure, and so on, and there's no reason to think that EVs will weaken autoworker power.

And as Dayen points out, this overtime addiction isn't limited to cars. It's also endemic to the entertainment industry, where writers' "mini rooms" and other forms of chronic understaffing are used to keep workforces at a skeleton crew, even when the overtime costs more than hiring new workers.

Bosses call themselves job creators, but they have a relentless drive to destroy jobs. If there's one thing bosses hate, it's paying workers – hence all the hype about AI and automation. The stories about looming AI-driven mass unemployment are fairy tales, but they're tailor made for financiers who get alarming, life-threatening priapism at the though of firing us all and replacing us with shell-scripts:

https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way

This is why Republican "workerism" rings so hollow. Trump's GOP talks a big game about protecting "workers" (by which they mean anglo men) from immigrants and "woke captialism," but they have nothing to say about protecting workers from bosses and bankers who see every dime a worker gets as misappropriated from their dividend.

Unsurprisingly, conservative message-discipline sucks. As Luke Savage writes in Jacobin, for every mealymouthed Josh Hawley mouthing talking points that "support workers" by blaming China and Joe Biden for the Big Three's greed, there's a Tim Scott, saying the quiet part aloud:

https://jacobin.com/2023/09/republicans-uaw-strike-hawley-trump-scott/

Quoth Senator Scott: "I think Ronald Reagan gave us a great example when federal employees decided they were going to strike. He said, you strike, you’re fired. Simple concept to me. To the extent that we can use that once again, absolutely":

https://twitter.com/American_Bridge/status/1704136706574741988

The GOP's workerism is a tissue-thin fake. They can never and will never support real worker power. That creates an opportunity for Biden and Democrats to seize:

https://pluralistic.net/2023/09/18/co-determination/#now-make-me-do-it

Reversing two generations of anti-worker politics is a marathon, not a sprint. The strikes are going to run for months, even years. Every worker will be called upon to support their striking siblings, every day. We can do it. Solidarity now. Solidarity forever.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/21/eight-and-skate/#strike-to-rule