#Hindi Songs of 1971

[bollywoodirect]

Remembering the legendary singer #GeetaDutt on her birth anniversary (23/11).

‘Jaane kya tune kahi, Jaane kya maine suni, Baat kuchh ban hi gayin’

Geeta Dutt, born as Geeta Ghosh Roy Chowdhuri on November 23, 1930, was a famous Indian singer. She was known for her work in Hindi movies and Bengali classical music. She was born in Faridpur, which was part of India before it was divided. Geeta was one of ten children in a rich family. Her family moved to Calcutta and Assam in the 1940s because of the Partition of India.

When she was 12, they moved to Bombay, and she continued her education. A man named K. Hanuman Prasad trained her in singing and helped her start her career in movie singing. At 16, she got her first chance to sing in a movie called Bhakta Prahlad.

Geeta met a film director, Guru Dutt, while recording songs for a movie. They fell in love and got married in 1953. They had three children.

Apart from films, she also recorded songs that were not for movies, working with famous music directors.

In 1957, her husband started making a movie with Geeta as the main singer, but it was stopped early. Their marriage had problems, and Geeta started drinking.

Guru Dutt died in 1964, which was a big shock for Geeta. She had financial troubles and tried to restart her singing career. She acted in a Bengali movie in 1967 and sang in another movie in 1971. Her last performance was in 1972 in an unreleased movie.

[musicverse11]

Adnan Sami’s Top Songs That Changed Bollywood Music

Adnan Sami name resonates with the beauty of melodies that transcend cultural and linguistic boundaries. Known for his remarkable ability to blend Indian classical music with Western influences, Sami has crafted a niche that has inspired millions globally. With his soulful voice, exceptional piano skills, and flair for creating evergreen tracks, Sami stands as a true maestro in the world of music.

A Harmonious Blend of Cultures

Adnan Sami, born on August 15, 1971, in London, has lived a life that bridges diverse cultures. His upbringing in a multicultural environment, with a father of Pashtun descent and a Kashmiri mother, exposed him to a wealth of musical influences from an early age. This unique blend of East and West became the foundation for his groundbreaking musical style, which has since captivated listeners across continents.

Sami’s musical journey began with the piano, where he showed exceptional talent as a child. Over the years, he evolved into a composer, singer, and performer who could seamlessly integrate Indian classical ragas with Western pop and jazz. His ability to merge the depth of Indian traditions with global modernity has made him an artist unlike any other.

The Evolution of a Maestro

Early Beginnings: A Star in the Making

Adnan Sami’s passion for music became evident during his childhood. He started playing the piano at the age of five and composed his first piece of music at nine. His early compositions reflected maturity beyond his years, laying the groundwork for his future as a prodigy in the musical world.

In 1986, his single Run for His Life — recorded for UNICEF — became a chart-topper in the Middle East, showcasing his potential as a global artist. This achievement was followed by other hits, such as Talk to Me and Hot Summer Day, which further established his reputation as a versatile musician capable of crossing cultural boundaries.

The Breakthrough: “Kabhi To Nazar Milao”

Adnan Sami’s collaboration with the legendary singer Asha Bhosle for the album Kabhi To Nazar Milao marked a turning point in his career. Released in 2000, the album became an instant hit, introducing Sami to the Indian audience in a grand way. Tracks like the title song “Kabhi To Nazar Milao” blended Sami’s Western-style piano melodies with Bhosle’s timeless classical voice, creating a sound that was both innovative and deeply nostalgic.

The album not only topped the Indipop charts for consecutive years but also established Sami as an artist who could appeal to both purists and contemporary music lovers. Its success was a testament to Sami’s ability to weave cultural threads into music that felt universally relatable.

Signature Style: Bridging East and West

One of Adnan Sami’s most remarkable achievements is his ability to blend Indian and Western music seamlessly. His piano compositions, often inspired by Western classical music, are layered with Indian ragas, creating a unique fusion. This style is evident in hits like Tera Chehra, Bheegi Bheegi Raaton Mein, and Lift Karade.

Sami’s expertise is not limited to singing and composing; he is also a virtuoso pianist. Often called the “fastest man on the keyboard,” his live performances are a blend of technical brilliance and emotional depth. These concerts are a celebration of his musical heritage and his ability to engage audiences across cultures.

Global Impact and Recognition

Adnan Sami’s reach extends far beyond India. His music has found fans among the South Asian diaspora and beyond. His multilingual abilities — singing in Hindi, Urdu, English, Tamil, and Telugu — have made him a global ambassador for Indian music.

Sami’s contribution to music earned him the prestigious Padma Shri award in 2020, one of India’s highest civilian honors. This recognition was a reflection of his ability to not only entertain but also bring people together through the universal language of music.

Conclusion: A Legacy of Harmony

Adnan Sami journey as an artist is a testament to the power of music in bridging divides. His ability to combine the elegance of Indian classical traditions with the accessibility of Western styles has created a repertoire that appeals to people of all ages and backgrounds.

Sami’s music is more than entertainment — it’s a medium that fosters understanding and unity. As he continues to create and inspire, his legacy as a cultural bridge-builder grows stronger.

Adnan Sami’s music has touched millions of hearts, offering a harmonious blend of emotions and artistry. Whether you’re a longtime fan or new to his work, now is the perfect time to explore his discography. Revisit classics like Tera Chehra or discover hidden gems that showcase his genius. Share your favorite Sami tracks on social media and celebrate the maestro who continues to inspire through his melodies.

[gmqazi19739]

Manna Dey - Bio, Top 40 Best Bollywood Music

Manna Dey was a monumental figure in Indian film music, known for his exceptional musical talent and versatility. Known for his profound influence on Bollywood music, Day's career spanned over seven decades, making him one of the most respected musicians of his time With over 4000 recordings, and his contribution to Indian music is unparalleled, and he left an indelible mark on the profession.

Best Manna Dey  Bollywood Music Download

Biography and Early Life Born Prabodh Chandra Dey in Kolkata on May 1, 1919, Manna Dey was fascinated by music from an early age. His uncle Krishna Chandradey was a famous musician and encouraged Manna to pursue his passion. Growing up in the music scene laid the foundation for his future as a musician. Entry into the music industry (1942)  Manna Dey’s career began in 1942 when he sang in the film Tamanna. His song "Upar Gagan Vishal" composed by Krishna Chandradey was his first step in the world of Bollywood Hindi music. This was just the beginning of a career that would soon blossom beyond expectations. Krishnachandra Dey under the guidance of S.D. Burman wrote Mannadey’s musical journey began with craft classes under the guidance of Krishna Chandradey. He later worked with the legendary Sachin Dev Burman, which furthered his musical talent. These experiences gave him a deeper understanding of composition and performance. Foray into Bollywood with first hit (1956)  A turning point in Day’s career came in 1956 when he recorded his first duet with several accomplished musicians. Some notable early classics include: 1. "Ghar Ghar Deep Jalav Re":  A duet with Sudha Malhotra from the movie Ayodhyapati (1956). 2. "Tum Mile Mil Gaye Karar":  Sung with Binta Chatterjee for Grand Hotel (1956). 3. "Zameen Hamari Zamana":  A soulful song with Sabita Banerjee for Lal-e-Yaman (1956). These Hindi songs gave Day’s foothold in the industry and showcased his ability to effortlessly handle complex music. Manna Dey's quality is his versatility in music Dey was known for blending classical Indian raga with contemporary Hindi film music. His ability to adapt his voice to different emotions, be it love, devotion, or humor, sets him apart. His versatility made his the go-to singer for musicals that required both technical skill and emotional depth. The Golden Age of Manna (1953-1976) Manna Dey's playback singing peaked from 1953 to 1976. During this time, he gave many iconic songs that still captivate the memory of listeners today and his soulful singing became an integral part of Bollywood songs, contributing to the Hindi film currency the time of the. Collaborating with renowned music directors Throughout his career, Manna Day has worked with some influential music directors, e.g. 1. S.D. Burman wrote 2. Edited by R. D. Burman 3. Shankar-Jaikishan 4. Written by Madan Mohan This collaboration produced timeless music that is still celebrated for generations. Major achievements and accomplishments Manna Dey’s contribution to Indian music was recognized with several prestigious awards: 1. Padma Shri (1971): Awarded for outstanding contribution to the arts. 2. Padma Bhushan (2005): Recognized for his lasting impact on Indian cinema. 3. Dadasaheb Phalke Award (2007): India’s highest award in cinema, recognizing his lifetime achievement. Contributions to regional Indian songs. Though Mannade sang mainly in Hindi, he was equally comfortable singing in other Indian languages ​​like Bengali, Marathi, Gujarati, Kannada and Malayalam. This ability broadened his appeal and made him more attractive than Bollywood. Influence of Indian film music beyond Hindi cinema Dey's influence was not limited to Hindi films. He contributed greatly to regional theater musicals, improving musical performances across the country. His knowledge of genres remains an inspiration for aspiring musicians. Personal life of Manna Dey Manna De was known for being modest and humble despite his fame. He spent his later years in Bangalore, out of the limelight, focusing on family and occasional concerts. Manna Day's legacy and influence on contemporary musicians Even after his death, Manna Dey’s Hindi music continued to inspire new generations of musicians. His influence is evident in the work of many contemporary recording artists, who look to him as a symbol of musical excellence. In the Voice of Gold (2013)  Manna Dey passed away on October 24, 2013 in Bangalore, India. His death marked the end of an era, but his voice lives on through thousands of songs, ensuring his legacy will live on forever. Conclusion Manna Dey was more than just a playback singer he was a legend whose voice became part of India’s cultural heritage. His unparalleled versatility, dedication to Bollywood Old songs and ability to evoke emotion in every song make him one of the greatest musicians India has ever produced From classical music to playful songs, Manna Dey's songs capture music lovers for generations to come. FAQs  When was Manna Dey born? Manna Dey was born on May 1, 1919 in Kolkata, India. What was the first Manna Day song recorded? His first recorded song was "Upar Gagan Vishal" for the film Tamanna (1942). What award did Manna Dey win? He was awarded the Padma Shri (1971), the Padma Bhushan (2005) and the Dadasaheb Phalke Award (2007). In which language did Manna Dey sing? He sang in several languages ​​like Hindi, Bengali, Kannada, Marathi and Gujarati. When did Manna Dey ascend? Manna Dey passed away on October 24, 2013 in Bangalore, India. Read the full article

[hindikala]

Aap Aye Bahaar Ayee (1971) - Mujhe Teri Mohabbat Ka Sahara Lyrics in Hindi and English with Meaning (Translation) | Mohammed Rafi | Lata Mangeshkar | मुझे तेरी मोहब्बत का सहारा #mohammadrafi #LataMangeshkar #sadsongs #laxmikantpyarel #AnandBakshi Lyrics with Meaning: https://hindikala.com/hindi-songs-lyrics/mujhe-teri-mohabbat-ka-sahara-lyrics-in-hindi-and-english-with-meaning/

[popsixsquishcicerolipschitz]

Mausam Hai Aashiqana | Pakeezah (1971) | Meena Kumari | Raaj Kumar | Lata Mangeshkar

Song: Chalte Chalte Yun Hi Koi Movie: Pakeezah (1972) Actor(s): Meena Kumari, Kamal Kapoor Singer(s): Lata Mangeshkar, Mohd Rafi Music: Ghulam Mohammed Lyricist: Kaifi Azmi

About

Some voices are immortal because they are just heavenly and magical. However, if there is one voice which has reshaped not only Hindi film music but also India’s popular culture and enriched our lives, it is none other than the great Lata Mangeshkar. Famously known as ‘The Nightingale of India’, Lata ji always mesmerised us with her magical & melodious voice for more than seven decades. Her singing for the beautiful & talented heroines down the years has added much charisma to their silver screen personalities and success of the movies as well. Her career actually spanned the arc of Hindi cinema, right from India’s independence. In 1989 the ‘Dadasaheb Phalke Award’ was bestowed on her by the Government of India and in 2001 she was honoured with the ‘Bharat Ratna’. She may have left us for her heavenly abode but she will live in our hearts forever. We celebrate her immense contribution with this special channel dedicated to ‘Lata Mangeshkar: The Nightingale of India’.

[ptaknews45]

New Hindi Movies Relase in November 2023 , Tiger 3 , pippa

New Hindi Movies 2023

For the most recent information on new Hindi Movies , film, visit this page to find out which Bollywood films were released this week. This covers the newest Hindi films that are accessible in theaters and on well-known OTT services like Netflix, Disney+ Hotstar, and Amazon Prime Video, among others.

You can also use this page to search for your favorite actors and find out which films they will be appearing in next. You can find release dates, trailers, song lyrics, reviews, and more for the newest films.

Tiger 3

The film is positioned to make a lasting impression on Indian cinema and cement Salman Khan’s position as a megastar, all while laying the groundwork for an engaging cinematic experience. Await the highly anticipated release of “Tiger 3” and get ready for an incredible cinematic experience.

Tiger 3 movie : Release Date, Songs, Cast

Release Date 12 November 2023

Language Hindi

Dubbed In Tamil, Telugu

Genre Action, Crime, Romance

Duration 2h 33min

Cast Salman Khan, Katrina Kaif, Emraan Hashmi, Revathy

Director Maneesh Sharma

Writer Shridhar Raghavan, Aditya Chopra

Cinematography Sahil Bhardwaj, Anay Goswami

Music Pritam Chakraborty

Producer Aditya Chopra

Production Yash Raj Films

Click here to watch tiger 3 trailer

PIPPA

The movie is based on the life of Captain Balram Singh Mehta, who served in the Indian 45 Cavalry Regiment during the 1971 India-Pakistan War and fought on the eastern front alongside his siblings. Pippa is based on actual events that took place in 1971 during the Battle of Garibpur.

In the Mehta household, where war hero Ram and his younger brother Balram fight through emotional struggles as they get ready for the Eastern front, the screenplay strikes a balance between family drama. The film is set in three distinct sectors: intelligence, undercover operations, and tank warfare. Menon is a master at capturing the camaraderie and dynamics of soldiers on the battlefield.

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Pippa movie : Release Date, Trailer, Songs, Cast

Release Date 10 November , 2023

Language Hindi

Genre Action, Drama, History

Duration 2h 19min

Cast Ishann Khattar, Mrunal Thakur, Priyanshu Painyuli, Inaamulhaq, Waris Ahmed Zaidi, Leysan Karimova, Soni Razdan, Chandrachoor Raj, Neeraj Pardeep Purohit, Amit Ghosh, Vaibhav Gohil. Anuj Singh Duhan, Abhinav Bhattacharjeemore…

Director Raja Menon

Writer Raja Menon, Tanmay Mohan, Ravinder Randhawa

Cinematography Priya Seth

Music A.R. Rahman

Producer Siddharth Roy Kapur, Ronnie Screwvala

Production RSVP, Roy Kapur Films

Certificate 16+ age

[cinemapremi]

Tabu Birthday: Celebrating the Versatile Actress from 'Maachis' to 'Bhola'

On November 4, 2023, Tabu, one of Bollywood's most versatile actresses, celebrated her 52nd birthday. In this article, we delve into ten lesser-known facts about this exceptional talent.

The Real Name

Born in 1971 in Hyderabad, Tabu's real name is Tabassum Fatima Hashmi. Raised by a single mother, her parents divorced when she was just three years old. Her mother worked as a teacher, and after starting her early education at St. Ann's High School, Tabu later moved to Mumbai.

The Early Debut

Tabu made her debut as a lead actress opposite Rishi Kapoor in the 1994 film 'Vijaypath.' Although she had acted in 'Pehla Pehla Pyar' alongside child actor Dev Anand earlier in her career, 'Vijaypath' was the film that brought her into the limelight. It was a typical Bollywood masala movie, and songs like "Ruk Ruk Ruk" and "Aaiye Aapka Intezaar Tha" featuring Tabu and Ajay Devgn became incredibly popular. The film also performed well at the box office. https://www.instagram.com/p/CwpkXPXNiCE/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

A Wide Range of Films

Tabu is known for her incredible acting skills and has appeared in a variety of films, not just in Hindi but also in Tamil, Telugu, Malayalam, Bengali, and Marathi languages. Her ability to excel in both mainstream and content-driven cinema showcases her versatility. She has won several awards for her stellar performances and continues to captivate audiences with her presence and talent. https://www.instagram.com/p/CtWNVBNNN0F/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

Conclusion

Tabu's journey in the film industry has been nothing short of remarkable. From her early days in Bollywood to her enduring success in various regional cinemas, she has carved a niche for herself as one of India's finest actresses. On her 52nd birthday, we celebrate her outstanding career and eagerly await more unforgettable performances in the future. Also checkout: Read the full article

[funnysideolife]

Watch "Dum Maro Dum Hare Rama Hare Krishna 1971 old hindi song" on YouTube

[keepalivebollywood]

From `Mere Sapno Ki Rani` to `Roop Tera Mastana`: Exploring Kishore Kumar And Rajesh Khanna`s Greatest Hits

Get ready to take a nostalgic trip down memory lane as we explore the greatest hits of two legends who ruled the hearts of millions in the 70s – Kishore Kumar and Rajesh Khanna. From the soulful “Mere Sapno Ki Rani” to the groovy “Roop Tera Mastana”, their music has stood the test of time and continues to captivate audiences even today. Join us on this musical journey as we celebrate their timeless melodies, unforgettable lyrics, and unparalleled chemistry that made them an inseparable duo in Bollywood history.

Introduction Kishore Kumar and Rajesh Khanna were two of the most popular actors and singers of Indian cinema during the 1970s. They worked together on numerous films and songs, many of which became huge hits. In this article, we’ll explore some of their greatest hits, from the classic “Mere Sapno Ki Rani” to the more recent “Roop Tera Mastana”. Kishore Kumar was known for his unique voice and style of singing, which was often imitated by other singers. He also had a great range, being able to sing both fast paced songs and slower ballads. Rajesh Khanna, on the other hand,was known for his good looks and charm, which helped him become one of the most popular actors of his time. Together, these two created some of the most iconic songs in Indian cinema. So let’s take a look at some of their greatest hits!

Kishore Kumar – The Melodious Singer and Music Composer Kishore Kumar was a singer and music composer who was popular in the 1950s and 1960s. He is known for his melodious voice and for his ability to compose catchy tunes. Some of his most popular songs include “Mere Sapno Ki Rani”, “Roop Tera Mastana” and “Pyaar Deewana Hota Hai”. Kumar was born in Kolkata, India, on 4 August1929. His father, Kunjalal Ganguly, was a lawyer and his mother, Gouri Devi, was a housewife. Kunjalal was also a singer and often sang at events and weddings. Gouri Devi would often accompany him on the harmonium. Kumar’s elder brother, Ashok Kumar, was an actor who later became a film director. ‘Kishore Kumar’ and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Music director Khemchand Prakash gave Kumar a chance to sing “Marne Ki Duayen Kyon Mangu” for the film Ziddi (1948). After this, Kumar was offered many other assignments, but he was not very serious about a film career. In 1949, he settled in Bombay. Apart from being a playback singer, Kumar was also an accomplished music composer. He composed several songs for films and albums throughout his career. Some of his famous compositions include “Haal Kaisa Hai Janaab Ka”, “Ek Ladki Bheegi Bhagi Si”, and the evergreen classic, “Aane Wala Pal”. Kumar was also an actor, appearing in some Hindi films between 1949 and 1967. Some of his most notable roles were in the films “Chalti Ka Naam Gaadi” (1958), “Door Gagan Ki Chaon Mein” (1964) and “Half Ticket” (1962).

Rajesh Khanna – Bollywood’s First Superstar Rajesh Khanna was born Jatin Khanna on December 29, 1942 in Amritsar, India. Rajesh Khanna’s career in the Hindi film industry, also known as Bollywood, spanned over four decades. Khanna is often referred to as “Bollywood’s first superstar” due to his immense popularity during the 1970s. He starred in some of Bollywood’s most iconic films such as Kati Patang (1971), Anand (1971), Amar Prem (1972), and Namak Haraam (1973). Rajesh Khanna passed away on July 18, 2012 at the age of 69.

The Unbeatable Combination of the Two Superstars Kishore Kumar and Rajesh Khanna were two of the biggest superstars of their time. They had a unique chemistry that was unmatched by any other actor-singer duo. Their songs were always a hit with the audience, whether it was a romantic ballad or an upbeat dance number. Some of their most popular songs include “Mere Sapno Ki Rani”, “Roop Tera Mastana”, “Agar Tum Na Hote”, and “Kabhi Kabhi Mere Dil Mein”. Each one of these songs is special in its own way and has been cherished by fans over the years. What made Kishore Kumar and Rajesh Khanna’s partnership so special was the fact that they brought out the best in each other. Kishore Kumar’s playful personality complemented Rajesh Khanna’s intensity perfectly. Together, they created some truly magical moments on screen that are still remembered fondly by fans today.

Greatest Hits from Kishore & Rajesh Kishore Kumar and Rajesh Khanna were two of the most popular actors and singers of their time. They collaborated on many hit songs that are still loved today. Here are some of their greatest hits: “Mere Sapno Ki Rani”: This song is from the film “Aradhana” and is one of Rajesh Khanna’s most famous songs. The song is a romantic ballad that expresses the protagonist’s love and admiration for his dream girl, whom he has not yet met. He describes her as the queen of his dreams and expresses his longing to make her his own. The song has become an iconic representation of Rajesh Khanna’s charisma and charm, and Kishore Kumar’s soulful voice adds to its timeless appeal. “Ek Ajnabee Haseena Se”: This song is from the film “Ajnabee” sung by Kishore Kumar. The song is a romantic ballad in which the male protagonist describes his encounter with a mysterious and beautiful stranger who has captured his heart. He expresses his desire to get to know her better and asks for her love and affection. The soft and melodious tune, combined with Kishore Kumar’s soulful voice, makes the song an all-time favorite among Bollywood music fans. “Ye Jo Mohabbat Hai”: This song is from the film “Kati Patang” and was composed by R. D. Burman. It was sung by Kishore Kumar. The soundtrack became as beloved as the film itself, with songs that were to take their place among the classics. The song is also remembered for its iconic music video featuring the lead actor, Rajesh Khanna, who was known for his charming and romantic performances. “Zindagi Ka Safar”: This song is a classic Hindi song from the 1970 Bollywood film “Safar,” featuring a beautiful collaboration between the legendary singer Kishore Kumar and the iconic actor Rajesh Khanna. It is a poignant reflection on the ups and downs of life’s journey. With its beautiful melody and heartfelt lyrics, “Zindagi Ka Safar” is a timeless gem that continues to resonate with audiences today. – Hamen Tumse Pyar Kitna This song is a classic Hindi song from the 1981 Bollywood film “Kudrat” that features the soulful voice of Kishore Kumar and the magnetic charisma of Rajesh Khanna. Kishore Kumar’s emotive rendition and Rajesh Khanna’s captivating on-screen presence have made it a beloved hit that continues to be cherished by Bollywood music lovers.

Rajesh Khanna & Kishore Kumar’s Unbeatable Collaboration Kishore Kumar and Rajesh Khanna were a legendary duo in the Indian film industry during the 1970s. Kishore Kumar was a prolific singer with a unique voice, known for his versatility and ability to convey a wide range of emotions through his singing. Rajesh Khanna, on the other hand, was a charismatic actor who was a heartthrob of the masses, known for his romantic roles and his ability to connect with audiences.Together, Kishore Kumar and Rajesh Khanna created some of the most memorable songs and films of the era. Their collaborations produced a string of superhit films such as “Aradhana,” “Anand,” “Amar Prem,” and “Mere Jeevan Saathi,” among many others. The songs from these films, many of which were sung by Kishore Kumar, continue to be beloved classics that are cherished by music lovers even today. Kishore Kumar’s soulful voice was the perfect complement to Rajesh Khanna’s charming on-screen presence, and the two were able to create an unbeatable combination that captured the hearts of audiences across the country. Their collaborations remain an integral part of the Indian film industry’s legacy and have left an indelible mark on the hearts of generations of fans.

Conclusion

Kishore Kumar and Rajesh Khanna were an unbeatable combination in the 1970s. Their on-screen chemistry was undeniable, and their string of hits together cemented them as one of Bollywood’s most popular pairs. From light-hearted comedies like Chupke Chupke to tearjerkers like Amar Prem, they proved time and again that they had the range to tackle any genre. There will never be another team quite like Kishore Kumar and Rajesh Khanna. Their films defined a generation, and their impact is still felt today

[bollywoodproduct]

Lyrics Sooni Sooni Saans Ke Sitaar

Lyrics Sooni Sooni Saans Ke Sitaar

Sooni Sooni Saans Ke Sitaar – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Sooni Sooni Saans Ke Sitaar | Laal Patthar-1971 | Asha Bhosle | Rakhee Gulzar Aa…Aa…Aa…Aa…Aa…Aa… Sooni-SoniSaans Ki Sitaar ParBheege-BheegeAansuon Ki Taar Par Sooni-SoniSaans Ki Sitaar ParBheege-BheegeAansuon Ki Taar Par Ek GeetSun Rahi Hai ZindagiEk GeetGaa Rahi Hai…

[bollywoodirect]

Today marks the 48th death anniversary of the iconic Indian music composer Vasant Desai, a mastermind in the realm of film music (22/12/1975).

Born in 1912, Desai's career spanned over decades, leaving a lasting impact with his compositions. He is most renowned for his work in V. Shantaram's films such as "Do Aankhen Barah Haath" (1953) and "Jhanak Jhanak Payal Baaje" (1955), as well as in Vijay Bhatt's "Goonj Uthi Shehnai" (1959) and Hrishikesh Mukherjee's "Guddi" (1971).

His journey in the industry began with Prabhat Film Company, contributing not only as a composer but also as an actor and singer. Eventually, Desai dedicated himself solely to music composition from the 1940s onwards. His collaboration with V. Shantaram was particularly noteworthy, composing for most of Shantaram's films until their partnership ended in the late 1950s.

Desai's contributions weren't just limited to Hindi cinema; he also made significant strides in Marathi music. Some of his memorable Marathi songs include "Sanga Mukund Kuni Ha Pahila" and "Uthi Uthi Gopala" from "Amar Bhoopali", and "Ramya Hi Swargahun Lanka" from "Swayamwar Zale Seeteche".

One of his crowning achievements was the composition of "Maithreem Bhajata," a benediction in Sanskrit by Sant Jagadguru Shri Chandrasekharendra Saraswati. This piece, rendered in a Ragamalika by Desai, gained international acclaim when Bharat Ratna Smt. M. S. Subbulakshmi performed it at the United Nations on UN Day in 1966.

Vasant Desai's legacy continues to be celebrated for his innovative approach and lasting contributions to Indian music. His work remains a testament to the rich cultural heritage of Indian cinema and music.

[baarish-ki-dua]

[bloggingwithmalvika]

Day 17- Ay Babumoshai

Anand (happiness)

A movie that betrays you with the name itself, it’s one about a character with the same name suffering from cancer which leaves him with less than 6 months to live. The irony that comes with this, however, is his joie de vivre, which is so infectious that it makes you want to learn how to live from a man who is dying.

There is one thing about this movie that pulls me back to it over and over again. The simplicity that comes with it. The screenplay, the dialogues and the lyrics are no fuss, but even without the plot twists and loud moments that accompany most films nowadays, it doesn’t fail in its delivery.

After almost 50 years of its release, it continues to be a timeless classic. Still relatable in times that are so different from when it was made. At the risk of repeating myself, I would say that the beauty lies in the simplicity of the movie. You see relationships build and realistic, not-so-perfect characters as they journey through life, and over the 2 hours of screen time it seems like you have built a relationship with them too. The elegantly written dialogues and music of the film adds to the rollercoaster of emotions felt through it. Anand, much like his name, seems to be such a cheerful spirit that it is difficult to not get caught up in his positive outlook of life. From the first moment you meet him, his energy, friendly demeanour and charm catches you off guard and his light hearted nature makes it difficult not to laugh with him. But seeing as the movie is a flashback and it is known that Anand has merely a couple of months to live, you’re caught up in a bittersweet emotion throughout, already mourning a soul that was so full of life, and desperately wishing that maybe this time when you’re watching the movie, it takes a turn and Anand is not caught in the arms of Death.

The relationships he builds with every person he meets, and his silent suffering and want to live, his remembrance of moments of his own life and refusal to share his pain makes you fall in love with the character even more.

The end doesn’t disappoint, and if you somehow got till this part of the movie without tearing up, the unforgettable climax of the film is sure to make you reach for more than one tissue. It is the small moments that make this film, and as Anand reaches his end, you see him reach a breaking point. His nature of hiding his sadness turns into uncontrollable cries about wanting to live a little more, and as he asks his friend Bhaskar to stay beside him, a sense of urgency and looming end fills the room. Anand urges them to play his tape recorder which has their voices and conversations recorded on it, his final cry of “Babumoshai” brings tears to your eyes as he passes away and we see a new side of Bhaskar too, who has lost his control this much for the first time in the film and is shaking and shouting at Anand to wake up. At that exact moment, the tape plays an earlier conversation between the two of them and we hear Anand say “Babumoshai” once again, as though replying to Bhaskar’s calls, with the hope of a miracle that has somehow brought him back to life. However, as the tape plays on, their laughter eerily fills the room as the camera zooms in on him, and somehow you know that he has changed the lives of the ones around him for the better.

In the end, the film leaves you sobbing uncontrollably, but with a new appreciation and approach to life as the delightfully woven music rings through your ears and the defining persona of Anand leaves a mark on your mind.

The story remains simple, yet the film is made up of moments that show you a reality, while managing to stay down to earth and realistic at the same time. The cleverly written dialogues and beautifully worded lyrics convey the feelings of a man who knows he is about to die but is in love with life, so eloquently, and echo through your head even after the curtains close, reminding you once again the undying words of Anand, “Zindagi badi honi chahiye, lambi nahin.”

[theartistknownaslymond]

Oh and cursed playlist concept. What kind of music does Gabriel put on at the ashram (Pune or Nevada) to decompress from intense group therapy… (from research I’d say overarching - general vibes: happy, maybe danceable; lyrics: English or Hindi probably :P)

aka the desire to be subtle vs the desire to be funny: FIGHT

A Purely Spiritual Love

A band AU playlist for running away from the world aged nineteen and accidentally falling for your cult leader. Or just for chillin' post dynamic meditation, that's cool too.

Nazia Hassan - Aao Naa

ABBA - Me & I

Asha Bhosle - Dum Maro Dum (pt. 2)

The Buggles - Video Killed the Radio Star

Asha Bhosle - Koi Shahri Babu (pt. 1)

The Monkees - I'm a Believer

Kishore Kumar - Ye Jawani Hai Diwani

Talking Heads - Once in a Lifetime

Lata Mangeshkar & Kishore Kumar - Jai Jai Shiv Shankar

Carly Simon - You're So Vain

Kalyanji-Anandji - Dharmatma Theme (pt. 1 - instrumental)

The Human League - Don't You Want Me

Nazia and Zoheb Hassan - Dosti

Don McLean - American Pie

Lata Mangeshkar - Bangle Ke Peechhe

The Beach Boys - Sloop John B

Kishore Kumar, Mahendra Kapoor & Shailendra Singh - Amar Akbar Anthony

The Beatles - All You Need is Love

Usual deal: explanation below the cut. Album cover featuring Joel Kinnaman's chin.

Caveat and apologies that I don't always have a very detailed explanation for why all the Hindi songs are on here because for some I just couldn't find English lyrics/descriptions of the film they're from, they're just here because they're bops. Caveat and apologies that the English songs are really NOT subtle and I had way too much fun picking them.

Nazia Hassan - Aao Naa Not Hindi, but also no great explanation beyond: what a CRACKING album opener!! Jerott's probably got the cassette and has playlist privileges at Nevada.

ABBA - Me & I Frankly ALL of Super Trouper is on the ashram playlist. The Winner Takes It All? GRM approves! But for supreme trolling-through-playlist purposes, get boogie-ing to this disco track about psychoanalysis: Sometimes I have toyed With ideas that I got from good old Dr. Freud Nothing new of course It may seem to you I try to break through open doors Oh no, oh no I just wanna say a lot of that applies to me 'Cause it's an explanation to my split identity 3) Asha Bhosle - Dum Maro Dum (pt. 2) This was an epic hit, from the film Haré Rama Haré Krishna (1971) which involves, ooh, international bigamy, cults, selling off artifacts to rich Westerners, suicide, hippies beating people up, and all sorts of things that people suspicious of Rajneesh's movement would recognise as threats. I think it would tickle Graham Reid Malett to have people dancing to the big song from a film warning about the dangers of his type. 4) The Buggles - Video Killed the Radio Star Cheesy, a bit sad, a bit sinister even, but everyone can dance along and everyone knows it. 5) Asha Bhosle - Koi Shahri Babu (pt. 1) I'll be honest and say that Bollywood thriller plots are somewhat impenetrable when reduced to short Wikipedia summaries, but this is from Loafer (1973) which seems to be about love across rival gangs and spying on one another. The song is about falling coyly for a guy who gives you a gift. And Asha is the queen, so we put as much Asha on the playlist as we need to. 6) The Monkees - I'm a Believer :))) be happy! Your dynamic meditation has finished and you have taken another step towards enlightenment/entrapment by Graham Reid Malett. 7) Kishore Kumar - Ye Jawani Hai Diwani No explanation, couldn't find the lyrics anywhere BUT what a tune!! Kishore and R.D. Burman, more icons. The film it's from (Jawani Diwani, 1972) has people leaving/becoming estranged from their families for love and intergenerational repeats of that so. A bit of a Jerott vibe. 8) Talking Heads - Once in a Lifetime People from well-to-do background suddenly asking themselves 'how did I get here?' and packing it all in to give their money to the ashram…? 9) Lata Mangeshkar & Kishore Kumar - Jai Jai Shiv Shankar Laughter therapy, praising Shiva (god of meditation, among other things, Rajneesh discoursed on him a lot). And from a film (Aap Ki Kasam, 1974) where paranoia and possessiveness ruins relationships. 10) Carly Simon - You're So Vain Do I think I'm funny? Yes. Yes I do. It's about the death of the ego babe, let go of yourself! But genuinely, you could sway along and dance to this when you were exhausted from meditation! And when Carly Simon finally tells us who (else) it was about you mark my words, Graham Reid Malett will be on the list :P You had me several years ago When I was still quite naive Well, you said that we made such a pretty pair And that you would never leave But you gave away the things you loved And one of them was me 11) Kalyanji-Anandji - Dharmatma Theme (pt. 1 - instrumental) The film (Dharmatma, 1975) is apparently based on the Godfather but set in Afghanistan. So absolutely the kind of thing that would appeal to teenage Jerott, who never knew his grandparents who spent time around the (then) India-Afghanistan border. Plus teenage boys love gangster stories. Plus Jerott doesn't realise the similarities between the ashram set up and that of a mob. 12) The Human League - Don't You Want Me A man who feels entitled to another person because he plucked from obscurity and 'made something of them'? Remind you of anyone? I picked you out, I shook you up and turned you around Turned you into someone new Now five years later on you've got the world at your feet Success has been so easy for you But don't forget, it's me who put you where you are now And I can put you back down too I feel like the background story to this song's release is also relevant: the band hated it and thought it was a filler track and didn't want to release it as a single, the record company forced them to, and it was a huge success. Reminiscent of Francis and GRM's interactions in PiF. 13) Nazia and Zoheb Hassan - Dosti Just another of Jerott's cassettes with good Pakistani disco pop on it! :') 14) Don McLean - American Pie It's just….it's such a GRM/Jerott kind of vibe? The disappointment, grief and sense of loss for something you never quite had, the crushing of hope, the nostalgia for something half-remembered as life-changing, but all sounding so beautiful and dreamy and it kind of cheers everyone up to be able to sing along? The idea of the American Dream as an ideal that can never be lived up to as well, kind of like what Jerott is hoping to find from the ashram vs what he gets. Oh, and there we were, all in one place A generation lost in space With no time left to start again So come on, Jack be nimble, Jack be quick Jack Flash sat on a candlestick 'Cause fire is the devil's only friend Oh, and as I watched him on the stage My hands were clenched in fists of rage No angel born in hell Could break that Satan's spell And as the flames climbed high into the night To light the sacrificial rite I saw Satan laughing with delight The day the music died 15) Lata Mangeshkar - Bangle Ke Peechhe Another I couldn't find the lyrics for, but it's R.D. Burman again and was a massive hit. It's from Samadhi (1972). 16) The Beach Boys - Sloop John B Another one that kind of sounds cheery until you listen to the lyrics when it's actually really miserable! Jerott are you ok? The first mate, he got drunk And broke in the captain's trunk The constable had to come and take him away Sheriff John Stone Why don't you leave me alone? Yeah, yeah Well, I feel so broke up I wanna go home 17) Kishore Jumar, Mahendra Kapoor & Shailendra Singh - Amar Akbar Anthony From a 'masala' film of the same title, about three brothers separated and raised as Hindu/Muslim/Christian, so I figure a good ashram vibe for bringing people together in a synthesis of teachings… Also look out Francis. Look out Jerott. <Two are better than one Three are better than two The bride and the groom are not together There's music but not a wedding procession The bride and the groom are not together There's music but not a wedding procession There's nothing to fear This is a night of union and not of sadness Smile my friends, why do you have such a crying face Smile my friends, why do you have such a crying face When the three of us get together in one place> 18) The Beatles - All You Need is Love Can't have a playlist about a rich white guy exploiting an already exploitative Indian cult to make himself powerful without putting some Beatles on it, right? Sure Graham, 'love'. There's nothing you can do that can't be done Nothing you can sing that can't be sung Nothing you can say, but you can learn how to play the game It's easy Nothing you can make that can't be made No one you can save that can't be saved Nothing you can do, but you can learn how to be you in time It's easy

[postoastblog]

21 Bollywood Old Songs That Will Remain Evergreen Till Eternity

Our Bollywood film industry is known for its amazing songs and dance moves. Indian cinema has a long history of music in films. The legendary singers like Kishore Kumar, Lata Mangeshkar, etc have sung some of the evergreen old songs whose lyrics are so beautiful they’ll instantly make you love the song. Maybe that’s the reason your grandfather or dad keeps playing the old classic songs and gets lost in their melody.

Here we have a list of some best old Bollywood songs that tend to stay close to you forever.

Zindagi Ek Safar Hai Suhana: This song was sung by the legendary Kishore Kumar for the movie Andaz in 1971. The song also received the Filmfare for the Best Lyricist. It was written by Hasrat Jaipuri.

Tere Bina Jiya Jaye Na Jaye Na: This iconic old song was sung by Lata Mangeshkar, written by Gulzar for the 1978 film Ghar featuring and stars Rekha and Vinod Mehra. The music direction of Tere Bina Jiya Jaye Na was done by R.D. Burman.

Hamen Tumse Pyar Kitna: This song was sung by Kishore Kumar for the 1981 film Kudrat. Written by Majrooh Sultanpuri, and the Music Director of Kudrat was R.D. Burman. The song was also nominated for the Filmfare.

Abhi Na Jao Chod Kar: This iconic song was sung by Mohammed Rafi and Asha Bhosle for the 1961 film Hum Dono starring Dev Anand and Sadhna. Jaidev was the Music Director and the lyricist was Sahir Ludhianvi.

Roop Tera Mastana: The song was sung by legend Kishore Kumar and he won the Filmfare for the Best Male Playback Singer for this song. The song was sung for the 1969 film Aradhana that featured Sharmila Tagore and Rajesh Khanna. The lyrics were written by Anand Bakshi and the music was composed by S.D. Burman.

Pyar Hua Ikrar Hua: This amazing song was sung by Lata Mangeshkar, Manna Dey. This song was featured in the movie Shree 420 starring Raj Kapoor and Nargis.

Ek Ajnabee Haseena Se: The song was sung by Kishore Da and was featured in the 1974 film Ajanabee starring Rajesh Khanna and Zeenat Aman. The on-screen chemistry of the actors together made this song magical. R.D. Burman was The Music Director of this song.

Kuch Toh Log Kahenge Logon Ka Kaam Hai Kahana: This superhit classic old Hindi song was sung by Kishore Kumar from the blockbuster Hindi movie of Amar Prem (1972) starring Rajesh Khanna and Sharmila Tagore. The music was composed by R.D.Burman and lyrics were penned by Anand Bakshi.

Mere Sapno ki Rani Kab Ayegi Tu: This iconic Hindi classic romantic song was sung by Kishore Kumar and was featured in the 1969 film Aradhana that featuring Rajesh Khanna and Sharmila Tagore. The lyricist of the song is Anand Bakshi.

Lag Ja Gale: Sung by Lata Mangeshkar, this evergreen song features in Who Kaun Thi?. Written by Raja Mehdi Ali Khan, the iconic song was released in the year 1964. It stars Manoj Kumar alongside Sadhna. Madan Mohan Kohli is the music director.

Likhe Jo Khat Tujhe: Sung by Mohammed Rafi, this old Bollywood song was one of the most heartwarming songs of the movie Kanyadan. The film featured legends like Shashi Kapoor and Asha Parekh. The lyrics were written by Neeraj.

Kya Hua Tera Wada: The song was composed by R. D. Burman. Sung by Mohammed Rafi and Sushma Shrestha, the song won both Filmfare best male playback singer and National film award.

Humein Tumse Pyar Kitna: This beautiful Hindi song was sung by the legend Kishore Kumar and was composed by R. D. Burman. The song was featured in the 1981 Indian Hindi drama film, Kudrat. The movie starred Rajesh Khanna and Hema Malini. The song is heard twice in the movie, the first time by Parveen Sultana and the second time by Kishore Kumar.

Kabhi Kabhie Mere Dil Mein: It is an old Hindi song from the movie Kabhi Kabhie released in the year 1976 featuring Amitabh Bachchan and Raakhee. The lyricist of this amazing song is Sahir Ludhianvi. The original song is in literary Urdu and was in fact a poem from his collection Talkhiyan.

Yeh Dosti Hum Nahi Todenge: This is one of the most epic Bollywood songs on friendship. The song was sung by Kishore Kumar and Manna Dey for the popular movie Sholay featuring Amitabh Bachchan and Dharmendra. R. D. Burman composed the music, and the lyrics were written by Anand Bakshi.

Mera Joota Hai Japani: This song is one of the most popular old songs from Raj Kapoor’s film Shree 420 that was released in 1955. The song was sung by Mukesh and Shailendra was the lyricist.

Tera Mujhse Hai Pehle Ka Naata Koi: This song is from Shashi Kapoor and Sharmila Tagore starrer movie Aa Gale Lag Jaa. Kishore Kumar sang the song and the music was given by R. D. Burman. The lyrics are penned by Sahir Ludhianvi.

Ek Radha Ek Meera: Sung by Lata Mangeshkar, this song featured in the 1985 romantic drama movie Ram Teri Ganga Maili that starred stars Mandakini and Rajiv Kapoor. Ravindra Jain was the music director of the film and he received a Filmfare Award for this movie.

Yeh Raaten Yeh Mausam: Sung by legends like Kishore Kumar and Asha Bhosle, this song featured in the film Dilli Ka Thug. The music was by Ravi and the lyrics were penned by Shailendra.

Tum Ko Dekha Toh Ye Khayal: This evergreen ghazal was sung by Jagjit Singh and Chitra Singh for the 1982 film Saath Saath featuring Farooque Shaikh and Deepti Naval in the lead roles.

Tujhse Naraz Nahin Zindagi: The song has a female and a male version that was sung by Lata Mangeshkar and Anup Ghoshal respectively for the 1983 film, Masoom. The song was composed by R. D. Burman and the lyrics of the song were written by Gulzar. He also won a Filmfare Award for Best Lyricist for this song.