#Songs Composed by Shankar-Jaikishan

[shrimpbiryani]

got tagged by @tumkaafiho (thank you!!) to post the first 10 songs that play on shuffle. after the first three i was like abay ab bas lata ke gaane aayein ge lol. i tag everyone that wants 2 do this but also @lmpassioned @111thfloor @maykhaana and @arjoi if u are still here

o dil e betab theher - lata (hemant kumar) mere piya se koi - lata (madan mohan) haule haule jiya dole - lata (sd burman) raaton ki neend chheen li - suraiya (jamal sen) (this fucking song!!!!) mareez-e-ishq hoon main - arijit (sharib toshi) ik larki bheegi bhaagi si - kishore (sd burman) agar tum mil jao - udit (anu malik) ay ajnabi - udit (ar rahman) ruk ja raat theher ja re chanda - lata (shankar jaikishan) pyaar bhare do sharmeele nain - mehdi hassan (robin ghosh)

good mix of composers i'd say

[dustysixshooter]

Step into a world of vintage charm with our meticulously curated old Hindi songs list, a compilation that pays homage to the unparalleled musical legacy of Indian cinema. Lose yourself in the mesmerizing melodies that once ruled the airwaves, crafted by legendary composers like S.D. Burman and Shankar-Jaikishan. From the hauntingly poetic lyrics of Sahir Ludhianvi to the infectious beats of R.D. Burman, each song is a timeless gem waiting to be rediscovered. Whether you're seeking solace in melancholy tunes or dancing to the rhythms of bygone days, our collection promises to evoke a myriad of emotions, transporting you to a simpler time.

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.

[vanditajain]

Typewriter Tip Tip Tip / Kishore Kumar, Asha Bhosle

Film school playback excercise. A re-visualisation of the song from the film ‘Bombay Talkie’ (1970). Composed by Shankar-Jaikishan. Sung by Kishore Kumar and Asha Bhosle. Words are of Hasrat Jaipuri

[my-music-1460]

Exploring the A to Z of Hindi Male Singers: Icons of Indian Music

The Hindi music industry has been graced with an array of talented male singers who have defined the soundscape of Bollywood and beyond. From timeless classics to contemporary hits, these artists have left an indelible mark on the hearts of music lovers. The hindi singer name A to Z encompasses a diverse range of voices, each bringing their unique style and emotion to the music. This comprehensive guide takes you on a journey through the careers of these iconic artists, highlighting their contributions and celebrating their enduring legacies. Whether you're a fan of soulful ballads or peppy dance numbers, the world of Hindi male singers offers something for everyone. Let's dive into this musical alphabet and explore the legends and trailblazers of Hindi music.

The Legends: A Journey Through Time

Starting with the golden era, we have the legendary Kishore Kumar, whose versatile voice and expressive singing made him a household name. His ability to switch between different genres, from romantic melodies to playful tunes, showcased his immense talent. Another icon from this era is Mohammed Rafi, known for his soulful voice and unparalleled range. Rafi's songs continue to be cherished by music enthusiasts of all ages, making him an eternal favorite.

Moving forward, the late Mukesh's deep, melancholic voice brought life to countless heartbreaking songs. His collaborations with composers like Shankar-Jaikishan and lyricists like Shailendra produced some of the most memorable tracks in Hindi cinema. Another stalwart, Manna Dey, was known for his classical training and ability to blend traditional and modern styles effortlessly. His rendition of songs like "Ae Mere Pyare Watan" remains a testament to his mastery.

The Contemporary Icons

As we enter the modern era, names like Sonu Nigam, Udit Narayan, and Kumar Sanu come to the forefront. Sonu Nigam, often referred to as the "Modern Rafi," has a versatile voice that suits various genres, from romantic ballads to devotional songs. His powerful performances have earned him a massive fan following and numerous awards.

Udit Narayan, with his smooth and melodious voice, became the voice of the '90s. His songs for actors like Aamir Khan and Shah Rukh Khan became chartbusters, making him one of the most sought-after playback singers of his time. Kumar Sanu, known for his nasal tone and ability to convey deep emotions, holds the record for the most songs recorded in a single day. His songs continue to be a staple at weddings and parties.

The New Generation

In recent years, the Hindi music industry has seen the rise of a new generation of male singers who have brought fresh energy and innovation. Arijit Singh, with his soulful voice and emotive singing, has become a sensation. His ability to convey complex emotions has made him the voice of a generation. Another young talent, Armaan Malik, has captivated audiences with his smooth voice and heartfelt performances.

The rise of digital platforms has also given a platform to independent artists like Darshan Raval and Jubin Nautiyal. These singers have carved a niche for themselves, bringing fresh sounds and unique styles to the industry. Their contributions showcase the evolving nature of Hindi music and the industry's openness to diverse voices.

Conclusion

The A to Z of Hindi male singers is a testament to the rich and diverse landscape of Indian music. From the golden voices of yesteryears to the fresh talents of today, these artists have shaped and continue to influence the industry. Whether through romantic ballads, soulful renditions, or upbeat dance numbers, Hindi male singers have left an indelible mark on the hearts of millions."Hindi singer name A to Z," captures the essence of this journey, celebrating the voices that have defined generations and continue to inspire new ones.

[shankerjaikishen-the-unbeatables]

Awara Hoon - 73 years old Young creation

“Awaara Hoon….” is a legendary Bollywood song from the film ‘Awaara’, released in 1951. The song is composed by Shankar Jaikishan, with lyrics penned by Shailendra. It features the iconic actor Raj Kapoor, who also directed the film, and is sung by the legendary playback singer Mukesh. “Awaara Hoon” remains one of the most enduring and beloved songs in Indian cinema. Lyrically, “Awaara Hoon”…

[shankarjaikishanfansassnintl]

REMEMBERING MAESTROS.....

MAESTRO SHANKAR REMEMBERS……….

Here are some excerpts from Maestro Shankarji’s interesting interview:

“Ever since I can remember I have been singing and playing musical instruments. The gift of music is something deep in a man’s being – he lives with it, it lives with him. It runs through him like an electric current. Music – especially musical composition – is not for a dull man.

Early in life I joined a group of people in Hyderabad, my home town – actors, dancers, singers – who made their living going from town to town performing.

When I reached Bombay, I went to Prithviraj Kapoor. His Prithvi Theatres had just got going – they were performing “Shakuntla.” Prithviraj was then a towering majestic personality. I saw him first at the Deodhar music class in Bombay. I expressed a desire to work with him and he took me on after a “test” – a solo tabla recital.

Sometime later, in the course of my visits to film studios, I met a thin youth, not at all sure of himself, but as I saw at once, full of talent. I took him along to Prithvi Theatres and got him a job with me in in its orchestra. This was Jaikishan. His job was to play the harmonium. I myself used to play music and also play small roles on the stage. Something of the actor survives in me even today, for in the excitement of musical creation I find myself acting –gesticulating or even dancing – so as to feel for myself the exact circumstances in which an actor or actress will sing the song concerned on the screen.

Soon after Jaikishan joined us, Prithvi Theatres went on a tour to Jodhpur. Here Jaikishan promptly fell ill. I am amused today to recall the efforts I had to make just to keep Jaikishan in the job!

I am also frequently asked how exactly the Shankar-Jaikishan team works. Being a team, the main thing about us is team work. Both Jaikishan and I, like others in our profession, are continuously getting a mental change of ideas. We discuss these with each other. Good ideas of each immediately take shape as songs. If one of the partners suggests changes, these are promptly incorporated. It is thus share and share alike. We also share the money equally.

I spoke of the “change” of ideas. Tunes are continuously flitting through our heads –tantalising, challenging us. We fix the ‘tunes’ right there, in our heads. There is no need to record them – I never can forget a good tune. Then there is a session with the lyricist when we acquaint him with the beats of the proposed song. The lyricist may either fix the beats in his mind before going off to write the words, or he may note down dummy words representing the beats, to be replaced later with the genuine lyrics. Sometimes we may give the lyricist somr catchy words suiting our tune, for him to weave a lyric based on it. After the lyric is written, starts the whole complex process of rehearsals with orchestra and singers, ending ultimately in the final “taking” of the song.

The audience we have in our minds when we compose our songs consists of the young in age and the young at heart. This is a very important point and it colours our entire work.

For instance, the young set are the up-to-the-minute set. They are modern. They like catchy things. They like new things. They listen to the music of other countries and have cultivated an outlook as well as expectations going beyond national boundaries.

The implications of all these on our work are that we cannot be tradition-bound and we cannot ignore popular trends in music abroad.

I have no other interest in life except music. It is my comfort both success and in occasional failures. When I come home tired, I go straight to my piano. Its keys open for me a world in itself – with its own tempests, its own serenity.”

Courtesy Mukund Marulkar ji

[amusicalharmony-blog]

The Legendary Lata Mangeshkar

The Legendary Lata Mangeshkar

The Legendary Lata Mangeshkar: A Journey Through Her Music- Lata Mangeshkar, the legendary singer and cultural icon, is believed to many due to the "Nightingale of India." Her iconic voice has been a source of inspiration for hundreds of people worldwide. Lata Didi's contribution to Indian music and film has been unparalleled, and her songs have left an indelible mark on the hearts and minds of quite a few generations.

Lata Mangeshkar: Contributions to Indian music:

Born on September 28, 1929, in Indore, India, Lata Mangeshkar was the eldest of 5 children. Her father, Deenanath Mangeshkar, was a broadly recognized musician and theatre actor, and it was utilizing his impact she developed a passion for music. At 13, Lata Mangeshkar made her debut as a playback singer within the Marathi film "Kiti Hasaal". She became one of many essential sought-after playback singers in Indian film commerce. With an occupation spanning over seven a very long time, Lata Mangeshkar has recorded over 30,000 songs in extra than 20 Indian languages. She has laboured with among the many most well-known composers throughout the Indian film commerce, along with R.D. Burman, S.D. Burman, and Laxmikant-Pyarelal. Mangeshkar's voice has been the driving drive behind essentially the most iconic songs in Indian film history previously, and her contribution to commerce has been acknowledged with fairly just a few awards and honours. Lata Mangeshkar's music has launched pleasure and solace to people worldwide, and her legacy continues to dwell on even presently. In this weblog, we'll uncover the life and occupation of the legendary Lata Mangeshkar and delve into the timeless songs which have made her an icon in Indian music. Get transported to a world of music and magic as we've got enjoyment within the lifetime of one of India's most vital treasures!

The Legendary Lata Mangeshkar: Early Life and Career

Lata Mangeshkar's journey to becoming the "Nightingale of India" was difficult. She confronted fairly just a few challenges within the early years of her occupation, nonetheless, her experience, arduous work, and perseverance helped her overcome them. Born proper right into a family of musicians, Lata Mangeshkar's father, Deenanath Mangeshkar, was a revered singer and theatre actor. He acknowledged his daughter's experience at a young age and commenced teaching her classical music. Lata's teaching was rigorous, and she spent hours practising and perfecting her craft daily. In 1942, Lata Mangeshkar's family moved to Mumbai, then generally called Bombay, where she began her journey within film commerce. Initially, she struggled to seek for work as a playback singer. After many rejections, she obtained her first break with the Marathi film "Kiti Hasaal" at 13. However, her breakthrough second obtained right here when she sang the music "Aayega Aanewaala" for the movie "Mahal" in 1949. The music became an instant hit, and Lata Mangeshkar's voice captivated audiences with its sweetness and adaptability. This led to a flood of provides, so they shortly grew into one of many essential sought-after singers in Indian film commerce. Throughout the Nineteen Fifties and Sixties, Lata Mangeshkar's occupation soared as she recorded hit after hit for among the many biggest films of the time. Lata Didi collaborated with legendary composers akin to S.D. Burman, Naushad, Shankar-Jaikishan, and her songs turned integral to the Indian film experience. Lata Mangeshkar's early years within the music commerce weren't without challenges, nonetheless, she persevered and emerged as a drive to be reckoned with. Her voice became an emblem of hope and pleasure for hundreds of people worldwide, and her legacy continues to encourage generations of musicians and music lovers.

Lata Mangeshkar's Legacy in Indian Music

Lata Mangeshkar's contribution to Indian music has been unparalleled, and her legacy in the trade will always be remembered. Her voice has been the driving power behind among the most iconic songs in Indian movie historical past, and her impression on the trade can nonetheless be felt at the moment. Lata Mangeshkar's profession spanned over seven long times, and she recorded over 30,000 songs in additional than 20 Indian languages. Her versatility as a singer was unmatched, and her seamlessly transitioned between genres, from classical and semi-classical to romantic ballads and peppy numbers. Her voice had an exceptionally high quality that would convey various feelings, from pleasure and like to heartbreak and sorrow. Lata Didi laboured with among the most famed composers within the Indian movie trade, equivalent to R.D. Burman, Laxmikant-Pyarelal, and S.D. Burman. Her collaboration with lyricist Gulzar resulted in among the most lovely songs ever recorded within the Indian movie trade, equivalent to "Tere Bina Zindagi Se" and "Aap Ki Aankhon Mein Kuch." Lata Mangeshkar's songs have turn into integral to Indian tradition and society. They have been the soundtrack to folks' lives, and lots of her songs have been handed down from era to era. Her music has introduced pleasure and solace to folks worldwide, and her legacy continues to encourage new generations of musicians and music lovers. In recognition of her immense contribution to Indian music, Lata Mangeshkar has been honoured with quite a few awards and honours, together with the Bharat Ratna, India's highest civilian honour. Her legacy within the Indian music trade is a testament to her expertise, arduous work, and dedication, and she will always be remembered as one of many biggest singers of all time.

"Lata Mangeshkar's Awards and Honors"

Lata Mangeshkar's unparalleled contribution to Indian music has earned her quite a few awards and honours through her illustrious profession. She has been acknowledged by the Indian authorities and worldwide organizations, cementing her standing as a cultural icon and an absolute legend within the trade. In 1969, Lata Mangeshkar was awarded the Padma Bhushan, one of many highest civilian awards in India, for her contribution to Indian music. She was later awarded the Padma Vibhushan in 1999 and the Bharat Ratna, India's highest civilian honour, in 2001. The awards are a testimony to her immense impression on Indian tradition and society. Lata Mangeshkar's expertise and dedication to her craft have earned her quite a few mentions in the Indian movie trade. She has gained 4 National Film Awards for Best Female Playback Singer, together with one for the music "Aaj Phir Jeene Ki Tamanna Hai" from the movie "Guide" and one other for "Luka Chuppi" from the movie "Rang De Basanti." She has moreover acquired 15 Filmfare Awards, basically essentially the most prestigious award in Indian cinema, for Best Female Playback Singer. In addition to these national awards, worldwide organizations have acknowledged Lata Mangeshkar as correct. The French authorities awarded her the distinguished Ordre des Arts et des Lettres in 2007 for her contribution to world music. She has additionally been awarded honorary doctorates by several universities and the Sangeet Natak Akademi, India's national music academy, dance, and drama. Lata Mangeshkar's awards and honours are a testament to her effect on Indian music and custom. Her experience, dedication, and arduous work have made her one of commerce's essential beloved and revered figure. Her legacy will continue to encourage generations of musicians and music lovers to return.

Lata Mangeshkar's lasting legacy in Indian music

Lata Mangeshkar's contribution to Indian music is nothing in want of legendary. Her voice has been driving behind essentially the most iconic songs in Indian film historical past, and her effect on commerce can nonetheless be felt presently. Her music has launched pleasure and solace to people worldwide, and her legacy continues to encourage new generations of musicians and music lovers. One of the most excellent options of Lata Mangeshkar's legacy is her versatility as a singer. She has recorded over 30,000 songs in extra than 20 Indian languages and seamlessly transitioned between genres, from classical and semi-classical to romantic ballads and peppy numbers. Her voice had a superior top quality that may convey numerous emotions, from pleasure and wish to heartbreak and sorrow. Her functionality to connect alongside her viewers utilizing her voice is undoubtedly one of many, many causes she is considered an absolute legend in Indian music. Lata Mangeshkar's effect on Indian music commerce might be mirrored in her collaborations with among the many most well-known composers and lyricists. Her work with composers akin to R.D. Burman, Laxmikant-Pyarelal, and S.D. Burman and lyricist Gulzar have produced among the many most gorgeous songs ever recorded within the Indian film commerce. Her songs have grown to be an integral part of Indian custom and society and have been the soundtrack to people's lives. Many of her songs have been handed down from expertise to expertise, highlighting her effect on Indian music and custom. Furthermore, Lata Mangeshkar's lasting legacy might be mirrored by the various awards and honours she obtained through her occupation. She has been honoured with the Padma Bhushan, Padma Vibhushan, and Bharat Ratna, India's highest civilian honours, in recognition of her immense contribution to Indian music. She has also acquired several National Film Awards and Filmfare Awards for Best Female Playback Singer, highlighting her standing as a legend in Indian music commerce. In conclusion, Lata Mangeshkar's lasting legacy in Indian music is perhaps attributed to her unmatched experience, arduous work, and dedication. Her music has launched people collectively and impressed new generations of musicians and lovers. Her versatility as a singer, collaborations with well-known composers and lyricists, and several other awards and honours spotlight her standing as an absolute legend in Indian music.

Top 25 Most Popular Hindi Songs

- Awaara Hoon - Awaara (1951) - Pyaasa - Jaane Woh Kaise Log The - Pyaasa (1957) - Yeh Raat Bheegi Bheegi - Chori Chori (1956) - Ajeeb Dastan Hai Yeh - Dil Apna Aur Preet Parai (1960) - Mere Sapno Ki Rani - Aradhana (1969) - Kabhi Kabhi Mere Dil Mein - Kabhi Kabhie (1976) - Tere Bina Zindagi Se - Aandhi (1975) - Chura Liya Hai Tumne Jo Dil Ko - Yaadon Ki Baaraat (1973) - Ek Ladki Ko Dekha To Aisa Laga - 1942: A Love Story (1994) - Tum Pukar Lo - Khamoshi (1969) - Honton Mein Aisi Baat - Jewel Thief (1967) - Waqt Ne Kiya Kya Haseen Sitam - Kaagaz Ke Phool (1959) - Jaane Kyun Log Mohabbat Kiya Karte Hain - Mehboob Ki Mehndi (1971) - Main Shayar To Nahin - Bobby (1973) - Mera Joota Hai Japani - Shree 420 (1955) - Chalte Chalte Yunhi Koi - Pakeezah (1972) - Tere Bina Jiya Jaye Na - Ghar (1978) - Hum Aapke Hain Koun - Didi Tera Devar Deewana (1994) - Zindagi Kaisi Hai Paheli - Anand (1971) - Inhi Logon Ne - Pakeezah (1972) - Kisi Ki Muskurahaton Pe - Anari (1959) - Ye Dosti - Sholay (1975) - Tum Itna Jo Muskura Rahe Ho - Arth (1982) - Tere Bina - Guru (2007) - Pardesiyon Se Na Ankhiyan Milana - Jab Jab Phool Khile (1965) The Legendary Lata Mangeshkar: A Musical Harmony's Know Your Celebrity is the brand new initiative from the AMH workforce to share the perception of Legends from the World of Music. Know Your Celeb: KYC Series A Musical Harmony: Online Music School About us A Musical Harmony is an online music-studying initiative. A Musical Harmony offers Group Online Classes. Group Online Classes for Vocal Singing (Hindustani Classical Music, Semi Classical & Sugam Sangeet), Dance ( Bharatanatyam), Instrument Playing like Guitar, Keyboard (Indian & Western), Drums, Tabla, Flute, and so on. Our Renowned schools having a minimum of 5-6 years of expertise of their respective area. Vision A Musical Harmony aspires to discover new issues in music and humanities and supply these to enthusiastic and passionate music lovers who need to study and play Western / Indian devices and Vocals critically and to create an Art. We generally guarantee excessive music and humanities training through Group Online Learning. We additionally intend to be one of many premier music and artwork faculties, providing unlimited music and humanities training that helps various scholar inhabitants. We worth and have a good time with the excellence in instructing and innovation achieved by the college's school. We also intend to maintain and improve a supportive, caring, and accountable group amongst college students, households, and schools. A Musical Harmony offers Interactive Group Online Courses and Engaging Workshops for Kids, Students, and Adults. Online Classes: Dance- Kathak, Bharatanatyam (Kids & Adults), Guitar, Vocal (Music), Keyboard, and Drums. For extra particulars: http://amusicalharmony.com/ Workshops: 1. Kathak Workshop for Kids 2. Bharatanatyam Workshop for Beginners 3. Guitar & Singing Workshop 4. Drums Workshop 5. Keyboard Workshop 6. Sugam Sangeet Workshop A Musical Harmony Facebook Page: https://www.facebook.com/AMHMumbai/ Instagram Page: https://www.instagram.com/a_musical_harmony_2020/  YouTube: https://www.youtube.com/channel/UCiMwpkdLekRrFd0TskQ_zQg?view_as=subscriber Read the full article

[saumya6969]

Lyrics Jeena Yahan Marna Yahan

“Jeena Yahan Marna Yahan” is a classic Hindi song from the 1966 film, ‘Mera Naam Joker’. Composed by Shankar-Jaikishan, the lyrics were written by Hasrat Jaipuri and have been beautifully rendered by actor Raj Kapoor in his own voice.

https://www.lyricshindisp.in/2022/12/Lyrics-Jeena-Yahan-Marna-Yahan.html

[mylyricsdost]

Bakad Bam Bam Lyrics

SONG CREDITS Movie - Kathputli (1957) Singer - Lata Mangeshkar Composer - Shankar-Jaikishan Lyricist - Shailendra

Bakad Bam Bam Lyrics

Baakad bam bam bam bam baaje damaru Naach re mayur jhanajhanaake ghungharu Asamaan pe aj dekho saat rng chhaaye Apane dil men ag leke baadal kaale aye Baadal garaje megh barase chahun aur saawan laharaae Mach raha hai daar daar pnchhiyon ka shor A gi hai pyaar leke ab suhaani bhor Bhnwara jhume ful chume baandhe prit ji dor In addition, to the lyrics, you can also watch the music video of Bakad Bam Bam. Bakad Bam Bam Lyrics Youtube Video https://www.youtube.com/watch?v=6R2YbSuuMYo I hope you enjoyed the song Bakad Bam Bam Lyrics. Please share your valuable comments within the comment box. If you don’t discover your favored song lyrics, then you can request us to feature the tune in our library here. Thank You for visiting us! Read the full article

[bollywoodproduct]

Lyrics Hum Ko To Jaan Se Pyaari Hai-Part 1

Lyrics Hum Ko To Jaan Se Pyaari Hai-Part 1

Hum Ko To Jaan Se Pyaari Hai (Part 1) – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Hum Ko To Jaan Se Pyaari Hai-Part 1 | Naina-1973 | Shashi Kapoor, Moushumi Chatterjee | Mohammed Rafi Hum Ko To Jaan SePyaari HainTumhaari AankhenHaye Kajal BhariMadhosh YePyaari AankheHum Ko To Jaan Se……….. Husn KiRaahon MeAaye NaAndheron Ka Nagar Humsafar…

[secretearthquakecheesecake]

🎩 Hat's off 🎹 🎻 🎼 The enduring legacy of Shankar -Jaikishan They made some of Hindi cinema’s most memorable songs and delivered evergreen hits for Indian film Industry.

Moscow Olympics in 1980 began with Shankar-Jaikishan’s song ‘Mera joota hai Japani’ from Raj Kapoor’s ‘Shree 420.’

They are widely considered to be the greatest ever music composers of the Hindi film industry. Here are five songs composed by Shankar Jaikishan

‼️GUESS, GUESS ‼️

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[bollywoodirect]

"Jaane wale kabhi nahi aate... Jaane wale ki yaad aati hai".

Tribute to Jaikishan Dayabhai Panchal, the legendary film music composer in Hindi films, on his 49th death anniversary.

Together with Shankar Singh Raghuvanshi, he was one half of the duo Shankar Jaikishan, a leading music director pair of the Hindi film industry in the 50s & 60s

49 years have elapsed and still, the memory of the music legend Jaikishan of the immortal composer duo Shankar Jaikishan continues to haunt as aptly mentioned in his song which was composed by them for the movie 'Dil Ek Mandir'. 12th September 1971 was the fateful day when the genius music director Jaikishan at the young age of 42 passed away.

Legends like Jaikishan are created in centuries. Jaikishan has remained unparalleled and irreplaceable. Jaikishan was a true genius and a noble soul and the void left after his death may not be filled for centuries to come.

What are your favourite Shankar Jaikishan songs?

[sonylyrics]

बहारों फूल बरसाओ Baharon Phool Barsao Lyrics in Hindi - Md. Rafi

बहारों फूल बरसाओ Baharon Phool Barsao Lyrics in Hindi – Md. Rafi

Baharon Phool Barsao lyrics in Hindi from the movie Suraj (1966) sung by Mohammed Rafi. This beautiful Romantic song is written by Hasrat Jaipuri and music composed by Shankar-Jaikishan. Starring Rajendra Kumar & Vyjayanthimala directed by T. Prakash Rao. Baharon Phool Barsao song Details Baharon Phool Barsao Lyrics in Hindi बहारों फूल बरसाओ, मेरा मेहबूब आया है मेरा मेहबूब आया है बहारों फूल…

[thedepartmentofdiscoveries]

Watch "Jaan Pehchan Ho - Mohammed Rafi | Shankar Jaikishan | Gumnaam | Dance Song" on YouTube

From Wikipedia: Jaan Pehechan Ho" ("Let's Know Each Other") is an Indian rock & roll Bollywood song, sung by Mohammed Rafi, composed by duo Shankar Jaikishan, and with Hindi-Urdu lyrics by Shailendra. It was produced for the 1965 Bollywood film Gumnaam, directed by Raja Nawathe, produced by N.N. Sippy, and starring Manoj Kumar and Nanda. The song has been widely "remediated" in North American circulation.

The song's music video was shot in a disco and features Laxmi Chhaya as the dancer and Herman Benjamin the choreographer as the lead singer.

The song first entered American popular culture when The Cramps appeared on the Los Angeles TV show Request Video in the early 1990s, and aired a clip of "Jaan Pehechan Ho" during their appearance on the show.

It gained additional exposure through 1994 live performances of the song by Heavenly Ten Stems, an American experimental indie rock band that was based in San Francisco.

The song appears in the opening credits of the 2001 movie Ghost World. In an interview, Ghost World writer Daniel Clowes mentions that he obtained his 20th generation copy of the scene from someone who had been housesitting for Peter Holsapple, guitarist and songwriter for The dB's, and he copied it from Peter's collection. Then they approached the sons of the producers and acquired the rights to use the song in the movie. The Ghost World DVD features the entire musical segment from the movie.

The song was also used for Heineken's 2011 "The Date" commercial.

In 2012, a cover of the song was included by The Bombay Royale in their debut album You Me Bullets Love.

In the 2014 video game Far Cry 4, by Ubisoft, the song is heard playing when the character storms the main antagonist's fortress.

The song, with similar costumes and choreography, also appears in the Cullberg Ballet's rendition of Ekman’s Triptych.

It was featured in the 2017 film Basmati Blues and in the 2019 Bollywood film Luka Chuppi.

[shankerjaikishen-the-unbeatables]

Title songs composed by Shankar Jaikishan in numbers. Lyricist wise

“TITLE SONGS” of Shankar-Jaikishan music directors who scored music for 185 films as below—- 1) Total songs scored——1350 nos2)Total songs as TITLE SONGS—-114 nos3)Total songs written by Shailendraji—34 nos4)Total songs written by Hasarat Jaipuri—53 nos5)Total songs written by Rajendra Krishna—06 nos6) Total songs written by Vishweshwar Sharma—05 nos7)Total songs written by Indeevar—03 nos8)Total…