#Her name is Reflection :]

[teratomatica]

you always land on all fours

[gnomewithalaptop]

Thinking about Tim and Cassie as narrative reflections of each other -- about how they both started out as normal kids with no obligation to their mentors, good kids who just wanted to help, and how gradually, bit by bit, that choice they made as thirteen-year-olds lowkey ruined any chance they had for a normal life

[s-aint-elmo]

girl who has suffered more than alll-mer

(ID in alt text)

[acatwithapencil]

[messymoonmad]

GIVE ME MELANTHO ART AND MY LIFE IS YOURSS!!! PLEASSEE PLEASE PLEASE PLEASE I WILL DRAW YOUR DESIGN OF HERR PLEASSEEE

Just siblings being siblings

[paragon-of-anxiety]

the jasmine throne is amazing. the two main characters are: a woman so deeply committed to being kind that she's worried about losing more of her humanity with the more power she gains and This Cunt.

[ahollowgrave]

-- a bride-gift of steel.

[asukiess]

it’s so so so messed up that adrien mirrors nathalie so easily. hands behind his back. how easily he can act to mold himself to a part. when he doesn’t know what to do, he defaults to other people. other people will know what to do, what to say, how to act.

[dramadramallama]

not really analyzing much, just making a few notes of the things that stood out to me in the first 4 eps of light shop. i haven't read the webtoon so it's more like i'm blindly pointing at things like a child hahaha

NAMES

All (?) the names called out when the teacher does attendance in the first episode have a (direct) translation (to something positive.) I noticed because 1. some of them are really unusual, and 2. they ALL are words, like no one's just named Ji-soo or something in this class lol:

Ip-sae (입새) - entrance/beginning

Nu-ri (누리) - (old fashioned) world/universe

Ha-neul (하늘) - sky/heaven

Gi-ppeum (기쁨) - joy

Eu-tteum (으뜸) - fundamental/basic (possibly: "the first")

Ga-eul (가을) - fall/autumn

Chuk-bok (축복) - wishing happiness/blessed

Bo-bae (보배) - treasure/priceless

Mi-rae (미래) - future

Do-dam (도담) - (possibly from 도담하다) be bold/stand out/accomplished (?)

Haet-sal (햇살) - sunlight

Now you're gonna say, well Hyun-ju (who keeps going to the light shop as an errand for her mom) is also in that class! She's seemingly the only one with a "normal" sounding name. Out of curiosity I did search hers, and interestingly, I found a few meanings too: 1. address of residence, 2. water used in ancestral rites (!) 3. stay in the present, live life (!!)

Side note: Haet-sal is also the name of the Detective's (unborn?) child. He chooses the name himself out of the ones his wife wrote down. It could be a coincidence, except most of the first names she pre-selected are the exact names of the students in that class.

I can't read all of them, but there are a few I recognize: Gi-ppeum, Ha-neul, Chuk-bok, Eu-tteum, Bo-bae... (there's also Sa-rang "love", or Haeng-bok "happiness" in the list)

HYUN-JU AND HER MOM

We're not shown Hyun-ju unconscious in the hospital, like all the other main players who are trying/failing to find a way out (the will to live/the will to move on)... But she clearly also is at the threshold between life and death. Maybe she is living, but able to unknowingly go between worlds?

The light shop seems to be the doorway to "home" or maybe "heaven" (as evidenced by Mr Twisty Legs, who keeps trying to "reach" the shop, and when he does get there, he doesn't cross the threshold and loops back to his solitary karaoke session in the dark rainy alleyway.

Dead or alive, Hyun-ju is basically invisible. She hangs out with her friends but she is not interacted with. It's really fun, if you go back and watch the scenes, no one directly talks to her, looks at her, or touches her. When she speaks, she's not acknowledged by the three friends. It's really clever: something's off, but it can be attributed to the girls being chaotic, not purposefully ignoring her. Eu-tteum is the only one who, barely awake, at the frontier between dream and reality, finally "sees" her. It's directly after that event that she sees the other ghost/spirit, whose body is missing (and whom the Detective is still looking for)

Hyun-ju's mom is revealed to be the body being embalmed. Her spirit (soul?) has a conversation with the Funeral Director and when she asks, "am I alone?" she surprisingly sounds relieved when he replies that she is. Is she relieved her daughter is not with her (meaning not dead yet?) She also cries and is worried about being left in the dark, which parallels painfully with the fact that she keeps seeking light, apparently asking her daughter to get her light bulbs over and over. The Funeral Director reassures her that she'll go to a place where it's very bright (=the Light Shop being very allegorical here)

Hyun-ju and her mom also live on the 8th floor of that apartment building, while the Intensive Care Unit is also on the 8th floor at the hospital. Bus Stop Guy also lives on the 8th floor of Hyun-ju's apartment building.

BUT... maybe Hyun-ju is the one keeping her mom from passing on, stubbornly buying her light bulbs that bring no light, and inevitably end up in the trash. Or is she helping...? Has she been dead ever since she was little (she still has that necklace she had as a kid, with her info on it in case she gets lost) and has been waiting for her mom all this time? The Shop Keeper even emphasizes that he sees her as a small child, unwrapping the candy for her.

When offered, Hyun-ju always picks the yellow (=light/sun) candies. The whole show feels like a giant allegory about Light and Dark, Life and Death.

SYMBOLISM/FOLKLORE

I don't know much, but I do remember that a common horror trope in Asian legends/stories is that ghosts can be recognized because they "clap with the back of their hands". I immediately thought of that when they show the Lady in White's weird hands (the inside of her hands is actually the back of it. The nails are all wrong, I FLINCHED) She's strangely interested in whether people are "alone" or "together", and who "knows" each other. She also needs to be invited inside explicitly to step into Bus Stop Guy's house, like creatures in a lot of folk tales.

The Shop Keeper never welcomes his customers inside... but greets them by asking a question: "how did you get there/what brings you here/how can I help?" The lights in his shop are not to be touched.

The Detective has a defective lamp on his desk, and cannot seem to light up his lighter anymore. He also sees people/things he shouldn't. The Nurse says "if you see people who are on the border of life and death, doesn't that mean you are too?" which obviously, he is now, since we see him in a hospital bed in the ICU. Maybe his wife and child are waiting for him to wake up...?

Lots of imagery with mirrors, which are common symbols for doorways, a limit between two worlds.

I know it's not, but New Tenant's outfit is also very reminiscent of a hospital gown (first image). When she settles in the new house, she puts away her shoes and does not seem to notice the bright red heels (the same ones the Very Tall Extremely Scary Woman wears, indicating she is inside the house with her).

The song my guy Mr Twisted Legs sings (badly) to give himself courage is the same one the Nurse makes her patients listen to (and the same one she was listening to when she was in a coma herself, "wandering aimlessly," "almost giving up" before she found her way back to the living). The characters on life support can all interact with each other in the alleyway, but are also completely isolated from each other: New Tenant does not hear Twisted Legs' cries over her own, and vice versa, even when they cry out for the same thing, "to get out of there."

They all share the same space in the ICU, but are locked in their own world. Do their collective consciousness populate that "other" world, mixing up elements of their life and memories?

Clearly, the theme of the deceased, unable pass on peacefully, who remain behind (due to something unresolved?) is prevalent. Does it create--not ghosts exactly--but an energy, an entity embodying the "regret," the "mourning [of] something they lost"?

Now, what I find interesting is: what does "I want to leave, I want to go home" mean for each of them? To peacefully pass on, accept death, move on, and forget? Or does it mean to fight, to find the will to live, thanks to those who wish us well? Is the Light (shop) the way back to life, or the way to the after-life? Or both?

[pilkypills]

I was thinking about what Bofur and Bombur's mother might be like. She's the younger sister of Bifur's father.

I think she's a conscientious and considerate dam that's used to making more out of less and powering through bad circumstances with a smile. Bofur and Bombur's father died while they were still children, leaving her to raise them as a single mother (with Bifur's help, of course). She's worked for most of her life as a cook in a miner's canteen. Her late husband taught her to play the flute, a skill she's passed on to Bofur.

She's kind of thin for a dwarf, a leftover effect of being a sickly child. When Bofur and Bombur were born she was secretly terrified they wouldn't be healthy and, even though they are, she still worries from time to time. She is mostly retired by the time of the Quest, spending most of her time helping Bombur's wife look after her children.

The pet name she uses for Bofur is constructed from the Dwarrow Scholar's technique for creating diminutives, though I can't guarantee I've done it correctly. It means "tiny waterfall", referring to his chatterbox tendencies :)

Bombur's nickname (tiny sparkle) is similar, made and provided by the Dwarrow Scholar in this post here.

[moonlightflower-queen]

Sorry for traumatizing y'all with my last post

Also Mel and her little sister bc im obsessed with the idea and no one has stopped me yet

[millidew]

i fw this heavily

[ibblescribbles]

Do you think you will ever check out Raincode? It's made by the same people who made DR but with a more focus on mystery. (It has the same vibes and stuff, I feel like you would like it a lot) another thing, the writing is so banger

Yes, I've already played Raincode!! Really enjoyed it, especially for the DR-like vibe and I actually made charms of the main cast:

I have sketches of Yomi and Yakou that I've been meaning to add to this set for ages but haven't been able to bring myself to refine them ;v; Makes me happy when people recognize the Raincode merch at cons tho! I'm really excited for Kodaka's new game too, I haven't played the demo yet!

[rabnerd28]

The girlboss feminism of post 2018 StEx really makes it obvious that whoever is working on this show is always 5-10 years behind on actual feminist talking point

[peopleareaproblem]

ok is anyone else surprised by how easily outie!Dylan refers to his innie self as "me"?

"how did the thing go? the thing with me?"

everyone else we ever see refer to explicitly an outie or an innie (their own or anyone's) either refers to them as a seperate person, or struggles with deciding between using first and third person. why does outie!Dylan so firmly see himself and his innie as one and the same?

I think there's more to Dylan that we know.

[nattikay]

so I started playing the new Frontiers of Pandora game last night, and was pleasantly surprised that not only did the opening cutscene feature a few lines of spoken Na'vi dialogue, but said dialogue was actually pretty accurate!! Good job game!!

Here’s the lines transcribed as far as I can tell:

Aha'ri: Plltxe po nìtsleng! He speaks falsely/he lies! Player: Ma tsmuke, ftang! Sister, stop!

-

Aha'ri: Ma Nor? Ma Nor, tìtxen si. Awnga ngahu, tam. Nor? Nor, wake up. We [are] with you, it’s ok. Nor: Tsat oel uniltsola nìmun…tsatxon a fol awngat kämolunge. I dreamed about it again…that night they took us.

-

Aha'ri: Awnga kä ne kelku! We go home! Player: Za'u, ma Teylan. Oeng kivä ne kelku. Come, Teylan. We [may] go home.