Having some feelings this evening about Frodo’s reaction to people around him being corrupted by desire for the One Ring. How generally devoid it is of any blame placed on that person, and how he instead treats it as a tragedy to spare others from by distancing himself.
It’s a big deal in the latter books that Frodo wants to show Sméagol kindness if possible because things have progressed so far that Frodo can recognize his own experience in him. But what’s really making me stare at a wall right now are Frodo’s early days reactions even before the personal identification is as strong.
Basically, I can’t stop thinking about how deeply Frodo’s reaction to that last encounter with Boromir is informed by the fact that the first person to ever try and take the ring from Frodo was actually Bilbo. The fact that the first person Frodo ever saw corrupted to that point, even for a moment, was the kind, clever, caring uncle who adopted and taught him, and who Frodo thinks the world of.
Just thinking about the personal relationship Frodo had with the very first person he saw the Ring affect and how fundamentally that set the tone for his understanding of it for the entirety of the journey.
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I know it's still early in how much of their relationships we've seen and we're only halfway through the season, but at least right now it kind of feels like both Buck and Eddie are split between two relationships.
So far Buck has physical intimacy with Tommy, but emotional intimacy with Eddie. Tommy got the (sober) hugs and kisses, but Eddie was the one at his side throughout the stresses of searching for Chimney, and supporting him while he supported Maddie.
And Eddie has the physical intimacy with Marisol but the emotional intimacy with Buck, even several months into their relationship. Marisol was right there with Eddie when he found out Chris was talking to a bunch of girls, but (as far as we were shown or told) he waited to talk it over with Buck. He went to Buck about his Catholic guilt, but we never saw him address it with Marisol, who would probably have some experience with that.
If it's being done intentionally, then that could make for a really interesting storyline about like...I don't know if emotional infidelity is exactly right, but something like that.
But it could also be the realities of having a limited amount of screentime per episode and prioritizing popular main character dynamics, in which case if Buck and Eddie don't end up together, all of their romantic relationships might just feel a little surface level to some degree. If they pull back on the emotional Buck and Eddie scenes, then they're cutting back on a core relationship of the show. But if they have those emotional talks and support with each other, we won't see that emotional growth with their partners.
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Yall imagine Danny getting help from Batman and tells him about how hes on the run (it was a joke in passing smh) and how he has no home (it was ment to be funny man) then all of a sudden Bruce way shows up on a totally casual stroll in his neighbourhood. “Oh look a child who is in need laaa dee daa let me help you poor random child who I have no idea who you are.” As if Danny is an idiot. He isnt fooled in the slightest. He knows when something is up. Batman clearly is using Bruce Wayne to help kids off the street.
Danny is staying at Wayne manner and notices how no one really talks about the bats. Or tif they do Bruce gets this look then quickly changes the subject. Hes putting so much effort into it too. And at first Danny hardly noticed. Now it’s obvious theres a connection. At first he thought Bruce Wayne hated batman with how often he refused to comment or gave his kids a glare when they mentioned the big bad bat. But now it’s clearly something else. Danny got a chance to talk to the commissioner alone and then it clicked. Danny had asked whats Mr.Waynes beef with Batman and the commissioner seemed so confused. Quickly telling Danny about how the two have worked together. How Bruce has even helped the bat with information or a distraction from time to time. Why would Danny think that he hated him???
And BAM Danny had it. Bruce Wayne is dating THE Batman!!! Holy shit it makes so much sense. Danny would often find batgear around the house. Bruce probably got targeted a bunch and thats probably how they met.
Now hes trying so hard to be supported of his clearly closeted father figure. He also gets why it’s not public info too. Paints a huge target on Bruce. Plus his many many kids. Must be hard for them. What a crazy life they live. Jason would probably be so jealous of their literal fairytale romance.
Danny tells Bruce that he is supported by him and that his secret is safe until hes ready to tell anyone else. Bruce niw thinking Danny knows hes batman shows up no mask and Danny goes nuts. “You can’t out yourself in danger to protect him bruce!!! You are just some himbo man!!! He wouldnt want this!!!” Thinking Bruce is going to try and fight in Batmans place.
Then Danny walks up and places a hand on bruces should (he has to reach lmao shorty). “I will go. I will keep everyone safe. You can count in me” transforms snd flys off to defeat the big bad. Leaving a fully stunned and confused bruce.
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for whatever reason, you're there after the war. for touya—not dabi.
once he's moved out of the hustle and bustle of the city and to an intimate little place, somewhere a bit quieter. with his family, of course, as his entire being just—heals. he's given the time and the space and the patience that he needs, but it's not easy. almost feels like it's never going to be.
he comes and goes in waves; thunderous and loud and all consuming, another crash upon the shore. in anger and pain, in fear and hatred, with a kind of madness that you could never hope to understand.
and then sometimes, he is quiet. when you help change the wrappings on his body or when you offer the help of an arm he doesn't have or when you just sit with him, fully clothed, underneath the ice cold spray of the shower.
in these moments, it's almost like he's been gutted, like everything he had inside was scooped out—and it sounds like it should be terrible. but touya watches the carefulness to your hands and how you tie his shoes and lets you rest your head on his shoulder when you're sitting side-by-side in the tub, because he's still as warm as he's always been.
and you think maybe it isn't so bad that all that was removed, when they sewed him back together; all the anger and pain, the fear and hatred, the madness that's nowhere to be seen in those bright and clear eyes of his.
without all that in the way, you hope—you all do—that something new will grow it its place.
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There's not much Steve remembers.
There's a group of people walking through the woods, some older, some teens. He's amongst them. The sky is too dark and the trees are too dead. His hands are tight, holding something close. There's an air of panic, stress, hurry, caution. A mistake was made, and they need to escape.
Then instincts flare and the trees descend on them. Sharp rushes of wind, the shrill shrieking of something otherworldly. There's teeth and sharp whips and screaming and gunshots.
Then the swirling mass parts and the shrieks turn human, and Steve remembers the visceral fear of seeing the mass separate. One half rises, carrying a flailing, manic figure, and no no no Robin please no not Robin please no me take me instead you bastards not Robin please no Robin Robin-
Then the other half descends, whips circle his wrists, and the ground falls beneath him. There's screaming behind and before him as the earth fades away, and it's a cruel parallel, floating when all he wants to do is sink.
Robin's thrashing, Steve's thrashing. Their weapons have no use here, where teeth and whips maul them. Amid the pain, all Steve can do is plead to Robin, to forgive, to hope, to fight.
Robin finds the weak spot first. A quick succession of blind swings, a fierce thrash of flailing limbs. The bats scare, release her. But they're too high. Steve feels his throat go coarse as he watches Robin crash into the dead forest below, unable to differentiate the snapping between bark and bone.
Steve finds it in him to copy the act, do the same. And somehow, it works. Somehow, he's weightless.
There's a fierce pressure and the first snap he remembers feeling both on and within his skin-
And Steve wakes up.
It's not sudden, it's gradual. He feels the pains within him slowly throb to life, rousing him from sleep like an anchor rising from the sea. His left hand feels thick, and there's a burning poker laying across his forehead. His jaw feels wrong, and his eye stings and throbs.
His other senses slowly begin to return as well. He's laying down, his head tilted to his left, a bit cramped in the space as something presses around his shoulders. The material he's on isn't very comfortable either, some parts stabbing into his back, and there's a crinkling sound every time he breathes. He hears the faint rippling of water, and somewhere out there, it rushes fast and hard.
It's hell to even think of doing it, but as Steve returns to reality, his instincts rise to the surface, and he knows he has to get up soon. So he opens his eyes. He fights the involuntary tears, wincing as the stinging worsens, then wincing further when his face crumbles in the looping pain.
Finally, he can see a little. Where he is, it's thankfully pretty dark, with only a faint golden glow illuminating the area around him. His eyes strain to see through the darkness past the range of the light-
And then Steve notices where he is. A boathouse. The boathouse. The same one from a night that feels like a lifetime ago, rather than a few weeks. The start of their worst journey, the beginning of a friendship that would grow just to rot into a sour mess of guilt and loneliness.
He's laying within the same boat too...
His eyes focus on some motion across from him. A table covered in a lump of tarps and ratty cloths, and atop it sleeps a figure. Her face is scrunched up in pain, a patch of bloody fabric covering her cheek. One leg has been removed of all clothes, the ankle wrapped and foot elevated. Steve knows her, and instinct briefly overpowers everything else.
"Robs?-" Steve cracks out, his voice sore and rough. His body tries to rise, moving habitually, and he barely rises onto his elbows before the world pounces on him again. It's so strong and he's so weak that he can't move more than the closing of his eyes and the falling of his chin to his chest, can't make a sound louder than a whimper.
Suddenly there's a noise, there's movement beside him. The light glows just a tough brighter, and there's a base warmth suddenly pulsing through his chest.
It's a person, shushing him. Their hand is resting softly on his back, simultaneously supporting him and urging him down.
"Please, stay. It is better for you to rest."
The voice speaks softer than Steve can remember, but he still knows it. It's monotone, sounds ghostly, faint, quiet in a way that has nothing to do with volume, but it's still familiar. Still brings the memories around Steve right into the present, takes him back to that corpse, makes the presence around him feel more melancholic than scary.
Which is funnily enough, even more terrifying.
Steve can't move, can't pull his sight up to face what can't be reality.
"Apologies for the location. We cannot stray too far from the Gates."
The monotone changes to sound almost apologetic, more real, more like what Steve has been craving. It's what finally makes him cave, to turn his eyes to face the impossible.
Who he sees, what he sees, both crushes and rises his hope. Because past everything before him - the inhuman glow, the calm, plain expression - he finds exactly what he's been fighting for.
"Eddie...?" Steve pleads.
The blank face falls, just slightly. Like it's guilty.
"I'm sorry. No. Not quite."
(EXTENDED VERSION TO BE ADDED LATER PROMISE!!!!)
(also cleaner version below)
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