#He doesn't get a choice.

[purrincesskittens]

Wip for a new fic, probably will just add it to my misc fic full of one chapter stories. Blue Spirit Zuko has gained some new spirit friends, and FN soldier Ren isn't having a good day. He would like to go home now.

The Southern Huntress Katara is from @muffinlance Salvage. I gave her the wolf paint like Sokka wears in battle and the face mask she wears in the Southern Raiders episode of the show. My OC Atka is the Wolf Lion Hunter spirit, while the twins Koji and Anja, whom I've mentioned in my other fics, are the Azure Dragon and Golden Dragon Spirits.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[yo-yo-yoshiko]

Watching this man and his misfortunes like a sporting event.

plus a closer look at these cause i legit pulled an eye muscle drawing them...

[howlsnteeth]

and are you really okay? are you really okay?

[haze-of-hyperfixations]

Eurylochus during Thunder Bringer:

[yardsards]

i love you, media without romance

i especially love you, character-centric media that explores the bonds between characters but still has no romance

[to-be-a-dreamer]

No, because I've already talked about this to the Discord besties but I'm still vibrating over the fact that Percy didn't just sacrifice himself for Annabeth, he outsmarted her. He tricked her into letting him be the one to stay behind that's such an amazing detail

[liauditore]

so much has happened to this thing since it joined hermitcraft

[lucky-slice]

Do you understand how much kevin respects neil? And i don't mean when it comes to exy, like sure there's a whole lot of you're not good enough followed by you will make court bluh bluh bluh, i mean fundamentally as a human.

Kevin and Neil's conversation after the truth of Neil's father is revealed drives me absolutely insane because I think it highlights a lot about how Kevin views Neil.

so indulge me for a bit....

I think a lot of people forget, in light of Andrew choking Kevin for not telling him the truth, that Kevin's initial reaction was to tell Neil to run.

*sorry for the quality - these are all screenshots off my phone

Kevin's instinct is to tell Neil to save himself, despite what that would mean for the team's success and for Kevin himself. This is significant to me for two reasons.

It highlights that Kevin genuinely cares about Neil outside of his exy potential. For most people, this would be a pretty obvious response to finding out your teammate has a guaranteed death sentence if they stick around, so it might not seem all that meaningful, but Kevin was raised in such an environment were you continued to play no matter what - even at the risk of death. Kevin is unflinchingly callous when it comes to exy and his teammates (*see his reaction to Seth's death), but he is frantic in his concern for Neil in contrast to his fairly passive response to basically anyone else's wellbeing outside of exy. Neil's death will have no real impact on Kevin. If Neil dies or goes to the ravens, nothing changes for Kevin. He is not at a greater risk of being hurt by Riko or the Moriyama's nor will his exy career be effected. That's not to say he would tell Neil to stay if he cared about him any less, but there is a desperation that implies a depth beyond just that of a teammate.

The fact that Kevin is frantic and desperate for Neil to leave, gives weight to his decision to keep teaching Neil in the aftermath of the revelation.

Neil doesn't want to run - he wants to be Neil Josten until the end. He gave Kevin his game and now he's asking him to keep it and Kevin obliges.

This is essentially Kevin promising that he will keep Neil's secret. He will allow Neil to wear his mask and continue teaching him despite the fact that Neil is essentially a dead man walking. This, to me, is Kevin ultimately respecting Neil and his choice. At any moment, Kevin has the ability to got to Wymack or Andrew and give Neil the chance at surviving, but that would mean betraying Neil.

Some people (certainly the foxes) would view refusing Neil's request as the proper and morally correct thing to do. But I think Kevin's immediate acceptance of Neil's decision is both immensely meaningful to Neil and also a signifier of a shared understanding between to two.

Imagine how impactful it must be for Neil, who has never had autonomy over his own life and has been marked for death basically since he was born, to be told that not only will his decisions and his autonomy be respected, but there is someone who will stand by his side on the court, knowing the whole truth, until the very end.

Kevin doesn't have much to offer Neil at this point. He can not give him a future - he'll be long dead before he can ever make court, and Kevin is a coward - he is not andrew, he can't stand up against the Moriyama's or Riko or Neil's father. Kevin can not protect Neil in a way that matters. All he can do is promise to keep Neil's secret and offer him a few more months of being Neil Josten.

I'm not including this to disparage Andrew or to suggest that he does not respect Neil, but this highlights that Kevin knows the decision to keep Neil's secret is one only Kevin would make. Andrew without a doubt would immediately try to get Neil to leave or attempt to get him into protection. I'm not passing a judgement of morality on what would've been the right thing to do, but I do think Kevin's reaction is indicative of the fact that Neil and Kevin understand each other in a way that no one else really will.

Neil and Kevin are a parallel's in a number of ways. Kevin lived the life that Neil was supposed to have and they are two parts of one story.

To them exy is not a game, but it's not really about exy either. It's about deciding to stay just to play for a couple more months even though you'll wind up dead because playing means you finally get to live after years of being a ghost. It's about playing to be the best no matter what, even though the consequences are having your hand smashed and the life you know completely demolished. It's about playing even though you're shaking with fear and anxiety because you need proof that your life, whether it be running to survive or living under an abusive hand, was not a waste.

Kevin agrees to keep Neil's secret because if the roles were reversed, Kevin would like to believe that he'd be strong enough to ask Neil for the same thing. This is obviously conjecture and a heavy heavy reading between the lines, but I'd like to think there's some truth there.

Finishing up with this line because it makes me a little emotional.

Kevin starts the conversation by calling Neil "Nathaniel" and ends it by calling him Neil again. Its right there in the text, "it was a promise". Kevin is offering Neil a life that is fully his - not his father's, not Riko's, but Neil's to do with what he would like, even if its only for a couple more months. If that's not respect, than I don't know what is.

[onelungmcclung]

- Wasn't my idea. Huglin recommended you. - Then you're both sons of bitches.

[canisalbus]

To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?

Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.

[dennisboobs]

7x10 // How Mac Got Fat

↳ Charlie & Dennis + getting high together

[archiveoftragedies]

In mdzs, when the public opinion started shifting and everyone turned on jgy it made me feel vindicated. Finally they're siding with me against the guy that keeps pissing me off. But that only lasted an instant. Slowly, progressively, I started going wait. Wait no hold on. Go back. I didn't mean it that way go back. Because they were saying about jgy the exact same bullshit they had been saying about wwx the entire novel. And suddenly it felt really off.

Then, during the flashbacks leading up to Nightless City, I kept thinking back on that thing wwx tells nhs in volume one, when nhs explains his family's solution to their haunted saber problem. "Well, that's hitting a bit close to the demonic cultivation path". Doesn't nhs refuse to swordfight as well? Is he even carrying a sword? How come he can get away with this (and wwx can't)?

Wwx and jgy have similar origins but were raised in different environments. They learned similar survival methods and tried to play by the rules up until they couldn't anymore. They had the two more prominent roles in winning the sunshot campaign, and yet everyone forgot about that the second they decided they were irredeemable. They met similar ends, fighting and protecting people they loved.

Nhs became the kind of person his brother would despise in trying to avenge him. He became like his brother's murderer. His survival method is also trying to make himself seem harmless, not with polite smiles or clever distractions but with tears. The only reason he didn't meet the same end as the other two is that he managed to stay out of the public's eye, and because his reputation was unstained from the beginning. Although I should note that he is Nie Mingjue's half-brother, which might hint at a more complicated heritage, more similar to that of the other two, than one would suspect at first glance. But whether that's the case or not, the point is that nobody would call nhs a bastard, and that means that people will overlook certain things he does that have condemned the other two to death.

That's what makes them such great narrative foils. In the end all three of them are cheating, but nhs had better cards to begin with.

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.