#Happy times

[tendergesture]

it's orange season

[hansoeii]

Poolverine date! 🌸

[llmsos]

If you need to be mean, be mean to me.

[midnottart]

Repost • I've been wondering lately that I haven't seen this one in a while. I suspect it got removed because of Thor's "mighty hammer". 👀

His hammer is still in all of his glory to see on Twitter: X 🔞

[small-z24]

One-Shot: Baking Mishaps

Summary: 

Baking with Azriel doesn’t go quite as planned 

Word Count: 619

Warnings: None just fluff

The House of Wind was filled with the warm, inviting aroma of baking. It was a rare day off for the Night Court, and Y/N had convinced Azriel to join her in the kitchen for a fun, relaxed afternoon of baking. Despite his stoic exterior, Azriel had a soft spot for spending time with her, even if it meant getting his hands covered in flour.

Y/N laughed as she watched Azriel struggle with the measuring cups. "Az, you’re supposed to level off the flour, not pack it in like it’s a weapon."

Azriel looked up, a rare smile tugging at the corners of his mouth. "I’m trying, but this isn’t exactly my area of expertise."

She stepped closer, gently taking the cup from his hands. "Here, let me show you." She demonstrated the proper way to measure flour, her hands brushing against his. "See? Easy peasy."

Azriel’s eyes softened as he watched her, his shadows swirling lazily around them both. "You make it look easy."

Y/N grinned, a mischievous glint in her eyes. "That’s because I’ve had lots of practice. Now, how about you handle the eggs?"

Azriel nodded, taking the eggs and cracking them into the bowl with surprising precision. "At least I can do this part right."

Y/N giggled, nudging him playfully with her elbow. "Look at you, Mr. Perfect."

Azriel chuckled, the sound warm and rare. "Only when it comes to cracking eggs, apparently."

They continued working together, mixing ingredients and sharing laughter. The playful banter and lighthearted teasing created a bubble of happiness around them, a stark contrast to the usual seriousness of their lives.

As they moved on to mixing the batter, Y/N noticed a smudge of flour on Azriel’s cheek. Unable to resist, she reached out and brushed it off with her thumb. "You’ve got a little something right here," she teased.

Azriel’s eyes twinkled with mischief. "Oh really?" He dipped his fingers into the bowl of flour and gently flicked some at her, a playful smirk on his face.

Y/N gasped, feigning shock. "Did you just—"

Before she could finish her sentence, Azriel flicked more flour at her, and she retaliated by grabbing a handful of flour and throwing it at him. Laughter filled the kitchen as they engaged in an impromptu flour fight, both of them covered in white powder within minutes.

"Truce! Truce!" Azriel called out, holding up his hands in surrender, his face covered in flour and his eyes shining with joy.

Y/N giggled, lowering her own flour-filled hands. "Alright, truce. But only because I don’t want to waste any more flour."

Azriel wiped flour from his face, his smile softening as he looked at her. "You know, I don’t think I’ve ever seen you this happy."

Y/N’s heart warmed at his words. "That’s because you bring out the best in me, Az."

He reached out, taking her flour-covered hand in his. "And you do the same for me."

They stood there for a moment, the world outside forgotten as they basked in each other’s presence. Finally, Y/N broke the silence with a laugh. "Come on, we should probably clean up before Rhysand comes in here and sees the mess we made."

Azriel nodded, still holding her hand. "Agreed. But I think we make a pretty good team."

Y/N smiled, her heart full. "The best team."

As they cleaned up the kitchen, their laughter and lighthearted banter continued, filling the House of Wind with a sense of warmth and love. And in that moment, Y/N knew that no matter what challenges lay ahead, they would face them together, hand in hand, with love and laughter guiding their way.

[mommyesque]

The fathers are fathering at last ;-;

[sarasakyfreesoul]

He really knows how to enjoy 🤣🖤

[shr1mply-here]

🎨:guuh.. I feel Terrible.. I am terrible! I let one of the most reckless toons we have go look for Goob without any help!

🌸:I know Cole, but it wasn’t your fault! Shrimpo went in that vent all on his own! And you were really busy, you couldn’t help it.

🎨:But patty!.. I should’ve looked with him, he’s just a kid.. and now I’ve lost my fluffy boy and him…

🌸:(oh Cole.. I hate seeing you all sad like this.)

📺: we’re back dummies!

📼: We’re back. (No need for rudeness, Nima..)

*Goob is chatting with dandy, dandy seems to be tolerating Goob while Shrimpo is.. slouched over by the corner of the elevator.

GOOB!!

COLE!!!

🎨:Haha! My flooffy boooy!!

🌸: (aww my heart can’t take this much cuteness!— 💕)

🌸:Cole Imma go check on Shrimpo, okay?..

🎨:oh, okay!.. (Yell if you need me.)

Hey lil man!.. you doing okay?

You don’t look so hot..

[rolloroberson]

Apple Trees

A poem for you

A poem for me

It will coagulate blissfully

In the shadows of the limbs

From the big old Oak

In the green backyard

Where you perambulated

Through the falling snow

Amidst the images of apple trees

And a floor of fresh pine straw

When we meshed so tightly

We had to catch our breaths

Before they were forever gone…

A poem for me

A poem for you…

Rollo©️Roberson 2024

“i carry your heart with me(i carry it in

my heart)i am never without it(anywhere

i go you go,my dear” - e e cummings

[bubu44f1]

28 seconds of the cutest laugh on earth I literally melt with Lewis laughing

[memyselfandtheemperor]

So we are almost at the end of the journey, one more upload to go!

For the new comers  that are insterested in reading  the whole comic thingy from the beginning, you can do it here:  

https://memyselfandtheemperor.tumblr.com/post/685417116140273664

Cheers!

[jeebits]

what a crazy day of hanging out with hector salamanca and don eladio ! time to get back to opening that chicken restaurant

[silli-illi]

well hello

[sassywiththesas]

I'm proud of u for what u have become.

[crepesuzette2023]

from The Beatles Book Monthly, No 23, June 1965.

JOHN: This month, Beatle People, I would like to give you an unbiased lecture about a truly sensational new book to be published, price ten and sixpence, on 24th June by Jonathan Cape, who are very good publishers as everybody knows.

PAUL: Hey! Wait a minute. He said an informal conversation not a flippin' commercial. We're both supposed to discuss things. Like the film frinstance.

JOHN: You discuss the film, frinstance, and I'll discuss this book. It's called "A Spaniard In The Works", folks, and it would be cheap at half the price.

PAUL: Don't you mean twice the price?

JOHN: You see, Beatle People, my learned colleague agrees that it's worth twice the price. Printed throughout in two glorious colours. Brown and green. Printed on real paper too, Beatle People. You can't lose, can you?

PAUL: Don't forget what John says. 24th June. Jonathan Cape. Ten and six-pence. "A Spaniel In The Circs.”

JOHN: "A Spaniard In The Works." Good grief, you'll have a Rolling Stone rushing out a book called "A Spaniel In The Circs" and all my good work will be undone. I say again, sir, undone with a capital UN.

PAUL: As I was about to say before I was Beatled, we've finished filming "Help!". Actually the last scenes were done at Twickenham a couple of weeks back but we've been called into the studios several times since for overdubbing. That means, well, you know when you see an outdoor scene in a film and the actors are miles away from the camera. Well, they can't use microphones or you'd notice them growing out of bushes or sticking round the corner of buildings. So if there is any dialogue in scenes like this they have to put it on the soundtrack afterwards. That's called overdubbing.

JOHN: There is no overdubbing in “A Spaniard In The Works" folks. No cheating and miming like that. A Spaniard If The Works" is live, LIVE, L-I-V-E. All Live. The book was written indoors using only close-range microphones, typewriters, ciggie-packets and green and brown ballpoint pens for the drawings. Remember, folks, only "A Spaniard In The Works" comes to you completely free from skin-irritating overdub.

PAUL: In Nassau we had to keep out of the sun because the scenes we did out there come at the very end of “Help!" and it would look funny if we were all brown and tanned in the snow sequence which you see earlier on and then pale and unhealthy in the Bahamas bit. All sorts of odd people that you'll know play parts in "Help!". Roy Kinnear, Frankie Howerd. The Queen Mother was nearly in one scene—but that was unintentional. She was driving by the film location in Nassau on her way to the airport after touring Jamaica.

JOHN: Pity she didn't stop and join us.

PAUL: We had a fabulous time down on Salisbury Plain a couple of weeks back. We did four days of location filming there with tanks and troops which were on loan from the Army. Bit chilly after Nassau with lots of rain showers and a cold wind but, without giving away any production secrets, I think the Salisbury scene is one of the funniest of the lot!

JOHN: Fun, fun, fun, with them chasing us, and us chasing them, and me chasing you and where's the tea Mal.

PAUL: One of the greatest free evenings we had during the making of the film was at Obertauern in the Austrian Alps. There isn't a great deal of night life but we made some of our own. It was the assistant director's birthday and we were at the Marietta Hotel. Dick Lester found an old piano in the hotel and we all had this gear sing-along session.

JOHN: It's a new craze. Yes, folks, it's all the rage. Have your own read-along session at home! A complete do-it-yourself read-along kit comes free inside every brown and green copy of "A Spaniard In The Works" PAUL: There's not much more I can say about the film without giving away very hush-hush secrets about the story. There's going to be a Royal Premiere in London on 29th July. At the Pavilion in Piccadilly Circus where "A Hard Day's Night" opened last summer. Then the film will start going the rounds in August and there's a New York premiere a week later. We do a European tour in June but we'll be back home long before the premiere. All I can say is I hope everyone enjoys the film. In a lot of ways we're all sorry the production is finished 'cos we had a great time making it.

JOHN: Is that all you've got to say?

PAUL: Yes, I think so.

JOHN: Well, if you've quite finished, perhaps you don't mind me having a quick word with Beatle People about this book.

PAUL: Which book is that, John? it says on this ciggie paper you've just handed me.

JOHN: I don't like talking about it really. People will think l'm plugging.

PAUL: Ah, go on, John, nobody'll think that.

JOHN: No, I can't. I'm bashful.

PAUL: Please…

JOHN: All right. Read all about "The National Health Cow" and "Cassandle" (on different pages). Read all about “Silly Norman" and "Benjamin Distasteful" (both in glowing green and beatle brown). These and fourteen other unbelievable fables before your very mouth in "A Spaniard In The Works”

PAUL: Aren't there drawings too, John? you asked me to say when you stopped the tape recorder just now.

JOHN: Yes, yes. Well, sort of. One of them (in brown and green which are very artistic colours and especially cheap to print, you see) is a full-page drawing of a fat budgie. Beatle People will be interested to know that I ate nothing but SWILL, the new deodorant bird seed, for six weeks in order to get into the right mood to draw this particular picture.

PAUL: What happened?

JOHN: I fell asleep on my perch but the picture came out O.K. I drew it in two minutes flat. Flat on my face at the foot of he perch.

PAUL: And what is the title of this new book of yours, John?

JOHN: Oh, I'm so sorry. Didn't I mention it?…

[fashiongoddis]