#Hanzan

[detournementsmineurs]

“Inro" par Mochizuki Hanzan en laque rouge avec décor doré et argenté (1775-1800) et "Inro, Netsuke et Ojime" par Shibata Zeshin en laque noire à décor en or (1850-90) présentés à l'exposition “Kimono” au Musée du Quai Branly, avril 2023.

[ashmoleanmuseum]

Bowl with a Pine Branch

This bowl was made by Japanese potter Miyagawa Hanzan c. 1925 in the style of Nin’ami Dōhachi (1783 - 1855). It is decorated with a beautiful pine branch that wraps around the inside and outside of the object 🌲⁠ ⁠ Miyagawa Hanzan, who also made the wonderful shrimp vase we shared earlier this week, was the adopted son of Miyagawa  Kōzan, artist to the Japanese Imperial household and was one of the most pre-eminent potters of the Meiji period. He came from a long line of potters in Kyoto, and began studying fine art at a very young age. When Kōzan died in 1916, Hanzan took the name Kōzan II, and began to work with stoneware as well as porcelain. Sadly, the factory they ran together in Yokohama was destroyed in World War II.⁠ ⁠ Japan, 1925. Earthenware, thrown with hand-modelled, cut, and pierced decoration. See it in gallery 36.⁠

[elizabethanism]

bold

she cannot

stop loving

Hanzan

[mira--mira]

I like to headcanon Mito and Hashirama’s (oldest or only) son was named Hanzan ( 斑山 ) because Hashirama could never let Madara go and as the village started to enshrine him as god of shinobi and started to erase Madara from history (something that started during Hashirama’s reign but was fully completed under Tobirama’s) Hashirama was desperate to have proof that Madara existed (hence the statues and his son’s name, 斑 is the kanji for ‘spot’ the kanji that would be used if Madara’s name was spelled with kanji.)

[fujiwara57]

e-hon 絵本 -  “Kyōka kanyūshū 興歌喚友集” - Meiji jidai 明治時代 (1868-1912) - encre et couleur sur papier -

Kitagawa Hironobu 北川広信 (1840 - ?) Matsukawa Hanzan 松川半山 - actif de 1850 à 1882

[yajifun]

絵本豊臣勲功記. 初,2-9編　柳水亭種清 刪補　歌川国芳(初～5編) 画　松川半山(6編以降) 画　1857～1884年

早稲田大学図書館古典籍総合データベース

8編1 羽柴内大臣平秀吉公

8編1 長曾我部宮内小輔秦元親

8編10 三十七勇士憤怒を発し大蚦蛇を屠戮す

[mia-japanese-korean]

Poling a Boat in the Moonlit Water, Matsukawa Hanzan, 1866, Minneapolis Institute of Art: Japanese and Korean Art

Two men pole a boat through the water. The reflection of the full moon is fractured by the boat's wake. The water's blue color suggests the clear sky of a moonlit night. The image may depict Lake Biwa, Japan's largest lake. If so, the pagoda on the distant mountain range is Ishiyamadera Temple, located on the southern end of the lake, and long renowned as a good spot from which to view the full, harvest moon. As the date written on the print indicates, the print was made in autumn of 1866. An unidentified poetry association probably commissioned it to commemorate their gathering on the night of the harvest moon in late September. Interestingly, all twenty-three poems directly mention the moon, but Hanzan playfully avoided depicting the moon itself. Size: 4 7/8 x 15 in. (12.4 x 38.1 cm) (image, sheet) Medium: Woodblock print (surimono); ink and color on paper

https://collections.artsmia.org/art/42537/

[bm-asian-art]

Battledore, Shuttlecock, and Book, Hanzan Matsukawa, ca. 1860, Spring, Brooklyn Museum: Asian Art

Size: 7 1/8 x 9 7/8 in. (18.1 x 25.1 cm) Medium: Woodblock print; horizontal Chûban yoko-e format

https://www.brooklynmuseum.org/opencollection/objects/164561

[indigodreams]

Miyagawa Hanzan detail of a kingfisher sitting on a reed

@cheap_cola

[harvard-art-museums-prints]

Bamboo Poems, Matsukawa Yasunobu (Hanzan), Harvard Art Museums: Prints

Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Friends of Arthur B. Duel Medium: Ink on paper

https://www.harvardartmuseums.org/collections/object/207528

[the-met-art]

by Hanzan via Asian Art

Medium: Hanging scroll; ink and color on paper

The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/45188

[changstar2]

역시 #비내리는 #날 엔 #한잔 #HANZAN(라페스타에서)

[denmo]

せっかくの四国ですから #Udon #饂飩 #うどん #Hanzan #飯山 #Marugame #丸亀 #Kagawa #香川 #うどん県 #メシテロ http://bit.ly/2TQonRC

[mira--mira]

Are there any reasons for Hashirama to chose not to continue with the "-ma" naming convention for Hanzan?

My own kindergarten level understanding of Japanese 😂

That's more or less the "real" reason, I'm not sure how to format a name from scratch and include 斑 and "ma" at the end and make it an actual proper name. In universe, it could be explained that Hashirama purposefully moved away from the tradition and made a statement by naming his children something different. (The Senju are noticeably absent in the village and neither Tsunade or Nawaki are ever referred to as "Senju" in canon, so I like to imagine Hashirama did something rather drastic in the lineage line.) Presumably the naming tradition is either broken in his Tsunade's parents' generation or her own considering she and Nawaki don't fall under the naming convention.

[fujiwara57]

e-hon 絵本 -  “Kyōka kanyūshū 興歌喚友集” - Meiji jidai 明治時代 (1868-1912) - encre et couleur sur papier -

Kitagawa Hironobu 北川広信 (1840 - ?) Matsukawa Hanzan 松川半山 - actif de 1850 à 1882

[yajifun]

絵本豊臣勲功記. 初,2-9編　柳水亭種清 刪補　歌川国芳(初～5編) 画　松川半山(6編以降) 画　1857～1884年

早稲田大学図書館古典籍総合データベース

8編1 加藤主計頭藤原清正 破竹原猫魔嫗

8編9 猫鬼老女と化して三十七勇士を欺むかんとす

8編9 加藤清正法華絃を鳴して破竹原に猫鬼を退？(治)す