#Hansel Grinch
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lefteyevime · 1 year ago
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Watch Helga Marzen Weber on YouTube Music
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hanselgrinch · 1 year ago
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dienazisdie · 1 year ago
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Time Travel Strategies : Brad Geiger: Digital Music - Amazon.co.jp https://www.amazon.co.jp/-/en/Brad-Geiger/dp/B0C5VCY7JV
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Dieter Weber of Terra - Olaf Grinch AND Griselda Grinch - Lilliput Alderaan - Georg Schröder
Rudolph Grinch Clarice Larsen Grinch (Giselle Schröder)
HANSEL Grinch Gretel Grinch Annabelle Grinch Elsa Grinch
MOFF TARKIN HIGHLY DECORATED JANITOR OF ALDERAAN
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heighliner · 1 year ago
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buck-star · 10 days ago
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Fluffy Winter Event
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Welcome to the “fluffy winter event”. A library filled with so much fluff that your tooth will be rooted after reading it all. So continue if you’re oke with the fluffiest time you can get.
If you decided to stay and let your heart be warmed with the cuteness and softness of our favorite characters, take a comfy seat and a book.
I know we all adore smut at some times but this event will be just the sweetness we all need. There is not enough appreciation when it comes to fluff (with or without angst).
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Rules:
❄️ The event will run from the 16. November 2024 until the 31st January 2025.
❄️ FLUFF! With or without angst, porn without plot won’t be accepted.
❄️ You don’t need to claim any prompt, they are free to use.
❄️ Feel free to mix them as much as you want and however you want.
❄️ You can participate as often as you want. One, two, three, four pieces… more than four? DO IT! Make it fluffy for us all!
❄️ Be respectful and nice
❄️ Support the writers with comments and reblogs! Show them all the love they deserve!
❄️ Please put a ‘read more’ if more than 500 Words
❄️ You can either write, make mood boards, gif sets, whatever you want to do, feel free!
❄️ Please tag me @buck-star and add #sydneysfluffywinter or #fluff-star winter event
(Thanks to @darsynia for the # idea, hope you don’t mind, hehe.)
❄️ Dividers are made by me, so please ask before using!
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If you took a seat, feel free to look around. Hot chocolate? Tea? Cake? A warm blanket? Take whatever you need to feel comfy.
⛄️Tropes⛄️
❄️ Stranded/snowed in
❄️ Best Friends to lovers
❄️ Roommates
❄️Mob/Mafia
❄️Biker
❄️CEO
❄️Friends with benefits to lovers
❄️ Painter
❄️ Single parent
❄️Educator/Teacher
❄️Santa Claus/ Elves/…
❄️Royalty
❄️Cabin in the woods
❄️ Grumpy x Sunshine
❄️ Secret admirer
❄️ Saying “I love you” for the first time
❄️ arranged marriage
❄️ Bakery
❄️ Shop owner
❄️ Book shop/library owner
❄️ Meet cute
❄️ Mutual pining/idiots in love
❄️ Babysitter
❄️ Soon to be parents
❄️ Whatever else you would like to write about.
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⛄️Activities⛄️
❄️ Christmas market
❄️ Ice skating
❄️ Building a snowman
❄️ Baking/Cooking
❄️ Gingerbread man/house/wahtever
❄️ Go on a sleigh ride/sledging
❄️ Skiing
❄️ Fireworks
❄️ Gift giving
❄️ Decorating together
❄️ Borrowing hoodies/clothes
❄️ Reindeer
❄️ Binge watching Christmas/winter movies
❄️ Sitting together in front of the fireplace
❄️ Drinking hot chocolate
❄️ Baking Contest
❄️ Dancing
❄️ Playing in the snow
❄️ Meeting family/friends
❄️ Book shops / library
❄️ Cafe / Bakery
❄️ Anything that you would love to do with your character.
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⛄️Movies⛄️
❄️ The Grinch
❄️ Nightmare before Christmas
❄️ Klaus
❄️ Jingle Jangle
❄️ Home alone
❄️ The Santa Clause
❄️ Rudolph the red-nosed reindeer
❄️ A boy called Christmas
❄️ Spirited
❄️ The Noel diary
❄️ The Christmas chronicles
❄️ Single all the way
❄️ The Knight before Christmas
❄️ The princess switch
❄️ Christmas with you
❄️ Love actually
❄️ Falling for Christmas
❄️ The movie you love for Christmas season.
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⛄️Songs⛄️
❄️ ‘All I Want For Christmas Is You’ by Mariah Carey
❄️ ‘Feliz Navidad’ by José Feliciano
❄️ ‘Last Christmas’ by Wham!
❄️ ‘White Christmas’ by Bing Crosby
❄️ ‘Santa Claus is Coming to Town’ by the Jackson 5
❄️ ‘Driving Home for Christmas’ by Chris Rea
❄️ ‘Frosty the Snowman’ by Cocteau Twins
❄️ ‘Happy Xmas (War Is Over)’ by John Lennon & Yoko Ono
❄️ ‘Santa Tell Me’ by Ariana Grande
❄️ 'Jingle Bell Rock' by Bobby Helms
❄️ Whatever song you love to hear during Christmas time.
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⛄️Fairytales⛄️
❄️ Snow white and the seven dwarfs
❄️ Beauty and the beast
❄️ The Lion King
❄️ Cinderella
❄️ Little red riding hood
❄️ The little mermaid
❄️ The twelve dancing princesses
❄️ Ali Baba and the forty thieves
❄️ Hansel and Gretel
❄️ Snow white and rose red
❄️ The Snow Queen
❄️ Rumpelstiltskin
❄️ Jack and the beanstalk
❄️ Aladdin and the magic lamp
❄️ The golden goose
❄️ Goldilocks and the three bears
❄️ Rapunzel
❄️ The frog prince
❄️ The Princess and the pea
❄️ Whichever fairytale you want to write for
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⛄️Quotes⛄️
❄️ “Is that my hoodie? Ah, ah, don’t tell me it looks pretty much alike, it’s mine, isn’t it?”
❄️ “You’re the sweetest Santa ever, even if it’s just a costume.”
❄️ “I want wrap you into blanket and never let you go.”
❄️ “Please, do it again. It’s so… cute.”
❄️ “Are you sure you don’t mind me kissing you every time you smile at me? Because you never stop smiling at me.”
❄️ “Your grumpiness makes you even sweeter.”
❄️ “You like them? They are my favorite.”
❄️ “I would even share the last piece of [whatever they love] with you. Just because I love seeing you happy.”
❄️ “Come here. I’m comfy.”
❄️ “Your lips will be red and sore if you allow me that. So better think about it again.”
❄️ “Home is not a place, at least not for me. You’re my home.”
❄️ “Didn’t think you would be that comfy. So strong and thick muscles but still so soft just like a big bear.”
❄️ “It will be fun at the market. There is… food!”
❄️ “You’re adorable when you giggle. You’re always adorable.”
❄️ “You’re the most precious thing ever. I will protect you with everything I have.”
❄️ “No! You think you can steal my chocolate without consequences, [petname]?”
❄️ “OHHHH, no! That’s my remote, and we are gonna watch that movie. It’s just a romance!”
❄️ “Don’t want popcorn. Your lips are the sweetest I ever tasted. Prefer those on mine.”
❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️
Tags: @elixirfromthestars @holylulusworld @wildwestdean @elvenrin @steviebbboi @sergeantbarnessdoll @amathslutsguidetofandom @buckgasms @bisasterbuckley @buck-buck-buckaroo @brnesblogposts @bigtreefest @chase-your-dreams-away @flowersforbucky @heytheredelulu @jobean12-blog @krirebr @lives-in-midgard @little-miss-dilf-lover @multiversefanfics @mercurial-chuckles @navybrat817 @nickfowlerrr @veltana @whitexwolfxx310 @whatever-lmaoo @drabblesandsnippets @superdcchick @earlgreydream @sweater-daddiesdumbdork @yenzys-lucky-charm @thezombieprostitute @laurfilijames @saiyanprincessswanie @fandomxo00 @embbarnes @brandycranby @wtfhasmy-lifecometo @pandapetals
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mistwhisperexpress · 11 months ago
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I'm not Jewish myself but I do belong to a couple of minority demographics that receive denigration for one reason or another, along with people trying to speak for me.
My only real advice is that there comes a point where it's no longer "defending the oppressed" and more infantilization. There is such a thing as being too sensitive. This is a kid's game, not propaganda meant to encourage hatred. Same as any other demographic, Jewish people can speak on their own behalf. They don't need others' help, they only need a listening ear. To do anything else is risking spoiling the fun for everyone including those you're trying to speak for.
Also "goblin" as far as I've seen is as much an umbrella term as anything else. Jewish people don't hold a cultural copyright on financial greed and hooked noses. (may I direct you to dragons and stereotypical witches respectively) I could probably name a dozen other fairy tale and mythological creatures that have such traits.
Suggesting that SSO's new little green goblin (Grinch? Norman Osborn?) is a caricature of Jewish people makes as much sense as saying the orcs in Tolkien's legendarium represent black people or that the white walkers from ASOIAF represent white people, aka little to no sense once you look past the surface. The comparison of Jewish people and goblins alone could be deemed borderline antisemitic in itself. It's misguided, but forgivable.
Worry more about enjoying the game and less about whether SSO is offending a group who are more than capable of defending themselves in a kid's game. ❤️
Okay I don’t blame you for assuming I’m not Jewish because apparently I haven’t mentioned that here yet even though I (mis)remembered I had, but this still feels really weird to send? Telling someone who’s not part of a minority to not speak for them is absolutely okay, the job of people outside a minority is to raise up their voices, not add their own, so I have no issue with that aspect and I am genuinely sorry that’s been done to you, but why are you, someone who by your own words isn’t Jewish, speaking on if goblins antisemitic or not at all? You are speaking for/over us there, and you would be even if I wasn’t Jewish.
I am Jewish, and obviously while we aren’t a monolith, no group of people is, I personally find this depiction of goblins (green and greedy/thief) antisemitic, and with much of the world going mask off with their antisemitism right now I’m not as open to giving benefits of the doubt as I used to be. I do believe this was a mistake on SSO’s part and not intentional as I said in a reblog, but that doesn’t make it any less harmful or antisemitic.
I have done quite a bit of research into the history of goblins and when they began to be used as an antisemitic caricature (as early as the 1800s thanks to the Goblin Market poem, which is just classic blood libel) because I make dice as a job and I want to enjoy D&D without antisemitism and the whole dice goblin thing, and there is a very large connection. This isn't unfounded.
You’re right in that goblins are a bit of an umbrella term, they are, which is why it’s important to let the antisemitic version of them die. You can have goblins that are just mischievous, not green, big nosed, greedy, sneaky, and untrustworthy. It’s really easy to not have antisemitic goblins, but unfortunately the antisemitic version is a mainstream staple and that doesn’t just go away overnight.
If you apply harmful stereotypes to anything, even if it was completely harmless before, you’re going to get a harmful caricature. That’s what happened to goblins, and that’s what SSO did with the Snow Goblins. They took the popular depiction which is the antisemitic version, and applied it to the game without a thought because it’s been normalized to the point most people don’t even consider it may have less than great origins. Like Rapunzel and Hansel and Gretel. They’re so normal the vast majority of people don’t even realize they were created for antisemitic reasons. Antisemitism is sneakily within a lot of things. You don’t start recognizing it until you become familiar with the tropes and stereotypes.
I’m also going to bet if they’re European in origin, the “dozen other fairy tale and mythological creatures that have such traits” you could name also had that done to them if they weren’t antisemitic to begin with. And since you mentioned them, it’s also what was done to the stereotypical version of witches, which is antisemitic and has a very long history of such going back to accused women who were burned being forced to wear Jewish clothing of the time as further humiliation. It’s also where the classic pointy hat comes from, since a pointy cone hat was what we were forced to wear to signify we were Jewish. Witches actually share a lot with goblins in antisemitic traits and SSO also needs to address Pi hitting all but the green skin.
You clearly know a little about the issue, as you brought up The Nose when I didn't, but you also don't know nearly enough to speak about this at all as evidenced by you not knowing the antisemitic history regarding witches, so please don't. And I never said they were a Jewish caricature, I said they were antisemitic, there's a difference. A Jewish caricature is the happy merchant meme.
What we're also not going to do is the whole 'you're the antisemitic one for seeing Jewish people in goblins' thing. That has and always will be an utterly bullshit dismissive argument. The whole point of this kind of caricature is to normalize the stereotypes so when they're actually applied to people you don't blink an eye, like how very few goyim blinked an eye at Mother Gothel in Tangled. I'm currently sick so I really don't have all the smart brain power to go into that right now and I hope someone else can. It's not antisemitic to notice when antisemitic caricatures have been applied to something. That's a very good thing to notice actually, and I want more goyim to start noticing that.
So it does actually make more sense than someone saying those things (which I don't think I've ever seen someone argue??), which I'll get into under the cut to clear up any confusion about how SSO's Snow Goblins tie into the antisemitic depictions, since a couple people were confused in my initial post.
And I am worrying more about enjoying the game; that's the whole reason I brought this up, because I'd like to enjoy a game that's been with me for more than half my life and means a lot to me, and this is preventing me from fully doing that.
Again, I am genuinely sorry people have spoken over and for you. That is wrong and not at all okay. And I'm sorry if I misread the tone of your ask.
Okay !! Education with Mandy time. This has been a long post but I hope you'll all stick with me for just a little longer.
And real quick before we get into the specifics, I want to mention that Christmas time is one of the times where you want to be especially careful about things like this, given the history present with characters like Scrooge.
So for those who don't know what the Snow Goblin is, this is the creature in question:
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The typical antisemitic goblin is green, greedy, big nosed, and some flavor or sneaky and untrustworthy.
The Snow Goblin quite obviously hits on the green. If this creature looked like a normal capran and was named something like Snow Imp or Mischievous Capran, there would be no issue. Because bastardy little guys stealing things on it's own isn't an antisemitic stereotype. It's when there's multiple things that are the problem, like green skin, or in this case fur, and calling them something with a very large history of antisemitism when combined with those very traits.
The whole schtick of this little guy is they steal your snowflakes if you don't catch them in time, so it also hits on the greedy and untrustworthy tropes. If the Snow Goblin looked like a normal capran but was still called a goblin, there would still be an issue because the antisemitic goblin isn't just green, it's also bastard of greedy kinds, like a thief not out of necessity but of pleasure. "Thief" isn't directly an antisemitic stereotype, but it's very much there as an undercurrent. The "Jewish people are unfairly taking my money!" implication from The Middle Ages when the stereotype began, when money lender was pretty much the only job we were allowed to have.
If the Snow Goblin was called something else but was still green, I wouldn't say its directly antisemitic, but I would side eye it and not feel comfortable. It's kinda like the Grinch, ignoring the fact Dr. Seuss may or may not have been Jewish depending on who you ask because there's conflicting information. It's not directly anything bad, but I'm going to be a little wary of the intention and engage with it extra carefully.
Its about the combination.
I can't tell you exactly when the mainstream antisemitic goblin came together, because I don't know and it's really hard to find information on that, but it's there, and you can't deny that. I don't necessarily blame SSO for contributing to it's perpetuation, because you don't think to look deeper into something when you have no reason to think it's harmful, but I do hope they change it. And hire some Jewish sensitivity readers because this wouldn't have happened with more Jewish people around to catch it, and with witches being a focus of the story now I am admittedly a little nervous about how that'll be handled.
Also, this is all unintentionally made worse by use of the capran model, because it also gets to hit on the whole fun we're in league with the devil thing and the Jewish people have horns thing. I don't know when exactly those started either (drawings of us with "devil features" have been around a long time), but I know the we have horns one was popularized when Michelangelo decided to give his sculpture of Moses horns, because that's what we look like apparently. There are still people who genuinely believe we have horns. I feel robbed. Horns a super cool, I want horns. Where are my horns?
And before someone says it, yes this is a lot of words for something low stakes in a kids game. There are a lot of more important things right now. But that's exactly why it's mattering to me right now. I don't want to be silent about antisemitism while it's on the rise, but I don't know enough about the current aspects of that to speak on it. I do however know a lot about how it applies to fantasy, and I have had about three work in progress essays about the goblin issue to prepare for this.
And also before someone says it, Snow Gremlin isn't exactly an acceptable new name either. It's basically Snow Goblin 2.0. Gremlins aren't goblins (though they have become a bit synonymous and interchangeable), but they were popularized by the massive and proud antisemite Roald Dahl, and I have a hard time believing he didn't put any of those beliefs into them.
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fallen-down-slowed-down · 7 months ago
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(warning: 160+ f/o’s)
💌books
Cage Lackmann – The Graves of Whitechapel
Calvin Evans – Lessons in Chemistry ( book + TV series )
Dr. Henry Jekyll – Strange Case of Dr. Jekyll and Mr. Hyde ( book + musical )
Fred Weasley – Harry Potter saga ( books + films )
Jacopo Ortis (poly) – Ultime Lettere di Jacopo Ortis
💌films/series/tv shows
Agent Stepdaughter + Gretel + Hansel (poly, with agent stepdaughter & Gretel) – Secret Magic Control Agency
Alva + Jesper Johansen + Mogens (poly, with Alva & Jesper) – Klaus
Anglaigus – Astérix: le Domaine des Dieux ( film + comic )
Aziraphale + Crowley (poly) – Good Omens
B.E.N. – Treasure Planet
Ballister Blackheart (poly) – Nimona
Benjamin Dunn – Mission: Impossible saga
Betterfly – Miraculous World: Paris, les Aventures de Toxinelle et Griffe Noire
Bruno Madrigal – Encanto
Burn-E – Burn-E
Camilo + Carlos Madrigal – Encanto
Chuck – Angry Birds duology
Cinderella – Disney’s Cinderella trilogy
Clopin Trouillefou – Disney’s The Hunchback of Notre Dame
Cloudy – 7 Zwerge trilogy, 💍24.01.2021
Diaval – Maleficent duology
Dr. Herbert Cockroach – Monsters vs. Aliens
Ebenezer Scrooge – Scrooge: a Christmas Carol
Eugene + Rapunzel Fitzherbert (poly) – Disney’s Tangled
Félix Fathom – Miraculous: les Aventures de Ladybug et Chat Noir
Fix-it Felix Jr. – Wreck It Ralph
Gabo + Safi + Simon – Wish
Grand duke Rainier (nnic) – Disney’s Cinderella trilogy
Griffin – Hotel Transylvania saga
Grinch – Dr. Seuss’ The Grinch (2018)
Harrison Knott – Press Play
Héctor Rivera – Coco
Hermes – Disney’s Hercules
Hickory – Trolls: World Tour
Jack + Kio + Noki + Pino – Red Shoes and the Seven Dwarves
Jaq – Disney’s Cinderella trilogy
Joe Bradley – Roman Holiday
John Watson (poly) – BBC’s Sherlock Holmes
Lieutenant Columbo – Columbo
Lumiére – The Beauty and the Beast ( films )
Major Major Major – Catch-22
Megamind – Megamind
Miles Miller – Bad Times at the El Royale
Mr. Tumnus - The Chronicles of Narnia
Mugman – The Cuphead Show!
Ned McDodd – Dr. Seuss’ Horton Hears a Who!
Once-ler – Dr. Seuss’ The Lorax, 💍24.07.2022
Pasunmotdeplus – Astérix aux Jeux Olympiques
Peter Graham – Hereditary
Rhett Abbott – Outer Range
Rigolin – Pil
Robert Floyd – Top Gun: Maverick
Snake – The Bad Guys
Stanley Uris – IT (2017-2019)
Stephen Meeks – Dead Poets Society
Tadashi Hamada – Big Hero 6
Tatsuhiko Shibusawa – Bungō Stray Dogs: Dead Apple ( manga + film )
Thranduil – The Hobbit trilogy
Timon – The Lion King trilogy
Tin man – Legends of Oz / Fantastic Journey to Oz (separately)
Tristain – Pil
Tulio (poly) – The Road to El Dorado
V – V for Vendetta
Victor Van Dort – Tim Burton’s Corpse Bride
Vincenzo Santorini – Atlantis: the Lost Empire
💌videogames
Aesop Carl – Identity V
Alexandre + Brandon + Frank + Ji-Yeong + Lee + Soul – Subway Surfers
Akihiko Satou – Ikemen Vampire
Anatoli – Alchemy Stars
Azul Ashengrotto, 💍06.04.2024 + Jade Leech – Twisted Wonderland ( videogame + manga )
Barbatos + Beelzebub + Lucifer – Obey Me! duology
Barton – Alchemy Stars
Charon – Alchemy Stars
Daniel Schwartz – Alchemy Stars
Dire Crowley + Rook Hunt – Twisted Wonderland ( videogame + manga )
Faust – Alchemy Stars
Florine – Alchemy Stars
Gertzurde – Alchemy Stars
Jane – Alchemy Stars
Johann Georg Faust – Ikemen Vampire
Jola – Alchemy Stars
Jomu – Alchemy Stars
Julian Devorak + Lucio Morgasson – The Arcana
Leo – Alchemy Stars
Leyn + Matthieu – Alchemy Stars
Luke – Alchemy Stars
Moon + Sun – Five Nights at Freddy’s: Security Breach
Narrator – The Stanley Parable
Novio – Alchemy Stars
Roy – Alchemy Stars
Sariel Noir – Ikemen Prince
Steel – Speedy Ninja
Sucre + Zacharie – OFF
Trey Clover – Twisted Wonderland ( videogame + manga )
Winston – Royal Match
💌other type of source
Adam – Hellaverse
Adrien Agreste – Miraculous universe
Alastor + Vox – Hellaverse
Asmodeus + Fizzarolli (poly) – Hellaverse
ATEEZ/Black Pirates/HALATEEZ – ATEEZ ( band )
Bane – DC universe
Beetlejuice – Beetlejuice ( musical )
Caine + Jax + Kinger – The Amazing Digital Circus
Doppo Kunikida – Bungō Stray Dogs universe
Edward Nashton – DC universe
Ethan Green – Hatchetfield universe
Francis Scott Key Fitzgerald – Bungō Stray Dogs universe, 💍09.06.2022
Gabriel Adrian (nnic) – Hatchetfield universe
Hank Miller – OC
Henry Hidgens – Hatchetfield universe
Howard Phillips Lovecraft + Nathaniel Hawthorne – Bungō Stray Dogs universe
Johnathon Ohnn / the Spot – Marvel universe
Joker – DC universe
Grell Sutcliff – Kuroshitsuji universe, 💍03.09.2022
Knuckles – Sonic universe
Lucifer – Hellaverse
Luigi – Nintendo universe
Luka Couffaine – Miraculous universe
Marc Anciel + Nathaniel Kurtzberg (poly) – Miraculous universe
Marcus Cubitus – Astérix universe
Mark Connor (nnic) – The Simple Plot of... ( music videos )
Millie + Moxxie Knolastname (poly) – Hellaverse
Motojirō Kajii + Ryūrō Hirotsu – Bungō Stray Dogs universe
Mountain ghoul + Swiss Army ghoul – Ghost ( band )
Nathalie Sancœur – Miraculous universe
Night Owl – Miraculous universe
Ōgai Mori, 💍01.11.2022 + Yukichi Fukuzawa (poly) – Bungō Stray Dogs universe
Patrick Waff + Peter Roghlow (poly) – @scimmy’s OCs
Sparrow – Miraculous universe
Spiderman Noir – Marvel universe
Stolas – Hellaverse
Ted Spankoffski – Hatchetfield universe
Zestial – Hellaverse
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Watch Stalked and Impersonated by Rudolph "Josh" Grinch on YouTube Music
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merunicornwithbooks · 1 year ago
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Every October, I try to watch a horror/spoopy/Halloween movie/show/special etc. every day. I'll watch old favorites but for the most part I try to watch things that are all-new to me. I keep a list of everything I watch and I thought I'd start my list here since I can't find my journal right now.
01. Bodies Bodies Bodies (2022)
02. Cat People (1942)
03. The Last Broadcast (1998)
04. The Love Witch (2016)
05. Halloween is Grinch Night (1977)
06. Betty Boop's Halloween Party (1933)
07. Dracula A.D. 1972 (1972)
08. The Phantom of the Opera (1925)
09. Eyes of Fire (1983)
10. Dead Silence (2007)
11. Coraline (2009)
12. Invasion of the Body Snatchers (1956)
13. The Invisible Man (1933)
14. Garfield's Halloween Adventure (1985)
15. The Skeleton Dance (1929)
16. The Ape (1940)
17. Noroi: The Curse (2005)
18. The Haunted House (1929)
19. Corpse Bride (2005)
20. The Raven (1963)
21. The Nightmare Before Christmas (1993)
22. Vincent (1982)
23. Evil Dead II (1987)
24. Gretel and Hansel (2020)
25. Brides of Dracula (1960)
26. Trick 'r Treat (2007)
27. Whistle and I'll Come to You (1968)
28. Saturday Night Live Halloween Episode (2023)
29. It's the Great Pumpkin, Charlie Brown! (1966)
30. Beetlejuice (1988)
31. Thriller (1983)
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justanothersong · 2 years ago
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Complete, alphabetized Watchlist for 2022!
Note: Since I alphabetized, this is no longer in order.
Interesting to see what I repeated (a LOT) and what was new...
Top film repeats: Clue; Mr. Right
306 Hollywood*
31*
A Fish Called Wanda*
A Ghost Waits*
Ace Ventura: When Nature Calls
After the Thin Man
After the Thin Man
Agatha Christie’s Murder With Mirrors*
Ali Wong: Don Wong*
Alison’s Birthday*
Archer, Season 1-2
Bad Milo*
Batman
Batman
Batman Returns
Beetlejuice
Beetlejuice
Beyond Evil*
Big Trouble in Little China
Black Christmas (74)
Black Roses*
Blades*
Blithe Spirit (2020)*
Bloody Birthday
Bluey S1-3
Bluey, Seasons 1-3
Bob’s Burgers S1
Bob’s Burgers S2
Bob’s Burgers S3-4
Body Count (86)*
Brooklyn 99 S1-3
Brooklyn 99, S1-8
Cars 3*
Cat Hospital, Series 1*
Cathy’s Curse*
Class Action Park*
Clerks
Clue
Clue
Clue
Clue
Count Dracula (1970)*
Crazy, Not Insane*
Creature (1985)*
Creepshow
Creepshow 2*
Crimewave*
CSI, Seasons 1-4
Curtains*
Dark Knight of the Scarecrow*
Dead & Buried*
Dead Dudes in the House*
Dead Heat*
Dead Space*
Deadly Blessing*
Deadly Manor*
Death on the Nile*
Death on the Tyne*
Death Ship*
Demon Wind*
Dial M for Middlesbrough*
Dirty Rotten Cleaners S1*
Eat Local*
Ed and His Dead Mother*
Elementary, Season 1-2
Elementary, Seasons 3-4
Encanto
Encanto
Event Horizon*
Fallen (1998)*
Family Guy S2-3
Family Guy, S1
Family Reunion*
Fantastic Four (05)
Fear (1990)*
Fifty Greatest Horror Movies You’ve Never Seen*
Flesh Eating Mothers*
Friends of God: A Road Trip with Alexandra Pelosi*
Fright Night (1985)
Fright Night (1985)
Fright Night (Remake)
Garfield Halloween
Get Smart*
Ghostbusters
Ghosts (BBC), S1-3*
Ghosts (US) S1*
Grabbers*
Grandmother’s House*
Hansel & Gretel: Witch Hunters
Harry Wild, Season 1
Hell Night*
High Spirits
Hot Fuzz
Hotel Transylvania
Hotel Transylvania
Hotel Transylvania 2
Hotel Transylvania 2
Hotel Transylvania 2
How the Grinch Stole Christmas
In the Mouth of Madness
Inside Job, S1*
Into the Abyss*
Killer Klowns From Outer Space
Last Night in Soho*
Leprechaun
Leverage S1-2*
MASH, Season 1-3
MASH, Season 4
Medium, S1-3*
Meet Cute*
Men at Work
Mickey’s Christmas Carol
Mindhunters*
Mirror Mirror (1990)
Monster Madness*
Moon of the Wolf*
Mr Right
Mr. Right
Mr. Right
Munchies*
Murder By Death
Murder on the Blackpool Express*
Mutant*
My Mom’s a Werewolf*
New Tricks, S1-3*
Night Court, Season 1
Night Court, Season 2-6
Night Court, Season 7
Night Court, Season 8-9
Nightbreed*
Office Uprising*
One Dark Night*
Our Flag Means Death S1*
ParaNorman
Pet Semetary
Phantasm
Pledge Night
Popcorn
Preacher, S1*
Prince of Darkness*
Psych S1
Psych S2
Psych, Season 1-4
Psych, Season 5-7
Pupper Master*
Rabid (77)*
Red Lights*
Red Notice*
Return to Oz
RIPD
Rise: Blood Hunter*
Roadfood, Season 1*
Rosemary & Thyme S1-3*
Russell Howard: Lubricant*
Russell Howard: Recalibrate*
Salem’s Lot (76)
Santa Camp*
Scanners*
Scream
Scream (2022)*
Secret Passions / Her Haunted Past (1987)*
Secret Screams*
See How They Run*
Shakespeare & Hathaway, S1-4*
Shaun of the Dead
Sherlock Holmes (09)*
Sister Boniface Mysteries, S1*
Skinner*
Slaxx*
Slice*
Spaced Invaders
Spookies*
Studio 666*
Subspecies*
Tacoma FD, Season Three
Tales From the Crypt: Demon Knight
Tales From the Darkside
Teenage Mutant Ninja Turtles (1990)
The 101 Scariest Horror Movie Moments of All Time*
The Addams Family S1*
The Beyond*
The Blob
The Bob’s Burgers Movie*
The Brokenwood Mysteries, S8
The Brokenwood Mysteries, Series 1-7 (7*)
The Changeling*
The Chill Factor*
The Cleaner (UK), S1*
The Conjuring
The Conjuring 2
The Cursed*
The First Power
The Golden Child*
The Gray Man*
The Horror Show*
The House By the Cemetery*
The Incredibles
The Initiation*
The Little Girl Who Lives Down the Lane*
The Lost Boys
The Lost City*
The Monster Squad
The Mummy (1999)
The Omen (2006)
The Prowler*
The Relic
The Skeptic*
The Sleeper*
The Thing
The Thing (2011)*
The Vagrant*
The Video Dead*
The Willoughbys
The X-Files, Season 1
The X-Files, Season 2
The X-Files, Seasons 3-4
Tig Notaro: Happy to Be Here*
Tourist Trap*
Tremors
Trick or Treats (1982)*
Trick R Treat
Trilogy of Terror
Urban Legend
Useless Humans*
Valentine
Wanted
Wellington Paranomal S3, 1-4*
Werewolves Within*
Wes Craven’s Mind Ripper*
Wes Craven’s Summer of Fear*
What We Do in the Shadows, S4, E1-5*
What We Do In the Shadows, Season 1
When the Walls Talk: The Whispers Estate Documentary*
Witchboard
Witchery*
Witchtrap*
Wolf
Wolfman’s Got Nards*
Young Frankenstein
Young Frankenstein
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maquilanews · 2 years ago
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Afina Gobierno Municipal detalles para que familias disfruten de la Navidad en el Zoológico
La Navidad en el Zoológico se llevará a cabo del 19 al 23 de diciembre con atracciones como recorridos nocturnos, villa de Santa, la casa de Hansel y Gretel.
NUEVO LAREDO, TAM.- Todo está listo para que las familias de Nuevo Laredo disfruten de la Navidad en el Zoológico que se llevará a cabo del 19 al 23 de diciembre, días en los que podrán disfrutar de atracciones como recorridos nocturnos, villa de Santa, la casa de Hansel y Gretel, presentaciones artísticas de El Cascanueces y El Grinch. Las actividades especiales por motivo de la navidad estarán…
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ghostiiiiiii · 2 years ago
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YOU DO NOT KNOW HOW MUCH I LOVE TAG GAMES ILY ALSO IVE WANTED TO INTERACT WITH YOU FOR A BIT TY FOR TAGGING ME
3 ships,,,, prob suntan, lawlight,,,, i can’t really think of anything else smh
first ship was probably. don’t judge me for this. applejack and rarity from mlp. i was like 9 and they were my blorbos
last song !! the last song i listened to was I three glass at my friends eye and now I’m on probation by Destroy Boys, the last song i /sang/ was Hansel by Sodikken :]
last movie i watched was the grinch :)
i just started reading Mordimi il Corpo on ao3, i can’t say too much about it rn bc i’ve barely gotten into it but i am excited to read it !!
currently rewatching mlp bc i haven’t seen it since i was like 9 and i missed it tbh
currently consuming ice chips. ice chips >>> water
currently craving ROCK CANDY. I LIVR,,, I LVOE THE CRUNCH,,,
tag 9 people you’d like to get to know better
thank you @defonotacat for tagging me! <3
3 ships: eruri (the most tragic and sexy ship ever), beabato (perfect male wife and girlboss energy) and satorika/labmdabern (killsbians my beloved)
first ever ship: like first ever ever? clara and prince eric, i loved it when i was 3 years old and i still love it now
last song: sleeping beauty op.66 th13 act 1:6 valse
last movie: christmas carol i think
currently reading: before the coffee gets cold by toshikazu kawaguchi
currently watching: nothing, all my shows ended so it's yt time and watching long analysis about stuff i don't really care about
currently consuming: leftover christmas candy
currently craving: to be hugged maybe hah
tagging: @darling-valentine, @satorikas, @minty-muse, @roseofcards90, @svetlushka, @alaiyoooon, @arocinema, @shiomatsuzaka, @not-quitenormal, i hope you don't mind? uwu
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frankendykes-monster · 2 years ago
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Halloween 2022 Countdown Ranked
59. Texas Chainsaw Massacre (2022)
58. Texas Chainsaw Massacre: The Next Generation (1995)
57. Curse of The Swamp Creature (1968)
56. Monster From The Ocean Floor (1954)
55. Billy the Kid versus Dracula (1966)
54. Teenage Cave Man (1958)
53. Lost Continent (1951)
52. Attack of The Killer B-Movies (1995)
51. Texas Chainsaw 3D (2013)
50. Jesse James meets Frankenstein’s Daughter (1966)
49. Full Moon High (1981)
48. The Texas Chainsaw Massacre: The Beginning (2006)
47. The Werewolf of Washington (1973)
46. The Invisible Man’s Revenge (1944)
45. The Invisible Woman (1940)
44. Anthropophagous (1980)
43. The Slime People (1963)
42. Casper’s Halloween Special (1979)
41. The Crawling Hand (1963)
40. Scream (2022)
39. The Texas Chainsaw Massacre (2003)
38. Leatherface: The Texas Chainsaw Massacre III (1990)
37. Invisible Agent (1942)
36. The Descent (2005)
35. Eegah (1962)
34. Dracula vs. Frankenstein (1971)
33. The Midnight Hour (1985)
32. Ringu (1998)
31. Halloween is Grinch Night (1977)
30. Attack of The Giant Leeches (1959)
29. Monster Mash (2000)
28. Bloodz vs. Wolvez (2006)
27. The Man From Planet X (1951)
26. Child’s Play 3 (1991)
25. Hansel and Gretel (1983)
24. Cat-Women of The Moon (1953)
23. Let’s Scare Jessica to Death (1971)
22. The She-Creature (1956)
21. The Terror (1963)
20. The Exorcist (1973)
19. The Navy vs. The Night Monsters (1966)
18. Dr. Jekyll and Mr. Hyde (1931)
17. The Halloween That Almost Wasn’t (1979)
16. Hobgoblins (1988)
15. Die, Monster, Die! (1965)
14. The Abomination (1986)
13. The Town That Dreaded Sundown (1976)
12. Lake Mungo (2008)
11. Day of The Animals (1977)
10. Atom Age Vampire (1960)
9. The Mad, Mad, Mad Monsters (1972)
8. Night of The Blood Beast (1958)
7. Child’s Play 2 (1990)
6. The Crawling Eye (1958)
5. The Blair Witch Project (1999)
4. The Old Dark House (1932)
3. Child’s Play (1988)
2. Tetsuo: The Iron Man (1989)
1. The Texas Chain Saw Massacre (1974)
God this was such a bottom-heavy marathon compared to last year, alright let’s get this shitshow started.  I can’t believe I willingly put myself through some of this.
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The 1950′s-1960′s science fiction extravaganza: Curse of The Swamp Creature is, I think, one of those TV remakes of 1950′s films starring monsters designed by Paul Blaisdell.  This is one where I thought “okay should I give it credit for making me laugh in the first 30 seconds and then not once for the entire rest of the runtime?”  The answer was no.  Monster From The Ocean Floor is a dreary slog of a film, one of those cheap shits that only features the titular monster for all of 30 seconds while people just aimlessly do nothing for the entire runtime.  Teenage Cave Man I only watched because the monster suit from this film was reused in Night of The Blood Beast, and otherwise it’s Ayn Rand wet dream of the freethinking teenager being magically smarter than everyone else on top of the offense of being a caveman movie with no dinosaurs.  God, speaking of which, Lost Continent is another Lost World ripoff that’s decades behind the curve and who’s only saving grace is stop motion dinosaurs which magically improve any movie they star in.  The Slime People is an oddity because the monster suits and concept are star studded but it just, I guess, doesn’t have the money to see through actually showing us slime people emerge from underground and completely take over Los Angeles.  Weird and disappointing.  The Crawling Hand has one of the best trailers for any monster movie I’ve seen complete with a slowed down version of “Surfin’ Bird” but aside from some humorous spouts of bad acting and the 100% out-of-nowhere gag ending, it’s nothing remarkable.  Admittedly there has been a couple films about disembodied hands killing people and I can’t find the concept scary no matter what, sue me.  Attack of The Giant Leeches is in decent/mid-tier territory, boosted by reusing music from Night of The Blood Beast (Roger Corman lives up to his cheap reputation) and genuinely gruesome scenes of the leeches’ human victims still being alive after progressively blood feedings, it mostly loses me for just not doing anything remarkable with its finale.  The Man From Planet X is working with a pretty stock script but is boosted by how atmospheric its directing is, every shot is just littered with shadows or fog.  Cat-Women of The Moon is definitely one of the more humorous genre outings I’ve seen of this type, living up to its title 100% other than I guess having long nails and sharp eyeliner making you a “cat” woman I guess.  The She-Creature isn’t the best Paul Blaisdell monster movie I’ve seen but that’s expected given his work crops up in some really interesting ones, this one being a murder mystery involving both hypnosis and prehistoric evolutionary links somehow.  The Navy vs. The Night Monsters is like a better version of The Thing From Another World what with an indeterminate number of US army guys having to deal with a monster(s) at their fort and their progressively more extreme methods of having to deal with it.  Atom Age Vampire is one of the funniest films I’ve seen in a *while*, an Italian knockoff of Eyes Without A Face that hits all the same plot points just far more crudely and with a manster (man-monster) thrown in to boot.  Watch the English edit for full effect.  Night of The Blood Beast is one I was excited to revisit and it did not disappoint, being one of the definitive genre precursors to Alien (1979) and just an all-around shock to the senses in general with how isolated the cast can be and what they have to be put up against.  The star of the show is The Crawling Eye however, a genuinely insane film that actually got under my skin with this viewing with the sound design, effects work, and some really gorey moments like flesh being desolved or multiple decapitations.  As far as alien invasion films of the 1950′s go, this is definitely up there.
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We have a pair of oddity western-horror mashups between, uh, actual people and fictional characters with Billy the Kid versus Dracula and Jesse James meets Frankenstein’s Daughter.  Only thing of note with the former is that John Carradine reprises the role of Dracula after playing the character in House of Frankenstein (1944) and House of Dracula (1945).  Carradine was one of the most prolific actors in the history of the medium so it’s not surprising to see him crop up here and there without expecting him, but suffice to say he brings nothing to the role and just blends in with the rest of the drab film.  Jesse James meets Frankenstein’s Daughter gets extra points solely for featuring the creation of an awkward and haphazard Frankenstein monster, which is generally the only reason to seek out random odds-and-ends Frankenstein movies.
Full Moon High is another Larry Cohen film that looks good on paper but I don’t really find myself enjoying at all.  As a comedy there are a decent number of funny lines (”I’m not one of those types to believe in vampires and werewolves and virgins, I’ve never seen any of those.“) but it almost forgets it’s a werewolf movie for a lot of the runtime as the main plot involves how being a werewolf prevents you from aging and blah blah blah I can’t be bothered to care when you present something I didn’t come here to see (1950′s football player returns to his school in the 1980′s to find it littered with violence and drug use).  The Werewolf of Washington is similarly dreary experience that only exists to present lackluster post-Watergate political satire.
Oh how the mighty have fallen; I made an attempt at finishing out The Invisible Man series but couldn’t even bring myself to watch the dedicated Abbott/Costello film.  Truly the worst Universal sequels barring whatever happened with The Mummy.  The Invisible Woman and Invisible Agent are a full-on comedy and action-adventure film respectively, so in some way I feel cheated for how they’re consistently lumped in with the rest of the series as a whole, which are to say, horror (beyond not doing anything that hadn’t been shown to us in the first two installments).  The Invisible Man’s Revenge makes an attempt at trying to get the series back on track but all it does is make me realize I could just be watching the first two films.
Anthropophagous has been one I’ve been curious about for years, mostly because the poster is a really gristly shot of a guy eating human entrails, and while I *guess* that does feature in this film it’s just another slog to get through with no interesting characters, locations, or plot beats to string you along.  Avoid.
Scream 5 exists for no reason other than to drop the entire series’ GPA.  It’s the entry wherein the genre commentary overshadows everything else to the detriment of this being the first Scream film where I can’t be bothered to care about any of the returning characters.  I wrote extensively about this one in my Letterboxd review so I’m only going to touch on some finer points here.  Scream (1996) is allowed to reference I Spit On Your Grave (1978) because the former is better, this one is not allowed to make snide remarks about The Witch (2015), I’m not having it.  If you’re desperate for a creative shot to the arm that is a grand return after an 11 year absence, just watch Scream 4 (2011).
The Descent was borderline funny to me in the sense that my reaction to so much of what the characters are put through is “shit I would just die, what else is there to do?”  I mentally tuned out when the film switched from “being trapped in a claustrophobic cave system with no sense of direction” to “being hunted by underground monsters.”  I usually scoff and roll my eyes at “oh my god it’s scarier because it could actually happen” but this is rare case where, yeah, being trapped underground with no way out is more terrifying before you add monsters to the mix.
Alright, brief “worst of the worst” roundup: Eegah, in spite of being one of the most notable MST3K punching bags, is not *that* bad.  It peters out by the finale but there are enough funny moments and actually good stuff (Eegah talking to the corpses of family members in a proto Texas Chainsaw scene) to string you along for the better part of an hour.  The Terror is a fascinating film for me, made solely because Roger Corman finished The Raven (1963) two days early and still had access to Boris Karloff.  What we get is a bizarre and haphazard jumbling of horror cliches in a story that is almost bursting at the seams over how overwritten it is, but the making of this one is so interesting to me personally that I can’t bring myself to dislike it, even if Jack Nicholson never was good at “charismatic leading man” type thing before he settled on crazy motherfuckers.  Hobgoblins was one I was surprised over how hilarious it was, another convoluted mess you can’t help but laugh at.  The hobgoblins hypnotize people to let them live out their greatest fantasies albeit with some horrific twist, giving us some golden scene like a guy going to makeout point with an imaginary woman so the hobgoblins can push the car over the edge.  Lordy lordy lordy.
1970′s role call: Dracula vs. Frankenstein continues the trend of awkward and frustrating messes, this one originally being an unrelated horror film that later had the two characters thrown in mid-production.  What ensues is an unusually violent at times boring at others movie that I can’t help but derive at least some ironic enjoyment from.  The untimely tragedy of this film is that this was the last role for Lon Chaney Jr.  Bela Lugosi got stuck with Ed Wood, Karloff with Corman, and Chaney Jr. with Al Adamson.  Chaney Jr. could have been a great actor if it wasn’t for the horror typecasting and seeing play just another bumbling grunt in this is almost painful.  See also: somehow this film is also the final role for J. Carrol Naish, who played Daniel in House of Frankenstein (1944).  Odd.  Let’s Scare Jessica to Death just blends in to the larger genre trends of leaning more towards provocative material what with explicit concerns of mental illness in our protagonist and questions of reality around her, but aside from the soundtrack this one has already completely left my memory.  The Exorcist isn’t *quite* the most overrated horror film out there, but it does surprise me that is one of the ones that escaped into the mainstream; it’s mostly middling for the first hour of its runtime before becoming a decent enough demon story.  I will say I can’t for the life of me find the devil scary in this, “your mother sucks cocks in hell!” will always be funny to me, they’re like a Freddy/Chucky joke dispensing precursor.  The Town That Dreaded Sundown, hoo boy, had this one had a more consistent tone dodging the comedy relief, it could have been an all-time great from this decade with an entire town plunged into despair over unsuccessful efforts to apprehend an anonymous serial killer.  This one goes all out when it comes to the more suspenseful moments, making the gags all the more frustrating.  Day of The Animals narrowly edges out being just another part of the glut of killer animal films in the wake of Jaws (1975), by just having everything out to kill people.  In spite of its inherent ridiculousness I can’t not say it’s better produced and more oppressively intimidating than it has any right to be, almost reminds me of a version of the environment itself is trying to kill you a la backrooms.
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Ringu kind of sets in that the late-1990′s-early-2000′s period of J-horror just isn’t for me compared to the likes of films we saw in the 1960′s and 1970′s.  They tend to bleed together in my mind and Ringu is disappointing in that way.  I will say I was surprised that we get a satisfactory explanation for the origin of the tape and that only the final scene exhibits the famous “crawling out of the television” moment, which somehow became the most memorable thing from this one.
Bloodz vs. Wolvez I’m going to defend on the basis that this could have been a genuinely solid effort, what with the concept of bougie black vampires trying to integrate into human (read: white) society but working class black werewolves are stuck in poverty and this class disparity is the driver of the conflict between the two groups.  What holds this back, and of all the films I watched for this season, this one pains me the most to say it’s only average, is the fact that this may be one of the lowest budget films I have ever seen.  Everything is restrained by the fact that this must have been over consecutive weekends on $100.  Holding out for a remake that does this one justice.
Brief 1930′s aside: I’ve never seen any adaptation of Dr. Jekyll and Mr. Hyde prior to this year so any amount of expectation or set ideas on what should be done with the story escape me.  Suffice to say this is an impressive one overall, with a lot of POV shots and split screen effects that I don’t think I’ve ever seen in a prior film.  The 1931 film is another slow to start but when it gets going it unfolds into one of the most explosive finales to any 1930′s horror film (though admittedly I’m not sure what separates Mr. Hyde in this from your average London man but what have you).  Oh yes, The Old Dark House.  This is the ultimate “minimalist” horror film, using the absolute bare essentials it can to craft an uneasy atmosphere that dominates everything else.  No supernatural phenomena, no body count, just extreme thunderstorms trapping everyone inside one dark house and them being forced to make it out with their minds intact.  “This is an unlucky house, two of my children, died when they were 20, eh-he-he...” “Laughter and sin!  Laughter and sin!  This too will rot!”
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Die, Monster, Die! is the rare pre-1980′s Lovecraft adaptation, very loosely taking from The Colour From Outer Space, and comes together thanks to starring roles by Karloff and Nick Adams along with going into some unusual territory concerning mutations that befit the subject matter.  Slow to start but strong finish.
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The Abomination is another one of those pushing-for-the-edge 1980′s obscurities that mostly exists to up the gore to previously unseen levels, and I can’t say it wasn’t successful, with practically an entire house being converted into an eldritch monstrosity that eats people piece by piece.  It’s frankly disgusting at times but if you’re on the search for more of these have at it.
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Out of all the bizarre mishmash that is the group of films that I decided to watch this year, Lake Mungo is the biggest outlier to the group.  I’m not sure if I’d classify it as horror, it’s a piece of weird fiction that seems to escape genre.  Unlike, it seems, pretty much everyone else, this one doesn’t really scare me at all, but I can’t help but be fascinated as the narrative ebbs back and forth in an emotional cacophony that leads to gut punches.  I’m not entirely sure what to make of it, it could have gone anywhere in the ranking and I wouldn’t be wholly satisfied with its position, but I guess that’s why you can’t truly assign a number value to art.
I made an effort to try and make it through as many actual Halloween specials as I could this year in between the feature lengths.  Attack of The Killer B-Movies sees Elvira and a bunch of teenage schmucks watch several low-tier 1950′s science fiction films that have been colorized, cut for time, and with new soundtracks, with MST3K gags strewn in between.  It somehow makes these films worse, which is a monumental accomplishment in cases like with Monster From Green Hell (1957).  Avoid unless you and some pals have to see everything Elvira.  I’m not familiar with anything related to Casper prior to the 1995 film and the seemingly deluge of material featuring the character for the following decade, and Casper’s Halloween Special didn’t do anything to convince me to rectify that, blah.  The Midnight Hour is one I was disappointed to return to, not nearly as insane as I recall it being.  Functionally a proto-Hocus Pocus (1993) wherein a witch returns from the dead to curse an entire town, The Midnight Hour wants to be a zombie film, a party film, a romance, and about two other things but doesn’t meet the manic energy required to pull it off.  An absolute must see is the musical number riffing on “Thriller” in the middle of this one, “Get Dead.”  “I’m dead, you’re dying, everyone should try and get dead!”  Halloween is Grinch Night is a fascinating watch just being an unyielding onslaught of color and sound that doesn’t know what a quiet moment is, the oft mentioned “weird” Grinch scene makes perfect sense in context however, not sure what everyone was on about with that.  Monster Mash is an adorable enough fist-shaking, involving Dracula, Frankenstein’s Monster, and The Wolf Man being forced to assert that they’re still scary in spite of being sell-outs in a world of slashers.  Best part is one of the monsters they’re up against is Freddy D. Spaghetti, who wears a pasta strainer in place of a hockey mask, love that dude.  Hansel and Gretel is a retelling of the story by Tim Burton, and it makes for perfect background material at a party for its ambiance coming from the fact there are only like five characters existing on solid monochrome sets that have virtually no decorations.  I’ve never cared for the story itself but the presentation here is hypnotizing.  The Halloween That Almost Wasn’t is another cute and inoffensive one, with Dracula forced to call all the world’s monsters together to have a witch doing her scaring duties lest the holiday be cancelled all together.  Ends on a disco party because it’s the 1970′s, fuck you.  Nothing however can beat The Mad, Mad, Mad Monsters, a reprise/semi-sequel to Mad Monster Party? (1967), which I watched for last year’s countdown, and one that perfectly rights the wrongs of that misfire.  The light plot concerns Dr. Frankenstein making a bride for the Monster and calling in the rest of the major terrors to come to the wedding, and it’s almost entirely a springboard for gags.  The difference between this and Mad Monster Party? is that this is actually funny, whether it be the reining-in of some obvious Halloween gags (ha-ha the monsters want to eat roast black widows) or there being two human characters to counterbalance the monsters, one absolutely terrified of them and one who’s a major Universal fanboy.  Just when you think the film is ending it turns 90 degrees into another direction with 10 more jokes on the way.  “Oh I’ve made a terrible mistake, the bride is alternating current, and the groom is direct current!”
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There isn't much going on in The Blair Witch Project so I can't comment on much, suffice to say this one has still got it, marketing campaign or no marketing campaign. Slowly becomes more and more claustrophobic until you get to that final shot of standing in the corner. It having been spoiled for me years prior doesn't at all change how effective it is in context.
Time constraints prohibited me from watching every Child’s Play film but I enjoyed my time with the first three entries.  If anything surprised me about the first film it’s that it is a genuinely scary experience, the only one where Chucky is intimidating.  The people saying that they could just drop kick him?  Yeah, Chucky will fucking kill you.  This is what A Nightmare on Elm Street (1984) wishes it was.  Child’s Play 2 does its services as a not-quite-as-good horror sequel but it’s strong continuity with the first and upping the stakes and scope make it a worthwhile watch.  Child’s Play 3 is decent enough but can grow tiring over how much it forgets it’s a Child’s Play sequel and not a Full Metal Jacket (1987) parody.  Too much of the run time is eaten up by shit that is inconsequential and yeah, not too bad compared to a LOT of slasher sequels but I can see where people are coming from when they say this is the weakest entry in the series.
If your body horror film doesn’t make me feel like the person having their flesh twisted, you failed.  Industrial music.  Stop motion editing.  Semi-undead mechanical sex.  Tetsuo: The Iron Man commands it all.  If you turn your head for five seconds while watching this you will have missed the equivalency of a Lord of The Rings prequel’s volume of information and even then a lot of this indecipherable on every level.  The beauty of practical effects is a lot of the time I genuinely couldn’t tell you how the effect is done, and Tetsuo does that seemingly every 10 minutes.  I’ve come and gone with this film but make no mistake, everyone needs to see this.  It will change you.
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Alright, final stretch.  There is no series in the history of film that has a wider gap in quality between entries as The Texas Chainsaw Massacre.  Watching the majority of the series this year also ran the gamut of how good or how bad a movie in general can be.  I did not rewatch 2 because I figured it would get better on a rewatch (I don’t care for it) and I didn’t bother with Leatherface (2017) because come on just look at it.  Let’s begin: Leatherface: The Texas Chainsaw Massacre III is relatively inoffensive, I’d say I prefer it to 2.  It’s ostensibly a mainstream studio remake of the first film and while there are great scenes found within, it’s major drawback is that I can’t “buy” any of it.  At no point do I believe these people are a group of mass murderers, they’re actors playing mass murderers.  This is an issue plaguing the majority of the series but more money doesn’t mean you can effectively capture that feel.  The Next Generation is the first of several abominations I had to sit through, featuring what might be the worst set of performances I’ve seen in any film.  This is the one that reveals that the Sawyers are secretly working for the Illuminati as part of a massive fear spreading campaign and has an ending that resembles a Nirvana music video more than anything and makes me question everything that led up to committing to watching this, the less said the better.  The 2003 remake is Leatherface, again, though it benefits from being the second entry in the series aside from the first to have some consistent aesthetic going.  Can still be easily skipped.  The Beginning is the first entry that devolves into pure torture porn, and doesn’t take any advantage of the fact that these characters can’t survive at the end, opting for just repeating bare slasher essentials except for killing off the final girl.  Texas Chainsaw 3D opens with a montage of footage from the first film then hard pivots into a plot about the Swayers being murdered in mass by a vigilante mob and “the Sawyers didn’t deserve this!”  No mention of the killing and cannibalism I guess as Leatherface, despite collecting a body count in this film alone, is turned into the good guy.  “Do your thing cuz!”  Just when you think things can’t get any worse, we are presented with Texas Chainsaw Massacre, no “The,” the new low bar for the series, if not the genre and maybe film as a whole.  Make no mistake that this is easily one of the worst films I have ever seen, involving gen-Z gentrifiers trying to buy up a small town to make into an upscale getaway, but Leatherface is there and blah blah blah you could have called this film anything else and you know what would have happened?  It would still be as bad but I wouldn’t have had to watch it, no one would have noticed it, no one would have to be as angry or anything because the only thing this has going for it is the connection to the first film.  It’s like if the Star Wars prequels weren’t called “Star Wars” they’d be as easily forgotten as Jupiter Ascending (2015) or Valerian and The City of a Thousand Planets (2017), where no one would have batted an eye, called them shit in a single breath and then easily forgotten about them without a second thought.  Fuck this movie, fuck it for being another stain on the legacy of the original, fuck everyone that says “I just want to see stupid teenagers get killed,” fuck any defense of this.
Only thing that came of having to sit through these was another opportunity to rewatch the 1974 film.  As soon as I had settled on this being up for viewing, the #1 spot was sealed.  If someone were to say that this is the greatest horror film ever made, I don’t think I’d agree but at the same time I wouldn’t be able to put up a counter argument.  I said a few days ago that I define horror as a genre by its presentation of violence, and this is a perfect example.  The opening text crawl lets us know that even if this was a singular event, the resulting trauma and open wounds will be carried forever.  The soundtrack itself is oppressive, camera shutters and industrial machinery in the place of actual music at times, the opening credits burned by footage of solar flares, the entire environment taking place in the blazing Texas sun with dried up water beds and radiators and dilapidated buildings.  It’s one of the ultimate descents into hell that have ever been presented by any film, horror or not.  Innocent people unknowingly walking to their doom, the discovery of seemingly endless amounts of human and animal remains and never putting the pieces together until it’s too late, the final survivor being forced to see how the meat we eat is made.  “I just don’t take no pleasure in killing.”  It’s been nearly 10 years since I first saw The Texas Chain Saw Massacre, this is one of the rare films that absolutely changed me, and while no subsequent viewing will have that same impact, I can’t not love it to the upmost extent that I can love any movie.
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