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zoominag · 2 years ago

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1850-1899

This is part of a series in which I am posting clips of my larger project by decade as I finish them. For more about this project, or to ask me to include your doll or OC, check out my pinned post.

17th century

1700-1739

1740-1769

1770-1799

1800-1849

The OCs in this post that are mine are Charlotte and Jane, Rachel and Abigail, and Hannah and Delia (they're in pairs because I did the Best Friends series based on @americangirlstar's suggestions, and in the process created a Best Friend for each of my own characters). Héloise and Aoife belong to @autistickirstenlarson, Violette belongs to @getintothesun, and Charlotte belongs to @gardner-n-pardner.

While putting together previous installations I became aware that I have the birth dates wrong for several of the canon characters. I'm planning a redo for the canon character set, eventually, so please do let me know if I'm wrong about anyone. I might already know, but since I have pretty severe dyscalculia as well as ADHD it's not bad to have the info available in multiple places.

I also feel that I should repeat the statement I made before that I had a hard time finding accurate, non-exoticizing references for Kaya, Speaking Rain, and Singing Bird's wardrobes without embarking on a level of research way beyond the scope of this project. If someone is reading this who has familiarity with and access to visual references for 19th century Nimiipuu, Salish, and Dakota/Lakota clothing, and the time and patience to help me understand them, I would be very interested in learning.

1850s

Héloise Cormier: 96-99 Kaya'aton'my: 95-99 Speaking Rain: 95-99 Felicity Merriman: 85-94 Elizabeth Cole: 85-94 Rachel Gabay: 70-79 Abigail Schorr: 70-79 Lydia Livingston: 51-60 Caroline Abbott: 49-58 Clara Montoya: 38-47 Josefina Montoya: 36-45 Hannah Kane: 26-35 Delia Freedman: 26-35 Violette Metoyer: 26-35 Aoife Callaghan: 14-23 Cecile Rey: 8-17 Marie-Grace Gardner: 8-17 Kirsten Larson: 6-15 Singing Bird: 6-15 Charlotte Devereux: 1-10 Addy Walker: 0-5 Sarah Moore: 0-5

Charlotte is a fun and interesting character: I made small edits to some of the base poses I use to accommodate her cane, and larger edits to others. I looked up some photos and videos of children with juvenile arthritis, which Charlotte has, to help get it right. Some of the outfits in Charlotte's collection were repeats, so I picked out a few more outfits from the same period that seem like they fit Charlotte's frilly, floral aesthetic. Meanwhile, this decade, Addy and Sarah are both born into slavery, Héloise, Kaya, and Speaking Rain say goodbye, Cecile and Marie-Grace begin wearing full-length, grown-up dresses, and Clara Montoya, ever sensible, tries out a Bloomer suit but finds that it doesn't make her work enough easier to offset the teasing and doesn't make any more of them.

1860s

Felicity Merriman: 95-99 Elizabeth Cole: 95-99 Rachel Gabay: 80-89 Abigail Schorr: 80-89 Lydia Livingston: 61-70 Caroline Abbott: 59-68 Clara Montoya: 48-57 Josefina Montoya: 46-55 Hannah Kane: 36-45 Delia Freedman: 36-45 Violette Metoyer: 36-45 Aoife Callaghan: 24-33 Cecile Rey: 18-27 Marie-Grace Gardner: 18-27 Kirsten Larson: 16-25 Singing Bird: 16-25 Charlotte Devereux: 11-20 Addy Walker: 6-15 Sarah Moore: 6-15 He-Mei Hsieh: 0-4 Florence Coburn: 0-4 Lucy Morgan: 0-4

He-Mei is a placeholder name that probably isn't right for her character. It's a Mandarin name, and she should have a name in Cantonese. Unfortunately I just don't know enough to be able to pick one out without help, so if someone seeing this who speaks Cantonese has a great idea, I'd love to hear it. Ironically, although AG has never made either a Chinese or significantly Disabled Historical doll, He-Mei and Florence owe the most to existing AG characters out of all my OCs. Maybe it's their dedication to getting into trouble.

1870s

Rachel Gabay: 90-99 Abigail Schorr: 90-99 Lydia Livingston: 71-80 Caroline Abbott: 69-78 Clara Montoya: 58-67 Josefina Montoya: 56-65 Hannah Kane: 46-55 Delia Freedman: 46-55 Violette Metoyer: 46-55 Aoife Callaghan: 34-43 Cecile Rey: 28-37 Marie-Grace Gardner: 28-37 Kirsten Larson: 26-35 Singing Bird: 26-35 Charlotte Devereux: 21-30 Addy Walker: 16-25 Sarah Moore: 16-25 He-Mei Hsieh: 5-14 Florence Coburn: 5-14 Lucy Morgan: 5-14 Gertrude Levy: 0-4 Mabel Kaplan: 0-4 Medha/Mahtab: 0-2

The First Bustle Era, with its big, poofy, drapey bustles, shrinks down into a tight, structured column shape. Florence's chair is based on historical examples: it has two large wheels that she can push in the front and one small wheel in the back. It's heavy and difficult for her to push as a kid, and when He-Mei pushes it she can't always see where they are going. I feel like Addy's school suit, in particular, translates well into these stiffer and more structured styles, and Caroline's Christmas dress isn't bad either. Another one that worked out well is Cécile's parlor outfit.

1880s

Lydia Livingston: 81-90 Caroline Abbott: 79-88 Clara Montoya: 68-77 Josefina Montoya: 66-75 Hannah Kane: 56-65 Delia Freedman: 56-65 Violette Metoyer: 56-65 Aoife Callaghan: 44-53 Cecile Rey: 38-47 Marie-Grace Gardner: 38-47 Kirsten Larson: 36-45 Singing Bird: 36-45 Charlotte Devereux: 31-40 Addy Walker: 26-35 Sarah Moore: 26-35 He-Mei Hsieh: 15-24 Florence Coburn: 15-24 Lucy Morgan: 15-24 Gertrude Levy: 5-14 Mabel Kaplan: 5-14 Medha/Mahtab: 3-12 Diya/Nasreen: 0-9 Harriet Shapiro: 0-4 Matilda Greene: 0-4

There's a lot still undecided about the sisters I originally called Diya and Medha but then considered renaming to Nasreen and Mahtab, depending on what kind of backstory would work best for them. Unfortunately, I know more about clothing history than I do about historical waves of immigration. I still think these characters have a good dynamic with each other and I love how their outfits turned out, but I probably won't be fleshing them out much unless I happen to learn a lot more about their potential backgrounds. For the time being, I'm leaving them in the project but I'm focusing more on characters I don't need to do a lot of original research to develop.

The Second Bustle Era is far more stiff and structured than the first, with heavier fabrics and narrower lines. Even the older girls are wearing bustles, while the younger girls often have large bows at the backs of their dresses in imitation of the bustled silhouette. This project first saw a bustled style in the 1680s, they were most famous in the 1880s, and even today we see them now and then on bridal or red carpet gowns.

1890s

Lydia Livingston: 91-99 Caroline Abbott: 89-98 Clara Montoya: 78-87 Josefina Montoya: 76-85 Hannah Kane: 66-75 Delia Freedman: 66-75 Violette Metoyer: 66-75 Aoife Callaghan: 54-63 Cecile Rey: 48-57 Marie-Grace Gardner: 48-57 Kirsten Larson: 46-55 Singing Bird: 46-55 Charlotte Devereux: 41-50 Addy Walker: 36-45 Sarah Moore: 36-45 He-Mei Hsieh: 25-34 Florence Coburn: 25-34 Lucy Morgan: 25-34 Gertrude Levy: 15-24 Mabel Kaplan: 15-24 Medha/Mahtab: 13-22 Diya/Nasreen: 10-19 Harriet Shapiro: 5-14 Matilda Greene: 5-14 Samantha Parkington: 0-4 Nellie O'Malley: 0-4

The final decade of the 19th century has us saying goodbye to Caroline and Lydia, and hello to Samantha and Nellie. Although it's less dramatic than the first and second bustle eras or even the period between them, this period is surprisingly fun to draw. And it's nice to be ending the century with their wintery formalwear. Happy new year!

As always, to get your historical doll or OC included in this project, HERE'S THE LINK. Obviously if your doll is from earlier than the 20th century they'll have to wait for the next round of drawings, but you're welcome to put them in the form and I'll include them in the next round, which will otherwise focus on the siblings of canon characters.

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mellowsadistic · 8 months ago

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Before & After - The New Maid

Set in the world of The Magician’s Game.

***

Samantha Devereux came from old money, and she’d married well. She’d never had to work a day in her life, but there was nothing she liked more than ordering everybody else around. She’d spend her days strutting around her large manor house, barking orders at the maid, Hannah, changing her instructions constantly and forcing her to perform her duties within impossibly short timeframes. Poor Hannah couldn’t afford to give up her job, despite the awful treatment she received at the hands of her employer, not even when Mrs Devereaux went as far as to prohibit her from taking bathrooms breaks until all her work was done. The tearful young maid was forced to mop the floors and scrub the windows with a thick diaper flashing underneath the short hem of her uniform, a diaper that would inevitably end up heavy with pee by the end of the day.

It may have been Hannah’s burning resentment towards her boss that first drew the Magician to take an interest in Mrs Deveraux, and he soon decided that the arrogant heiress would be the perfect candidate for one of his little games. Samantha was shocked to suddenly find herself transported to a manor even more richly furnished and extravagant than her own, right when she’d been in the middle of chewing out her maid over some insufficiently polished silverware, but she didn’t have much time to recover before she was pitched into the game that would drastically alter the course of her life. The snobbish thirty-five-year-old was able to avoid taking any penalties in the first task, but unfortunately for her, her fellow contestants didn’t much appreciate her laziness and bad attitude (Samantha had never learned to develop much of a work ethic), and she was voted out at the end of the first day.

Although Mrs Deveraux cried and pleaded, the Magician wasn’t about to send her home without any ‘alterations’. With a magically imbued command, he ordered her never to pee or poop outside of her own pants again, much to her dismay. Not only that, he decided that a change in status would suit the entitled little woman, and with a snap of his fingers Samantha Deveraux went back to being Samantha Page; though she retained all her memories of her former life, in this new reality she’d never married Mr Deveraux, nor had she been born into a rich family herself. Instead she was employed as a maid at the manor she had once claimed as hers, confined to nappies and a frilly little maid’s outfit, under the strict supervision of the new lady of the house…

Samantha’s New Life

“Make sure that floor is spotless, potty-pants, or you won’t be getting your diaper changed before bed tonight.”

Samantha glared up at Hannah, Mrs Deveraux, through tear-filled eyes, but she didn’t dare stop her scrubbing. She knew the threat was genuine. It wouldn’t be the first time she’d been sent to bed without a change, forced to spend the night in a soaked, or even stinky, nappy. It was hard to get to sleep in a cold, clammy pair of Pampers, let alone one with a big, smelly mess in the back.

Over the past few weeks, Samantha had had plenty of experience dealing with full diapers, but that didn’t mean she hated them any less. Of all the humiliating features of her new life, there was nothing she despised more than having to let go of her bladder into her pants, or worse, to squat and do a poo-poo in her own knickers. Only they weren’t knickers. Not anymore. The only thing Samantha wore over her bottom these days were the thick, adult-sized baby nappies she depended upon to keep herself from making a mess on the floor. Noisy and bulky, they forced her thighs apart and crinkled with every movement she made, a constant reminder of their presence.

Samantha scrubbed hard at the floor, making absolutely sure there wasn’t a speck of dirt to be seen. Her knees were sore from the amount of time she’d spent crawling around the kitchen, scouring the tiles, but she couldn’t afford to take a break if she wanted to get all her chores done before the end of her shift. Her breasts jostled in the loose-fitting blouse of her uniform, wobbling stupidly beneath her like they always did when she cleaned the floor. Her outfit was skimpy and slutty – Hannah said it was to give Mr Deveraux “something pretty to look at”, but whenever he saw her, Samantha’s former husband usually did little more than wrinkle his nose at the sight of the used diaper peeking out from under the hem of her dress. She knew the real reason was simply to humiliate her even more; there was no hiding her nappy in her outfit, and the sexiness of her uniform only served to clash ridiculously with her babyish underwear, turning her into even more of a joke.

Samantha’s tummy made a loud rumbling noise. Her diaper was already drenched with pee, and with a sinking feeling in her stomach, she realised she could feel the beginnings of a bowel movement coming on.

“Would you like a bathroom break, Sammy?” asked Hannah, with a faint smirk. She was leaning against the kitchen counter, watching her work with a martini in her hand. “You can go and use the toilet if you want to. I’m not a monster.”

“No thank you, Mrs Deveraux,” Samantha said, as politely as she could, not pausing in her scrubbing. She didn’t want to give Hannah any excuse to discipline her, but she couldn’t stop herself from scowling.

“No? Are you sure, sweetie? It sounds like you need to go potty.”

Samantha said nothing.

“Sammy…” Hannah said warningly. “I asked you a question. You need to go poopy, don’t you?”

“Yes, Mrs Deveraux,” said Samantha, trying not to grit her teeth in anger.

“Then don’t you want to use the toilet?”

Samantha glared up at her former employee. Perhaps there was one thing she hated more than wearing nappies. “No thank you, Mrs Deveraux,” she said sweetly, just as Hannah had trained her to do. “I’d rather keep working and use my pants.”

“Yuck!” said Hannah, clearly relishing the sight of her ex-boss acting so slavishly. “That’s disgusting, Sammy! But I suppose I should be grateful that I have such a diligent worker, shouldn’t I? Go ahead then. Fill your diaper, sweetie.”

For a moment Samantha considered saying no, getting up, ripping off her soggy nappy and flinging it in Hannah’s face. But she knew it would do her no good. It wouldn’t undo the Magician’s power, and it would only get her into huge trouble. Clenching her eyes shut, face burning with shame, she did as she was told. She grunted and pushed, and a second later the seat of her Pampers bulged out behind her. She grunted again and continued to wipe the floor while she pooped. All she could do was keep doing her chores, and hope that by the end of the day she’d have done enough work to get herself out of the now thoroughly dirty diaper hanging off her hips.

#mellowsadistic

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lafilleblanc · 5 years ago

Photo

Hannah Devereux

Two Lights 2010

hannahdevereux.com

#Art #collage #contemporary art #Hannah Devereux

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las-microfisuras · 5 years ago

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• Hannah Devereux

Collage

#hannah devereux #collage

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thephotoregistry · 8 years ago

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Hannah Devereux

#Hannah Devereux

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deeisace · 3 years ago

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Alright!

@calamitys-child I have several records for a Sophie Devereux!

Or Sophia, or Sophy, y’know - no Deverauxs, or Devereauxs, tho, I don’t think?

This is possibly (definitely) far more detailed than you were expecting, but like. This is. Yeah.

So. We have

1 - Sophy Maria Devereux, a bricklayer’s wife from Burton Latimer. She was born Sophy Maria Westley in 1863, she was a machinist as a teenager, and then married an Amos Charles Devereux, in 1879 - though she said she was 18 when she was 16, probably so her parents didn’t have to sign off for it, and she was possibly already pregnant with her first child, Arthur.

[ID: part of a 1911 census, which lists Amos Charles Devereux as head of the house. He is a 54 year old bricklayer. His wife is Sophy Maria Deveraux, 47. They have been married for 30 years. She is recorded as having had 14 children, though only 3 of them are still living. Then is their daughter Hannah Elizabeth Devereux, a 25 year old glover. /End ID.]

Sophy’s surviving children were Arthur, possibly her firstborn, Annie, and Hannah (as above). Arthur served in the RASC during the war (he had grey eyes. brown hair, and a fresh complexion, and went to France) and became a cutlery grinder. Annie and Hannah were both at one stage shoemakers.

This Sophy died in Kettering in 1921.

2 - Sophia Devereax, a file cutter’s wife in Sheffield. She was born in 1828 in Loxley - I don’t know under what name, as I can’t find a marriage record, but I do know her husband (common-law or otherwise) was called Thomas Devereax, and he was from Wolverhampton. His first wife (Hannah Wynn from Birmingham) died in 1867, and Sophia is with him on the 1871 census. They don’t appear to have had any children together, unsurprisingly, but Thomas had five children from his previous marriage (Joseph, Alfred, Kate, Samuel and Mary). After Sophia died (sometime during the 1870s, as in 1881, Thomas is a widower), Thomas became a licensed victualler, and ran the Spring Wood Inn on Freedom Street in Sheffield, with his daughter Kate as barmaid.

[ID: part of a 1871 census, which lists Thomas Devereax as head of the household. He is 45 years old. His wife Sophia is 43, and follow his children - Joseph, 18, Alfred, 16, Kate, 12, Samuel, 10, and Mary, 7. /End ID]

That one’s a bit of a mystery, and I spent too long looking up the name of the pub (thank you pubwiki, and who knew that was a thing)

3 - Sophie P Devereux, a jeweller’s clerk in King’s Norton. I know even less about this one than the others, as she wasn’t married or

oh hohoho wait

Sophia Petrie Devereux, born 1854 in Bodenham, Hereford to Henry George Devereux and Sophia Petrie. Henry was lately a farmer of 160 acres, having lost his farm sometime in the 50s I believe, tho on his death in 1879 he was listed as a yeoman, which as I (cityfolk I am) understand it is basically a farmer, idk.

Sophia Petrie herself (she ought to have her own listing, whoops) was a farmer’s daughter, tho she was from Snettisham in Norfolk, her father had 200 acres there and both her parents (Archibald and Jessie Petrie) were from Scotland. Archie and Jessie had ten children on their two censuses (1841 and 1851) and were both born in the 1790s. Their children (Sophia Petrie’s siblings and Sophia Devereux’s aunts and uncles) were, in order as I have them - Eliza, Susannah, Archibald, Charles, Jessie, Sophia, Euphemia, Agnes, John and Walter - tho Eliza was 22 in 1841 and it’s very possible there’s older ones than her.

Anyway, Sophie P D. I have for her four English censuses - three of which she lived with her parents in Aston, and the last she was a boarder with the Hackwood family in King’s Norton. Then I have 10 electoral rolls listings for her, dating 1919 to 1942 - for a place called Caulfield, Victoria in Australia! Which is cool! A jetsetting Sophie! I mean, I don’t know when she left for Australia, but they definitely didn’t have jets.

Here she is on the 1919 electoral roll -

[ID: an electoral roll listing that reads - Devereux, Sophia Petrie, 33 Wanda rd., Caulfield, clerk, F. /End ID]

Ooh, Wanda Road is now some lovely little two-storey houses with little gardens - tho they’re definitely not original to Sophia’s time. Well, the wooden bungalow-y sort of ones further down might be, idk, but there’s a lot of new brick there. Also a lot of trees!

4 - Last but not least, and possibly my favourite if only because of her husband’s name - Sophia Devereux, born in Arsley Bedfordshire, married to one Offspring Devereux. No that is not a typo, that is his actual name.

[ID: part of a 1851 census, which shows Offspring Devereux, a 23 year old agricultural labourer, and his wife Sophia, age 21. They are listed as son and daughter in law of the head of the household, John Green, indicating that either Offspring or Sophia is the child of his wife Ann. /End ID]

I’ve done a bit of a search and I think that Sophia’s maiden name is Crouch, and she might be Ann’s daughter from a previous-previous marriage. Or she’s been adopted and kept her surname. All a bit convoluted.

Ah, yep - Sophy, as she was on her marriage and her baptism records - her parents were Edward and Ann Crouch. She was born in 1829, in Arlesey, it is now.

In later censuses, Sophia is a straw plaiter - that is, plaiting up straw strands to make into hats and things - because agricultural labour, then as now, doesn’t pay very well, and Sophia and Offspring (also a shepherd at times) had an eventual six children to feed.

Sophia died in Biggleswade, Bedfordshire (which is such an incredibly English-sounding place name) in 1890, age 60.

Offspring is not a common name, unsurprisingly, but there have been at least 7 Offsprings born in Bedfordshire - our one was born in the mid-1820s, but there was an Offspring Webb born around 1810, again in Arlsey - he doesn’t appear to have given any of his sons his own name, but one of his daughters is called Fanny - oh, no, wait, his youngest child is called Offspring, never mind

Did they run out of names?? This is so much worse than my uncle Redvers. Like, why?? Also, surely their wives didn’t call them ‘Offspring’, surely not

#research #alright it's midnight #thank you for the puzzle ^^

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traitor-for-hire · 5 years ago

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Le P.C. et le B.P.

Le printemps venu, de nouveaux loisirs devinrent à la mode, et les journées plus longues offrirent de longs après-midi pour le travail, ou pour des jeux de toutes sortes. Le jardin devait être remis en ordre, et chaque sœur avait à sa disposition un quart de la petite parcelle pour y faire ce qui lui chantait. Hannah avait coutume de dire, « Je saurais à qui est chaque jardin, même si je les voyais en Chine » ; ce qui aurait bien été possible, car les goûts des filles étaient aussi différents que l'étaient leurs caractères. Meg avait dans sa parcelle des roses, de l'héliotrope, du myrte et un petit oranger. Le lopin de Jo n'était jamais le même d'une année sur l'autre, car elle était toujours en train de faire des expériences ; cette année ce serait une plantation de tournesols, plante gaie et ambitieuse dont les graines nourriraient « Tante Cot-Cot » et sa famille. Beth avait dans son jardin des fleurs odorantes et désuètes ; pois de senteur et réséda, pieds d'alouette, œillets, pensées, et de la citronnelle, ainsi que du mouron pour son oiseau et de l'herbe à chats pour les minets. Amy avait un pandoréa jasmin - plutôt petit et truffé de perce-oreilles, mais très joli à regarder - ainsi que du chèvrefeuille et des belles-de-jour qui laissaient pendre leurs cornes et leurs corolles colorées en arabesques gracieuses ; de grands lys blancs, des fougères délicates, et le plus grand nombre possible de fleurs éclatantes et pittoresques qui consentaient à éclore dans son jardin.

Jardinage, promenades, canotage sur la rivière, et cueillette de fleurs occupaient les belles journées ; et pour les jours pluvieux, elles avaient des jeux à la maison -certains anciens, d'autres nouveaux - tous plus ou moins originaux. L'un de ces jeux était le « P.C. », car, les sociétés secrètes étant à la mode, il était considéré de bon ton d'en avoir une ; et, comme toutes les filles admiraient Dickens, elle se nommèrent le Pickwick Club. En dépit de quelques interruptions, elles y jouaient depuis maintenant un an, et se réunissaient chaque samedi dans le grand grenier. En ces occasions, les cérémonies se déroulaient ainsi : Trois chaises étaient arrangées en rang devant une table, sur laquelle se trouvait une lampe, ainsi que quatre bandeaux blancs sur lesquels se lisait, en quatre couleurs différentes, « P.C. », et le journal hebdomadaire, le « Pickwick Portfolio», auquel toutes contribuaient à leur façon. Jo, qui adorait les plumes et l'encre, en était l'éditeur. À sept heures du soir, les quatre membres montaient dans la salle du club, nouaient leur bandeau autour de leur tête, et prenaient place solennellement. Meg, en tant qu'aînée, était Samuel Picwick ; Jo, vu ses tendances littéraires, Augustus Snodgrass ; Beth, pour sa rondeur et ses joues roses, était Tracy Tupman ; et Amy, qui essayait toujours de faire ce qu'elle ne pouvait pas faire, était Nathaniel Winkle. Pickwick, le Président, lisait le journal, qui était plein d'histoires originales, de poèmes, de nouvelles locales, réclames amusantes, et de suggestions, dans lesquelles elles se rappelaient les unes les autres leurs défauts avec bonne humeur. En une occasion, Mr. Pickwick mit une paire de lunettes sans verre, tambourina sur la table, s'éclaircit la gorge, et, après avoir jeté un regard noir à Mr. Snodgrass, qui se balançait sur sa chaise, jusqu'à ce qu'il s'asseye proprement, commença à lire -

"The Pickwick Portfolio"

10 MAI 18-

Le Coin des Poètes

ODE ANNIVERSAIRE

Nous nous retrouvons avec solennité

et nos bandeaux, pour célébrer

Notre cinquante-deuxième anniversaire,

Ce soir à Pickwick Hall.

Nous sommes tous en parfaite santé,

La petite bande est au complet ;

Nous retrouvons chaque visage familier,

Et serrons chaque main avec amitié.

Nous le saluons avec révérence,

Fidèle au poste, notre Pickwick,

Tandis qu'il lit, lunettes sur le nez,

Notre gazette bien remplie.

Bien qu'il soit enrhumé,

Nous nous réjouissons de l'entendre,

Car toujours ses paroles sont sages

En dépit de son ton nasillard.

Du haut de son mètre quatre-vingt,

Avec une grâce peu banale,

Snodgrass éclaire la compagnie

De son visage brun et jovial.

Le feu poétique brille dans son œil

Il lutte contre sa destinée ;

L'ambition se lit son front,

Et il a une tache sur le nez !

Puis vient notre paisible Tupman,

Si rose, et rond et tendre,

Qui s'étouffe de rire aux bons mots,

Et en tombe de son siège.

Le petit Winkle est là aussi,

Guindé, chaque cheveu en place,

Un modèle de convenance,

Bien qu'il ne se lave pas la face.

L'année passée, nous nous réunissons encore

Pour plaisanter et rire et lire,

Et suivre la voie littéraire

Qui conduit à la gloire.

Longue et belle vie à notre journal,

Que notre club reste uni,

Et que l'avenir soit propice

À l'utile, au joyeux "P.C."

A. SNODGRASS

LE MARIAGE MASQUÉ

Un Conte Vénitien

Gondoles après gondoles glissaient jusqu'au perron de marbre, et laissaient leurs charges ravissantes gonfler la foule brillante qui emplissait les halls majestueux du Comte d'Adelon. Chevaliers et gentes dames, elfes et pages, moines et marchandes de fleurs, tous se mêlaient gaiement à la danse. De douces voix et de riches mélodies emplissaient l'air, ainsi en joie et en musique se déroulait la mascarade.

« Votre Altesse a-t-elle vu Lady Viola ce soir ? » demanda un galant troubadour à la reine des fées à son bras.

« Oui, n'est-elle pas charmante, mais si triste ! Et sa robe est bien choisie, car dans une semaine elle épouse le Comte Antonio, qu'elle déteste.

— Ma foi je l'envie. Le voici venir, en atours de marié, si ce n'est pour son masque noir. Quand il l'enlèvera nous pourrons voir comment il regarde la jeune fille dont il ne peut gagner le cœur, bien que son père lui ait accordé sa main, répondit le troubadour.

— L'on chuchote qu'elle aime le jeune artiste anglais qui hante son parvis, et que le vieux comte a éconduit, » dit la dame tandis qu'ils se joignaient à la danse.

Les réjouissances étaient à leur comble quand un prêtre apparut, et, attirant le jeune couple dans une alcôve tendue de velours pourpre, leur fit signe de s'agenouiller. Le silence tomba instantanément sur la joyeuse assemblée, et pas un son, hormis le gazouillis des fontaines ou le bruissement des orangers endormis dans le clair de lune, ne se fit entendre, lorsque parla le Comte d'Adelon :

« Mes seigneurs et gentes dames ; pardonnez la ruse par laquelle je vous ai réunis pour assister au mariage de ma fille. Mon père, veuillez officier. »

Tous les yeux se tournèrent vers la noce, et un murmure d'étonnement parcourut la foule, car ni la mariée ni le marié ne retirèrent leurs masques. Curiosité et interrogations emplissaient les cœurs, mais le respect lia toutes les langues jusqu'à la fin du rite sacré. Alors les spectateurs s'empressèrent autour du comte, demandant une explication.

« Je vous la procurerais volontiers si je le pouvais, mais je sais seulement que c'était le caprice de ma timide Viola, et je m'y suis plié. Maintenant, mes enfants, assez de cette mascarade. Démasquez-vous, et recevez ma bénédiction. »

Mais aucun des deux ne plia le genou ; car le jeune marié, alors que le masque tombait, révélant le noble visage de Ferdinand Devereux, l'artiste amoureux, et que s'appuyait sur sa poitrine, ornée maintenant de l'étoile d'un duc anglais, la charmante Viola, rayonnante de joie et de beauté, répondit sur un ton qui surprit toute l'audience :

« Mon Seigneur, avec mépris vous m'avez commandé de prétendre à votre fille quand je pourrais me targuer propriétaire d'un titre égal et d'une fortune aussi vaste que le Comte Antonio. Je peux faire mieux, car même votre âme ambitieuse ne peut refuser le Duc de Devereux et De Vere, quand il offre son ancien nom et sa richesse sans limite contre la main bien-aimée de cette gente dame, à présent ma femme. »

Le comte resta stupéfait, comme changé en pierre, et, se tournant vers la foule en délire, Ferdinand ajouta avec un gai sourire de triomphe, « À vous, mes galants amis, je ne peux que souhaiter que vos amours prospèrent aussi bien que les miens, et que vous trouviez femme aussi belle que celle que j'ai gagnée, par ce mariage masqué. »

S. PICKWICK

En quoi le P.C. est-il comme la Tour de Babel ? Il est plein de membres indisciplinés.

L'HISTOIRE D'UNE COURGE

Il était une fois un fermier qui planta une petite graine dans son jardin, et après un moment elle germa et devint une plante, porteuse de nombreuses courges. Un jour d'octobre, quand elles furent mûres, il en choisit une et la porta au marché. Un épicier l'acheta et la mit dans son magasin. Le même jour, une petite fille, avec un chapeau brun et une robe bleue, avec un visage rond et un nez retroussé, vint et l'acheta pour sa mère. Elle la porta jusqu'à la maison, la coupa, et la fit bouillir dans le grand pot ; en écrasa une partie, avec du sel et du beurre, pour dîner ; et au reste elle ajouta une pinte de lait, deux œufs, quatre cuillerées de sucre, de la muscade et quelques biscuits ; versa le tout dans un grand plat, et le fit cuire jusqu'à ce qu'il soit bien doré ; et le jour suivant ce plat fut mangé par la famille March.

T. TUPMAN

Mr. Pickwick, Sir,

Je m'adresse à vous au sujet du péché et du pécheur je veux dire il y a un homme nommé Winkle qui cause des problèmes dans son club en riant et parfois n'écrit pas sa part pour ce bon journal j'espère que vous lui pardonnerez sa mauvaise conduite et le laisserez envoyer une fable en français parce qu'il ne peut pas figurer quoi écrire parce qu'il a tant de leçons à apprendre et pas d'esprit à l'avenir j'essaierai de sauter sur location et de préparer un travail qui sera tout commy la fo* - ça veut dire très bien - je suis pressé il est bientôt l'heure de l'école

Respectablement vôtre, N. Winkle

[Ci-dessus une belle et virile reconnaissance d'incartades passées. Si notre jeune ami étudiait la ponctuation, ce serait très bien.]

UN TRISTE ACCIDENT

Vendredi dernier, nous fûmes alertés par un choc violent dans notre cave, suivi de cris de détresse. En nous précipitant comme un seul homme dans le cellier, nous découvrîmes notre Président prostré sur le sol, ayant glissé et étant tombé en allant chercher du bois à des fins domestiques. Une parfaite scène de désolation s'offrit à nos yeux ; car dans sa chute Mr. Pickwick avait plongé la tête et les épaules dans un baquet d'eau, renversé un bidon de savon liquide sur ses formes masculines, et vilainement déchiré ses vêtements. Une fois secouru de cette périlleuse situation, il apparut qu'il ne souffrait d'aucune blessure à l'exception de plusieurs bleus ; et, nous sommes heureux d'ajouter qu'il se porte maintenant bien.

AVIS DE DISPARITION

Il est de notre pénible devoir de reporter la soudaine et mystérieuse disparition de notre chère amie, Mrs. Boule-de-Neige Pattounette. Cette chatte charmante et aimée était la chérie d'un cercle d'amis chaleureux et admirateurs ; car sa beauté attirait tous les yeux, ses qualités et ses vertus la rendaient chère à tous les cœurs, et sa perte affecte profondément la communauté toute entière.

Elle a été vue pour la dernière fois assise devant la porte, en train de surveiller le chariot du boucher ; et il est à craindre que quelque vilain, tenté par ses charmes, l'ait bassement volée. Les semaines ont passé, mais nulle trace d'elle n'a été découverte ; et nous abandonnons tout espoir, nouons un ruban noir à son panier, rangeons son assiette, et la pleurons comme perdue à jamais.

Un ami compatissant nous envoie la gemme suivante :

LAMENTATION

POUR B.N. PATTOUNETTE

Nous pleurons la perte de notre petite chérie,

Et déplorons son triste destin,

Car plus jamais elle ne se tiendra près du feu

Ni ne jouera près de la porte verte.

La petite tombe où dort son enfant

Est près du châtaignier,

Mais sur sa tombe nous ne pouvons pleurer,

Nous ne savons pas où elle est

Son lit vide, sa balle immobile,

Plus jamais ne la reverront ;

Ni bruit de pattes, ni doux ronron,

Ne se font entendre à l'entrée du parloir

Une autre chatte chasse ses souris,

Son vilain museau d'un noir de suie,

Mais elle ne chasse pas comme notre chérie

Ni ne joue avec sa grâce aérienne.

Ses pattes discrètes parcourent le même hall

Où Boule-de-Neige souvent jouait,

Mais elle ne fait que cracher sur les chiens

Que notre chérie si vaillamment chassait

Elle est utile et docile, et fait de son mieux,

Mais n'est pas belle à voir ;

Et nous ne pouvons lui donner ta place, amour,

Ou l'adorer comme nous t'adorons.

A.S.

ANNONCES

MISS ORANTHY BLUGGAGE, l'oratrice accomplie à l'esprit fort, donnera sa fameuse conférence sur « LA FEMME ET SA POSITION, » à Pickwick Hall, samedi soir, après la séance habituelle.

UNE RÉUNION HEBDOMADAIRE se tiendra Place de la Cuisine, pour apprendre aux jeunes dames à cuisiner. Hannah Brown présidera, et tous sont conviés à y assister.

LA SOCIÉTÉ DE LA PELLE À POUSSI��RE se réunira mercredi prochain, et paradera à l'étage du Club-House. Tous les membres doivent se présenter en uniforme et le balai sur l'épaule à neuf heures précises.

MRS. BETH BOUNCER présentera son nouvel assortiment de Chapellerie pour Poupées la semaine prochaine. Les dernières modes de Paris sont arrivées, et des commandes sont respectueusement sollicitées.

UNE NOUVELLE PIÈCE se jouera au Théâtre de la Grange, pour quelques semaines, qui surpassera tout ce qui a jamais été vu sur la scène américaine. « L'ESCLAVE GREC, ou Constantine le vengeur, » est le nom de ce drame passionnant !!!

SUGGESTIONS.

Si S.P. n'utilisait pas tant de savon pour se laver les mains, il ne serait pas toujours en retard pour le petit-déjeuner. Il est demandé à A.S. de ne pas siffler dans la rue. T.T. s'il vous plaît n'oubliez pas la serviette d'Amy. N.W. ne doit pas se tracasser parce que sa robe n'a pas neuf plis.

RAPPORT HEBDOMADAIRE

Meg - Bien

Jo - Mauvais

Beth - Très bien

Amy - Moyen

Quand le Président eut fini de lire le journal (qui est, je vous prie de me croire, une copie authentique d'un journal écrit par d'authentiques jeunes filles il y a bien longtemps), des applaudissements retentirent, et puis Mr. Snodgrass se leva pour faire une proposition.

« Monsieur le Président et gentlemen, » commença-t-il en adoptant une attitude et un ton parlementaire, « je souhaite proposer l'admission d'un nouveau membre ; quelqu'un de hautement méritant de cet honneur, qui en serait profondément reconnaissant, et ajouterait énormément à l'esprit du club, à la valeur littéraire de son journal, et serait infiniment gai et gentil. Je propose Mr. Theodore Laurence comme membre honoraire du P.C. Allez, prenons-le. »

Le changement de ton soudain de Jo fit rire les filles, mais elles avaient toutes l'air plutôt anxieuses, et aucune ne dit mot, tandis que Snodgrass se rasseyait.

« Nous allons mettre ce projet aux voix, dit le Président. Tous ceux en faveur de la motion sont priés de se manifester en disant "Oui." »

Un oui retentissant de Snodgrass, suivi, à la surprise de tout le monde, par un timide oui de Beth.

« Ceux qui s'y opposent disent "Non." »

Meg et Amy s'y opposaient ; et Mr. Winkle se leva pour dire, avec une grande élégance, « Nous ne souhaitons pas de garçons ; ils ne font que plaisanter et chahuter. C'est un club de dames, et nous voulons rester entre nous, et être convenables.

— J'ai peur qu'il ne rie de notre journal, et se moque de nous après, » observa Pickwick, en tiraillant la petite boucle qui tombait sur son front, comme elle le faisait toujours quand elle se trouvait dans le doute.

Snodgrass bondit sur ses pieds, avec beaucoup de sérieux. « Sir ! Je vous donne ma parole de gentleman que Laurie ne fera rien de la sorte. Il aime écrire, et il donnera un ton à nos contributions, et nous empêchera de faire dans le sentimental, ne voyez-vous pas ? Nous pouvons faire si peu pour lui, je pense que le moins que nous puissions faire est de lui offrir une place ici, et bien l'accueillir, s'il vient. »

Cette ingénieuse allusion aux avantages conférés fit se lever Tupman, l'air bien décidé.

« Oui, nous devons le faire, même si nous avons peur. Je dis qu'il peut venir, et son grand-père aussi, s'il le veut. »

Cette tirade fougueuse de Beth électrifia le club, et Jo quitta son siège pour lui serrer la main avec approbation. « Maintenant, votons à nouveau. Souvenez-vous qu'il s'agit de notre Laurie, et dites "Oui" !

— Oui ! Oui ! Oui ! répondirent trois voix en même temps.

— Bien ! Soyez bénies ! Maintenant, comme il n'y a rien tel que "saisir location" ainsi que le fait remarquer Winkle, permettez-moi de vous présenter le nouveau membre, » et, au désarroi du reste du club, Jo ouvrit en grand la porte du placard, et découvrit Laurie assis sur un sac de chiffons, les joues rouges et les yeux brillants d'un rire réprimé.

« Canaille ! Traître ! Jo, comment as-tu pu ? » s'écrièrent les trois filles, tandis que Snodgrass faisait triomphalement avancer son ami, et, faisant apparaître une chaise et un bandeau, l'installait en un tour de main.

« Vous ne manquez pas de toupet, vous deux, » commença Meg en essayant d'afficher une moue réprobatrice, et ne réussissant qu'à produire un aimable sourire. Mais le nouveau membre se montra à la hauteur de la situation ; et, se levant avec un salut reconnaissant envers la Présidence, dit de la manière la plus engageante, « Monsieur le Président et mesdames - je vous demande pardon, gentlemen - permettez-moi de me présenter en tant que Sam Weller, le très humble serviteur du club.

— Bien, bien ! » s'écria Jo en martelant le plancher avec le manche de la vieille bassinoire, sur laquelle elle s'appuyait.

« Mon fidèle ami et noble parrain, » poursuivit Laurie, avec un geste de la main, « qui m'a présenté de manière si flatteuse, n'est pas à blâmer pour le stratagème de ce soir. Je l'ai planifié, et elle n'a accepté qu'après bien des taquineries.

— Allez, ne prends pas tout sur toi ; tu sais que j'ai proposé le placard, » intervint Snodgrass, qui s'amusait immensément de la plaisanterie.

« N'écoutez pas ce qu'elle dit. Je suis le seul coupable, sir, » dit le nouveau membre avec un hochement de tête Welleresque à l'intention de Pickwick. « Mais sur mon honneur, je ne le referai jamais, et me déwoue dorénavant aux intérêts de ce club immortel.

— Bien parlé ! Bien parlé ! » s'écria Jon en faisant claquer le couvercle de la bassinoire comme une cymbale.

« Poursuivez, poursuivez ! » ajoutèrent Winkle et Tupman, tandis que le Président saluait avec bienveillance.

« Je souhaite seulement dire, qu'en gage de ma gratitude pour l'honneur qui m'est fait, et afin de promouvoir les relations amicales entre nations voisines, j'ai installé un bureau de poste dans la haie au fond du jardin ; un bel et grand édifice, aux portes cadenassées, et tout ce qu'il faut pour le courrier. C'est le vieux nichoir des hirondelles, mais j'ai bloqué la porte, et fait en sorte que le toit s'ouvre, pour qu'elle puisse contenir toutes sortes de choses et nous faire gagner un temps précieux. Lettres, manuscrits, livres et paquets peuvent y loger ; et, comme chaque nation a sa clef, ce sera extraordinairement agréable, je gage. Permettez-moi de vous présenter la clef du club ; et, avec bien des remerciements pour votre faveur, de prendre mon siège. »

Un tonnerre d'applaudissements retentit quand Mr. Weller déposa la petite clef sur la table, et se prolongea ; la bassinoire fit un tapage de tous les diables, et il s'écoula quelque temps avant que le calme ne revienne. Une longue discussion suivit, et toutes furent étonnamment ouvertes, car toutes firent de leur mieux ; aussi ce fut une réunion exceptionnellement agitée, qui ne se termina qu'à une heure tardive, sur trois hourras pour le nouveau membre.

Personne ne regretta jamais l'admission de Sam Weller, car aucun club n'aurait pu avoir de membre plus dévoué, mieux élevé et plus jovial. Il ajouta en effet de « l'esprit » aux réunions, et un « ton » au journal, car ses discours tordaient de rire son audience et ses contributions étaient excellentes, patriotiques, classiques, comiques, ou dramatiques, mais jamais sentimentales. Jo les estimait dignes de Bacon, Milton ou Shakespeare, et retravailla ses propres œuvres, avec de bons résultats, pensait-elle.

Le B.P. était une petite institution épatante, et prospéra merveilleusement, car il y passa presque autant de choses étranges que dans un vrai bureau de poste. Tragédies et écharpes, poésies et légumes marinés, graines et longues lettres, partitions et pain d'épices, gommes, invitations, remontrances et chiots. Le vieux gentleman s'en amusait lui-même en envoyant d'étranges paquets, de mystérieux messages et d'amusants télégrammes ; et son jardinier, qui était tombé sous le charme d'Hannah, envoya une lettre d'amour aux bons soins de Jo. Comme elles rirent quand le secret fut éventé, sans imaginer le nombre de lettres d'amour que ce petit bureau de poste abriterait dans les années à venir !

#little women #jo march #theodore laurence #french translation #mes trads

2 notes · View notes

porlockstompf · 5 years ago

Text

Reading de Nacht Reading 2018

my favourite books of the year

my overall favourite book of the year:

wiliam h gass "the william h gass reader" (2018)

post-cyberpunkstompf:

01 cixin liu "ball lightning" (2018)

02 kim stanley robinson "red moon" (2018) 03 dave hutchinson "europe at dawn" (2018) + dave hutchinson "shelter (the aftermath 01)" (2018) 04 paul kincaid "ian m banks (modern masters of science fiction)" (2017) 05 hannu rajaniemi "summerland" (2018)

06 m john harrison "you should come with me now: stories of ghosts" (2017) 07 wade rousch (ed) "twelve tomorrows (2018) 08 christopher moore "noir" (2018) 09 jonathan strahan (ed) "infinity's end" (2018) + jonathan strahan (ed) "the best sf & f of the year, vol XII" (2018) 10 neil clarke (ed) "the final frontier" (2018) + neil clarke (ed) "the best sf of the year vol III" (2018)

11 gardner dozois (ed) "the year's best sf: thirty-fifth annual collection" (2018) 12 steve toutonghi "side life" (2018) 13 mike ashley (ed) "lost mars: the golden age of the red planet" (2018) 14 mary robinette kowal "the calculating stars: a lady astronaut novel" (2018) 15 mingwei song & theodore huters (eds) "the reincarnated giant: an anthology of twenty-first century chinese science fiction" (2018)

16 john zakour & lawrence ganem "the peach-blonde bomber" (2018) 17 becky chambers "record of a spaceborn few" (2018) 18 yoon ha lee "revenant gun" (2018) 19 derek künsken "the quantum magician" (2018) 20 gregory benford "rewrite" [arc] (2019)

21 richard k morgan "thin air" (2018) 22 charles stross "the labyrinth index" (2018) 23 john varley "irontown blues" (2018) 24 peter watts "the freeze-frame revolution" (2018) 25 karl schroeder "the million" (2018)

26 drew williams "the stars now unclaimed" (2018) 27 peter f hamilton "the salvation" (2018) 28 neal asher "the soldier" (2018) 29 nick mamatas "the people's republic of everything" (2018) 30 s j morden "one way" (2018)

31 gareth l powell "embers of war" (2018) 32 alex white "a big ship at the end of the universe" (2018) + alex white "a bad deal for the whole galaxy" (2018) 33 s k dunstall "stars unchartered" (2018) 34 catherynne m valente "space opera" (2018) 35 alastair reynolds "elysium fire" (2018)

36 charles stross "dark state" (2018) 37 n k jemisin (ed) "the best american sf & f 2018" (2018) 38 jack mcdevitt "the long sunset" (2018) + jack mcdevitt "a voice in the night" (2018) 39 elizabeth moon "into the fire" (2018) 40 r.e. stearns "barbary station" (2017) / steven erikson "willfull child III: the search for spark" (2018)

polarstompf:

01 david hewson "the savage shore" (2018)

ex aequo andrea camilleri "the pyramid of mud" (2018) + andrea camilleri "death at sea: montalbano's early cases" (2018)

02 mirko zilahy "de schaduw" (2017) + mirko zilahy "de mythe van de dood" (2018) 03 mick herron "london rules" (2018) + mick heron "the drop" (2018) 04 volker kutscher "babylon berlin" (2017) + volker kutscher "the silent death" (2017) + volker kutscher "goldstein" (2018) 05 chris petit "pale horse riding" (2017)

06 edgar cantero "this body's not big enough for both of us" (2018) 07 ian rankin "in a house of lies" (2018) 08 philip kerr "greeks bearing gifts" (2018) 09 jack grimwood "nightfall berlin" (2018) 10 dolan cummings "the existential leap: a crime story" (2017)

11 ann van loock "de expo '58 moorden" (2018) 12 massimo carlotto "master of knots" (2004) 13 joseph knox "sirens" (2018) + joseph knox "the smiling man" (2018) 14 geir tangen "het meesterwerk" (2017) 15 kate atkinson "transcription" (2018)

16 patrick conrad "diep in december" (2018) 17 jorge zepeda patterson "zwarte trui" (2018) 18 wolfgang burger "heidelberg requiem" (2016) 19 charles cumming "a divided spy" (2016) + charles cumming "the man between" (2018) 20 frank goldammer "the air raid killer" (2018) + frank goldammer "a thousand devils" (2018)

21 andreas norman "stille oorlog" (2018) 22 jesper stein "de onrust" (2018) + jesper stein "papa" (2018) 23 luca d'andrea "in de greep van de waanzin" (2018) 24 jo nesbø "macbeth" (2018) 25 hans dooremalen "descartes in amsterdam: filosofische detective" (2018) / chris pavone "the expats" (2012)

klassikstompf:

01 wiliam h gass "the william h gass reader" (2018)

02 louis armand "breakfast at midnight" (2012) + louis armand "the combinations" (2016) + louis armand "canicule" (2013) + louis armand "cairo" (2014) 03 andrew crumey "the great chain of unbeing" (2018) 04 viv albertine "throw away unopened" (2018) 05 daniela cascella "singed" (2017)

06 ted geltner "blood, bone, & marrow: a biography of harry crews" (2017) 07 steve erickson "zeroville" (2007) 08 olga tokarczuk "drive your plow over the bones of the dead" (2018) 09 julián ríos "the house of ulysses" [] (2010) + julián ríos "poundemonium" [1997] 10 daniel mendelsohn "an odyssey: a father, a son, and an epic" (2017)

11 giorgio van straten "in search of lost books: the forgotten stories of eight mythical volumes" (2017) 12 pascal mercier "night train to lisbon" (2004) 13 tony white "the fountain in the forest" (2018) 14 alejandro zambra "not to read" (2018) 15 gabriel josipovici "the cemetery in barnes" (2018)

16 lucy ives "impossible views of the world" (2017) 17 matthew herbert "the music: a novel through sound" (2018) 18 ann quin "the unmapped country: stories & fragments" (2018) 19 stephen fry "mythos" (2017) & "heroes" (2018) 20 johan swinnen "happening: de aanslag op de Inno" (2017)

21 ermanno cavazzoni "the nocturnal library" (2018) 22 richard powers "the overstory" (2018) 23 alain robbe-grillet "project for a revolution in ny" (1972) 24 melchior vischer "second through brain" (2015) 25 bob van laerhoven "return to hiroshima" (2018) + bob van laerhoven "dossier feuerhand" (2017) + bob van laerhoven "dangerous obsessions" (2015) + bob van laerhoven "heart fever" (2018)

gedächtnisstompf:

01 jacques derrida "geschlecht III: sexe, race, nation, humanité" (2018) + jacques derrida "le goût du secret: entretiens 1993-1995" (2018)

02 tom cohen, claire colebrook & j hillis miller "theory & the disappearing future: on deman, on benjamin" (2011) 03 hannah arendt "het waagstuk van de politiek: over politieke leugens en burgerlijke ongehoorzaamheid" (2018) + dirk de schutter "hannah arendt: politiek denker" (2015) 04 serge andré "les perversions #1: le fétichisme" (2013) + serge andré "les perversions #1: le sadisme" (2013) + serge andré "les perversions #1: le masochisme" (2013) 05 ger groot "4 ongemakkelijke filosofen: nietzsche, cioran, bataille, derrida" (2003)

06 mark fisher "k-punk: the collected & unpublished writings (2014-2016)" (2018) 07 molier, ellian, rijpkema (eds) "de strijd om de democratie: essays over democratische zelfverdediging" (2018) 08 florentijn van rootselaar "filosofisch veldwerk: grote filosofen van nu over leven in barre tijden" (2018) 09 lieven de cauter "van de grote woorden & kleine dingen" (2018) 10 nemanja mitrovic "the (im)possibility of literature as the possibility of ethics" (2017)

11 sue prideaux "i am dynamite! a life of friedrich nietzsche" (2018) 12 paul farley & michael symmons roberts "deaths of the poets" (2018) 13 erik bledsoe (ed) "perspectives on harry crews" (2001) 14 kailash c baral & r radhakrishan (eds) "theory after derrida: essays in critical praxis"(2018) 15 agnes czajka & bora isyar (eds) "europe after derrida: crisis & potentiality" (2016)

poesisstompf:

01 john cooper clarke "the luckiest guy alive" (2018)

02 kate tempest "running upon the wires" (2018) 03 robin robertson "the long take" (2018) 04 david austin "dread poetry & freedom: linton kwesi johnson & the unfinished revolution" (2018) 05 tommy pico "junk" (2018)

platterstompf:

01 power, devereux, & dillane (eds) "heart & soul: critical essays on joy division" (2018)

02 michael glasmeier & ursula block (eds) "broken music: artists' recordworks" (2nd edition 2018) 03 mark e smith "messing up the paintwork: the wit & wisdom of mark e smith" (2018) 04 willy dirickx (ed) "de brassers" (2018) 05 tommy mackay "40 odd years of the fall" (2018)

06 john h baker "the art of nick cave: new critical essays" (2013) 07 will oldham "songs of love & horror: collected lyrics of will oldham" (2018) + alan licht (ed) "will oldham on bonnie 'prine' billy" (2012) 08 michael goddard & benjamin halligan "mark e smith & the fall: art, music, & politics" (2013) 09 daniel kane "do you have a band? poetry & punk rock in nyc" (2017) 10 bendle "permanent transience" (2015)

11 david grubbs "now that the audience is assembled" (2018) 12 nick soulsby "swans: sacrifice & transcendence (the oral history)" (2018) + michael gira "the egg: stories" (2018) 13 robert young & irmin schmidt "all gates open: the story of can" (2018) 14 mike goldschmith "discord: the story of noise" (2012) 15 bruce russell "gilded splinters: essays & aphorisms towards an aesthetic of noise" (2018)

16 philippe robert "agitation frite" (2018)² + philippe robert "action friite" (2018) + philippe robert "action frIIIte" (2018) 17 guillaume belhomme, philippe robert, ea "le son du grisli: varèse, tzara, mochizuki & cave" (2018) 18 david stubbs "future days: krautrock & the building of modern germany" (2018) + david stubbs "mars by 1980: the story of electronic music" (2018) 19 blixa bargeld "europa: una letania" [2009] (2018) 20 chris bohn (ed) "the wire"

21 richard hirst (ed) "we were strangers: stories inspired by unknown pleasures" (2018) 22 françois girodineau "nick cave & the bad seeds: tender prey" (2018) 23 mick middles "the fall" (2009) 24 jim dooley "red set: a history of gang of four" (2018) 25 mats gustafsson "discaholics! record collector confessions vol I (2nd ed)" (2018) / + rob van scheers "drie akkoorden & de waarheid: muzikale levenslessen" (2014)

stagestompf:

01 ian rankin & rona munro "rebus: long shadows" (2018)

humorstompf:

01 robin ince "i'm a joke & so are you: a comedian's take on what makes us human" (2018) 02 simon munnery "how to live" (2018) 03 lucien randall "disgusting bliss: the brass eye of chris morris" (2011)

bilderstompf:

01 michael glasmeier & ursula block (eds) "broken music: artists' recordworks" (2nd edition 2018)

02 thomas bernhard & ferry radax "thomas bernhard: 3 days" (2016) 03 ed van der elsken "love on the left bank" (2002) 04 philippe monsel "francis bacon" (1994)

05 paul duncan & jürgen müller (eds) "film noir plus taschen's top 50 pick of noir classics from 1940-1960" (2017) 06 cuauhtémoc medina "manifesta 9: the deep of the modern" (2012) 07 julian schnabel: permanently becoming & the architecture of seeing" (2012) 08 reinhard kleist "nick cave & the bad seeds: an art book" (2018)

wissenschaftstompf & other distractions:

01 brian cox & robin ince "how to build a universe: an infinite monkey cage adventure" (2017)

02 patrick moore & chris north "the sky at night: answers to questions from across the univers" (2012) 03 chip carter "obsessed with star trek" (2011) 04 leon hunt "danger:diabolik" (2018)

cyclostompf:

01 jean cléder "petite éloge de la course cycliste" (2018)

02 max leonard "higher calling: cycling's obsession with mountains" (2018) 03 colin o'brien "giro d'italia: the story of the world's most beautiful bike race" (2018) 04 velominati "wielergoden: de meest heldhaftige renners ooit 38 heroïsche verhalen” (2018) 05 william fotheringham "sunday in hell" (2018)

06 jonas heyerick (ed) "bahamontes" (magazine) o.a. extra editie de giro (2018) 07 jorge zepeda patterson "zwarte trui" (2018) 08 dirk jan roeleven "de nieuwe fiets: villar san constanzo - a'dam" (2018) 09 frederik baeckelandt "gino bartali (les héros 03)" (2018) 10 chris sidwells "the call of the road: the history of cycle road racing" (2018)

10 john dowie "the freewheeling john dowie: a comedian, a bike, & a tent, what could possibly go right?" (2018) 12 edward pickering "the ronde: inside the tour of flanders, the world's toughest bike race" (2018) 13 charles pope "a golden age of cycling" (2018) 14 roger gilles "women on the move: the forgotten era of women's bicycle racing" (2018) 15 peter cossins "the first tour de france: 60 cyclists & 19 days of daring on the road to paris" (2017)

16 paul maunder "the wind at my back: my cycling life" (2018) + paul maunder "rainbows in the mud" (2017) 17 giacomo pellizzari "het geheim van de eenzame fietser" [2015] (2017) 18 dries de zaeytijd & fons leroy "25 jaar kweekvijver van koerstalent" (2018) 19 peter sagan "my world" (2018) 20 bradley wiggins "icons: my inspiration, my motivation, my obsession" (2018)

most pleasing purchases:

01 jayne county "man enough to be a woman" (1996)

02 berns, moyaert, & van tongeren (eds) "de god van denkers en dichters: opstellen voor samuel ijsseling" (1997)

03 anselm kiefer "l'art survivra à ses ruines: anselm kiefer au collège de france" (2011) 04 ludger lütkehaus "'ruhe. grösse, sonnenlicht': friedrich nietzsche in sils-maria" (2014) 05 paul raabe "spaziergange durch nietzsches sils-marie" (1994)

… tsundoku !

may your home be safe from tigers, leroy, x HNY!

find me on LT:

TBR... PILING UP ...

postcyberpunkstompf:

adam roberts "adam (the aftermath 02)" (2018) eric brown "the martian simulacra: a sherlock holmes mystery" (2018) gary gibson "scienceville & other worlds" (2018) greg egan "phoresis" (2018) ian mcdonald "time was" (2018) ian whates & tom hunter (eds) "2001: an odyssey in words: celebrating the centenary of arthur c clarke's birth" james lovegrove "firefly: big damn hero" (2018) james patrick kelly "the promise of space & other stories" (2018)

jeff noon "a man of shadows" (2017) + jeff noon "the body library" (2018) kevin j anderson "selected stories: science fiction vol I" (2018) rich larson "tomorrow factory: collected fiction" (2018) seb doubinsky "missing signal" (2018) stephen baxter "redemption" (2018) + stephen baxter "xelee: vengeance" (2018) steve erikson "rejoice" (2018) tom schweterlitsch "the gone world" (2018) & maybe, just maybe: jay key "how to pick up women with a drunk space ninja" (2018) + jay key "how to win a pit fight with a drunk space ninja" (2018)

polarstompf:

dario correnti "heimwee naar bloed" (2018) giancarlo de cataldo "suburra" (2017) matthew pearl "the dante chamber" (2018) victor del árbol "a million drops" (2018) zygmunt miloszewski "priceless" [2013] (2018)

#2018 #rewind #reading #lecture #librarything

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zoominag · 2 years ago

Text

1800-1849

This is part of a series in which I am posting clips of my larger project by decade as I finish them. For more about this project, or to ask me to include your doll or OC, check out my pinned post.

17th century

1700-1739

1740-1769

1770-1799

1800s

Charlotte Finch: 85-94 Jane Finch: 83-92 Héloise Cormier: 46-55 Kaya'aton'my: 45-54 Speaking Rain: 45-54 Felicity Merriman: 35-44 Elizabeth Cole: 35-44 Rachel Gabay: 20-29 Abigail Schorr: 20-29 Lydia Livingston: 1-10 Caroline Abbott: 0-8

This is it, as narrow as skirts are going to get for about a century. Everyone was really into looking like Greek and Roman statues, so white dresses in drapey fabrics were the rage for young women. Caroline and Lydia are a little young for that style though. Before I decided to add the Best Friends to the project, I put Lydia's dress in Caroline's collection, but then I did make Lydia and made the green dress her meet outfit. Now that I'm thinking about a redo, I want to give Caroline a completely different dress, maybe that also has those sheer sleeves.

1810s

Charlotte Finch: 95-99 Jane Finch: 93-99 Héloise Cormier: 56-65 Kaya'aton'my: 55-64 Speaking Rain: 55-64 Felicity Merriman: 45-54 Elizabeth Cole: 45-54 Rachel Gabay: 30-39 Abigail Schorr: 30-39 Lydia Livingston: 11-20 Caroline Abbott: 9-18 Clara Montoya: 0-7 Josefina Montoya: 0-5

The switch from wearing their skirts calf-length with visible pantalettes to ankle-length might have been an exciting growing-up moment for Caroline and Lydia. At the same time, the silhouettes are getting less flowy with stiffer fabrics and little puffs on the sleeves. Meanwhile, in New Mexico, I gave Clara styles based on illustrations of Ana and Francisca as well as leftovers from Josefina's collection, and then afterward decided to do a siblings series, so...whoops again, I guess.

1820s

Héloise Cormier: 66-75 Kaya'aton'my: 65-74 Speaking Rain: 65-74 Felicity Merriman: 55-64 Elizabeth Cole: 55-64 Rachel Gabay: 40-49 Abigail Schorr: 40-49 Lydia Livingston: 21-30 Caroline Abbott: 19-28 Clara Montoya: 8-17 Josefina Montoya: 6-15 Hannah Kane: 0-5 Delia Freedman: 0-5 Violette Metoyer: 0-5

The early Regency was all about long, narrow lines, but now the width is coming back, along with growing sleeve puffs and lots of horizontal lines. Frills, lace, and bows are starting to show up on skirts, and hairstyles are starting to get tall again. It's coincidence that @getintothesun's Violette is the same age as my Hannah and Delia, but drawing them together is turning out to be a fun exercise: Hannah and Delia are comparatively plainly-dressed kids, appropriate to their hardworking lives on the Erie Canal, while Violette has a richness in her wardrobe that works with her comfortable life in the Louisiana warmth.

1830s

Héloise Cormier: 76-85 Kaya'aton'my: 75-84 Speaking Rain: 75-84 Felicity Merriman: 65-74 Elizabeth Cole: 65-74 Rachel Gabay: 50-59 Abigail Schorr: 50-59 Lydia Livingston: 31-40 Caroline Abbott: 29-38 Clara Montoya: 18-27 Josefina Montoya: 16-25 Hannah Kane: 6-15 Delia Freedman: 6-15 Violette Metoyer: 6-15 Aoife Callaghan: 0-3

This decade for the first time we have two members of the @autistickirstenlarson extended universe in play! Each of her characters has a strong color palette for their collection: not every outfit incorporates the theme colors, but enough do to feel like the character herself has a preference. For Héloise, the go-to colors are blue and brown. For Aoife it's green and cream.

1840s

Héloise Cormier: 86-95 Kaya'aton'my: 85-94 Speaking Rain: 85-94 Felicity Merriman: 75-84 Elizabeth Cole: 75-84 Rachel Gabay: 60-69 Abigail Schorr: 60-69 Lydia Livingston: 41-50 Caroline Abbott: 39-48 Clara Montoya: 28-37 Josefina Montoya: 26-35 Hannah Kane: 16-25 Delia Freedman: 16-25 Violette Metoyer: 16-25 Aoife Callaghan: 4-13 Cecile Rey: 0-7 Marie-Grace Gardner: 0-7 Kirsten Larson: 0-5 Singing Bird: 0-5 Charlotte Devereux: 0

I struggled a lot with finding accurate, non-exoticizing references for Singing Bird, as I did for Kaya and Speaking Rain. As a result, it feels necessary to include a disclaimer to the effect that this project should not be viewed as an accurate source for Nimiipuu, Salish, or Lakota clothing. Please do not cite me as a reference. While it was easy to find examples of modern-day Nimiipuu , Salish, and Lakota regalia, and there are photos of individual garments from the 18th and 19th centuries on display in museums, it was hard to get a feel for what an outfit might accurately have looked like, without entering into a level of research that would have been way beyond the scope of this project. That said, I do intend to eventually go back and redo the canon characters, so if someone seeing this does have access to and familiarity with good 18th and 19th century Nimiipuu, Salish, and Lakota clothing references, and the time and patience to share it with me, I will absolutely use them in the redo. For now, please know that the probable inaccuracies in my drawings of these characters are not intended as disrespect, and as always I am open to knowledgeable correction.

As always, to get your historical doll or OC included in this project, HERE'S THE LINK. Obviously if your doll is from earlier than the 1840s they'll have to wait for the next round of drawings, but you're welcome to put them in the form.

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cassinixii · 5 years ago

Photo

Title: thunder and lightning, it's getting exciting || Carousel of Horror (group announcement) Published: July 3, 2016 | 6:25am Description:

â˜› Title: lyrics from "You are the only one" by Sergei Lazarev â˜› Tags: #carouselinfo ________________________________ Hello everyone, once again, I am your new mod Telperion, aka @/clarapond. Before I continue, the co-mod position is still available, just pm me and we can talk. ALSO, if you any ideas or suggestions for things you'd like to see in the group, please feel to pm me. I'd love to work with everyone.

Anyway, welcome to Carousel of Horror 2.0. Although the group was originally conceived under the idea of a new storyline/plot line every week or so, I'm assuming based on the format of American Horror Story, I am changing it to one consistent story which will unfold over the course of around 10 contests, each lasting 1 - 2 weeks plus a few extensions as we find necessary.

Luckily, due to the format of the original audition form, no one will need to change anything about their oc's, and fit perfectly well into the plot. (Yes, I read through everyone's auditions, cool characters guys), having said that, if you want to, you can create a new oc, just let me know so that I can free up your face claim for someone else.

Now, for the points, I will not be removing any individual points, since it's unfair to those who did the work and participated, however, there will be new groups, I'll list my recommended sections below, but feel free to pm me if you want to be somewhere else.

I'm considering adding a fifth group, but for now, the groups are: - Unsuspecting Guests - Hunters and Investigators - Supernatural Lodgers - Luxurious Patrons

And I recommend the following: â€ Unsuspecting Guests â€ âœ¦ Total Points: 145 âœ¦ âœ¯ Emily Cooper {Christina Aguilera} || @/jillinchen || 50 âœ¯ Audra Deale {Emilia Clarke} || @/bainidhe || 10 âœ¯ Dream Oswald {Jenna Coleman} || @/hannah-raes || 50 âœ¯ Isabella Park {Emily Rudd} || @/the-forgotten-wolf } || 00 âœ¯ Arthur Norton {Hugh Grant} || @/dunder-mifflin || 00 âœ¯ Michelle Cambers {Britney Spears} || @/sallimander || 35

â˜¼ Hunters and Investigators â˜¼ âœ¦ Total Points: 55 âœ¦ âœ¯ Bellona Latimer {Helena Bonham-Carter} || @/delusionsbybonnie || 45 âœ¯ Christopher Rivers {Dan Stevens} || @/omega-phoenix-force || 00 âœ¯ Mihail Vasilevich Kuryakin {Sebastian Stan} || @/hermionelhoranholmes || 10 âœ¯ âœ¯

â˜½ Supernatural Lodgers â˜¾ âœ¦ Total Points: 80 âœ¦ âœ¯ Cassidy Black {Amber Heard} || @/the-iron-brat || 20 âœ¯ Luna Dante {Crystal Reed} || @/natasha-maree13 || 60 âœ¯ âœ¯ âœ¯

â™” Luxurious Patrons â™” âœ¦ Total Points: 20 âœ¦ âœ¯ Vincent Addison {Sean O'Pry} || @/decoder13 || 10 âœ¯ Andre Duval {The Rock} || @/sakuuya || 10 âœ¯ Oliver Martin {Tom Hiddleston} || @/brofeysons || 00 âœ¯ Sadie Prudence {Marina Diamandis} || @/the-puppeteer-patient-120402 || 00 âœ¯ Dr. Gerard Turner, DDS {Garrett Hedlund} || @/trulydear || 00

I'd like for these members to get back to me, because I really wasn't sure exactly where to place their oc's (of course, everyone can still make changes and etc if they want, just let me know in the comments, or pm me)

- Melinda Malone {Michelle Trachtenburg} || @/carousel1039 || 10 - James Grant {Charlie Cox} || @/voumuio || 00 - Emilia Rogers {Emma Roberts} || @/intergalatic-sparkles || 00 - Olivia Grey {Taylor Swift} || @/brendol || 00 - Anton Prescott {Arthur Gosse} || @/myghostyfriend || 00 - Karen Lei {Estelle Chen} || @/inner-demons-never-win || 10 - Suzy Ashton {Jade Thompson} || @/ezmeerose || 10 - Stella Devereux (@/general-sux, I couldn't find your audition so please send me a link to it, or tag me in it) || 10

And here is where you can find the new plot: http://www.polyvore.com/cgi/set?id=202420360 __________________________________________ Group Members: [removed for tumblr convenience]

#favourite #art set #carousel of horror #2016 #polyvore #cassinixii

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gamcrra · 6 years ago

Note

problematic oc meme + gryffindor characters !!

this is the longest one— not just because most of my characters with you are gryffindors, but precisely because they’re gryffindors.

victoria ashworth.

needs attention like she needs to breathe

loves surprising her significant other with romantic gestures

fights people when they’re pissing her off

gets bored easily

does not take criticism well

changes her hair like every month

she’s ridiculously in love with clary

will spend all her money on traveling

sydney stafford.

ABANDONMENT ISSUES

won’t communicate her feelings

pretends she’s fine when she isn’t

hates admitting she was wrong

“i’m not rich my dad is rich”

wears black clothes exclusively

doesn’t study or do her homework yet she passes all of her classes

SELF DESTRUCTIVE BEHAVIORS

doesn’t see there are people who care about her

oblivious towards anything regarding love

damian devereux.

forgives people even if they hurt him badly

won’t tell people he has issues with them because he doesn’t wanna hurt them

will stay up all night writing

doesn’t acknowledge how talented he actually is

won’t take anyone’s advice about his life because he doesn’t think people can understand the situation from his point of view

can be quite stubborn sometimes

that’s all

he’s not really problematic

clary fairchild.

she’s gay and she won’t admit how gay she is

thinks she’s being subtle when staring at pretty girls

she isn’t subtle.

impulsive is her middle name

thinks she can deal with everything on her own

crying all the time is her aesthetic

forgets how small she is and how there are people stronger than her

won’t hesitate to fight everyone

camille brigham.

loves sports more than she loves most things

rarely cuts her hair even though she knows it’s inconvenient for running but she loves her long curls

TALKS TOO MUCH

doesn’t have any friends except her family

spends most of her time training for her athletic career

smiles all the time, she’s the cutest

doesn’t know how to flirt

falls asleep in front of movies pretty much all the time

caleb sanders.

is a dumbass who won’t ask for help

won’t talk about his feelings

has some self destructive tendencies

won’t admit to himself that people care about him

would rather push people away than let them close to him

because he’s thinking he’s protecting them

is quite hopeless towards the future

won’t give himself a break

phoenix vance.

wont realize she’s being harsh in an argument until after she calmed down

literally says everything that goes through her mind

she feels everything so intensively. when she loves someone, she literally cant stop thinking about them, though there are bad sides where she feels negatively such as anger and sadness.

will fight people over the ones she loves

will throw away her art if it’s not good enough

doesn’t have too many friends

gets too attached to people in a way that she revolves herself around them

which causes her to regret her attachment later when they leave

halcyon bennett.

doesn’t see how unique she is

wants to fit in more than anything

doesn’t believe in her skills

is affected by negative criticism strongly

is insecure about pretty much everything

music is her number one priority in life

hates making mistakes

even though that’s literally how life works

venus andreas.

thinks she’s quite open about her feelings EXCEPT when it’s about her parents’ divorce

will literally be pissed if someone brings that up

doesn’t like telling people she’s an artist because they always attempt to tell her she can’t survive on that

hates going back to her hometown because she doesn’t want to go back to her past

has no issues displaying her emotions in her art

doesn’t believe in astrology but still reads her horoscope

blasts music around the apartment all the time, forgetting she has neighbors

will spend the little money she has if she stumbles upon a present her girlfriend would appreciate

zara walters.

the notes in her phone are mostly consisted of movie ideas

doesn’t feel like herself unless she has two or three projects happening at the same time

has too much determination and will deny how exhausted she is

is confident in most aspects of her life except her love life

is quite clumsy but won’t admit that

has an obsession with colorful and patterned shirts

is the nicest person there is except when people upset her, because then she makes them regret they ever did that by dragging them

still feels bad afterwards though

alaska naess.

won’t admit she’s struggling because she doesn’t want to worry people

would rather let everyone hate her than tell the truth to people about her brother

doesn’t fights her teammates for the shit they say about her

highly doubts she’s worth being loved

particularly doesn’t think she deserves her girlfriend

won’t speak to her parents about her struggles even though she should

has stopped talking to all her friends after something happened, even the ones who cared about her

wants to move away and leave her life behind

serena rowland.

gives people more chances than they deserve

doesn’t see how badly people treat her when she’s in love

forgives even when she doesn’t have to

takes a really long time to move on from someone

will set her life aside to protect the ones she loves

will fight anyone who dares touch her loved ones

used to let people’s opinions influence the way she views herself

has her priorities in the wrong order when she loves someone

rose hathaway.

has quite a temper

gets in trouble all the time

doesn’t listen to authority figures

only listens to herself in general

is the most stubborn person there is

is too fucking proud

would rather die than admit she was wrong

jumps head first into a fight because she’s confident

clary fairchild. ( youtuber )

will do the dumbest challenges to have fun with her friends

can’t hide what she thinks about anything

will use her sexuality to justify everything

“move i’m gay”

references memes in real life

embarrasses herself all the time but she doesn’t care

collects hate comments and responds to them in a video while being in savage mode

will fight someone over them making fun of her height

maia roberts.

doesn’t think twice before she acts when she’s upset

calls people out on their shit

is quite judgmental™

takes independence to a new level

is quite forgiving, unless the person fucked up badly

because then she doesn’t forgive at all

wouldn’t label herself as sentimental but appreciates sentimental conversations

has trouble making friends because she thinks she’s fine on her own

theodora rhodes.

is a nerd and isn’t hiding that

will literally stay quiet until she feels comfortable around you and then she won’t stop talking

thinks she’s smarter than everyone (i mean she is but a little humility wouldn’t hurt)

owns like a million books

won’t label herself as rich even though she kind of is

has too much of a competitive side

isolates herself from everyone when she’s hurt

socializes with every dog she sees

kennedy dominguez.

has strong trust issues

has even worse abandonment issues

ISSUES RELATING TO PEOPLE IN GENERAL

legit thinks she’s allergic to love

has a million tattoos and wants more

has already tattooed herself and regretted that

has some dumb tattoos but doesn’t care because at this point you can only see them if you really pay attention

doesn’t think she has issues (she does)

sammi thomas.

has too much energy

constantly forgets the world doesn’t revolve around her

gets attached too easily

has crushes every week

hates when there’s a fight between her friends because she wants everyone to be there for each other

doesn’t react well to change

forgets to listen to others sometimes but she doesn’t do that on purpose, she’s just too caught up in her life

is personally offended if someone doesn’t like her

denver raval.

“i can’t hang out” takes an extra shift to work

is really careful about spending money because he’d rather save money

except when hannah’s involved because he will pay for everything

becomes a different person when he’s talking to his dad because he doesn’t want him to be part of his life anymore

had relationships in the past but they all ended because he was more dedicated to his career rather than his significant other

but that’s because none of them were the right one!

feels really guilty when lying to someone

which means he’s honest all the time, sometimes to the point of being harsh

cassidy hyland.

has a lot of self esteem issues

is insecure about her skills

tends to make decisions based on those insecure thoughts

will give genuine compliments to people but won’t believe when people compliment her

spends all her money on make up and clothes

has let friendships end because she couldn’t bring herself to tell them the truth about why she acted that way

takes months to trust someone

will make you think you know her when you know nothing

sinead suess.

gets angry easily

says things she doesn’t mean when she gets mad

because of that, she has an endless list of regrets

won’t admit that she’s wrong because of how proud she is

isn’t on good terms with her siblings

cries when she’s frustrated or annoyed

has difficulties socializing and making friends

won’t admit that she’s a hopeless romantic

clary fairchild. ( college )

probably the gayest out of all the clary’s

will immediately shut down people who judge her for being an art major

doesn’t know how to act around pretty girls

which explains why her only friend is simon

plans on making art her career

doesn’t know how to keep a relationship

isolates herself and draws whenever she encounters any strong emotion

i’ve already said that but she’s a gay mess

katherine steele.

her dating life is a mess

rarely settles with someone for longer than two weeks

when she’s in a long term relationship she feels like she’s missing out on other opportunities

what’s that sound? oh right, that’s commitment issues!

has never had her heart broken because she’s the one who leaves first all the time

bases her opinion on her first impression and doesn’t bother knowing the person afterwards if that first opinion isn’t interesting

she’s bad at friendships because she doesn’t realize when people like her for who she is or for her money

tends to talk about herself a lot but she doesn’t do that on purpose

sutton thorne.

she’s emotional and sensitive

forgives people who hurt her badly without a second thought

won’t have a negative opinion of someone she still loves even if they hurt her

isolates herself instead of talking about her issues

won’t reveal secrets of her past to people who weren’t there at the time because she’s afraid of how they’ll react

would rather listen to her anxiety than the logical part of her brain

great at pretending she’s fine when she isn’t

is awful at making friends because she doesn’t trust people

#answered.#lucasdelcs

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las-microfisuras · 7 years ago

Photo

Hannah Deveraux

https://www.coeval-magazine.com/coeval/2015/4/29/hannah-devereux

#hannah deveraux #art

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exitpursuedbyasloth · 7 years ago

Text

Breakdown of Recurring Supernatural Characters

Recurring= two or more episodes

BOLD = alive

ITALICS = dead

Characters that have had multiple vessels are included in all their categories (Hannah is in both White/PoC and Male/Female, as she’s had a white female vessel, and a Middle-Eastern male vessel). This does not include characters like Castiel and Crowley who spend the majority of time in one vessel, only temporarily inhabiting another.

Recurring PoC Characters: (7.7% survival rate)

Gordon

Victor Hendrickson

Raphael 1.0

Raphael 2.0

Uriel

Rufus

Kevin Tran

Linda Tran

Channing

Edgar (Leviathan)

Susan (Leviathan)

Alpha Vampire

Jake Talley (Special Children)

Gadreel

Hannah 2.0

Gerald (Demon Pimp/Rapist)

Billie the Reaper

Max Banes

Alicia Banes

Dagon

Joshua 1.0

Kelvin

Simmons (demon lady)

Rick Sanchez (President Notobama’s Secret Service Guy)

Paige

Missouri Mosley

Recurring White Characters: (26.7% survival rate)

1. Dean Winchester

2. Sam Winchester

3. John Winchester

4. Mary Winchester

5. Henry Winchester

6. Bobby Singer

7. Karen Singer

8. Jess

9. Castiel

10. Gabriel

11. Balthazar

12. Rachel

13. Metatron

14. Samandriel

15. Zachariah

16. Naomi

17. Bartholomew

18. Bela Talbot

19. Human!Meg Masters

20. Meg 1.0

21. Meg 2.0

22. Ruby 1.0

23. Ruby 2.0

24. Charlie

25. Lilith

26. Crowley

27. Lucifer

28. Benny

29. Samuel Campbell

30. Gwen Campbell

31. Christian Campbell

32. Mark Campbell

33. Dick Roman

34. Amelia

35. Lisa

36. Ben

37. Sarah Blake

38. Jodi Mills

39. Abaddon

40. Adam

41. Alastair

42. Azazel

43. Anna

44. Jo Harvelle

45. Ellen Harvelle

46. Garth

47. Ash

48. Pamela Barnes

49. Kubrick (Jesus Hunter Guy)

50. Martin (Hunter killed by Benny)

51. Special Agent Carl Reidy

52. Krissy Chambers

53. Harry Spangler (Ghostfacer!)

54. Ed Zeddmore (Ghostfacer!)

55. Tessa

56. Eve

57. Andy (Special Children)

58. Ava (Special Children)

59. Lenore

60. Pestilence

61. Dr. Visyak

62. Hannah

63. Gavin MacLeod

64. Death

65. Cain

66. Chuck

67. Becky

68. Claire Novak

69. Alex

70. Donna

71. Rowena

72. Dar

73. Adina

74. Kate

75. Cole

76. Ronald Reznick

77. Lester

78. Guthrie (Crowley’s Beardy Demon Friend)

79. Frank Devereux

80. Chet (Leviathan)

81. Dr. Gaines (Leviathan)

82. Daniel Elkins

83. Cuthbert Sinclair

84. Jonah

85. Efram

86. Ingrid

87. Monroe Styne

88. Eldon Styne

89. Eli Styne

90. Amara

91. Detective Madsen

92. Donatello Redfield

93. Mick Davies

94. Kelly Kline

95. Toni

96. Ketch

97. Deputy Jenna

98. Vince Vincente

99. Eileen

100. Wally

101. Aaron Bass

102. Tommy

103. Mrs. Hess

104. Walt

105. Roy

106. Joshua 2.0

107. Jack Satan

Recurring Male Characters: (21.8% survival rate)

1. Gordon

2. Victor Hendrickson

3. Raphael 1.0

4. Uriel

5. Rufus

6. Kevin Tran

7. Edgar (Leviathan)

8. Alpha Vampire

9. Jake Talley (Special Children)

10. Dean Winchester

11. Sam Winchester

12. John Winchester

13. Henry Winchester

14. Bobby Singer

15. Castiel

16. Gabriel

17. Balthazar

18. Metatron

19. Samandriel

20. Zachariah

21. Hannah 2.0

22. Crowley

23. Lucifer

24. Benny

25. Samuel Campbell

26. Christian Campbell

27. Mark Campbell

28. Dick Roman

29. Ben

30. Adam

31. Alastair

32. Azazel

33. Garth

34. Ash

35. Kubrick (Jesus Hunter Guy)

36. Martin (Hunter killed by Benny)

37. Harry Spangler (Ghostfacer!)

38. Ed Zeddmore (Ghostfacer!)

39. Andy (Special Children)

40. Gadreel

41. Gavin MacLeod

42. Pestilence

43. Death

44. Chuck

45. Cole

46. Ronald Reznick

47. Lester

48. Guthrie (Crowley’s Beardy Demon Friend)

49. Frank Devereux

50. Chet (Leviathan)

51. Dr. Gaines (Leviathan)

52. Daniel Elkins

53. Gerald (Demon Pimp/Rapist)

54. Max Banes

55. Joshua 1.0

56. Joshua 2.0

57. Kelvin

58. Rick Sanchez

59. Aaron Bass

60. Tommy

61. Monroe Styne

62. Eldon Styne

63. Eli Styne

64. Cuthbert Sinclair

65. Jonah

66. Efram

67. Wally

68. Mick Davies

69. Ketch

70. Donatello Redfield

71. Vince Vincente

72. Detective Madsen

73. Special Agent Carl Reidy

74. Bartholomew

75. Cain

76. Walt

77. Roy

78. Jack Satan

Recurring Female Characters (23.6% survival rate):

1. Raphael 2.0

2. Linda Tran

3. Channing

4. Susan (Leviathan)

5. Missouri Mosley

6. Mary Winchester

7. Karen Singer

8. Jess

9. Rachel

10. Naomi

11. Bela Talbot

12. Human!Meg Masters

13. Meg 1.0

14. Meg 2.0

15. Ruby 1.0

16. Ruby 2.0

17. Charlie

18. Lilith

19. Gwen Campbell

20. Amelia

21. Lisa

22. Sarah Blake

23. Jodi Mills

24. Abaddon

25. Anna

26. Jo Harvelle

27. Ellen Harvelle

28. Pamela Barnes

29. Krissy Chambers

30. Tessa

31. Eve

32. Ava (Special Children)

33. Lenore

34. Dr. Visyak

35. Hannah

36. Becky

37. Claire Novak

38. Alex

39. Donna

40. Rowena

41. Dar

42. Adina

43. Kate

44. Billie the Reaper

45. Alicia Banes

46. Dagon

47. Simmons (demon lady)

48. Toni

49. Deputy Jenna

50. Eileen

51. Kelly Kline

52. Amara

53. Ingrid

54. Paige

55. Mrs. Hess

#Trashnatural #Reference #Recurring Characters

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deeisace · 3 years ago

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So I’ve looked up people called Parker

in line with my Sophie Devereux post last night

there were more people called “Parker Parker” than I thought there might be - most of them appear to be farmer’s daughters - but this listing made me laugh

[ID: part of a 1871 census for England, showing the head of the household is 72 year old Hannah Tiller, and her lodger, 25 year old Parker. Parker is a woman, age 25 and of unknown occupation and birthplace. There appears to be a blank space left for her first name, though ‘Parker’ is written further over than ‘Tiller’ above, so perhaps this is not the case, and she simply has one name /End ID]

#research #we just don't know anything about her #haha #alright lets see how many alec hardisons i can find now #ooh i could look in america too

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ocioenlinea · 6 years ago

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Videosalas del 11 al 17 de enero de 2019

VIDEOSALA DEL EX CONVENTO DEL CARMEN Avenida Juárez 638, entre Pavo y 8 de Julio. T/3030-1350 Boletos: $25 general; $15 estudiantes y maestros con credencial. COMEDIA BANANAS D: Woody Allen Con Woody Allen, Louise Lasser, Carlos Montalbán Estados Unidos, 1971. d: 82 min. Fielding Mellish es un torpe y tímido catador de productos que, abandonado por su novia, la sensual y atractiva Nancy, decide tomar unas vacaciones y pasarlas en la pequeña República de San Marcos. Pero lo único que consigue es verse envuelto en un sinfín de líos burocráticos en un país dominado por la guerrilla. Viernes 11, 16:00, 18:00 y 20:00 h

ACCION EL SATÁNICO DR. NO D: Terence Young Con Sean Connery, Ursula Andress, Jack Lord Estados Unidos, 1962. d: 111 min. James Bond llega a Jamaica con la misión de investigar los asesinatos de un agente especial británico y su secretaria. Pero, al mismo tiempo, descubre la existencia de una siniestra organización en la isla Crab Key. En esta ocasión, su enemigo es el Doctor No, que, con la ayuda del profesor Dent, se propone a desviar la trayectoria de los cohetes de Cabo Cañaveral. Sábado 12 y domingo 13, 16:00, 18:00 y 20:00 h DRAMA EL ÁNGEL AZUL D: Josef von Sternberg Con Marlene Dietrich, Emil Jannings, Kurt Gerron Alemania, 1930. d: 109 min. Adaptación cinematográfica de la novela “Profesor Unrat” de Heinrich Mann. Narra la tragedia de un severo profesor que una noche va a “El Ángel Azul”, un cabaret de mala fama, para llevarse de allí a sus alumnos, que acuden al local seducidos por los encantos de la cantante Lola-Lola (Dietrich). Sin embargo, el profesor Rath, un solterón de 50 años, acaba cayendo en las redes de la cabaretera. Martes 15, 16:00, 18:00 y 20:00 h DRAMA PARÍS BAJOS FONDOS D: Jacques Becker Con Simone Signoret, Serge Reggiani, Claude Dauphin Francia, 1952. d: 96 min. París, 1900. Marie, una bella prostituta, es la amante de uno de los hombres de la banda de Felix; pero, sorprendentemente, acabará encontrando el verdadero amor en un sencillo carpintero. Su amante, celoso, lo provoca, y ambos se enzarzan en una terrible pelea. Miércoles 16, 16:00, 18:00 y 20:00 h DRAMA BUDA EXPLOTÓ POR VERGUENZA D: Hana Makhmalbaf Con Nikbakht Noruz, Abdolali Hoseinali, Abbas Alijome Irán, 2007. d: 81 min. Bajo la estatua del Buda que destruyeron los talibanes, aún viven miles de familias. Baktay, una niña afgana de seis años, es incitada a ir a la escuela por el hijo de sus vecinos que lee los alfabetos frente a su cueva. De camino a la escuela, es acosada por unos niños que juegan de forma cruel reflejando la sociedad tan violenta que los envuelve. Los niños pretenden lapidar a Baktay, o destruirla como el Buda. Jueves 17, 16:00, 18:00 y 20:00 h

VIDEOSALA CAAV Lerdo de Tejada 2071, entre Marsella y Chapultepec. T/3615-8470. Entrada libre. DRAMA A PLENO SOL D: René Clément Con Alain Delon, Maurice Ronet, Billy Kearns Francia, 1960. d: 115 min. Tom Ripley, un cazafortunas, es enviado a Europa por el señor Greenleaf para buscar a su hijo Philip, un playboy mimado, y llevarlo de vuelta a los Estados Unidos. A cambio recibirá 5,000 dólares. Philip engaña a Tom fingiendo que está decidido a volver, pero no tiene ninguna intención de dejar a su prometida ni de cumplir los deseos de su padre. Viernes 11, 16:00 y 18:00 h DRAMA EL TOQUE THE TOUCH D: Ingmar Bergman Con Bibi Andersson, Elliott Gould, Max von Sydow Estados Unidos, 1971. d: 113 min. Drama sobre las relaciones conyugales. El matrimonio de Karin (Bibi Andersson) y Andreas (Max von Sydow) es satisfactorio, pero carece de estímulos. Quizá por eso, cuando Karin conoce a David (Elliot Gould), un arqueólogo cuya vida transcurre entre viajes y aventuras, empieza a albergar sentimientos contradictorios. Sábado 12 y domingo 13, 16:00 y 18:00 h DRAMA DOLOROSA INDIFERENCIA D: Aleksandr Sokurov Con Ramaz Chkhikvadze, Irina Sokolova, Vladimir Zamansky URSS, 1987. d: 92 min. A la mansión del excéntrico capitán Shotover llega una comitiva de extravagantes personajes, entre los que están Ellie Dunn y su prometido, el Jefe Mangan. A la amenaza de una guerra inminente se unen los escarceos amorosos, los pantagruélicos banquetes, muertes súbitas, autopsias y resurrecciones. Lunes 14, 16:00 y 18:00 h DRAMA EL AZAR HACE BIEN LAS COSAS D: Lorenzo Gabriele Con Jean-Claude Brialy, Sabine Haudepin, Antonio Interlandi Francia, Suiza, 2002. d: 89 min. El profesor Jean-Pierre es un intelectual que lleva una vida tranquila. Hasta que recibe una carta del Gobierno, ordenándole que sea el tutor de un niño problemático, Antoine. Mientras piensa en alguna forma de huir de la responsabilidad, se envuelve cada vez más con el muchachito, tomando decisiones importantes para su propia vida. Martes 15 y miércoles 16, 16:00, 18:00 y 20:00 h OPERA ROBERTO DEVEREUX Con Mariella Devia, Gregory Kunde, Silvia Tro Santafé Conductor: Bruno Campanella Orchestra and Chorus of the Teatro Real de Madrid, 2016. d: 137 min. Roberto Devereux, conde de Essex. Ha cometido graves delitos, pero la reina Isabel, que está enamorada de él pero que ignora que él lo está de la duquesa Sara, se debate entre perdonarlo o no. La reina Isabel I de Inglaterra, ya madura, se enamoró del conde de Essex, lo que le llevará a su ruina. Duque de Nottingham. Es amigo y valedor de Roberto hasta que descubre que su esposa y él están enamorados. Jueves 17, 16:00 h

MUSEO DE ARTE DE ZAPOPAN (MAZ). Andador 20 de Noviembre 166, Centro. Entrada gratis. DOCUMENTAL HOMO SAPIENS Di: Nikolaus Geyrhalter Austria, 2016. d: 94 min. Homo Sapiens es una película que trata sobre las fragilidades y las limitaciones de la existencia humana y el final de la era industrial; lo que significa ser un ser humano. ¿Qué quedará de nosotros cuando nos hayamos muerto? Espacios vacíos, ruinas, ciudades con cada vez más y más vegetación, asfaltos despedazados; los lugares que habitamos ahora (pero de donde ha desaparecido la humanidad) están abandonados, en decadencia y reclamados de a poco por la naturaleza luego de haber sido sacados de ella hace mucho tiempo. Homo sapiens es una oda a la humanidad vista desde un escenario futuro posible. Tiene la intención de afilar nuestra visión sobre nuestra actualidad y desarrollar una conciencia sobre el presente Jueves 17 de enero, 20:00 h

CINEFORO UDEG. Av. Juárez esq. Enrique Díaz de León, piso -1. T/3826-7297. Boleto: $45 general; $30 miércoles general y universitarios con credencial. www.cineforo.udg.mx DRAMA EL INFILTRADO DEL KKKLAN D: SPIKE LEE Estados Unidos, 2018. d: 120 min. En los Estados Unidos de los años 70, Ron Stallworth se convierte en el primer detective afroamericano del departamento de policía de una ciudad en Colorado. Cuando una misión lo lleva a infiltrarse en el Ku Klux Klan, será ayudado por Flip, uno de sus colegas, quien se hace pasar por él en las reuniones de la organización. Con el hilarante y fustigador estilo que ha caracterizado su obra, el más reciente largometraje del veterano cineasta Spike Lee ofrece un inquebrantable examen a la realidad de las relaciones raciales en su país. Basada en una historia real, la película resulta una fábula que hila drama policiaco, comedia, sarcasmo y un manifiesto político contra el racismo en la actualidad Viernes 11 y sábado 12, 15:40, 18:00, 20:20 h DRAMA HANNAH D: Andrea Pallaoro. País Italia-Francia-Bélgica, 2017. d: 120 min. Hannah tiende a depender de todo el mundo mientras vive sus días bajo una rutina monótona. Cuando su esposo ingresa a prisión, se verá obligada a luchar contra su propio ser. La soberbia interpretación de la actriz Charlotte Rampling guía el segundo largometraje del italiano Andrea Pallaoro, el cual se define como un retrato íntimo sobre la pérdida de identidad de una mujer que oscila entre la negación y la realidad. A través de una narrativa contemplativa que explora la personalidad fracturada y la pérdida de autocontrol de Hannah, la película reflexiona sobre la alienación social Domingo 13 y lunes 14, 16:00, 18:00, 20:00 h DRAMA BUSCANDO A INGMAR BERGMAN D: Margarethe von Trotta, con Felix Moeller y Bettina Böhler País Alemania-Francia, 2018. d: 120 min. El primer ejercicio de no-ficción de la actriz y directora Margarethe von Trotta es un acercamiento a la vida y obra del prominente director sueco Ingmar Bergman, cuyo quehacer artístico fue ampliamente alabado por la crítica internacional debido a su osadía discursiva y a la constante innovación formal que produjo a lo largo de una filmografía integrada por más de 70 títulos. Martes 15 y miércoles 16, 16:00, 18:00, 20:00 h DRAMA EL LIBRO DE LAS IMÁGENES D: Jean-Luc Godard. Suiza, 2018. d: 120 min. ¿Aún recuerdas cómo solíamos entrenar nuestro pensamiento? Casi siempre comenzábamos a partir de un sueño. Nos preguntábamos cómo pueden surgir en nosotros colores tan intensos en la oscuridad. No hay más que silencio. Nada excepto una canción revolucionaria. Con este tipo de reflexiones filosóficas se hilvana el más reciente largometraje de Jean-Luc Godard. Jueves 17, 16:00, 18:00, 20:00 h

No.1113. 110119

#ocio en linea #milenio diario jalisco #cine #videosalas

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