#HIS SWAGGER

[teddybearty]

GUYS I’VE SEEN EIJI’S ANIMATIONS FROM THE TRIBE NINE BETA!!!

I AM A DIFFERENT WOMAN!!!! 💕💕💕

[floofyhobbit]

@gloomth-and-wanderings

white day mafuyu

[yooo-lets-go]

there’s a new polish operator in mw3 (swagger), u seen him yet? 👀

He’s got that Polish boy swagger

[tired-all-the-time22]

I have brought many Danny but after a long night of no sleep working on the animatic I bring you all two (2) Dash expressions I am proud of 😌😌

[guardian-angle22]

911: Lone Star | 5.02 -> Carlos stopping by the 126

[elventhespian]

So like... it's a Thing in all fandoms where fans sort of latch onto fanon versions of characters and their dynamics with each other that are actually completely off-base, right? I don't know if this phenomenon has an official name, but I've seen it so many times and it's fascinated me every time. Especially when a character's popular fanon selves don't end up just diluted from their source material, but straight up OPPOSITE their canon portrayal.

So one of my "favorite" variations on this was how the early PotC fandom used to get Will EXTREMELY wrong, especially in comparison to Jack, and it made finding in-character fics SO. DAMN. DIFFICULT.

I've talked about this MULTIPLE times before, as have several other fans. It's a dead horse being beaten. But basically certain prevalent takes on fanon!Will have in the past leaned towards a personality that was very patient and grounded and even demure to contrast against Jack's off-beat personality and Elizabeth's fiery rebelliousness. Because Elizabeth has the drive to push back against social norms, Will became the foil who fell back to his pre-pirate version, reluctant to break rules unless she pulled him into it, even in post-CotBP timelines. Likewise, Jack was the one with the WTF decision making, while Will was more rooted in reasonable decisions.

And by their appearances, archetypes, and certain elements of their world views, you'd THINK that's how it works. When we meet Will in the governor's foyer, Will is so lovestruck and doe-eyed and subservient to the governor, I think that people thought that's just Who He Is. Especially because he often acts as Jack's straight-man foil in the comedic elements. Straight-laced. Rigid. Even boring or timid.

But if you actually pay attention to the movies, it's very much the opposite. In canon, Jack's USUALLY the level-headed one who just happens to have chaos follow him, because of the way he can wield it. He thinks in long run, tries to solve problems with words and as little fighting as possible as often as he can. Ideal situations for Jack are more like a thief--he wants to be in and out of the job as silently and slick as possible. The scenarios he's in are insane, because the way he throws other people around with those scenarios is kind of insane, but he himself remains largely cool and collected.

That's Jack.

THIS is Will:

Canon!Will starts out literally so impulsive and rash, Jack has to physically manhandle him at certain points to keep him from blowing up his plans--and then still gets taken out because he underestimates his listening skills and impatience. Will corners Jack into what is functionally a cage match to the death by sanely locking the door with his sword and very nearly wins. He is constantly at 11, constantly demanding things be done faster, more directly, and at the same time quietly scheming behind Jack's back almost from the get-go. He does flashy jumps and flips off of things because using the stairs is too slow or whatever. He shows up in DMC yelling at Jack to give him his compass at the point of the sword, and insisting he'll get Davy Jones' key by just "cutting down everyone in his path."

Even when Will mellows out significantly in AWE, there are remnants of this contrast still there. Jack's plan for leading Beckett to Shipwreck Cove seems to have been a very reasonable and underhanded effort to deliberately make sure Elizabeth is inside the Cove while Will is on Beckett's ship, in command of the Compass. Meanwhile Will's plan was to leave a breadcrumb trail of vulture-sea gulls feasting on dead soldiers' corpses.

What I'm getting at is, yeah, Jack's a charismatic "rogue" and Will's a "romantic hero" TECHNICALLY. Jack makes quippy jokes, and Will glares and scowls and WTFs back. But not only are they are both more alike than people give them credit for, they are also totally opposite their roles' traditional personalities in ways that the fandom tends to overlook.

TLDR; Jack's crazy, Will's a sweetheart. But Will is also a manic gremlin, and Jack doesn't always know what to do with him about it, so they often end up something like this:

And more fans need to play with this fact, the end.

[storge]

a life for a life.... Sacrifice oneself for love...

The Double (2024) 1.09

[riverthebooknerd]

okay but in aziraphale's defense, i would also 100% fall in love with crowley, agent of hell or not

LOOK AT HIM

[clavelydrops]

flirt with your bully as a joke just to messing him, nothing can go wrong! (spoiler, yes it can).

[spicyboelives]

Shout out to the costume department this guys been wearing the same outfit for 200 years but its hidden under grime and a tattered leather- I WILL READ INTO THAT SOOO MUCH thank u.

[kimquatz]

me as a 10 year old trying hard not to be obvious: i don't think shadow's cool. i don't think shadow is cool. i don't th

me as a 27 year old seeing shadow: mannn this guy is sick as FUCKKK

[valkyrieon]

By all the watching gods... that's Halsin!

[chirrups]

I feel like I have nothing to ask, I simply would love to hear more about them fucked up mermaid and murderer

And I would absolutely love to tell you about them, Tin.

This AU takes place somewhere vaguely in the Pacific Northwest (circa. 1970s-80s) in an isolated fishing town along a storm-wracked coast.

Fisheries in and around the bay have collapsed due to extreme winter weather patterns + overfishing + an oil spill from a tanker run aground down the coast, leaving most of the bay's inhabitants to live pretty much hand-to-mouth off contaminated fish in recent years.

get ready for LORE (and more drawings but mostly the LORE)

general warning: this is pretty long

The "story" as it were, kicks off when Gem finally gets fed up with another fisherman in the area, Grian, over continued conflict about ownership of fishing grounds in the mouth of the bay.

She orchestrates his death (with the eager assistance of Scott and Impulse) out at sea and passes off his death as a tragic accident in the winter swells with her being the unfortunate finder of his remains.

And it works.

See the thing is: Gem has a history of causing disappearances. It started with some accidents with out-of-town poachers. She would chase these people off and one or two would just slip overboard and happen to drown. It wasn’t her fault and besides they deserve it. But things start to escalate from there. Poachers become outsiders become fellow townspeople. Grian is someone Gem’s known for years, whose friends are tangentially her friends or acquaintances. His death is a cold-blooded murder driven by hatred and frustration. This time something is different about what she's done and Gem knows it.

But Gem is a reputable and well-known person. Her prices are fair, she drives poachers out of the bay and maintains order around the pragmatic fishing ground policy that undoubtedly helps everyone to survive.

She is the type of person to look to for guidance when things get hard because she can make those hard choices. So how on earth could it be her fault?

No one is wiser until Grian's funeral brings an old friend into town who is more than a little suspicious about the circumstances of his death.

Scar was one of Grian's crewmates when they did trawling much further south. They split when Scar took up (illegal) whaling and Grian moved into the bay.

As an outsider, Scar isn't so swayed by the goodwill the town has around Gem's name. He's no detective but for the sake of an old friend, he might as well try.

In this AU, mermaids are social mammals part of the Hominidae family that went back into the ocean similar to Cetaceans. They live in matrilineal family groups or in any other female-led organization of pods and have a very "survival-oriented" global culture (with regional variation).

Pearl is a lone mermaid whose pod lived in the bay until they were starved out by the collapsing fisheries. PNW mermaids are more territorial than other ecotypes and value strength over anything else. Pearl's inability (read: unwillingness) to oust other pods for better fishing grounds and the loss of one of her pod members summarily lead the other two to abandon her.

Without a pod to help her, hunting enough in her dwindling territory has been difficult and lonely, leading her to slowly starve just as the humans in the bay have begun to.

She took to trailing fishing boats to steal from their catch, which is how she met Gem who was mid-throwing some unfortunate soul overboard.

They have an interesting relationship.

Gem is enamored with Pearl at the halfway point between a person and a large apex predator. She loves the way Pearl needs her to live and the way Pearl, as a social creature with no pod, craves her attention. It's thrilling to have a predator at her beck and call like this and, in turn, to be so desperately needed. She also loves the way Pearl doesn't look at her like she's dangerous (the way Scott and Impulse have begun to when they think she doesn't see them). Her interest in Pearl seems to be leaching into something more than just wildlife admiration. She's begun to learn the mermaid language just to talk to her. For what? Who really knows. Meanwhile, Pearl is hungry enough to eat just about anything Gem throws her (including human bodies) and desperate enough that she lets Gem get much closer than many humans in this area have ever been to a mermaid. (They even touch, scandalous for mermaids.)

It's skewed for sure. From Gem's perspective, they've got something special going on. From Pearl's... not so much.

This being Secret-Life based, you can imagine how this story ends...

Bonus piece: Pearl and her old pod.

IN GENERAL, Biological females are generally larger with a set of rotated tusks protruding from their lower jaw for dominance displays. Biological males are commonly smaller and more agile, with more dexterous hands due to decreased adipose tissue distribution over their bodies. (They actually have 3 biological sexes and tons of social gender variation but that's a talk for another time). Pre-cultural awakening, these pods would form around a biological female and their harem for reproductive purposes. That female would then protect the harem from other females looking to "steal them" or their territories (like horses but reverse-style). In modern times, these pods are often composed of groups of friends/related family members as sort of "platonic life partners" and stealing other pod members is seen as a very archaic sort of thing. Territory stealing, however, is still up for grabs.

[beastlyidiocy]

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.

[jonahmagnus]

He can smell it