#HE MAJORS IN VISUAL DESIGN JUST LIKE ME

[bard-twins]

HELP PLS SOUMA IS TAKING OVER MY LIFE AND ITS NOT HEALTHY. THIS IS ANOTHER ONE OF MY PHASE WHERE IM SO OVERLY INFATUATED BY A 2D FICTIONAL ANIME BOY CHARACTER AND THEY WILL NEVER LEAVE AJSJJSSJ

Im crying… how can he be so cute and cool at the same time 。・゜・(ノД`)・゜・。the duality he yields is making me melt on the floor HMNGFFFF

[zemnarihah]

my graphics teacher is like one of those high school teachers whos always like "this is so important youre gonna use this in college!" except hes like. "youre gonna use this when youre working as a graphic designer!" and today he was like "guys youre all gonna need this next semester when you're in the next level graphic design class!' Except this class is a basic level graphic computer applications class that every single visual arts student has to take regardless of specific major so like. personally i know I will most likely never have to open indesign again after this class is over. And also that i do not have to nor will i elect to take any other graphic design classes for the rest of my major. so i dont think thats true.

[sparrowlucero]

Instead of discourse about showrunners and lesbians and whatever, I'm gonna bring a different type of discourse...whats ur fav and least Dr Whomst monsters. Hard mode: only the practical ones.

ok so I do like all the obvious ones, I like the angels, I like the vashta nerada, I like the not-things, I like the eternals. Here's a few deeper cuts (focusing on the tv show specifically):

they peaked with these maggots. they rock. pretty sure they're made with taxidermy? really great puppetry. I really like this thing:

what a cool design for this kind of forgotten midseason episode.

this is such a fun design for a langolier-type monster. I love how their crest and tail gives them the silhouette of a grim reaper

The 60s cybermen rock. I feel like they're hesitant to use them often in the modern show because they do look very 1960s but I think there's something really uncomfortable and evocative about the cloth faces that's lost when they're cool metallic robots. The mix between looking like an old diving suit and the implication of there being a chopped up person inside is gnarly and I love it. Simple, creepy, iconic design.

My favorite design in the show is probably this:

The 456 from the spinoff series torchwood. They didn't need the puppet to emote or move a ton since it spends the entire season in a little tank obscured in mist, so they just went crazy with the design and made it really bizarre looking. Extremely top tier alien. Anyways, negative. I really don't like this satan. the satan kind of sucks. the impossible planet is great atmospheric sci fi horror; every image of build up in it is haunting and leagues ahead of the climactic scene where he meets the satan. It singlehandedly kind of kills the vibe.

Personally I would have just kept the actual appearance off screen, just have it be eyes in the dark or something. Apparently they also tossed around the idea that it would end up being a normal little girl who was chained up in the cave and I think that would have visually fit the rest of the episode better.

I'm really not big on the modern design for the sea devils (the green one on the right). I think the classic ones clearly took a lot of direct influence from real animals and generally is a pretty thoughtfully realized design, the modern ones seem like they were first and foremost using the classic ones for reference and didn't quite capture the nuance of the design. Sad, as I would really like to see design for these guys with modern puppetry.

I think this is actually a pretty contentious opinion but the work of the specific studio who headed this redesign generally wasn't my favorite. Apparently there was some sort of major, semi public falling out between the fx studio that had been working on the show since 2005 and the people who started running the show in 2018, and they were briefly replaced with a much less experienced studio. No hate to them of course (I think this was actually their first job like, ever, and a lot of the work was done in crunch time?) but the difference did stand out to me:

[vrronica-sawyer]

Polygun but it’s how they all see each other

i always really like in books with different narrators when how a character looks itself is unreliable narration bc they describe themself differently compared to how the other pov characters see them, and the dungeon meshi shapeshifter chart scratched that itch for me art wise and I got inspired ✨

To be more specific this is what they each picture when they think of each person 👉👈

Details under cut!!

Meryl clothing details aside because I think she’s just short and the boys aren’t looking at her traveling clothes too hard (and vash clearly likes making his own clothes with how much his overly intricate jacket design changes so ofc his version of her outfit just looks like another one of his designs 🙄) all of the clothes are based on specific parts of the manga!

A big thing with these designs was taking moments that were important regarding each characters relationship with the pov character and adding in visual nods to that to show what memories stuck with them to shape their image of that person.

The clearest example of this is everyone thinking of a different Vash coat, for Wolfwood it’s what he was wearing when he turned him over to Knives, to Meryl it’s his final fight coat, and for Milly it’s when she met him.

It may be Trimax but I will always have a soft spot for 98 millywood so those two’s impression of each other has been influenced by that, but more specifically just the idea of them both alone together, layers and walls down, hair messy from sleep. Their relationship is one I just see very clearly developing over a lot of late nights at inns and bars during traveling!

Vash is the trademarked inventor of Savior Martyr Victim complex supreme and when he thinks of everyone he sees times they’ve been let down by him. To me he’s the biggest broken gear in their dynamic because of the way he holds himself back and isolates, the ship really works in spite of him most of the time. But he also sees traces of times his desire to be by their side was cemented. His Meryl is heavily based on after she was kidnapped by the GHGs and he lost control in front of her, but her hair is longer + earrings are gone like when they saw each other again after Knives released the ark, and she has a black turtleneck peaking out from under her traveling clothes the way it did under her space suit during the final battle. His Milly has the hair and undershirt of the final battle but her outer clothes are from when they traveled together for the majority of Trimax. His wolfwood isn’t doing too well.

Meryl’s versions of Milly and Wolfwood are both pretty similar to how they looked when she first met them, wolfwoods hair is just a little longer like I imagine it being towards the end of Trimax and is very windswept, from their short first meeting in the original Trigun manga run I always got the impression she thought he looked very cool lol, she was staring up at him like ://0 the whole chapter.

I mentioned it before but honestly most of Wolfwood’s Vash is based on how he looked when he turned him over to Knives, not only do I think that moment stuck with him but I feel like it’s a good visual summary of all the mixed feelings he has towards Vash. He’s drawn to him and sees how sad he his but he also sees how inhuman he is and the threat he and knives pose for the people he cares about and prioritizes. At the end of the day Wolfwood chose the orphans over Vash twice and never went back on that, and a big part of why he broke Vash our of Knives prison was just so he could go fight Knives to the death for humanity’s sake, and I think that’s important to his character and their relationship.

Similarly, Meryl’s Vash is really just final arc Vash. She’d already developed a very strong impression of him before then but they would go weeks to even years without seeing each other and each time the way he looked and the way she felt about him would change drastically, it seemed to me like it wasn’t till she was on the ship advocating for him and the people living on gunsmoke that she knew how she felt about him and what kind of person she saw him to be. It was also a huge moment for her character wise with the way she faced her fears in the name of human connection and made the active choice to not be as apathetic and closed off as she realized she had been in the early manga.

I think Milly’s first impression of Vash was strong and accurate enough to not change much, this nice guy is Vash the Stampede and there is definitely something weird about him.

I don’t know why Wolfwood doesn’t know what Meryl’s hair looks like, what’s wrong with that guy? In general his version of Meryl is very inaccurate now that I’m looking at it, I promise he likes her

+small details that are my personal headcanon and not the characters interpretations are Meryl and Wolfwoods hair being a bit more curly/textured than canon, Milly’s eyes being green, and Meryl’s earrings being silver (gold earrings with a white black and blue outfit and silver guns?? C’mon girl accessorize properly)

[inoreuct]

thinking abt a punkflower college/tattoo artist/piercer au

hobie's working there for extra cash and miles comes in to get his nose pierced and he has those grey sony headphones covered in hand-drawn graffiti stickers and hobie bluescreens a little bit

and then he finds out that miles can draw. like rlly draw. he double majors in visual arts and graphic design and ofc hobie falls for him a little more bcs he loves him a smart cookie. and THEN they realise they're going to the same school??

gwen knows pav and hobie's friends with pav, ofc miles is friends with gwen; they all attend this arts college in New Brooklyn, gwen does ballet and pav bharatanatyam, hobie’s actually a goddamn violin prodigy majoring in classical music even though he prefers his guitar... anw he probably puts in a good word and gets miles an apprenticeship with their resident tattoo artist

he gets a proper piece from miles once miles is confident enough but he's already covered in tiny doodle tattoos bcs he lets miles practice on him and throughout all this.

they STILL aren't together.

gwen is literally ripping her hair out and yelling MILES HE LET YOU PRACTICE ON HIM. HE LET YOU FREESTYLE DOODLE ON HIS FUCKING SKIN. WHAT DO YOU MEAN YOU'RE JUST FRIENDS and miles is still all "eeeeh he doesn't like me like that yk? :("

he does.

hobie's been writing love songs about him for months. it's been driving pav up the wall.

in the end gwen and pav have to intervene and literally set them up on a date. world peace is restored as soon as they kiss.

[honeyydrunk]

reasons why i would and wouldn't have sexual relations with the nct ilichil members. and unfortunately majority of the "wouldn't" is just that they're in love with another member.

(just in time for their 8th anniversary).

the one the only mr johnny suh would: - mr big dick daddy johnny suh - unity the link focus + johnny solo stage - he'd take me out to dinner first - created sexy actually bc nct we are so sexy - his father actually so created coffee - he's like 6'4 (i'm like 5'10 on a bad day) - daddy long legs - he's from chicago - ohhh he's got me giggling not just because he's crazy hot but bc he's funny part time idol full time comedian - his tattoo is insanely attractive the design the everything - i want to carry his kids and i'm a guy bro what the flip

💚 !! lee taeyong !! 💚 would: - THE male AI visual - bros big boba 🧋 tea eyes - my wartime navy husband - theres only so many times i can say he's crazy ridiculously hot utterly insane what a face he's the only person i've seen get hotter without makeup actually crazy where's that list of adjectives like beautiful breathtaking gorgeous stunning SEXY SEXY MAN enchanting hypnotising so fine i'm getting whiplash from trying to comprehend him the neost neo to ever neo ethereal angelic the highest of all blessings from aphrodite romanticism personified he is THE muse fitting of all eras his face should be in museums shown to the world i have never seen anyone that competes with his face card face CARD? face global economy face universe economy i am so happy for everything that allows me to witness this that this timeline where he is here i am witnessing his beauty his presence himself he is the beauty of this world a gem that should be praised to the highest esteem i wish nothing for him but true happiness safety and love i've heard of beauty people go to war for but he is beauty i wish peace in this earth for so that he is residing in a world that is beautiful like him for beauty such as his shouldn't be living in a world with hate and horrid things. for me, i don't even wish for anything of him, i wish for happiness and love FOR him. he is beautiful like nature, something that is perfectly created and serene. something so perfect, natural, and stunning, i wish to be a better person for him. wouldn't: - he wants to be bullied and humiliated and idk if i have that in me. i want to shower him with love and affection and he wants to be harassed.

NAKAMOTO YUTA (be warned this list goes on long i wanna fuck this man so badly it's insane mark lee watch out)

what's that the gojo fangirls said about no lube no protection? would: (i would rather die than not) - he's so hot - bros an ultimate foreign swagger - HIS HEALING SMILE - he's a literal rockstar - his dark cherry red wolfcut - chain tattoo - butterfly tattoo ON HIS STOMACH - navel piercing - alleged tongue piercing - kawaita kaze o karanase anata wo tsureteku no sa honey so sweet - his bring me the horizon cover - suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki ryo suzaki - he unbuttoned his jacket then kicked a guy in the head twice - his voice,,, man i wanna hear him talk in my mind constantly - his actual singing voice does crazy things to me though - he always EMBODIES the few lines he does get - his vocal tone is ridiculously clear and stable. genuinely unsure on how he's that mistreated his voice is insane. - i don't like drinking but when he does it, it's hot. - suzaki ryo - he takes selfies a little odd but that's okay bc he's so hot it doesn't even matter - him when he in that one kick it fancam when he just when he - "TOKYO ARE YOU FUCKING READY-?" yes i am so ready to be the baddie in your porsche. - he paints his nails cute little designs - he likes natto (i don't, so i respect this) - he was training to be a professional footballer before he joined sm - he's a scorpio - the xj kabedon incident the peppero game the favourite promotion ear furry rizz game whatever that was - he's ridiculously athletic - his lying is hot - he flirts so well wdym he got mark lee calling him oppa - he kissed that wall too well - no lube no protection all day all night any position any time place location anything he wishes anything he wants he could do anything to be and i'd be thankful on my knees thanking him

wouldn't: - he's in love with mark lee

jeong jaehyun i would because he's a february 14th valentine's 💌 boy. he's a romantic who's silly!! why wouldn't i want to dance around in the night making sure he lives the life of a romance novel even if i'm just someone he'll forget on his journey to find the one he'll truly love. i'm okay with that. please be my forever only, just for one night. why i wouldn't: jeffery jamal "can i please have 3 iced coffees?" he reminds me of handy mandy hes too much of a brother ik he has them high quality gags hidden his goofy aura ruins any sex appeal i have for him he has too many feet pics uploaded on instagram

kim doyoung would: - he's for the employed srry. - there's no way to explain his aura except he's super sexy in like a husband way. - i saw him in perfume and my life changed forever - i want to bring him home to my parents just so i could be successful for once - him when he reveals those mf collarbones and that waist of his - "tighter" yes sir - "i wanna kiss your lips" absolutely - me when he sings goes insane - he's got such a beautiful smile

wouldn't: - i'm not quite sure how sex with him would be like and this post is about sex not marriage,,,,, though let's be real if he proposed YES OFC?! - he sings like he's been through several divorces he seems so heartbreak and i don't want my heart broken (ignore how i'd break my heart into a million pieces for taeyong and yuta)

kim jungwoo

would: - two baddies era jungwoo changed me in ways you can't imagine - he's so tall woah (im the same height) - sugaring candy what's that doja said? - me when he in two baddies - i need fuckboy jungwoo to make a comeback - bro in the dojaejung videos made me go crazy - unity + the link jungwoo solo performance 'lipstick' - he'd play me and i wouldn't care

wouldn't: - how could we have sex when we could gossip

MARK LEE ITS BEEN A MINUTE IM IT RAWRRRRR WHAT IS A BAD VERSE? WHAT IS NO FLOW? WHAT IS NOT SERVING US W HIT AFTER HIT !!? would: - i'll make him pop w head no talk ay like chardonnay mwah cherry bomb - when he rapped his shi off on that glass box (quiet down, kyocera japan performance) - "ladies just wait for me good girl. i got a really big," show me rn no proof otherwise - "diamond. married the kitchen to cook you up," marry me - "topping your faves" i love myself so uh top me. (WHAT DID I SAY?) - when he swears it's crazy hot

wouldn't: - he moans too much but like doing normal everyday things don't think i've forgetting that one live - i'm not nakamoto yuta (i want nakamoto yuta) - he can say some real cringe things sometimes

haechanahceah my bro lee donghyuk the LEE HAECHAN

would - him in poison - him when glowy and tan - him when he sings - him when he dances - him when he raps - him when he does anything - him when he exists - him when he's with that messy eyeliner - him when he's barefaced - him when he flirts - him when moans (he has on live MULTIPLE TIMES)

wouldn't: - if he said anything in his aegyo voice i physically couldn't have sexual relations with him that's not smth i can stomach sorry guys - i'm not mark or yuta

love all my neos but a special shout out to the ilichils who have served us with absolute BANGERS timeless experimental classics. they've sacrificed a lot for us and work extremely hard for this. i want to thank them for 8 years !! and i hope that they can continue to bless us with more for as long as they wish to remain in the industry.

[creaman]

—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?

To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.

Starting with the things I liked, before briefing my primary points of criticism:

Po's Character Regression

Po and Zhen's Dynamic

The Chameleon

I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.

SPOILERS for the entirety KFP4 for the 2 people who care.

KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.

Things I Liked About Kung Fu Panda 4

The Chameleon's character design

Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)

When Mr. Ping did this:

so cute! the little heart!

Po — Character Writing

Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”

It’s childish, and sort of Hotel Transylvania-esque.

Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:

Master Shifu says something philosophical

Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)

Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.

Po and Zhen — Character Dynamics

[No more graphics sorry I'm too angry]

As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.

Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.

By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.

The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.

Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.

The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.

The Chameleon

Where do I even start…

This is where it becomes apparent that the movie relies heavily on telling rather than showing —

She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.

The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).

The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.

'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.

I just realised they didn't even give her a NAME what the FUCK is going on

She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.

She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”

Let’s see what vile reprehensible things she’s done, shall we?

Gently push someone down some stairs

Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)

That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR

There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!

Closing Statements

To put it simply, Kung Fu Panda 4 was my Megamind 2.

The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.

It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.

It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.

Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.

As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.

[withleeknow]

wishful thinking. (05)

chapter five: say what you mean

summary: the instruction was plain and simple: no strings attached. but you should’ve known from the beginning that it could never apply to you and him.

pairing: minho x f!reader rating: 18+ (minors dni) genres/warnings: friends to lovers, friends with benefits au, college au; fluff, angst, smut; mentions of sex, kissing, we’re starting to dip our toes into angsty territory !!, less edited than i’d like but what’s new lol word count: 2.8k

as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡

navigation / series masterpost / taglist

Get me a drink, I get drunk off one sip, just so I can adore you I want the entire street out of town just so I can be alone with you Now go when you’re ready My head’s getting heavy, pressed against your arm Just to adore you, I adore you

Adore - Dean Lewis

Whenever Minho asks if you two could hang out together at your place, it usually means that you will end up in your bed.

Tonight you suppose is no different.

Even though you often cap off the night having engaged in activities that could make the Victorian lady in Hyunjin faint, it’s not all that you do. Both you and Minho never let yourselves forget that you’re friends first and foremost. Sex is the added benefit that should never take anything away from your friendship. He is still one of the people you’re most comfortable with, one of the few people whose company you enjoy.

You’re sprawled out on the couch in your small living room when Minho returns from the kitchen with a plate of freshly peeled tangerines, the same ones that he brought over earlier. You push yourself to half-sit up so he could squeeze himself between you and the armrest, before you go back to laying your head on his lap as you two resume watching a bad movie that you put on.

“I hate this so much,” you comment, your eyes glued to the TV screen.

“You picked the movie,” Minho says. “It’s not that bad. The plot is kind of decent.”

“I’m not talking about that. Jeez, if they wanted to make a movie where the main character is a graphic designer, you’d think that they would at least consult someone who knows literally anything about visual art. Look at that horrendous typography job, the text isn’t even aligned with the edges and corners. This is hurting my soul.”

Your cushions (Minho’s thighs) shake lightly as he laughs at your dramatic outburst over something as trivial as a fictional character’s poor standards of digital art. But you really aren’t kidding; the way the woman on screen is butchering the text alignment is quite literally making that very particular part of your brain want to shut down for the next five to seven business days.

“They should’ve consulted you first, is that right?” Minho asks.

“They really should have. I could’ve done wonders for them,” you say matter-of-factly. “I almost majored in graphic design, y’know.”

You have a habit of biting your tongue around others because you know that people don’t really care about the same things you do. Whenever the opportunity arises for you to share tidbits about your interests, excitement would tumble out of you only to be quashed soon after when no one wants to listen to your silly little rambles. It’s disheartening, you’re used to it.

But you never feel that way around Minho. He always lets you babble on about anything and everything, even if he might not know what the hell you’re talking about. He indulges you. He never makes you feel neglected or ignored.

“Hmm, my little genius artist.” He taps your cheek once, and when you turn your head to glance at him, he tells you to open up before he slips a slice of tangerine past your lips. “You’re right. Even I can tell that it’s horrendous.”

You hum appreciatively when the sweetness of the juicy fruit floods your tastebuds. Minho’s hand trails down your arm to rest on your stomach, just below your ribs where he fiddles with the worn fabric of your sleep shirt. If he moves his hand up, he would be grazing your bare chest underneath your shirt. You didn’t bother with a bra because, well, comfort above all else, especially within the four walls of your own home. Besides, it’s nothing that Minho hasn’t seen anyway.

He keeps on feeding you tangerines in between your complaints about bad design standards until the movie ends and the plate is cleared. The only sound in the room is the soft music on the TV as the credits start to roll.

You turn to lie on your back, staring up at Minho. “That was deeply disturbing.”

“You chose it,” he reminds you. “You went in knowing what the premise was.”

“Yeah, I have no one to blame but me. I had too much faith in humanity.”

“And you call me weird.”

“You are weird,” you say. “But I like weird.”

Minho looks down at you and for a moment, he says nothing. His fingers trace something on your stomach. A heart or an odd circle, you don’t know; you’re always bad at deciphering those. His eyelids fall a bit, softening the usual sharpness of his gaze.

Then he’s pulling you by your shoulders, guiding you to sit up and before you know it, you’re situated on his lap with one of his hands on your waist, the other on the back of your neck. Minho tugs you closer, meeting your lips in a kiss in which you waste no time returning.

He’s sweet, like the tangerines that you were sharing all evening. It tends to start like this - sort of randomly, whenever it feels right. He squeezes your side in a comforting gesture as his tongue slips into your mouth. There are times where it’s more urgent, where one of you is needy and desperately seeks the escape and release that can only be found in the other’s embrace. Other times, it’s slower, more gentle, where you can really focus on making each other feel fully satiated.

This, right now - you would pinpoint somewhere in the middle. There’s no fiery clothes-ripping urge, nor a need to lay the other person bare and knead every single knot of stress from their system. Today, there’s just languid wanting; an unhurried inclination to be close.

Him and his tangerine flavored kiss, you and your resolve built on shaky foundation.

You start rolling your hips over his, tugging on his shirt because you want to feel his skin against yours. Minho stops you though; he puts both hands on your hips and pulls his lips away from yours. You blink, dazed, confused.

“I...” he starts, trying to even out his breathing as he finds the words. “I don’t want to have sex tonight.”

Embarrassment instantly washes over you. The rejection is a little humiliating; it’s the first time you’ve ever felt like this around him. Your cheeks catch fire from the mortification, and you’re very aware that you’re still sitting in his lap, right over his crotch.

Wanting to climb off of him and just fucking bury yourself in a ditch, you start stuttering like an absolute fool, “Oh... Y-yeah, no, of course! Shit, shit, I’m sorry. Of course we don’t have t-”

Minho holds you in place, one of the hands on your hips goes to cup your cheek to make you look at him. It effectively shuts you right up.

“Sorry. I shouldn’t have phrased it like that,” he says, his thumb brushing over your cheekbone in an earnest apology. “I just want to keep kissing you. Is that okay?”

You’re at a loss for words. He’s holding your face, your waist, so delicately. He looks drunk on your presence alone even though neither of you have had a single drop of alcohol tonight, so sincere in his simple request that you feel your heart swell tenfold.

You want it too. You’re more than okay with just kissing him.

You don’t answer him verbally. Instead, you just nod and move to kiss him again, your hands tangled in his soft hair. The sweetness of the tangerines grows more and more distant as you chase his lips, but you can taste his smile. It’s infinitely more saccharine, and it only grows sweeter when he holds you close and knocks the breath out of you.

When you pull away for air, you slump against him, hiding your face in the crook of his face, shy all of a sudden. He keeps you there but continues with his onslaught of kisses - on your hair, your cheek, your neck, anywhere his lips can reach. Like he simply can’t get enough of you.

“You really like kissing,” you comment, giggling quietly as you do. “Even when we… y’know, bone.”

“Bone? You’re so romantic, babe.” You feel the rumbles of Minho’s chest as he lets out a hearty laugh, the sound of which fills the space of your modest home, embeds itself in every nook and crevice, in between every minuscule crack in your walls until the whole place feels warmer, brighter somehow. “Are you complaining?”

“No... just pointing it out.”

“Well, I like kissing you,” he says. “You’re not a terrible kisser, I guess.”

You sit up straighter and catch the teasing grin on his face before you roll your eyes. “Gee, thanks. You really know how to sweet talk a girl.”

“Says the girl who uses ‘bone’ to describe sex.”

“It’s a perfectly good euphemism for ‘sex’.”

“You might as well just say ‘boink’.”

“Literally shut up.”

“Sure.”

Then he’s pressing his mischievous smile against your mouth once more, and you can’t really wrap your mind around how it’s even possible that he keeps getting sweeter and sweeter. His sugary kisses send warmth tingling up your spine, make a fluttery sensation erupt in your stomach. You’re lightheaded, and not the kind that can be remedied by a sufficient fix of blood oxygen.

Even though you’re perfectly content with kissing, there’s a certain implication that comes with only kissing that you’re not sure what to do with. He’s literally inside of you on a weekly basis and yet, this feels much more intimate than anything you two have ever done.

Because friends don’t kiss each other the way he’s kissing you right now. Friends don’t kiss each other the way you’re kissing him back.

A chime from your phone breaks you two apart, the intrusion forcing a mildly frustrated grunt from Minho. You find the mobile device hidden between the cushions of your couch, and after you quickly scan the notification on the screen, you tell him, “It’s Hyunjin.”

“What did I say? It’s always him at the scene of the crime,” Minho mutters, speaking in the same tone that one would when their sibling interrupts a round of their favorite video game. “What does he want?”

“Just wants me to send him a photo of the sample portfolio from our class.”

“Ignore him. He can wait.”

“He’ll call me if I don’t reply.”

“He’s so annoying,” Minho grumbles but loosens his hold on you nonetheless. “Hurry back.”

“It’ll only take a minute, you big baby,” you chuckle, pressing a swift peck to his lips before you get up from the couch and head toward your bedroom with your phone in hand, searching for the binder that Hyunjin is asking about.

Once you’ve snapped the picture and sent it to your friend, you return to the living room. When Minho hears your footsteps, he holds out an arm, silently beckoning you into his embrace again. And you do. You slide into the space next to him, slotting perfectly against his side.

Your fingers absentmindedly trace along his forearm until they reach his wrist. “This is pretty,” you say, touching the thin link bracelet that he always wears, the one with a small charm hanging off the center in the simple outline of a dove.

“You like it? I’ve had it for ages.”

“Mhmm, it suits you.”

A moment passes where you both sit in silence as you fiddle with the gold jewelry, and you can feel Minho’s eyes on your face the entire time. After a while, he pries your fingers off his skin, only to swiftly take off the trinket.

“No, Min. What are you doing?”

He doesn’t answer you. You attempt (in vain) to pull your wrist back but Minho is stronger. He holds it in place as he clasps the chain around your wrist.

“Minho, you are not giving me your bracelet.”

“Relax. It’s not like it was passed down from my great-great-grandfather. It’s just a random bracelet I bought when I was 18.”

“Why would you even give me your bracelet?”

He shrugs, as though he’s merely doing something as simple as letting you borrow you a pen. “It looks good on you.”

You look down to where his hand is still on your skin, his thumb gently sliding over your pulse point as he admires how the dainty gold reflects the dim lighting in your home.

And he’s right. It does look good, but he probably doesn’t mean it in the same way that you’re thinking of right now. You think it looks good because it’s something that belongs to him that’s now wrapped snugly around your wrist, like some sort of affirmation spoken in a language that only the two of you can understand.

Minho leans over and presses his warm lips to your forehead. It takes you by surprise, the way he does it as if it’s second nature to be this affectionate with you. It’s a tipping point, then suddenly your thoughts are running rampant.

The instruction has always been plain and simple: No strings attached.

But...

The chaste kisses with no expectation of sex, being protective when you’re in the presence of other guys, even giving you his bracelet to wear just because you said it was pretty.

Why do all of these sound an awful lot like strings?

You hesitate, then you ask, “What are we doing?”

“Hmm? You wanna watch another movie?”

“No, that’s not... What are we doing?” You don’t even know what word to put more emphasis on.

Minho looks at you and loosens his fingers. What he can’t understand through your words, you think he sees it in your eyes. “Say what you mean.”

“Are we friends?”

“Of course we are.”

“Are we still friends?”

“Do you not want to be friends anymore?” He cracks a smile, but you can tell that he’s just doing it to lighten you up. “You have terrible timing. I literally just gave you a bracelet.”

“Friends don’t do that.”

“Friends don’t give each other bracelets?”

“Friends don’t kiss like that.”

Minho seems a bit taken aback, though he regains his composure in mere seconds, his voice calm as he tells you, “Friends don’t have sex either.”

“What are you saying?”

“I don’t know. What are you saying? You brought it up.”

You open your mouth, only to subsequently close it because your thoughts were never really that coherent in the first place. You look away from him to glance down at your wrist.

“You’re being confusing,” Minho says quietly, honestly.

“I just… I don’t want anything to change.”

“Did anything change for you?” he asks.

“No,” is what you tell him after a long minute, when what you really mean to say is I don’t know. You can see it as it happens, some stars fading from his eyes, some light growing more faint in his irises. Though the despondence on his face disappears so fast that you’re not sure if it was even there at all, or if it was only a figment of your imagination.

Then you throw the question back at him. “Did anything change? For you?”

Minho’s answer is the same as yours - a clear No - and yet, it makes you feel like you’ve been punctured by something sharp. You don’t know why your heart drops upon hearing him say the exact same thing that you did, but you try not to let it show on your face. Your poker face isn’t anywhere as good as his, but you hope that it’s enough.

You give him a tight-lipped smile and nod a little.

“Then nothing’s changed.” He strokes your hair, emphasizing his point with a soft smile as he reassures you, “And nothing has to change. It’s a bracelet, don’t overthink it. We’re good.”

Sometimes, the decisions you make are bad because you can foresee the outcomes, or at least, you have an idea of the consequences will be later on and yet, you still choose to go through with it anyway.

Just like how you chose to watch a movie you knew would drive you crazy with its trivial details, you choose to accept the feeling of Minho’s bracelet around your wrist. You choose to believe him when he said nothing has changed, and that nothing has to change. You choose to sweep under the rug the thoughts that you’ve been having about him lately. You choose to overlook the reason why you’ve been having those thoughts instead of facing it head-on because you’re terrified of what you’d find if you dig deeper.

You choose to let the conversation end here though it still lingers in your mind, and you choose to let him kiss you goodnight when he leaves because tonight has already been a series of bad decision after bad decision anyway.

And when you fall asleep, it’s the soothing coolness of the golden dove against your skin that lulls you to slumber, like he’s here right beside you to hold you through the night.

permanent taglist: @onlyycb97wife @starsandrqindrops @borahae-reads @abbiestearsricochet @cutiespaghetti @anthropologykpopmultistan @moonlinos @mjnhoz @caitlyn98s @piercidh34rts  @stayceebs97 @linocz @yaorzu-blog @biribarabiribbaem @kayleefriedchicken @extrhotjne @caitxx1 @palindrome969 @todorokiskitten @azuna-sz @meanergreener @nxzz-skz @jazziwritesthings @poutypoutybin @bookyeom (italicized = can’t tag)

series taglist: @eyesforlino @armystay89 @nuronhe @becomingmina @astro-doll-the-star @hyuneyeon @jisunglyricist @yoontaethings @thisisnotjacinta @cupidcure @wyzminho

all rights reserved © withleeknow. reposting, translating and/or modifying is not permitted by any means. [posted 18.02.2024]

[callmearcturus]

Paradise Killer is 6 dollars on Steam until May 16 and I am here to hard sell you all on it because it's one of the best games I've ever played.

I'm gonna go beyond giving you a bunch of punchy keywords and telling you it's queer as hell and making meme-y jokes, and I'm going to actually tell you what this game is.

So top-level, WHAT IS PARADISE KILLER?

Mechanically, Paradise Killer is an open-world murder mystery. There is zero combat but a lot of exploration of a very unique location. The majority of your time is going to be walking about Paradise 24, looking for people to discuss the case with and for clues that are scattered around the world.

One of the most interesting concepts in Paradise Killer that is both mechanical and narrative is deciding What Is Your Truth? What Is A Truth And What Is A Fact? From the moment you start the game proper, you can turn 180 degrees and begin the trial and decide who the killer is, before talking to anyone about the case.

For example, getting into the actual crime scene takes a lot of puzzle solving to unlock the sealed room where the victims were killed. But maybe instead of examining the crime scene, you talk to everyone on the island and think you have a good idea of what happened.

Meaning: It is perfectly valid to decide you have the answer to the mystery and just go complete the trial whenever you personally are ready. YOU decide when this ends.

Which frankly I think is a cool-as-fuck concept. Also, I fully believe if three different people find EVERY CLUE and talk to EVERY SUSPECT and hear EVERY PIECE OF EVIDENCE.... they might decide on three different truths entirely. And THAT to me is ingenious mechanical design I have not seen anywhere else in a video game.

Okay let's stop burying the lede and talk about the world of Paradise Killer.

The non-batshit version:

Paradise Killer takes place on a big, beautiful island, the 24th Paradise. The architecture is a delightful mix of black obsidian obelisks, brutalist monuments, opal crystals to slumbering alien gods, garden paths, luxury yachts, and a whole lot of gold and neon.

Neo-occultist urban residential vaporwave-core. If you are like me, you will be taking a lot of screenshots. My wallpaper on my computer is Paradise Killer.

Your interactions with the cast are done in visual novel-style, though I feel I have to shout out this isn't your stock Ren'py UI experience. Every single aspect of the way the game looks compounds the vibes even further.

And the characters are infuckingcredible.

(Notice the different font? This game has A FUCKTON OF ACCESSIBILITY OPTIONS, including dyslexic font options.)

Sammy Day Break, born under the sign of Shadow Zero, is the local distillery and bartender for the Syndicate. Talk to him about what's unique about the whiskey he's made on Paradise 24, or about the good old days of the Syndicate.

Is Doctor Doom Jazz, born under the sign of Cosmic Deceit, really that carefree about what happened? Is his willingness to rekindle his fling with Lady Love Dies just a diversion to hide something? Well, he's one of the most cooperative witnesses on the Island.

Crimson Acid has been through a helluva lot since the last time she saw Love Dies. Blessed by the gods with her stunning rack (of horns! OF HORNS!), she's become quite the idol now. So why is she also an information broker? And can you figure out what her true feelings for Love Dies are?

Between all of these conversations, you can explore the island and collect RELICS and BLOOD CRYSTALS (the local currency) and CITY POP SONGS.

Okay so the Slightly Batshit Version:

Shinji: The Syndicate worships alien gods who want to drown the world in war and blood. Lady Love Dies: I don't see how that makes us the bad guys.

You are LADY LOVE DIES, born under the sign KISS ME TO THE MOON, the INVESTIGATION FREAK. She was exiled to the Idle Lands several cycles ago for falling prey to the seduction of the god Damned Harmony and endangering the entire Syndicate. Only now, with the death of the Council on the eve of Paradise 25, is Love Dies summoned back to solve the murder.

The Syndicate are a group of functionally immortal humans from all across history who are trying to create the perfect bubble of reality, their utopic Paradise where they can safely revive their dead gods. They were granted many powers and boons by their first god, Silent Goat, and hope through rescuing more gods they will grow in power.

How do you create a bubble of reality to do all this totally ethical shit? Easy! You abduct a bunch of normie humans to live on your island to use as a mass sacrifice to generate energy to fuel the creation of each Paradise. If only the outsiders would stop getting in the way!

Paradise Killer's world is delightfully out of its goddamn mind and half of the fun of the game is just picking up little nuggets of information about each member of the Syndicate, the gods, why each Paradise failed (there was an outbreak of vampirism that took out like three of the Paradises???), and just the way this universe works.

Okay this post is already too long but I'm begging you all to give Paradise Killer a chance. It's gorgeous, it's funny, it's mechanically really interesting, it's chill as hell, it has an incredible soundtrack,

and you should try it.

I'LL SEE YOU IN A PERFECT 25 . . .

[spacedlexi]

Who in the twdg series have some of your favorite character designs? (Aside from Vi and Clem lol) Can be side characters + major!

i actually LOVE the character designs of S4 in general the whole cast is so visually strong. gonna use my old line up so you can see what im talking about without a layer of dirt and grime covering everyone (just imagine lillys here shdfjsk)

each character is immediately distinct in a crowd (which is important when theres a lot of crowd shots and you need to recognize everyone quickly (they also do a really good job with shot composition they can fit so many characters in one frame comfortably 😭))

but also the use of color? look at how certain characters are sharing colors and patterns and straight up whole palettes. so while the characters still remain distinct from one another, you can See connections between them just through their designs. tenn and minerva i think are the most obvious example of that here. but something else i like is how aj changes from his blank white sweater to his red purple and green (if you choose the disco broccoli shirt but like.. i feel like thats the most popular choice anyway) top. clem vi and louis' colors become part of his palette as hes growing and learning. thats so cool!! plus shout out to clems S4 fit intentionally made to mirror lees fit. the narrative is dooming

ive always enjoyed the character designs in twdg theyve always been strong (its what taught me the importance of layering clothes, which was apparently a Rule for the designers). i just feel like S4 was really successful with it

[funhouse-mirror-barbie]

Sinner’s Demon Designs vs. Their Human Designs—

I’ll start off by saying I’m not trying to shame anyone or say these design choices are bad-it’s just something I’ve noticed about Helluva Boss’ character design choices that struck me as odd considering Hazbin Hotel’s character designs-specifically the designs of the “Sinners” or characters that were once human.

More than anything I just think it’s interesting, and am trying to examine the character designs from a world-building perspective.

So, since rewatching HB, I’ve realized that the Sinner Versions we see of Human characters are pretty close in design to their Human selves.

It’s very easy to tell these are the same characters. They’re all the same proportions with the same face shapes, and have similar silhouettes. (Critique continues below)

Now, this could change for Hazbin Hotel (and maybe there already are canon human designs for the HH sinners that I couldn’t find?) but in my opinion, most of the designs don’t translate well to what their human forms might have looked like. There’s of course exceptions to this, with the more humanoid demons, but with demons like Angel Dust, Husk, and Sir Pentious, I assume their human forms look almost nothing like their demon selves.

I think the main reason for this probably boils down to the Hazbin cast having established designs way before the series was created, but I feel this has created a problem where there are SOMETIMES rules for why Sinners look the way they do, and sometimes the designs seem completely random.

I’ve read that the way that sinners are designed is based partially on the way they die, and if that’s true, there doesn’t seem to be any rules or guidelines on WHEN to convey that—Mrs. Mayberry’s sinner form doesn’t particularly hint towards her death in any way in my opinion, but it’s VERY clear that the counselor died via drowning/water.

This wouldn’t be a huge issue on its own, but the creators have stated multiple times that Helluva Boss and Hazbin Hotel take place in the same universe. The rules for why characters are designed the way they are should be clear visually, but the designs of the Hazbin cast have always seemed random and confusing to me personally.

It looks like the majority of the Hazbin cast are designed after animals, but that’s not always clear either.

I didn’t realize that Angel was supposed to be a spider until I was explicitly told that was what he was, and I thought Alastor was an Owl based character due to his hair looking like a great horned owl’s feather tufts, and because his antlers were so small and dark that I didn’t notice them until I watched the pilot the first time. It’s possible the first drafts of these designs looked more like the animals they’re supposed to be based on, but if you don’t know all of the backstory or haven’t been following the creators, I’m not sure how you’re supposed to recognize these things.

Overall, I don’t think it’s a BAD thing to have a cast of characters that have very different designs, or don’t have very clear design rules for their universe. But in my opinion, having this big of a difference in the Sinner’s character designs when all of these characters are supposed to share the same universe really confuses things.

More than anything though I just found this sort of interesting. I’d be interested to hear more about the process of designing sinner characters, and to see what more sinners look like outside of the main cast that was initially designed several years ago.

Also please don’t send me hate—I like Helluva Boss, and I’ll probably like Hazbin Hotel. I just enjoy critiquing and examining the stuff I like and I’ve been on an HB kick since I rewatched the series recently and while watching this just occurred to me and I wanted to talk about it.

[twstunes]

Take My Hand again actually we're gonna go on a walk through Night Raven College campus real quick while I lose my mind

First off look at the front gate. People have definitely brought up the birds and the keys and those ARE both very important symbols, BUT. What about the thorns sprawled across the top of the gate? And the repeat use of 4-pointed stars in the lettering gives an especially prickly quality, overall.

Also of note are the decorations on the main pillars and the very specific aesthetic choice for the shape of the wrought-iron fence—by which I mean both reflect designs found in Draconimom's appearance.

The carvings on the gate pillars feature an ankh-like shape that matches up eerily well with the central decor of Draconimom's belt, as well as two curves that mimic the main body of the belt. The three-leaf/bud-like shape above that is reflected in the lace pattern and dangling decoration of the Mirror Chamber's chandelier. The two swooping S-shapes mimic the Draconia family's iconic horns, and the little decorations on either side of the carving match with the shape of Draconimom's pauldrons.

As for the fence…it's That Shape again. Each post also bears resemblance to the upper portion of Draconimom's staff.

Considering the focus on thorned vines in relation to Diasomnia/the Draconias, the way that vines are slowly creeping up both the fenceposts and gate pillars feels relevant.

(Please recall: The coffins by which students are summoned into NRC are also referred to as "Gates.")

Next stop is the botanical garden. As I mentioned in a previous post, the building's overall shape is notably similar to the chandelier found in the Mirror Chamber. The large beams surrounding the building, with their spear-like support pillars, give the impression of the building being held in place by thorned vines.

The inside of the garden doesn't yield much in the way of analysis, unfortunately. The most stand-out feature is the crumbling structure in the subtropical zone, but that arguably could've been intentionally allowed to decay as a way of cultivating the various mosses and lichens we see growing on it.

(Please recall: at the beginning of the game, before you choose a student, Crowley has a monologue in which he appears to refer to the Dark Mirror as "a lovely and noble flower of evil.")

And now the Hall of Mirrors. This one has subtler details than the others, but still just enough for the pattern recognition part of my brain to start making noises.

Again, the outside of the hall bears a passing resemblance to the chandelier in the Mirror Chamber, though much less so than the botanical garden. More important to this analysis is the inside of the building.

Listen. Not all lace is related to overblots. But the majority of lace in Twisted Wonderland HAS appeared in relation to overblots. The presence of an unmistakably lace-y pattern on the beams under each ceiling arch feels worth pointing out. After all, as of Book 7, at least one student per dorm linked to the Hall of Mirrors has overblotted.

There are also small floral decorations on each arch: two buds in the lower corners, and a bloom at the top. Again, Crowley's "flower of evil" comment comes into play; each dorm, again, features a major antagonist who is visually and textually placed parallel to their respective member of the Great Seven (OG Disney villains).

There's also. Y'know. The horn-like design on the pillars.

(Please recall: each dorm linked to the Hall of Mirrors is, apparently, contained within a pocket dimension with somewhat strict borders.)

Okay now we're at the coliseum and I need you to bear with me for this first point. Look at the entrance. It's too ostentatious to not be important somehow, right? It's too overdone. It's the Dark Mirror's mask, kinda? Don't ask how long I've been staring at this thing

Aside from that, the coliseum has thorns lining the rim of the structure twofold. One set of thorns exists as spears jutting out along the rim, while the other set exists as the long, simple, repeating pattern on the wall just under those spikes. On the outside of the building, this pattern repeats for every floor, effectively giving a sense that the structure is "wrapped" in thorns.

There are also thorns visible in the support beams of the stage; they're especially noticeable after Malleus fixes the stage, as they're lit up a bright pink (as opposed to the gold they were prior).

Upon the stage sits an odd, crumbling structure. It's clearly made of a different type of stone than the rest of the coliseum, being a dark gray instead of subdued purple, but that's not all—the architecture doesn't match up, either. The two main columns don't resemble any others found in the coliseum, notably. The arch-and-a-half visible both distinctly feature three-pointed arches, unlike the round arches consistently found throughout the rest of the building.

The fact this structure has been allowed to remain in such a deteriorated state is also worth questioning, especially since it's obviously been modified at some point fairly recently; the LCD screen it's been fitted with seems to work like a normal electronic device w/ no magical component to it. Even if you were to argue that the structure is supposed to have a distinct aesthetic from the rest of the coliseum to better draw attention to the stage it rests on, its condition renders the argument null. I love its decrepit vibe as much as Malleus might, but very few people would see this as an acceptable "centerpiece" for such an important location. With how Crowley squawks about maintaining the school's reputation, why does this pass by without comment from him…?

At least the chains frame the stage nicely. Though, they could serve a symbolic purpose as well…

(Please recall: according to Rook, the school staff claims that the coliseum is "imbued with a special field that makes it harder for damage to spill out." We can assume that this is the truth, as no one outside of the coliseum seemed to notice Vil's overblot—just the traces of excessive magical energy leftover afterwards.)

And finally, we come to the Mirror Chamber. Keeping in mind that the Dark Mirror can teleport people (both for enrollment and in general), the most notable visual qualities of this room are as follows:

Gates (coffins, the Dark Mirror)

Plants (chandelier, rose arches, standing lamps, windowpanes)

Mirrors (the Dark Mirror)

Containment (chains, coffins, the Dark Mirror)

It is very, very interesting that the four primary structures on NRC campus with a direct relationship to the items on this list also feature aesthetic similarities to the Mirror Chamber. Also of note is that although each structure chiefly embodies one item on the list, they all incorporate aspects of the other items:

Front Gate–

Plants: As previously noted, there are vines steadily attempting to overtake the fence and pillars + thorns sprawling across the top of the sign.

Mirrors: Structural design is mirrored across the vertical axis, carvings are mirrored across both horizontal and vertical axes.

Containment: Although open in this view, the front gate as a whole embodies the concept of NRC campus as an area that is closed off to the rest of the world.

Botanical Garden–

Gates: The entire building signifies a departure from the surrounding campus into a space especially designed for the housing and growing of plants.

Mirrors: Look at that thing. You can't have a building made mostly out of tempered glass and not have it be reflective as fuck.

Containment: Aside from the appearance of being held down by thorned vines, the building does, again, exist for the purpose of containing plants.

Hall of Mirrors–

Gates: Each mirror acts as gate leading to each of the seven dorms.

Plants: Previously-detailed floral decorations.

Containment: Again, each mirror contains a dorm. This, in turn, means that this building technically contains…nearly the entire student body.

Coliseum–

Gates: It's got one right out front lmao. But yeah, like the botanical garden, the building signifies a departure from the surrounding environment.

Plants: As mentioned earlier, the entire building has the appearance of being wreathed in thorned vines + further incorporation of thorns in the stage.

Mirrors: Previously-shown Dark Mirror comparison. Also, like the front gate, the structural design is mirrored across the vertical axis.

What does this all mean? NO fuckin clue. But if we consider how the very first battle of the game seems to take place in the Mirror Chamber, at least two of these locations have been (or will be) the setting for a major overblot battle.

(I will say…it's very funny that, despite Pomefiore being the first established dorm from a lore perspective, a lot of the campus has much more Diasomnia-esque aesthetics.)

[television-bodies]

what's your favorite set design for les mis? alternatively, how would you stage it yourself?

oh anon, you have provided me with the dream question! this is about to be a very long answer.

i fell in love with les mis via the west end production in 2014 and have not been normal about it since. i was lucky enough to see said production, with that staging, quite a few times before the theatre was renovated in 2019 (this was when the revolve was removed and the production was updated to have the same staging as (i believe) every other global production of the show). since lockdowns etc ended i have seen the updated production on the west end a few times now too, and let me scream this from the rooftops: I MISS THE OLD ONE EVERY DAY OF MY LIFE

(i never like to assume people’s knowledge so i will continue here as if you’re not familiar with the key changes, and i apologise if i’m telling you things you already know!)

something that i loved about the original production is that there were almost no set pieces. there were always props, and the odd piece of set as in a wall or something e.g. the gate at rue plumet, but the majority of the settings were created through LIGHTING. examples, i hear you cry! i shall provide. my favourite example of this was in the sewers. when valjean is carrying marius, time was shown to pass as they walked around the revolve with a spotlight illuminating them every few seconds. the actors would change carrying positions in the dark gaps between these lights, so that it acted like a time jump. none of this animated scrolling backdrop screen nonsense they do now. if you haven’t already clocked it yes i am salty about this

lighting also played a bigger part in javert’s death — another point in the show at which they now have a backdrop to act sort of in place of this — the swirling water that he falls into used to be created solely through lighting effects and it was MARVELLOUS. real take your breath away type shit.

the other big point to make is about the revolve, my beloved. it was such a central part of the production but the most important use of it (and one that i see the masses on here mourn fairly often) was that at the end of the final battle, the barricade would slowly turn around to show all of the students dead across it. it was heartbreaking and beautiful and the way they have to literally wheel enjolras’ dead body onto the stage in the current production just does not have anything close to the emotional gutpunch of how it used to be staged. :’(

all in all the original production was much more stripped back visually than the show is now, and i think this served to amplify the power of the acting and singing and the PLOT whereas now it gets me down, because as much as i hate to say this, the current production sort of just looks like everything else. les mis used to be the best thing on the west end by a fucking mile, and it seems (to me) that they have lessened that gap. i understand why other productions of the show — particularly touring ones — would have to go without the revolve, but for the one on the west end, which has been in the same theatre for twenty years, i simply do not see why they thought to change it. change it for, in my clearly strong opinion, the worse.

(i will say here — as vaguely as i can — that i do have a modicum of insider knowledge, and that i can blame this change on cameron mackintosh. but that’s hardly a surprise)

this may all be coming off as very ‘old man shouts at cloud’ of me so i feel the need to say that i do still enjoy the new production — if i didn’t, i wouldn’t have been to see it multiple times. at the end of the day (ha) it is still les mis, and les mis is les mis. it’s always brilliant. i just think it used to be more, and it makes me sad that there’s nowhere to see that original staging anymore. i mean, sure, there are bootlegs. but no proshot? *breaks skateboard* alas, we seem doomed to concert versions until the end of time

thank you so much for the ask! i’m sure you can tell that you hit a nerve with this one lmao but i greatly enjoyed answering it

[shuttershocky]

what do you make of samurai remnant so far? As it's a weeb game, I don't expect any of the normal review sites I trust to cover it

I /hate/ Musou combat and I'm sick of Servants, so me avidly talking about this game means it's way better than even my biases can overlook.

Here's the thing: the vast majority of Type-Moon games fucking suck, because they make visual novels, not video games. "The story's good enough to make you play through this abomination" is the battlecry of Fate/Extra fans. If it wasn't for Melty Blood they might not even have any games where people play for the actual game.

This is not the case with Fate/Samurai Remnant. It's not here to blow your mind out of the water, but it's clearly a title made by people who are both great fans of the source material and are very experienced with producing games on a budget. Solid execution all-around from combat design to character art to environments.

The most notable thing about FSR though is that this game cares a lot about how things are supposed to feel. I've talked enough about how great it is to have Servants feel like real powerhouses again, but this level of care exists within the rest of the game.

"How would it feel to be partners with a superpowered being?" is the defining question informing the majority of the game design. If there's a high place you can't climb without a ladder, Saber simply throws you up there with their superhuman strength. If you're squeezing through a tight alleyway, Saber simply reappears via magic on the other side, sometimes getting ahead of you and waving mockingly while Iori can only grumble and slowly pull his fleshy human body along a tight crevice. There is actual destruction in the aftermath of the first Servant battle that you can see for yourself, which informs Iori's motivation of putting an end to this death game. Iori's neighbors express relief that he's safe because they saw his house explode, or tell him about the whereabouts of his sister Kaya, making the town feel just a little bit more like a setting Iori actually lives in.

As Iori's relationship with Saber grows, the game also tacks on more and more mechanics involving their cooperation. At the very start, Saber cannot be controlled whatsoever and is entirely dependent on the AI. As you progress though, you unlock the ability to give Saber commands and even play as them for a short time. But that's not all, Saber's AI will also start to cooperate with you, following up on enemies that Iori knocks away with a finishing move, or calling for special partner moves called Link Strikes. When you're in trouble, there's even a chance Saber will come rescue you, activating a quick time event where they lock blades with the enemy, attempting to push them back.

This is what the whole game is like. Samurai Remnant doesn't have the resources of an AAA game with an army of developers to create features like ultra HD 4k textures for all environments or realistically shrinking testicles, but you can feel most ideas started with a question of "What would it be like to have Saber here and how do we depict that in some way?" Saber would be fascinated at modern (17th century) Japan, so they often run from place to place pointing out new things to gawk at and demanding explanations from Iori. They didn't have food stalls, paper, or money in their life, so Iori has side missions to buy from every food stall to satiate Saber's hunger, which murders your wallet in-game as you are a poor ronin living hand to mouth every day and need odd jobs to make money.

It feels good to play, and not even as a Type-Moon fan where a lot of these things are something I've been asking for. I mean it's good to see another mid budget game that's neatly focused on simple, solid execution. Most review sites are giving it around a 7.5-8/10, and I'm telling you this isn't a 7.5 from a Type-Moon fan pleading with you that playing Fate/Extella's Altera route makes it actually worth it, this is a 7.5 from people seeing a decently hefty, well-made title.

[plutaztix]

Finished first draft designs of the hazbin cast- Alastor., Charlie, Angeldust, Nifty , and Vaggie.

Some of them got minor redesigns while others got revamped, so I’ll be going down the line and discussing my reasoning for each one (please note, these are not perfect, and probably are not animator friendly, I did this for fun, and a lot of the decisions I made were because I felt like it. Do not throw a fit if you don’t like them)

Alastor- when redesigning alastor I focused on 3 major details: that he was from the 1920s-1930s, he was from the south, and that he was a “radio demon”. I took away the voodoo stuff cause that felt like a really weird way to associate him with Louisiana culture, and instead went for the more “southern gentleman” feel using the slicked back hair and simple clothes. I also replaced his monocle with a full pair of glasses, because I think not being able to see his eyes makes him more menacing, same thing with the straight teeth. I made his color palette into warm browns to kind of give the vibe of an old timey radio- with a highlight of gold as well. Side note: I like to imagine he doesn’t open his mouth, and instead it just lights up like an actual radio- cause I think that’s cool character flavor. I also kept his deer motif cause ,apparently, it was supposed to connect with how he died- plus I’m always a sucker for the kind of evil character that has an innocent animal theme, super fun. (Also his microphone is sentient and does change the text depending on the situation)

Charlie Morningstar- I think Charlie is a lovely character, she’s one of favorites, but she felt pretty plain in some aspects. I learned that she was kind of inspired by porcelain dolls, which gave me an interesting idea of making into kind of a “devils Pinocchio”- because what’s more innocent than a doll imbued with the power of her father’s dreams? So I really leaned into the soft friendly doll look, giving her ball joints and large eyes that stare into your soul. I softened a lot of her colors and gave her rounder shapes as well as leaning into the goat aspects of her character, because i thought it could be fun to have her play off the deer motif that alastor has.

Angel Dust- My boy , my good lad. He is also pretty solid when it comes to design , however- HE DID NOT LOOK LIKE A SPIDER. I had no idea that his freckles were supposed to be eyes until I rewatched it. Soooo I definitely tried to make him more spider like by making his eyes more prominent and giving him pointy side burns that act as mandibles. I also gave him him his spider butt and some weird ass legs. Oh and , unrelated, I like to imagine he does burlesque.

Nifty- MY FAVORITEE , I love nifty guys, she’s my POOKIE bear. When going into her design I knew I wanted to make her look older since I thought it was weird how much she was infantilized so I gave her lipstick and pearl earrings to make her look more like a refine 1950s housewife, as well as give her an apron and cleaning gloves to make her feel more like a maid. I also leaned into her subtle bug theme by giving her antennae, and giving polka dots on her dress for a very subtle lady bug theme (cause she’s my little lady). Some more small things I gave her a little swirl in her bangs to call back to victory rolls, as well as some subtle hints of green to call back to the uranium craze of that time.

Vaggie- she was difficult. Initially, I had no idea what I wanted to do with her, but I think that’s also because she’s not a very fleshed out character? Her whole story is kind of , Support Charlie and be a fallen angel.(still love chaggie tho) So I took some creative liberties, and gave her a more mature look- with some periwinkle to act as a subtle hint to her angelic nature. I also gave her the monocle from alastor design cause I thought it made more sense for her? Like, if anyone is gonna have the one eyed visual aid it’s gonna be the bitch with one eye. It also makes her look more matured? And I gave her a moth broach to call back to her moth inspo.

Annnd that’s it! I’ll be working on the next batch soon, which will likely have husk and sir pentious, if you have any other people you wanna see lmk!

[markantonys]

there was a great interview with sharon gilham (costume designer) where she gave an intriguing tease about a new character in s3! (this bit starts around the 45-minute mark)

they are "something else"

"not like anything from season 2 or anything you've seen before"

they required a major collaboration between the costume & makeup departments

she paraphrased rafe as describing them as "a really really important, really highly complex character who's coming for one scene only in episode 7 or 8" [that was more that she couldn't remember the episode number, not that rafe wasn't sure at the time what episode they would be in; she did specify that it was at the end of the season because she was saying they were almost out of budget and had this dropped on them lmao so the episode in question does definitely seem to be 7 or 8]

i don't know what to think! lots of people are speculating the finn which fits the first few points, but i'm skeptical because i wouldn't qualify them as "really important, highly complex" characters (and it did definitely sound like one specific character, not a group of characters, though we could have mat meet just one finn). same goes for other creature-y characters like shaidar haran - not that important or complex of a character, unless they plan to bulk him up a lot compared to the books, which is possible. it's also possible sharon/rafe meant visually complex rather than complex characterization-wise, but even with that, i personally wouldn't consider the finn or shaidar haran to be as important as she made it sound like this character is. maybe the gholam could fit the parameters of important & (visually) complex?

i'm also skeptical of mordeth because mashadar was just its own thing not tied to a person in s1 and i kinda doubt they'd introduce him now, but maybe some kind of mordeth-inspired padan fain powerup is possible? or a slayer TAR powerup where he becomes freaky-looking? but the phrasing implies to me that this is a new character who isn't in any other scene in s3, rather than an existing character who gets a powerup to look different.

tuon is a possibility, but would her aesthetic really be THAT different from the high blood we saw in s2? i don't know, maybe it would! another seanchan possibility is the empress herself; it would be so sick if tuon was in multiple scenes in the tanchico plotline and we get to know her not realizing who she is, and then at the very end of the season she goes home and we find out she's the daughter of the seanchan empress. the literal empress would be a good candidate for looking like nothing we'd ever seen before because she'd surely have to be the most over-the-top person in the world. and Mama Tuon could maybe fit the bill of a "really important" character if they bring some of tuon's backstory onscreen and give her a storyline within the court of the nine moons in s4 before heading back to the westlands in s5, thus giving her mom a significant role and making a lot more out of the mommy issues that were hinted at in the books, but even in that scenario it feels like a stretch to consider Mama Tuon THAT important (but again, we just can't know how they might decide to bulk up characters; no one would've ever considered liandrin important based on the books!)

the only other possibility i'm thinking of is a new forsaken, with my strongest guesses being sammael or graendal (since they were both namedropped in s3, and there's also an alleged sammael audition script), and a smaller guess of asmodean (i'd assume we would see him in more than one scene in s3). but here we also run into the question of, how different would they be from the forsaken we've already seen? plus, would they require a "major" collaboration with the makeup department? sammael maaaaybe, depending on how they do his scar.

any standard westland character (aes sedai, political leader or noble, aiel, etc) i wouldn't think would have particularly wild aesthetics, so i'm discounting all those (like cadsuane), but you never know.

i'm sure there's about a hundred other possibilities i'm not thinking of right now! what do you guys think?