#Greg Herald

[gbhbl]

Horror Movie Review: Nobody Sleeps in the Woods Tonight 2 (2021)

When something horrible happens to the only survivor of a bloody massacre, an insecure rookie cop must overcome his fears to stop further carnage.

Nobody Sleeps in the Woods Tonight 2 (W lesie dziś nie zaśnie nikt 2) is a 2021 Polish supernatural horror slasher film and a sequel to Nobody Sleeps in the Woods Tonight. Once again, it’s directed by Bartosz M. Kowalski. Adam, a low-level cop with dreams of being a hero, serves as the protagonist. There aren’t many chances to prove himself in this run-down Polish town until the fateful day Zosia…

[ifreakingloveroyals]

30 October 2018 | Meghan, Duchess of Sussex, reacts as children from Pine Hill School sing before unveiling a plaque after dedicating 20 hectares of native bush to the Queen's Commonwealth Canopy project at The North Shore Riding Club in Auckland, New Zealand. The Duke and Duchess of Sussex are on their official 16-day Autumn tour visiting cities in Australia, Fiji, Tonga and New Zealand. (c) Greg Bowker/New Zealand Herald - Pool/Getty Images

[incorrectfabfifteen]

Hello, welcome to Incorrect Fab Fifteen, a blog about all things Silver Age Teen Titans! I've come up with the term Fab Fifteen to broadly refer to all of the members (which I'll explain below) as well as a natural expansion of the Fab Five (plus, it's better than just calling them the OG Teen Titans or the 70s Team).

For DC newcomers, don't be afraid of some of the comic terminology present, they'll make sense with more exposure.

Introducing: The Fab Fifteen!

Dick Grayson

Full name: Richard John "Dick" Grayson

Alter Ego: Robin I, Nightwing, Batman III, Red X

Birthday: March 20th

Love interests: Bette Kane (Pre-Crisis), Princess Koriand'r, Barbara Gordon, Helena Bertinelli (DCYou), Bea Bennett [There's probably more, feel free to send an ask so I can fix this]

Reading recs: The Judas Contract, The Cheshire Contract [collected as Nightwing: Old Friends, New Enemies], Nightwing Vol 1 by Chuck Dixon, Batman & Robin, The Black Mirror, New 52 Nightwing by Kyle Higgens

Wally West

Full name: Wallace Rudolph "Wally" West

Alter Ego: Kid Flash I, The Flash III

Birthday: January 16

Love interests: Donna Troy (Pre-NTT), Rachel Roth (🤨?), Frances Kane, Linda Park, Jesse Chambers

Reading recs: Born To Run, Savage Velocity, The Flash by William Messner-Loebs and Greg LaRoque, The Flash by Mark Waid, Flash Forward, The Flash by Jeremy Adams (especially The Return of Wally West and One-Minute War)

Donna Troy

Full name: Donna Hinckley Stacy Troy

Alter ego: Wonder Girl, Troia (Who Is Wonder Girl? until Total Chaos; JLA/Titans until Infinite Crisis; No Justice onwards), Darkstar (Zero Hour until Meltdown), Wonder Woman IV (Who Is Wonder Woman?)

Birthday: April 26

Love interests (oh boy): Dick Grayson (FORMERLY), Wally West (only during the Silver Age + some weird thing during DC Rebirth), Garth (Titans 2018 + Titans United), Roy Harper, Kyle Rayner

Reading recs: Who Is Wonder Girl? [Collected in The New Teen Titans Who is Donna Troy?], Wonder Woman By John Byrne Vol. 3, The Return of Donna Troy, Wonder Woman: Who is Wonder Woman?, Titans: The Spark and Into The Bleed

Garth

Full name: Prince Garth of Shayeris

Alter ego: Aqualad (also legal name until Crisis), Tempest

Birthday: March 6

Love interests: Donna Troy, Tula Marinus, Dolphin, Lilith Clay (temporary)

Reading recs: World's Finest: Teen Titans, Death of a Prince, Tempest by Phil Jimenez, Aquaman by Peter David, JLA: The Obsidian Age, Aquaman: Underworld

Roy Harper

Full name: Roy William Harper Jr.

Alter ego: Speedy, Arsenal, Red Arrow

Birthday: November 1

Love interests: Donna Troy, Jade Nguyen, Kendra Saunders

Reading recs: Snowbirds Don't Fly, The Cheshire Contract [Collected as Nightwing: Old Friends, New Enemies], Arsenal by Devin Grayson, Outsiders 2003, Justice League of America 2007, Infinite Frontier, Green Arrow 2023

Lilith Clay

Full name: Lilith Jupiter-Clay

Alter ego: Omen

Birthday: Not stated but her debut was November 18

Love interests: Gnarrk, Donald Hall, Garth, Bette Kane

Reading recs: The Terror of Trigon, Teen Titans by Dan Jurgens, Teen Titans: Life and Death, Titans Hunt (2015), Titans Rebirth

Mal Duncan

Full name: Malcolm Arnold "Mal" Duncan

Alter ego: Guardian (Pre-Crisis), Hornblower, Herald (Post-Crisis), Vox (Infinite Crisis until Flashpoint)

Birthday: Not stated

Love interests: Karen Beecher

Reading recs: Silver Age Teen Titans, Titans Hunt, Titans Rebirth, The Other History of the DC Universe #2

Fun fact: Mal Duncan was featured in the first interracial kiss in comics history with a goodbye kiss between him and Lilith!

Karen Beecher

Full name: Karen Beecher-Duncan

Alter ego: Bumblebee

Birthday: Not stated

Love interests: Mal Duncan

Reading recs: Silver Age Teen Titans, Titans Hunt, Titans Rebirth, The Other History of the DC Universe #2, Doom Patrol by Keith Giffen

Don Hall

Full name: Donald Hall

Alter ego: Dove

Birthday: Not stated

Love interests: Lilith Clay

Reading recs: The Hawk & The Dove, Silver Age Teen Titans, Crisis on Infinite Earths

Hank Hall

Full name: Henry "Hank" Hall

Alter ego: Hawk, Monarch (Armageddon 2001), Extant (Zero Hour until JSA)

Birthday: Not stated

Love interests: Dawn Granger, Ren Takamori

Reading recs: The Hawk and The Dove, Hawk and Dove: Ghosts & Demons, Hawk and Dove (1989), Birds of Prey (2010)

Dawn Granger

Full name: Dawn Marie Granger

Alter ego: Dove

Birthday: Not stated

Love interests: Hank Hall, Sal Arsala

Reading recs: Hawk and Dove: Ghosts & Demons, Hawk and Dove (1989), Birds of Prey (2010)

Duela Dent

Full name: Duela Dent

Alter ego: Joker's/Riddler's/Penguin's Daughter, Card Queen, Harlequin

Birthday: Not stated

Love interests: Earth-1 Dick Grayson, Earth-3 Dick Grayson

Reading recs: Silver Age Teen Titans, Teen Titans: Titans East

Bette Kane

Full name: Mary Elizabeth "Bette" Kane

Alter ego: Batgirl (Pre-Crisis), Flamebird (Post-Crisis, current mantle), Hawkfire (N52 Batwoman only)

Birthday: Not stated

Love interests: Dick Grayson (Pre-Crisis)

Reading recs: Teen Titans Vol 1 #50-53, Hawk and Dove Vol 3 Annual 1, Beast Boy (2000), DC's Legion of Bloom

Charley Parker

Full name: Charles Edmund "Charley" Parker (human name); Ch'al Andar (Thanagarian name)

Alter ego: Golden Eagle, Hawkman IV (Rise of the Golden Eagle)

Birthday: Not stated

Love interests: Kendra Saunders (I think?)

Reading recs: Hawkman: Rise of the Golden Eagle,

Tula

Full name: Tula Marinus

Alter ego: Aquagirl

Birthday: Not stated

Love interests: Garth

Reading recs: Tempest by Phil Jimenez, New 52 Aquaman, Mera: Queen of Atlantus, Aquaman by Kelly Sue DeConnick, Aquamen

So a special note: despite Beast Boy being a part of the Titans West (as well as appearing in the above photograph), they do not count as part of the Fab Fifteen, mainly because he's already part of the New Teen Titans. Also note that this acc won't be using the New 52 version of Duela Dent (although the Gotham Knights version is fine so feel free to send in any hcs about her)

Also you maybe be asking why Gnarrk's entry is below instead of with everybody else. That's because Gnarrk was never a Titan in the first place. Sure, he appeared as part of the title and was there when the Titans West was formed but he never actually joined the team at all. Gnarrk becoming a Titan became a thing when he was introduced following the New 52.

Gnarrk

Full name: Unknown

Alter ego: Caveboy

Birthday: Not stated

Love interests: Lilith Clay

Reading recs: Titans Hunt (2015), Titans Rebirth

Uhh, yeah, so that's the Fab Fifteen! Again, don't worry about this technical jargon if you're a newcomer and you just wanna look at the other posts, we're all here to have fun.

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.

[pleasereadmeok]

 “I thought, I should give that go! Why don’t I give it a crack?”

A very young Matthew Goode - who had recently decided that he might as well try being an actor!

@asgoodeasgold 's post today reminded me about this. From Matthew's biography page on matthew-goode.net. [I wrote this a LOOOOOONG time ago so don't judge 😂]

He does remember ‘performing’ from an early age – “Probably being the youngest and fighting for attention is something to do with it.”  “I’d always been someone who sang in the choir. I was head chorister of my choir at my prep school and we did school plays and bits and bobs.”  [Backstage]

Jenny Goode (Matthew's mum) was also an amateur theatre director –  “She did have a huge passion for the theatre, though, and ran The Campion Players, the local amateur dramatics group. She involved me from a young age. I always thought that actors were an incredibly fun bunch and smart with it.” [Red] Matthew has been on stage since a young age.  He remembers playing a singing rodent in ‘The Wind and the Willows’ when he was about 6. Matthew’s mum says – “From an early age in junior school productions, I saw that he had considerable presence on stage and found learning both the script and the music very easy. At that age of course children show a wide area of abilities, he particularly loved all forms of sport and had a good ear for singing and playing a musical instrument.”  [Devon live]

He says that his mum was an orphan and joked that – “She genuinely at one point thought she was Laurence Olivier’s love child. She had an incredible passion for it.”  [Herald Scotland]

[Matthew with his mum Jenny at the Brideshead Revisited premiere / Richard Young]

Matthew enjoyed being around theatres, amateur actors and being out until late in a “Brilliant adult fantasy word.” [Clocktower Radio].  However he never considered acting as a career and as he got older he got shy about performing because he tended to be a blusher.   He admits that his first kiss was on stage – “Michelle Halford was her name – she was a little minx.” “We had a kiss on stage.  It wasn’t particularly enjoyable but it was my first.”[New York Times Screen Test interview]  Unfortunately he gave up acting in his teens because he went red on stage, [Guardian] and he was more interested in sport, “so it sort of went on the back burner a bit” [Backstage]. Matthew didn’t take up acting again until he was in Sixth Form (about 17). Meanwhile Matthew excelled in sport.  Matthew Rhys asked him “How big a part does sport play in your life?” Goode: “It used to play a phenomenal part in my life, because I used to play a lot of county sport, a lot of sport for my school. I love team sports”.  [Interview Magazine].  He played hockey and cricket representing his County/school but golf became his main sporting passion. Matthew started playing crazy golf with his brother James, then progressed to ‘pitch and putt’ and on to the full size version when he was about 14.  His parents loaned him some money to pay for club fees. “I was the dream child for the holidays.  My parents would drop me off [at the golf club] first thing and pick me up when the light was going.” [Robb Report]  He reached a high level of skill at an early age with a handicap of 4 but that has dropped to a 7 today. [Discussion with Greg Kinnear at Dunhill Links Tournament]. Matthew talks about his relationship with his late father very fondly – sadly he died early in Matthew’s career.  He refers to how his father taught him about wine and Scottish whisky.  Matthew’s father also taught him to fish and he talked about this in an interview with his friend Matthew Rhys. RHYS: When did you first start fishing? GOODE: I will never forget it. I used to go to Wales for canal holidays. When I first started fishing, I was on the Brecon Canal in Wales. We pulled up in our canal boat and Dad got out these two maroon, telescopic fishing rods, and put a reel on. RHYS: Was your father a fisherman? GOODE: Yes, he loved it. In fact we used the tackle he used as a boy. It’s no longer with us. He put a couple of maggots on, cast it out, and handed it over to me. I would’ve been eight or nine. Then, about five second later I saw the thing just drift away and I had got one, and it was a beautiful roach—a perfect little roach, silver, about three-quarters of a pound. RHYS: What is it about fishing? GOODE: It’s quite exciting—it’s like acting, some bits are quite exciting and then there’s moments where you’re not doing anything or nothing is happening.  [Interview Magazine]

Education Matthew’s parents worked hard to pay for himself and James to have a private education.  James boarded at his school while Matthew was a day boy at Exeter School, an independent school in the city of Exeter in Devon.

[DevonLive]

Matthew studied A levels including Geography, Drama/Theatre studies and English.  He was considering a career in Archaeology. “For a time I wanted to do archeology, also because my father was a geologist.”[Style Magazine Italia] but his drama teacher, Stephanie Tratmore, had spotted his talent and encouraged him to take up acting again.

[Matthew’s drama teacher Stephanie Tratmore/Crupeck – Exeter School]

Stephanie was putting on a production of Sean O’Casey’s ‘The Plough and the Stars’ and persuaded Matthew to audition for the part of socialist ‘The Young Covey.’  He was reluctant because he hadn’t been on stage for a few years and he was still a blusher. Stephanie got her way and he enjoyed playing the part.   “it wasn’t until I was 17 that I really caught the acting bug,” [Herald Scotland] During this time Matthew was in many Exeter city productions including ‘Richard III’ (as the ambitious Buckingham) and ‘Waiting For Godot’. [Devon Live]  He recalls being in productions at the Northcott Theatre and Barnfield Theatre in Exeter.

[Northcott Theatre Exeter]

[Barnfield Theatre – Exeter]

Stephanie and Andrzej Chrupek taught Matthew drama at Exeter School.  He got top marks in GCSE drama and A-Level theatre studies but worked hard at his craft. Mrs Chrupek said: “He had amazing concentration when he was on the stage and an intensity. He was also very intuitive and had incredible stage presence.”  Mr Chrupek added: “He had a very charming smile, which is obviously his trademark. He hasn’t changed a lot. He was great, great fun to be around and he had charisma on the stage. Your eye was drawn to him when he acted.”  [Devon Live] His mum proudly says – “Towards the end of senior school, I began to see someone who could sustain and create a character and make it his own and I increasingly began to think that a career as an actor was a real possibility.” [Devon Live]

However Matthew decided to go to University rather than go straight to Drama School. “By the time I got to 18, I had to get a degree to make my parents happy.” [Backstage].  Matthew was also considering a career in sport and briefly considered Archaeology [Style Italia] before he finally decided to study Drama at University because he didn’t think he was good at anything else. There was a lot of competition to do drama as a degree course and so he needed high grades. He remembers that most drama courses required an ‘A’ and 2 ‘B’s at A level.  The University of Birmingham offered him a place if he got 3 B’s so he opted for their course.  He actually got 2 ‘A’s and a ‘C’ at A level so he was accepted to study a BA in Drama and Theatre Arts – graduating in 1998. [Clocktower Radio Interview] Matthew remembered some good times studying at Birmingham in this Birmingham Mail interview:- ‘The 31 year-old star has fond memories of the city where he attended Birmingham University to study drama. And as well as treading the boards in the city’s theatres he managed to hit a few of the dartboards in its pubs, too. “It was bostin’,” he laughs. “I had a great time. I used to live on balti. There were a lot of curry houses that used to open late that I remember fondly. I wasn’t thinking about being an actor but I enjoyed doing drama and it had a very good course.  I really came out of my shell and I met the people who are still closest to me there.  We were like cock of the walk and thought we ran the town, or we thought we did as far as the drama course went. We were members of the summer darts league at The Brook Pub in Selly Oak, which got in the way of a lot of work.” [Birmingham Mail]

[The Brook Pub in Selly Oak – now demolished from Our Brum]

[Screenshot from ‘Silent Night’.]

Towards the end of his degree Matthew still wasn’t totally set on a career in acting but he says that his friend Gary got a place at Drama School and “I knew I was a better actor than him [laughs] so I thought I could do it too!”  “I thought, I should give that go! Why don’t I give it a crack?” [Backstage]  He says – “If you ask my teachers and my mother they would say ‘We always knew’ – but I didn’t!”  [Clocktower radio interview] Matthew applied for a loan to attend drama school and got a place at London’s Webber Douglas Academy of Dramatic Art.  I went up to London to audition and managed to get the postgrad course there.”

By the way - this is Gary - we have a lot to thank him for!

Goode fans owe this guy EVERYTHING!!!!   He is Gary Crystal - Matthew Goode’s mate from way back.  Matthew wasn’t heading for a career in acting until this guy applied for Drama school and got in.  

“I knew I was a better actor than him [laughs] so I thought I could do it too!”  “I thought, I should give that go! Why don’t I give it a crack?” [Backstage]

Gary is now a director/editor/writer.  And Matthew Goode?  Well whatever happened to him?  

[📷- IMDb]

[claredanko]

succession bucket list before it ends

tom comes out

kendall has a 12 minute uncensored sex scene with stewy

someone writes a callout post about roman where its revealed that he has a secret tumblr and uses neopronouns. xe is heralded as the first transgender nepo baby

shiv accidentally becomes the president

greg gets killed by the LA gangs like markiplier

logan roy he/they pronoun twitter bio hacking fiasco

dasha redscare gets hit by a train that is being driven by tom

[thefreakandthehair]

Perspective flip for meeting you was coming home!!! I still absolutely adore that fic, Lex 🥰 take your pick of scenes bc I love them all

ahhh Jen!! I'm so glad that you still love this fic, it was so so so much fun to write for our exchange! 💕 I'm so sorry this took almost a week but I almost Midnight Sun-ed this entire fic and had to reign it in lmao. here's the beginning of Meeting You Was Coming Home from Eddie's perspective!

February 14, 2022

Eddie Munson has always loathed Valentine’s Day.  

A skeptic by nature, cynic by choice, and pessimist by way of personal experience, he’s never been one for the red and pink hearts, the teddy bears, the chocolates and flowers. He’s only ever had one Valentine: Greg Portia in the seventh grade. Greg got a handmade card and gimp bracelet he’d made with painstaking care, while Eddie got a silver skull ring from a gumball machine and a hug in the abandoned, poorly trafficked stairwell. A week later though, Eddie found the gimp bracelet left in his locker with a break-up note, ending a relationship Eddie hadn’t even registered as a relationship until it was over. Greg never hugged him again. 

It’s not something that Eddie thinks about often, but he does think about the pattern that’s emerged since: short-lived relationships that are over before they even really start, so Valentine’s Day just doesn’t mean anything to him. As far as Eddie’s concerned, Cupid is just another myth weaponized by Hallmark to make a quick buck and he’ll have no part of it, thank you very much.

In fact, the only reason he’s subjecting himself to the horror of the bar's annual Valentine’s Day Emo Night is to avoid witnessing Gareth and Chrissy’s rather excessive displays of affection. Watching Gareth stare aimlessly at the aisles upon aisles of kitschy cards with red envelopes in their local Walmart had been more than enough. 

And if he’s honest with himself, maybe he also left for the night to avoid the green monster that curls up in his chest when he’s reminded that love is out there, and it just hasn’t chosen him. But he’s not looking for honesty tonight, just a distraction and a drink or two, so he claims a hightop for himself in the corner of the bar and people-watches. 

It’s poor planning on his part, all but a few couples looking either entirely enamored or happily tipsy, and he’s just about to cut his losses and summon an Uber when he sees a man walking towards him. Bathed in the lights that swirl and strobe around the bar, he looks damn near ethereal, a heralding of some kind of… well, Eddie didn’t pay much attention to his Uncle when he talked about the Bible but he’s sure there’s something in there that could’ve described The Man better than his own feeble words could. 

A red tee-shirt hugs The Man’s chest in all the best ways, ways that leave little to Eddie’s imagination besides what he’d like to do should the offending shirt disappear, and a black and red plaid fleece hangs over his shoulders. Black jeans cuffed at the ankle and white sneakers cap off the ensemble, and Eddie’s too intrigued by the smile that’s somehow both confident and shy when they make brief eye contact to care that he clearly is very into Valentine’s Day. So understandably, he’s a bit stung when The Man bypasses his table in favor of the bathroom. 

Shit, Eddie thinks, sinking back against his chair, not realizing that he’d literally leaned forward to stare like an idiot. He turns back to his phone and scrolls back to Uber. Somehow, in the minute that’s passed since closing the app, all of the prices shoot up and he groans to himself. Insult to injury, Eddie thinks.

The song changes to something less pop-punk and more punk-punk, so he bobs his head up and down as he considers how terrible walking back to his apartment would be. Or maybe there’s another bar nearby? A diner? Maybe I can convince someone to give me a free omelet if I look sad enough– 

Eddie’s thought process is cut off by the sound of a chair scraping against the concrete floor, and The Man slowly comes back into focus as he saddles up beside him. 

“I couldn’t help but notice you’re sitting over here alone, and that just doesn’t make any sense to me.”

unusual fic-specific asks for authors!

[askthemysterkids]

If they had superpowers what would they be?

Oh heck yeah! Super powers!

Dipper: I am thinking Doctor Strange or Zatanna-esque where he just straight up uses magic.

Mabel: For some reason due to Mabel Juice, I am thinking of Mabel doing something like Honey Lemon from Big Hero 6 where she has concoctions that do different things. Glitter smoke bomb is totally one of them.

Coraline: Leaning right into the water witch sort of idea. (Trying not to think Spider-man.)

Wybie: He is more like Batman where he makes gadgets and such to use!

Norman: The fact that he is a seer works very well. Now maybe being able to call on the ghosts to help him, that would step that power up a bit. Of course he hangs out with the ghosts when he’s not calling upon them. You need to keep the ghosts happy.

Neil: I’ve been trying to think, and the best I can think of is a sort of Danny Phantom sort of ordeal. He does use this power to play with his dog too.

I do probably have to come back for Neil though since Danny Phantom can be an MK.

Raz: He can already be a hero if he wanted to to be honest. If we wanted to step away from his normal powers though, I can see three options:

.Goggalor

.Water hero

.Something relating to his telekinetic ball.

And of course he is also like Dick Grayson where he has his acrobatics.

Lili: She has a similar situation to Raz where she can straight up be a hero but, doing the same thing as Raz:

.Plant hero

.Fire hero (very likely)

She also has her animal sidekick Herald.

Wirt: I’ve thought of several ideas for him (a My Hero Academia version with all of those limitations and a normal one.) and the idea I liked best is a plant based hero. He uses seeds to grow things and can talk to plants.

The My Hero Academia sort of one involves him using poetry to control the weather and plants. To do what he wants to do, the poem needs to mention it.

Greg: Definitely shapeshifting into different animals. He can now be the tiger he wanted to be.

Luz: Honestly her rune gig would be a pretty good power. An alternative idea would be where she is similar to the Hulk or Wolverine where she can turn into her demon form from the finale.

The Calamity Trio: They technically already have their anime hero forms as said in the show. If it was used again it might need to be dumbed down but yeah, crystal prophecy girls and I love them.

I apologize for the formatting in the middle around Raz and Lili. Phone formatting sucks lol.

[shannonmuirauthor]

Over the years, I have been appearing on LET'S VOLTRON: THE OFFICIAL VOLTRON PODCAST, talking about a number of topics related to the show.

This year, as part of the 40th anniversary of the property, I helped review the 1984 series episode "There'll Be A Royal Wedding," a puzzling title (which we do talk about) which is INCREDIBLY significant to the property as it heralded the return of beloved character Sven...

... but it wasn't the case in the original Japanese GOLION.

Follow along the hosts Marc Morell and Greg Tyler, along with myself, break down the differences between the two episodes and Sven's lasting impact on the mythos of VOLTRON.

[a-man-for-hire-and-his-archives]

Scrublands review – Chris Hammer adaptation is a rock solid addition to Australian rural noir

Rating: ⭐️⭐️⭐️⭐️

Jay Ryan plays murderer priest Byron Swift in Scrublands, now streaming on Stan. Photograph: Sarah Enticknap

A journalist is assigned to write about a traumatic event, speaks to wary locals, scratches away layers of obfuscation and discovers All Is Not What It Seems. Yes, we’ve been here before. Ditto for crime stories based in rural Australian locations; the bounty for this year alone includes Deadloch, Black Snow, Bay of Fires, The Clearing and Ivan Sen’s feature film Limbo.

However, Stan’s new four-part mystery series Scrublands, directed by Greg McLean and adapted from Chris Hammer’s bestselling novel of the same name, demonstrates why genre-ified tropes and formulas have evergreen appeal if staged with some vim and flair.

These kinds of narratives don’t have to be fresh, per se: according to Campbellian wisdom there’s nothing new under the sun. But templated stories should always feel fresh and be invigoratingly staged. That’s certainly the case in Scrublands, which at its worst feels a little potboiler-ish but is grippingly sustained across four episodes of roughly one hour apiece and never overstays its welcome.

-----

The series begins provocatively, with a priest – Jay Ryan’s Bryon Swift – shooting at his own congregation with a sniper rifle, murdering five people before turning the gun on himself. Not the most effective recruitment drive for the church. Twelve months later, a Sydney Morning Herald journalist – Luke Arnold’s Martin Scarsden – arrives in the town where it happened to pen a “one year on” anniversary article. One local accuses him of writing “torture porn” but Scarsden says his brief is a colour piece: “just weekend supplement stuff”. Nothing to challenge or upset people. The protagonist will change his tune, of course, when he gets an inkling that something is wrong with the official narrative and attaches himself to the story like a dog with lockjaw.

We know that things can’t be as they seem but we saw the priest killing in cold blood, so what kind of twists and turns await? Good mystery writing is sometimes about appearing to box things in, to construct narrative limitations before finding ways to circumvent them – by widening the context, perhaps, or unveiling different perspectives, or laying out a tangled backstory, all of which is the case in Scrublands. Like other crime mysteries such as The Dry, McLean alternates between timeframes, the current one having a hot glazed look, the palette taking on cooler hues during earlier times. The latter moments feel reflective, distanced from the white-hot part of the flame. Later on, these once-lighter looking scenes get warmer, signifying that the plotlines are merging and the drama is coming to a head.

Luke Arnold is compelling – and he doesn’t overdo it. Photograph: Sarah Enticknap

Luke Arnold is a compelling lead: from the start you feel invested in his presence. When Arnold does that thing when an actor frowns while examining a piece of evidence, as if to say “now I’m putting two and two together”, he doesn’t overdo it; it feels genuine. This is a less showy performance than Simon Baker’s heroin-injecting cop in Limbo or Travis Fimmel’s sleepy-eyed detective in Black Snow – perhaps because Arnold is playing a journalist who can’t afford to indulge in too much self-destructive behaviour, with all those bloody deadlines to hit.

But when it comes to dramatic purpose, the journalist and the detective often occupy the same essential role: as upsetters of the apple cart, sticking their nose where it doesn’t belong, making people uncomfortable and creating a chemistry change that draws dormant feelings – and, of course, The Truth – to the surface.

Bella Heathcote, who co-starred in the excellent 2020 horror movie Relic, is very persuasive as Mandy Bond, who has, shall we say, unique knowledge of the late priest. Just by the way she holds herself, by the longing in her eyes, the actor very effectively communicates that Bond wants to be somewhere else, emotionally and physically.

Mandy Bond (Bella Heathcote) in Scrublands. Photograph: Narelle Portanier

As the aforementioned priest, Swift initially seems a little imposing and Ironman-like for a man of the cloth, as if he should be in a Nutri-Grain commercial rather than a confessional. But stay with it; this tale is tangled and things feel quite plausible (notwithstanding the need for a wee bit of disbelief suspension as it rolls and tumbles along).

Like much of McLean’s work, Scrublands can be a bit pulpy but here not in a bad way: this isn’t trashy or schlocky. It’s a rock-solid addition to the rural noir genre, engaging from the start, all the way to a satisfyingly explosive finale.

Scrublands is streaming now on Stan.

Source: The Guardian

[sweetdreamsjeff]

‘An Emotional Lightning Rod’: Jeff Buckley’s ‘Grace’ at 25

Jim Shahen

POSTED ON AUGUST 22, 2019

Grace is 25 years old. Jeff Buckley’s debut is gorgeous and heartbreaking, ambitious, daring and eclectic, and, as the sole studio album released during his short life, the only fully realized vision of the artistic brilliance he possessed.

With the expectation that his first LP was the starting point of an iconic recording career, Columbia Records released Grace on Aug. 23, 1994. Entertainment Weekly deemed it “stunningly original” and “too good to be true.” Greg Kot of the Chicago Tribune heralded Buckley’s voice as having “a soulful intensity that sends chills.” Peers and legends such as Jimmy Page and Robert Plant, Paul McCartney, Bob Dylan, David Bowie, and Chris Cornell were effusive in their praise of the album and of Buckley’s tremendous gifts as a singer, guitarist, and composer.

Others were not so kind. Rolling Stone lauded his ambition, but gave Grace a three-star review that featured the one of the poorest-aging opinions in the magazine’s history: “The young Buckley’s vocals don’t always stand up: He doesn’t sound battered or desperate enough to carry off Leonard Cohen’s ‘Hallelujah.’” And Robert Christgau, the “Dean of American Rock Critics,” gave it a C rating and lampooned the hoopla surrounding Buckley by writing, “Let us pray the force of hype blows him all the way to Uranus.”

But those less-than-stellar reviews engaged with Grace on the same terms as the glowing ones — that this was the starting point for an artist with sky-high expectations, talent, and potential. Buckley’s horrific drowning death at age 30 in the Wolf River, an offshoot of the Mississippi, in 1997 ensured it was also his end point. But between his own passing and the passage of time, Grace has only grown in stature.

In 2014, the Library of Congress added Buckley’s “Hallelujah” to the National Recording Registry. Rolling Stone, walking back its prior opinion, ranked the track 259th in its 500 best songs of all time in 2003 and put Grace at 303 in its top 500 albums list the same year. Over the past decade, essentially every music publication of note has included Grace on its list of both top releases of the 1990s and overall albums.

A Vessel

The son of prodigiously talented folk-jazz singer/cult icon Tim Buckley and Mary Guibert, Jeff arrived at music without the guidance of the father he met only once before Tim’s death in 1975 from a drug overdose. While a cornerstone of his legacy is his gorgeous, multi-octave voice, Buckley’s first passion and pursuit in music was the guitar, where he was drawn to the sounds of Led Zeppelin and jazz fusion.

After spending the latter half of the 1980s kicking around as a guitarist in various jazz, metal, punk, funk, reggae, and R&B bands, Buckley began to pursue his own songs. In 1991 he attracted industry attention when, accompanied by guitarist Gary Lucas, he made his public singing debut at a tribute show for his father.

Photo by Merri Cyr / Sony Music

From there, Buckley’s career trajectory changed. After collaborating with Lucas for a year, he went out on his own and became part of the New York City café scene. These shows, later documented on Live at Sin-é, became part of his legend, featuring both his original tunes and an eclectic mix of fare made popular by Nina Simone, Billie Holiday, Judy Garland, and Bad Brains.

These café shows regularly attracted record executives and power players, and in October 1992 Buckley signed a three-album deal with Columbia Records. The label had high hopes that Buckley’s brilliance would quickly reveal itself to a wider range of fans. The thinking was that he’d succeed labelmates Bob Dylan and Bruce Springsteen as someone who would flourish into the finest singer-songwriter of his generation and compile a legendary body of work.

For the band that helped record Grace and toured with him in support, that brilliance was apparent from the beginning.

“This might sound stupid, but I don’t give a shit,” his former drummer Matt Johnson says. “But one time when we were playing, something about his voice went through my body. It was an entirely metaphysical moment where something supernatural happened.

“The man was one of the most extraordinary musicians to ever live,” he adds. “Jeff was this lightning rod of the tone and tenor of all the human emotion in a room. He had this ability to act as an emotional lightning rod, and I always thought he’d hopefully become a vessel for that.”

Saving ‘Grace’

Johnson first met Buckley in summer 1993 and within a couple of months was recruited to be the drummer for the Grace recording sessions. Though the then-23-year-old had had some session and recording experience, Johnson had never worked on a project of this scale before. As he looks back on the experience, Johnson thinks his youth and relative inexperience played a large part in why Buckley wanted him in the band.

“Jeff seemed to be confident he could get what he needed from this ensemble,” he says. “We were young and, in my case, had a lot of insecurities. I think he wanted that — he didn’t want session musicians, he wanted the transformation younger players would bring and create a snapshot of that.”

Photo by Merri Cyr / Sony Music

While Johnson recalls that “the stakes felt high” and there was a “sense of importance of Jeff” to Columbia, he doesn’t remember the process of creating Grace as particularly laborious or fraught. Part of this can be attributed to the calming nature of producer Andy Wallace, who had previously worked on Nirvana’s Nevermind, Run-DMC’s Raising Hell, and multiple albums by Slayer, and his ability to nurture the creative process.

Johnson also attributes a large part of that to Buckley’s multi-instrumental capabilities, uncanny ear, instincts, and efficiency. Because of that, it only took about a day per song to lay down the non-vocal elements.

“I thought he was a very good collaborator, bandleader, and mentor,” Johnson says. “Jeff understood how to both be an individual musician, while also still keenly aware of how to be part of an ensemble.

“His listening was a very powerful thing to be present for,” Johnson continues, comparing Buckley’s auditory capacity to that of composer Johann Sebastian Bach. “It could be textures, entry points, Jeff just knew how stuff should be held together. He could get a pairing of two basic opposites and it’d sound idiosyncratic and perfect.”

While Johnson was there for the entirety of the recording process, Michael Tighe came into Buckley’s band at the tail end of the sessions. The guitarist had met Buckley through a mutual friend in high school and the two had jammed on and off. As Buckley closed in on completing Grace and was putting together his touring band, he reached out to his friend.

Much like Johnson, Tighe was impressed by Buckley’s ability to absorb so many influences and styles, then translate it into his own work.

“He would ruminate on the music a lot and when it came time for recording, he’d really focus,” Tighe says. “He’d usually come in very quickly or he’d obsess on it and get into a perfectionist mindset. But he wouldn’t release something until it was perfect.

Photo by Merri Cyr / Sony Music

“He was really taken with a lot of music,” Tighe says. “He could cast this spell and create a space that was quite meditative. We would sit or stand in a circle and drone on something. We all had very good chemistry; it’s why he put the band together.”

That natural chemistry Buckley had with Tighe and the rest of the group came in handy and allowed Tighe to come in with a late contribution that changed the complexion of Grace.

“One day I played him the chords to ‘So Real.’ It was something I played him in my room (back in high school),” he recalls. “This was after, like, most of the album was done. During rehearsals he said, ‘Hey, remember that song you played in your room?’”

Thus, “So Real” came to be. To make room for it on Grace, Buckley bumped “Forget Her” off the album. This move came much to the chagrin of Columbia Records, which had planned to issue “Forget Her” as the lead single. Neither Johnson nor Tighe can recall quite why Buckley held such disdain for “Forget Her,” a tune of his own composition, but both vividly remember his adamance in replacing it.

“‘So Real’ saved the record for him,” Johnson says. “And it points toward the sound he was going for, it’s the sound of a door opening to the future.”

A Cult Hero

When Grace was finally released, grunge rock, hip-hop, and The Lion King soundtrack dominated the charts. There weren’t many acts out there simultaneously channeling Nina Simone, Nusrat Fateh Ali Khan, the Smiths, and Led Zeppelin. As such, it took a long time for the record to take hold and capture the imagination of listeners: It peaked at 149 on the Billboard Top 200 albums chart that year and didn’t reaching platinum-selling status until 2006.

Photo by Merri Cyr / Sony Music

Even without immediate success, the participants knew they had made something special.

“You can go back now and think about the production and the mix from that time period, but I think it’s perfect in its own way,” Tighe notes. “I think Jeff was very aware of how good the album was, but I think it bothered him slightly the album wasn’t more successful. But he was already a cult hero. We all thought it’d be a longer career and that would change.

“The zeitgeist was so different back then. There weren’t bands like Coldplay, Radiohead had just started,” Tighe says. “When I play it now for people, I love watching the glaze that comes over their eyes. Ultimately, it’s his voice, people just have an immediate emotional reaction to his voice.”

Johnson’s feelings on Grace are tied strongly to the recording sessions, that moment in time they captured and what it all meant personally. The fact that it connected with people well after the fact is an added bonus.

“When it comes to Grace, I feel very, very lucky. I’m never in a position to look at it like anything but a fuckin’ penny from heaven,” he says. “There isn’t one song I don’t like. When I hear it, it’s like I made this amazing best image of me that could be captured in any scenario.

“I can’t find fault with it and it’s not like I haven’t heard criticism,” Johnson continues. “But the feeling I got recording it was absolutely spine-chilling. I did not ever more feel what the drive of my life was, and it could not have borne better fruits. To have Rolling Stone or whoever now praise it is icing on the fucking cake. I don’t ever feel like, ‘What the fuck took you so long?’”

Musical Echoes

It took a few years for Buckley’s influence on fellow artists to be heard. By Tighe’s estimation, it was around the early 2000s that he started hearing Buckley-esque melodies on the radio, including from bands such as Coldplay and Radiohead, who drew inspiration from Buckley’s chord progressions and structures.

“Now you just hear it all the time,” he says. “There was that moment a while back someone did ‘Hallelujah’ on one of those shows like American Idol. The zeitgeist has changed a lot.”

Of course, Buckley’s legacy is more than just the alt-rock waves of decades past and singing competitions designed to highlight vocal chops. There’s a new breed of singer-songwriters that have used Grace as a starting point for their endeavors.

Madison Cunningham (photo by Claire Marie Vogel)

Madison Cunningham is a 22-year-old musician who just released the LP Who Are You Now and cites Buckley as one of her heroes. On songs like “Something to Believe In” and “Last Boat to Freedom,” you can hear her use that admiration to create her own artistic statement.

She was gifted a copy of Grace from a friend as a teenager and at first she didn’t dig it. But once she revisited it a few months later, it was a revelation.

“I didn’t get it and I really wanted to get it, but it was a big palette stretch for me,” Cunningham recalls. “But once I did, it was like, ‘Whoa, I get it! This is like the song that’s inside my head!’

“Always his voice stands out. Still to this day I haven’t heard a voice like that,” she continues. “There was such a depth to his work, you’ve got to sit a minute to think about it all.”

While Buckley’s vocal range and power moved and inspired her, what’s seeped into Cunningham’s work was the way he played guitar and arranged his material to incorporate all the different sounds that moved him.

“He changed how I played guitar,” she says. “He was so bold with his chord progressions. There’s certain chords he played that are just very unique to him. Even now when I play something, I’m like, ‘Oh, those are Buckley chords.’

“There’s just something special to him,” Cunningham adds. “He had his own genre and sound and was very unashamedly himself. That’s very hard to find.”

Cunningham identifies why, 25 years later, Grace and Jeff Buckley are still relevant parts of the cultural landscape. It’s why there’s interest in the various bootlegs, live takes, demos, and the recent biographical graphic novel his estate has released in the past two decades.

The latest batch of such releases, timed for the anniversary, includes four concert albums as well as expanded digital versions of Grace (including “Forget Her”), Mystery White Boy (a full-length live album), and Sketches for My Sweetheart the Drunk, an album of material Buckley recorded in 1996 and 1997 and was first released a year after his death. All will be available digitally on Aug. 23.

In the years since Buckley’s tragic demise, both Tighe and Johnson have gone on to work on other major projects. Tighe’s written for and worked with Adele, Mark Ronson, and Liam Gallagher. Johnson has played with Rufus Wainwright and Jade Bird and had a five-year stint with St. Vincent.

Both men are active, talented, and in-demand career musicians. Neither needs to relive their time with Buckley as a way to boost themselves. But both are enthusiastic in discussing their friend and his gifts, and are doing their part to ensure people remember him.

“As a special talent, he was pretty ineffable,” Tighe says. “He was attracted to music with spirituality and he could embody that. It wasn’t something he learned, it was just given. He was incredible.”

“With Jeff, because he died in such an unforeseen way, I try to make the time to talk about him,” Johnson says. “Jeff had a certain intelligence and this explosion of emotion that was a soaring, insightful, penetrating whole vision of a man. I’ll always do what I can to honor that.”

To commemorate the 25th anniversary of Grace, Columbia/Legacy has shared a previously unreleased live video of “Lover, You Should Have Come Over,” filmed during a concert in Cambridge, Massachusetts, on Feb. 19, 1994.

[tomwambsmilk]

Succ is so great at writing dialogue where there’s a surface level meaning and then a second secret meaning only one person is aware of and then a third secret meaning that’s cosmically true but none of the characters are aware of the truth of what they’re saying and one of those lines is “What am I gonna do with a soul anyways?” I’ve been saying for months that this line was going to herald a shift in Greg because he’s now consenting to participate in the moral decay around him rather than being dragged along half-heartedly protesting and look where we are now

[misstergrayson]

Greg’s Dick Grayson expression again

Also Dick jumping into a hostage situation and being heralded as the best on the force by the sergeant so funny I wish I had the panel

[lulu2992]

(This is a reply to this reblog because the post would have been way too long otherwise)

You’re right, @purplehairsecretlair; it would make so much more sense if the priest featured in the video was not Jerome! I was ready to accept this headcanon, but then I found the official description of the trailer:

This is about Joseph Seed's journey before he became the Father, before Pastor Jerome was forced to forfeit his status as shepherd of the County's souls.

So The Baptism is about Joseph “stealing” Jerome’s congregation… That said, I totally agree that this isn’t consistent with the game for several reasons (which you probably already know, but I want to use this opportunity to talk more about the trailer).

First, Joseph found John and Jacob before he started the Project, and they all arrived in Hope County together. In the trailer, however, as you pointed out, he’s alone. We see him creating Eden’s Gate, writing his own holy book, and recruiting his first followers. Also, this shot...

...looks like what the 2nd step of the Pilgrimage tells us in the game:

II. The Cleansing: Joseph Seed affirms his obedience to the Voice by cleansing himself with his own two hands, becoming born again.

Steps III and IV are about him getting his first followers and the Voice telling him about the Collapse, and he only “collects his blood family” at step V, which... I realize is not consistent with The Book of Joseph, unless that means he had already found his brothers and only “[anointed] them as his Heralds” at this point.

Regardless, the story told along the Pilgrimage path isn’t consistent with The Baptism either because he only brings his disciples to Hope County at step VII, but he’s clearly already there in the video. Plus, his Heralds don’t seem to be with him…

I tried looking for more information about the trailer, especially about the cast and characters but, aside from Greg Bryk, I couldn’t find the names of the other actors.

However, I found this. The website says the video has won 25 (in my opinion, well-deserved) awards and provides a synopsis, probably written by DDB Paris, the agency that created the two live-action trailers, The Baptism and The Sermon, for Ubisoft. It says that the little girl is “the daughter of the legitimate priest whose place [Joseph] took, ten years ago”. Far Cry 5 never implies Jerome ever had a child, so I don’t think that’s still canon, but I’m glad we finally know who she is!

I stumbled upon this other article (with a behind-the-scenes picture). It’s in French, so here’s a summary:

It was Ubisoft who “imposed” Greg Byrk on the agency, but the artistic director thought he was “perfect” even though they barely knew him. The copywriter comments he was “very immersed in his role” and “exuded something powerful”.

The video was shot in Canada, in Merritt BC. To help the team, Ubisoft sent them the “huge mood board” they made during their one-year trip to Montana.

Some shots were unscripted, such as the scene with the little girl on the swing.

About 150 people were involved in the project which also required dozens of supply trucks.

Finally, it says the trailer was released 14 months after the first briefing. Jerome and Joseph’s backstories had plenty of time to be rewritten...

I also remember reading this interview with the director on the now-offline UbiBlog years ago. So, in case anyone was wondering (I was), that string of saliva was, in fact, totally unplanned :’)

[madhare0512]

Ships I Write For:

- Marvel

FitzSimmons

The Scientists and the Spies (Leopold Fitz/Jemma Simmons/Clint Barton/Natasha Romanoff)

Lance Hunter/Leopold Fitz

Huntingbird

Clintasha

Hulkeye

StaticQuake

Daisy Johnson/Piper

Daisy Johnson/Piper/Lincoln Campbell

Melinda May/Phil Coulson

Mack Mackenzis/Elena "Yo-Yo" Rodriguez

Foggy Nelson/Matt Murdock

Wilson Fisk/James Wesley

Luke Cage/Danny Rand

Danny Rand/Spiderman (Ultimate Spiderman only)

IronHawk

Technobow

Stony

Cherik

Armando Muñoz/Alex Summer

Nightsilver

Scott/Jean

Danielle Moonstar/Rayne Sinclair/Illyana Rasputin/Sam Guthrie/Roberto de Costa

Raven/Hank

Wandavision

Peter/Ned/MJ

Carol Danvers/Maria

Symbrock

Bucky Barnes/Sam Wilson

Loki/Mobius

Kate Bishop/Yelena Belova

~

- DC

Birdflash

Malcolm West | Herald/Joey Wilson | Jericho (Teen Titans only)

Rachel Roth | Raven/Garfield Logan | Beast Boy

Coldflash

Superflarrow

Vibeflash

Atomwave

Coldatom

Flashatom

Coldwaveatomflash

Goldenvibe

Toliver

Hawkmates

Killerwave

Winnara

Scholsen

Atomblazer

Coldatomwave

Atomfrostwave

Bruce Wayne/Selina Kyle

Harley Quinn/Poison Ivy

~

- NCIS

Tony DiNozzo/Jimmy Palmer

Tony DiNozzo/Nick Torres/Jimmy Palmer

Nick Torres/Jimmy Palmer

Sam Hanna/G Callen

G Callen/Eric Beale

Kensi Blye/Marty Deeks

Poly!Agents (Callen/Sam/Kensi/Deeks/Eric/Nell)

Nell/Nate

Tim/Abby/Delilah

Bishop/Kasie

Gibbs/Jack Sloan

Sam/Michelle

Jessai (Jesse Boone/Kai Holman)

Pride/Chris/Sebastian

Lucy/Kate

~

- Criminal Minds

Hotch/Hailey

Tara/Emily

Jemily

MoReid

Micphet (Prophet/Mick Rawson)

Sam Cooper/Prophet/Mick Rawson

JJ/Will

Luke/Penelope

Rossi/Erin

~

- Harry Potter

Wolfstar

Jegulus

Jeguiliy

Jacob Kowalski/Newt Scamander

Fred Weasley/Harry Potter/George Weasley

Ron Weasley/Harry Potter

Hermione Granger/Harry Potter

Hermione/Ron/Harry

Harry/Luna

Luna/Ginny

Ginny/Harry

~

- Maze Runner

Newtmas

~

- Doctor Who

Rose/Nine

Martha/Ten

Clara/Eleven

Rose/Nine/Jack Harkness

~

- Supernatural

Destiel

Sabriel

Crowly/Bobby

Bobby/Balthazar

~

- Star Wars

Skysolo

Stormpilot

Jedistormpilot

Obi-Wan/Anakin

Obi-Wan/Anakin/Padme

~

- Star Trek

Chulu

McSpirk

Spirk

McKirk

~

- Merlin

Merther

Morgana/Gwen

~

- Miss Peregrine's Home for Peculiar Children

Hollowheart

Floatingfire

~

- Lord of the Rings/Hobbit

Aralas

Frodo Baggins/Samwise Gamgee

Meriadoc Brandybuck/Peregrin Took

Frodo/Samwise/Merry/Pippin

Bagginshield

~

- Dark Matter

OneThree

~

- Power Rangers (full list in the pr blog)

Jake Holling/Noah Carver

Brody Romero/Preston Tien

Hayley Foster/Calvin Maxwell

Tyler Navarro/Riley Griffen

Jayden Shiba/Antonio Garcia

Mike/Kevin

Devon Daniels/Ravi Shaw/Zoey Reeves/Nate Silva

Devon Daniels/Nate Silva

Casey Rhodes/RJ

Vida Rocca/Xander Blye/Chip Thorn

Nick Russell/Chip Thorn

Jack Landors/Syd Drew/Sky Tate/Z Delgado/Bridge Carson

Jack Landors/Bridge Carson

Will Aston/Mackenzie Hartford

Ronny Robinson/Rose Ortiz

Scott Truman/Summer Landsdown/Dillon/Fynn McAllistair/Ziggy Grover

Dillon/Ziggy Grover

Scott Truman/Flynn McAllistair

Shane Clarke/Dustin Brooks

Zayto/Ollie Akana

Zayto/Ollie Akana/Javi Garcia

~

- Hawai'i Five-0

McDanno

Max Bergman/Jerry Ortega

~

- Shadowhunters

Jimon

Alec Lightwood/Simon Lewis

Jace Herondale/Clary Fray/Simon Lewis

Magnus Bane/Alec Lightwood/Simon Lewis

Malec

Clizzy

~

- Umbrella Academy

Dave/Klaus Hargreeves

Eudora Patch/Diego Hargreeves

~

- Flashpoint

Julianna Callaghan/Sam Braddock

Lewis Young/Spike Scarlatti

Sam Braddock/Spike Scarlatti

Sam/Spike/Lew/Donna/Winnie/Jules

~

- Teen Wolf

Derek Hale/Stiles Stilinski

Allison/Scott

Erica/Boyd

Danny/Ethan

Lydia/Jackson/Aiden

Lydia/Stiles

~

- Grimm

Monroe/Rosalee Calvert/Nick Burkhardt

Nickroe

Adalind/Juliette

Roddy Geiger/Carter Brimey

Renard/Wu

Wu/Hank

~

- White Collar

Peter Burke/Neal Caffrey

Peter/Elizabeth

Peter/Elizabeth/Neal

~

- CSI

Horatio Caine/Eric Delko

Caine/Eric/Speedle

Calleigh/Ryan Wolfe/Natalia

~

- 9-1-1/Lone Star

Tarlos

Russley

Owen/Michelle

Bobby/Athena

Hen/Karen

Chimney/Maddie

Marjan/Paul

Mateo/Nancy

Nancy/Marjan

~

- One Chicago

Kelly Severide/Matthew Casey

Greg "Mouse" Gerwitz/Jay Halstead

Will Halstead/Connor Rhodes

Will Halstead/Natalie Manning/Connor Rhodes

Will Halstead/Justin Lieu/Connor Rhodes

Gabby/Shay

Darren/Blake

Mouch/Trudy

Herrmann/Cindy

Boden/Donna

Cruz/Chloe

Antonio/Peter Stone

Antonio/Voight

Sarah/Noah/Joey

Crockett/Ethan

Ethan/April

April/Maggie

~

- Mission Impossible

Ethan/Will

Jane/Bengi

~

- Sherlock

Johnlock

Greg Lestrade/Mycroft Holmes

~

- House

House/Chase

House/Wilson

Wilson/Chase

House/Wilson/Chase

Foreman/Thirteen

~

- Ghost Whisperer

Melinda/Jim

Melinda/Rick

Melinda/Rick/Eli

~

- Baby Driver

Darling/Buddy/Baby

~

- Bull

Danny/Cable

Bull/Benny

~

- Julie and the Phantoms

Luke/Julie

Luke/Reggie/Alex

Luke/Alex

Julie/Flynn

Julie/Carrie

~

-TMNT

Leo/Usagi (2003 only)

Leo/Karai (2003 only)

Raph/Traximus

Raph/Casey Jones

Don/Usagi (2003 only)

Don/Leatherhead

Mikey/Mondo Gecko

Mikey/Renet

Splinter/Tang Shen (2012 only)

~

I do not write incest of any kind, I do not write abuse unless by my own ideas, I do not write manipulation unless by my own ideas

If you have a question about a ship you don't see up here and want me to write, you're welcome to DM/IM me.

Thank you!

[felicjana050896]

Roman vs Kendall

A post about promotional posters and some of my own thoughts.

First Poster:

Logan stands in the middle as the company, he is the company. By the way, the series is also a beautiful circle, the 1st episode of the 1st season began with Logan's birthday, that's where the fight for succession began, the 1st episode of the 4th season began with Logan's birthday, this season will end with the fight for succession.

On the left we have the sibling team, on the right the Logan team (we can already see on the poster that Roman betrayed).

Each character is someone's reflection:

Connor and Greg: I don't know if there's going to be a fight between them, I don't think so, I think it's like the Season 3 poster with Shiv and Connor, they have to put them somewhere, and since they're similar in behavior and thinking in some ways (in context of being a bit childish), they are a reflection of themselves.

Shiv and Tom: here probably no doubt, there will be a fight between them.

Kendall and Roman: and this is the most interesting, many people compare their relationship/history to Romulus and Remus, and that they are the main competitors in the battle for succession, this poster seems to confirm it, then Kendall and Roman will have to fight each other for power.

Individual looks:

Connor as well as Kendall and I think Shiv too (although he may be looking at Tom but I'm not sure) are looking at Logan as the one they will mostly oppose.

Greg looks at his reflection as the one who will take care of himself and his survival.

Tom looks to Shiv as the one he will have to fight.

Roman (just like Logan) is the only one who does not look at anyone or at his reflection, he looks forward, in front of himself, it seems to me that this may be the greatest indication that Roman will win Succession as the one who looks into the future.

Second Poster ans thoughts:

As one of the posters has a plane (announcement of Logan's death in the plane), in these posters we have Logan in the middle as a company and reflections of people, Greg with Connor (as the least important), Shiv with Tom (as a marriage war) and Roman with Kendall, while Roman and Kendall's reflections in one of the posters are facing Logan and Logan's reflections are facing them, this shows that the real fight for the company will be between Kendall and Roman, this is also heralded by the song that Connor sings at karaoke, which is about one of the brothers killing the other in a fight:

And what can I tell you my brother,

my killer

What can I possibly say?

I guess that I miss you,

I guess I forgive you

I'm glad you stood in my way

moreover, all the people in the poster are looking in someone's direction, Kendall is also looking at Logan (this is a cutout from the first poster), the only people who are not looking in someone's direction and looking ahead is Logan and Roman, sorry, but Roman from season 1 has gone through such a path of development that no siblings have gone through, he himself was taught by a member of the old guard Gerri and in the most brutal way (her betrayal at the end, of course right, but still), Roman has childhood stories about going to a military school, being kept in a cage like a dog, Logan beating him as a child, two dogs fighting (Kendall and Roman, which also foreshadows their fight for the company from the beginning, in this story, Kendall always won, so now in the fight for the company, Roman will win), about fishing trips with Connor, sorry, but I don't remember any stories about Kendall, Shiv or Connor's childhood, apart from one from season 3 where Connor says he took them camping because Logan couldn't, Roman has the biggest background as a character, plus the very mythology of Romulus and Remus (where Roman's name comes from and Logan himself often calls Roman Romulus especially when he's mad) where Romulus killed his brother Remus, and one more shot from the trailers, where Kendall hits Roman against the wall, he clearly has a reason to be mad at him, Roman has been clearly, step by step, set by the creators to be the CEO and winner of Succession.

Bonus: in both poster, in both Shiv's reflection and Tom's reflection, Shiv is behind Tom's back, does that mean she's going to get revenge and stab him in the back, or does Tom's being in front, mean he win their marital confrontation?