#Greek Film Festival

[kaliarda]

Bearcave / Αρκουδότρυπα (2023), dir. Krysianna Papadakis, Stergios Dinopoulos

[infinitelytheheartexpands]

production photos for the salzburg festival’s new staging (premiering tomorrow!!!) of martinu’s the greek passion are in and this looks INTRIGUING:

(source, with more images)

[momentsnfilm]

Will our greatest moments…I mean how could they…Even now my dreams fail to flash before the moon.

I need you to tell me if our greatest feelings, moments stay with us when we go? Do they become stardust in our eyes? Whistle secrets clothed as truths? Or do they get stuck in our fingernails as residue - from the uncovering of when my skin last felt at home in yours?

The road I’m traveling down is leaving no room to nudge our hearts forward. We’ll both be on opposite sides of the rubble, once the wrecking bathes our names in memory. I beg Wednesday, and all the days of the week,to let me take you with me when I go.

It’s the last stop on the train and I’ve never been more scared of what the breeze of forever could feel like.

Fingernails | Director: Christos Nikou (2024)

[gemsofgreece]

As if I could be any more excited…

Yorgos Lanthimos’ Poor Things just won the Golden Lion at the Venice Film Festival.

[faces-of-7th-art]

Τον Θόδωρο Αγγελόπουλο τον γνώρισα στις Κάννες το 1983... Την πρωτη του κινηματογραφική ταινία που θαύμασα ηταν η ''Αναπαράσταση'',την είδα στο Παρίσι το 1978.Ηταν μια αποκάλυψη για μένα... Υπήρξαν πολλοί σκηνοθέτες,κινηματογραφιστές άν θέλετε που με επηρέασαν στην καριέρα μου ως επαγγελματία φωτογράφο,ρεπόρτερ αρχικά και μετά φωτογραφος μόδας,πορτραιτων και εν τέλει διαφημιστικής φωτογραφίας. Παντα προσπαθούσα να διατηρήσω μια εικαστικότητα στο κάδρο μου μεσω απο τις αντιξοοότητες του επαγγέλματος.Η εικαστικότητα του Αγγελοπουλου ηταν και παραμένει μια ανάσα δημιουργίας.Οι φωτο που παρουσιάζονται ειναι απο τις Κάννες και το Φεστιβάλ Θεσσαλονίκης(πορτραιτα).Ειναι απο το 1984 εως το 1998,που ο Θόδωρος πήρε τον Χρυσό Φοίνικα.Ηταν μια στιγμή μεγάλης συγκίνησης...για τον νεοελληνικό πολιτισμό.Θα τον θυμάμαι πάντα.Merci pour tout Theo.

[literallys-illiteracy]

Project Moon Reading list

this is mt attempt at a comprehensive list of the references in Project Moon Games.

if you have any that arent listed, feel free to share them.

Lobotomy Corporation:

SCP-049 (Plague Doctor) (Speculated)

Portrait of Dorian Grey (Portrait of Another World; Mirror Of Adjustment) (Speculated)

Bible (One Sin and Hundreds of Good Deeds, Plague Doctor, Skin Prophecy, Flesh Idol, Burrowing Heaven, Express Train to Hell, Whitenight, Carmen)

Midsummer Nights Dream (Fariy Festival)

[Radio Station] UVB-76//The Buzzer (1.76Mhz)(Speculated)

Necronomicon//General Lovecraft (Skin Prophecy)

Colour Out of Space (Fragment of the Universe) (speculated; Thematically almost certainly lovecraft inspired)

The Little Match Girl (Scorched Girl)

Beauty and the Beast (Beauty and the Beast)

The Red Shoes (Red Shoes)

The Wonderful Wizard of Oz (Scarecrow searching for wisdom; Warm Hearted Woodsman)

Colour Out of Space (Child of the Galaxy) (speculative)

The Snow Queen (The Snow Queen)

Rudolph the Red Nosed Reindeer (Rudolta of the Sleigh)

[Opera] Der Freischutz (Der Freischutz)

Snow White and the seven dwarves (Snow White's Apple)

Alarune (Alriune) (speculative)

The Little Prince (Little Prince)

Little Red Riding Hood (Little Red Riding Hooded Mercenary; Big and Will be Bad Wolf)

Three Little Pigs (Big and Will be Bad Wolf)

The Six Swans (Dream of a Black Swan) (Speculative)

[Music] Bethoven's Moonlight Sonata (Il Pianta De La Luna, Silent Orchestra)

[Film] Spirited Away (Mountain of Smiling Bodies) (Design) (Speculative)

Wonderlab specific:

Alice's adventures in wonderland (Red Queen, Hookah Butterfly)

The Wonderful Wizard of Oz (Scaredy Cat and the road home)

The little mermaid (Piscence mermaid)

Midsummer nights dream (Titania)

[Conjecture/Heavy Speculation] Snow Queen or Snow White and the Seven Dwarves (Nobody Is)

Rapunzel (Tangle)

Lady in the Lake (White Lake)

Mythology and Folklore:

[Buddhist] Preta (Clouded Monk)

[Celtic] Faerie (Fairy Festival)

[German] Der Freischutz "The Freeshooter" (Der Freischutz)

[German] Doppelganger "Double Walker" (Nothing There) (thematic)

[German] Nachtkrapp "Night raven" (Big Bird) (Speculative; Personally unconvinced)

[Greek] Stymphalian birds (Punishing Bird) (Speculative)

[Greek] Pygmalion//Galatea (Pygmalion)

[Japanese] Baku (Void Dream)

[Japanese] Jubokko "Tree Child" (Grave of Cherry blossoms)

[Jewish] Kabbalah (Tree of life, Malkuth, Yesod, Netzach, Hod, Tifret, Gevurah, Hesed, Chokma, Binah, Keter, Ayin)

[Jewish] Succubus//Incubus (Porccubus)

[Korean] Urban Legend regarding "Grape Welch Soda" (An Opened Can of Welcheers)

[Norse] Yggdrasil (Parasite Tree) (Speculative: Giant Tree Sap)

[Roman] Justicia // Lady Justice (Judgement Bird)

[Roman] Laetitia (Laetitia)

[Russian]  Zhar-ptitsa "The Firebird" (The Firebird)

--------------

Library of Ruina:

Library of Babel

Do Androids dream of electric sheep? (Thematic, Achievement name)

The Wonderful Wizard of Oz (The Adult Who Tells Lies, Scaredy cat and the road home)

The Marvelous Land of Oz (Ozma)

Town Musicians of Bremen (The Musicians of Bremen)

The Jaunt (WARP trains)

Nosferatu (Nosferatu)

Macbeth ("And then is Heard no more")

[Film] The hour of the wolf (Tanya)

[tarot] The fool (Jester of Nihil)

[poetry] Sky, Wind, Stars, and Poem (SPB&TP mili song) (thematic)

[poetry] Orlando furioso /& Orlando Innamoratto. (Roland and related cast (Argalia, angelica, etc.))

---------------

Limbus Company

The Divine Comedy (Dante & surrounding cast)

The Wings (Yi Sang & co.)

Faust (Faust)

Don Quixote (Don Quixote)

Hell Screen (Ryoshu)

The Stranger//L'etranger//The Outsider (Meursault)

Dream of the red chamber (Hong Lu)

Wuthering Heights (Heathcliff & Co.)

Moby Dick//The Whale (ishmael & Co.)

Crime and Punishment (Rodion & Sonya)

Demian (Sinclair & Co.)

The Odyssey (Outis, Cyclops)

The Metamorphosis (Gregor)

Limbus Company - Minor References:

Peter pan (Smee)

Sherlock Holmes: (Timekilling Time Stage Names)

Scandal in time (Scandal in Bohemia)

A Case of the Gallows (A Case of Identity) (speculative)

The Adventure of three detectives (The Adventure of Three Students)

The White Scarved League (The Red Headed League)

The Clock Tower of Fear (Valley of Fear)

The Final Problem (The Final Problem)

Midsummer night dream (Midwinter Nightmare EGO gift)

The Time Machine (Hubert from TKT) (Speculative)

The Stars (Alfonso and Stephanette)

The Old Man and The Sea (Indigo elder) (Speculative)

Murder on the Orient Express (Murder on the WARP express)

Vampire the Masqurade (Casseti) (Speculative)

The Masque of the Red Death (Casseti) (Speculative)

The one who rules (Stage name "the one who lords") (speculative)

Real People:

League of nine:

Kim Kirim (김기림) (Rim)

Yi Hyoseok (이효석) (Aseah)

Lee Jong-myeong (이종명) (Yurang)

Kim Yu-yeong (김유영) (???/ Unnamed Member)

Chi-Jin Yoo (유치진). Pen name: Dongrang (동랑) (Dongrang)

Cho Yong-man (조용만) (Aneung)

Lee Tae-jun (이태준) (Sang-heo)

Jeong Ji-yong (정지용) (Young-ji)

Lee Mu-young (이무영) (Gap-ryong)

Park Taewon (박태원) (Gubo)

Kim Hae-Gyeong (김해경). Pen name Yi Sang (이상) (Yi Sang)

Park Pal-yang (박팔양) (???/ Unnamed member)

Gim Yujeong (김유정) (Dongbaek)

Kim Hwan-tae (김환태) (Nul-in)

other(s):

Agatha Christi (Grade 1 Fixer Agatha)

Kim Sakkat (Bamboo Hatted Kim)

Alphonse Daudet (Alfonso)

Vergil (Vergillius)

EGO and Abnormalities:

Midsummers Night Dream (Midwinter Nightmare) (EGO gift)

Carmilla (400 roses Anormality) (Carmilla EGO gift)

Metropolis (Resident of Metropolaris) (Speculative)

Snow White and the seven dwarves (Ebony Queen's Apple)

Pride and Predgudice (Spider of Marrige)

Poem of a dying butterfly (no.10 Crows Eye View) (A Dying Butterfly

Rudolph the red nosed Reindeer (Sandolph)

[Religion, Abrahamic religions] (Skin Prophet) (Heavenly Executioners throne) (Sign of Roses) (Heavenly Commanders Throne) (Broken Wings) (ichthys (Headless ichthys))

[Religion, Buddhist] (Ya Śūnyatā Tad Rūpam EGO) (My Form Empties)

[Folklore, Celtic] Faeries (Fairy Long-Legs, Fairy Gentleman, Faelantern)

[Folklore, German] Der Freishutze (Der Freishutze) (Der Fluchshutze)

[Folklore, Korean] The Green Frog (Blubbering Toad)

[Folklore, Korean] Dol hareubang (Wishing Cairn) (Pagoda Veneration)

[greenwitchcrafts]

January 2024 Witch guide

Full Moon: January 25th

New moon: January 11th

Sabbats: None

January Wolf Moon

Known as: Bear Moon, Chaste Moon, Cold Moon, Disting Moon, Goose Moon, Moon of Little Winter,  Moon of Strong Cold, Quiet Moon, Snow Moon, Stay at Home Moon, Sun Has Not Strength to Thaw Moon & When Snow Blows Like Spirits In The Wind Moon

Element: Air

Zodiac: Capricorn & Aquarius

Nature spirits: Brownies & Gnomes

Deities: Freya, Hera, Innana & Saraswati

Animals: Coyote & fox

Birds: Blue Jay & pheasant

Trees: Birch & Hazel

Herbs: Cones, holy thistle &marjoram

Flowers: Crocus & Snowdrop

Scents: Mimosa & musk

Stones: Chrysoprase, garnet, hematite, moonstone, onyx & jet

Colors: Black, blue-violet, grey, silver & white

Energy: Adventurous, ambitious, awareness, beauty, beginning & conceiving; business, career, conserving energy, energy below the surface, organization, political matters, potential, protection, recognition, reputation, reversing spells & spirituality

The name for the January full Moon is believed to have originated from Celtic and Old English roots, which European settlers then brought to the New World.

At one point, gray wolves were among the most widespread land mammals on our planet. According to the Wolf Conversation Center, gray wolves “inhabited most of the available land in the Northern Hemisphere.” Habitat destruction and persecution by humans have reduced their range by about a third worldwide and 90 percent in the lower 48 states.

The wolf’s adaptable nature to survive in a wide range of habitats and ability to prey on the largest mammals living in those regions made it widespread. Basically, if there are enough deer, moose, elk, caribou, bison, and musk ox, wolves can survive. Predation of domestic animals caused friction with European settlers and early Americans who aggressively hunted the wolves.

Werewolf myths can be found in ancient Greek and Roman societies, throughout European history and among some Native American tribes. In modern storytelling the transformation from man to wolf has been closely tied to the full Moon in films like “The Wolf Man” and “American Werewolf In London.”

Howl at the Moon means to waste energy pursuing something unattainable. It’s shorthand for doing something crazy. However, howling is hardly a waste of energy among wolf packs. And they aren’t howling at the Moon. The Moon just happens to be shining during times when wolves most often howl.

A wolf’s howl can be heard miles away. The vocalization helps wolves locate separated members and even communicate between packs marking their territories. One study recorded spontaneous howls and responses happen most often between 11 p.m. and 6 a.m.

The cry of wolves doesn’t play into the Sioux name for the January full Moon, which is known as “The Time When Wolves Run Together.” Wolves do plenty of running to defend territory that can stretch hundreds of square miles to find enough prey to support the pack.

Other Celebrations

• Hogmanay | January 1st: is the Scots word for the last day of the old year and is synonymous with the celebration of the New Year in the Scottish manner. It is normally followed by further celebration on the morning of New Year's Day (1 January) and, in some cases, 2 January—a Scottish bank holiday. In a few contexts, the word Hogmanay is used more loosely to describe the entire period consisting of the last few days of the old year and the first few days of the new year. For instance, not all events held under the banner of Edinburgh's Hogmanay take place on 31 December.

The origins of Hogmanay are unclear, but it may be derived from Norse and Gaelic observances of the winter solstice. Customs vary throughout Scotland and usually include gift-giving and visiting the homes of friends and neighbours, with particular attention given to the first-foot, the first guest of the new year.

• Compitalia/ Feast of Lades | January 3-5: was an annual festival in honor of the Lares Compitales, household deities of the crossroads, to whom sacrifices were offered at the places where two or more ways met.

Dionysius said that Servius Tullius founded the festival, which he describes as it was celebrated in his time. Dionysius relates that the sacrifices consisted of honey-cakes (Ancient Greek: πέλανοι) presented by the inhabitants of each house; and that the people who assisted as ministering servants at the festival were not free men, but slaves, because the Lares took pleasure in the service of slaves. He further adds that the Compitalia were celebrated a few days after the Saturnalia with great splendor, and that the slaves on this occasion had full liberty to do as they pleased.

During the celebration of the festival, each family placed the statue of the underworld goddess Mania at the door of their house. They also hung up at their doors figures of wool representing men and women, accompanying them with humble requests that the Lares and Mania would be contented with those figures, and spare the people of the house

Sources:

Farmersalmanac.com

Llewellyn's Complete Book of Correspondences by Sandra Kines

A Witch's Book of Correspondences by Viktorija Briggs

Llewellyn's 2023 magical almanac: practical magic for everyday living

Wikipedia

Encyclopedia Britannica

[promptsbytaurie]

holymolyguacamole i LOVED ur meetcute prompts, any chance of u doing a couple more >_< perhaps >_<

i'm so glad you enjoyed!! and of course, i'm happy to give more :D

31 (more) meet-cute prompts

you're a greek god and they're the obnoxious blacksmith who makes all of your weapons

they're an assassin and you're their neighbor but they're way too cute to snitch on

you're the captain of a spaceship and they're the human you found living in the air vents

you're traitors accidentally exiled to the same deserted island

you robbed a walmart and they committed manslaughter, you meet in a holding cell

you're a zookeeper and they're the cute visitor who always manages to be there when you're prepping the enclosure

you're an experienced baker and they're your newest employee

your stalls are next to each other at a festival and you spend the entire time bickering

you're a flight attendant and they're the stuffy rich person who's always in first class

you're ballet dancers paired together for a performance

you're a dive instructor and they're the obnoxious person in your class

you both live in the apartments above a pub that is blasting music all night

you're film students paired together for the final project

they're a podcast host and you're their biggest fan

your mutual friend bails at the last minute so now you, two essential strangers, have to go on a road trip together

they're a singer and you're the photographer who is too distracted by them to take any pictures

you run a music store and they have atrocious taste

you're both famous youtubers whose fanbases absolutely despise each other

they accidentally scraped your car and left you their number so you angrily called them but wow they have a really hot voice

you run a haunted house and they're a bored visitor. you are determined to make them scream (not like that) (not yet at least)

you own a magazine and they're the anonymous column author who subtly roasts you the entire time

your friend set you guys up for a blind date. oh uh hi boss. ... about that memo

you're tumblr famous and they're a hilarious anon

you own a thrift store and they keep buying the wildest shit

they're the cop that pulled you over

they're the [insert sport] nerd and you have no idea what that sport is

you paid compliments to the chef and they came out blushing and asked for your number

you're on your morning run and this fucking creep won't stop chasing you???? (you dropped your headphone case)

they're renovating your bathroom and damn you had no idea you were into that kind of heavy lifting

you're both fans at a concert arguing over which song is the best

you have an obscure TV show sticker on your laptop and this stranger on your bus is thrilled they're not the only one who knows it exists

[dreamerwitches]

It's the----- updated Madoka iceberg yaaay!

I'll only be discussing the additions on this one (in green) so please check out the old one for the original descriptions

Content warning fooooor: fetishes, child abuse, artists being perverted about children, suicide, death and organ trafficking. This is gonna be fun, huh

Let's goooo!

Sky:

Mami forever alone: A bit of a joke/observation in the fandom. The popular pairings are Madoka and Homura, and Sayaka and Kyoko, often leading to Mami being alone which sadly suits her character... This is jokingly noticed in fanart and manga with Mami often being left out. Sadly it's also led to some darker pairings for her such as Kyubey, Nagisa and even the witch kissed woman from episode 2.

Witches speak: Although witches are often silent or cry out like monsters. Two are known to have spoken. Elly speaks in reverse in episode 4 saying 'I really had fun today, I want to do it again. Next time, I'll bring a bentou'. Izabel also speaks in episode 10 to lure Homura into her labyrinth. However it is completely unconfirmed that the witches are actually speaking and it may even be their familiars. Mildly related, Oktavia's scream from episode 9 is actually a distorted scream from Sayaka.

Walpurgisnacht festival: Walpurgisnacht's name comes from the real world European festival of the same name, or Walpurgis night, that lands on the 30th of April or the 1st of May. Some people theorise that Walpurgisnacht actually arrives in Mitakihara on one of these days.

Walpurgisnacht rising: The sequel film to Rebellion announced on April 25th, 2021... very little was first shown and not a sausage has been revealed since... v-v

Madoka Magica Cafe: A temporary cafe set up around the release of the original anime in 2011. It offered special drinks and desserts as well as Madoka merch. It was extremely popular with waits of over 2 hours on opening day. A few more were held in Japan and Taipei.

Tip:

Magia Record Anime ver. Units: Very controversial variant units from the Magia Record game. These units were criticised as lazy copies of existing characters. With either very minor differences to talk sprites or none at all, ugly battle sprites and lazy transformation animations ripped straight from the anime. These units were not received well with one of the only good aspects being the beautiful card art.

Juubey: The Kyubey for the Pleides Saints in Kazumi Magica. Spoilers for the manga. He was an altered Kyubey that served the girls and purified their Soul Gems without need for Grief Seeds. After learning the truth about witches, the girls killed Kyubey and turned them into a Dependent-Version Incubator with the nickname Juubey and blocked out Kyubey's influence on the city. Yeah, it's complicated XD

Covid delivery girls: The dual unit Tsuruno Felicia Delivery Girls features face masks in their transformation and Magia sprite because the Covid pandemic was occuring when the unit was released.

Ebony: Ebony was the third Puella Historia unit released in Magia Record being a girl from ancient Egypt. She is heavily criticised in the western fandom for not only having a terribly revealing and historically inaccurate outfit but for also being white. However, like Cleopatra, she could be Greek therefore her skin tone would be correct. This however does not excuse her poor design overall On a similar note, how Cleopatra appears in Magia Record is incorrect as she is tanned in-game but has been confirmed by historians to have been white.

Cancelled figures: What is says on the tin! Merchandise that was cancelled including a scale figure of Nagisa and figures of Yachiyo and Tsuruno in their casual clothes and uniform respectively (possibly prize figures). Some that are in a terrible limbo include the 1/8 scale Holy Mami figure, Figuarts mini of Mami, Sayaka and Kyoko and a 1/7 scale figure of Madoka in the style of Aoki Ume's art.

Rebellion was just fanservice: My, my, a controversial one! Some people speculate that the sequel movie, Rebellion, was merely made for fanservice and money. This can be argued with the finite feeling to the anime's ending as well as the many tropes seen in the movie. It shows all the girls fighting happily together (a thing wanted by many fans), ties up loose ends with Sayaka and Kyoko and adds a fan favourite witch, Charlotte, into the main cast. I like to think this isn't the case but you can decide this yourself.

Masara Kokoro Bride ver. A recent variant for Masara and Kokoro where Masara is in a wedding dress and Kokoro is in a tuxedo. Their description is that they're modelling for wedding photos but the gay theming is too overpowering for it to be simply platonic. The less than subtle hints at romance between two girls is a change for the series that loves to be ambiguous. The unit was very well received.

Kyubey and Charlotte scooters: A unique piece of merchandise are scooters by Brain Police that feature decals of Kyubey and Charlotte. You can get yourself one for the low low price of 134,400 yen (£750). These are certainly unique, but quite a funny piece of merch

Lesbian Rika: Rika from Magia Record is the only magical girl canonically who has been in love with another girl (don't get the pitchforks, SPECIFICALLY confirmed). Her wish was for her childhood friend to fall in love with her instead of the boy she liked which does work yet Rika realises it doesn't feel right and breaks up with her.

Shallows:

Trans Ria: Ria is a magical girl from Magia Record, her wish was 'Turn me into a naturally beautiful girl'. This has led fans to believe that her wish was for her to transition from male to female. This can also be seen with her doppel Heide Jekyll that transforms from a dumpy blob in a rectangle to a feminine figure with a circle. Her witch's name also comes from Dr. Jekyll and Mr. Hyde which is not only a male character but they were also known for transforming into an alter ego or a different person.

Devil Homura in Magia Record: A total tease. Fans have been wanting Devil Homura as a unit in Magia Record since its very beginning however she still hasn't come. To add salt to the wound, the Magia Report version of her, Devil Homura-chan was added on April Fools 2022. It's speculated she may be released on Magia Day but she's still not here...

Alina Eve's name: Alina Eve is a witch fusion of Alina, her doppel and Shitori Egumo who debuted in episode 25 of the Magia Record anime. In the anime, her name appeared in Runes as 'Neo Dorothy Motherfucker'. This links to her use of curses and her doppel's name, Old Dorothy. However, when her profile was revealed on the official twitter she was named Alina Eve and in-game she is called Neo Dorothy. The reason for the change and discrepancy is unknown but it may be because they didn't want to use swear words in media outside the anime.

Swimsuit Madoka's transformation: An infamous one. When Madoka got her swimsuit unit her transformation was the first (and only so far) to use the live2D models instead of traditional animation. This was not well received and was a disappointment for one of the main character's units. The reason may have been time constraints but fans were not pleased.

Mami is Walpurgisnacht: Forgive me, it's a little clickbait-y..! The reason is..! Mami's voice actress, Kaori Mizuhashi also voiced Walpurgisnacht in the anime. She also voiced Tatsuya, Madoka's little brother.

Fetishes: Oh dear... we're getting here... Two magical girls have clear fetishes. Yukika gets pleasure from dangerous situations while Miyuri has a foot fetish that is probably played off for laughs... It is NOT okay to give child characters fetishes, okay? Fetishes are a sexual thing. Next.

Dub bloopers: Bloopers for the English dub of the anime were released at Otakon 2012 (can be found on Youtube). It certainly feels like 2010s humour but it's still a little funny. Also great if you wanna hear some of the girls swear.

Iroha x Yachiyo: Ugh. It is very clear from Magia Record media that Iroha and Yachiyo are played off very similarly to Madoka and Homura. While the pairing of Madoka and Homura is perfectly fine as they're both children, Iroha and Yachiyo are not. Yachiyo is an adult and Iroha is a child. The anime, merchandise, and the unit of them together rub salt into this wound as dual units are mostly seen as ship units by fans. It's disgusting and not okay.

Yuma's abuse: Yuma is an abuse victim in Oriko Magica. (cw description of child abuse) Her father is absent (either neglectful or has left) and her mother, Mako, would beat and burn her with cigarettes as well as kick her out of the house for long periods of time. Her parents are killed in the original manga and she is taken in by Kyoko because of her similarity to her late sister Momo. In Extra Story she never contracts and is living happily with her grandparents.

Deep Waters:

Gan: Ugh again. Gan is the artist behind Suzune Magica (probably the least liked spin off lol) who is infamous for their clear lack of restraint in making children sexualised. Arisa has an outfit with circles right where her nipples are, Chisato has an outfit with a strip of fabric for a skirt and she is canonically uncomfortable with it and they love giving older characters enormous (and unrealistic) breasts. The art they draw of their UNDERAGE characters is always sexual and borderline pornographic and. Not. Okay. (even told by Magireco staff to tone down their puella historia character, haha fuck you)

Takashi Tensugi The illustrator for Kazumi Magica. Their disgusting taste is evident in the character design for the protagonists as well as sexual and revealing shots in the manga but I've also heard that they've drawn hentai before. No I'm not going to fucking look for that thank you. But... another bad egg in the spin off manga series... Not okay

Masugitsune ANOTHER BAD EGG! One of the illustrators for Tart Magica and also the illustrator for Yukika (you can tell where this is going). Sexualises minors, just like every madoka spin-off artist seems to... Has drawn Yukika in revealing swimsuits and bunny costumes as well as the rest of the Tart cast. Remember, they're all children----! NOT OKAY!

Riz's former companions names Omg thank god we're past the nonce section... Riz had unnamed magical girl companions in Tart Magica that have been slowly named by their artist. Their names are... pretty shit honestly as they're just named after their weapons. They are Machete, Frusta and Falce with one being still unnamed.

Kuroe was a marketing stunt: Not confirmed of course but... Kuroe was introduced at the very beginning of the Magia Record anime with her being the only new character. She disappeared for the rest of the series until the very end with a very lacklustre and ineffective ending. One could imagine that her inclusion and focus was to grip watchers into continuing with an otherwise pretty underwhelming series. But... take it how you wish...

Livia's backstory: Hey, this isn't new! I hear you say! Well, it's not new, but it's changed! The original iceberg said that her backstory may have been linked to a miscarriage but NOPE its worse! She was actually almost a victim of organ trafficking when she was a child. And later in life, she watched one of her friends die on her wedding day as she was run over by a tractor that she caused to malfunction...

Himena and Hiko: Himena's wish was for her boyfriend to be with her within her. After... her boyfriend committed suicide yaaayyy! (sarcasm) The end of this iceberg isn't very nice, is it? Her boyfriend didn't want to come back and now he's stuck with her forever.

Well... that's it! Sorry it became a bit of a bummer at the end...

Have a plushy Charlotte for making it to the end! Yay!

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 23

1631 – The English Elizabethan poet Michael Drayton died on this date (b.1563). In 1593 appeared the first of Drayton's historical poems, "The Legend of Piers Gaveston" which dealt with the relationship between the English King Edward II and Gaveston in sympathetic terms that did not condemn their love. Drayton moved in the circle of writers that included Christopher Marlowe and Drayton's play may have had an influence on Marlowe's version which came out the following year in 1594.

1777 – Tsar Alexander I of Russia was born on this date (d.1825). Alexander's Russia is the backdrop for Tolstoy's War and Peace, so complicated is this period of European history. Basically, Alexander may be seen as the emperor of Russia who formed the coalition that defeated Napoleon and founded the Holy Alliance. The church bells you hear at the end of Tchaikovsky's 1812 Overture are ringing out at the news of Alexander's defeat of France, which made him one of the most powerful leaders in Europe.

Is it any wonder Napoleon called Alexander "the slyest and handsomest of all the Greeks," a begrudgingly admiring assessment of the czar's homosexuality, a contention amply supported in the documents of the period. Alexander was always shrouded in mystery. When he died, rumors persisted that he had actually fled Russia to Siberia where he became a hermit. In 1926 his tomb was opened by the Soviet government. It was empty and the mystery remains unresolved.

1954 – Danny Nicoletta is an American photographer, photo journalist and gay rights activist.

Born in New York City, Daniel Nicoletta was raised in Utica, NY. In his late teens he left New York to attend San Francisco State University, later graduating from the bachelor of arts program. He started his photographic career in 1975 as an intern to Crawford Barton, who was then a staff photographer for the national gay magazine The Advocate.

In 1974, when he was 19, Nicoletta first met Harvey Milk and Scott Smith at Castro Camera, their camera store on Castro Street; the following year, they hired him to work at shop. The three became friends, and Nicoletta worked with Milk on his campaigns for political office. During this period of time, Nicoletta took many now well-known photographs of Milk.

After Milk's death, Nicoletta worked to keep his memory alive. He was the installation coordinator of the Harvey Milk photographic tribute plaques installed at Harvey Milk Plaza and at the Castro Street Station, which featured his photographs as well as those of Marc Cohen, Don Eckert, Jerry Pritikin, Efren Ramirez, Rink, and Leland Toy. He was co-chair of the Harvey Milk City Hall Memorial Committee, and his photograph served as the basis for the bust of Milk that now resides in the rotunda of San Francisco's City Hall.

In the feature film Milk, a biographical film based on the life of Harvey Milk directed by Gus Van Sant, Nicoletta is played by Lucas Grabeel. Nicoletta himself plays Carl Carlson and served as the still photographer on the film.

Nicoletta was one of the founders of the San Francisco International LGBT Film Festival, now known as the Frameline Film Festival. In 1977, while still working at Harvey Milk's photography shop, Nicoletta, along with David Waggoner, Marc Huestis, and others, began film screenings of their Super 8 films, called the Gay Film Festival of Super 8 Films, which evolved into the yearly festival.

1955 – Born: Bill Ryan, in Moncton, New Brunswick. Bill Ryan is a professor of Social Work at McGill University in Montréal, Québec, Canada. He is an international expert in the field of sexuality, sexual education, homophobia, health, and gay men's health.

He is one of the leaders in the international gay men's health movement and has been a driving force behind the transformation of Action Séro-Zéro in Montréal into a full fledged gay men's health organization. In 1992 he was the founding president of the Board of Directors of Séro-Zéro, which was founded to undertake HIV prevention among HIV negative gay men. He returned to the organization in 2000 and has once again been Chair, since 2004.

He is the founder of the Canadian Safe Spaces movement, which, beginning with four sites (Halifax, Moncton, Montréal, Kamloops), has grown into a movement with dozens of supportive services for youth questioning their sexual orientation .

He was founding co-chair of the Canadian Rainbow Health Coalition. In 2006, the Canadian Institutes for Health Research, granted funding to a pan-Canadian team, SVR (Sexuality, Vulnerability and Resilience), of which he is co-chair, to study the impacts of homophobia on the health of gay, lesbian, bisexual, trans and two-spirit Canadians.In October 2009, he was named Personality of the Year by the Conseil Québécois des gais et lesbiennes, and in January 2010 he was awarded the Martin Luther King Junior Legacy Award by the City of Montréal.

Ryan is openly gay. He lives with his partner in Montreal and has an adopted son.

1970 – The film Little Big Man was released on this date. Directed by Arthur Penn, it was one of the year's top grossing films. Of particular interest was actor Robert Little Star's portrayal of "Little Horse", a Transgendered Native American who was well accepted by his peers. This was one of the first popular recognitions of a tradition of sexual diversity among Plains Indian nations.

1980 – Rory O'Malley is an Irish-American film, television, and musical theater actor, best known for his Tony Award-nominated performance as Elder McKinley in The Book of Mormon. He is a co-founder of the gay rights activism group Broadway Impact.

O'Malley was featured in the Dustin Lance Black play, '8', on Broadway as Ryan Kendall and in the Los Angeles premiere as Dr. Gregory M. Herek — witnesses in the federal case that overturned California's Proposition 8.

In 2012, O'Malley and his boyfriend Gerold Schroeder were featured in a GAP ad, cheek to cheek, with the caption "BE ONE."

On July 21, 2013, O'Malley announced that he is engaged to his boyfriend of five years, Gerold Schroeder. On September 28, 2014, Rory and Gerold were married.

O'Malley is an active supporter of gay rights, establishing the activism group Broadway Impact in 2009 with Gavin Creel and Jenny Kanelos. O'Malley said of the group in late 2010:

"[S]ince its first year, Broadway Impact has held massive rallies for equality in New York City, made thousands of calls through phone banks and even organized 25 buses to Washington, D.C. so that 1,400 people could attend the National Equality March for free. This year we were honored to receive the 2010 Human Rights Campaign Community Award and even participated in the ING New York City Marathon as a charity team. Our team of 12 runners, including myself, raised $38,440 for Broadway Impact!"

Openly gay, he came out at the age of 19. In an April 2011 interview with O'Malley said, "Life comes before the business...Maybe some actors haven't gotten a role because they came out, but who gives a shit if you aren't happy? I do have it easier because I'm not a leading man, but I can't imagine having the energy to be in the closet. Besides, gay actors who start up gay organizations can't exactly get away with it." He currently resides in New York City with his husband Gerold. O'Malley remains good friends with Book of Mormon co-star and former college roommate Josh Gad.

1993 – Philadelphia starring Tom Hanks premieres. The film is an American drama  and one of the first mainstream Hollywood films to acknowledge HIV/AIDS, homosexuality, and homophobia. It was written by Ron Nyswaner, directed by Jonathan Demme and stars Tom Hanks and Denzel Washington. Hanks won the Academy Award for Best Actor for his role as Andrew Beckett in the film, while the song "Streets of Philadelphia" by Bruce Springsteen won the Academy Award for Best Original Song.

2009 – The Chief Justice of Pakistan orders the National Database & Registration Authority to issue national identity cards showing "distinct" gender allowing hijras to register as a separate gender.

[kaliarda]

Το ντοκιμαντέρ Οι Γάμοι της Τήλου είναι διαθέσιμο δωρεάν ως το βράδυ της Δευτέρας από το Φεστιβάλ Κινηματογράφου Θεσσαλονίκης

[workingclasshistory]

On this day, 1 June 1940, the Greek anarchist feminist, poet and actor Katerina Gogou was born. As an adult, Gogou opposed the right-wing military dictatorship which took over in 1967, supported workers' struggles, and was frequently subjected to violence by the police. Working as a young actor, especially under the dictatorship, Gogou was only able to perform roles which perpetuated right-wing, capitalist and sexist values, like naïve domestic worker, housewife or love interest. After a popular uprising brought down the dictatorship, she was able to perform radically different roles, including in the 1977 film 'The Heavy Melon', depicting the new urban working class, for which Gogou one the best actress award at the Thessaloniki Film Festival. In the 1970s and 80s Gogou was an active supporter of the burgeoning LGBT+ movement, much of it led by trans and gender nonconforming people. Much of her poetry spoke of the lives of rebels, sex workers and residents of Athens' Exarcheia district, which remains a radical enclave today. Gogou died by suicide in 1993, and thousands of people attended her funeral. After her death, one of her unpublished poems was discovered, which began: "Don’t you stop me. I am dreaming. We lived centuries of injustice bent over. Centuries of loneliness. Now don’t. Don’t you stop me. Now and here, for ever and everywhere. I am dreaming freedom." More information, sources and map: https://stories.workingclasshistory.com/article/8092/katerina-gogou-born https://www.facebook.com/photo.php?fbid=636505691855983&set=a.602588028581083&type=3

[littlequeenies]

Carmen Jane Plant

Carmen Jane Plant is the daughter of Maureen and Robert Plant. She works as a professional dancer and teaches belly-dancing and ethnic dancing. She produced the 2018 show ‘The Serpent Slayer’.

Early Years and Family

[Robert, Maureen, and little Carmen at the family's farmhouse near Kidderminster, Worcestershire, 1970]

Carmen Jane Plant is the eldest children and the only daughter of Led Zeppelin's frontman Robert Plant and his wife Maureen née Wilson. She was born on 21st October 1968 in Birmingham, England and has two younger brothers, Karac Pendra Plant and Logan Romero Plant. She has a younger half brother from her father's side, Jesse Lee Plant aka Jordan Plant.

Carmen is of Indian descent from her mother's side and of Romani descent from her father's. The 1972 Led Zeppelin song, “The Ocean,” actually references Carmen in one of the lyrics: "‘I’m singin’ all my songs to the girl who won my heart/She’s only three years old but it’s a real fine way to start".

[Robert with his children Karac and Carmen at their farm, filmed in 1973 and seen in Led Zeppelin film's "The Song Remains the Same", released on 1976.]

During the 1970s, she attended the Elmfield Rudolf Steiner School in Stourbridge, West Midlands.

On October 2007 Robert admitted he regrets staying on tour throughout the 1970’s because he feels his daughter grew up without knowing who he was. Robert claimed she once mistook him for a burglar after he came home from a particularly long tour: "What I recall for the first two years is my daughter not really knowing who I was and getting rather agitated when I came back off tour, as she thought I’d come to rob the house."

In an interview for the People magazine (December 20 1976) Robert explains: "Carmen used to think she had two fathers—the one whose singing she heard through the speakers and the one on whose knee she was sitting. They [Carmen and Karac] love it when I come back to tell them tales."

Car accident and Karac's death

[The Plants with Scarlet Page (C) in 1976]

Carmen was also a passenger in Robert and Maureen Plant's car involved in a road accident on the Greek island of Rhodes on 4 August 1975. Maureen was driving a hired Austin Mini with her husband and their children plus Scarlet Page. The Plant family were seriously injured when the car skidded off the road and collided with a tree but Scarlet Page was unhurt. In the back-seat, Carmen suffered a broken wrist, cuts and bruises. Scarlet's mum Charlotte Martin and Maureen's sister Shirley Wilson, who were following in the car behind managed to get medical help.

In 1977, Carmen also became ill with the same stomach enteritis which took the life of her younger brother Karac Plant, aged only 6.

Personal Life

[Carmen and Robert in 1988]

On 21 November 1989, Led Zeppelin reformed with Jason Bonham on drums, for Carmen's 21st birthday party at Hen & Chickens public house in Oldbury, West Midlands. They performed 'Trampled Under Foot', 'Misty Mountain Hop', and 'Rock and Roll', with Chris Blackwell and Phil Johnstone in support. The Nashville Teens and Jimmy Page's daughter Scarlet Page, were also in attendance.

[Carmen with Charlie Jones]

Carmen Plant got married to Jimmy Page and Robert Plant's bass player Stephen Charles "Charlie" Jones (born 13 Oct 1965), at St. Peter's Church, on 18 May 1991. Their wedding reception was held in a series of marquees at Robert's farm at Kidderminster. Roy Harper's song 'Evening Star' was written for Carmen for the occasion.

Carmen and Charlie Jones have three children, their eldest a daughter named Sunny Plant-Jones (born 1993). The family lives in Bath, Somerset.

Professional Career and Recent Years

Carmen Plant Jones works as a professional dancer and teaches belly-dancing and ethnic dancing. She was tutored in belly-dancing by Serena Ramzy, wife of Hossam Ramzy who performed in Page and Plant's "No Quarter Middle Eastern orchestra". Carmen Plant has appeared at the Rivermead Womad Music Festival, Glastonbury Festival, and with the Babylon Arabic Ensemble.Carmen continues to carry on the family’s musical legacy through Middle Eastern-inspired performing arts. In a 2018 article about her dance production ‘The Serpent Slayer’, Carmen Jane Plant acknowledges her fortunate upbringing: “I come from a musical family, obviously through my dad, my husband, and my children as well. Thanks to my dad, I grew up listening to an alternative and eclectic range from a young age and that really provided the inspiration for me to get involved with all kinds of music. It’s all that I’ve known really, so it’s great that I can put this all in to practice.”

*CHECK OUR CARMEN PLANT PHOTO ALBUM HOSTED AT GOOGLE PHOTOS*

[frankendykes-monster]

There is a popular quote attributed to both Fredric Jameson and Slavoj Žižek arguing that it is “easier to imagine the end of the world than the end of capitalism.” It is an odd thought to process while watching Rhys Frake-Waterfield’s Winnie the Pooh: Blood and Honey, a schlocky horror film that reimagines A. A. Milne’s loveable anthropomorphic teddy bear as a hack-and-slash movie monster. Still, it’s something that bubbles through the film’s very existence. Blood and Honey can be understood in a couple of different contexts. Most obviously, it is a transgressive horror film that uses the iconography of beloved childhood figures in a grotesque and unsettling way as a shortcut to cheap thrills. There has been a recent spate of these movies, including The Banana Splits Movie and The Mean One. Later this year, Five Nights at Freddy’s will adapt the beloved video game, riffing on the same basic idea of cute childish things turned violent. However, Blood and Honey stands apart from these contemporaries. It isn’t a pastiche like Five Nights at Freddy’s, it isn’t a licensed production like The Banana Splits Movie, and it’s not an unauthorized parody like The Mean One. It is an adaptation of A. A. Milne’s beloved children’s classic, made possible by the fact that Winnie the Pooh has entered the public domain. Nobody has to pay to use the character, and no authority has the power to veto what can be done with him. Copyright law is an interesting thing. The Copyright Act of 1790 enshrined legal protection of an author’s right to their work for “the term of fourteen years from the recording the title thereof in the clerk’s office.” However, that period of protection would be expanded over the ensuing centuries. With the Copyright Term Extension Act, arriving in 1998, that protection was extended to the life of the author plus another seven decades. Of course, the reality is that copyright doesn’t always protect the artists. It often exists to enrich corporate entities. Much of the most lucrative intellectual property on the planet is controlled by faceless companies that ruthlessly exploit the artistry of their employees and contractors. Comic book movies are a billion-dollar industry, but key creative figures have to fundraise to pay medical bills, like Bill Mantlo. Creators like Jack Kirby or Bill Finger never got to enjoy the spoils of their labor.

Indeed, these extensions to the period of copyright were largely driven by companies holding these intellectual property rights. The Copyright Term Extension Act was known in some circles as the “Mickey Mouse Protection Act,” reflecting Disney’s proactive lobbying in favor of the extension. Incidentally, Disney paid $350 million to buy Winnie the Pooh from the A. A. Milne estate in March 2001. It is ruthless capitalism, rooted in these companies’ desires to control the public imagination. The Copyright Term Extension Act ensured that no media entered the public domain between 1998 and 2019. As much as writers like Grant Morrison might argue that superheroes are the modern equivalent to the classic Greek gods, this ignores the fact that mythology is a public resource. The classic myths were not owned by large corporations that could use the threat of legal action to pull Vera Drew’s The People’s Joker from the Toronto International Film Festival after a single screening. This makes Blood and Honey a pointed act of transgression. The film comes from writer and director Rhys Frake-Waterfield, best known as a producer of low-rent schlock like Dinosaur Hotel and Dragon Fury. Realizing that A. A. Milne’s beloved childhood fable was entering the public domain, Frake-Waterfield sensed an opportunity. With a budget of under $100,000, he set out to make a quick cash-in slasher movie. Of course, Frake-Waterfield could only draw from elements included in the earliest stories. He had to avoid the iconic material added to the mythos in the years that followed. “Only the 1926 version is in the public domain, so those were the only elements I could incorporate,” Frake-Waterfield admitted. “Other parts like Poohsticks, and Tigger, and Pooh’s red shirt — those aren’t elements I can use at the moment because they’re the copyright of Disney and that would get me in a lot of trouble.” Blood and Honey is a bad movie. It is lazy, uninspired, and boring. It has no sense of character, theme, or basic structure. It’s a lazily reskinned version of Halloween or The Texas Chainsaw Massacre from a filmmaker who spent a significant portion of the press tour passive-aggressively complaining about how Halloween Ends took “itself too seriously.” There is nothing of any merit here, nothing to hold the audience’s interest. The film’s 84-minute runtime lasts several lifetimes. That said, there is a germ of an interesting idea in the central concept, which has an adult Christopher Robin (Nikolai Leon) returning to the childhood fantasy that he abandoned to go to college. He discovers that his childhood did not take well to this abandonment. Winnie the Pooh (Craig David Dowsett), now a feral and mute beast, chains Christopher up and tortures him. He whips the adult with Eeyore’s tail. However, Winnie the Pooh cannot kill Christopher. He must possess him.

It is too much to suggest that this plot is mirrored in the story of the film’s actual protagonist and decoy final girl, Maria (Maria Taylor). Maria is taking a trip into the country with her girlfriends, recovering from a traumatic experience with a male stalker (Chris Cordell). When Maria’s friend Lara (Natasha Tosini) spots Pooh lurking around the Airbnb, she assumes that he must be Maria’s stalker. Pooh’s psychopathic sidekick, Piglet, is also played by Cordell, to underscore this connection. At times, Blood and Honey seems like it might be a clever and subversive commentary on the way in which so much modern pop culture infantilizes its audience. Christopher has tried to grow up and leave his childhood behind, even planning to marry his fiancée Mary (Paula Coiz), but his childhood won’t leave him behind. Pooh needs Christopher, his validation and his love. However, that relationship is not as innocent as it appears framed through childhood memory. Many modern adults would empathize with this idea, as their childhood nostalgia is weaponized against them by streaming services and studios. Even if one lives in a remote cabin in the woods, franchises like Star Wars, Teenage Mutant Ninja Turtles, He-Man, and X-Men: The Animated Series are inescapable. Entertainment that was once aimed at children is now aimed at the adults those children became. There is no indication that these corporations are ever going to stop. Of course, this gives Blood and Honey too much credit, suggesting that it can be read as a subversive commentary on the role that this sort of intellectual property plays in cultural stagnation. In reality, Blood and Honey is an illustration of just how pervasive this model of capitalism can be. Frake-Waterfield isn’t using Pooh to make a point about the cynical exploitation of these cultural touchstones. He is using it as a cynical exploitation of these cultural touchstones. Blood and Honey grossed nearly $5 million at the global box office, and one suspects that it performed very well on home media and streaming. There is already a sequel in the works with “five times the budget.” More than that, Frake-Waterfield has made a conscious effort to expand the brand into a shared universe built around similar properties. He will direct Peter Pan’s Neverland Nightmare and will produce Bambi: The Reckoning, which was sold to international distributors at Cannes this year. Frake-Waterfield doesn’t just have his eye on these sequels and spin-offs. He dreams of a bigger childhood horror shared universe. “The idea is that we’re going to try and imagine they’re all in the same world, so we can have crossovers,” he boasted. “People have been messaging saying they really want to see Bambi versus Pooh.” It’s incredibly ruthless and cynical. It is a transparent attempt to build a massive multimedia franchise from elements that the production team don’t have to pay for.

In theory, the liberation of these iconic characters from copyright should herald encourage creativity and ingenuity. It should allow for more projects like The People’s Joker or Apocalypse Pooh. There are certainly artists engaged in that sort of work. It also provides the opportunity for commentary and engagement with the modern media landscape. Last Week Tonight with John Oliver is already salivating at the satirical potential of Mickey Mouse’s entry into the public domain. Blood and Honey suggests an alternative to these creative uses of works leaving corporate purview. Blood and Honey is just as cynical and ruthless in its exploitation of this intellectual property as Disney had been. Frake-Waterfield is clearly aspiring to exploit these properties in exactly the same way that Disney did, hoping to create a scale model of their production machine. It is a trickle-down shared universe, a reheat of a familiar meal constructed from pre-digested ingredients. For all the moral handwringing about how the movie “ruined people’s childhoods,” this is the real horror of Blood and Honey. It suggests the limits of creative imagination, an inability to conceive of an alternative to the model of intellectual property management that defines so much contemporary pop culture. The roots of this mode of thinking run so deep that it seems impossible to imagine any alternative. The public domain doesn’t free this intellectual property from endless exploitation, it just means somebody else gets to take a turn. If the rights to Winnie the Pooh are entering the public domain, why wouldn’t somebody use the brand recognition to make a quick and easy buck? After all, the business logic behind Blood and Honey is the same logic behind something like The Little Mermaid or Ant-Man and the Wasp: Quantumania. People recognize the brand, and that will make it easier to sell. Even this seemingly subversive and rebellious act is just a cheaper, more cynical, and less competent iteration of the larger processes that drive modern media. All things considered, the cynicism of Blood and Honey is a small price to pay for the possibility of more work like The People’s Joker. More than that, if it helps to undermine or shatter the brand loyalty that these corporations have cultivated among generations of movie-goers, it may serve some purpose. Still, it’s disheartening to watch Blood and Honey, realizing that these modes of exploitation are so deeply ingrained in pop culture that they perpetuate even in the public domain. Even as the end of copyright becomes a reality, the end of this intellectual property churn remains beyond imagination. Oh bother.

[princesssarisa]

This… out of curiosity

Do you know the different meanings of the name of Cinderella's Stepsisters?

Charles Perrault's Cendrillon

Javotte: A nickname for Geneviève, which means "of the race of woman," "woman of the family," or "white wave."

(Perrault only reveals the older stepsister's name in one scene, not the younger one's.)

Rossini's opera La Cenerentola

Clorinda: “Youthful” or “greenery.”

Tisbe: Unknown; it’s a name from Greek mythology.

Massenet's opera Cendrillon

Noémie: “Pleasantness.”

Dorothée: “Gift from God.”

The 1947 Russian film

Anna: “Grace” or “favor.”

Marianna: A cross between Mary, meaning “bitter,” “drop of the sea,” or “beloved,” and Anna (see above).

The Let's Pretend radio adaptation

Flora: “Flower.”

Isabella: A form of Elizabeth, meaning “My God is an oath.”

The Disney version, animated and live action

Anastasia: “Resurrection.”

Drizella: Probably a variant of Drusilla, meaning “little strong one.”

The 1955 film The Glass Slipper

Birdena: “Little bird.”

Serafina: “Fiery one.”

The 1957 version of Rodgers and Hammerstein's musical

Portia: “Pig.”

Joy: Self-evident.

The 1965 version of Rodgers and Hammerstein's musical

Prunella: “Little plum.”

Esmeralda: “Emerald.”

The Muppets' Hey, Cinderella!

Mona: “My lady.”

Lisa: Derived from Elizabeth, meaning “my God is an oath.”

Rankin/Bass's Festival of Family Classics

Fatima: “To abstain” (though it serves as a play on “fat,” because she is fat)

Leania: Probably derived from Helen, meaning “light” (though it serves as a play on “lean” because she’s scrawny)

The 1969 Czech film

Katerina: “Far off” or “pure.”

Dorota: "Gift from God."

The 1973 Czech film Three Wishes for Cinderella

Dora: “Gift.”

The 1976 film The Slipper and the Rose

Isobella: “My God is an oath” (see above).

Palatine: “Of the palace.”

The 1978 African-American adaptation Cindy

Olive: "Olive," of course.

Venus: "Love."

The Faerie Tale Theatre adaptation

Arlene: “Honor” or “eagle.”

Bertha: “Bright.”

The Grimm's Faerie Tale Classics adaptation (English dub)

Phoebe: “Bright.”

Griselda: “Gray battle.”

Stephen Sondheim's musical Into the Woods

Florinda: "Flower."

Lucinda: "Light."

The Happily Ever After: Fairy Tales for Every Child adaptation

Margarita: “Pearl” or “daisy flower.”

Esmeralda: “Emerald” (see above).

The musical A Tale of Cinderella

Moltovoce: “Much voice.”

Seppia: “Squid.”

The 1996 Burbank Animation version

Nellie: A nickname for Ellen or Helen, meaning “torch” or “light.”

Melba: Derived from Melbourne, Australia. Melbourne means “mill stream.”

(Their names are inspired by the famous Australian opera singer Nellie Melba, whose birth name was Helen Mitchell and who took her stage name from her home city of Melbourne.)

The anime series Cinderella Monogatari

Catherine: “Far off” or “pure.”

Jeanne: “God is gracious.”

The 1997 version of the Rodgers and Hammerstein musical

Minerva: “Intellect.”

Calliope: “Beautiful voice.”

The 1998 film Ever After: A Cinderella Story

Marguerite: “Pearl” or “daisy flower.”

Jacqueline: “Heel-grabber” or “supplanter."

Gregory Maguire's novel Confession of an Ugly Stepsister

Iris: "Rainbow" or "iris flower."

Ruth: "Friend."

Margaret Peterson Haddix's novel Just Ella

Griselda: "Gray battle" (see above).

Corimunde: Possibly a variant of "Clarimond," meaning "shining defender."

The Shrek franchise

Doris: "Dorian woman."

Mabel: "Lovable."

The 2000 stage version of the Rodgers and Hammerstein's musical

Grace: Self-evident.

Joy: Self-evident (see above).

The 2000 British TV film

Goneril: Unknown meaning.

Regan: "Little ruler" or "king's child."

(In case anyone didn't know it, their names are taken from the evil sisters in Shakespeare's King Lear.)

The Simsala Grimm adaptation

Agatha: “Good.”

Beatrice: "One who blesses.”

The novel and film Ella Enchanted

Hattie: A nickname for Harriet, meaning “home ruler.”

Olive: Self-evident (see above).

The 2004 film A Cinderella Story

Brianna: "High" or "noble."

Gabriella: "God is my strength."

Malinda Lo's novel Ash

Ana: "Grace" or "favor" (see above).

Clara: "Clear" or "bright.

The 2010 Märchenperlen adaptation

Clothilde: “Glorious battle.”

The 2011 Sechs auf einen Streich adaptation

Annabella: "Grace and beauty."

The 2013 stage version of the Rodgers and Hammerstein musical

Gabrielle: “God is my strength” (see above).

Charlotte: “Free woman.”

Alma Deutscher's opera

Griselda: “Gray battle” (see above).

Zibaldona: Possibly derived from Zebada, which is derived from Zebadiah, meaning “God has bestowed.”

Betsy Cornwell's novel Mechanica

Piety: Self-evident.

Chastity: Self-evident.

Andrew Lloyd Webber's musical Bad Cinderella

Adéle: “Noble.”

Marie: “Bitter,” “drop of the sea,” or “beloved.”

The 2021 Sony/Amazon film

Narissa: “Sea nymph.”

Malvolia: “Ill will.”

[glennk56]

Angelo Tsarouchas. Mostly known as a Stand-Up Comic whose comedy revolves around his Greek Heritage and his size. But he does get some acting jobs too.

PHOTOS

1-5. Press Photos from 2011.

6. 2012/Jun. Just For Laughs Comedy.

7&8. 2001/Nov. Dead Awake. *

9&11. 2004/Mar The Prince and Me. *

12. 2005/May. Cinderella Man. *

13&14. 2008/Sep. Mad Men 2;9.

15&16. Just Like Us (Documentary)

17. 2015/Dec. Christmas with the Karountzoses.

18. 2016. SpiroTsar P.I. (internet series)

19. 2017/Dec. The Indian Detective 1;1 *

20. 2022/May at the Greek Film Festival

[*] denotes small role.