#Good Times for a Change
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artjipson · 8 days ago
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A Partial List of Favorites of 2024
In 2024, the whole idea of picking a “favorite” album has become a weird, near-impossible task. The rise of streaming and electronic releases means thousands of songs and records are loaded onto streaming services. While the music industry continues a myopic focus on a handful of pre-selected artists, even if one is focused on a particular genre, thousands of records are still released annually.…
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angelofdumpsterfires · 2 months ago
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how i feel about all the changes in s3
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“Accept The Situation”, (censored version), (40 cm x 40 cm), digital print processed on canvas, 2023
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cup-o-stars · 6 months ago
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Happy B-Day to the Corasante!! ❤🕯🎂🕯❤
(Featuring way too many drawings)
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hamsternamedmarinette · 3 months ago
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Don't ask how it got into his room
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ronanlynchbf · 1 year ago
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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poorly-drawn-mdzs · 2 months ago
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None of our hands are clean
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#jin guangshan#mianmian#The secret meaning behind one of the jin members scuttling off is:#I couldn't make three people work out in the remaining panels and per my rule of '3 attempts and take a different approach' he had to go.#Sometimes there are meaningful reasons why something happens in the background. And sometimes it is like this.#Let's just say he saw what was about to happen and got out of there before mianmian started throwing hands.#Okay no more delay. The sheer boldness to call WWX a killer in a room full of people who wear their war body count as a badge...#It's about hypocrisy yes - but it is also about how the narrative shifts on the same action depending on the frame.#Because at the end of the day...the blood on our hands is still blood on our hands.#Both the deaths on the battlefield and the deaths of the Jin's abusing the Wen remnants are still deaths caused by another.#They are also deaths that - depending who holds the frame - are noble acts to protect others.#But it isn't supposed to be about who was right and who was wrong.#It is about the need to be seen as the victim to avoid culpability.#Because if you aren't responsible you don't have to be held accountable. You don't have to grow or change.#If someone takes all the blame then there is no need to reflect on your own faults.#We have to protect our fragile ego from the mirror lest it shatter and we have to remake it anew.#Horrifically enough...even if WWX spared the Jin guards or even never ran into Wen Qing#He wouldn't have been able to escape being the scapegoat. He downfall was set into motion a long time ago.#My goodness...What a deliciously tragic story Wei Wuxian's first life was.
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idontmindifuforgetme · 11 months ago
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don't stress about that opportunity that fell through or that friend you lost or that thing you really want to happen but isn't. as long as you keep your chin up and try try try again, better things will replace your losses. i'm looking at my life rn and actually marveling at how every single thing i stressed about, whether it be an opportunity or a person, got supplanted w another thing that is so much better. it really is true that loss makes space for better things. these days i don't get sad when something doesn't work out. i get excited that i'm now open to so many other possibilities out there, so long as i actively seek them. you never lack. you just transition.
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astrmastr · 4 months ago
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based on a dream i had some nights ago
it was a pretty fun experience this was me after
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ambrosiagourmet · 6 months ago
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This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...
But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.
The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.
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The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.
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hinamie · 4 months ago
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playing around w slightly different hair renders
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#yuji itadori#megumi fushiguro#itafushi#fushiita#yuuji#megumi#cries megumi fought tooth n nail..... i refused 2 flip the canvas tho >:(#i vastly prefer drawing him facing right bc fr some reason it makes his hair look better silhouette-wise#so having him face left is alr a Challenge#but also having him slightly look down (difficult angle + changes the silhouette) had me bashing my head in2 th TABLE#same thing happened earlier this month w gardening megu middle pose . i did not learn my lesson#but even worse w this one yuuji's head is blocking th main pointy part tht basically carries the entirety of the shape language#u can imagine my distress i am sure#anyway th render made me a lot happier with it thank god. colours hard carry bless <3333#i didn't plan on making it a full sheet but i needed 2 remind myself that im good at drawing megumi#so i threw in solos of each of them n tried slightly different render flavours#idk how Different all of them look visually but th process fr each ws Very different so i am satisfied#fight aside this ws useful i think! got 2 break out some Clunkier chalks n dust off a few of my smoother blended brushes#think i picked up some things i can keep also !! which ws. u kno. the Goal#tbh every time i do art studies i feel like i am kirby#one time i got called an art ditto by one of my fav artist mutuals when i did a style challenge#SUCH high praise from her it lives in my mind i take it out on days when i feel like trash#it doesnt Sound good when u say u r good at copying but real talk it is such a good skill i am very happy 2 have it in my arsenal
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artjipson · 2 months ago
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Video of The Day: Tamar Berk - That's Not a Lie
Tamar Berk’s latest song, “That’s Not a Lie,” from her recent excellent album Good Times for a Change, dives deep and explores the critical themes of honesty and vulnerability within relationships (and in an expansive canvas not simply romantic connections) and addresses a central question about how ready are we for the vulnerability that all relationships require. Consider how much are we…
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i-like-to-look-at-your-back · 10 months ago
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Sleeping off
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“Can I Stay Here, (Lying Under The Table Together With You Now?)”, (40 cm x 40 cm), digital print processed on canvas, 2023
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sincerlyus · 3 months ago
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Reverse Falls!!
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Soo this is my take on Reverse Falls!! I don't really know which are the original designs or which are the new personalities that each character adapts, so I made my own headcanons!! :3
It should be noted that there are characters who do not change personalities with anyone, but rather their personalities are more exaggerated or are opposite to the originals. Or (in the case of McGucket) their relationships are different so they change their way of being progressively.
EXPLANATION TIME:
This is quite long, I'm going to explain the personalities of each one and how they relate to various characters. Credits to: hours of daydreaming and Google Translate  (TW: child abuse, emotional and physical abuse, homophobia, classism. I don't know if there's anything else, just in case)
Pacifica Northwest: Outgoing and very expressive. She didn't know Gideon very well until her parents sent her to Reverse Falls. She likes to knit, draw, and has a lot of stuffed animals. She has a lot of hair, and likes to do different hairstyles every day ("to be innovative"), cries when she has to cut it. She is very affectionate with Gideon and tries to get him out of his shell. She is a little insecure, but likes to see the positive side of things. She gets along very well with Bud, although sometimes she feels he is a little weird. Symbol: Llama (on her sweater)
Gideon Gleefull: Insecure, has little self-confidence, very skittish and anxious. Has a habit of chewing when he is thinking, like OG!Dipper (chewing on pens, his shirt, etc.). He didn't really know how to talk to Paz at first since the first time they met they were very little, what was she going to say?, was a "Hello" enough?, a handshake?, a complicated handshake?, was she going to ignore him? Paz simply gave him a big hug when she got off the bus (+ gave him a sweater she made on the way). Symbol: Telepathy star (in his hat)
Bud Gleefull: Ultimate scammer. Very friendly and funny, although sometimes a little intimidating. Bye Hawaiian shirts. Very patient with Gideon. He is basically the “cool uncle/dad”. He put Paz to work the day she arrived, although he became attached very quickly and gave her family privileges (he does the same with Gideon).
Mason “Dipper” Pines: He is still very insecure but is able to feign confidence when standing on stage with his sister. He still has a lot of passion for science, he is not very affectionate, he holds back his emotions as he does not want to look vulnerable, especially in front of Stanford. He has a lot of respect for Ford (or rather, fear), being his apprentice he sees him more as a teacher, a superior figure than as an uncle; however he has very little respect for Stan, threatening him and making fun of him. He does not usually use his amulet much, only to practice tricks or in his shows. He has a very distant relationship with his sister, similar to that of the Stan twins. They have many disagreements, but they still have each other's back, especially when Ford is aggressive with one of them. The most sincere relationship he has is with F, although he still treats him like an employee, knowing that he was one of the brilliant minds behind the portal he respects him. Sometimes he discusses theories and shares discoveries with him (although he is embarrassed to think that his only "friend" is an employee of his uncle). Once he met Gideon and Paz, he was able to show his more fragile side and be himself, although he doesn't consider them completely friends (that changes post-weirdmageddon). Symbol: Pine tree (a small pin)
Mabel Pines: A spoiled brat, basically. She's very charming and friendly on stage and with guests at the Pines' many parties, but she's very whiny and selfish behind the scenes. She's not at all affectionate, to the point that she hates physical contact, especially if it's from townspeople. She resents her brother a lot for being Ford's "favorite" (he doesn't really have favorites, he's just less strict with Dipper because he's useful to him). She's Stan's spoiled child, giving her what she wants when she wants it (they have a nice relationship actually, Stan being one of the only ones who comforts her when she's sad). Instead of knitting, she likes to design her own dresses and accessories for shows and parties (her guilty pleasure is arts & crafts, since it's a very "childish" activity for a Pines). Obsessed with Paz, but learns to respect her limits throughout the story. Symbol: Shooting Star (a small pin)
Stanley Pines: He basically swaps personalities with Bud, runs the Telepathy Tent, is very friendly, and is scared of his brother and the twins. He never gets involved in Ford's experiments, having a very tense relationship with him. He loves the twins very much but knowing the power they have with those amulets he prefers to go along with them and not question too much what they ask (he knows when to be firm but the one who really has an impact on them and can make them see reason is Ford). Symbol: Oyster(?? (on a necklace)
Stanford F. Pines: Did you think OG! Ford was a jerk? Well now he's twice as much! He doesn't have an ounce of empathy in him, he's very narcissistic and only cares about his projects and his image. He doesn't care at all about the twins, only seeing them as a way to make money, demanding the most out of them, and he doesn't hesitate to use violence if any of them get out of line. He's very distant with Stanley, speaking to him very dryly (or rather, barely speaking to him at all). He's almost a hermit, living in his laboratory, not letting the townspeople get to know him; although unlike OG! Ford, he cares a lot about how he presents himself in front of the public, taking care of his image and clothing. He's very demanding with Mabel, as he feels she's nothing more than a spoiled child, the image of the Telepathy Tent along with her brother. He is a bit kinder to Dipper, as he realizes that he has a brilliant mind for his age (though not more so than his own), so he includes him in many of his experiments and research if he proves useful; but excluding that, he is just as insensitive as he is with his twin, mistreating him if he does not comply with what is due. His relationship with McGucket is kinda weird: although they were friends in college, the power that Bill/Will offered him completely consumed him, being abusive to F, forcing him to work long nights, keeping him awake by force. He only sees him for his use: his great skill with mechanics (which Ford does not have, although he hates to mention it). Although he was in love with F while he was at Backupsmore, he currently has no romantic feelings towards him, considering him an employee, his assistant, nothing more. He has internalized homophobia (a gift from Filbrick) and classism, so he hates to remember when his relationship with F was one of equals, friends. It disgusts him to think about when he would get so emotional around him. Symbol: Six Fingered Hand (the diaries)
Fiddleford H. McGucket: He is still the brilliant mind he was in his youth, but stress eats him alive. He started to age very quickly thanks to it. He invented the memory gun to try to forget all the horrible things he witnessed or that Ford made him suffer, but his boss doesn't allow him to use it too much since it can damage his mental health and erase knowledge, making him less efficient and useful. He doesn't have a very deep relationship with Stanley, since he practically lives in the lab where Ford forces him to work, but they are able to talk whenever F has a break (almost never). He can't stand the twins too much, not only because he feels that they are very annoying, but because the simple presence of children in his day to day life reminds him a lot of Tate, with whom he no longer has contact. Everyone knows about the abusive relationship he has with Stanford, they are not indifferent to it but they try not to mention it or get involved in his affairs (practically out of fear of Ford).  Throughout his stay with Stanford he started developing an emotional dependence on him: not only did he make him feel that he was useless without him, but he uses violence on him when he is not fulfilling his duty, causing F to blame himself when this happens (What did he do wrong? What can he do to improve?). This got to the point where he started to hurt himself when he did not do something right. Ex: hitting himself when he noticed that his leg was bouncing in front of his anxiety (something that bothers Ford a lot), pulling out clumps of hair in front of the stress of not being able to achieve something, biting his nails, scratching himself, hitting his head (imagine Dobby from HP). Such actions and the mixed feelings he had towards Ford, made him develop masochism, enjoying when he inflicts pain on himself and when he is the victim of Ford's physical and psychological abuse, he clearly hid this for a while since it would look very unprofessional on his part.  Eventually his boss found out and used this to his advantage, being quite sadist himself (he enjoys watching or inflicting pain and/or humiliation on others, in this case, he gets sexual pleasure). So every time Ford needs to let off some steam, vent his frustrations (or is just horny), he uses Fiddleford to fulfill his fantasies, making F's wishes come true as well. He basically uses him as a sex toy, and F doesn't complain, having suffered so much emotional manipulation, he even considers himself lucky that his boss wants to be with him like this, even if it's NOT healthy. Symbol: Spectacles
Bill Cipher: I don't like the idea of ​​changing his name, so Bill stays. He's still the same chaotic demon as in the original series, but this time he's been tricked by Ford into working for him and doing his bidding. He's also forced to do the twins' bidding. We already know that Bill can change his shape and color, so I think all of his shame and self-pity manifests itself in his appearance, turning blue over time (any strong emotion makes him change his appearance). He manipulates Gideon and Paz, making them feel sorry for him so they'll do his bidding (it doesn't work, clearly). The people he has the most contact with are Ford and Fiddleford, as they spend most of their time in the basement where he's locked up.
So that's it. I don't really know how this timeline would work, considering the portal and the journals, but I just wanted to have fun with the character designs and relationships (I feel like the weirdmageddon would happen sooner than in the original timeline). If you want me to go deeper into certain relationships or characters, let me know!!(≧▽≦) I'll see if I can go deeper into the relationship between Ford and Fiddleford that you guys liked so much (you guys really like toxic yaoi, huh??). I'm thinking of making a fanfic or smt to explain their day to day life in the lab and how Ford invited F to work with him (SPOILER: it didn't go well...).
That's it ig, LIKE AND SUSCRIBE!!!1!!1!Σ(°ロ°)
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onehundredfallenpetals · 1 month ago
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shuake cuddles <3 <3 (redrew an older piece and am much happier with it)
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