#Gonna be. Looking into this a lot for a bit to make sure I'm not falling for one of those “Did you know that [insert blatant lie]” things

[call-me-chips]

Alrighty this is gonna be long but I'm bored so HERE WE GOOO

Kyomu Mori questions

1.Are they associated with a certain colour? What colour do they wear the most?

Because if his hair colour, I'd say he's accosiated with light blue. He usually wears more muted-ish colours like grey, dark blue, and white, but he loves wearing yellow

2. What sort of music would they like? Have you thought about what genres or bands do they lean towards? Do they have a favorite song?

He prefers rock music. Basically any music that makes you feel like you can take on the world. He loves vibing to those. And just because I don't have a fav song, neither does he 😅 (my fav songs change within a week)

3. Weapon of choice? Any particular reason they chose their weapon?

Guns. Any kind of gun, though he prefers pistols and other small, handheld ones. He likes guns because he's always been talented with them. That, and that he was raised by Snipe

4. How crafty/resourceful are they?

I'd say about a 7-7.5 out of ten for this one. Not the greatest, but he can conjure up some resourcefulness when he wants to

5. How do they typically dress? Does their wardrobe lean more toward practicality or aesthetics?

Depending on how he's feeling, his clothing choice changes. On a good day, he'll go for a nice-fitting tank top. On a bad day, he night go for a loose-fitting t-shirt. His clothing style is casual, but kinda aesthetic in a sort of steetsy-kinda way(??). Fashion/aesthetics are important for him, but you'll never catch him wearing anything with pockets he can't shove his whole hand into

6. How do they wear their hair? Do they care a lot about how their hair looks?

He almost always wears his hair in a high ponytail. Although he does this to get his hair out of the way, he always makes sure his hair looks presentable. He's the kinda guy to use a bit too much conditioner

7. Favourite animal? Why?

Dogs. Specifically german shepherds. Because he thinks guard dogs are cool af

8. Do they have a nickname? Who gave it to them? If it's not derived from their real name, what's the story behind it?

His nickname is Kyo. Ashido gave him it randomly one day, and Kaminari immediately started using it too

9. Favourite food? Least favourite? Are they a picky eater? Do they have any dietary restrictions?

Fav: Burgers. Specifically bacon burgers. Least fav: Tomatoes. He's not really a picky eater, but he's not even TOUCHING anything woth tomatoes in it. And he doesn't have any dietary restrictions

10. If they wear jewelry, what kind? Do they prefer silver or gold? Do they have a favourite gem?

He wears earrings and has an eyebrow piercing, but he'll toss on a necklace or two if he wants to look presentable when going out

11. What do they have in common with you? How are they different? Would you get along with them?

He doesn't have a lot in common with me. Ig we both question authority?? Also we both live guns. Overall, he's MUCH more confident than me. We are quite different. I'd say I wouldn't get along the greatest with him, mainly cuz he likes physical touch, and that is something I HATE. You touch me randomly and I freeze, as well as shoot you a dirty look XD

12. How long have they been around? Do you know their birthday? Is their birthday the day you made them or another day? What do they think of celebrating birthdays?

He has been around for 16 and a bit years, and his birthday is on April 6th. This is not the day I made him (actually this is the first I'm hearing of making their release date into their actual birthday. I shall do this for another of my ocs :) ). He loves his birthday cuz it gives him attention xD

13. What languages do they speak? How fluently?

He can speak Japanese, English, and Filipino. He speaks Japanese fluently. His English isn't the greatest, but he's learning from school. His Filipino is REALLY rusty, but he can hold a basic conversation. He knows Filipino because his father is from the Philippines, and he learned the language as a kid, but he hasn't really used it since highschool

14. Are they any good with numbers?

Not really sure how to interpret this, but he's not the greatest at math

15. How big or small is their family? Who did they live with growing up? Do they live with anyone now?

His parents died. He lived with Snipe growing up. Currently, he's living in the UA dorms

16. Do they have any pets? What do they call their pets?

He doesn't have any pets, but he wants a dog. He also kinda maybe sorta wants a bird

17. How did they spend their summers/free time as a child?

He spent a lot of his time at the shooting range growing up, and it's always been a place of comfort to him

18. Their opinion on lying, stealing, and killing?

He thinks they're bad, obviously. But,,, he does think they are justified, and even necessary, in many cases

19. Are they quick to anger? What sets them off?

He doesn't really anger quickly. He's more laid back. And although he does get angry when someone hurts/threatens his friends, he also gets angry when many little things go wrong. Like, you know those days where everything seems to go wrong and you're tripping on things and dropping things? Yeah that gets him angy quickly

20. If applicable, can they drive? If they have their own, what colour is their vehicle? Is the inside neat and tidy, or a mess?

The legal driving age in Japan is 18, so he can't drive. But he may or may not fail many a driving test in the future... Also he has sworn that his future car WILL have racing stripes.

21. Their favourite place to be?

The shooting range

22. Do they sleep well at night?

Kyomu sleeps like a little baby, if that baby takes up the whole bed while sleeping and falls off the bed randomly in the night

23. How would you describe their voice? Can they sing?

His voice is on the louder side. I don't have a voice claim yet, but I may find one eventually. Also he can't sing. Granted, it's def not the worst out there, but it couldn't be considered "good"

24. Do they have any creative hobbies? (Art, writing, music, etc.)

He likes doing graffiti, tho he doesn't do it often. Other than that, he likes to listen to music

25. How good/bad is their hearing? What about their eyesight?

His hearing is a little better than what is considered normal, and his eyesight is good. Little fun fact about his eyesight: He sees yellow slightly better than any other colour. Yellow is very slightly more vibrant and bright to him

26. How do they move? Are they clumsy? Light on their feet? Do they use mobility aids?

Because of how his legs are built, he is slightly more light on his feet. His footsteps don't make a lot of noise. He can be a bit clumsy tho. He's not the most careful with his actions

27. If applicable, do they have a favorite sport? Do they play any sports or prefer to watch?

He likes basketball (probably cuz Kyomu has a height advantage over his friends). Watching sports is boring to him, and he prefers to play some friendly basketball with his friends

28. How do they show they care about someone? How do they express that they don't like someone?

Kyomu shows he likes someone by doing things with them and touching them (not like that. Stop it.). He'll ruffle his friends' hair or playfully poke them, and he's always down to give a massage if asked. Sometimes he'll even find his tail involuntarily grazing by the legs of those he loves.

29. Are they accosiated with any particular element (air, earth, fire, water)?

I don't think he's really "accosiated" with an element, but he'd probably be water

30. Do they smell like anything notable?

Nope. The only notable smell-related thing I can think of is that he sometimes uses women's deodorant because it smells better than men's "forest mud deodorant" or whatever it's named xD

31. Do they like receiving gifts? Giving gifts? What is their ideal gift?

He loves receiving gifts, but not giving so much, because he rever really knows what to get people. His ideal gift is any like, small, neat, unique, silly trinket. He loves collecting silly shit his friends give him

32. Do they have any hobbies that aren't particularly self-destructive, just maybe odd?

Not a hobby, but he drinks the pickle juice out of the jar when he finishes all the pickles.

33. If applicable, how would your other characters describe them? I mean specifically the people around them.

I don't have any other Mha ocs as of rn, but I can do this for his friends. Also I'm not gonna go into how each character would describe him, so ima do how the characters see him Kaminari, Ashido, and Sero see him as kinda like a cool older brother, and they live hanging out with him Kirishima and Jirou see him as a wee bit much, but they still love him and love the energy that he brings to class. Bakugou doesn't like him. Especially cuz Kyomu is taller than him and he doesn't like that Others like Iida, Midoriya, and Ochako don't care for his rebellious personality, but they will admit that he brings up the mood of just about whatever situation he finds himself in

(The thing above is being a bitch and is refusing to be coloured blue and now we must all suffer.)

34. How would your character describe themselves? It doesn't have to line up with who they really are.

Kyomu thinks of himself as more or less the "popular kid" that just about everyone likes. He would describe himself as brave, strong, and willing to stick up for what he thinks is right

35. Do they ever return home?

. . . . ?? He never "left" home?? I mean, he is living in the dorms rn, but idk what this question is getting at :/

Tagging @bluespider008 because I found these questions cuz you posted yours, but I didn't want this to take up a ton of space on my blog, so I just reblogged the original post 😅

Idk if you wanna see this, but you're seeing it now!

Also feel free to reblog with your oc :)

i wanted to make an oc ask game 😋 things i like to ask people abt their characters:

are they associated with a certain color? what color do they wear the most?

what sort of music would they like? have you thought about what genres or bands do they lean towards? do they have a favorite song?

weapon of choice? any particular reason they chose their weapon?

how crafty/resourceful are they?

how do they typically dress? does their wardrobe lean more towards practicality or aesthetics?

how do they wear their hair? do they care a lot how their hair looks?

favorite animal? why?

do they have a nickname? who gave it to them? if it's not derived from their real name, what's the story behind it?

favorite food? least favorite? are they a picky eater? do they have any dietary restrictions?

if they wear jewelry, what kind? do they prefer silver or gold? do they have a favorite gem?

what do they have in common with you? how are they different? would you get along with them?

how long have they been around? do you know their birthday? is their birthday the day you made them or another day? what do they think of celebrating birthdays?

what languages do they speak? how fluently?

are they any good with numbers?

how big or small is their family? who did they live with growing up? do they live with anyone now?

do they have any pets? what do they call their pets?

how did they spend their summers/free time as a child?

their opinion on lying, stealing, and killing?

are they quick to anger? what sets them off?

if applicable, can they drive? if they have their own, what color is their vehicle? is the inside neat and tidy, or a mess?

their favorite place to be?

do they sleep well at night?

how would you describe their voice? can they sing?

do they have any creative hobbies? (art, writing, music, etc)

how good/bad is their hearing? what about their eyesight?

how do they move? are they clumsy? light on their feet? do they use mobility aids?

if applicable, do they have a favorite sport? do they play any sports or prefer to watch?

how do they show that they care about someone? how do they express that they don't like someone?

are they associated with any particular element (air, earth, fire, water)?

do they smell like anything notable?

do they like receiving gifts? giving gifts? what is their ideal gift?

do they have any habits that aren't particularly self-destructive, just maybe odd?

if applicable, how would your other characters describe them? i mean specifically the people around them.

how would your character describe themselves? it doesn't have to line up with how they really are.

do they ever return home?

[stxrslut]

PRACTISE MAKES PERFECT ⋆౨ৎ˚⟡˖ ࣪

pairing; bestfriend!sarah x innocent!reader

summary;  it’s no secret to you that sarah has a lot of experience with sex, boys and girls alike. you do not, so when you find out that you are possibly going to need to suck a dick, she takes the liberty of giving you your first ever bit of practise

content;  strap, oral (technically? idk), strap 

authors note; i kind of hate this actually, feels pretty rushed. requested by anon but i put my own twist on it.

“I got it!” she calls out from the front door when she returns from her little errand. you’re not actually sure what she ran out so urgently to get. you’d just got done telling her a rather personal thing actually, you were a little appalled when she abandoned you so quickly.

she comes into the room carrying a small paper bag which, to your astonishment, is branded with the emblem of the local sex shop. she throws it down on the bed before going to her dresser to retrieve something while she speaks ever so casually.

“jj maybank saw me buying that,” she chuckles, “so embarrassing.” she’s digging through her bottom drawer, throwing clothes left and right as she tries to find a specific unnamed item. 

“saw you buying what?” you ask perplexedly, brows furrowed. “you kinda ran out on me.” you don’t mean to put a passive aggressive tone in your voice but it is there.

“something to help you.” she looks back, “and I’m sorry about leaving so quickly, just that the shop was gonna close.” 

you tilt your head. help you? surely not to help with the dilemma you presented to her before she ran off, that would be absurd. “to help me with what?” 

she laughs at you like it’s obvious, “with your problem of course.” she shakes her head, “told me that you wanna suck this guy's dick, and that’s definitely something you don’t wanna go into with no experience.” 

you raise an eyebrow “well then how did you do it?” 

she waves you off, “that’s different— anyway, I thought since I helped you out before with the touching yourself thing, this wouldn’t be so different.” she shrugs and turns around after finally pulling out a bright pink dildo. 

“you’re gonna— I’m gonna suck on that?” you don’t even know what to say. “wait…” she hums and nods, waiting for the question, “if you already had that here.. what did you need to buy from the sex shop?” 

once again, she acts like it’s obvious, “the strap of course. can’t exactly learn the ins and outs of oral sex if the dick isn’t attached to a body.” she scoffs. bear in mind, you had never once asked her to show you the ins and outs.

“so youre gonna put the strap on.. and I'm going to suck it?” you question.

“yes, exactly.”

                                         *

this is so weird, you think as you kneel down in between sarah’s open legs where she's perched on the bed, bright pink toy sticking up like a sore thumb. or dick, if you want to be more literal. your lips are parted as you do your best to prepare yourself. “So I just…”

“suck, yeah,” she nods, smiling down at you, expression joyous, she seems to really enjoy teaching you things. “just start with the tip of it, you'll throw up if you go too fast.” she tells you. you frown.

“that can happen?” you ask, slightly astonished as you stop leaning forward to look up and listen to what she has to say. she nods and chuckles once again.

“oh yeah, that can happen.” she smiles, “but it won’t happen to you, because i’m gonna teach you how to do it right.” she strokes the hair on the back of your head affectionately and you take it as your sign to start.

at first you only take enough in your mouth to cover the front of your tongue, it doesn't even touch your gag reflex. It seems pretty easy. you follow sarah's directions to swirl your tongue and where to swirl it. as it continues, you find yourself subconsciously taking more of it.

the fake veins imprinted on the sparkly toy create texture to stimulate your tongue, you do your best to imagine it a little more coarse, like skin, maybe imagine the skin moving a little, sarah had told you that happens with dicks. 

suddenly, it jerks upwards slightly and you pull back in little shock to see sarah holding the base, controlling its movement. “what did you do that for!?” you exclaim.

she giggles, “yeah, they do that sometimes.” she strokes your hair again, “just twitch outta nowhere, you gotta be ready for it babe, i'm just doing whatever a good best friend would.” you have to fight making a snarky remark, sure that this is not what normal best friends do.

you go back down with a little more confidence, you manage to get about half of the toy in your mouth which sarah tells you is amazing for your first time. sure you gag a couple of times but you persevere and by the end you could probably consider yourself a seasoned pro.

you stop when sarah begins to imitate what she says is a boy having an orgasm, “ugh.. oh yeah,” she grunts in an over exaggerated deep voice, “so good babe, im like literally cumming right now.” 

you giggle, “i'm sure they don't sound that stupid.” but sarah shakes her head, looking down at you with matter of factly raised eyebrows.

“oh baby, you have so much to learn.” she scruffs your hair affectionately. “but for now,” she gestures down to the little wet spot that she can see in your panties due to your skirt riding up, “why don't I show you a different way to help with that.”

[soft-pine]

1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[wuuuuman]

Hazard x Reader - You little Gommy

first tumblr post!!! need more fics of him omg pls 1.1k words fluff!! sorry scotland if i fucked up ur language - The quiet atmosphere was deafening, a place usually so full of laughter and talking, suddenly turned to the complete opposite. Everyone in the gang had left to steal a high tech weapon from the Oasis. Well, everyone but her. She stared at the ceiling, the bed creaking a little bit as she moved. Her eyes wandered across the whole room, going through every little detail as if she had never been there before. Boredom can really make a person mad huh?  Her eyes looked through the photos they had taken together as a family. Some of them only have certain people and so on. Her eyes lingered on the picture of her and Findlay, well he is better known as Hazard. She slowly got up from the bed, walking towards the counter and staring at the holographic picture. In the picture they both stared at the camera smiling widely as he held it up, she remembered when they took this photo. It took him so long to figure out how to press one button and she couldn’t stop laughing at him. Such a small thing had such a big impact on her memories. She couldn’t help but let a small smile form on her face as she remembered A sudden sharp pain however had that smile wipe away. She let out a loud groan, her hand immediately flying to hold her side. Oh right, she had gotten hurt during action in their last mission. A guard sneaked up to her and landed a very mean punch to her side, bruising the whole side. Yeah the guard had some sort of knuckle braces or something, was a hard hit anyway. She could remember being so scared that her ribs had been busted, or that the braces had gone deep into her skin, good thing it was none of that. Ribs just got bruised a lot, very painful. She cursed to herself as she tried heading back to bed, only for the pain to strike her back two times worse now. She could only stand still, holding her side, even if touching it wasn’t the best idea either. She leaned on the counter, keeping her balance, waiting for the stronger pain to pass. It was at that moment she heard the faint muffled noise of an engine coming closer and closer. It must be the gang! FUCK! They couldn’t see her out of the bed, she tried to walk forward, pushing through the pain. The quick movements made everything worse, one bad move caused her to twist in a bad way and she fell down onto her knees, fighting against her angry tears. She felt so fucking useless like this. She heard the heavy door to their hideout open, bringing with it loud laughter and quick chatter. One of the voices really stood out to her, Hazard. “We really tore tha' place down ay?!” He laughed, his heavy Scottish accent so intoxicating to her. “You really scared us there for a moment champ.” BoomSlang said, shaking her head as if disappointed even though a smile rested on her face. “Ah! You woulda’ done the same if you were in my place.” He chuckled, giving her back a few pats before walking past all of them. “‘Right. I'm gonna head to bed, don’t do ‘nothin stupid without me!” He waved his hand before disappearing down the hall Hazard walked further from the laughter and chatter of his friends, his steps confident and full of energy. His mind was racing, thinking about everything that happened today. One thing he knows for sure though is that he feels fucking awesome and that he cannot wait to embrace his little darling.

He neared his room and as he finally stopped in front of the door he listened for a moment. Considering there was light coming from the small crack below the door and if she was doing something, but he couldn’t hear anything, perhaps she was still sleeping and recovering. He smiled to himself, opening the door slowly. He was not expecting to see her on the floor on her knees holding her side, trying to lift herself up. “Whadda’ ya doin bonny??!” He said a bit urgently, rushing to her side. “I’m sorry Lay’... I just don't know. I was looking at the pictures, completely forgetting my predicament.” She sighed, looking up at him. “You little gommy. Let’s get ya back to bad ‘right?” He said softly, carefully maneuvering his cybernetic arms to not hurt her. “Thank you..” She mumbled, accepting his gentle help. Once he had her safely tucked under the covers he sat down on the side of the bed, the mattress sinking a bit under her weight. He turned his head over his shoulder, staring at her. She stared back, captivated by his pretty eyes, her cheeks burning up a bit. He chuckled, turning himself around a bit more, so that his whole upper body was now in her line of sight. “Aye.. ya know you can always ask for help right?” He smiled at her, using his left hand to caress her cheek lovingly. “Just don’t wanna be a bother to you…” She mumbled, leaning her head into his palm. “You could neva’ bother me ya numpty. I love you after all don’t i?” He chuckled. She blushed at his words, she had been together with him long enough to figure out some of the slang he used when referring to her or other people. Right now he called her a lovable moron, some people could get offended but they loved lovingly insulting each other, just part of their love language really.

“Alright, you get some sleep yeah? Otherwise yer gonna miss that beauty sleep of yous.” Hazard said, about to get up from the bed to give her some alone time, only to be stopped by a hand quickly latching onto his wrist. She winched a little bit at the sudden movement again, but nothing was going to stop her from speaking her mind. “Wait, please. Could you.. stay with me hun..? I just.. I don't wanna sleep alone, and I need your company..” She asked quietly.

“You know I could neva’ say no to you.” He slowly and carefully climbed into the bed, thankful he had switched out his gun for his other cybernetic arm so that it would be less uncomfortable for her to sleep on. She smiled at him, and snuggled up beside him, his body a walking furnace, she felt so safe and warm beside him. He stared down at her, running his fingers through her hair to soothe her nerves. She looked up at him and motioned for him to lean down a bit which he did. Her lips slowly landed on his, giving him a long kiss goodnight. “Sleep well lassie.” “You too dummy.” - I TRIED!!! Please hazard lovers request stories so i stay motivated

[white--moon]

He doesn't understand what Ichigo sees when he looks at him that makes him think so highly of Shiro. They clearly see something different. He sort of shrugs when Ichigo asks that clarifying question. He snorts when Ichigo says he could have been a kingpin. "That's 'cause my lane is very lucrative." His brows furrow slightly at the mention of his backstabbing crew. They're probably right; Shiro probably could take this further, make it bigger. But, "They clearly don't know where this all started. I've turned this into a pretty big operation in just a few years." Sure, the foundation was already there for him when he ended up stepping into Yhwach's place, but instead of running it into the ground or getting killed like all of Yhwach's business partners thought would happen, he's build on that foundation and outpaced said partners. And maybe offed a couple of the ones he didn't like. He wonders if Ichigo knows that. He wonders if Ichigo realizes Shiro never left behind his secondary function of body-maker and body-hider. So he's not a kingpin on the mainland, but so far those mainland kingpins haven't tried to step into his territory and there might be a reason for that. Or maybe he's just gotten lucky so far.

He has no trouble remembering the night Ichigo's talking about, nor the exact look on Ichigo's face after their scuffle, trying to mask his fear with hate and anger. He smirks. "It was a good look on you." He'd seen plenty of scared, angry people, but there was always something different about Ichigo. Ichigo saying he'd still like him even if he was washed up and no longer able to hold his own is weirdly touching. It feels a little like acceptance, like Ichigo can still like him and find him attractive despite the drugs. And he knows Ichigo's disappointed he's using again. That disappointment is a big source of shame for Shiro. But he snorts. "I can still fight just fine. I might go a little overboard sometimes, but I'm a lot more in control of my habits than I was the first time around."

The idea of having Ichigo mention something to Grimmjow only sounds like a good idea in the very first half second it enters his brain. After even a tiny bit of thought, it sounds like a disaster. "Maybe not, but I doubt you're gonna do any better on my behalf. He's probably gonna come for my head. What're you gonna do about that?"

The sweatshirt Ichigo grabs looks cozy and his very first thought is that he might borrow it, before he shoves the idea of being able to swap clothing with Ichigo at will out of his head. They're not partners anymore. He doesn't just have free access to whatever he wants. He nods, "Of course. It's in the back corner. You gotta get a key from the kid at the counter."

His brows go up slightly in a dry, unimpressed expression. What a helpful answer. But Ichigo does go on to explain better. He doesn't quite know what to think or how to respond. "You think too highly of me. What would I even do to the city?" He hadn't realized he wasn't ambitious, but he supposes he's not. He never really thought much about it, but just assumed it was normal. "I assumed you liked me because I was formidable." He can't picture Ichigo even noticing someone who isn't formidable in some way. He scoffs, "No."

That's fair. "Yeah, I get it." He's a little short while he says it because he doesn't want to get into it. He's had an emotional rollercoaster already today and he's pretty sick of it. He doesn't want to sit here and hear about how Ichigo and Grimmjow think he's a horrible person. He really should just drop by, but he always kind of wonders if he's going to get shanked and if he'd try very hard to avoid it. It would all depend on Grimmjow's mood and his own mood. He shrugs. "Whatever. I can figure something out. You don't have to."

He pushes a few hangers aside to look at something in a color that caught his eye but doesn't pull it off the rack. Mostly he trails behind Ichigo, enjoying the chance to do something so mundane with him. He pulls out the most revealing thing he comes upon -more price tag and bow tie than cloth- and casually adds it to Ichigo's pile, mostly because he thinks it's funny but he definitely wouldn't mind seeing Ichigo wear next to nothing.

[unhingedangstaddict]

Because the weather is absolute garbage (well below freezing temperatures and snowing) and I'm feeling kinda unmotivated atm here's a small teaser for the next chapter of All Of You, All Of Me (Intertwined) - my bucktommy mpreg fic

The next morning Tommy walked to the coffee shop and arrived early, only to find Evan had also just arrived. “Hey.” He said as he approached Evan.

“Hey, why don’t I grab us drinks while you find us a table?” Evan suggested.

“Sure.” Tommy agreed.

“What do you want? Not that I forgot your usual order but you probably can’t have your usual because the caffeine…” Evan frowned. “Not that I’m trying to police what you eat or drink!” He added quickly.

Tommy had to chuckle a bit at how nervous Evan was. For a moment it could almost be Evan’s regular old nervous excitement and not the new much more complex nervousness that Tommy had instilled in Evan yesterday with just just five words. “You’re fine. Get me a decaf mocha with raspberry syrup-” Tommy could see Evan’s face twisting into one of confusion or perhaps disgust. “It’s what she wants. I’m not exactly a fan but it does taste good.” Tommy explained, gesturing vaguely at his stomach.

“Got it. Coming right up.” Evan nodded and went to order.

Tommy got them a table in a quiet corner of the coffee shop and waited patiently for Evan, who soon came over to the table with their drinks in hand.

“Have you uh, have you had a lot of cravings?” Evan asked as he set Tommy’s drink in front of him, then sat across from Tommy.

“Yeah. This drink is one of two consistent repeat offenders and there’s been lots of one time cravings for different things too.” Tommy nodded. Tommy knew they should be talking about more important things but Evan was nervous and it was probably less nerve-wracking for him if they eased into it, and maybe it’d be easier for Tommy too.

“What’s the other consistent one?” Evan wondered.

“Lucy makes fake gagging noises every time it comes up,” Tommy admitted. “Grilled cheese with peanut butter and tomatoes on it. Usually needs to be on sourdough bread, cinnamon-raisin bread on one particularly notable occasion though.”

“Like all together in the sandwich heated up?” Evan wondered.

Tommy nodded and shrugged. “It's what the kid wants. Can’t wait til she decides she’s sick of them.”

“No kidding.” Evan mumbled and sipped his drink.

“Look, I’m sure you have things you want to say and ask, and so do I. There’s a lot up in the air at the moment and I just want to make something super clear before we get any further.” Tommy told Evan.

“Okay,” Evan sat up straighter and made sure he was showing that he was paying attention.

“I know I told Lucy, to tell Eddie, to tell you this, but I wanted you to hear it from me directly also. If you don’t want to be involved, I don’t expect you to. The last thing I want is for you to feel trapped by this in any way. So, if you’re not interested you can walk away now, no hard feelings. I can’t promise she’ll never get curious or grow up and find you herself, but if you don’t want to be a part of this, I will keep you out of it as much as I can.”

“Tommy I want to be involved-” Evan started.

“And if that is genuinely what you want Evan, then great.” Tommy cut in. “But if you think there is even the smallest chance you’re gonna wake up one day and regret staying, just walk away now. It’s one thing for us to break each other’s hearts, it’d be another to do that to our daughter.”

“I know I just found out but I swear I’m not going anywhere. I- I’ve been a sperm donor before- I told you about Connor and Cameron’s son- and I’m not interested in doing that again, Tommy. I want to be a part of my daughter’s life.” Evan insisted.

Tommy nodded and almost smiled. “Okay.”

(Read the full chapter on ao3)

[mysecretlittlelibrary]

Hello! I don't know if you're still taking requests, but if you do, could I please request an imagine where the reader and eddie are best friends and the reader gets really injured when Venom is in a fight, bonus points if eddie has to do cpr to revive her. Thank you so so much!

~Hazard of Our Friendship~

Pairing: Eddie Brock x Reader

Word Count: 2k

Warnings: drowning mention, knives, graphic depictions of violence

Genre: fluffy angst

Summary: Your best friend has a symbiotic alien sharing his body which means sometimes he gets attacked while you're just trying to discuss a movie.

A/N: Oh darling my asks are always open~! xo hope you like it!

***

You scoff as you listen to Eddie talk. You can't believe what he's saying.

"You're crazy! You seriously think that was better than the second one?" You ask incredulously.

"I think each movie gets better than the last." Eddie says.

"What're you smoking and how do I get some because you are clearly on something." You snort.

"I liked it I don't see the problem." He shrugs.

"That's not the question though! I liked it too but it's NOT better than the second one was!" You shake your head.

"You do this every time we see one of these movies." Eddie chuckles.

"Because the second was the best! It's in a league of its own they're never gonna do better than that." You say.

"Okay fine ye of little faith and quick judgment- what could they do to make the next movie better than the second movie?" Eddie rolls his eyes playfully.

"The second movie was just iconic! When they realize and manage to replicate the intensity with which that movie hit emotionally, they'll have another masterpiece. It's not about duplicating though, they shouldn't repeat the plot, they just need to figure out how to create a similar pull. That's what I'm looking for I need a pull and the newer movies just haven't been pulling me."

"You're insane you know that?"

"I think you need to rewatch the second movie. Clearly you aren't properly remembering the absolute magic of the second movie dude." You shake your head.

"Clearly." He snorts. A moment passes and notice something change abruptly in your friend's demeanor.

"What?" You frown at him.

"What?" He snaps his head towards you.

"Your energy shifted, something changed. Why? What's going on?"

"Nothing." He says quickly.

"You're on edge. I can see it so don't lie to me. Especially because you're starting to stress me out." You tell him.

"Venom's a little- freaked. He thinks we've got company." Eddie admits.

"Not the good kind I'm guessing. Based on your... disposition."

"Just- stay close, it'll be fine." Eddie says gently resting his hand on your arm. He's clearly on high alert, eyes scanning every darkened alley you walk by. You catch movement off to one side and grab Eddie's attention.

"E- could those be our visitors?" You ask. Eddie follows your eye.

"Fuck me- it's fine, just stay behind me." Eddie steps forward and uses his arm to nudge you behind him.

"Come on Eddie, they're just some guys. This should be easy." You say.

"Unfortunately if they've come for me it's never just some guys." Eddie sighs. "Look guys- I'm sure you don't want any trouble, whatever you think you're gonna gain from this, you'll lose a lot more- trust me." Eddie tells the group. There's maybe 5 of them it seems, but you can't be sure others aren't lurking nearby.

"Yeah- that's the bastard." One of the guys grumbles and Eddie's eyebrow furrows.

"Wait sorry- do you know me or something?" Eddie asks, tilting his head.

"You fucking jackass-" The guy is clearly appalled by Eddie's perceived audacity and starts towards you and Eddie.

"Venom." Eddie calls.

"COPY." Venom replies before overtaking Eddie. You step back a bit to accommodate the size change. Also to give him room, Venom's fighting style is- messy from what you know.

You've never actually seen them fight, although Eddie didn't try to hide Venom from you, he was very intentional about limiting your exposure to him. You're not totally sure why, but it doesn't stop you from making nice with him. Eddie swears the relationship between them is mostly symbiotically beneficial, which means he'll probably be around for a while. Which means he'll be around you for a while, and you want that to be a net positive. So you always ask about him and include him in your relationship with Eddie, and bring him chocolate any time you hang out with them. Eddie swears you spoil him so you hope that means he likes you.

Venom seems to be handling the fight pretty well, I mean he can grow appendages at will, no matter how many of them there are, they can't outmatch him.

"You're coming with me." A gruff voice says wrapping a hand around your wrist.

You snap your head around quickly.

"Fuck off. Don't touch me." You take your index and middle finger and jam them into the inner corners of his eyes.

He screams as you dig your digits in deeper.

"You're ruining movie night." You drag him forward by his eye sockets and bash his head into your knee knocking him out. "Asshole." You huff.

"Eulgch gross now my hand is covered in eye juice." You frown. You bend over and wipe your hand on his shirt.

"That's better I guess." You say stepping over the guy to wear Venom has dragged the fight, near the pier.

"Not so fast." A voice grits out behind you as arms encircle your body, trapping you.

"Hey let go of me you bastard." You grunt squirming against his hold.

Your movements stop abruptly with a sharp gasp when you feel cool metal against your throat. A knife.

"Really? An 8 foot monster is stomping out your little pals and you go for the one who isn't doing shit? Coward." You scoff.

"Shut up." He spits through clenched teeth.

"Eddie!" You call out. "No rush but when you get a second some help would be nice! VENOM!" You shout, the blade digging ever so slightly into your skin.

Venom snaps his head towards you and immediately changes his focus, heading towards you and the person holding you hostage.

Your captor walks you backwards as Venom closes in but as he reaches an appendage towards you one of the others pulls out a flamethrower. Where did he get a fucking flamethrower?!

"Venom look out!" You shout but you're not quick enough.

The fire hits him. He lets out a roar of a sound. And then retreats into Eddie, who falls to his knees.

"Eddie?!" You call frantically.

"I'm fine! Just- gotta give Venom time to recover." Eddie grunts.

"If you're fine get up and turn around you dumbass!" You shout. The guy with the flamethrower is closing in on Eddie, luckily he's dropped the thing. Not really a smart move in your opinion but it makes Eddie's chances of beating him without Venom higher.

Eddie spins on his heel just in time to dodge a wild swing from mister flamethrower.

"Woah. Shit." Eddie says. He punches the guy directly in the face and the two start a proper fist fight.

"Hang on y/n I'll be right there!" He tells you between throwing and dodging punches.

"Yeah, I wasn't planning on going anywhere!" You say.

"Could do without the sass at this moment dude!" He says.

"I've got a knife to my throat I'll do whatever I want to cope with it!" You shoot back.

"Sorry about all this!"

"Hazard of our friendship! I know how this goes!" You say.

Eddie finally takes down his opponent and turns to you. He runs in your direction, Venom at some point taking over and freaking out your captor. For a guy holding a knife to your throat he's moving incredibly reckless, stumbling backwards and dragging you with him. Right over the edge of the pier. You scream as you fall back, at least you've been released it seems. Your assailant, in trying to save himself has freed you from his grasp.

The water is a bit chilly, it's not as bad as it could be, but it is only August so it'd be weird if it was ice cold. Water fills your mouth as you sink below the surface. You try to swim up, but the other guy wraps his hand around your leg. You can't swim super well as is, the extra weight hindering your movement pretty much renders your attempt to save yourself futile. Still you flail and desperately kick at your attacker's hand, hoping that you can get him to let you go before your lungs give out. They're already starting to seriously burn.

You hate open water. Besides the fact that you're nowhere near a strong enough swimmer based on the dangers of open water like this, you can't see anything and not knowing what lurks nearby stresses you out even more.

You're starting to panic. The longer you're down here, the more undersea monsters you seem to be able to imagine. You're going to die down here and some random swimming creatures will start eating your decaying flesh and your family won't even have a body to bury when they have your funeral. Or if they manage to find you, you'll be so destroyed by critters they'll have to keep the casket closed. Honestly at this point you hope they cremate you.

The panicking isn't helping. You know it's not, and yet it's all you can do as your vision is starting to blacken around the edges. You still can't get this guy to let go of your fucking leg, and dammit you're getting too weak to keep fighting him. How is he still holding on? You feel your body go limp as you lose consciousness.

Eddie's heart drops as he watches you go over the edge of the pier. You can barely swim, you hate the open water, he has to get you out of there and fast. The only problem is it feels like these goons keep multiplying and if they have to keep fighting he'll never reach you in time.

"We have to get to y/n." Eddie says.

"WE WILL." Venom says ready to fight the next guy.

"No, now V! Fuck the fighting I don't care eat them if you have to. Just get to her!"

"GREAT PLAN." Venom's smile is enough to freak out the person standing between them and where you're currently drowning.

Eddie's counting the seconds as Venom traipses towards the water, biting off heads on the way. There's not even enough movement near the surface for Eddie to tell if you're still alive down there. It's taking you two long to come up.

"YOUR STRESS IS MAKING THIS MORE DIFFICULT EDDIE."

"I'll stop stressing when we get y/n out of the fucking water!" Eddie snaps.

"FINE!" Venom dives into the water and manages to find you surprisingly quickly, dragging your lifeless body out of the water.

"Put her down we have to do something." Eddie says.

"WHAT DO WE DO?" Venom asks.

"You watch my back while I try to remember my high school CPR class." Eddie tells him, kneeling beside you.

Pressure.

There's a pressure against your chest.

It's rhythmic, consistent, and just a couple of pascals short of risking a broken rib.

Your nose is pinched and something touches your lips. Air flows into your mouth in bursts and then again with the pressure.

Suddenly you feel water coming up and you lurch forward to expell it, coughing painfully as your body tries to get rid of the water forced into your lungs when you nearly drowned.

"God drowning sucks." You choke out, your voice coming out very raspy and it honestly hurts to say even that short sentence.

"Thank fuck." Eddie sighs, his shoulders dropping in relief.

"YOU'RE ALIVE! EDDIE WE SAVED HER." Venom pokes his head around over Eddie's shoulder.

"I thought I was going to lose you." Eddie whispers, cupping your cheek gently.

"I'm almost offended you thought I'd go out that easily." You joke, coughing again.

"Stop talking! You'll hurt yourself." Eddie says.

"Oh would you relax. I'm not dead, talking won't do me in." You roll your eyes.

"YOU SOUND LIKE YOU ARE IN PAIN." Venom says.

"Thanks V." You snort.

"Venom she just almost drowned dude." Eddie shakes his head.

"I AM TRYING TO CHECK ON HER. WHAT IS THE PROBLEM!?"

"Nothing's wrong. Don't you two start. Just- can you take me home?" You groan forcing yourself up. Eddie scrambles to his feet, helping you up until eventually Venom simply takes over and lifts you into his arms.

"Venom I'm pretty sure I can still walk ya know." You say, admittedly a bit nervous in his hold. Not that you think he'll drop you, you've just never interacted with him so directly.

"YOU SHOULDN'T STRAIN YOURSELF. AND WE ARE TAKING YOU TO OUR APARTMENT."

"What? Why?"

"SO WE CAN TAKE CARE OF YOU WHILE YOU GET BETTER."

"Get better? All I need to do is shower and go to sleep, I'll be fine." You scoff.

"EDDIE WANTS TO SEE THAT FOR HIMSELF."

"You're very lucky I don't have any more energy to argue about all this." You mutter.

Eddie counts his blessings when he hears that. Of course it would take you nearly drowning to finally allow him to look after you. Little victories he supposes. Granted saving your life is definitely way more than a little victory. You are the single most important person in his life. If he wasn't sure of that before this he's absolutely sure of it now.

***

[thedouglastrap]

Something about this post is bugging me, but every time I to put my finger on it, I feel like the reason slips away. So I think I'll just try to sort through it here and see where that leads me.

Mechanical changes impacting play style makes sense, but I think I question the cause and effect here. Because the rules mentioned that "encouraged the GM to think of monsters as real living creatures", morale and reaction rolls, are things that seem (to me at least) less about making these monsters seem real and more about adding more angles to introduce randomness to random encounters. If a random aboleth shows up while you're walking from point A to point B, a reaction roll is a quick and dirty way to see how they view the players, but it doesn't account for what an aboleth is. Similarly, a morale roll is giving a method beyond the DM just making an arbitrary ruling sans dice. That's not to say that a good DM can't use the roll to breathe some life into an encounter, of course, but I don't know if I would say those rules being removed/put in the flavor rather than made a general rule was a primary contributor to a greater emphasis on combat, or if that was even an intentional design choice.

(as a side note: looking up what reaction rolls actually were were, I stumbled onto a blog about the whole OSR thing in ttrpgs, and decided to go down the rabbit hole for a bit. It seems like a lot of the conclusions being drawn in this post are close to issues raised over there, but they tend to include AD&D2e as a point where the shift happened, making it less a TSR/WotC difference)

Now, if there IS a greater focus on combat in that shift, I think it's probably due to the game getting crunchier over time during that shift. 2e seemed to start it off with a wide variety of optional rules, and 3.x cemented it. But notably, it did this for non-combat as well, which makes me think that it was less a design choice to make things more combat oriented and more to provide comprehensive rules, with combat being the most fleshed out part in service to the whole heroic adventure aesthetic.

I think one of the biggest issues I'm running into is the following point about how encounters have to be these justified forced combat encounters and the dissonance this can provide. I think part of that is because that conclusion just doesn't match up with the reality I was seeing playing 3.x or seeing other people talking about it. Not to say combat wasn't the focus, but plenty of non-combat encounters happened, enemies ran away, scenarios were derailed by roleplay rather than combat, etc. And sure, that's anecdotal, but I think it's relevant. The game does, after all, provide individual sections for monsters giving a basic rundown of what the creature is. Some are more bare-bones than other, but when Archons are listed as "never attacking first, but being easily provoked", that's a pretty clear indicator that forced combat should not be the default assumption. If players ignore that, sure, but that's no different than ignoring reaction rolls imo.

The real difference, I think, is the afforementioned shift from a focus on an open world where the party has more freedom to explore and do whatever they want while the world happens around them, to a focus on more structured narratives where the players are characters in a story that is unfolding around them. Its a shift away from "well the dice say there's an aggressive dragon swooping in, have fun with that" towards "I planned out the encounter you're gonna run into between startersville and plotlandia". That also kinda follows from the idea of encounter balance. Having a random dragon swoop in on a third level party isn't a balanced encounter unless the DM goes out of their way to make it one, but that takes more time and prep than rolling a few dice and opening to a statblock can account for. And yes, planned encounters like this can, if done poorly, just be a shooting gallery of forced fights with thin justifications. It could also be well crafted encounters where you could talk down the goblins instead of fighting by opening trade negotiations.

The play style that the difference in design encourages isn't so much "fight all the things vs treat your enemies like actual living things" as it is "how structured do you want this game to be", which is ultimately value-neutral. And the moral disconnect about what you're fighting seems like an entirely separate thing from that. Neither style inherently encourages or discourages that, and it feels uncharitable to say that WotC-era d&d is more skewed to be morally uncomplicated than TSR-era.

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[glitter-stained]

Jason Todd Meta: My opinion on the csa headcanon

Does Jason's behaviour suggest he was a victim of csa?

There is very little, in terms of clinical signs, that’s going to point to csa specifically, because most symptoms, for psychiatric disorders, aren’t specific to one disorder or cause. One thing that’s usually a good hint would be children making very sexual statements/references/jokes/behaviours that are very inappropriate in context (a good example of this would be Roman Roy from Succession); night terrors are bed wettings amongst children/teenagers over a certain age. But that is absolutely not necessary: many, if not most victims of csa don’t display these specific signs, and a twelve years old that suffers from night terrors is not necessarily a victim of csa. The one thing that tells you for sure, in a person with trauma, that they have been a victim of csa, is that they’re telling you they have been a victim of csa. I’m insisting on that part because there’s a whole bunch of therapists (cough cough psychanalysts) that will tell you confidently that your psychiatric symptoms stem from a childhood sexual trauma (cherry on top of the shit cake if it’s incestuous) that you didn’t know about because you’ve repressed it. I repeat, that’s bullshit. If you meet a clinician who tells you that, RUN. So, a warning: this is probably the least “psychological analysis” of my “Jason psychological analysis posts”, because Jason’s symptoms do not allow us to conclude formally for or against a history of sexual abuse. But that doesn’t mean we can’t do some meta, make sure we're on the same page with what's analyzed here, some textual analysis, discuss what the csa headcanon does and does not imply in terms of his behaviour. I think it’s a good idea to start with it so we know where we’re standing with our analysis, regardless of the fact it’s maybe not the most interesting in terms of psychopathology and neuropsychology.

A couple of disclaimers:

I only talk about the comics I want to talk about. This is for two reasons, which are that 1) I do what I want and if I don’t like/don’t find something interesting, I’m not gonna waste time on it; and 2) I’ve been reading comics for a couple of months only, and there are, like, a lot of them. If there are comics you wanna see analysed under that lense, feel free to suggest them! I might not want to, but it also could be that I haven’t read them yet. Additionally, I'm not interested in questioning the morality of Jason's actions here. Ethics are fun, and I like talking about them sometimes, and morality sometimes has a place in talks about demonization but largely speaking this isn't the space for that. I separate talk about morality and psychology stuff as much as I can for a reason, so if you are looking here for excuses for his behaviour or arguments as to why he is a bad person, you're in the wrong place. Moral judgement is irrelevant here for the most part.

On the events of Red Hood: Lost Days:

Jason has, at some point in the comics, been a victim of csa. When Talia kisses Jason before pushing him off a cliff right after he got out of the Lazarus Pit, and when she initiates sex with him in Lost Days, that’s not consent!! That’s a grown woman taking advantage of a traumatized teenager who is, on top of that, deeply indebted to her. That’s a predatory act, with a steep power imbalance, it’s sexual assault, and on top of that there’s an element of suggested pseudo-incest. That decision was retconned, and thank god, because it was a brutal assassination of Talia’s character based on a good bit of racism, and also because the way it was portrayed doesn’t make it clear that Jason is a victim in a situation rather than that super annoying trope of “teenage guy gets to bang a hot MILF and hahaha lucky him”, writing a male character in a situation of SA without acknowledging it as SA or taking it seriously is one of the tropes I hate most, it reinforces stigmatisation and isolates victims. For all of these reasons, I’m not gonna include that element in my analysis, but it’s important to note that if you do include those scenes in your conception of it, then Jason is undeniably a victim of csa and everything discussed about it applies to him.

What if it were a lie?

I’ve said it before (and I’ll say it again), I deeply, violently hate headcanons/tropes where a character lies about being a victim of csa (whether it’s for manipulation, personal gain, any reason really I don’t care). It’s rare as fuck in real life, however it’s a common trope that feeds into fear of being wrongfully accused that causes push-back and increases social stigmatization. CSA is a painful thing associated with intense feelings of shame and already a deep fear of not being believed. Imagine making a considerable effort to seek help after something terrible happened/is happening to you, and you have to brave your fear of not being believed on top of that, and once you’ve made all that effort you get rejected and villainized because it’s just easier for the person you’re reaching out to not to believe it. So I’m awfully weary of this type of headcanon, and I think a general rule of thumb is “if your interpretation of what the character is saying is that he’s talking about how he was abused, especially if he’s talking about sexual assault, then it happened.” If you don’t like that, if you don’t feel like that’s good representation, then you can question the story, think it should be retconned, or rethink your interpretation of what the character says if it’s ambiguous, but hcing that the character lied about his assault is not a hypothesis we’re going to accept here no matter what. So we can start by scratching that one out: Jason never lies about being a victim of csa, or wilfully hints at it even though that’s untrue, at any point.

Two other ideas I’ve seen floating around that I think are worth mentioning:

No, just because Jason lived in the streets as a kid doesn’t mean the only way he survived was through underage prostitution. I genuinely don’t understand that idea, yes being a street kid makes you extremely vulnerable, yes it makes the risk of resolving to underage prostitution to survive higher but it’s absolutely not a fatality. That idea is, quite frankly, weird. Do you automatically assume if a real life person tells you they were in the streets for some time at a kid that they are a victim of csa? Also, I've seen the idea go around that because some people have a strong reading/hc of Jason as bi (which I have no problem with I love bi Jason), that would be an argument in favour of the csa hc. Please don’t do that. There’s no link between queer sexual orientations and childhood sexual abuse, that’s a harmful myth that we should work to deconstruct or, at the very least, not continue to vehiculate.

Another important thing to keep in mind: childhood sexual abuse =/= childhood sexual trauma.

Now, a traumagenic situation is a situation that might induce trauma (so development of, acute stress disorder, ptsd, cptsd, derealization, any traumatic pathology really). These situations exist on a continuum of probability to be traumatized by this situation. For example, a flood, a car accident, witnessing a murder and being sexually assaulted are all traumagenic situations, but the probability of developing trauma from them are very different. It hinges on personal, situational, social, and environmental risk factors (that have nothing to do with being weak, anybody can develop trauma). A definition for traumagenic situations can be found in the diagnostic criteria for ptsd in the dsm-5:

A. “Exposure to actual or threatened death, serious injury, or sexual violence in one (or more) of the following ways:

1. Directly experiencing the traumatic event(s).

2. Witnessing, in person, the event(s) as it occurred to others.

3. Learning that the traumatic event(s) occurred to a close family member or close friend. In cases of actual or threatened death of a family member or friend, the event(s) must have been violent or accidental.

4. Experiencing repeated or extreme exposure to aversive details of the traumatic event(s) (e.g., first responders collecting human remains; police officers repeatedly exposed to details of child abuse). Note: Criterion A4 does not apply to exposure through electronic media, television, movies, or pictures, unless this exposure is work related.”

Note that the this last criteria has been added from the DSM-5 in order to explain cases of PTSD observed in at-risk jobs like cops exposed to repeated detailed child abuse, first responders collecting human remains, or, crucially, vigilantes repeatedly exposed to brutal crimes. This means that Jason, when he works on the Dumpster Slasher case, when he is horrified to find Gloria in the immediate aftermath of her rape (and later finds her dead body, because witnessing the consequences of these traumatic events is also an important component of that second-hand trauma), is being exposed to a very traumagenic situation. As I said before, that doesn’t necessarily mean you will experience trauma (thank fuck for that), but there are factors that influence that. SA related situations has an already pretty high probability of inducing trauma. On top of that, age is a big factor in that: the younger you are, the less resources, emotional regulation, development and coping mechanisms to face the traumagenic event you have (though there is such a thing as “too young to have PTSD" -when your memory is simply not developed enough for the memory to traumatize you because you will not remember the event.) At fifteen, with his memory fully developed but his brain going through so much changes because of teenagehood and his past history, Jason would be at risk. On top of that, you’re more at risk to get traumatized if you’re already stressed out when the event happens, so Jason’s mental state at this point in his robin run is also a risk factor. All to say, it’s very plausible for Jason to have sexual trauma without being a victim of sexual abuse in relation to canon events. Besides, in headcanon territory when it comes to Jason’s childhood before Robin, there are so many ways to be exposed to sexual violence : witnessing/finding his mother being a victim (considering the position of extreme vulnerability Catherine was in), witnessing assault in the streets, being the victim of attempted SA and escaping, watching street kids get picked up and later find their bodies/being told by other kids, as a cautionary tale, in excruciating detail, testimonies of their own assault… Or for example, if we’re thinking about Arkham Knight, being constantly threatened with SA, it being hinted and joked about and hanging over him like a sword of Damocles is something I could see Joker and other inmates do that could definitely induce sexual trauma even if it doesn’t happen ; what matters most, in trauma, is that the fear is real. Mechanically, when we’re looking at the way trauma works even on a biological level, the overwhelming fear is at the core of the pathology. (This is also why you can develop PTSD after a psychotic episode.) Like, my point isn’t that one of these things happened to Jason, or that he has to have sexual trauma from the events of the Diplomat’s Son or anything -mostly just that this is a possibility, something very serious that happens and an important nuance that I never see in discussions on the csa headcanon, and while it’s not exactly what the debate is about, I think it’s something important to ponder.

Do you consider the csa hc to be canon?

So, there are a lot of Jason stories, and I’m very pro “not take in account what is said in comics you dislike in your conception of canon” because if I did that absolutely no bat character would be readable, I have to believe that no character is defined by their worst writers. And boy, does Jason have a lot of bad writing… On top of the personal retcons, there are also the canon retcons: like Battle for The Cowl is retconned… Unless someone decides to reinject/revamp it into the narrative (please don’t please don’t it’s irrecuperable let it lay with the Flying Todds where it belongs). So, let’s see. There are three writers/arcs that imply/mention the csa hc: Starlin’s writing of Jason’s post-crisis Robin Run (canon though some stuff in it seems to have been retconned), Winick’s writing in Green Arrow: Seeing Red (canon as far as I know), and Battle for the Cowl (retconned). It’s worth noting that one of those are considered to be foundational works for Jason’s character (Jason’s post crisis Robin Run and Starlin’s part in it), and another was written by Winick, who wrote the other two foundational Jason stories: Under The Red Hood and Red Hood: Lost Days. On a personal level, I’m very mitigated about what I like and accept about it. I base my whole love and characterization of Jason about his post-crisis Robin Run, I love that little guy so much, Starlin’s take on Jason’s Robin Run is absolutely canon to me (which does not mean I like Starlin as a writer, thank you very much). On the other hand of the spectrum, the only reason Battle for the Cowl isn’t my least favourite comic ever is because The Killing Joke exists, absolutely not canon, get this thing away from me. And then in the middle, my feelings on Seeing Red (on the entirety of Winick’s Jason really) vary depending on the day, because I do like a revenge story that challenges the status quo with tropes of “bad victim” and it sets up Jason as a character based on love rather than morals which I adore, but there are also some elements of psychophobia in the writing that I (who approach stories through the filter of psychopathology first and foremost) can’t just look past, and also the way it intertwines with classist stereotypes. So do I consider Seeing Red to be canon? In good faith, yes, but whether I’ll accept it as such really depends on the day. In terms of the csa headcanon: it’s heavily hinted in BTFC but not outright said, it’s there as a undercurrent in Starlin’s run because of his intention (to make Jason die of AIDS). And then we have Seeing Red. Basically Jason lists elements about Mia’s life, including her past with underage prostitution (so, just to be very clear, csa), and says they’re very similar, having both lived on the streets, and understand having to do bad things when it’s necessary. This is not the same as saying “I was a victim of csa”, and what he’s saying could be interpreted differently (we know that he was stealing tires, and “only what he needs to survive”, so he could have been referencing small-time theft.) So, it could be a reference to something else, I totally understand why some people want to interpret differently. It just… Feels like such a weird and weak argument to be equating boosting tires to underage prostitution, to me it’s very ooc (in comparison to UTH Jason), and it would feel like weak writing from someone like Winick. Aka it’s not technically canon, and you don’t have to accept it as such(I understand the mentality of "I'm rejecting this interpretation because it feels like demonization of csa victims" perfectly), but personally I think it takes a lot from Jason’s character in Seeing Red and from this story in general.

[failyaoi]

Johnshi/Kencageblade/Swordblade kid oc just dropped (read tags for more info)

[pipwasreal]

Ooh very interesting, thank you! I did wonder what was going through particularly Charles' head in his Hell mirror scene, and Jayden's answer is so sweet!

Transcript under the read more...

George: Hi Nat! It's George and Jayden here, for the Dead Boy Detectives. Thank you so much for supporting these cameos. Sadly, we're coming to the end of them now, um, but we've had a really, really lovely time loving the show with all of you, so thank you for your part of that. I'm gonna jump straight in. Now, you have said you're "always intrigued by Charles and Edwin's reactions to seeing their reflections in Hell." What would we say went through their heads at that moment?

Jayden: I can say for me, I remember, obviously, embodying Charles in that moment, I remember just having in my head that, you know, there was obviously a task at hand, he was in Hell to save his best friend, and I think that was a moment of looking at himself being like, "okay, d'you know what, you're not like your dad, you are a hero, and... let's just go and save your best mate."

George: That's lovely, that is. And, actually, off the back of that, I was on set with Jayden when he played that moment, and it was so powerful because, you know, there was something really, um... really profound and ironic about these boys who've travelled through mirrors every day, but because they're human mirrors, they're mirrors on the mortal plane, they can't see their reflections. Um, whereas in Hell, they're magic mirrors, which meant that they could see their reflections.

Jayden: And they couldn't hop through them.

George: And they couldn't hop through them!

Jayden: As you can see I... Charles tried to.

George: Yeah exactly, so the bit where Edwin sees his reflection...

Jayden: Unless you're going to... a different realm.

George: True.

Jayden: You get dragged in.

George: The bit where Edwin...

Jayden: Yeet!

[George laughs]

George: ...could see his reflection, um, was actually not in the script. I just played that moment, 'cause I thought there was something interesting to it, and then Steve, our showrunner, just hopped in, he was like [whispers] "Can you say 'my reflection'? Just to help make it really clear what's going on." Um...

Jayden: "How do you think Edwin was affected by being a teenager in World War One and knowing he might have to take part in it?"

[George gasps]

George: Great question.

Jayden: Have you ever been asked that before?

George: I don't think I have. I've spoken a bit about World War One. I mean, St Hilarion's is a school for the sons of military personnel, so I think the idea of discipline and the sort of vocabulary and the lifestyle around uh milit... everything to do with the military would have kind of been ingrained in him. So I think he kind of wouldn't have expected much else, in a way, I think it would have been to be expected. But there would have been a lot of fear, and I'm sure that fear would have contributed to the joy and escapism he found in those detective comics.

Jayden: You've said here that the show has touched you very deeply, and it has inspired you to reach out to people again, which you hadn't done in a long time.

George: Wow.

Jayden: Well, we are so, so glad to hear that. I think that is, that is what the show is all about, you know, reaching out to people in times of need, and, you know, creating new friendships, new bonds, and we really hope that that continues for you. And if you ever feel as though, you know, it's kind of doing this... [gestures in a downward trajectory] you have a lovely show back here, and two lovely dead boys here that support you and are proud of you every day, so thank you so much, Nat, take care.

George: Bye Nat!

So I wasn't sure if I was going to share my cameo because it's a little bit more personal towards the end, but I decided I rather wanted to share the video than just transcribe their answers to my questions.

I asked them about their thoughts on Charles and Edwin seeing their reflections in episode 7 and about Edwin's experience as a teenager during WWI.

[batsplat]

do you have a favorite bit of motogp gossip that you either want to know is it’s true, or you just enjoy as a stand alone piece, no need for further investigation?

one of those where I initially stared at and like. lost all motogp knowledge in my brain. and then stuff did come back to me. this is all very much low hanging fruit and I'll add to it when I remember more interesting/quirky ones. BUT here are some things I want to know:

y'know how casey randomly suggests in his autobiography that valentino was sabotaged in the 2006 title decider? so, personally, I don't really buy this, because 'why' and also 'casey girl you are SO paranoid' - though, sure, if given the option I'd like to double check if valentino had a dud tyre (completely plausible) and also if somebody really deliberately gave him one (?? casey idk about this one). but what I'm REALLY curious about is... there's a change in his autobiography?? like I've seen this book excerpt float around online and the text is different from what's in my book!! mine's from the paperback version so I assume there may have been some edits for that, so that would make it the newer version... but like. this is a real editorial change. check this out:

version posted on the internet, from the hard cover edition???

version in my book, first paragraph is the same

But as soon as the lights went out Valentino was in trouble. I was one of six riders to pass him on the first lap and if you watch the footage you can see how much he is struggling to even keep up with us. His rear and front tyres were just not working together and on lap five the front inexplicably folded and he went down, right behind me. I couldn't help but wonder how he could be having such problems with his tyres. Could he really have been stitched up? It seemed so improbable, but I remember watching that race back in the motorhome that evening and thinking, Welcome to my world, mate.

this isn't 'gossip' because I haven't found anyone else who has spotted this, but like? that's a substantive change? if my one really is the newer one? ...?

let's set aside the fascinating insight you get into casey's knotty and at times bizarre valentino rossi complex with him adding the line "welcome to my world, mate" (oh my god. please just take him to dinner. I will crowd fund this I literally just need to be able to listen in. casey come on CALL him I NEED you to do the dinner thing, YOU suggested it not me). like we're not going to even touch that. but if my version really is the updated one, then he's kinda softened his stance, no?? "convinced he was stitched up" to "could he really have been stitched up"

what happened?? who wanted this change? casey? an editor? did dorna give casey a call? did some poor bloke from pr have to politely ask whether casey could please not state in his autobiography that the most popular rider ever had had a title stolen from him by the establishment?

(casey was talking about valentino's stolen tenth BEFORE it was popular. he did it even before valentino did, bless)

"there are a lot of commercial interests in the sport" also didn't make the jump to the 'new version', mind you. did Big America get to casey

come on you guys have to admit this is an odd change?? does nobody else thing this is weird??

okay fine moving on

Did Valentino Literally Curse Sete

(like. not literally as in did he curse curse sete, literally as in did he say it)

(though if he did literally literally curse curse sete, I suppose I'd also like to know that bit)

the commentators in 2003 brno say so and I'm inclined to believe them, but I need to double check whether sete and valentino really were partying on ibiza together right after that very painful valentino loss at the sachsenring. such a fascinating little detail, that's not something post-2004 valentino does I reckon

I mean, look, obviously a bunch of things from that time period I want to have fact checked. including valentino's friend hearing sete say in late 2003 that valentino wasn't going to be smiling so much after joining yamaha. classic bit of gossip, did it actually happen though

I've referenced this a few times before, but y'know how valentino said that marc's manager alzamora told him after sepang 2015 that marc had been angry at valentino for killing his title charge? I just want. to know. if this conversation actually happened. I don't think valentino would pluck a lie like that out of thin air, especially something so specific about somebody on marc's team, and he has known alzamora for decades but like. maybe almazora just said something valentino misinterpreted? I just find this such a bonkers thing from alzamora if it's true that I would like it confirmed for my own sanity, you know?

yeah look I would like to know if marc really did get casey kicked out of honda, obviously I've discussed this before and it's very he said she said but yeah it'd be fun to know the truth

this is literally peak gossip because I can't find a source for it but I swear a journalist did say it: the rumour is that marc blocked joan mir from joining honda in 2019. like, I'm only including this because I was explicitly asked for gossip as I just cannot find where it was said... but it is something that is. out there. and... again, just curious. like I buy it, but also it could be bullshit!

on a similar note, did he ever make clear to honda he didn't want either vinales or rinsy on his team circa 2016? was it just a vibe in the paddock or was this an actual demand from marc?

speaking of!! the whole thing about alzamora basically rigging the moto3 teammate situation between rinsy and alex marquez to ensure the latter won the title that year. what was that all about, how far did they go there

switching to valentino now. this doesn't quite fit the remit of the question because it IS something I've investigated. and my conclusion is basically a big *shrug*

did valentino block casey from joining yamaha in either 2005 or 2006, and did he attempt to block jorge?

there are completely contradictory sources on the timeline here that do make me feel like there's a chance yamaha was just fucking with casey at the very least in 2006 and valentino had fuck all to do with it, which a recent interview from casey did actually hint at too... he made it sound like maybe yamaha was just using him to try to drive down the price of another rider (which would then presumably be jorge)

I just want to know! and the thing is, it was a matter of open paddock discussion that valentino blocked casey (jorge explicitly references it in in 2007), but something doesn't quite add up between what jorge, casey, colin edwards, articles from the time and lin jarvis have said on the subject! my current pet theory is that valentino blocked casey in 2005 from joining the satellite yamaha team in 2006 (weirdly casey doesn't really imply valentino was responsible for this one in his autobiography, but whatever) but NOT in 2006 (casey does imply valentino was responsible here, you see my problem). and yamaha was fucking around with all four of valentino, casey, jorge and edwards in late 2006/2007. but. yeah. I have unanswered questions

the entire 'alex marquez blocked from yamaha' situation.... again. something is off there. you know the story from late last year about how he was blocked in 2019 from joining the petronas team in 2021? this completely threw me, because there was an entirely different story about this YEARS back in 2018!! I initially assumed the two stories were about the same event, but it can't have been! one's him being blocked in 2019 for 2021, one's him being blocked in 2018 for 2019

from the descriptions of both there's also no confusing them. the 2018 story has to be about the 2018 contract cycle because that's quite literally when it was published, and the 2023 story has to be about the 2019 contract cycle because it explicitly references the space fabio would create by moving to the factory team for 2021, which obviously wouldn't make sense before fabio's actual rookie season. like they have to be about different stories

and in that same 2018 story, marc said that back in 2016 lin jarvis told him no marquez would be joining yamaha:

again, this was in 2018!!

plus, he did say back in 2016 that he'd spoken to jarvis, which kinda backs up this is a conversation that did happen and marc isn't just misremembering the timeline/lying (the notion of marc joining yamaha in 2017 is fantastic, what an absolutely horrendous idea):

now what marc says in 2018 about his conversation with lin jarvis is very similar to petronas yamaha boss razali saying in 2023 that he'd been told by yamaha no marquez was allowed at yamaha. suggests that this is a thing that did happen!!

but again... razali was told that in 2019... after marc had already been told the same thing three years before that, and the exact same deal had already been blocked one year earlier... does nobody else think this is weird?? like, I'm not saying yamaha hq covered themselves in glory here, but is it not a little strange the satellite yamaha squad had basically almost signed a contract with the younger marquez again without checking in with yamaha, just ONE YEAR after this same contract had already been blocked???

again this isn't actually gossip because I'm apparently the only person going ?? about this but I'll say it: ??

kinda been annoying me since december last year, like I know it doesn't matter but I'm just curious about it! why's nobody else talking about the 2018 story!

idk my best guess here is that petronas yamaha was faffing about and playing weird games with the factory team, that the deal was never as likely to happen as they made it sound to the marquez camp. zero proof, that's me spreading rumours yeah... time to create some of my own unfounded gossip

(also of course I'm curious if valentino did have any actual involvement in this. like if lin jarvis was telling marc this in the year of our lord 2016, I'm assuming valentino didn't have to explicitly say to jarvis that 'inviting marc to the team for 2017' wasn't exactly high on his christmas wish list. it is interesting that marc frames it as jarvis making this about. like. all the marquez's way back in 2016, and again, would this really have been on valentino's radar at the time? that feels a bit...? alex marquez was thirteenth in that moto2 season? would certainly be very... thorough for valentino to already have had that particular talk with jarvis)

(mind u there's a fun moment in a 2019 presser where valentino is sitting between the two marquez brothers and the younger marquez is being asked about his contract situation, the implication being he'd had a motogp deal and no longer had a motogp deal. and he's answering and marc's doing his freak stare and valentino is Right There sitting between them... I <3 mess)

man did valentino actually ever fucking block anyone from joining his manufacturer #notmygoat. I still think he didn't know about jorge until the deal was basically done, had nothing to do with the younger marquez, at most blocked casey the one time but then yamaha wasn't actually seriously intending on signing casey in 2006 and was just using it as a play in their jorge negotiations, which.... idk. bit disappointing if true icl. I hope he blocked someone, I'll say it

(also. okay. I don't want to sound awful here because I do have a lot of sympathy for baby!casey but. ignoring the morality for a second, I do LOVE the idea that valentino blocked casey from getting a satellite yamaha seat fresh off his 250cc runner up season because it would conclusively prove valentino did ABSOLUTELY rate casey!! like he didn't even want casey to come close to being his teammate!! not even a sniff at his data!!) (genuinely this is the rumour I'm choosing to believe, I know there's a chance valentino didn't successfully block anyone and was just a complete flop but I want the 2005 one to be true. it really adds something to the rivalry idk... like ugh valentino saw how dangerous casey was proper early when much of the paddock wasn't yet convinced... cute)

moving on

there was a rumour in 2015 that valentino approached dani after aragon to complain about how sturdy his defence was, like moaning about denying him points and shit. now, there's exactly one article about this in marca that is the sole origin point for the rumour, and it says that valentino also interrupted a honda party after phillip island to complain to marc. this does not match up at all with anything either marc or valentino have said since then - and would mean you have to believe that marc wasn't actually blindsided by that presser... also feels a bit unlikely we would have heard NOTHING from any other source if vale was really gatecrashing a honda party

of course, neither dani nor valentino have spoken about this supposed post-aragon 2015 meeting either, not even when dani was kinda accusing valentino of hypocrisy during sepang 2015, but I suppose you could say maybe dani's just not the type of guy to bring it up again. however.... I do reckon occam's razor kinda applies here and if one of these stories is bullshit then they probably both are, plus it's not like marca is exactly a neutral source. still would love to be certain!! instinctively I don't really think that's valentino's style at all, but of course it'd be intriguing if the story were true because it'd be a sign of how 2015 kinda messed with him. but I still feel 2015 is more about him falling back on past tools he'd mostly discarded - rather than, like, acting wildly out of character, which again... well, this brings us back to how that kind of behaviour isn't really valentino's style. basically, I don't buy it, but that's kinda why I am so curious about it? because I feel like it would be really interesting and quirky if he had actually done that. does this make any sense

speaking of, again this doesn't really count because I did kinda investigate it last year.... but you know when valentino in that podcast referenced a conversation with marc around the time of sepang 2015, where marc stared blankly at him? I have a hunch about when that conversation happened, want to know if it's right. this also isn't really 'gossip' because this is a conversation I'm having with myself but

y'know when bez was injured on the ranch late-ish last year? a bunch of journalists pointed out how hush hush they were about what actually happened to bez - like they repeatedly drew attention to that because god knows THEY love some gossip lol. which probably means nothing, but I'm curious what the journalists' theory here is, like do they think it was an embarrassing injury?? OR. look. I suppose the conspiracy theory would be that pecco caused it (obviously accidentally!!) and everyone at the ranch knew it'd be a terrible look if they admitted that because of the whole title fight situation. call me casey stoner because those dots are not real and definitely have not been connected

okay, you know how there were rumours in the spanish tabloids bez said some real ugly stuff to marc at valencia last year, and bez didn't directly address it but freaked a little and did a sort of blanket denial that he'd said anything that bad? I don't actually think he did tbh, but again. would just like to check!

while we're already on bez, there was one report that the switch to aprilia was partly motivated by marc to factory ducati. again, not entirely sure I buy that this would factor into his thinking beyond the obvious 'this means the route to that factory ducati seat looks even more closed than it already did' angle'.... it's very much down my list of priorities but I'd quickly confirm/deny it if given the chance yeah

that's all for now lol

[buttercup-art]

hey

[gigantomachylesbian]

Guys. I did not know before now that writing could be painfully millennial in a full prose book but the pho*nix ke*per has proven me wrong and I have to complain about it in the tags

[front-facing-pokemon]

[sysig]

Bad time of it, all things considered (Patreon)