#Godfuckingawful

[rosetta-stoned-bitch]

So twsift namedrop Kim K's daughter and mentions Kim's death. Because of the beef that she primarily had with Kanye....

But she shouldn't be held responsible for the bad that men in her life ever do, like Matty Healy being a bigot or that godawful director she worked with or Kelce being a xenophobe and misogynist. She disgusts me.

[punsandposes]

I hate when I google Jason and this fucking pic shows up like a bad penny

It's so hideous like why is his hair Like That

[trickster-archangel]

Just saying.

If you're a mutual and you're using one of those godawful fucking shit AI tools to manipulate pics of our blorbos or the actors themselves, to make pics of them kissing or boning or hugging or holding hands IDK IDGAF, I'm sorry but I'm unfollowing you, and even all of those who choose to reblog you.

Fanart is a thing. Painstakingly homemade photomanipulations are a thing. Fan content is a thing. IT'S FANDOM CREATIVITY.

Your godfuckingawful AI content IS NOT. It's a parasite wasting resources and energy to create something creepy and uncanny-valley-adjacent, and sorry if I'm old but I'm against it. I love YOU but I hate IT.

Nothing personal, but I don't want that shit on my dashboard.

[nyaskitten]

Saw someone say the Core short "Honesty" is evidence that Wu is secretly abusive to the ninja because it was a recreation of the Never-Realm what purpose do we, as an entire society, truly even serve? Why are we still here, if all we yet do is post the most GODFUCKINGAWFUL takes ever.

[deconstructivesurgery]

it is your god given right every so often to hit your dear friends with a nickname so godfuckingawful that you can hear the grating scrape of metal against metal in your head as it registers

[troythings]

rating donna troy costumes part 3

oh god. what the fuck man. i have so many opinions about this damn costume. i should not have so many fkin opinions about this ONE costume. gahhhhhh.

it works for that specific version of donna and her origin. an aggressive, more conservative take on diana’s armor. the shoulderguards give off this cool militaristic silhouette, and the belt buckle kinda reinforces that by looking a bit like the one in a service uniform. also personally, the combination of the W logo coupled with the winged shoulderguards, call me crazy but that looks like donna’s belt logo got incorporated. that’s my crazy

it’s also fking impractical. like i think, besides the silver eagle armor its the most impractical armor on this list. the titans hunt#3 cover (left) fixes this by simplifying it and removing the cape. make the shoulderguards smaller and more ‘sculpted’ along the shoulders and it works. also get it a better palette.

i actually liked the composition of this costume when i first saw it, which is bc sonia oback did good job making a cohesive palette. front bodice and the harness buckles were red. side bodice, battleskirt and the upper side of the boots were brown. silver (crest, boot decorations) and gold (studs, shoulderguards belt buckle etc) were used appropriately. leggings and cape were black. there were flaws. but the color continuity worked.

so this starts to fall apart when the artists get inconsistent. finch doesn’t draw it as detailed as it was in the debut issue. the war torn arc had colorists with WILDLY different ideas on coloring the armor. the one in the middle (brad anderson) is all over the place. like holy god. there’s no organized palette or any contrast to diana’s. i also hate the way they colored that cape like. the fuck. why????

that arc did its thing and then new 52 donna popped up in titans hunt. for the most part it only looks good in the covers that yanick paquette drew for the series. like the skirt is simplified, the belt is simplified, we don’t have a cape in that cover and it actually looks redeemable. we also have a structured color palette again: silver makes up a majority of the metals there and maintains consistency, the bodice, boots and arm/sleeves/wraps/whatever are the same shade of red. skirt and armbands are same color. the black non-cape looking harness thing and the leggings match. in the comic it looks like hot garbage. that is all.

imo i think the paquette take on this costume should be the definitive version. it could be improved further by saturating the red further, giving donna actual bracelets, desaturating the gold and changing the red harness buckles to match the silver belt. darken the leggings to black and we’re good.

but like. the perception of this is heavily colored by that one arc. people see this costume and remember that this version of donna committed genocide. same way i hate the current one, just for being in the liberal virtue-signaling steve orlando storyline where unlawful combatant donna troy breaks international law and topples an entire country but its somehow ok because fAsCiSm. and like this costume has to be improved so much from canon. in canon it’s about as ugly as the first troia suit and only slightly more functional. so like. 0/10

so this one’s solid actually. it’s a pretty cool way to tie in the black/silver color scheme without referring back to the godfuckingawful titan seed origin. here you just have the plausible deniability that a) the red became black, b) yellow stars went white and c) gold obviously turned into silver. sort of like a, costume graduation thing. kinda. like it’s a more tactical and reinforced version of the wonder girl aesthetic which is cool. modern militarism with amazon elements. i like the belt but i wish it wasn’t mistaken for an A all the time. the W on the collar is AESTHETIC im sorry but the one good thing of rebirth was that they gave the choker to donna and not diana. but it’s actually p good!! wish we still had it 10/10

fucking 0/10 what were they trying to do here this is ugly this is needless whoever approved this should be court-martialed

ew. ew. ew ew ew ew ew ew ew. like. im sorry but. dc it’s going to take a lot more than aesthetics to invoke the previous continuity. double that when this donna’s first solo story was her committing americentric violations of international law, thanks steve orlando for putting your dumbass liberal escapism in here and now this costume is ruined forever.

also im pretty sure its not gonna get better with the jimenez thing coming up. and the fucking “donna has a father” origin (goddamn ANOTHER RETCON). so not only does this suffer from the same thing with new 52 donna buuuuuut.

dc. this exact costume was conceived in a fan edit from the 2010s. you didn’t even fucking try. 0/10

[thishairwasmadefor]

the way testosterone has me feeling like if I don’t have a man’s hands on my neck and in my hair i will collapse—is godfuckingawful.

[adeladeparade]

I can't be the only one that thinks Ariana is an absolutely fucking horrible casting choice for Glinda and that her take on Popular is godfuckingawful

[b1tchplanet]

I fucking love TMP. it is so quintessentially star trek. it's the decade of tech advances irl between the end of the og series and this movie translating into wonder and awe onscreen. its the new races and new generation in Starfleet. it's the fact that there IS no real "bad guy" and the conflict is really about a character that's lonely and wondering about the nature of itself in the universe. it's Spock foregoing Vulcan nirvana for Kirk and This Simple Feeling.

it's also about the slowness/redundancy that is ultimately boring and even grating. it's also the stupid fucking rollercoaster strap-ins on the bridge seats. it's also about Starfleet being very casual that Kirk reports the guy who was taking command of the enterprise in his place was "killed in action... no wait.. list him as... missing 🤌" it's about George Takei's mole.

it is about, above all else, these absolutely powerful godfuckingawful costumes. they are unmatched. form-fitting sleepy pale-blue pajamas with Literal Belly Buttons. the fucking buttons what the fuck are they even. press the one on Kirk and he says "This is Captain James T. Kirk of the U.S.S. Enterprise!" and press the one on Spock and he says "That is highly illogical, Captain." but they also look like they're gonna shoot a laser straight from their belly button like the my hero academia kid. but they also look weirdly suggestive, like they're kind of a Bulge but not exactly.

it's the perfect star trek movie. it's everything star trek ever has been -- impressive and innovative in many ways, and also fucking stupid as hell. wrath of kahn is a "better movie" by normal standards but THIS is the perfect star trek movie.

The original and best Star Trek jumpsuits

[txttletale]

the pervert at gearbox who put in all the parts in borderlands where the game grinds to a halt to make you use their godfuckingawful vehicle mechanics should be forced to respec their career into hog farming

[raeuberkotzenrotz]

Nicolas Mahler: When we were still cinephiles (Als wir noch Cineasten waren) / Mishima's tip (Mishimas Zipfel)

From: Die Zumutungen der Moderne (Reprodukt, 2007)

Translation and the godfuckingawful lettering by me.

[persephonaae]

Michaels Goddamn Arts and Fucking Crafts has the absolute most godfuckingawful music playlist out there for retail establishments

[clyde-wy]

Spoilers for one piece 1011

Apparently Big Meme is going to go soft because she saw O-tama and thought "omg she cute" or whatever. This entire build up is leading to nothing but yonkos getting absolutely TRASHED and HUMILIATED the whole arc. Either Kaido gets rekt, gets back up, gets rekt, gets back, and everytime he gets back up he goes "good attack bro." What in the fuck is going on anymore?

Those sanji and killer and kidd fights are just ABYSMAL to say the least, I don't even see the point in those characters, anymore. At one poikt Sanji is kicking King, another moment he's fighting some else and it's like 🤨🤨🤨....who tf is fighting who??? The tobi roppo are so bland it's like staring at the void. All fights are off-screened and the story never moves on.

Stop telling me to "wait" for someth to happen, it's been 102 chapters and the yonkos are just getting pounded violently, they teleport here and there accordingly to the plot and the whole thing makes no sense at all. The mugiwaras are for the most part absent as they have been for the entire arc.

And now Big Meme is a comic relief/plot device ready to blow up what Oda has put in place in 20yrs.

No I won't stfu. I invested a lot into one piece and I still love it despite wano being godfuckingawful. I love one piece, the mysteries, the originality of the characters' designs and everything else. Don't tell me "this is just your opinion" again, I KNOW it is my opinion, you're just mad that I'm right and that wano is not getting anywhere.

Still waiting for "the man looking for a place to die" to actually look as scary as in his introduction scene.

[tvranny]

everything i’ve drawn literally looks like shit

[dreamer-of-dreams-ao3]

Based on https://archiveofourown.org/works/27242776/chapters/66550216

a bookmark near the end -

Summary: Sarawat senses Tine's leg tensing next to his and he feels godfuckingawful, he could almost cry. The thing is Tine seems to have moved on from what happened in the past but sometimes, Sarawat finds his mind circling back. 'He didn't trust you.' He has been reassuring himself that none of that mattered. They made it this far, didn't they? They are still together. He knows Tine loves him. He shows it in his own ways. The green curry he meticulously cooks for Sarawat, the way he moves closer to Wat until their hands brush when he thinks Wat wouldn't notice, the long gazes when he thinks Sarawat is not looking. He knows Tine loves him, that's all that counts.

'But he didn't trust you...' A tiny, wounded voice whimpers.

[zafrps]

OMAR SIDIBE. HISTORICAL ANTHROPOLOGIST. 31 YEARS.

“Gemini Colony is all you’ve ever known. Do you ever think about Earth, and regret not knowing what it was like there?”

I think - see, we were always kinda fucked to begin with, right? Here, or there. I chronicle the past and sift through archives. We see blood, the same kind flowing through my veins and yours, spilling across time and space. It's the same colour, the same viscosity, the same metaphor for life trickling, for dreams bleeding.

My point is this - yeah, I'm a historian. I'm an anthropologist. I archive shit for the government. I think about Earth a lot - I think about the source of our legacies, our grievances, our advancements. I breathe oral histories and narratives - it's all, they're professional requirements, you know?

But regret? Do I regret not knowing what it was like there, experientially? Man, I - I mostly regret having to wake up for work, follow the same goddamn routine day in day out, live a mostly ordinary life here. Deal with that godfuckingawful neighbour who just won't stop asking me if I've been eating enough.

So, uh. Yeah. We done here?