#God on our side

[feddy-34]

HOW CAN YOU HATE HER??????????

[poorly-drawn-mdzs]

Normal Friend Behaviour.

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[captainswhore]

you see price sitting like this when you walk into a room post mission- and you know exactly what it is he needs.

he's licking at you and holding your thighs open with his rough palms- and you can't take it. his calluses and his beard and the fabric of his sleeves are rubbing at your legs just right- but not enough for you to lose focus on his hot tongue rubbing on you and in you and you've never been wetter in your LIFE.

his only problem? you're still moving too much. he can't reach where he wants to inside of you because you keep wiggling out of his way. his hands want to touch you everywhere- not just hold your thighs still. this is when he begins to squeeze at you everywhere, and tell you to rest your thighs on his shoulders.

"b-but price- hhnngh ohmygod- i c-can't. they're too big. thighs are too big"

you whine at the loss of contact, but then you look down and see him staring at you with massive pupils and a wet face. "lovie- my shoulders are broad for a reason. rest your thighs on em and i swear they'll have enough room"

and you listen, and you're crushing his ears with your thighs, and he's never been happier. the next time you look down? he's rutting into the mattress and you see his hips stutter when he groans into you and your vision goes white

(@chamomiletealeaf and i had SUCH A HORNY discussion about this and she told me to post it so here i am- and also omg photo creds to her. we've gotta reign it in lmfao)

[pilgrimjim]

You Gonna Have to Serve Somebody: Thoughts on Christ the King

Does Christ’s kingdom exist only in the future? Or is it somehow breaking into the here and now, even in the killing fields of history, where you need the faith of a dying thief to see it?  #ChristTheKing

The Enthronement of Christ (Bamberg Apocalypse, early 11th century). The extremists in American politics say that God is on their side, but such statements are lacking in content. Their “God” is not really expected to supply any concrete assistance, such as plagues or angelic legions, to carry them to victory. “God-on-our-side” language is just a dramatic way to say that “we are right and you…

[valtsv]

>dies anyway

[frankiebirds]

literally why does he know this

[andwhateverwalkedthere]

Can we talk about how we definitely don’t give the Magnus Chase books enough credit? Like these books are such a beautiful depiction of coming to terms with grief and finding purpose in new relationships. Magnus’ struggle to accept his mother’s death and his guilt over it culminating in a beautiful moment where he feels her love and presence with and for him in his battle with Surt. The horrific despair he feels whenever someone around him is hurt, literally moving him to tears every time, even when it’s Gunilla, someone who has been actively hunting him. The line about how they are all empty cups, but that they can share each other’s burdens instead of filling themselves with pain. Just the beautiful bonds these characters who have each been isolated in their own way have formed with each other. How each of these characters have every right to be bitter and spiteful as a result of the tragedy in their lives, but choose love and each other at every turn.

[bobdylan-n-jonimitchell]

Joan Baez & Bob Dylan "With God On Our Side" Newport Folk Festival, July 25, 1964.

[fujii-draws]

He can be a little overprotective.

[ringosmistress]

[dollypopup]

'colin needs to grovel' 'colin should suffer' 'pen can't let him off easy'

please, his mother in law is about to be PORTIA, doesn't the man have enough curses in his life?

[itzrafee]

A thing on Uran and Helena in Pluto

Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.

Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.

I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.

But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.

In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.

Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.

So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.

Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.

im sorry for this one:

[doodlebloo]

When you're just chilling and then like a wave of ice cold seawater dwarfing you entirely you think "Oh fuck, L'Manberg."

[tenthrees]

But you said there was no escape.

There's always an escape.

[starleska]

brain is still so scrambled from watching The Legend of Ruby Sunday and Empire of Death in cinemas yesterday but...all i can say is. that felt too easy. far too easy. are we willing to bet that Ruby's story is not entirely over, and when she returns in the next season we will be unearthing that? or am i coping?

[aseuki]

It's @humming-fly's bday which means it's my Annual Excuse to draw her art of her OCs! (<-does it year-round anyways asldkfjsdn)

Love Fayre and Prism, they're both SO fun and silly 💙💜