#Geri Miller

[twixnmix]

Warhol superstar Geri Miller photographed by Andy Warhol, 1972.

Geri Miller starred in Andy Warhol's play "Pork" (1971). She also appeared in his films "Flesh" (1968), "Trash" (1970), and "Women in Revolt" (1971). Geri was a go-go dancer at the Peppermint Lounge in NYC. A self-described "super groupie," she was linked to Ringo Starr, James Brown, Dino Danelli, Lenny Davidson, Dennis Wilson, Gordon Waller, Jimi Hendrix, and David Bowie.

[soupy-sez]

Trash (1970)

[ludmilachaibemachado]

Cynthia Lennon, John Lennon, Ringo Starr and Geri Miller at the Peppermint Lounge after The Beatles performed on The Ed Sullivan Show on February 9, 1964🌻🌻🌻

Geraldine Miller was born on April 27, 1942 in Clifton, New Jersey. After graduating from high school in 1960, she became a go-go dancer in New York City, working at clubs Peppermint Lounge and Carnival for many years. She met The Beatles at the Peppermint Lounge on February 9, 1964 and after her shift took a break, Geri continued to dance and hung out with Ringo until he had to go and she had to go back to work. Geri invited him to her apartment - he came before she got home and was with her until 7 AM for breakfast until Ringo had to go back to the hotel (it's been said they dated twice). Once referring herself as a Super Groupie, Geri was with Rod Richards from Rare Earth, James Brown, and hung out with Lou Reed, Mick and Bianca Jagger. By 1968, Geri then became part of Andy Warhol's entourage, working as an actress in his movies. She later married music producer Jimmy Miller (no relation) and was a mother of two children, Steven and Michael, before passing away from breast cancer in 1991🌻🌻

Via @thebeatleswomen on Instagram🌻

[1whimsicalgal]

Two very cool 60's Beatles stories!

Peppermint Lounge dancer Geri Miller tells her story of spending an evening with Ringo Starr (presumedly this is the G-rated version!). From an article in Movieland Magazine, 1964:

  The Beatles Hidden Girlfriends (in the USA)

  GERI MILLER

  “I remember one of the dancers running into the dressing room and announcing the Beatles were coming into the Lounge to catch our show! There was complete mayhem backstage. All the girls started primping and changing into their best outfits. All I had brought with me that evening were hip-hugger dungarees, a sweater, and dirty old sneakers. I figured, the heck with it, I’ll never stand out from the other girls, so I didn’t even bother running a comb through my hair.

  Sure enough, at half past twelve, the Beatles were sitting ring-side, sipping Scotch and coke and watching our revue! I flipped immediately over George. I thought he was gorgeous. After the show, all the girls (still in costume) were brought to their table and introduced. I didn’t see George and asked for him. I was disappointed to learn he had a sore throat and had to leave. Oh well, I thought, he must be a dead-head. I probably wouldn’t have like him anyway. While at the table I noticed Ringo staring at me. I knew one of the other girls dug him, so I decided to go back to the dressing room and change into street clothes. When I came out, dozens of girls were swarming about them. I figured I’d never stand a chance with all the competition, so I got up on stage to dance with some friends. Then the band played a real wild Monkey, and I danced as I’ve never danced before. As I spun around, I caught Ringo staring at me intently. Afterwards he invited me over to join his table, there were no chairs vacant, so I did the next best thing … I SAT ON HIS LAP!

  He asked me my name. I told him, and then mentioned I was considered the "clown” of the girl dancers and I knew he was considered the “clown” of the Beatles, and why didn’t we try swapping jokes! He laughted, I think he thought I was crazy. He offered me a drink. I told him I didn’t drink. He offered me a cigarette. I told him I didn’t smoke. “Well, what DO you do,” he asked. Nothing, I answered, I guess I’m a drip. Ringo smiled at me and said, “Geri, the way you dance, you can’t be a drip!”

  We talked on aimlessly about rock ‘n roll music and the dances that were popular here. Soon his manager was motioning that it was time to go. He asked what I was doing later and could he see me. I flipped. Of course, I answered, the only thing is, I don’t get off work until 4 A.M. I knew Ringo didn’t want to stay in the Lounge and wait for me because the place was crawling with photographers, and I knew he didn’t want to go back to his hotel with the rest of the group. “I’ve got it,” I announced, “why don’t you wait for me at my apartment. I live right around the corner. I have a hi-fi and dozens of albums. You can listen to all of our popular recording artists until I get there.” Ringo liked the idea. I gave him the key to my apartment and directions.

  There was only one more show to do, but it seemed like an eternity until I was finished working and free to leave. On the way home, I stopped off and bought eggs, milk and rolls. I felt that after waiting an hour and a half for me, the least I could do was make him breakfast. As I made my way to my house a terrible thought hit me like flash: I DIDN’T GIVE HIM MY APARTMENT NUMBER! Gosh, I thought to myself, here’s where I lose a date with Ringo AND my keys.

  When I got to my door I heard the TV and felt relieved. I rang the bell and shoeless Ringo answered the door. He explained he met a neighbor in the lobby and she told him which apartment I lived in. I pictured my neightbor wondering why the one and only RINGO STARR was asking about silly ol’ Geri Miller’s apartment! I made him breakfast and we talked and talked. “What made you ask me out” I asked him. He told me I seemed down-to-earth and natural. I knew he dated dozens of girls all over the globe. “What country did you like best  as far as girls?” I asked. “It’s not the country,” he told me, “all girls are different.”

  By now it was close to 7 A.M. I could see he was tired and knew he had important press conferences in a matter of hours. He told me he had to leave and get some sleep. He also mentioned he hoped to see me before he left New York for Miami. I walked him to the door and kissed him goodnight. “Just a minute,” I called out as he waited for the elevator. I ran into the hallway and gave him a Peppermint Lounge souvenir key-chain and told him to “use it and think of me.” I watched him put his keys on the chain and slip them into his pocket. “Thank you Geri,” he whispered, “thank you.” He kissed me again and said goodnight.

  * * * *

Excerpt from another article published in Photoplay Magazine, 1964: 7 Days & 7 Nights With the Beatles. Steve Brandt spent the following evening and the evening after the Carnegie Hall concert with the Beatles:

  They’d been to The Playboy Club and The Peppermint Lounge the night before, they especially enjoyed the Lounge. “We got a chance to talk to the chaps in the band and the dancers in the show,” said John. Paul added, “It was good to be out with real people for a change.” It was Ringo, however, who made out the best. He met pretty twister Geri Miller. But he managed to keep her a secret. All the papers ran a picture of Ringo twisting with the Lounge’s twist captain, but it was Geri whom Ringo took home.

  (Two nights later) “Hey,” shouted John, “we’ve got to celebrate. It’s our last night in New York!” They all turned to me for a suggestion. I knew they’d enjoyed the Peppermint Lounge, so I suggested another twist place not so well frequented by the press. We snuck out of the hotel, jumped into five taxis that had been miraculously herded at the door. At the club, it was explained to the owner that The Beatles were there for fun; it was their last night in New York and they wanted a quiet celebration. He agreed to the no press and no photographers edict. I had called Tuesday Weld and Stella Stevens, and shortly after we sat down, they came in with their dates. Paul and George (Ringo was dancing with Jill Haworth when the girls came in) saw Tuesday and flipped. She was dressed in slacks, Stella was elegantly dressed – mink and all – but the boys seemed to find Tuesday more to their liking. Stella and her date left after a short while. When Jill and Paul came back to the table, Paul sat next to Jill and held her hand. Ringo was completely fascinated by a tall twister named Queenie Lyons. Then, either by a pre-arrangement or just by luck, Geri Miller came in. It looked as if everyone was having a really good time. While I was patting my self on the back for suggesting the place, all hell broke loose. A group of guys from the bar came over and started bothering Tuesday, I went for the manager. When I came back, John was in the middle of a fight. A group at the next table had been making fun of The Beatles, but the foursome had ignore the remarks. Furious at the snub, one of the guys pulled off John’s glasses and broke them in two. John tried to shove the trouble-maker away, only to have the guy’s pal take a punch at him. Fortunately, three policemen came in and everyone calmed down; unfortunately, two cameramen came in with the police. The headline flashed before my eyes: BEATLES IN BRAWL IN NEW YORK TWIST CLUB. The owner was told that if one photo was taken the boys would leave. He agreed. The police and the photographers (without the picture!) left. Then the owner sent a bottle of scotch to our table. … The waiter handed John a bill, I cringed – it was for $80.00. Without blinking an eye, John opened his wallet, took out the money and paid.

  (The full article is posted online - just google “Steve Brandt” “Photoplay”) 

[walker-extended-universe]

Enjoy this comdedy comilation from @walkergifs on twitter! (source)

[javelinbk]

Ringo Starr dancing with Murray the K and getting fought over by girls (including dancer Geri Miller), the Peppermint Lounge in New York, 9th February 1964

[positivexcellence]

odetteannable: Oh what a weekend. I’m still recovering. On Friday we were all given our closure and ceremoniously watched together as a cast and crew the last two episodes of the series of @thecwwalker hosted by @austinfilm. We cried, we laughed, we cried some more, we celebrated and we cried a little more. It was bittersweet and beautiful. In the end, who knew that Geri would end up with Dan Miller ;) Love my #Walkerfamily forever.

[laf-outloud]

odetteannable Oh what a weekend. I’m still recovering. On Friday we were all given our closure and ceremoniously watched together as a cast and crew the last two episodes of the series of @thecwwalker hosted by @austinfilm. We cried, we laughed, we cried some more, we celebrated and we cried a little more. It was bittersweet and beautiful. In the end, who knew that Geri would end up with Dan Miller ;) Love my #Walkerfamily forever.

I'm so glad that they got to have that closure! I hope we, as the fans, can feel that too as we watch tonight. Love the Walker family!

[matmazelnoraliya]

"Dedim, kendine dargın yürümektir insan, yürüyorum diye yolda kalmamış sananların  arasından..”

Beethoven, büyük bir ruh hekimi, devasa bir paratoner. Güneşle birlikte hareket eden bir günebakandı üstelik; ışığı içiyordu her zaman ışıl ışıl, hayat doluydu. Ne iyimserdi ne de karamsar, okyanus için ne kadar iyi ya da kötü denebilirse o da öyleydi. İnsan ırkına inanıyordu. Saygınlığını, gücünü ve yaratma ihtiyacını geri kazandırarak insan ırkına bir santim ekledi. Her şeyi yaratı olarak görüyordu, güneşe özgü bir mutluluk olarak. Gördüklerini yazarak değil, müzikle kaydediyordu.

Henry Miller, Oğlak Dönencesi

[yorgunherakles]

sana karşı koyamıyorum. aynı anda hem ilerlemek hem de geri çekilmek istiyorum.

henry miller - love letters

[twixnmix]

Andy Warhol and Geri Miller, who played Josie in his play Pork, during a press conference at the Ritz Hotel in London on August 2, 1971.

[justforbooks]

The dapper and sagacious Ahmad Jamal may have looked more like a UN delegate than a jazz musician, but he was recognised as a truly great jazz artist by some of the music’s most notable pioneers. Jamal, who has died aged 92, was hailed in the 1940s and 50s by Art Tatum and Miles Davis, and more recently by McCoy Tyner and Keith Jarrett. In the 90s, when a jazz piano-trio renaissance was being led by gifted newcomers such as Brad Mehldau, Jason Moran, Geri Allen and Esbjörn Svensson, Jamal did not retire to the sidelines but played better than ever. The former Wynton Marsalis pianist and composer Eric Reed has said that Jamal is to the piano trio “what Thomas Edison was to electricity”.

He was a fascinating philosopher of contemporary music and a lifelong critic of the entertainment business, which he accused of fleecing African-American artists. Although he recognised the structural and technical distinctions of jazz and European classical music, he was adamant that there was no superiority of one over the other in what he called “the emotional dimensions”. “You have to know what the hell you’re doing,” he told me in 1996, “whether you’re playing the body of work from Europe or the body of work from Louis Armstrong.”

Jamal was born Frederick Jones in Pittsburgh, Pennsylvania, and regarded the eclectic musical culture of his birthplace as crucial to his development. His father was an open-hearth worker in the steel mills, but his uncle Lawrence played the piano and at only three years old Jamal was copying his playing by ear. He took lessons from seven, and would recall “studying Mozart along with Art Tatum”, unaware of white society’s widespread prejudice that European music was supposed to be superior to that of African-Americans. Significant influences in his early years were the music teacher Mary Cardwell Dawson (founder of the National Negro Opera Company), and his aunt Louise, who showered him with sheet music for the popular songs of the day. Pianists Tatum, Nat King Cole and Erroll Garner were among the young “Fritz” Jones’s principal jazz influences, and he also studied piano with James Miller at Westinghouse high school.

At 17 he toured with the former Westinghouse student George Hudson’s Count Basie-influenced orchestra, worked in a song-and-dance team, and wrote one of his most enduring themes, Ahmad’s Blues, at 18. Two years later he adopted Islam, and the name Ahmad Jamal. He also joined a group called the Four Strings, which became the Three Strings with the departure of its violinist, and caught the ear of the talent-spotting producer John Hammond, who signed the trio to Columbia’s Okeh label.

The public liked Jamal’s distinctive treatments of popular songs, and so did Davis. Developing his new quintet in 1955, Davis sent his rhythm section to study Jamal’s then drummer-less group. Davis liked Jamal’s pacing and use of space (the prevailing bebop jazz style was usually hyperactive), and he noticed that Jamal’s guitarist, Ray Crawford, often tapped the body of his instrument on the fourth beat. Davis told his drummer, Philly Joe Jones, to copy the effect with a fourth-beat rimshot, which became a characteristic sound of that ultra-hip Davis ensemble. Davis began to feature Jamal’s originals and arrangements in his own output, including New Rhumba (on his 1957 Miles Ahead collaboration with Gil Evans), and Billy Boy (on 1958’s classic Milestones session).

The gifted young Chicago bassist Israel Crosby joined the trio in 1955, and the following year the percussionist Vernel Fournier – who fulfilled Jamal’s requirements for a subtle hand-drummer as well as orthodox sticks-player – replaced Crawford. The group became the house band at the Pershing Hotel in Chicago, and one night in January 1958 they recorded more than 40 tracks there. One was Poinciana, which had been a hit tune from the 1952 movie Dreamboat. Jamal modernised its Latin groove, maintained a catchy hook throughout the improvisation, and found himself with a pop hit that stayed in the charts for two years.

Eight songs from that night, including Poinciana, made up the million-selling album At the Pershing: But Not for Me. Jamal’s newfound wealth led him to branch out into club ownership by opening the Alhambra in Chicago, though the venture barely lasted a year. Crosby and Fournier left for the pianist George Shearing’s group in 1962, and Jamal recorded the Latin-influenced Macanudo album the next year, with a new trio and a full orchestra. He also explored his cultural and ancestral roots in Africa, then recorded Heat Wave in 1966 – with a new group (Jamil Nasser on bass and Frank Gant on drums) and a more contemporary feel, reflected in the funkier approach to his old piano hero Garner’s Misty.

Jamal’s knack of keeping audiences mesmerised with unexpected modulations, time changes and catchy riffs, while never losing the undercurrent of the tune, was still unmistakably intact. His trademark device of insinuating a song – through toying with its bassline or its characteristic groove, but endlessly delaying the appearance of the tune – was adopted by many later jazz pianists, including such contemporary masters as Mehldau.

In 1970 Jamal recorded Johnny Mandel’s M*A*S*H theme for the movie’s soundtrack, and with the albums Jamaica (in 1974, which included Marvin Gaye’s Trouble Man as well as M*A*S*H) and Intervals (1979, which included a Steely Dan cover), showed he was not averse to toying with pop forms and even electric pianos. But he soon returned to the jazz of his roots. In 1982 he made the live album American Classical Music (it was the term he always preferred to the word “jazz”), sustained a steady output through the decade, and with Chicago Revisited (1992) sounded as assured and inventive as ever.

Now in his 60s, Jamal began to develop a higher profile in Europe. Sessions for the Dreyfus label in France led to The Essence (issued in three parts in the 90s), and found him in full flight with the saxophonists George Coleman and Stanley Turrentine and the trumpeter Donald Byrd. In 1995 his version of Music, Music, Music and the original take of Poinciana were featured in the Clint Eastwood film The Bridges of Madison County. He made what he regarded as one of his best recordings with Live in Paris 1996 (featuring Coleman again), and returned to the city to celebrate his 70th birthday in 2000 with Coleman; he was in inspired form on what would be released as the album A l’Olympia (2001).

With the exciting James Cammack on bass and Idris Muhammad on drums, Jamal’s composing blossomed. Striking originals dominated his 2003 album In Search of Momentum, and he even made a faintly stagey but soulful foray into singing, amid a raft of virtuoso keyboard displays, on After Fajr (2005).

Jamal’s alertness to an irresistible riff, like his keyboard contemporary Herbie Hancock’s, made him a favourite with hip-hop artists, and De La Soul’s Stakes Is High and Nas’s The World Is Yours were among many unmistakable testaments to that. Mosaic Records’ nine-CD set of his game-changing work in the late 1950s and early 60s was released in 2011, his group made a spectacular live appearance in London in 2014, and his last album releases came in 2022 with Emerald City Nights: Live at the Penthouse, parts one and two, featuring live recordings made in Seattle during the 60s. A third in the series is due for release this year.

Jamal was married and divorced three times – to Virginia Wilkins, Sharifah Frazier and Laura Hess-Hay. He is survived by a daughter, Sumayah, from his second marriage, and two grandchildren.

🔔 Ahmad Jamal (Frederick Russell Jones), musician, born 2 July 1930; died 16 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[obsearttr]

"Bir insan kaybettiği şeyi unutabilir mi? Ya da kaybettiği şeyi geri alabilir mi?" - Arthur Miller

[gratisdiamanten]

max as danny latimer….. your brain is HUGE

You understand! As much as I want to assign characters according to who Fits Everything Best I think Joe Miller has to be maybe Michael because of Corinna, and Corinna would be Ellie with maybe Alonso being Alec Hardy. Daniel I think would have been very interesting as either Alec or Joe but I'm not sure. Maybe he would work as Alec. My friend said he has this potential for a bedraggled depressed look; maybe we should lean into that.

Ultimately Im inclined on INSTINCT for Joe Miller to be Christian or Daniel just on the basis of closeness to Max. Honestly Christian mostly. I think he fits well. Maybe Geri is Ellie. I just was never a Spice Girls fan so I wouldn't know how to write her. Corinna would be compelling, but also I just don't see Michael...

Rotating all of them inside my mind. But Max is Danny Latimer to me. And his father being under suspicion even though it ultimately wasn't him. Jesus! The family dynamics are crazy in the show and they should also be in an AU.

[walker-extended-universe]

Walkerverse Character Tier List

Hello Walker Family! I'm here announcing the beginning of the Walkerverse Character Tier List series!

I've created a list of characters from Walker and Walker: Independence to put in a tier list ranking. I will be releasing a series of polls with all these characters (including pictures and brief reminders of their roles) to determine which Tier List ranking they get. Whichever option from S to F gets the most votes will become the official ranking of that character.

Here is the criteria I used to select the characters I'm putting in the poll series:

They must have a name on the imdb page

They must have a minimum of two appearances

I have to remember them, regardless of their appearance count

Single appearances that were special/memorable will also be included (ex: Uncle Willy, Minnie Jayne)

The rankings will be as follows:

S tier: Best character in the show, love them with all my heart, they can do literally nothing wrong

A tier: Beloved blorbo, one of my favorites, I'd want to be friends with them if they were real

B tier: I like them, but I have my critiques. A good character that I mostly enjoy

C tier: Mid character, not the biggest fan of them but I won't complain when they show up

D tier: I don't like them. I have many criticisms of their actions and personality. I may even dislike whole episodes because of them

F tier: Literally the worst character in the entire show. Hate them. Much dislike. I fastforward over them on rewatches.

I currently have pictures (for the poll and the complete tierlist that I will link when it is public) for 39 of the 120+ characters I put on the list, so that's where I will be starting. I will include the full list of all the characters from both shows below the cut along with the taglist.

The first poll will go up on Monday, September 23rd! Can't wait to see what you guys think!

@theladywyn, @jaredwalkertexasranger, @laf-outloud, @aborddelimpala, @mysterybeau, @sweet-sammy-kisses, @kickingitwithkirk, @rhl74, @peachparakeet, @dumb-fawkin-bitch, @loveforwomenstuff, @low-soduimfreak, @ihavepointysticks, @waywardmaslow, @arte-mishuntress, @the-slythering-raven, @deeranger, @duo-kun, @inafieldofdaisies, @not-your-housekeeper98, @nancymcl, @sammysnaughtygirl

Walker:

Cordell Walker

Liam Walker

Abeline Walker

Bonham Walker

Stella Walker

August Walker

Larry James

Trey Barnett

Geri Broussard

Cassie Perez

Micki Ramirez

Colton Davidson

Ben Perez

Dan Miller

Denise Davidson

Emily Walker

Todd

Gale Davidson

Stan Morrison

Clay Cooper

Clint West

Kelly James

Kevin Golden

Isabel Munoz

Bret

Trevor Strand

Ruby

Detective David Luna

Julia Johnson

Hoyt Rawlins

Twyla Jean

Sadie Yoo

Witt

Connie

Faye

DJ James

Keesha Barnett

Carlos Mendoza

Officer Randall

Dr. Adriana Ramirez

Sean

Serano

Earl

Mercedes Ruiz

Miles Vyas

Coach Bobby

Principal Heaney

Byron Santos

Garrison (GM)

Nate Smith

Tessa Graves

Crystal West

Cali

Rita

Lana Jones

Tommy Adams

Jaxon Davis

Grant McLawson

Neo

Mike

Horace

Alma Munoz

Fenton Cole

Shannon

Lorezno Munoz

Snyder

Oswald

Marv Davidson

Jim

Mr. Golden

Spider

William

Owen Campbell

Minnie Jayne

Maybelline

Mehar

Henry

Becca Furgeson

Joanna Rawlins

Cole Tillman

Rebecca Tillman

Walker: Independence:

Abigail Walker

Hoyt Rawlins

Kate Carver

Tom Davidson

Augustus

Calian

Kai

Lucia Reyes

Shane Davidson

Hagan

Chief Taza

Francis Reyes

Luis Reyes

Ruby

Nascha

Ethan (Pinkerton Detective)

Salty Dog

Molly Sullivan

Anna Maria Reyes

Cordell the Horse

Burlesque Dancers

Teresa Davidson

Matthew

Jacob

Otis Clay

Martha Sullivan

Griffin

Liam Collins

Eli McDowd

Charlotte “Charlie” Collins

Gil Santiago

Randall

Lily

Stella Rawlins

Wordell Calker

Olivia

Topsannah

Amos Acorn

Parker Briggs

Judge Parker

Kirby Smith

Andrew Jones

Judge Carter

[brookstonalmanac]

Birthdays 8.6

Beer Birthdays

Timothy Taylor (1826)

Dave Suurballe (1949)

Don Erickson (1961)

Mark Cowley (1964)

Marc Rosenblum (1972)

Paul Sangster

Five Favorite Birthdays

Piers Anthony; English writer (1934)

Paul Bartel; film director, writer, actor (1938)

Richard Hofstadter; historian, writer (1916)

Allan Holdsworth; English guitarist (1946)

Robert Mitchum; actor (1917)

Famous Birthdays

Alfred, Lord Tennyson; English writer, poet (1809)

Lucille Ball; actor (1911)

Paul Bartel; actor, director, & screenwriter (1938)

Elisabeth Beresford; English journalist & author (1926)

Peter Bonerz; actor (1938)

Asia Carrera; porn actor (1973)

Paul Claudel; French writer (1868)

Jess Collins; artist (1923)

Barbara Cooney; author and illustrator (1917)

Kimberly Conrad; Playmate of the Year 1989 (1962)

Randy DeBarge; singer-songwriter & bassist (1958)

Vera Farmiga; actress (1973)

Alexander Fleming; bacteriologist (1881)

Charles Fort; author (1874)

Soleil Moon Frye; actress (1976)

Melissa George; actress (1976)

Hoot Gibson; actor (1892)

John Graves; author (1920)

Geri Halliwell; pop singer (1972)

Catherine Hicks; actress (1951)

Byard Lancaster; saxophonist and flutist (1942)

Richard C. Miller; photographer (1912)

Marisa Miller; model (1978)

Scott Nearing; sociologist, natural-food advocate (1883)

Leslie Odom Jr.; actor and singer (1981)

Jason O'Mar;, Irish actor (1972)

John Middleton Murry; English poet and author (1889)

Jon Postel; computer scientist (1943)

JonBenét Ramsey; child beauty queen & murder victim (1990)

Dutch Schultz; gangster (1901)

M. Night Shyamalan; film director (1970)

Elliott Smith; singer-songwriter and guitarist (1969)

Andy Warhol; artist (1928)

Norman Wexler; screenwriter (1926)

Michelle Yeoh; actress (1962)