#George Gant
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Of all the strips in this series, this is probably the MOST self-indulgent. This IS taken from a real conversation at the table between myself and cartoonist George Gant. George is the creator of the AMAZING, Ringo and Glyph Award Nominated comic strip, "Beware of Toddler". This is a joke that's probably ONLY funny to me and George, but my name is on the top of the strip. I can do in-jokes if I want to. lol And remember, there's just a few more days left to support the FINDING DEE COLOR COLLECTION Vol. 2 KICKSTARTER! kick.lagunastudios.net
#cameo#george gant#ringo awards#glyph awards#beware of toddler#train#chicago#chicago fire#train fire#travel#trans#transgender#trans comic#kickstarter#lgbtq#lgbtq comic
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Beat boredom with the new Beano, as "Angel Face Investigates"...
The latest issue of BEANO (No. 4258) is on sale in good newsagents now, loaded as usual with laughs, jumping with jokes and packed with pranks, aiming to dispatch any hint of boredom
The latest issue of BEANO (No. 4258) is on sale in good newsagents now, loaded as usual with laughs, jumping with jokes and packed with pranks, aiming to dispatch any hint of boredom! This week, “Angel Face Investigates” as the Bash Street Kids fall victim to boredom, courtesy of writer Nigel Auchterlounie and award-winning artist George Gant (who also provides this issue’s cover); a distant…
#Andy Fanton#Angel Face Investigates#Beano#Beat boredom with the new Beano#downthetubes News#Geo Gant#George Gant#Humour Comics#Laura Howell#Nigel Auchterlounie#Nigel Parkinson
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Been obsessed recently with how various media typecasts all it's old men.
Like in Stardew Valley pretty much all the old men are crotchety weirdos that are secretly sweethearts and have a specific interest they've dedicated their whole lives to and are supposed to be varying degrees of helpful.
While Ace Attorney (at least the first trilogy) typecasts all it's old men as deranged bastard gremlins that are all criminals to various degrees, and assholes in general.
#idk about the 2nd trilogy but Apollos dad seems like a dick#old men are fascinating to me i want to study them under a microscope#ace attorney#ace attorney investigations#stardew valley#sdv lewis#sdv rasmodius#sdv gunther#sdv morris#sdv marlon#sdv george#manfred von karma#damon gant#blaise debeste#zak gramarye
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Georges Dambier — Brigitte Bardot, les gants
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2024-2025 cast list (with understudies):
Phantom - Dean Chisnall
- 1st cover - James Gant (auctioneer)
- 2nd cover - Michael Colbourne (hairdresser)
- 3rd cover - Connor Ewing (swing)
Christine - Lily Kerhoas
- Alternate - Eve Shanu-Wilson
- 1st cover - Colleen Curran (page)
- 2nd cover - Jess Michelmore (princess)
Raoul - Joe Griffiths-Brown
- 1st cover - Michael Colbourne (hairdresser)
- 2nd cover - Fergus Dale (marksman)
Carlotta - Joanna Ampil
- 1st cover - Zoë Soleil Vallée (confidante)
- 2nd cover - Lily Allen-Dodd (wildwoman)
Firmin - Martin Ball
- 1st cover - Tim Morgan (lefevre)
- 2nd cover - Leonard Cook (buquet)
- 3rd cover - Hywel Dowsell (don attilio)
Andre - Adam Linstead
- 1st cover - Samuel Haughton (reyer)
- 2nd cover - Will Hawksworth (swing)
- 3rd cover - Hywel Dowsell (don attilio)
Madame Giry - Helen Hobson
- 1st cover - Victoria Ward (madame firmin)
- 2nd cover - Melanie Gowie/Janet Mooney (wardrobe mistress)
Piangi - David Kristopher-Brown
- 1st cover - Hywel Dowsell (don atillio)
- 2nd cover - David Burilin (passarino)
Meg - Millie Lyon
- 1st cover - Serina Faull (strawberry)
- 2nd cover - Jasmine Wallis (trident)
Ballet Chorus: (I will update with other ballet girl costumes when I can confirm who was who)
Johnny Randall (Hannibal dancer/shepherd/gala dancer)
Nicholas Hepher (Hannibal dancer/shepherd/gala dancer)
Anya Alindada (principal dancer il muto/gypsy)
Florence Fowler
Molly Hall
Mandy Kwan
Swings:
Eilish Harmon-Beglan (ballet)
George Arvidson
Embla Bishop
Emily George
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US Vogue October 1, 1958
Anna-karin Bjork wears a cinnamon-colored three-quarter length coat made from South American guanaco fur. By Georges Kaplan. Gloves, Kislav, NoMend stockings. Revlon Persian Melon Lipstick. Chair by Karl Mann Associates.
Anna-karin Bjork porte un manteau trois-quart de couleur canelle en fourrure de guanaco d'Amérique du Sud. Par Georges Kaplan. Gants, Kislav, bas NoMend. Rouge à lèvres persan melon de Revlon. Chaise par Karl Mann Associates.
Photo Henry Clarke vogue archive
#us vogue#october 1958#fashion 50s#1958-59#fall/winter#automne/hiver#georges kaplan#kislav#nomend#revlon#karl mann associates#anna-karin bjork#henry clarke#fur coat#manteau de fourrure#guanaco fur
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Lire c'est jubiler....
On n'y peut rien..!!
Parler de la difficulté, de l'ésotérisme, c'est se donner des gants...!!
Lire c'est plaisir..!!
Le plaisir n'est pas toujours facile......!!
Ni immédiat.....✨🥀💞
Georges Perros
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NCIS: Los Angeles Season 14 Rewatch: “Body Stitchers”
The basics: Alleged artists and confirmed killers the Body Stitchers are back.
Written by: Adam G. Key & Frank Military
Adam George Key co-wrote "Monster" with Frank Military, "Searching" with Kyle Harimoto and “Land of Wolves” with Justin Kohlas. Key also played LAPD Officer Harrison in four episodes in seasons 11 and 12.
Military wrote or co-wrote "Little Angels", "Deliverance", "Lockup", "The Job", "Greed", "Betrayal", "Crimeleon", "Vengeance", "Out of the Past" Part One, "Rude Awakenings" Part Two, season four’s finale "Descent", season five’s premiere "Ascension", "Allegiance", "Spoils of War", "Black Budget", "SEAL Hunter", "Rage", "Unspoken", "Unlocked Mind", "Revenge Deferred", "The Seventh Child", "Crazy Train", "Uncaged", "The Silo", "Monster", "Line in the Sand", season ten opener "To Live and Die in Mexico", "The Patton Project", "Better Angels", "False Flag", "A Bloody Brilliant Plan", "Code of Conduct" "Raising the Dead", "Through the Looking Glass", "Indentured" and “Down the Rabbit Hole”.
He also appeared as Donald Kessler in "Raising the Dead" and several other episodes in photos.
Directed by: Suzanne Saltz directed "Outside the Lines", "Murder of Crows", "Sundown" and “MWD”.
Guest stars of note: Alicia Coppola as FBI Senior Special Agent Lisa Rand, Rob Nagle as Albert “Al” Barrington/Plague Doctor, Tobias Jelinek as Bobby Griffin/Wolf, Matt Kelly as Justin Tucker/Clown are all back from “Monster” - that delightful Easter Sunday season nine episode. Teya Patt as Cindy Ferguson/Faceless Mask replaces Kerrie Blaisdell who played this role in “Monster”. Richard Gant as Raymond Hanna is back from “Game of Drones”. JD Cullum as FBI Forensic Psychologist Mark Collins, Derrick A. King as Michael Jeffries, Adrian Elizondo as Philip Guerrero and Antony Del Rio as Alexander Hughes.
Our heroes: Try, try, try again.
What important things did we learn about:
Callen: Away on assignment – he always misses these wacky Body Stitchers. Sam: Pulled away from the case for a terrorist threat in San Pedro. Kensi: Not thrilled to be dealing with Cindy Ferguson again. Deeks: Not thrilled by any of this. Fatima: Working late. Rountree: Heard about the Body Stitchers case in the Academy. Kilbride: Wants the team to stop whining about losing the bad guys the first time and get them this time.
What not so important things did we learn about:
Callen: Absent. Sam: Cleaning up after Arkady in Sam’s own backyard. Kensi: Working with Agent Rand for a lot of the episode. Deeks: Working with Sam for a lot of the episode. Fatima: In charge of freeing the Body Stitchers almost victim. Rountree: Catches a Body Stitcher on his own. Kilbride: Warns the team that they can help on this case as long as NCIS doesn’t need them.
Where in the world is Henrietta Lange? No mention today.
Who's down with OTP: Not a lot of OTP time today.
Who's down with BrOTP: Not a BrOTP episode either.
Fashion review: Black, long-sleeve tee for Sam. Kensi has on a wine-colored long-sleeve v-neck tee. Deeks wears a very pale blue/nearly grey henley. Fatima is wearing a purple turtleneck. Rountree has on a charcoal grey pullover sweater under a denim jacket with a leather collar. Admiral Kilbride is in his usual three-piece suit with a pale blue dress shirt and a blue tie with a darker blue paisley tie.
Music: “Gravy Train” by Lettuce is playing while Raymond is having breakfast.
Any notable cut scene: None today.
Quote: Sam: “I'm just a government employee. Explain it to me.” Ferguson: “He's a great master, like Leonardo da Vinci, Michelangelo, Renoir. These humans who changed the world with their imagination and a pencil.” Sam: “So Vincent is a master artist?” Ferguson: “Yeah, Vincent, like Vincent van Gogh. Uh... You know?” (mimics cutting her ear) Sam: “Yeah.” Ferguson: “He's the great master behind the bodies. It's his vision. We're just his apprentices, learning the art.” Sam: “The art of sewing bodies together?” Ferguson: “God. Isn't it beautiful?”
Anything else: Lots of previously-s from “Monster”. And the weirdos are back doing weirdo things. This time with extra self-importance.
Raymond is having breakfast, listening to tunes when Sam walks in with a cigar butt. Raymond feigns ignorance but there are four others in the backyard. Raymond starts to call Callen – obviously an investigation must be started. When told Callen is out of town, Raymond suggests bumping it up to the SecNav. Seems the cigars don’t belong to Raymond – he doesn’t smoke. But Arkady does. Raymond made a friend not to Sam’s liking. The family fun is interrupted by a call – Sam’s being called to the office. Leaving, Sam bars Arkady from the house.
Rountree is waiting as Kensi walks into the office. Agent Rand from the FBI called. Kensi speaks highly of Rand and asks why Rand called. Rountree tells her about the “legendary” case while he was in the Academy about killers who make Frankenstein monsters out of their victims. There was scuttlebutt Rountree heard about another agency being involved in the case. Kensi said they were all in a dark place after the case.
Up in Ops, Kensi and Rountree join Deeks and Fatima. Agent Rand is on the big screen. In a different Zoom box is Special Agent Zachary Collins from the BAU. The FBI heard the group is back in LA. Rand sends Fatima some pictures from a the “Body Stitchers” last crime scene. It freaks Fatima out a little and Rand apologizes.
Rountree asks for a motive. Collins explains the killers think they are creating some kind of art and make money selling the event as art on the dark web. The money gives the killers the freedom to move around largely undetected. Collins thinks the motive is also sexual – the killers meshed violence and sex together as young people and are acting on it.
The Body Stitchers have been seen in the US, Central and South America. The FBI has gotten close several times but just missed. Deeks asks why. Collins tells the group – including an arriving Admiral Kilbride that the killers aren’t stupid. They set up, do their thing and move on. They avoid common ports of entry and regularly purchase new identities on the dark web.
The Admiral puts his foot down – this is not a military related action, the OSP’s involvement will be limited. If NCIS needs the team or a team member, they’re out of the case. Rand is fine with that – the OSP is the only agency ever to interact with the killers. As advisors or part of the task force, the FBI wants NCIS to offer whatever they can. Kensi tells the Admiral the case is unfinished business for the team. No, it is unfinished business for the FBI, he replies. Deeks brings up Lt. Commander Weir but Lt. Commander Weir was a random crime victim and not killed because of his service. Kensi brings up how he was killed and the Admiral relents – NCIS will be mildly involved. Rand is grateful.
Sam, Kensi and Deeks arrive at the crime scene. Rand is there with the dead guy and Collins from BAU. Collins introduces himself as Mark Collins which is weird since he was Zachary Collins about five minutes ago. Sam asks when did the FBI figure out the killers were back in LA. Rand explains a woman named Staci Campbell was murdered. Suspect Michael Jeffries got a text with photo of all the body parts used to sew the “art” together. Sam notices freezer burn on the dead people’s shoulder. That makes sense to Collins – if they don’t have enough parts to sew together, the killers have to preserve the parts they do have.
Kensi asks about Jeffries, who is in custody but there isn’t much to hold him. He’ll likely be cut lose in a few hours since a judge turned down their warrant request to search Jeffries’s apartment. He was only seen with the dead woman a few hours before her death – that’s not enough. Sam, Deeks and Collins are off to interview Jeffries, Kensi and Rand are teaming up.
Just after the men leave, a young female FBI agent has something to show Kensi and Rand. There was a locked room, now opened. Inside are a lot of dead bodies.
While Collins is interviewing Jeffries in interrogation, Sam is in the main room of the boatshed talking about how the four people in the case lied right to his face. They killed people and sewed them back together. “And we had them.” The Admiral arrives and wants Sam to stop “wallowing in the fact that you missed something” and tell him what Sam learned.
Sam said the killers knew exactly how to manipulate the investigation. Deeks chimes in that the killings themselves, the planning, the execution – “the intelligence was off the charts.” They did not present themselves as smart. Collins joins the group. Jeffries knows the FBI and NCIS have nothing so he’s going to be released soon. Sam asks about Jeffries, who doesn’t really work, just short-sells stock online. He has no connection to the killers, just lives in the same building as murder victim Staci Campbell.
Fatima pops up on the plasma to connect Kensi and Rand. The only person to see Campbell and Jeffries together is the super in their share apartment building. They are going over to interview the super now.
The Admiral tells Sam and Deeks to remember who they are, put the past in the past and “get this thing done.”
In interview, Deeks just stares across the table at Jeffries while Sam sits near the door. Jeffries is about to speak when Sam tells him to “hold that thought.” Deeks talks about the smell of the sea around them, the ocean breeze and how these things hide a cold, hard truth. Jeffries tells them he did not kill Campbell. They were neighbors but he never touched her.
That’s not the truth, Sam tells Jeffries. Deeks explains that Jeffries is surrounded by frustrated and angry agents from several government agencies. “We’re hungry and you’re the only thing on the menu,” Sam says. Jeffries is keeping up – the kitchen is closed, he didn’t kill Campbell. Deeks brings up his connection to the killers, killers who executed a member of the US Navy. That’s federal lock-up.
Sam pushes the idea that they have proof that Jeffries has provided financial assistance to the killers. Jeffries admits he’s a fan – “people love true crime and serial killers.” He though the body parts came from grave robberies or morgues. He didn’t think they were being killed for the art.
Outside Jeffries’s apartment building, Kensi and Rand approach Phillip Guerrero, the super. He’s trimming some hedges in the building’s courtyard. He liked Campbell, “good tenant, nice girl.” Guerrero saw Campbell and Jeffries walk into the courtyard. They were chatting about food delivery people leaving too many menus by the mailbox area. As the conversation goes on, Guerrero brings up “Mrs. Jeffries”. Rand thinks wife but it actually Jeffries’s mother. She’s in bad health – an invalid after a partial stroke a month ago. Guerrero drops off food deliveries from time to time – he likes her.
There is no response from Mrs. Jeffries after they knock on the door. Guerrero lets himself in to see if she’s OK. While he’s looking around, Kensi checks in with Rountree. He’s trying to chase the killer’s money but it all leads to offshore accounts which are dead ends. As Rountree finishes, Guerrero runs from the apartment, horrified and unable to breathe. Kensi and Rand enter the apartment. They find Mrs. Jeffries in the bathtub. Kensi and Rand flee the premises when they get a whiff of sulfuric acid fumes.
Outside, Kensi provides the team an update. The building has been evacuated due to the health concerns around sulfuric acid. Guerrero breathed in too much and is getting treated. Kensi assures everyone she and Rand ran out as soon as they understood what was in the air. Collins notes that sulfuric acid is easy to find so tracing its purchase will be tough. This fact annoys Sam.
A titanium knee pretty much identifies the woman in the bathtub as Mrs. Jeffries. Collins offers the idea that Jeffries killed her because she had incriminating info on her son. This doesn’t work for Rand. Based on the lack of damage to the bathtub, Mrs. Jeffries is likely dead only 12-hours. Jeffries has been in custody for over a day.
Sam, Deeks and Collins ask Jeffries about his mother, why he didn’t mention an older, sick woman alone in his apartment while he was in custody. Sam tells Jeffries his mother is dead and he seems genuinely surprised.
Jeffries blames Collins for his mother’s death. The killers would know the Feds were in town while they were planning their show. He had a ticket to go but couldn’t because he was in custody. The killer thought he was selling them out and since they couldn’t kill him, they killed his mother as a message. Collins thinks Jeffries’s mother knew he killed Campbell and he paid someone to kill his mother. Jeffries is willing to trade info on the dark web he has about the show for witness protection.
Rountree gets to the Body Stitchers’s website on the dark web. It’s been cleaned out but they access to the e-mail server and will be able to track the killers to their next website. Kensi calls in with Rand. Mrs. Jeffries right hand was sawed off before she was put in the acid bath.
Fatima found the new website with a new live video going out shortly. Everything is password protected but she’s working her way in. In the live stream, everything is set up but nobody is there. The stream is coming from an abandoned movie theater in Woodland Hills.
As the team is about to leave, a terrorist warning come in based on an OSP case in San Pedro. The Admiral has to send something to deal with San Pedro since it is an NCIS priority. Sam goes. Deeks and Collins are off to Woodland Hills.
Kensi, Deeks, Rountree and Fatima pull up with Rand and Collins leading the FBI. SWAT is on their way but not expected for 30-minutes. The teams can’t wait and enter the theater. There are 16-theaters. Everyone breaks off to clear their own theaters. Fatima and Rountree are in five, Kensi is in theater six. Deeks enters a theater on his own. He’s worried the place is too big – too many places to hide. He starts looking around as one of the FBI agents notes the comms in the theater barely work.
Outside of theater seven, Rand find the group at theater eight. Kensi and Collins are on their way. A shot is fired during the “art” event, dropping one of the killers on the stage. Rand is as surprised as the killers. She yells FBI and seems stunned that everyone runs. One of the killers, Barrington, is chased by the young FBI agent who showed the team the dead bodies earlier in the episode. Barrington drops his knife in his right hand but has a really small boxcutter in his left palm. When the FBI agent tries to cuff the killer, he stabs her in the throat just as Collins arrives. As Barrington flees, Collins calls for an EMT.
The young agent claims she’s fine so Collins goes after Barrington. In a hallway, he runs into Deeks. The two startle the hell out of each other. They search as a team for Barrington.
In the theater, Fatima is having the planned victim released from the board he is strapped to with the help of the FBI. Another FBI agent removes the mask of the dead killer – it is Bobby Griffin. Everyone wonders who shot him.
Kensi finds Cindy Ferguson trying to escape and quickly cuffs her. “You’re not getting away, again,” Kensi tells her.
Justin Tucker, the fourth killer, runs right to where Rountree is searching. Tucker pulls out a big knife, which Rountree insists he drop. An elevator ping and opens, giving Tucker a way to escape. Rountree tries to get to the elevator before the door closes but doesn’t make it. On comms, he warns everyone that Tucker taking the elevator down. Collins says he’s nearby but the elevator barely moves before Tucker shuts it down.
Outside the elevator, Rountree and Rand try to talk Tucker into surrendering. Rand demands a cellphone. He wants to speak to Vincent, the last living master. Rountree and Rand have no idea what he’s talking about.
Deeks is in a projection room when he hears Collins call “Agent down.” Deeks finds Collins, who says Barrington stabbed him in the neck. With the comms are failing, Deeks goes after Barrington when Collins says he’s alright. Deeks finds a fire exit and starts making his way down.
In the theater where all the killing was going to go on, Fatima with Kensi and Deeks are talking to Alexander, the man who nearly was killed. She has photos on her phone of the Body Stitchers and Alexander recognizes a few of them but wonders why they don’t have a photo of the main guy – “Master”.
Cutting a deal, Tucker will come back to the NCIS/FBI floor and turn himself in if he can speak to Vincent. He does go to the NCIS/FBI floor where he cuts his own throat in front of the NCIS and FBI teams.
Kensi has a very tough talk with Ferguson, who the FBI dropped off at the boat shed. Ferguson doesn’t know Michael Jeffries but she’s not interested in talking to Kensi. Talking to Kensi takes time away from the beautiful places like the Taj Mahal and not the prison cell she will call home for the rest of her life.
Out in the main room of the boatshed, Sam is back with Deeks, Rand and Collins. The reason to call Sam away was a paperwork issue. Collins doesn’t think Ferguson will offer up anything – she’s too committed. While they have to cut Jeffries loose – no real reason to hold him – Jeffries lawyered up and the lawyer wants him in witness protection. Deeks thinks that’s the next best thing to having him in custody. Sam wants a chance to speak to Ferguson.
Ferguson remembers Sam. He asks to speak to her without Kensi and Kensi is happy to leave. Reintroducing himself, Sam tells Ferguson she’s being turned over to the FBI. Ferguson doesn’t care and Sam knows that – because she’s “stupid.” Ferguson doesn’t like that. She really doesn’t like when Sam tells her Vincent is in custody and spilling everything he knows. He gets time off any sentence for every crime he helps the FBI solve – crimes that will put her in prison for decades. Ferguson doesn’t believe him but Sam says it is a done deal.
Sam would like to Ferguson explain the whole idea of Vincent being her master. He isn’t her master, Ferguson explains, they aren’t a “cheesy cult.” Vincent is a great master like DaVinci or Michelangelo – a great artist like Vincent Van Gogh. Ferguson shows off her ear and pretends to cut it off. She is an apprentice to a great master learning their art. It is “affecting” and Sam agrees – he’ll never forget what they did. Ferguson goes on about their art making them immortal, gods and how they’d die for Vincent.
At home, Sam is enjoying a nice dinner with his father. Raymond jokes that he’s cooking great meals hoping it will keep him in Sam’s house. There’s a WBA middleweight fight that night – Sam thinks the two of them should watch together but Raymond has other plans. A honking horn outside the house is Arkady, who knows he isn’t allowed to come inside. Raymond is off to play poker and drink some fine whiskey. Sam isn’t happy about this. Raymond is annoyed – he’s happy, he has a friend and someplace fun to go. He plans to live whatever days he has left as full a life as he can have. Raymond hits up Sam for a few hundred dollars – he’s joking.
Just after Raymond leaves, Rand calls. She’s sure they missed something. Jeffries’s mother was dead for at least 48-hours based on the blood lividity tests. He killed her – Jeffries wasn’t in custody at that time. And if he removed his mother’s hand, he’s part of the Body Stitchers. Sam wants another crack at Jeffries, who is being taken to an FBI safehouse in San Diego by Collins. Sam calls with an apology to Fatima but he needs her help. She has Kaleidoscope searching the cameras around the theater. They are looking for video of Barrington leaving.
Saying “Dementia can eat my shorts,” Raymond returns home with a large wad of cash. He throws it to Sam, who was snoozing in the living room. When Raymond leaves for bed, Fatima texts Sam – “You need to see this.”
There is video of Barrington leaving the theater through a back door. There is someone wearing a dress shirt holding the door open for Barrington. A flashback shows a wounded Collins getting up and letting Barrington out of the theater.
In a car, Collins is joined with Barrington, who is sure the entire state of California is looking for him. Collins tells Barrington he updated the killer’s profile saying Barrington is likely to return to his home in Orlando. Collins plans to have him on a beach half-way around the world.
Sam contacts Rand with questions about Collins. Rand met Collins during the Body Stitchers case. He’s profiled many serial killers, a logical addition to the team.
In Collins’s car, Jeffries joins Barrington and Collins with a “gift from his mother, I thought she could give us a hand” – it’s a cooler. Collins is relieved they got rid of the amateurs – Griffin, Tucker and Ferguson – who were only going to get them caught. Another flashback shows Collins killing Griffin from the theater’s projection room.
The plan is for Barrington and Jeffries to lay low for a good long time. Collins gives them envelopes with new identities and $10,000. There will be more cash when needed. Down the road, they will reunite and change their art. Make a body with three arms, five legs and a head growing out of its stomach. “What would Picasso or Dali do?”
Rand tells Sam that Collins and Jeffries never made it to the safe house in San Diego – they were due hours ago. She’s worried something happened to Collins. Reviewing Collins’s interrogation of Jefferies, Sam sees Collins run his hand through his hair and showing Jeffries his ear. Sam flashes back to Ferguson and her Vincent Van Gogh remarks. Sam tells Rand that Collins is Vincent.
What head canon can be formed from here: “Monster” was a really well done episode that was also a one and done hour. No need to stop on USA or ION when you see it is rerunning there. It was clever (if disgusting) and rarely does the team get beaten by the bad guys at the end. There was also the introduction of Spencer Williams and all that would unfold in the Mosley storyline.
This wasn’t that. A little lighter on the gore, though only a little, a lot more muddled in the storytelling. Hated the idea that what we thought were these clever psychopaths were actually just lemmings following a serial killer who was working for the FBI. It takes away the accomplishment of the “Monster” episode.
Always happy to see Rand but Collins (with three names here – Zachary, Mark and eventually Vincent) was going to be one of two things – the red-shirted member of the team or one of the killers.
Did like the Sam and Raymond storyline bracketing the episode. Raymond putting his foot down about living his life the best he can as long as he can was good to see. Sam has his father’s best interests at heart but Raymond lived a long life and planned to enjoy what he had.
Also liked that Rountree learned about the case in the FBI Academy. A reminder how much younger he is than the rest of the team that participated in the case.
Kudos to Callen who missed both of these episodes with the Body Stitchers.
Episode number: The third episode of season 14. Episode 305 overall.
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USS Albacore (SS-218), a 311-foot, Gato-class submarine lost 7 November 1944 of the coast of Hokkaido Japan, she was presumed lost on 21 December 1944 and struck from the Naval Vessel Register on 30 March 1945, found 16 February 2023.
The USS Albacore earned 9 battle stars, received 4 Presidential Unit Citations and was responsible for sinking at least 10 ships.
Below is a listing of the ships compliment, their names are written in memorial at the National Memorial Cemetary of the Pacific in Honolulu, Hawaii:
IN THESE GARDENS ARE RECORDED
THE NAMES OF AMERICANS
WHO GAVE THEIR LIVES
IN THE SERVICE OF THEIR COUNTRY
AND WHOSE EARTHLY RESTING PLACE
IS KNOWN ONLY TO GOD
Walter Henry Barber, Jr., Kenneth Ripley Baumer, Henry Forbes Bigelow, Jr., Edward Brown Blackmon, William Walter Bower, Allan Rose Brannam, Herbert Hodge Burch, Nicholas John Cado, John Joseph Carano, Charles Lee Carpenter, James Louis Carpenter, Pasquale Charles Carracino, Stanley Chapman, Douglas Childress, Jr., Frederick Herbert Childs, Jr., Perry Aubrey Collom, Audrey Cecil Crayton, Eugene Cugnin, John Wilber Culbertson, Philip Hugh Davis, Ray Ellis Davis, Fred Wallace Day, Julius Delfonso, James Leroy DeWitt, James Thomas Dunlap, Carl Hillis Eskew, John Francis Fortier, Jr., Gordon Harvey Fullilove, Jr., John Wilfred Gant, John Paul Gennett, William Henry Gibson, John Frederick Gilkeson, Charles Chester Hall, James Kenneth Harrell, Robert Daniel Hill, Allen Don Hudgins, Donald Patrick Hughes, Eugene Edsel Hutchinson, Burton Paul Johnson, Sheridan Patrick Jones, George Kaplafka, Nelson Kelley, Jr., Morris Keith Kincaid, Victor Edward Kinon, Joseph Mike Krizanek, Arthur Star Kruger,Walter Emery Lang, Jr., Jack Allen Little, Kenneth Walter Manful, Patrick Kennyless McKenna, Willie Alexander McNeill, Joseph Norfleet Mercer, Leonard David Moss, Richard Joseph Naudack, Encarnacion Nevarez, Joseph Hayes Northam, Frank Robert Nystrom, Robert James O'Brien, Elmer Harold Peterson, Charles Francis Pieringer, Jr., James Teel Porter, Jerrold Winfred Reed, Jr., Francis Albert Riley, Hugh Raynor Rimmer, A. B. Roberts, James Ernest Rowe, Philip Shoenthal, George Maurice Sisk, Joe Lewis Spratt, Harold William St. Clair, Arthur Lemmie Stanton, Robert Joseph Starace, John Henry Stephenson, Maurice Crooks Strattan, Earl Richard Tanner, William George Tesser, Paul Raymond Tomich, Charles Edward Traynor, Theodore Taylor Walker, Elmer Weisenfluh, James Donald Welch, Richard Albert West, Wesley Joseph Willans, Leslie Allan Wilmott, David Robert Wood
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Buckingham Palace a mis en ligne des photos de la tunique, du manteau impérial, du gant que portera à la main droite le roi Charles III qui précédemment a été porté par le roi Georges VI
May 6 2023
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Scott Kingery’s Contract Is Dead. Long Live Kingery!
Kim Klement-USA TODAY Sports It was the perfect exemplar of a Friday news dump, a quiet transaction between frequent trading partners. The Phillies and Angels swap players so often it’s sometimes hard to remember whether Brandon Marsh got traded for Logan O’Hoppe or George Klassen or Ron Gant. And while the Angels also made a splashy swap with the Braves the day before to acquire Jorge Soler,…
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This is the main strip I was excited to draw, where I got to cram all of the cameos I wanted to into 2 BIG, packed panels. If you're a cartoonist bummed that I didn't reach out to you, I WAS OUT OF ROOM! lol Enjoy the cameos from my own Marjorie from "Marjorie of the Weirdlings", Bill, Frank, and Gnome 12 from David Reddick's "Legend of Bill". Lexii the Pixie from Sabrina Pandora's "Giant Girl Adventures", Miles and Kevin from Tauhid Bondia's "Crabgrass", "Pen & Ink" from the comic, "Pen & Ink" by Deon Parson, and also from SuprDee, Maria & Maricela from "Rosebuds". Last but never least, a certain precocious Toddler from George Gant's "Beware of Toddler"! Thanks to them ALL for letting me play with their toys!
#cameo#cameo appearance#crossover#comic crossover#comic strip crossover#beware of toddler#crabgrass#pen#ink#chug#frat party#mead#beer#dragon#gnome#chaos#guest star#guest stars
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Joseph Brazil (August 25, 1927 - August 6, 2008) was a jazz saxophonist and educator born in Detroit. He taught jazz at Garfield High School in Seattle and co-founded the music curriculum at the University of Washington. He founded the Black Academy of Music in Seattle.
He purchased a home where he lived with his mother and brother. He built a bar in the basement and installed a baby grand piano on which he would play during his legendary jam sessions. Trumpeter Donald Byrd, saxophonist Sonny Red, pianist Barry Harris, bassist Doug Watkins, and drummer Frank Gant all played there.
He moved to Seattle to work as a tool maker at the Boeing Company. He recorded on flute with John Coltrane. This recording was released as Om on the Pulse label.
In 1967, he established the Black Academy of Music with guitarist George Hurst. The academy’s faculty included trumpeter Floyd Standifer, saxophonist Jabo Ward, and bassist Milt Garred, and for the next twenty years, they taught several aspiring young jazz artists in the Seattle area.
He became the center of controversy at the University of Washington when he was denied tenure after becoming the first African American hired. The Black Student Union at the University of Washington demanded that he be hired to teach in the university’s music department. He taught at the university (1969-76) but was denied tenure. The UW Black Student Union protested and demanded that Brazil be tenured. The Music Department stood by its decision, and the university administration supported the department. He left the university and focused his energy on the Black Academy of Music. #africanhistory365 #aficanexcellence
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#comics#comic strip#parenting#wrestling#toddlerlife#beware of toddler#king features syndicate#comics kingdom
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[EDITO] Petit rappel pour les guerriers de plateaux télé : comme l’eau mouille, le feu tue
Georges Michel 05 mars 2024 Après deux ans de guerre aux marches de l’Union européenne, on semble redécouvrir peu à peu que « le feu tue », comme l’enseignait en 1901 le colonel Pétain à ses stagiaires de l’École de guerre, qui ne devaient rêver que de guerre fraiche et joyeuse. La Grande Guerre débuta en casoar et gants blancs et s’acheva dans les tranchées en véritable boucherie. Le 22 janvier…
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US Vogue August 1987
Famke Janssen wears a reversed faux leopard print in black Persian lambskin by Karl Lagerfeld over a leather mini skirt and shoes by Mario Valentino. Sunglasses, Ray-ban Driffer by Bausch & Lomb, earrings and necklace, Georg Jensen, leather gloves, Naomi Misle, tights, Geoffrey Beene for Bonnie Doon. Hair, Sam McKnight, Makeup Joe McDevitt.
Famke Janssen porte un faux léopard inversé en agneau de Perse noir, par Karl Lagerfeld sur une mini jupe en cuir, et des chaussures, par Mario Valentino. Lunettes de soleil, Ray-ban Driffer par Bausch & Lomb, boucles d'oreilles et collier, Georg Jensen, gants en cuir, Naomi Misle, collants, Geoffrey Beene pour Bonnie Doon. Coiffure, Sam McKnight, mMaquillage Joe McDevitt.
Photo Patrick Demarchelier vogue archive
#us vogue#august 1987#fashion 80s#1987#fall/winter#automne/hiver#ready to wear#prêt à porter#karl lagerfeld#maria valentino#ray ban#georg jansen#naomi misle#geoffrey beene#bonnie doon#sam mcknight#joe mcdevitt#bausch & lomb#famke janssen#faux fur#fausse fourrure#persina lamb
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