#Genesis 3 Female character
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djarins-cyare · 1 year ago
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✭ Series Masterlist ✭
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Languishing in a dull and lonely existence on the forest moon of Endor after travelling there to help salvage Death Star wreckage, a nearly fatal encounter with a mysterious bounty hunter out in the forest heralds an opportunity to utilise long-forgotten skills and develop something more profound than you ever thought possible.
Second person POV, present tense. Set post-season 2, diverges from Canon events before TBoBF and season 3. This is a novel-length, exceptionally slow burn with an original plot, worldbuilding, and fully-developed characterisation. SWU concepts and lore are accurately researched.
WORDS: 406,690
PAIRING: Din Djarin x Female Reader/You
RATING: Explicit (18+)
CHARACTERS: Din Djarin, Reader/You/Female OC, Original Non-Human Character(s), Original Human Characters, Greef Karga, Cara Dune, Leia Organa, Luke Skywalker, Grogu, Peli Motto
TAGS: Slow Burn, Slow Build, Romance, Love, Sexual Tension, Eventual Smut, Smut, Sex, Sexual Content, Explicit Sexual Content, Fluff, Fluff and Smut, Fluff and Angst, Light Angst, Hurt/Comfort, Emotional Hurt/Comfort, Relationships, Healthy Relationships, Canon-Typical Violence, Blood and Injury, Dark Past, Additional Warnings In Author's Notes, Bounty Hunter Din Djarin, Soft Din Djarin, Touch-Starved Din Djarin, Din Djarin Needs a Hug, Smart Din Djarin, Soft Dominant Din Djarin, Ewok Species, Mandalorian Culture, Mando'a Language, New Razor Crest, Thoroughly Researched, Worldbuilding, No use of y/n.
AUTHOR'S NOTE: This took me almost a year to write and four months to edit/proof. Each chapter is prefaced with specific tags and (where necessary) warnings, plus word counts. End notes contain translations and comments… this baby is thoroughly researched, so I’m sharing context where appropriate. I’ve also added definitions of in-universe terms so people less familiar with the franchise won’t be left wondering what the hell certain words or references mean. This is a slow burn (adult themes), and although the explicit content only occurs in the latter half, when it does, it warrants the ‘E’ rating. Basically, the first half is a love story, and the second half gets spicy. I hope you enjoy it!
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READ THE COMPLETE STORY ON AO3:
(Chapters containing explicit content marked †)
Chapter 1: The Obstacle
Chapter 2: The Interrogation
Chapter 3: The Covenant
Chapter 4: The Snare
Chapter 5: The Strike
Chapter 6: The Groundwork
Chapter 7: The Genesis
Chapter 8: The Progression
Chapter 9: The Hide
Chapter 10: The Beast
Chapter 11: The Adjustment
Chapter 12: The Storm
Chapter 13: The Broadside
Chapter 14: The Intercourse
Chapter 15: The Village
Chapter 16: The Confession
Chapter 17: The Reprieve
Chapter 18: The Fortification
Chapter 19: The Ambush
Chapter 20: The Meridian
Chapter 21: The Homestretch
Chapter 22: The Union †
Chapter 23: The Overture
Chapter 24: The Crescendo
Chapter 25: The Harmony †
Chapter 26: The Cadence †
Chapter 27: The Ride †
Chapter 28: The Veneration †
Chapter 29: The Spree †
Chapter 30: The Tribute †
Chapter 31: The Courage
Chapter 32: The Feast
Chapter 33: The Exhibition †
Chapter 34: The Reward
Chapter 35: The Binding †
Chapter 36: The Synergy †
Chapter 37: The Match †
Chapter 38: The Flag †
Chapter 39: The Foundling †
Chapter 40: The Future †
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✨Additional Media✨
@burntheedges has written a spectacular little drabble detailing what Din was up to during the paragraph break near the end of chapter 1 (*SPOILERS* you don’t find this out until chapter 27).
@roughdaysandart has sketched a fantastic study of chapter 33 and it’s absolutely perfect (*SPOILERS* cliffhanger ending for the chapter).
@djarin-desires has created some awesome AI images of a few scenes using Midjourney.
I spent a stupid amount of money on the Hot Toys official Din Djarin action figure, simply so I could photograph him in poses from my fic 🤷🏼‍♀️ This is just a taster of what’s to come, but here he is offering to help Reader climb onto the speeder in chapter 8.
🧡💚 Thank you for reading! 💚🧡
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➤ MAIN MASTERLIST
Dividers by @samspenandsword
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ancient-day · 1 month ago
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Tagged by @princekirijo
Rules: Make a poll of your favorite female characters, as many or as little as you want, and see who your followers like the most!
10 felt like a good number! I tried to limited one character per series, so it was tough to narrow down! Thanks so much, prince!!! 💜
I suck at tag games, but please feel free to do this and say I tagged you ✌️✨
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rottenpumpkin13 · 7 months ago
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(I just watched a musical 😂)
woe, Genesis has been tasked with getting together and directing a musical theatre production of his choice Loveless featuring the entire SOLDIER floor, for an official Shinra fundraiser gala. nightmare scenario or dream come true or both. the show must go on! also, you are incredibly funny and uplifting! :)
• Genesis has been tasked with organizing and directing the annual musical Shinra puts on for the charity gala, which has one of its departments as the actors. This year the roulette wheel landed on the worst combination—SOLDIER and Loveless.
• Rumors say Zack's anguished "NOOOOOOOOOOOOOOO" as soon as it was announced was heard from 13 floors down.
• Genesis is being benign and letting everyone choose their parts.
Genesis: Who wants to play the goddess?
*Sephiroth raises his hand*
Genesis: Really? You want to play the goddess?
Sephiroth: It was an involuntary reaction. I don't know why I raised my hand.
Genesis: Too late, you're the goddess.
Sephiroth: But I don't want to play the goddess.
Genesis: If you don't play the goddess I'm going to shave your head in your sleep.
Sephiroth: !?
• Since NONE of the female SOLDIERs wanted to play Rosa, Genesis appointed one of the other guys to the role.
• Cloud walked in at an unfortunate time to deliver some documents from Heidegger.
Genesis: CLOUD. You're perfect for the role of Alphreid. Welcome to the show.
Cloud: Uhh, really? Okay. Who's playing Rosa?
Zack: I am!
Cloud: For fucks sake.
• Angeal was placed in the role of Varvados against his will, the same case for Kunsel, who was bribed with money to play Garm.
• The rest of SOLDIER is tasked with being the stage crew. They have a month to rehearse, something which would've been fine had GENESIS not been the director. He insists on getting a director's chair, and wearing the typical director's beret and scarf while shouting from a megaphone even though he's AT MOST 3 feet away from the stage.
Zack: I thought you said I was playing Rosa. Where's my dress and wig?
Genesis: No, no. Since you and Cloud are playing Rosa and Alphreid, I thought I'd make this the gay version of Loveless.
Zack: Ohhh, I get it now. That's why it's Loveless - G edition. The G stands for gay.
Genesis: No the G stands for Genesis.
Zack: What's the difference?
Genesis:
• Sephiroth wishes whoever sold Genesis the megaphone an eternity in the deepest pits of hell.
*Genesis is standing right beside Sephiroth. Too close, in fact*
Genesis: SEPHIROTH, LETS TAKE IT FROM SCENE 3 IN ACT 1 WHEN THE GODDESS HAS HER BIG MUSICAL NUMBER.
Sephiroth: Genesis I'm standing right here. There's no need to—
Genesis: DON'T QUESTION MY CREATIVE CHOICES.
*Sephiroth grabs the megaphone and smashes it over his head*
• If Genesis were not Angeal's best friend, he also would've choked him with his scarf by now.
Genesis, from his director chair: Angeal, great dancing, but go stage left.
*Angeal goes left*
Genesis: No, your other left.
*Angeal goes right*
Genesis: LEFT.
*Angeal goes further left*
Genesis: Your OTHER Left. Turn around and go right!
*Angeal goes right*
Genesis: LEFT. LEFT. GO LEFT.
*Angeal goes left and violently falls off the stage*
• Cloud wouldn't have agreed to play Alphreid if he had known Zack was playing Rosa. Not because he feels weird playing his love interest, but because Zack is a diva.
Genesis: Alright, Alphreid, this is the scene where you're seeing Rosa again. You're feeling passionate, you're feeling butterflies in your stomach, you're sensing—
Cloud: —Zack's onion breath from lunch.
Zack: Onion soup helps me get into character. Get it, because Rosa has so many layers?
Genesis: Zack, I love your dedication. Cloud, quit complaining. Now kiss, you two.
Cloud: I ain't kissing him with that breath.
Genesis: Kiss!
Cloud: He smells like something died.
Zack: I've never felt more insulted in my life.
Genesis: You're being overdramatic. KISS.
Cloud: Please god no.
Genesis: KISS HIM.
*Zack grabs Cloud by the collar and leans in. Cloud takes one whiff of Zack's breath and immediately passes out*
Zack: I can't work like this.
• Opening night rolls around.
*Angeal approaches Genesis*
Angeal: Zack ate an entire onion and his breath smells like depression.
Genesis: The show must go on.
Angeal: Cloud attempted to knock him out with a broom, but it was a prop, so it broke over his head and he attacked Cloud.
Genesis: The show must go on.
Angeal: Zack sat on him and is blowing his breath in his face as we speak.
Genesis: The show must go on.
Angeal: Cloud has literally passed away.
Genesis: The show must—
*Angeal chokes him*
• Somehow the show does go on. Everyone nails their musical numbers and scenes, all goes well. Until act 4, when Sephiroth forgets his lines.
*During a scene with all the characters*
Sephiroth: To engage in the battle for which I have selected you, I bequeath unto you a....a....uh....?
Genesis, whispering from the edge of the stage: Improvise!
Sephiroth: What? Demise? The goddess killing everyone wasn't in the script.
Genesis, still whispering: No! Improvise the lines!
Sephiroth: Demise to the guys? So I am supposed to kill everyone. Alright then.
Genesis: NO
*Sephiroth unsheathes a sword he wasn't supposed to have*
Cloud: Wait, WHAT?
Sephiroth: The goddess was never merciful.
*He takes a swipe at Cloud and now the two are engaged in an active duel*
Angeal: Guys, this wasn't in the script!
• Angeal dives forward and starts trying to haul Cloud away, who's kicking and struggling. Now Sephiroth veers his attention unto Zack and starts chasing him around with the sword. Zack has no weapon, and is screaming as he dodges Sephiroth's blows.
• Genesis, angered, climbs onto the stage with a ball of fire in hand, screaming and hurtling it at them ("ALL THAT HARD WORK GONE TO WASTE—NEVER BEEN MORE EMBARRASSED IN MY LIFE—SEPHIROTH STOP USING YOUR HAIR AS A WEAPON")
*Kunsel, in a last-ditch attempt to save everyone's dignity, closes the curtain, ending the show*
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tacorerooster · 3 months ago
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Long Thread Shadow and Amy Rose. So with Sonic Movie 3 continuing the trend of Sega (or at the very less Sega of America) not giving a shit about Amy Rose, I’m gonna list all the shit she SHOULD HAVE BEEN IN, but was left out of
First off Every 90’s Dic Animated Cartoon (SatAM, AoStH and Underground), Amy around during each one of those productions yet she doesn’t show up, yet Tails and Knuckles both do, even tho A. She came out the same year as Tails and B. Showed up BEFORE Knuckles
Next would-be classic games collections minus Gems & Origins. Amy & her debut game Sonic CD for a long time was excluded from many of the Classic Collections, like Sonic Mega Collection, the DS collection & the Sonic's “Ultimate” Genesis Collection which had Archie & Spinball
Then we get to the modern era and oh boy this is fun. She’s in the 1st Sonic adventure as a playable character, all be it a Slow Character but still relevant, In SA2 she is not playable but has plot relevance, which I will get to later when talking about Movie 3
From there you have Heroes, Shadow, & 06. In Heroes she is a speed type like Sonic & Shadow, but can’t do ring dash or wall jumps & as many fans make clear she has the least popular group. Thank you, Shadow, for being So popular & taking Rouge from being apart of OG team Rose.
In Shadows game she is in 1 level & a cut scene at the end, even tho AMY was who got Shadow to be himself, Shadow Fans forget this. Tails & Knux who he has no history with get many. Heck Maria & Omega get more then Amy, despite being flat characters that exist to prop up Shadow
Next up 06, same before she in 1 level but gets 1 extra mission in the hub world. Whereas Shadow gets himself a whole campaign + vehicles, + his side characters get cooler gameplay than Amy. What does Amy get? Will she’s not long fast & for some reason can turn invisible. Clearly one of them got more attention during development. It also didn’t help Amy’s status as a love interest with Elise being there.
Now for the handheld games and it somehow gets worse for her. Dimps, the developers behind the Sonic Advance Trilogy + the Sonic rush Trilogy DID NOT LIKE AMY AT ALL! She gets to be the slow gimmick character in 1 & is not part of 2 but instead the hidden unlock you get the emeralds for.
In Rush, Dimps, makes Cream the Sidekick/Tails to Blaze even tho in the last game Amy & Cream where the female Sonic & Tails. They even write Amy as being abusive to Cream, A THING AMY WOULD NOT DO. Which is even dumber bc Marine shows up next game as the Tails to Blaze’s Sonic.
Now we have Sonic Battle, which does even less favors. Made by THQ (Not Sonic Team) you a cool Sonic fighting game, you let Amy form a Mother Child bond with a Robot, you give her some GODDAMN COOL ROCK LEE TRAINING WEIGHTS & Cream even says Amy is the strongest Women she knows.
But you have Amy starve herself for Sonic, not treat it seriously or for her friends to show concern. All her Attacks are Sonic driven, she thinks up a physical copy of Sonic to fight Rouge (which Fans use to say she is Crazy or Weaker than Rogue, both of them beat each up)
Finally in Handhelds is Sonic Rivals 1 &2 by Backbone Entertainment & Sega Studio USA. In 1 she is captured at the start ALONG WITH TAILS & saved at the end for Sonic to say he forgot about her & be creeped out by her. She’s not even in 2 so a good thing, can’t mess her up
We than get a period of time where Sonic games only have Sonic & Tails in them. So can’t mess her up like that (Unleashed is great for Her). In Sonic Forces while this point is minor, She along with Knuckles are leading the Resistance but Knux gets to be on the box & Amy doesn't
But I think the most damaging thing would be Sonic Mania. It makes itself out to be a celebration of all the things you loved about Classic Sonic from 1, 2, 3, Sonic & Knuckles, Knuckles Chaotix, Mean Bean Machine, Spinball and CD. But Amy somehow was not in any of it.
Hell I would say that Sonic Mania takes a good chunk from CD but no Amy. You get Amy Doll which explodes when it hugs you. (Get it the joke is that Amy is crazy & explosive and you don’t want her to hug you and should always run away from her ha ha so funny)
Fang Bean and Back get full sprites in Mania not Amy. Oh yeah and Mighty and Ray get to be playable but not Amy. There was even a hashtag for Amy to be added, only for Christin Whitehead or Sega to say - nah. (This is also why Origins and Superstars are better than Mania, Amy)
A pattern with all this is when people who aren’t Sonic Team write for Sonic, Amy usually gets the worst treatment (not to say she is the only 1, just the worst. Sonic X in Japanese is Great for Amy. But the English try & mess it up, but you still you get good stuff for her.
Not getting into Archie because if we are grading quality of how Amy is treated, that is dead last. PS Fleetway Amy Sweep and IDW Amy is Canon which I’m happy about.
This all to say and go back to my main point about Sonic Movie 3. I have like the Sonic movies so far, 2 was fantastic, but with the Knux show, the flaws showed to it & the movies. All of it is just marketing. The movie universe isn’t here to tell stories its here to sell stuff.
Wondering what I mean by this. So far the main Sonic character in the Sonic movie are Sonic, Tails, Knuckles, Shadow and Eggman. 4 being mobians & 1 human. When looking at the merchandise for Sonic as a whole you see it plan as day it is always Sonic Tails knuckles & Shadow. (Only recently has Amy been include but she still gets left out from time to time.)
Amy is supposed to be the fourth member of team Sonic, NOT Shadow. He not only has his own team he doesn’t even like Sonic, Knuckles or Tails. Hell straight up has a vendetta against Tails. But marketing keeps pushing them together
That’s what Sonic Movie 3 is MARKETING, not a story, bc if it was Amy would be in it already. Bc we have Sonic, Eggman, Echidna Tribe, Tails, Knux, Chaos Emeralds, Pac, Shadow, Maria, Gerald, GUN & no Amy. & Shadow Fans will say it is perfectly fine he needs all that screen time
I want to like Shadow, but he just sucks up any light from others. Rogue on Team Rose, no Fans want Shadow alive again, Amy Rose game? No Shadow Game. Other playable characters, no only Shadow. More Sonic Characters in a Sonic Movie? No, only characters tied to Shadow. But yeah
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prttykittes · 1 year ago
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Hi!!
Can I have a fem! Reader
Any bsd fem character with a reader that’s like Kaworu nagisa from neon genesis evangelion
Have nice day
-❄️
Woooahh!!! Hi ❄️ anon!! :3 — here's your request!! ♡⁠(⁠>⁠ ⁠ਊ⁠ ⁠<⁠)⁠♡
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ෆ Akutagawa, Sigma X Female!Reader [she/her/you/your]
— Synopsis:: just hanging around with your lover but there seems to be a problem but it's fine!
CW. Fluff, straightforward, rude people, awkwardness, Reader is in PM(Akutagawa) DOA(Sigma)
A/N :: This is short because I had no ideas! (⁠⊃⁠。⁠•́⁠‿⁠•̀⁠。⁠)⁠⊃ — I did a different format for this one because I had no ideas — written by a minor (⁠。⁠・⁠ω⁠・⁠。⁠)⁠ノ⁠♡
[MASTERLIST] — works, works! ⊂⁠(⁠•⁠‿⁠•⁠⊂⁠ ⁠)⁠*⁠.⁠✧
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AKUTAGAWA:: You were hanging with Akutagawa, while on a mission. You were done the mission but you wanted to have fun and you imagined to convince Akutagawa to hang around before going back. "Just act normal, even though you aren't" you said to him, he is still looking down at his feet. "Okay..." He mumbled as you walked back a shop, it was nice looking and Akutagawa said nothing. "Where is that lady at?!" A voice boom loudly, a man with a deep voice with a big beard looked around madly and there's another person. His eyes land on you, you can see his teeth gritting. "That girl!" His finger pointing at you, you lift up an eyebrow in confusion. "Eh?" Akutagawa stared in confusion and anger as well, what lady and what did she do? The another man signs and waves you over, you shrug as you walk towards them. The large-beard man looks at you with crazy eyes, the other man sighed in embarrassment. "Did you steal from here" the man said looking at you, you could tell he was nervous. "No, I just came here with my boyfriend" You pointed at Akutagawa, the guy was more nervous. It was the truth, you had just came here. "Oh...I see" he gulps and coughs. "Did you see anyone?" He questioned. "Nope" you said. "Oh! I found it" the large beard man said, he lifts up the "lost" item. "Look around, next time before you accuse anyone" you with a blank stare, the man jolted and bow. "I am sorry!" You walked away with Akutagawa next to you. "Time wasters.." Akutagawa mumbled next to you, you smiled. "Let's continue our little date." You said, you can see his ears turning red as he walks ahead of you. Well now you can have some fun with just the two of you
SIGMA:: The casino was busy, lots of customers. Sigma would go around and help out people, you would sit around and keep a look out. You saw rather a rude customer talking smack to sigma, the man was yelling curses at him. Sigma could only nod his head with a nervous smile on his face, that man sure is annoying. You saw no bodyguards around that area so you got up and went to him. You smiled as the man's face got more visible, Sigma noticed you walking towards him. "What is the problem?" You questioned the man, the man turned to you. "I lost all my money!" He yelled, you had a dead pan face. This man is really stupid, of course you would lose your money if you lost! "Ah..I see, so do you know where you are at?" You said. "Duh! Yes, I fucking do. Are you stupid , girl?" You said, apparently he didn't because he was mad that he lose all his money. "Well seems like you don't! This is a casino, so you would lose money if you lost." You said calmly, your eyebrow was twitching slightly. "So?!" He yelled, you could smell his drunken breathe. "SO, get out. Loser" you said, his eyes widen. "Wha—" he said in confusion. "Bodyguards!!" You clapped as some people and bodyguards noticed so they went over and got him out. "Thank you.." Sigma said, he had a small smile on his face. "Let's go rest" you said and grab his hand, leading him to his office.
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hylaversicolor · 1 year ago
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the big eva and ocelot meta, or: how to use religious iconography and symbolism in a godforsaken, cunt serving, and incredibly transgender way
this meta started out as a way for me to learn more about ocelot by looking at eva. and then it turned into the opposite, i guess. because ocelot never, ever speaks directly about his motivation, except for one time at the beginning of mgs2 when he says he’s glad sergei noticed that he’s abandoned mother russia, and even then he hides through ambiguous wording and camera angles. (x) everything else we learn about ocelot is from other characters or is obfuscated by conflicting personas or both. we know why he does what he does (he was obsessed with big boss, eva says) yet he doesn’t state this in his own words. but you can use eva to analyze ocelot, and vice versa. during mgs3 they are both mysterious philosopher agents with ties to the book of genesis sent to help snake on his mission, often with nearly identical dialogue. (x, x) so in mgs3 when eva says “snake, huh. well, i’m eva… are you here to tempt me?” we can assume ocelot feels something similar. when eva says “don’t die on me” at rassvet, we’re meant to remember that moment when ocelot says the same thing to snake in the sewers, many scenes later. and when eva says “when i’m riding, the wind hits me so hard that it hurts. that pain keeps my mind off the pain of having to be someone else. it's not easy always fooling myself like this. it's only when i’m on the bike that i’m free to be the real me.” it’s in the back of our minds when ocelot also rides a bike later on. of course they are not exactly alike; the bike means something different to eva than it does to ocelot, and besides, ocelot is younger, less experienced, more hotheaded. eva, for all her cleavage, is reserved.
taking a detour for a moment to address the ocelot drag king thing that went around twitter recently. shinkawa and kojima noted that mgsv ocelot’s design was meant to inspire such questions from the player “like ‘is that a man or a woman, a woman dressing as a man’ kind of thing,” or “something like takarazuka” (x), japanese western-style theater “with all-female performers” (x). here’s a passage from jennifer robertson’s “the politics of androgyny in Japan: sexuality and subversion in the theater and beyond,” describing tarakazuka:
The femininity embodied and enacted by the musumeyaku serves as a foil for the masculinity of the otokoyaku. Much of the training of the Revue actors involves learning a vocabulary of gendered gestures, movements, intonations, speech patterns, and the like. An otokoyaku, for example, must stride forthrightly across the stage, her arms held stiffly away from her body, her fingers curled around her thumbs. In contrast, a musumeyaku pivots her forearms from the elbows, which are kept pinned against her side, constraining her freedom of movement and consequently making her appear more "feminine." In keeping with the patriarchal values informing the Takarazuka Revue, musumeyaku have represented the fictional Woman with little if any connection to the actual experiences of females. The otokoyaku, however, have been actively encouraged to study the behavior and actions of men offstage (as well as in films) in order to more effectively idealize men on stage, be they samurai or cowboys. Personal or contrary motivations and desires aside, both musumeyaku and otokoyaku are the products of a masculinist imagination in their official stage roles. (American Ethnologist, August 1992, vol. 19, issue 3, pg 423)
if, like all things with ocelot, we take this concept and run with it to eva, then ocelot is the takarazuka otokoyaku and eva is the musumeyaku. it’s all a performance. it’s all camp.
ocelot performs masculinity. he is (arguably) a gay character who lives and breathes his own interpretation, informed by the spaghetti westerns he watched and absorbed as a teenager, of the most idealized embodiment of western masculinity in existence: the american cowboy. his movements, his bravado, his persona are all exaggerated in mgs3. but his performance is also a mask behind which he hides his true self. ocelot physically conceals his whole body; his red gloves are his trademark. eva, by contrast, shows off her body. but while ocelot hides himself by hiding his skin, eva hides herself - crucially - by showing skin. and while ocelot's whole Cowboy Thing is him performing a fantasy version of masculinity, the opposite is true for eva. she is performing femininity just as much as ocelot is performing masculinity, only instead of playing a western cowboy dandy, she’s doing an over-exaggerated femme fatale. they are both acting. they are both camp. ocelot’s masculinity is rooted in westerns; eva’s femininity is, presumably, rooted in whatever charm school training the philosophers must have given her.
this juxtaposition informs the way their roles play out throughout the course of snake eater. ocelot can go off and do whatever; he has more freedom by taking on the persona of a man. eva is more limited in her performance, confined to a pseudo-caregiver role. she must support snake, care for him, give him food items. during the interrogation scene she is the one who is forced to step in and intervene, because out of all the players in the room, the personality she’s crafted for her role is most suited to sensitivity to snake’s torture. (x) she uses her vulnerability to exploit her enemies, turns people’s preconceived notions about her against them. ocelot and volgin both underestimate her; when she successfully evades volgin on the bike, and bests ocelot in hand to hand combat, these are not traditionally feminine activities, yet they are the things she truly excels at. also ocelot has had everything put together for him, even if he doesn’t see this. (x) he has been given incredible privilege at a terrible price. eva doesn’t even have that privilege. she is working to support snake completely on her own.
yet even though eva is unfailingly on snake’s side throughout the game, helping him, giving him items, often physically close to him, seducing him, etc., she betrays him in the end. ocelot is the opposite. he is farther away; he often watches rather than intervenes when snake is in trouble. it’s not obvious that he’s been on snake’s side the whole time. and yet by the end of the game, where eva (who had gotten the closest to him) betrays snake, ocelot (who had been farther away) does not. this speaks to mgs3’s theme of “there is no such thing as a timeless enemy” - also because after the events of the game, snake and eva (though parting ways as enemies) end up as allies again, and eva and ocelot, who had been enemies in the game, become allies as well, and remain allied for life.
ultimately, due to eva’s role being confined to a traditionally feminine one in mgs3, ocelot emerges as a more compelling character. behind that femme fatale persona, though, there is a lot going on. a lot of it, i think, relates to the way eva was raised as a charm agent. as a result of her philosopher training, she can only think of human relationships in absolutes. she equates sex and love in her mind and cannot conceptualize ambiguity:
eva: do you love her? snake: no, nothing like that. eva: do you hate her? snake: does it have to be one or the other - love or hate? eva: between a man and a woman? you bet. […] eva: you were interested in the boss. snake: she was different. eva: really? how do you feel about me? snake: i should be asking you the same question. eva: me? i can fall in love - if it's part of the mission. even with you.
this is meant to be a callback to mgs1, but it’s also eva in her element, in action, working. she unzips her top as she says these lines, revealing her breasts. there’s some meta commentary here about eva fooling or charming the player, using her own sexuality as a weapon, but still being objectified nonetheless because kojima wrote her to do this. in the context of the game, yes this is eva acting of her own accord, molding her appearance and mannerisms to appeal to her target, but she is doing so as a result of philosopher training. this isn’t eva’s true self, not really. the only place she feels free to be her true self is when she’s on her bike, with the wind hitting her so hard “that it hurts.” we see eva performing increasingly risky bike stunts as mgs3 goes on. i think the stress of playing her role only continue to increase as time went on throughout operation snake eater. but not because of being forced to fool john: i think she took some pleasure in that. rather:
eva: the boss was the only one i couldn't fool. she was the only one who knew i was a fake. she told me everything. why did she open her heart to me like that? at the time, i couldn't understand it. but now I think I do. snake, she wanted you to know the truth. she chose me to tell you. that's why she saved my life. i’ve lied to you so many times, but not this time. my orders from the government were to obtain the legacy and to eliminate everyone who knew the truth about what happened. in other words, I'm supposed to kill you. but i can't do it. not because we loved each other. and not because you saved my life. but because i made a promise to the boss… and i intend to keep it. i just wanted you to know. and… you have to live.
because the boss was the one person to understand her, to look at her and see that at her core, she, like ocelot, is the embodiment of a 404 error. but this lack of self, or lack of recognition of the self, ironically, is what makes her human. the boss looks at her and instantly sees that the only way she can feel anything at all is to ride her bike so hard that the wind hurts her. she sees the pain of having been transformed into a blank slate by the philosophers, ready and willing for anyone’s preconceived notions of femininity to be projected onto her, because the boss went through the same ordeal - but unlike eva, whose earliest memories are presumably of philosopher charm schools, the boss did not start as a blank slate. she had a life, a personality, a family first, and had all that taken away in order for higher powers to reduce her to something malleable and ready to be manipulated for the sake of nations and empires. the boss is eva’s connection, her lifeline from the sterile, casually cruel world inhabited by the children of the philosophers, to the emotions and the messiness and the nuance embodied by the rest of humanity. and this connection goes doubly deep because the boss probably encountered eva in one of the philosopher charm schools while searching for her own son, who she knew had to be at a philosopher facility too.
and by choosing eva as the one to pass on her message to snake, the boss gives eva’s life new meaning, a renewed sense of humanity. in eva’s mind now the boss and snake are connected. she is part of that love the boss had felt for snake, and she inherits it by proxy. i don’t think she loved john as a human being, at least not during mgs3. even after mgs3, i don’t think she comes to understand this connection that the boss and snake had, but she still clings to it. and i think that, just like ocelot who was far away and fixated on snake, once eva is the farthest away that she’s ever been from snake at the end of mgs3, now she becomes fixated on him too. just like ocelot, snake represents humanity to her. their connection is less about love and more about trying to make sense of her own emotions, her personhood. the boss endures and haunts eva into perpetuity because i think she is a reminder of what eva could have had.
big mama: your father never wanted you. i’m sorry. human life isn’t meant to be manipulated like that. i knew that. but—i wanted you.
eva allows her own pursuit of humanity to convince her to do inhumane acts. we know ocelot joined the patriots to stay close to john (the same reason he eventually joined foxhound). eva joined the patriots, i think, because staying close to john brought her closer to the boss. that, i believe, is the reason she wanted the kids so badly. eva in mgs4 is motivated by guilt. we can see that she takes in war orphans as the leader of the paradise lost army (ironically facilitating the creation of more child soldiers, and perpetuating the vision of the philosophers even as she’s trying to dismantle their legacy). in mgs3, eva and ocelot are a pair of young philosopher spies aiding naked snake. in mgs4, eva and ocelot are a pair of aging ex-patriot spies from another time forcibly dragging the past along with them into the present. they both mistake solid snake for naked snake in semi-lucid moments; they share similar last words; they both are ultimately killed by foxdie. they kill and steal and lie and torture and maim, but in their minds it’s all out of necessity. take this analysis of paradise lost by john leonard:
The hostility of Chaos raises troubling questions about God. If God is good, all-powerful, and the ultimate source of matter […] how can we account for the existence of an evil Chaos? An evil Chaos would suggest either that God is not good or that he is not all-powerful. Many critics try to get around this problem by arguing that Milton’s Chaos (despite appearances) is not evil but good. (Introduction, Paradise Lost, Penguin, 2003)
zero, by mgs4, is the alpha and the omega. he has surpassed the limitations of his moral body and become an all-seeing, all-knowing system of AIs: in the metaphor of adam, eve, and the snake, zero is god. we can see that eva feels somewhat complicit in this transformation: “zero created the patriots to manage and control the american state […] but i am partly to blame. i bear some of the guilt for creating the organization.” ocelot’s feelings are less apparent.
back to the beginning of this essay: ocelot only explains himself once throughout the entire game series, and while he does, the camera conceals his face. importantly, his red gloves are gone in mgs4. his black gloves show us that this isn’t ocelot anymore. but since his fingers are uncovered, we can infer that ocelot is in there somewhere and he is speaking his truth. so when liquid says “cigars… father's favorite.” that’s really ocelot (with the cigar blocking his face…there’s so much in that) saying “cigars…john’s favorite.” when liquid says, “snake, we were created by the patriots. we're not men: we're shadows in the shape of men. […] the patriots saw fit to create us, and in doing so became our only raison d'etre […] so long as we both live, the world will not know an age of light […] the only choice left to us is death." that is ocelot saying “when i saw what the patriots had done, my only reason to exist became to take them down.” when liquid screams “do you see this, zero?” that is 100% ocelot saying, “watch us, zero, we’re going to undo everything you did to john.” and when liquid gives this odd, regretful glance after the confrontation at the river, (x) i think that is ocelot reacting (albeit late) to eva saying, “adam…” a scene prior.
john: ocelot and eva wanted two things…to bring me back to life, and to end the patriots. […] for me, and for them […] nothing was more important.
in the words of steak bentley, mgs4 shouldn’t have been about big boss. (x) i agree. forcing everything to connect back to big boss and to zero shrinks the universe, imbues the story with this weird predestination, makes everybody’s contributions to the plot feel less significant, weakens both mgs4 and mgs3 in hindsight by showing the writers’ lack of faith in their new material.
but you can also look at it in a meta sense of ocelot and eva saying “this story’s not done yet, i’m still going to get revenge on big boss’s behalf. this is going to be about big boss whether you all like it or not.” metal gear solid 4 is really the story of two people who loved big boss so much and carried so much guilt over the part they played in zero’s betrayal that they created this entire overly convoluted plot to make john relevant again. the irony of it is that if they had just let him fade into obscurity (the first time, after snake eater) the LET project might not have even happened at all. by mgs4 i think they both recognized this. and yet they continued to drag it out - understanding, i think, on some level, that they were doing it all essentially for nothing. and through eva and ocelot’s actions, john ends up getting….not exactly a redemption, but at least closure. i don’t know if it’s warranted or even deserved, but he gets it nonetheless. and still eva and ocelot spend most of their time away from big boss and die without seeing him again. the thought that john would be able to survive, that he would endure and live and reconcile with solid, get one final moment of “i understand.” at the boss’s grave - this kept eva and ocelot going for decades.
by the start of mgs4, for eva and ocelot, everyone else is gone. john is out of their reach, the boss has been dead for fifty years, they killed the rest of the patriots themselves after zero betrayed john. the kids that eva had wanted, too, are no good, since liquid is already gone and solid needs to die in order to bring the cycle to a close. the only way they can access their own humanity (that ocelot had found in snake and eva had found in the boss) is through clinging to each other.
big mama: naturally, ocelot and i planned to free [john] from zero's prison. we enlisted naomi hunter, an authority in the field of nanomachine research, into our organization. and we used frank jaeger to kill dr. clark. ocelot tortured the DARPA chief, donald anderson - also known as sigint - to death…and made it look like an accident. […] with para-medic and sigint dead, zero was the only one left. but we, too, paid a price. i lost ocelot. ocelot wasn't fighting for the pentagon, or the russians. and certainly not for zero. he was fighting for big boss. he idolized him.
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casimirlovescoffee · 23 days ago
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How to Request/Rules/Fandoms/Current Requests (REQUESTS CLOSED)
Welcome to my Blog everyone. My name is Casimir (he/they), I am an andult and I love to read and also share my writings. I enjoy working on requests and I hope you all enjoy reading what I write. I apolofize for any spelling mistakes as english is not my native language.
I am making this my pinned post, so you all have an overview of how to request something, what my rules are, what Fandoms I write for and to also link Masterlists for those Fandoms. I am also adding a request list that I will constantly update just so you guys know what's coming.
Please be polite when requesting something and remember that i am human too that has irl stuff to do, so if I have many requests, it may take a while to get to write the most recent requests. Also know that if my requests are closed, I will not write requests untill I open them again. Of course I will also write my own stuff between requests.
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How to request something:
-Use the Ask Box
-Name the character/the characters you want in your request
-Tell me what Gender you want the Reader to be: female, male, gn or trans (If you don't add a gender to it, I will use GN Reader)
-Tell me the scenario you are thinking of
-You can be as spefic as you want, but don't go too overboard
I will write:
-NSFW/SFW
-Angst or Comfort
-Headcanons and Scenarios
-Female, Male, GN, Trans Reader
-Fluff, Platonic or Romantic
-Single or multiple characters in one request
-Poly fics
I will NOT write:
-Minor x adult
-Incest
-Rape or Gore
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The fandoms I am writing for are:
-Castlevania
-Baldur's Gate 3
-Final Fantasy 7/Final Fantasy Crisis Core
-Devil May Cry
-Vampire Hunter D
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My current requests are:
-Alucard and Lyudmil (Poly) x Trans Witch Reader
-Alucard x GN reader- feeling safe
-Alucard x GN Reader - Goth makeup
-Alucard x GN Reader - Crush
-Alucard x GN Reader - Enemies to lovers
-Alucard x GN Reader - Friends with Benefits
-Alucard x GN Reader - Wingman/Crush
-Alucard x female reader - Fucking his mouth
-Alucard x GN Reader - Endearning nicknames
-Alucard x Female Reader - Strangers to friends to lovers
-Trevor, Alucard, Hector, Isaac, Dracula x GN Reader - Wearing a corset
-Catslevania trio + Greta and reader - Being outcasted
-Vergil, dante x GN Reader - Quiet and shy reader
-Alucard x GN reader - Shifting gender
-Genesis x Reader - Pegging
-Sparda boys + V x Female Reader - Cult of the Lamb like powers
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utena-fanmerch · 2 months ago
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- pasuterucoco
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morally-grey-girlbosses · 1 year ago
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Propaganda under the cut.
Asuka Langley Soryu:
The influence Eva has had on anime and pop culture as a whole, both positive and so so so bad, cannot be understated. At the heart of this is Asuka. The poster child for the tsundere trope and one of the most mentally unstable female characters of all time. She’s got incredible mommy issues and horrible trauma, and lashes out at everyone and everything. She’s got arrogance and a superiority-inferiority complex that can put most shonen rivals to shame. Her precision in battle and dedication to being the best is only outshone by her ability to be bitter and rude and miserable to her peers. She’s genuinely very tragic and sympathetic. Without her, half the characters in this poll wouldn’t even exist because she set the blueprint for morally complex girlbosses.
Anthy Himemiya:
Anthy is an abuse victim who has been trapped in a cycle of violence, with which she copes by helping to perpetuate the rules on which this cycle runs- and dragging down anyone who gets too close down with her. She has access to many magival powers which she discreetly wields against those who she has a grudge against- all with a demure smile on her face. Her narrative is about escaping the cycle by challenging the ideas she has internalized through the transformative power of sapphic love and survivors' solidarity, and finally gaining the strength to walk away from her abuser, and the cycle of self destruction. With a few #girlboss stabs, betrayals, manipulation, poisonings, etc. moments on the way, of course. She's a fascinating character because almost all the time she's onscreen, she's under some sort of emotional facade. She is nearly impossible to completely understand, and that is what makes her such a compelling character, and a morally ambiguous girlboss ;)
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m1ssword · 7 months ago
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My favourite retro animes with their perks and perils
Let's start straight away!
1. Lady Oscar / The Rose of Versailles
(70s)
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Such a lovely manga/anime series. The story follows the life of a military general's daughter Oscar and Marie Antoinette. Oscar is raised like a boy to succeed her as the commander of the Royal Guards at the Palace of Versailles. The story is set in France before and during the French Revolution.
Perks:
Strong multidimensional female lead
Surprisingly historically accurate
Interestingly captures the large scale of femininity and being a woman
Cool soundtrack
Interesting fact: this anime inspired the makers of Berserk (1997)
Perils:
You'll cry
2. Lady Georgie
(80s)
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Lady Georgie tells the growth story of a girl named Georgie who lives in peaceful and pittoresque Australian countryside. Georgie doesn't know the secret about her origin while the rest of her family knows it.
Perks:
absolutely endearing setting
the storytelling of their childhood is beyond cuteness
reminded me of the book "The Little Princess" by F. H. Burnett
Perils:
I was a bit weirded out by the love square (?) which included her two adoptive brothers
The ending is not satisfying and the manga is even worse
The love between Georgie and her main love interest is quite bland
3. City Hunter
(mainly 80s)
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City Hunter is a humorous anime classic from the 80s. The story focuses on Ryo Saeba, a famous underground sweeper in Shinjuku, and his partner Kaori Makimura. They together help different customers - which are all beautiful women, since Ryo is also well-known for his lecherous habits. Kaori keeps Ryo in check with her hammer.
Perks:
fun anime with a lot of seasons and movies
interesting characters
pictures the city life of Japan in the 80s
Perils:
the love story between Ryo and Kaori is sometimes frustrating
The fetishism of women in almost every episode starts early to feel like a worn joke (notice the time context)
Episodes follow the same plot almost every time, may start to feel repetitive
Tsukasa Hojo, the maker of City Hunter, has also done an another manga named Angel Heart which shares the same characters with City Hunter but isn't it's continuation. I don't yet have a full review of AH, since I'm currently watching it. Thus far, I have cried during every episode, it's good but different. (Please tell me in the comments would you like to have full review of AH)
And a lot more...
There is a lot more retro animes that I didn't mention in this post, like Candy Candy, Cowboy Bebop, Sailor Moon, Utena, Ranma, Akira, Lupin the III, Neon Genesis Evangelion and Berserk (1997). This is just my list of favourites and I hope that you would like to share your favourites in the comments!
With love,
Jessica
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drabblesandimagines · 2 years ago
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Masterlist*
Hello! I'm Ghostdog and below you'll find my masterlist to find most of my silly reader x character works, which are nearly all fluffy nonsense!
Requests and asks: Open Like my work? Likes, follows, reblogs and especially comments are very much appreciated.
You can also buy me a ko-fi to fuel my writings (but in no way necessary!) Commissions over on Ko-Fi.
** 18+. These can be found over at @ghostdogwritesafterdark
Final Fantasy XVI main masterlist - contains Clive Rosfield, Joshua Rosfield, Barnabas Tharmr, Cidolfus Telemon and Gav one-shots
Resident Evil main masterlist - contains Leon Kennedy x female reader one-shots, two ongoing series
Baldur's Gate III main masterlist - Gale Dekarios, Halsin one-shots Final Fantasy VII main masterlist - contains one shots of Cloud Strife x reader, Vincent Valentine x reader, Sephiroth x reader
--- Buddy Daddies
Rei x afab reader: Kitty. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Part 9. Part 10. Part 11. Part 12. Part 13. (Finished)
Syrup (reader request) Milkshake (Syrup follow-up)
Bumblebee (reader request)
Sketch (reader request)
Honey (reader request)
Tea (reader request)
Coffee (reader request)
Kazuki x afab reader Driver (reader request)
Rei x Kazuki x afab reader Reader request
Rei and Kazuki fluff: High-Fives Rock, Paper, Scissors
Death Note Apples (Light Yagami x reader) Final Fantasy VIICrisis Core
Books (Genesis x fem reader)
Honkai Star Rail Ribbon (Jing Yuan x gn reader) Little Bird (Jing Yuan x gn reader) Legend of Zelda They'll never take you away from me again (Link x reader)
Lord Of The Rings
Unspoken (Legolas x reader)
Potion Permit
Chemistry (Reyner x reader) Stardew Valley
Sebastian x fem reader:
Farmhand
Motorcycle Rides
Rubber Duck
Bouquets (reader request)
Good Days & Bad Days
Sweet & Salty (afab reader)
*last updated 23rd August 2024
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roseartsandfics · 9 months ago
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Chibi Crisis Core Art Dumps
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Here are the art dumps of the characters from Crisis Core FFVII Reunion in a chibi style ❤️ Well, I had to have confidence since people chosed go for it on a poll about drawing Crisis Core characters, so I thought a chibi style of them would be a good start to start drawing some Crisis Core goodies and TGA goodies :3
SPOILER ALERT FOR THOSE WHO HAVEN'T PLAYED CC FFVIIR THAT I AM ABOUT TO TALK ABOUT!!!
1. "I knew you would had faith in me of having some improvements as SOLDIER!"
"Yeah. Great work, now get off me."
Zack hugging Angeal after possibly managing to having some improvements as becoming 2nd class as I believed. I think the cutscene where Zack managed to hug Angeal after he decided to recommend him 1st Class SOLDIER before heading to Fort Tamblin is one of my favorite x3. I believe this would be the reaction Angeal had given after the hug before lol. Zack is such a dork, but a lovable dork x3
2. Just Cissnei sitting on a bench comfortably ❤️
3. Genesis with a rose 🌹 (he looked utterly handsome with a rose, but would be better if I drew him without the chibi style lol)
4. Sephiroth collecting his thoughts before every mission (I just COULDN'T. You can tell how he possibly feels of every war and mission. Poor guy :(. I just WANT to hug him 🥺)
I was doing really well in Crisis Core Reunion, despite the mistakes and missable things here and there. Otherwise, I'm doing really well! Possibly not getting 100%, but oh well lol. The game is so much fun, I just have to keep my fingers crossed to get a chance to beat it 🤞
Both Cissnei and Genesis are kinda hard to draw, but otherwise, not too bad :3. Hopefully I can do my best to improve on drawing the SOLDIER boyos (and the Turks, which is my first time drawing them) :3
Sephiroth was so much fun to draw! Angeal was pretty fun as well, but Zack? He is pretty difficult to draw. Gotta improve it somehow *bonks my head with a hammer*. Anyways, Cissnei became my favorite female Final Fantasy character already after playing part of chapter 3 in CC earlier, and was not expecting her to return in Rebirth :). Welp, have a great evening!
Angeal Hewley, Zack Fair, Cissnei, Genesis Rhapsodos, Sephiroth and Crisis Core - Final Fantasy VII - Reunion ©Tetsuya Nomura, Hajime Tabata, Yoshihiro Hirota, Mariko Sato, SQUARE ENIX and Tose
Artwork ©RosePrincessArts
No copyright infringement is intended
Used: Sketchbook app from iPad
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musicalmoritz · 4 months ago
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Hello💕
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My name is Roxy. This blog is mainly for my rambles and shippy posts (not mutually exclusive). I am a writer on ao3 under the same name as this account. I’m just here to put my thoughts out into the world like an open diary, and to reblog cute shit💞💞💞
Fandom Interests:
• Current Hyperfixation- TBHK
• Other Animes (in no particular order)- Hunter X Hunter, Chainsaw Man, Fruits Basket, Madoka Magica, Kakegurui, Jujutsu Kaisen, Bungou Stray Dogs, My Hero Academia, Cowboy Bebop, Ouran High School Host Club, I’m In Love With The Villainess, Sk8 the Infinity, Adachi and Shimamura, Banana Fish, Demon Slayer, Mob Psycho 100, Spy X Family, Vampires In The Garden, High Rise Invasion, Kyo Kara Maoh, Kase-San and Morning Glories, Haikyuu!!, Death Note, Attack On Titan, Neon Genesis Evangelion, and Full Metal Alchemist
• DC Comics, mainly the female characters and anything related to the Teen Titans/Batman. I’ve been in this fandom for years due to adaptations but I’m relatively new to the comics themselves. Currently reading Batwoman's New 52 run and anything Cass Cain related I can get my hands on
• I do like Marvel but like mainly Spider-Man, the X-Men, and Black Widow. I'm refraining from posting about it for the time being due to the boycott
• I'm a big filmbro, my top 3 movies of all time are Dead Poets Society, Pride & Prejudice (2005), and American Psycho
• Classic lit is my favorite thing to read (aside from fan fiction). Currently reading The Idiot by Dostoevsky
• I love listening to musicals, my top 3 being Les Miserables, Falsettos, and Spring Awakening
• Some shows I like are Breaking Bad, Glee, Stranger Things (not posting due to the boycott), Gravity Falls, First Kill, Bly Manor, I Am Not Okay With This, The Middle, Adventure Time, Modern Family, Merlin, Doctor Who, and probably others I can't think of rn
• I'm really into classic fairytales🦋
• As far as music goes I am a critical Swiftie. I also enjoy Fall Out Boy, Marina, early Panic! At The Disco, Megan Thee Stallion, Nirvana, David Bowie, Stevie Nicks, and various other artists
• Some other fandoms I've been involved in include It by Stephen King (all media types), Twilight, Percy Jackson (boycott), The Hunger Games, Marauders, Camp Camp, Archie Comics & Sabrina, Dan & Phil, Hellaverse, Homestuck (save me), aaaaaand I think that's everything??
• My favorite piece of media of all time is Les Miserables, especially the book and the musical. I love it with all of my heart and it truly changed the way I live my life as well as my outlook on the world and religion💕
• My favorite character of all time is Dazai from BSD, I adore his character development and all the subtle details that add to his characterization💕
• I enjoy analyzing and yapping about my interests so expect a lot of that
Other Interests:
• I am a psychology major with an AS degree in psychology
• I practice wing-chun, though I am still somewhat of a beginner (white belt, my si-fu makes his students earn them)
• Writing is my passion and I have been working on my own novel for many years now. It is meant to be a three part series but I don’t want to publish the first book until it’s perfect
• Proud Cat Mom
• Being an older sister is like 50% of my personality
• I am a lesbian and a Christian and both of those identities are very important to me
• Believe it or not I am employed, though I won’t say where for obvious reasons💪🏻
• Raging Feminist
• Antique collector
• Complainer, not a hater
• Optimist
• Lover of all things pink
Again, this blog is really just a side quest, I’m much more active on TikTok so you might want to follow me there (femslash.enthusiast / #1 aoinene lover). I’m just here to yap about my interests and spread good vibes💕
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Uncanny Icon Chapter 3: Second Genesis
Kurt Wagner x Original Female Character (Adrian Grey)
Rating: M
Chapter Summary:
The Professor has collected the team and now, it's time to meet everyone!
This is our first proper Giant Size X-Men 1 chapter, part two will be out next week! Not much else to say this week, so dive right in and enjoy Adrian finally meeting all her new teammates, including a very adorable, fuzzy blue elf.
[this is chapter is extra special thanks to MORE fantastic art by @lazywrites of our Indelible Icon!]
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Adrian stares at herself in the mirror, rubbing her temples to try and tune out the growing hustle and bustle of the mansion below. When she was little, she picked out one of the two attic rooms for a reason, to give herself enough distance from the main areas of the house and let herself rest without constant emotional outpour entering her mind from her fellow students. But so many new sounds and minds, so much excitement, nerve, and anticipation… it was impossible to block out.
The new team has been arriving the past few hours, greeted one-by-one by the Professor, shown to temporary rooms and given their uniforms. Unstable molecule suits, that’s what the Professor called them. Apparently, they were a gift from Reed Richards, the same material used in the Fantastic Four suits. They were certainly an upgrade from the little uniforms that Adrian grew up in. Those still hang in her closet, unused. The black and yellow training uniform was a classic, a bit of nostalgia to look at and remember how small she used to be, how young. The other is a thing of nightmares. When each of the X-Men had to pick their own designs, Adrian was the last to get a colour scheme. As a result, she was stuck in an ugly yellow and pink number, perhaps to show everyone that she was still a girl despite the pants and the short hair she wore, compared to her sister’s green mini-dress. No matter what, Adrian despises it, happy to let it rot in the dark corners of her closet.
Looking back at the mirror, the sounds of her teammates’ emotions slowly beginning to dull as they were called one-by-one to the living room for the mission debrief, Adrian knows that she’s going to choose a costume that is simply and unequivocally her. Adrian Grey, the Icon.
She thinks of what she wants, watching the molecules begin to react to her desires, shaping themselves to her specifications. A sleeveless bodysuit, starting with yellow to match her powers. A bit boring, she thinks, and a red section is added to the chest, from the neckline and descending down into a point by her navel. Turning, she adds the same shape to end at the small of her back. Then red, thigh-high boots, the tops ending in a point as well. Looking down at the shoes, she keeps the heel low and comfortable, but adds a little curve to the tip of the toes.
Almost there…
Two red belts across her hips, angled to form an X, red fingerless gloves attached to gold bangles around her wrists. Finally, she adjusts the knot of a long red scarf around her neck, letting it hang behind her down her back. Doing a little spin, she shakes out her hair. It was far too long for her tastes, now reaching past her collarbones, but that isn’t something that can be adjusted by unstable molecules. Maybe after all this, she’ll cut it again. Maybe to her chin, maybe ear, maybe shorter.
‘Icon, to the living room please,’ the Professor’s telepathic voice calls to her mind. She gives an affirmative thought back. Despite years of not enjoying leadership, avoiding the boring, administrative parts of heroism, all of it is now thrown in her lap. Icon, co-leader of the X-Men.
With that, she walks out of the room.
XXX
‘You will tell us why you have dragged us here, Professor!’ a voice snaps from the living room as Adrian approaches. ‘I, for one, am swiftly losing my patience!’
Stepping just beyond the doorway, she can hear the Professor answer calmly, never one to raise his voice in the face of conflict, ‘Sunfire, I assure you, it is not my intention to waste your time. I merely wanted to wait until all our members were present before beginning.’
Adrian feels the push in her mind, giving her the cue to enter the room as the Professor continues, ‘My friends, allow me to introduce Adrian Grey, the psychic Icon. She will be co-commander on this mission.’
Before she can answer, wanting to give some sort of quip to show herself as both experienced but still humble or something of that nature, there’s a sudden BAMF! sound, the smell of smoke and brimstone filling the room. In a blink, she feels her hand grabbed and a soft kiss placed on the back of it. Her eyes snap down to see the blue, demon-looking mutant – Kurt Wagner, a.k.a. Nightcrawler. From the photo in his file, she recognises the black curls, golden eyes, the hand which has only three digits instead of five.
He's giving her a little bow, saying in a soft, lilted tone, perhaps a bit lower in pitch than she expected, ‘It is a pleasure to have such a beautiful Fräulein as a commander, Meine Dame.’
Adrian is flustered, a small blush forming on her cheeks. She clears her throat, trying to look away from those eyes, ‘Oh, well, aren’t you the sweetest little thing...’
‘Hey, furball, leave the lady alone,’ a gruff voice barks out from further in the room. Wolverine. It makes Adrian suddenly all too aware that there are seven pairs of eyes watching this scene. Nightcrawler smiles at her once more with his elongated canines, pressing a second kiss to her hand before teleporting away back to his original spot across the room. Adrian clears her throat once more, saying with a much more serious tone, ‘I’m only second-in-command on this mission, I’m not the one who will be giving orders, that would be –’
‘That would be me.’
Heads turn to see Scott enter, his ruby quartz glasses traded for a visor made of the same material which gives him total control over his powers.  The Professor gestures to Scott, saying ‘And may I present Scott Summers, known as Cyclops. Now that we are all here, he will fill you in on the details of your mission.’
This is the point where Adrian stops listening. She knows the score, she knows the plan. Before the arrival of the new team, Scott asked Adrian to watch the mutants during his speech, to give him feedback on any members that may be cause for concern or any particularly suited for heroism. She leans back against the wall next to him, her eyes scanning over the seven faces, a unique cast of characters to be sure. All so different and yet all so open. The original team began to learn how to close off their minds, to leave some of their deeper emotions hidden from Adrian’s subconscious readings. But these minds and hearts were open to her.
Her eyes are first drawn back to Nightcrawler, crouched up on the coffee table, tail swaying gently. She can feel his dedication, and a genuine kindness in him, though there is a fading sadness, something that happened before he arrived, something terrible…
But then her mind is drawn sharply away, overpowered by an extreme passion from the big Russian, Colossus. Despite how intimidating his physical form is, his face is sweet, his heart good, and his motives pure.
The rest are a bit more difficult to get a particular read on. While she can hear everything, empathic telepathy is not quite as straightforward as its thought-based cousin. Humans are complicated creatures, mutants more so. And that’s maybe why Adrian prefers to be around mutants, as that complexity makes it easier to tune out the emotions as white noise. Her powers aren’t based on precision. She can’t hear exact words or ideas, but the themes, the pressures, the heat and chill and neutrality that is unique to each emotional trigger and output.
Of the others, they each have a trend to them that she can key in on relatively easily. Storm presents herself as a mightier-than-thou being, truly believing herself the goddess she is known as. Banshee is tired, blasé about the idea of heroism but having enough loyalty to the Professor to come back for one last ride. Both Sunfire and Thunderbird seem displeased, but for very different reasons. Sunfire is angry at the idea of being forced to help those he doesn’t know and thinks a mission like this is the commodification of his abilities.
The anger that bristles around Thunderbird catches her attention for a moment and she initially thinks that maybe he is like Sunfire. And yet… she can feel pain. Its hidden, buried deep in him, beneath the anger, beneath the displeasure, beneath everything. She would be tempted to think that he didn’t even know that it was there if not for the steady beat of it like a drum, timed to his own heart, panging with each move, each breath. Adrian knows what trauma feels like, she knows the knots that are formed trying to piece yourself back together, the ties that continue to unwind each time you think you’re fixing things, letting more and more slip through the cracks. She has to look away as the pain begins to gnaw at her too, joining the two together for a moment so brief that he doesn’t even notice… but Adrian, now more than ever, regrets her initial dissatisfaction at his inclusion.
And Wolverine?
Adrian has never encountered a mind like his before. It feels… hollow, in some way, like a book bored through with holes by bookworms. The pieces are all there but the words, the meanings, the plot… were missing. Even with focus, digging deeper, she can’t fit the pieces together, can’t fill the gaps. She has no idea how intensely she’s been staring, the worry marked by a wrinkle between her brows, until her gaze is confronted by a pair of eyes hidden behind a spiked mask. The emotion was clear. Get the fuck out of my head, Red.
He then turns to Scott, who has finished up his story of the missing X-Men. ‘Buncha kids missing, now what?’
‘Simple,’ Cyclops answers, ‘we go back to Krakoa to find the original X-Men and the mutant that defeated us in the first place.’
Adrian feels the fire of anger even before Sunfire pipes up, surging into her mind like throwing gasoline on a blaze. ‘You may return to Krakoa as you wish, Cyclops, but not I. I will take no part in this fool’s errand.’
That makes her engage in the conversation, resting her forearm on Scott’s shoulder to lean forward, her eyes narrowing. ‘That sounds like you’ve come thousands of miles for jack-shit then, Shiro Yoshida. Not interested in an opportunity to finally help your fellow mutants?’
Sunfire’s starfish-like red mask glowers down at her, the heat continuing to rise as he crosses his arms across his chest. ‘I have no allegiance to my fellow mutants, little Icon. And I will not risk my life to help them merely because you, Cyclops, or the Professor ask me to.’ With that, he storms off, though there is no particular destination in his mind.
She turns back to the new team, shifting her weight onto one leg, her hip jutting out. ‘Anyone else wanna leave? No?’ Her eyes scan each mutant, daring them to move. When none do, she smiles broadly, dimples on her cheeks. ‘Well, then on that note, we’ve got a job to do. Welcome to the X-Men, you lot. I hope you survive the experience.’
XXX
The Blackbird is a model of modern technology, a marvel that most governments could not yet dream of… it’s just a shame that Adrian could not give a damn about planes. She sits in the co-pilot’s seat, her feet up on the dash, glancing over at Scott once in a while to see if he needs help with take-off. Of course he doesn’t. He’s done this a thousand times before. His nerves are placed on the mission ahead, not the act of piloting a plane. Adrian doesn’t have that same level of emotional foresight.
‘If Sunfire’s outburst is anything to go on, I do not believe I like what one would call mutant camaraderie.’ The voice is deep and rich, ageless and warm, like honey to soothe the throat. Adrian turns her head, realizing that it is Ororo Monroe. Of course her voice is just as powerful as her mutation.
‘I promise,’ Adrian responds, trying to quell the internal murmurings of disquiet, ‘it’s not always like this.’
But even she isn’t convinced by her statement.
John Proudstar leans forward, his arm on the headrest of Adrian’s seat, ‘Well, it ain’t like we’re here to be a mutant appreciation society. We’ve all got our stupid reasons for being involved in this fiasco… an’ patting each other on the back ain’t gonna be one of them, Ginge.’
Adrian frowns until John moves once more, pointing out the window for Scott. ‘Hey, One-Eye, we got somethin’ followin’ us!’
‘Icon, open the hatch!’ Scott orders and Adrian leaps into action, dropping the hatch with a push of a button, getting out of her seat to greet… Sunfire!
‘Well, I’ll be damned, look who decided to join us!’ She says with a clap of her hands as Shiro lands in the plane, the hatch closing once more. ‘You decided you want to help your kind after all?’
He looks unimpressed, answering only ‘My reasons shall remain my business and mine alone, little Icon. Best to remember that.’
But they both know better.
No matter what Shiro says, he has a deep sense of duty. He’d never have actually let them go off without him, but perhaps his own ego needed to make a show of it. Either way, she lets him sit and returns to her own place at the front of the plane.
‘We have two hours ‘til arrival,’ Scott tells the team.
‘That’s team leader speak for talk amongst yourselves,’ Adrian adds with a smile, ‘Mingle and make friends.’
‘Icon, don’t disrespect my leadership.’
She glances at Scott, hearing his thoughts. The ability to psychically communicate isn’t something Adrian is naturally good at, but comes with a certain level of familiarity with the mind. She huffs. ‘What part about that was disrespectful, exactly?’
‘You’re making jokes. Now isn’t the time.’
‘I’m trying to make sure people don’t turn into dour little pessimists. You want them to work together, they actually have to like each other at least a little bit.’
She sees his shoulders tense out of the corner of her eye.
‘Any intel from the meeting?’
Adrian is almost tempted to share her insights about Wolverine or John, but it feels too personal to tell Scott. So she shrugs. ‘Everyone checks out. Good little boys and girls ready to be thrown into war, just like Xavier expected.’
‘Good.’
The two look at each other for a moment, almost daring one another to say something else. But they are quickly interrupted by the sounds of the team beginning to mingle. Adrian grins, knowing she won the unspoken argument.
‘Icon, I would like to speak to you.’
Adrian turns to see Ororo standing over her. She gives a smile. ‘Of course, what’d you need?’
The taller woman sits in one of the closer seats as Adrian spins hers around. She holds herself with such a grace, a precision, it makes Adrian feel like a tomboy rolling in mud by comparison. But Ororo doesn’t look down on her, at least not any more than she does the others. ‘You said that it is not always like this, I would like you to elaborate for me.’
Adrian blinks, thrown off-guard a bit by the directness, but appreciating it at the same time. ‘Oh, well, I’ve been doing this sort of thing since I was thirteen with the other team, so its… different.’ She realizes that she’s probably sounding like an idiot, so decides to approach the question the way she knows best, with emotion. She leans forward in her seat towards the other woman. ‘Finding out you’re a mutant is one thing, but finding out how many of us there are is another. The X-Men seem disjointed right now, but we’re a family. That’s the beauty of this whole thing, we’re not just here to fight and work together, its… its special.’
‘What a load of bull.’
Adrian’s head whips around towards Wolverine. ‘I wasn’t aware you were listening.’
‘Yeah, seems to be a lot of people listening when they shouldn’t.’ He counters, clearly knowing that she had been in his head earlier.
Adrian goes to respond, but Ororo puts a hand on her own, drawing her attention back. ‘I appreciate your honestly, Icon, and I hope that you are right. It is a dream I would enjoy seeing to fruition.’
[see the rest and to stay on top of new updates, as well as fun facts about references and comic book lore here at my AO3! AO3 gets early access, so make sure to follow the story there as well!]
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stvrlightvngel · 2 months ago
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Biblical Femininity
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The Bible offers quite a bit of wisdom and guidance on various aspects of femininity, highlighting the value and beauty of women as created by God. While there may not be specific traits and characteristics of femininity within the Bible, it does offer insight to how women can live in a way that honors God and reflects His design of the divine woman.
🎀 Dignity & Worth
It is written in Genesis 1:27 - "So God created man in his own image, in the image of God He created him; male and female, He created them." This verse emphasizes that both men & women are created in the image of God, highlighting the dignity and worth of women.
❣️ Strength & Character
Proverbs 31:25-26 praises a woman's strength & dignity - "Strength & dignity are her clothing, and she laughs at the time to come. She opens her mouth with wisdom, and the teachings of kindness is on her tongue." This passage illustrates that femininity can encompass qualities such as strength, wisdom, and kindness.
🎀 Modesty & Inner Beauty
1 Peter 3:3-4 encourages women to focus on inner beauty rather than external adornment. - "Do not let your adorning be external - the braiding of hair and the putting on of gold jewelry, or the clothing you wear - but let your adorning be the hidden person of the heart with the imperishable beauty of a gentle and quiet spirit, which in God's sight is very precious."
❣️ Nurturing & Compassion
Titus 2:3-5 instructs older women to teach younger women to love their husbands and children, be self controlled, pure, working at home, kind, and submissive to their husbands. - "The older women likewise, that they be reverant in behavior, not slanderers, not given too much wine, teacher of good things- that they admonish the young women to love their husbands, love their children, to be discreet, chaste, homemakers, good, obedient to their husbands, that the word of God may not be blasphamed." This passage highlights the importance of nurturing relationships & demonstrating compassion in daily life.
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nicosraf · 1 year ago
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thank you for writing abm <3 are you writing lilith into a&m? i'm excited to see what you'll come up with
thank you for reading!! :) <3
No, Lilith isn't in A&M or in the trilogy at all. I'm sorry if that's disappointing but I have a few reasons:
Lilith is far more of a Jewish figure than a Christian one. I understand there's always an overlap, but in the case of Lilith, Lilith has never been a part of the Christian doctrine (as far as I know) and textual evidence for her is very small (the only line where "Lilith" appears in some translations doesn't make much sense and the Dead Sea Scrolls confirm that the line originally read "liliyyot"). Lilith only got adopted by Christians at around... the late 18th century? (for context, Paradise Lost was a century before that). Her initial conception and later development is very, very, tied to Jewish mythology.
One that note, the Christian Lilith is, often, an anti-Semitic caricature – her red hair, her association with blood-sucking and vampires and magic, her stealing babies, her trickery and vanity and greed. This is probably my biggest issue with writing her. I could change her appearance and personality but that still feels... icky to me. It's like reclaiming a character I am not the right person to reclaim.
Lilith creates 2 major theological issues – Issue 1: Why did God ask Lilith to be subservient to Adam? In the current Christian canon, God punishes Eve with subservience after the biting of the apple; this leads to all women suffering subservience; this, also, is part of the Christian doctrine of original sin yadda yadda. If God asked Lilith to be subservient to Adam (pre-fruit-eating).... then why did God do that? Why did God create inequality in the garden of paradise among the humans and based on what? Issue 2: Gender Issues. So one of the reasons Lilith has caught on is because God makes man and woman "twice" and people are looking for an answer for what that means. Basically, in Genesis, the first chapter reads: So God created mankind in his own image in the image of God he created them; male and female he created them. (Genesis 1:27) However, the next chapter details Eve being "created" later after she is pulled out of Adam, either his rib or his side. So, some Christians have decided that there was simply an early woman who ran off. But I'm really caught up with the phrase "in the image of God" and "male and female" and the act of pulling Eve from Adam, splitting him. To me, this answers the question – the original Adam was male and female, in God's image. This is my preferred interpretation of the line – I think it's meaningful both to understanding gender in the Bible and to the idea of being made whole with another person; in Genesis 2:24, it reads: That is why a man leaves his father and mother and is united to his wife, and they become one flesh. It's the reuniting to become one flesh concept that really interests me. Lilith throws a wrench into this idea and turns the story into: God hated women from their inception and all humans descend from the good, submissive woman.
And, finally, ABM is mostly a Christian canon story – the Bible has an unexplained Satan, so I told a story about Satan, the Bible makes an unexplained reference to "the sons of God" in Genesis 6 (and elsewhere), so I'm telling a story about the Watchers. I always wanted the trilogy to play with canon, rather than take a step too far into occult/mythology. It's the same reason I didn't get into the hierarchy of angels (it's not biblical!) :')
Sorry for the long answer idk what came over me.
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