#Gaspar Sanz

[mrbacf]

Veja "Gaspar Sanz, Folías, Españoleta y Canarios, guitarra barroca." no YouTube

[elmartillosinmetre]

Mi crítica del concierto de Rami Alqhai y Javier Núñez anoche en el Alcázar.

[helmar-weiss]

Mobiler Musikunterricht - Rujero von Gaspar Sanz

Gaspar Sanz veröffentlichte 1674 das erste bedeutende Lehrwerk für die Barockgitarre: „Instrucción de música sobre la guitarra española y métodos de sus primeros rudimentos hasta tañer con destreza“. LEARN MORE: https://www.facebook.com/MobilerMusikunterrichtRegensburg

[workingsongbird]

The Raeda dance chapter isn't ready yet, but I did do a few drawings that show what the dance will look like. There will be a few more drawings of the dance eventually. There are so many words needed to describe these 3 simple pictures. 😅

If you want a preview of what I have based their dance on, here is a link to the youtube video of the song Canarios by Gaspar Sanz showing two people dancing. I thought this couple's dance was really cute with their toying and teasing and hopping around: https://www.youtube.com/watch?v=jh-94sxuduI&list=PLtMhS486sD8hkhzp3cjUao3FmdwSFPju8&index=2

And then I plan on having them transition to doing a medieval couple's dance known as the Saltarello. I love that they are holding hands and spinning around: https://www.youtube.com/watch?v=PWMyb1UtlzE&list=PLtMhS486sD8hkhzp3cjUao3FmdwSFPju8&index=1

[playlistsbybunny]

baroque

cello suite no. 1 in g major, bwv 1007: i.prélude - johann sebastian bach

messiah, hwv 56: part 2: hallelujah - nikolaus harnoncourt

rinaldo, hwv 7: lascia ch’io pianga - george frideric handel

sonata in d minor, k. 32 - domenico scarlatti

lamento della ninfa, sv 163: amor, amor - claudio monteverdi

terpsichore, musarum aoniarum: ballet, tma 268 - michael praetorius

adagio in g minor - tomaso albinoni

sonata for violin and basso continuo in g major, twv 41:g1: iii. adagio - georg philipp telemann

canarios - gaspar sanz

concerto in g major for cello and string orchestra, g. 480: iii. allegro - luigi boccherini

canon and gigue for three violins and continuo in d major: canon - johann pachelbel

dido and aeneas, z. 626 / act iii: when i am laid in earth dido’s lamento - henry purcell

ballet des muses, lwv 32: air. trop indiscret amour - jean-baptistse lully

violin sonata no. 2 in d major: i. presto - élisabeth jacquet de la guerre

sonata iii: v. rondeau - georg muffat

the arts and the hours - jean-philippe rameau

flute concerto in d minor, qv 5:81: ii. arioso - johann joachim quantz

mystery sonata no. 9, jesus carries the cross: i. sonata - heinrich ignaz franz von biber

pièces de viole, livre 2 - suite no.3 in d major: no. 63. les voix humaines - marin marais

ciaccona - l’arpeggiata

in furore, r. 626: i. in furore iustissimae - antonio vivaldi

tarantellas - santiago de murcia

pièces de clavecin, book 1: no. 11 le vertigo - joseph-nicolas-pancrace royer

concerto grosso in g minor, op. 6, no. 8, christmas concerto: v. allegro - arcangelo corelli

violin sonata no. 2 in a minor: v. finale - johann paul von westhoff

the well-tempered clavier, book 1, bwev 846-869: prelude no. 10 in e minor, bwv 855 - luc beauséjour

the english dancing master: kettle drum - john playford

cantata, bwv 147: jesu, joy of man’s desiring - metamorphose string orchestra

concerto in g minor - johann david heinichen

concerto in g major for oboe, strings and basso continuo: ii. adagio - giovanni benedetto platti

link: https://open.spotify.com/playlist/2uq7xN01Sh4lcO9eQsDcVY?si=ec1c8f706d934c35&pt=be02e46992b1bd12002f28bffa0c1e3c

[heritage-instrument-insurance]

A Journey Through Time: The Rich History of the Guitar

Imagine a music world without the warm tones of the guitar! Unimaginable. Right? Its seemingly endless versatility captivates audiences across genres and continents. Believe it or not, this beloved instrument has a long and winding journey behind it - a story filled with fascinating twists and turns. Through this blog, we will delve into the rich history of the guitar, and trace its evolution from ancient antecedents to the modern six-string wonder we know today. So, let the musical game begin!

Early Ancestral Instruments (3,500 BC - 13th Century AD)

The guitar's story is kind of like a family mystery! It all started around 3,500 years ago in places like Mesopotamia and Egypt. Back then, some instruments looked a bit like guitars, with frets and picks. These early instruments paved the way for what came next. Around 1500 BC, an instrument - by the name of the oud, appeared in Mesopotamia and Persia. It was a pear-shaped thing that had strings. The oud's influence traveled far and wide, eventually reaching Europe with the Moors in the 8th century AD. The Moors brought the oud to Spain, where it is believed to be a big reason why this musical device eventually came to be. Another instrument in the family tree is the European lute. This one was bigger and more complicated, popular with fancy people in the Middle Ages because of its nice sound. Lutes typically had four or more strings that came in pairs and were played with a pick, just like some features of the guitar.

The Birthplace: Medieval Spain (13th - 16th Century AD)

The guitar's family tree gets a little fuzzy in Spain, but most folks agree it's where the modern one we know was born. Back in the 1300s and 1400s, instruments called vihuelas showed up in Spain. These vihuelas looked somewhat like them. They had a curvy body like a lute's but thinner in the middle. During the 1500s, the vihuela went through a big change. It went from four sets of strings down to five, and its body shrunk a bit. This makeover led to the "guitarra española," which means "Spanish guitar" and is the direct grandma (or grandpa) of the modern classical version we have today.

The Rise of the Spanish Variant (16th - 18th Century AD)

The Spanish version became a real star across Europe in the 1500s and 1600s. Super-skilled guitarists started showing up, writing and performing difficult pieces that showed off how much more the instrument could now do. Guys like Luis Milan and Gaspar Sanz wrote tons of cool music just for solo instruments, laying the groundwork for how classical guitarists play today. Things kept changing in the 1700s and 1800s, a period called the Baroque period. Guitars with five sets of strings slowly got swapped out for the ones with six strings, which allowed for more variety in the music.

Diverging Paths: The Classical and Steel-String (19th Century AD - Present)

In the 1800s, the family started to grow in different directions. In Europe, the classical one kept getting more delicate, with players focusing on fancy fingerpicking and a smooth, mellow sound. Spanish variant makers kept tinkering with the design, eventually ending up with the modern classical thing we have today. No wonder it is a cherished piece of gear and needs the safety net of a comprehensive guitar insurance plan.

The 20th Century and Beyond: The Electric Revolution and the Global Embrace

The 1900s brought a game-changer to the world of music - the electric guitar! Invented in the early 1920s, this string was different because it had special parts called pickups. These pickups could change the tiny vibrations of the strings into electrical signals. This meant the sound could be made much louder (amplified) and even distorted, creating all kinds of new sounds. The electric one became the foundation of new music styles like rock and roll, rock, and heavy metal.

Now that you are fairly aware of the history of this string instrument, make sure to cover it with a dedicated guitar insurance policy right away, regardless of the version you own!

[joeytaxgitaar]

Van Isabel een prima opname gemaakt tijdens gitaarles in Arnhem. Zij speelt van de Spaanse barokgitarist en componist Gaspar Sanz 2 Spaanse barokgitaar solo's: Rujero (in 4/4 maat) en Paradetas(in 3/4 maat). Zijn belangrijkste werk bestaat uit drie bundels met pedagogische composities voor barokgitaar, geschreven in tabulatuur. Deze 2 stukken(dansen) komen uit "Libro segundo, de cifras sobre la guitarra española" uit 1675. Alle werken werden toentertijd in tablatuur uitgegeven. Mooi gespeeld!

[i-singularity]

Zarbanda Gaspar Sanz

[atsoukalidis]

Beautiful guitar music - Gaspar Sanz: Canarios

[elmartillosinmetre]

Mi crítica del concierto de Armonica Stanza esta noche en San Luis.

[lesser-known-composers]

Andreas Nachtsheim (Baroque Guitar) and Klaus Mader (Colascione) play "Zarabanda" by Gaspar Sanz (1640-1710) - both Instruments built by Karl Kirchmeyr (Vienna)

[streetwolf]

Listen: "You Can Be Somebody To Love" by Gaspar Sanz

Listen: “You Can Be Somebody To Love” by Gaspar Sanz

https://open.spotify.com/track/7F6sjuUWql4SLvKH8JZ5Ez?si=dc05d2cec89e4663 “You Can Be Somebody To Love” by Gaspar Sanz The Australian indie pop band Gaspar Sanz come to Wolf in a Suit once more with the hypnotizing and charming sonic gem that is “You Can Be Somebody To Love”. The track is playfully inviting and captivating as it comes together in a way that feels refreshing from the start and…

[anxai]

Listen #free in #Spotify: "Wife" by Gaspar Sanz https://ift.tt/2sbmdmI