#Gallifrey Map
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intuitive-revelations · 3 months ago
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One pretty funny thing about deeply overanalysing Doctor Who's CGI for mapping projects is starting to see the gaps where the VFX artists took shortcuts.
For example, I've previously pointed out that in the TV Movie intro, Skaro's surface is actually half a texture that's been mirrored (which was a bit irritating when trying to use that as a source):
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However turns out New Who isn't above it either!
I've been reviewing my mapping of the Lungbarrow barn/Drylands area, stiching together the surroundings from the Hell Bent location filming to try and reconcile it with the DotD version, plus some new info I discovered in the novelisation. Check out these two shots stitched together:
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Notice the clouds? When the VFX artists did the sky replacement, they clearly just used the same texture/rendering and flipped it for these two shots!
I suspect they did so elsewhere too (which can be justifiable if the camera is pointing approx. the same way and the sky is unmirrored), but it was most obvious here, with these two mirrored shots right next to each other. Obviously it's nothing awful, just a funny discovery.
By the way, if you're wondering what the full analysis looks like at the moment, since I'm probably not going to post it seperately:
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thienvaldram · 2 months ago
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Ok look I just found this from like years back and am maddened by the fact the Continent of Endless Philosophy is literally Pangaea.
Not knocking it, neat trick to create a continent shape.
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But still I can't unsee it, hazards of staring at Paleomaps often I guess
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I noticed the discussion earlier about Gallifrey and thought I’d share this little gem I found a while back. From what I know, it’s pretty accurate (or as accurate as can be possible given what there is to work with) based upon the descriptions in the books and comics and what little information the tv show has to offer. Some of it is creative licensing though.
It was found here. More updated versions of the Compendium can be found on the artist’s Deviant gallery here (but is sadly missing these pages).
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🤔🧩How do Gallifreyan Houses influence abilities and traits?
Forget the sorting hat, Gallifrey's got its own system for pigeonholing their kids. Each House shapes its members' abilities and traits through their distinct genetic Loom cores, mapping out their general talents when they're born.
Prydon Academy: Strategists and Linguists - Houses aligned with Prydon focus on developing strategic minds and language skills. Their Loom cores likely enhance brain regions for critical thinking and linguistic prowess, making them natural politicians and diplomats.
Arcal Academy: Scientists and Engineers - Arcal-affiliated Houses produce logical thinkers and scientific minds. Their genetic templates are tuned for analytical skills and technical understanding, perfect for those who love to unravel the mysteries of the universe.
Patrex Academy: Creative and Philosophical Minds - Houses from Patrex are all about creativity and deep thinking. They might have genetic enhancements for artistic abilities and telepathic skills, fostering a community of artists and philosophers.
Cerulean Academy: Environmental Guardians - Houses aligned with Cerulean nurture a connection with nature. Their Loom cores could instil empathy for ecosystems and a keen understanding of environmental sciences, creating guardians of Gallifrey's natural world.
Drome Academy: Social Advocates - Drome-focused Houses emphasise social awareness and empathy. Their genetic makeup might promote emotional intelligence and a strong sense of social justice, producing advocates for equality and democracy.
Scendeles Academy: The Versatile and Adaptive - Houses linked with Scendeles encourage a broad range of talents. Their Loom cores might be more diverse, allowing for adaptability and a wide array of skills, from innovative thinkers to practical problem-solvers.
So this leaves us with a fun reason for a poll. You might be a Hufflepuff, but ...
Gallifreyan Biology for Tuesday by GIL
More content ... →📫Got a question? | 📚Complete list of Q+A →😆Jokes |🩻Biology |🗨️Language |���️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴
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tremastersweb · 10 months ago
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(OOC: I'm putting this under a read more, bcs it's long. S o r r y the Doctor thinks a l o t)
Like Alice, the Doctor always tried to believe three impossible things before breakfast.
The first, an immovable statement in his daily practice, was that good would always pervail. The impossibility was in the word "always". Still, it kept him going - the Universe had kindness in it, in spite of the numerous heart wrenching displays of cruelty he had gotten well accustomed with in his travels. There were trillions of marvels to smile about, such as people who had lost it all, in the direst of situations, spreading hope within their little found communities with the sweetest of gestures. He had seen it countless times, in fact he had participated. A single spark could often cause a chain reaction, if people's hearts were in the right place.
Right, that's the start of a smile. He incorporated from the wooden floor he unfortunately had fallen asleep at, after who knows how many days of sleep deprivation, supporting himself on the old console. He stared at the screen, he had managed to rearrange the TARDIS' architectural configuration almost in its entirety. The radar was still somewhat unreliable, yet it informed him that everyone was alive and, in fact, in this dimension. He didn't want to risk anyone becoming trapped in time, completely disintegrating, or worse.
Loss.
He wondered what had been of the people he had met on Gallifrey, his friends, his colleagues, his family. If the war had devastated the planet in its entirety... the odds of survival were grim. He chose to believe, for his second impossibility, that, somehow, at least some of them escaped, just like Vera, that they'd be safe, that...
He took a deep breath and shook his head. He didn't need to question it, or think it too much, just believe it. If he hoped hard enough, perhaps it would come true, besides, there wasn't much he could do, not at the moment. He examined the TARDIS' status. She seemed to be feeling better, the source of this improvement was unknown to him, but her energy was evenly distributed now save for the excess in the main console room. Hopefully that meant that most of the damage had been undone, that she was not suffering anymore, but he'd only make sure once he could take a look at the main console. The Doctor hadn't heard any more drumming, so he deducted the Master must have stopped messing with them. Perhaps, only perhaps, they had helped him attend to reason... he swallowed, tension fast returning to his body. He wrote a few more lines of code, making sure the design was stable, protected, not easily disrupted by the Master, and let go of the console. He drew a map on an old sheet of paper, it would be rather tragic to get lost with the correct arrangement.
He started walking towards the main console room, the image of the Master attacking him invading his mind, then Vera, oh Vera, yes the Magister was with her, so she should be safe... He was aware of the reassuring effect his presence had on her, and that he truly, deeply cared about her. The Magister would never let her get hurt if it was in his power, and he seemed rather determined before he left. He had shown her compassion, offered her protection, and demonstrated genuine, loving amiability, qualities he had long thought gone on him, and yet...
The third impossible thing he would attempt to believe in today was that, despite it all, the Master still had this part in him, that it could be recovered if nurtured enough. That, perhaps, he could for once, truly help him.
The shy smile that had formed on his face twitched, as he struggled to believe. Not too long after, he arrived at some familiar corridors. Yes, that was A- ...That room, and the kitchen was nearby. He peeked inside, noticing a familiar silhouette.
"...Magister, is that you?"
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intuitive-revelations · 10 months ago
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Hey look it's me!
I've posted these previews before, but in case anyone wants a bit of a closer look at the detailing on the map, around the Capitol and Mount Cadon:
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⭐️ GALLIFREY POSTERS ⭐️
Today we’re highlighting these incredible A3 posters, ft. a map of central Gallifrey (designed by @intuitive-revelations) and the zine’s front and back cover art (designed by @joycieillustrations).
Get both of these beautiful posters with our Presidential Bundle, or get one randomly chosen poster with our Citadel Bundle!
Physical bundles are on sale through March 31.
ZINE SHOP
Boosty for Russian buyers
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tanadrin · 2 years ago
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Favorite words
I keep a file on my computer of my favorite words, which are usually selected for phonaesthetic reasons, or because they are semantically or grammatically interesting. This is the list as of the most recent entries (”velico” and “Ushakaron”):
Individual words
analáugns (Gothic): hidden (nom. m. sg.)
anchorhold (English): the cell of an anchorite, in which the occupant is entombed as a kind of living saint
Apocryphan (invented): from World of Warcraft; proper name, of the pre-Cataclysm location “Apocryphan’s Rest” in the Badlands zone
armōsts (Gothic): poorest (nom. m. sg.)
ashkandi /,æʃ 'kɑn di/ (invented): proper name (World of Warcraft)
bearonæss /'bæɑɹ o ,næs/ (Old English): wooded headland (from bearu, "grove")
beinahrúgu (Old Norse): bone pile (dat. of beinahrúga)
carcern (Old English): prison (from Latin)
coalesce, coalescent (English)
crepuscular (English)
darkling (English): in darkness
daroð (Old English): javelin, projectile, “dart” in the older, more expansive sense
deliquesce (English), become liquid, esp. through organic decomposition
deosil (English): variant spelling of ‘deasil,’ turnwise; from Scottish Gaelic deiseil or deiseal, meaning ‘southward, sunward, counterclockwise;’ see also "widdershins," etymologically "anti-sunwise" and therefore counterclockwise in the northern hemisphere.
effloresce, efflorescence, efflorescent (English): to burst forth into bloom, to flower; from Latin effloresco, “I blossom, I flourish”
Enakro (invented): from Warcraft III; proper name, from the name of the multiplayer map “Enakro’s Way”
Eskhandar /'ɛsk hænd ,dɑɹ/ (invented): from World of Warcraft; proper name
etiäinen (Finnish): a type of folkloric apparition
exarch (English): a Byzantine provincial governor, particularly of an exarchate like Ravenna or Africa, from Greek ἔξαρχος.
fralusanō (Gothic): lost, gone away (nom. f. weak sg.)
gevaisa (invented): a tomb of living words; term of art among wizards of the Discworld; cf. Hebrew geniza, "a storeroom containing books which cannot be used, but which nevertheless cannot be destroyed because they contain God's name"
gnist (Danish): spark; related to OE gnāst, ON gniesta, SWE gnista, OHG gneisto, MHG gneiste
hellwara (Old English): ‘of the inhabitants of hell’ (gen. pl. of f. hellwaru or m. hellwaran)
hnasqus (Gothic): soft; cognate of OE hnesce, “soft,” ModE. dialectical nesh “wimpish, weak”
idaltu (Saho-Afar): elder, firstborn; cf. Homo sapiens idaltu, the (obsolete) classification of the “Herto man” specimen, human remains of about 150,000 years of age discovered in the Afar triangle, which were some of the oldest modern human remains known at the time of their description.
idreigonds (Gothic): repentant (nom. m. sg.)
iktsuarpok (English): the feeling of anticipation waiting for someone to arrive, often leading to repeatedly going outside to check for them; from Inuktitut ᐃᒃᑦᓱᐊᕐᐳᒃ itsoarpok, “goes outside repeatedly to check if a visitor has arrived yet.”
incunabulum (English): an early printed book; something in its infant stages; from Latin incunabula, ‘swaddling clothes, cradle, birthplace.” The change in ending is a result of the medieval form incunabulum, which was a singular back-formation of a noun previously found only in the plural.
incus (Latin): "anvil"
inwitwrāsen (Old English): ‘chain of deceit’
Iolanthe (Greek): proper name meaning ‘flower of the violet’
irgendwo (German): somewhere, anywhere
κακοΐλιον (Ancient Greek): proper name (‘Kakoilion’); dysphemism for Troy; compound of κᾰκός, “bad, vile, evil,” and Ἴλιον, “Ilion/Troy/Wilusa.” Translated variously as "evil Ilios" (A.T. Murray) or "Destroy" (Fagles, pun very much intended); a poetic hapax legomenon in Homer's Odyssey, used by Penelope for Troy.
kasterborous /kæs 'tɝɹ bɔɹ oʊs/ (invented): proper name of the constellation in Doctor Who containing Gallifrey; possibly Gallifreyan
lhammas (invented): the Elvish (Quenya?) name of a work of fictional sociolinguistics by J.R.R. Tolkien outlining the relationship of the languages of Middle Earth, later superseded; borrowed as a term for "a scheme of invented languages; the historical and aesthetic plan of languages in a constructed world; such scheme in the abstract, or a document laying out such a scheme"
lint (invented): quick, clever; possibly coined by Tolkien, and of no particular language; it formed the root of such words in several constructed languages of his that were unrelated, simply because he liked the sound-meaning relationship
listopad (Polish): November; literally, “leaf-fall”
mæw (Old English): seagull
mamihlapinatapai (Yaghan): glossed as ‘a look shared by two people wishing the other would initiate something that they both desire but which neither wants to begin.’ The word is a regular derivation from ihlvpi, “to feel awkward, to be at a loss,’ with various grammatical affixes of voice, aspect, and so forth, and might be more accurately translated as ‘to make each other both feel awkward.’
narthex (English): antechamber or entrance area of some Christian churches; from Greek νάρθηξ, “giant fennel, box for ointments”
neorxnawang (Old English): ‘field of heaven’
opalescent (English): iridescent in a manner resembling opal
orcnaw (Old English): evident
razda (Gothic): voice
reordberend (Old English): ‘voice-bearer,’ i.e., a poetic word for a human being
ríastrad (Irish): battle frenzy, berserker rage, warp spasm
ruinenlust (German): literally ‘desire for ruins;’ yearning for the past evoked by ruins
Saoshyant /'saʊ ,ʃyənt/ (English): eschatological figure of Zoroastrian scripture and tradition who brings about the final renovation of the universe, the Frashokereti. From Avestan 𐬯𐬀𐬊𐬳𐬌𐬌𐬀𐬧𐬝 saoš́iiaṇt̰.
Sargasso (English): proper name applied to a region of the western Atlantic; from Portuguese sargaço, of unknown ultimate origin)
searonet (Old English): web of guile, web of cunning
Sumer (English): proper name, from Akkadian Šumeru, of uncertain origin but potentially related to Hebrew שִׁנְעָר Shin’ar, Egyptian sꜣngꜣr , and Hittite Shanhar(a), all meaning “southern Mesopotamia;” has also been linked to the Sumerian endonym 𒊕𒈪𒂵 sag̃-gig-ga, “black-headed people, the Sumerians”
talast (Old English): 2nd person singular present active indicative: thou reckonest, thou dost consider
tīrfæst (Old English): glorious
tramountayne (Middle English fr. Latin via Italian): the north; the north wind; the north star (rare) (from Latin transmontanus)
Tuscarora (English): proper name of a Native American people, from Skarure skarū’ren’, “hemp gatherers.”
Tyree (English): found as a personal name and surname (cf. Mount Tyree in Antarctica, named for a U.S. Navy rear admiral); name of a fictional planet in Star Trek: Deep Space Nine; from Tiree (Scottish Gaelic Tiriodh), the most westerly island of the Inner Hebrides.
Ushakaron (English): proper name of a star; according to unsourced claims, the triple star ξ Tauri, possibly from the Akkadian word for “avenger”
velico (Italian): sailing
westengryre (Old English): ‘terrors of the wasteland, terrors of the desert’
whyssyne (Middle English): cushion
wodwo (Middle English): woodwose, a wild man of the woods
þancoi (Old English): thoughtful
þystro (Old English): darkness (nom./acc. strong n. pl.)
Phrases or expressions
uncleftish beholding ("Uncleftish Beholding," by Poul Anderson, English): "atomic theory" as calqued into solely Germanic roots
proclarush taonas (Stargate SG-1, supposed ‘Ancient’ language): "Taonas, lost in fire"
varg í véum (Vǫlsunga Saga, Old Norse) "a wolf in holy places," i.e., an outlaw (equivalent to skógarmaðr)
wære fræton (Exodus, Old English): "they ate the treaty," i.e., they broke it
hapax legomenon (from Greek ἅπαξ λεγόμενον): a word which occurs only once in a manuscript or particular textual corpus
táiknái andsakanái (Gothic, Luke 2:34), “disputed sign,” cf. KJV, “a sign which will be contradicted.”
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wolfblood-of-anubis · 1 year ago
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HOA Among Us Gameplay
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Seasons Greetings! Are you a House of Anubis fan? Do you find yourself wanting a chance to experience being the characters themselves? Did you play the Among Us game at some point in your life? Do you want to unite with your fellow HOA fans and accuse them of murder?
Well, this is the place for you!
Listen, as Sibuna followers we’re on top of anything spooky and creepy. Let’s put ourselves to the test and have a nice gameplay of Among Us. Maybe three rounds, maybe more depending how we’re feeling after.
We play as characters, try to be in character for as long as possible. If you’re Fabian or Nina, be super sleuthy. If you’re Patricia never stop accusing people or causing fights. If you’re Jerome… you’re probably the impostor.
When?
On December 27th, on 5PM AST (time is a default and available to change if contacted) we shall connect and play a rousing game of Among Us, dress up and name ourselves after our chosen HOA character and figure out the two imposters among us. You heard that right, folks! Two imposters.
I will be posting the game entry code 10 minutes before we begin so everyone can get settled.
Which Among Us map will we explore?
Map will be The Airship (it has a very Anubis House vibe to it). But since it’s also larger than most, I suggest practice playing it solo. For more information, please DM me and I can teach you how. If not, the map can always go back to the original setting: The Skeld.
Now, who are you going to be?
There are 15 slots for a full Among Us gameplay and if we have more than 15 people interested, I suggest to repeat the activity with the others the next day on Dec. 23rd. Anyone interested in replaying can do so as well if there are slots available for the next day.
Until then, the characters provided are listed below. Please write in the replies if you are interested and which character you would like to play as! Remember that this is a commitment for December 22nd!
characters not available will be crossed off
Nina Martin - @incorrectsibunaquotes
Fabian Rutter - @fakeosirian
Patricia Williamson
Amber Millington - @find-y0ur-j0y
Alfie Lewis - @wolfblood-of-anubis
Jerome Clarke
Joy Mercer - @katexxr
Eddie Miller
KT Rush
Mara Jaffray
Willow Jenks
Mick Campbell
Trudy Rehmann
Victor Rodenmarr Jr.
Whoever picks this spot gets to choose from the rest of the many side characters/recurring characters over the years. Examples include but not limited to:
Poppy
Piper
Rufus
Sarah
Vera
Mr. Sweet
Mrs. Andrews
Benji
Evil RFS
Caroline Denby
Harriet Denby
Letdown
Chat option ideas:
- we can stick to the Among Us chat box
- or we can make a Discord call and all chat on it during voting and emergency meetings. Another fun thing about Discord is you can just type your message rather than speak if you don’t want to.
let’s explore the chaos of anubis house, shall we?
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also, big thanks to @yackers for the hoa gifs, excellent as always!
@find-y0ur-j0y @frobisher-smythe @frobitcher-smythe @incorrectsibunaquotes @thechosenanubis @fakeosirian @joysmercer @joymercerssecretgf @tess-or-no @lialovesstuff @katexxr @dreaming-of-galaxies-and-stars @whispers-of-gallifrey @inseacure-possum @thereofrin @almostlikequake @sibunaaanubis @sibunator
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ssaalexblake · 6 months ago
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weird take, but a a bunch of comments abt 13 make it clear that some people are confusing a consequence of the Point of the stories as the central focus of the plot, rather than recognising that that is not the point at all?
Like, the onus of the plot was Not reaching a goal where Gallifrey is nuked. Gallifrey being nuked was not the Aim of the plot or the sum goal of the writing, it was a consequence of it. The timeless child story did not exist as a justification to blow up the citadel when the master had too many feelings. The point isn't the nuking, it's the feelings that led to him doing it in the first place.
He is not the central point of that plot, 13 is, but if we're discussing Him then the point is his feelings and the ethics of the history of Gallifrey (and societies that we can draw parallels with from this story. So like. Our society), not the violence that stemmed from them, the violence is merely a consequence. The point is to examine the reaction in context, What about finding that out disturbed him so much that it drove him to do all those things? What was so terrible about it that drove him to genocide (... they're not the hardest person in the universe to drive to genocide, but it's still extreme as a reaction.)
It's like with Nine. Him nuking Gallifrey was a consequence of Other factors that are incredibly important in examining his motives and the plot. The destruction was a narrative coming to a horrible, terrible conclusion. But was gallifrey being wiped off the map the goal of the plot that was just made up as a reason to get rid of it, or was it an examination of trauma and ethics (or lack thereof) in a war of collateral damage? And many other things, as well.
I guess my point is. Gallifrey being blown to hell was not the sum of that plot and that's Not the important part, at all. In either example above, really.
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variousqueerthings · 1 year ago
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Just the old favourites...
AND IT'S THE DAY OF THE DOCTOR! there's four "of the doctor" titles in a row at the end of this, which I will forgive, because the specials back in what 2008? 2009? were also basically about the Doctor, and this is the end of Eleven's era (one episode left after this and we meet Twelve!!!) so yeah, go on, make it a bit Doctor-centric I gueeeess (but maybe a little less?)
anyway, how do we do with the whole... Doctor thing?
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 6/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 3/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 5/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 10/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 4/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 2/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 5/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 4/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 5/10
Politics (how conservative is the story): 3/10
FULL RATING: 48/100 (if I can count….)
it's got... some points. I am a big fan of Gallifrey being back on the map! I am really into the final bit from Tom Baker appearing until the last little speech. but I don't think most of this hangs together as a coherent narrative, as such. let us peruse
OBJECTIFICATION: considering how many female characters are in this episode, Osgood, Clara, Kate Stewart, Bad Wolf Interface, and Queen Elizabeth, it does remarkably well for a M*ffat penned episode. however. you can guess who suffers a bit -- surprisingly not as much as I'd remember: It's Queen Liz of course (although actually her issues come up more related to this eras ongoing Stuff around authority, and how she interacts with the Doctor)
Elizabeth, you see, is in Looooove with the Doctor, which is the thing that's going to be the single most annoying pervasive plotpoint in RTD's era. she's kind of ditzy about it, even though she's actually capable elsewhere in the episode, and she's introduced in this sort of romantic outing with the Doctor (who's doing it to out her as an alien, which she isn't)
it's not the worst, considering how this character has been described throughout nu!who, but it's also very eye-rollery
BUT WAIT! there's also the Bad Wolf Interface, played by Billie Piper, whom I'd technically be happy to see, and who does pretty well with what she's given, but...
The War Doctor, burning his hand: The interface, it’s hot Bad Wolf Interface: Well I do my best
this isn't massive, I know I know. and technically this is neither Rose nor The Bad Wolf, however... never were these characters portrayed doing this kind of dialogue. the Bad Wolf is kind of a manic pixie dream girl at times, and it irks a bit. it's not massive. but it irks.
PLOT-POINT: Clara is doing plot shit, and not much else. Queen Liz is a joke B-plot point really. Kate Stewart, noooow ok she's got some opinions on things, some things I want to circle back to, but not on this point (but the main gist is, to what extent is Kate Stewart actually an antagonist). Osgood, I'd say, comes out of this the best, she's got a neat little arc with her Zygon self, which I believe carries on into later episodes
and then there's the Bad Wolf/Moment. I quite like the Moment, actually. I think the Moment as a being + a weapon is interesting. Dunno if that much is done with it on the whole (but that's the next point down). I acknowledge that because the Interface has the face of Rose Tyler/The Bad Wolf, I'm treating it like a female character, which may be flawed thinking, but fuckit, onwards, the Moment is a plot device/Macguffin type, because the Moment has no motivations, it just is, and was introduced in this episode in order to give an object around which the Doctor could make choices. and happens to look like the Bad Wolf, but strangely even that doesn't really matter (we'll get to that)
COMPLEXITY: sOOOooo this plot is kind of a series of best-ofs smooshed together. remember the Queen Liz jokes? well, here's the story behind that. remember the fez? Allons-y, Geronimo, making fun of appearances and quirks, check check, Tom Baker (being fabulous), Billie Piper, and... it's a 50th anniversary, it's fine, I get it, but I wish it wasn't so "this happens and then this happens because this is what we need to happen and then this happens..."
and I do like the ending, even though getting to it is very messy
I kind of wish a few elements had been stripped back or entirely away, so one could zero in on some emotional depth, because while there are some great moments (Ten being the Doctor who's always counting deaths, and Eleven being the Doctor who refuses to look at them is a highlight), it moves too fast for you to breathe and take a lot of it in
take, the Moment as Bad Wolf, love it, and they do timey-wimey handwavey you'll forget all of this, so it doesn't totally fuck around with Rose just being an ordinary girl that the Doctor met, but there's this bit where The War Doctor says "oh bad wolf girl I could kiss you!" and she says something to the effect of "you're going to" and Ten goes something like "I'm sorry did you say Bad Wolf!????"... and then we move on
not that this is Ten's episode, but you brought back Billie Piper and not a single little emotional beat of Ten realising that the Bad Wolf in some way is still looking out for them (or hell, Eleven having that beat too, it's not like they're not the same character)
the Time War is the big sufferer of this though. I know it's described in books in a truly terrifying time-fucked-up Eldritch Gods type way, and what we get is a handful of scenes of explosions and screaming citizens (are they Time Lords or just locals? I don't know enough lore to know the details on how many were Time Lords), and this recurring shot of laughing kids around a maypole. what's with the maypole, idk, it's like a symbol for childhood innocence or something in this
if it had made a choice to not actually show details of the Time War, for example, a lot of that could have been left to the imagination and there could have been a different - more affecting - way of portraying the Doctor's Choice. I'm a big fan of the counting the dead as concept, for example, it says something about both Ten and Eleven
also not sold on every single Doctor suddenly beaming away Gallifrey, it's doing a lot of heavy lifting without much explanation about why it should work. a lot of rushedness to get to one single point
CHARACTERS/LORE/PLOT: ohhh well this is the gamechanger for the plot, the shift in gears. no longer a story about someone who carries the guilt of an entire dead civilisation, it's now the story of someone trying to find their way home
it's very much a Doctor story, the Doctor interacting with the Doctor
however there is also UNIT. we've reintroduced UNIT this season with Kate Stewart (daughter of Lethbridge-Stewart), and a "science first" approach. IIIII am not so sure about it all, considering she was ready to Blow Up London, and yeah, that was halted for a second, but for now there's been no follow-up on that first intention
since I'm watching Classic!Who next to it, I notice that the Third Doctor isn't working with UNIT so much as he needs to be there, because there's nowhere else to go, and is frequently trying to curb their worst instinct, and the Brigadier is frequently the face of conservative reactions to the unknown. the Doctor at this point likes him (and also insults him), and I'm sure they'll be going through some relationship stuff in the future
but crucially UNIT's a delicate balance, and maybe kiiiind of in this iteration to, considering Kate Stewart's "blowing shit up" plan. I'm kind of wary of UNIT as uncomplicated good guys, which they weren't at that point, and could be delved into much more. also UNIT feels very... British, in a colonialist sense. there's discomfort there
COMPANIONS MATTER: Clara helps them out a couple of times, but she takes a backseat in this one, untiiiil she basically drives the moment to change Time War History. I feel so bad for her as actress playing a character, because we're given so little, but she's presented as 1. knowing all of Doctor history due to being in their timestream and being "born to save him" and 2. saving Gallifrey from destruction by talking the Doctor out of it???? it's so left-field and not really connected to who she is in the narrative (that is, the narrative struggles to place her in it unless it suddenly needs her). I really like Clara, I don't like what the narrative does with her
“GODLIKE” DOCTOR: this has soooooo much handwavey "the Doctor does stuff because the Doctor can," and in a way it's something I'm like "fine because I also want that narrative of returning to Gallifrey and everything that comes with it" but... I do think there's a version of this story that could have done more to complicate the Doctor, but of course that's a lot to ask of a M*ffat type of Doctor Who
the depictions of Time Lord society are also... look I just don't think M*ffat knows how to do epic particularly well. he tries and it's mostly a bit silly. lot of talking and "trust me this is so cool"
PREVIOUS DOCTOR WHO: oof, this one is... hard to parse. some of this is great. some of this annoys the hell out of me, it really depends on where you land on super special girl of all time the Doctor <- when portrayed as such -- I personally wish that something would complicate this story a little bit, and not just pull classic!who back in order to recontextualise it for new canon that I'm not sure is good enough for it
I really liked the Tom Baker cameo, but I just am not a fan of making previous Doctor Who actually about this Doctor Who. it's a thin thin line to cross over, and not one that can be done by smashing it with a hammer, and M*ffat is a hammer-smasher
that being said that last speech, with all the Doctors, big fan!
ALSO they played both Rose's theme and Martha's for some reason. why would you do me like this???!
“SEXINESS”: well, you know what everyone really missed with Ten? it was a woman grabbing his face and kissing him without his consent, because it's very funny and he's clearly uncomfortable. this happens Three times with the same character (queen Elizabeth)
also a bunch of hints from Eleven at Ten that this is all so very sexy and the like bla bla
there's also a screwdriver-comparing dick joke between Ten and Eleven.... Ten I'm sorry you would never!
INTERNAL WORLD: eehhh bit all over the place, but not as much as has been in M*ffat stuff before, which may just be that most of it has been set up before. there's UNIT, there's the Time War/Gallifrey (if very simplistically portrayed), and Elizabethan Timez. could be worse, could be better
POLITICS: Someone! Take! Authority! Figures! Away! From! Doctor! Who! by this I mean the continued glorification of Monarchy and Churchill and military we've had throughout this era, fuckn stop!
make these stories about people that matter! I note in this episode how little of it focuses on people doing shit, and is just about so-called Important People Doing Shit. the most we get to an ordinary person with real stakes in this is Osgood, who is also UNIT (and has Kate Stewart's phone no-less). yes Clara is... there, but she's there to witness the important shit
it takes the Doctor away from the sphere where we actually relate to them, and into the "actually I only worry about the hobnobs and the important things, the little picture the little person is not the Point"
I think that's what this episode suffers from the most. it's floating away in a balloon with nary a character, setting, or Theme to properly ground it, with the exception of that final bit: "At last I know where I’m going, where I’ve always been going. Home, the long way around."
FULL RATING: 48/100 (if I can count….)
and here we are, one episode from the end of Eleven's era, and it's an average M*ffat rating. bit of a mess, but with an actual good teaser at the end there for once!
I like Osgood, think UNIT has the promise to be compelling if handled correctly, and of course I'm into the Classic!Doctors fanservice. I think Ten is written somewhat to the left of actual Ten, there's some bullshit political stuff as a continuation from M*ffat's bullshit political stuff, and the Time War is presented as a bit... simple on the whole
gosh I didn't even mention John Hurt??? JOHN HURT!!!!! he's really good actually, he sells the weariness excellently and brings the Doctor down a peg from All Awe-Inspiring Heroic Being to just some guy in a bad position. John Hurt also had two of my favourite lines, first mistaking Ten and Eleven for companions (they get younger all the time lol) and then when realising they're the Doctor: "You’re my future selves? Am I having a midlife crisis?"
the interaction between the three Doctors is often very good. Eleven about Ten's Tardis: "It’s his grunge phase. He grows out of it"
ANYWAY
we're nearly there folks!
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intuitive-revelations · 11 months ago
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Hey! So, following up on that last post, remember that Tolkien-style "Map of Central Gallifrey" I've posted in the past, mapping out the Capitol and Prydonia carefully based on analysing CGI screenshots, expanded universe quotes, extrapolating from tiny details etc.?
I made an updated and expanded version! It'll be available in @galliversary: "Pride and Politics" as a two-page spread within the zine, as well as a full print!
Along with some updates based on new sources (eg. DW: Flux), the map features new locations from the Gallifrey audio series like the Camp of the True Lords (Annihilation), the Anomaly Vault (Fractures), even House Witforge (Transference).
The new map also expands the mapped region to include more of Mancipia and the Lune Forest, as well as bits of Gin-Seng and Fettaris, along with an extra mini world map! This was similarly pulled together from all sorts of sources, ranging from Day of the Doctor CGI breakdowns, to the Seasons of War anthologies, to Eighth Doctor Time War audios, to that one book page in Good Omens.
Make sure to check it out! Preorders open in March.
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radio-ghost-cooks · 1 year ago
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hhhhhh tensimm brainrot
a drabble about an au i just cooked up where 10 doesn't regen at the end of eot and gets to live a little longer
tags: implied/referenced abuse, blood mention, the time lords are massive assholes, post eot, the drums, 10th doctor, simm!master, tensimm, thoschei, their little head bonk, ten is so in love, touch starved Master (kinda), so much hurt/comfort, author wants to hug the Master, academy era names, he/it Master, they/them Doctor
they could hear it. for the first time in a very long time, the Doctor heard the Drums. they didn't know how. they didn't know why. but they had a sneaking suspicion that it meant the Master was in danger. and despite it all, despite the constant running and fighting and betrayal and animosity, they couldn't leave the light of their life in danger. they managed to break their way into the Void. into the empty nothingness that now housed Gallifrey. it took a long time of fidding with the heart of the Tardis, but they did it. the closer they got to their old home, the louder and clearer the din in their mind became. a rapid beat of 1-2-3-4, 1-2-3-4, 1-2-3-4. faster than before. weaker.
it took a very long time to find the Master, but when they did, they nearly broke down sobbing. there lay the Master, their Koschei, facedown in the dirt, the foot of some Time Lord planted on the side of his face, old dried blood on his hoodie being overtaken by fresh wounds. insult and injury. a reminder of how the other Time Lords thought of him and the Doctor. this must be their punishment for killing Rassilon, for the old Lord President was nowhere to be found. good. he deserved it, for what he did to Koschei. but Koschei was still shoved into the dirt.
it took a lot of running, bargaining, and knock-outing, but finally, they scooped the Master into their arms and made a mad dash back to safety. far away from Gallifrey. the poor Master, their poor Koschei, was completely exhausted. its back was a map of scars and bruises. its front didn't fare much better. imagine the Doctor's surprise when, as they gently ran their hand down its side, it purred and pressed into it desperately despite being seemingly unconscious.
the Doctor carried him to their bedroom, which the Tardis had made some slight alterations to. the bed was larger, big enough to accommodate both of them. sitting by the foot of it was a pile of clothes; an exact match to the Master's current outfit (minus the blood, obviously).
by that point, the Master had woken up slightly, his eyes finally peeling open and making a little noise of confusion.
"Mmmh?" the Doctor looked down at the Master and smiled softly, a hint of sadness in their eyes. "hullo, Koschei," they hummed, sitting down on the edge of the bed. the Master paused. "you came," he whispered, not daring to believe what was going on. "you called."
the Master would have broken down sobbing if he had the energy. they heard him. they heard the Drums and came for him. he nearly destroyed time itself and yet Theta Sigma still came. he buried himself into their chest, reeling at the sensation of touch that wasn't meant to harm him. he purred a little louder, now the only sound either of them could hear.
"Theta," he whimpered, with tears in his eyes, "Theta, I'm sorry. I don't deserve this. I don't deserve you. all I've ever done is put you in danger. I'm so sorry-" "Oi." Theta hugged Koschei closer to them, bringing one hand to its cheek and pressing their foreheads together. "I forgive you. all anyone's ever done is hurt you. s' not your fault."
Theta cradled Koschei in their arms, rocking ever so slightly as tears rolled down his face. but he was happy. happy tears. because for once in their bloody lives, everything felt okay. they were going to be okay.
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What subjects are actually taught at the academy? I've heard of recreational mathematics, thermodynamics, and touch telepathy, but what other courses are there?
What subjects do young Gallifreyans and Time Lords learn?
For once, we can be very very detailed about this!
🔬 Fundamental and Advanced Sciences
Quantum Mechanics: Introduced early in Gallifreyan education, this subject uses multidimensional geometry to solve complex problems, exploring the interplay between abstract concepts and physical realities.
Thermodynamics: This subject explores the principles of energy conversion between heat and other forms of energy, crucial for understanding the energetic dynamics of time-travel technology.
Cybernetics: Focuses on the study and construction of systems with regulatory functions, integrating technological and biological processes for the creation and maintenance of cybernetic beings and advanced machinery.
Matrix Diagnostics: Covers the techniques and tools used for diagnosing and maintaining the Matrix, a vast repository of Time Lord knowledge and consciousness.
⏲️ Specialised Temporal Studies
Basic Temporal Theory: Introduces the concepts of time and its properties, laying the groundwork for more advanced temporal manipulation studies.
Advanced Temporal Theory: Offered to students with intellectual perseverance, diving deeper into complex temporal phenomena and manipulation techniques.
Temporal Engineering: Encompasses engineering principles to temporal mechanics, essential for practical time manipulation.
TT Capsule Construction and Design: Focuses on the design and construction techniques specific to Time Travel Capsules, integrating advanced dimensional engineering and Veteran and Vintage Timeships.
TT Capsule Operation and Maintenance: Includes Space-Time Navigation, covering the operational aspects and routine maintenance of TARDISes.
Engineering Theory: The study of spaceship construction in general from different cultures.
Stellar Engineering and Cosmic Science: Deals with the manipulation and understanding of cosmic phenomena.
Dimensional Science: Studies the properties and manipulation of various dimensions beyond the standard three-dimensional space.
Dimensional Engineering: Applies engineering principles to manipulate and control various dimensions for practical uses.
Spatial Cartography: Teaches the mapping of space and the intricate layers of multiple dimensions.
Temporal Protocol and The Laws of Time: Ensures that all actions taken by Time Lords are in accordance with Gallifreyan law and temporal ethics.
Temporal Classics: Studies classic temporal theories and their applications through history.
🧠 Psychic and Telepathic Disciplines
Touch Telepathy: Teaches advanced communication techniques using innate psychic abilities.
Telepathic Defence: Includes mind-shielding techniques to protect students from psychic intrusions.
Psychic Field Manipulation: Standard training that covers manipulating one's psychic environment, including the science of Temporal Stasis.
🎨 Arts and General Studies
Super-logic: A complex form of logic used to solve problems that are beyond traditional logical frameworks.
Recreational Mathematics: This probably includes the study of happy prime numbers and other 'fun' maths (is there such a thing?), blending leisure with learning.
Art: Covers various forms of Gallifreyan art, including the creation and study of stasis cube art.
Gallifreyan History: Covers Gallifrey's past, including studying cosmic influences like those of the Assyrians.
Future History: Involves the study of fixed points in history, such as the Cro-magnon period on Earth.
Vector Justice: Teaches the principles of fairness and justice as practised by the ancient organisation known as the Vectors.
Botany and Biology: This field covers the study of Gallifreyan and alien plant and animal life, incorporating advanced biophysical studies.
Medicine: Includes tri-bio-physics and other medical sciences.
Languages: Teaches the linguistic skills necessary to communicate across thousands of different languages.
Music: Explores musical theory and practice, including the traditional harp lessons.
Detachment and Physical Inactivity: Focuses on mental and physical disciplines required to maintain objectivity and calm in all situations.
📚 The Culture of Learning
The Academy isn't just about academic achievement but also about instilling a deep-seated ethos of service and responsibility towards time and the wider universe. It's complemented by:
The Codex of Disciplines: A guide to the ethical and practical aspects of time travel and interaction with both time and the multitude of species across the universe.
Competitive and Collaborative Learning: From zero-gravity hyperball teams to Academy Sprint Championships, Time Lords are encouraged to excel in both individual and team endeavours.
Related:
How is sexual education taught on Gallifrey?: How Time Tots might get taught about sex.
What happens with 'gifted kids' on Gallifrey?: How Gallifrey deals with particularly talented children.
Do Gallifreyan children have toys?: Describing the very limited supply of toys for kids on Gallifrey.
Hope that helped! 😃
More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →😆Jokes |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴
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synthient · 5 months ago
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I think this show is actually doing some pretty interesting things with the way that Missy's genderswap recontextualizes our understanding of the doctor/master relationship.
The Doctor's reactions to saxon-master and Missy are pretty much the same. But the way he treats the Master as having a certain intrinsic vulnerable/sympathetic quality, no matter how many atrocities they commit, maps more intuitively onto our cultural conceptions of white womanhood. And so does the automatic guilt he seems to feel for fighting back against the Master at all ("hitting a woman"). If both of them seem to believe that the Doctor was the one who originally wronged the Master, then that feels more plausible as a "who was probably the wronged party in this man and woman's messy breakup" calculation. And if we feel a certain measure of "okay, it is a little girlboss slay when she vaporizes people," then maybe the Doctor does too - implying that maybe the Master wasn't the most enfranchised person on gallifrey (though we don't seem to have a particularly clear sense of why, beyond maybe that bit of ableism/sanism from the president). Maybe there's some sort of unspoken alien power dynamic between them that we can't quite comprehend, but for which gender makes a convenient enough metaphor
Though it does also feel plenty plausible that time lords just Have Sexism Despite It All, and they've just always both kind of related to the Master as the "girl in the relationship"
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alyona11 · 1 year ago
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Just a thought but I kinda like this idea, but would anyone be interested in drawing Gallifrey MAP for the anniversary? For the song I thought about The Oh Hello's Grow.
For context, MAP is like a collective animatic/animation video where different artists draw different parts of the song.
I'm not saying it's happening but I'm kinda interested how many people would like to get involved in theory.
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freyfall · 1 year ago
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I have come across an old warrior cats MAP and am wondering if artist:gallifreyanpariah is you? The artstyle is rather different but the video is almost 8 years old.
It's the All-Star-Smash Mouth starkit's prophecy MAP.
nope lol that's not me. "gallifrey" is a planet from doctor who, hence "gallifreyan" as a reference to doctor who in my original username (I've only used gallifreyanchild and gallifreyanpal). I don't have sole ownership of that name lmao
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the-better-phoenix256 · 1 year ago
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Ruby: So where do you come from?
15: Gallifrey. Or, at least, that's where I was raised.
Ruby, pulling up Google maps: Whereabouts in Scotland is that?
i know we won't but GOD i hope he never tells her he's an alien i hope we have a whole series of ruby thinking he's just a time travelling human until he gets hurt and is like ohhhhhh ruby love can you check my pulses and she's like check your fucking what now
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