whatawanderfulworld

[antennatoheaven]

[susiephone]

*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.

[chloesimaginationthings]

Man this scene in FNAF 2 movie is gonna be wild-

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[title]

Lily Gladstone as Jax Fancy Dance (2023), directed by Erica Tremblay

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)

[words-writ-in-starlight]

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

[starapture]

[nic-coughlan]

three tickets to the barbie movie pls

[oneweek]

modern media literacy is so cooked like what do you mean you gave saltburn a .5 star rating because it wasn’t the class consciousness film you wanted that’s not what the fucking movie is about… ‘they made it hard to keep rooting for him and identifying with him’ idk maybe don’t project onto every character in media you come across & then get scared when they act in a way you wouldn’t

[jjadmanii]

film adaptations are all fun and games until ppl start watching the movie without reading the book,,then it just becomes the 10th circle of dante’s hell

[jackietaylorstan]

Can we PLEASE talk about the detail in the movie about how Snow’s dad died in the woods around District 12, because it’s making me insane. I think it was Dr Gaul who said something like he’s “lost in the trees” and I’m absolutely losing my mind over the layers of influence that moment in the forest had on Coryo.

Crassus Snow was lost in the woods of District 12 and was found again within his son. Because it was that moment of finding the guns and going after Lucy Gray that turned Coryo into his father. Where he rejected his mother’s goodness and the life he could’ve had with Lucy Gray and chose to carry out the legacy his father started with the hunger games. Snow lands on top.

[bridoesotherjunk]

Tell me I'm wrong.

[thedgeofsleep]

SPRINGTRAP / SPRINGBONNIE in FIVE NIGHTS AT FREDDY'S (2023) dir. Emma Tammi.

[ordicanary]

Grief