#Future of podcasts

[maxlearnmicrolearningplatform]

The Second Golden Age of Audio: The Rise of Podcasts

Podcasts might bring to mind the nostalgia of yesteryear’s radio, but they have undeniably ushered in what many are calling the second golden age of audio. Since their inception, podcasts have evolved from niche hobbyist projects to mainstream media platforms, capturing the imaginations of millions. This surge in popularity, particularly noticeable after 2014, can be attributed to the rapid advancements in technology and the pervasive reach of the Internet. Today, people of all ages and from all corners of the globe are hooked on podcasts, finding them a convenient and engaging way to seek information, entertainment, and education.

The Evolution of Podcasts

The term "podcast" was coined in 2004, blending "iPod" and "broadcast." However, it wasn't until the technological advancements of the mid-2010s that podcasts truly began to flourish. The proliferation of smartphones, improvements in mobile internet speeds, and the development of user-friendly podcast apps contributed significantly to this boom.

Laptops and Mobile Phones: These devices have become the primary means through which people consume podcasts. With the advent of more powerful and affordable smartphones, access to podcasts became more widespread. Users can now listen to their favorite shows on the go, whether during a commute, workout, or while doing household chores.

Apps and Streaming Services: The rise of platforms like Apple Podcasts, Spotify, Google Podcasts, and other dedicated podcast apps has made discovering and subscribing to podcasts easier than ever. These platforms offer user-friendly interfaces, personalized recommendations, and seamless integration with other media services.

Other Technologies: Smart speakers and voice-activated assistants, such as Amazon’s Alexa and Google Home, have further expanded the accessibility of podcasts. These devices allow users to play episodes with simple voice commands, integrating podcasts into their daily routines effortlessly.

The Growing Popularity of Podcasts

As technology made podcasts more accessible, people's habits and preferences began to shift. The Internet's ubiquitous presence has fundamentally changed how we seek and consume information. Here are some factors contributing to the exponential rise in podcast popularity:

Convenience and Flexibility: Podcasts offer unparalleled convenience. Unlike traditional radio or TV, podcasts can be accessed anytime, anywhere. Listeners can choose from a vast array of topics and genres, fitting their consumption around their own schedules. This flexibility has made podcasts a favorite medium for multitaskers.

Diverse Content: The podcasting world is incredibly diverse. There are shows covering virtually every topic imaginable, from true crime and history to science fiction and self-improvement. This diversity caters to a wide range of interests, ensuring there is something for everyone.

Engagement and Connection: Podcasts create a unique sense of intimacy and connection between hosts and listeners. The audio format allows for personal storytelling and in-depth discussions, fostering a sense of familiarity and trust. This engagement is often more profound than what other media formats can offer.

Educational Value: Many podcasts provide educational content, making learning accessible and enjoyable. From language learning podcasts to deep dives into academic subjects, podcasts have become a valuable tool for lifelong learning.

Community Building: Podcasts often build dedicated communities of listeners who share common interests. This sense of community is reinforced through social media interactions, live events, and listener participation segments, further enhancing the podcast experience.

The Impact of Podcasts on Information Seeking Habits

The rise of podcasts has significantly influenced how people seek information and entertainment. Here are some key ways in which podcasts have reshaped these habits:

On-Demand Information: The on-demand nature of podcasts aligns with modern information-seeking habits. People are no longer bound by broadcast schedules; they can access the information they want, when they want it. This immediacy has changed expectations for content consumption.

Multitasking: Podcasts have become the go-to medium for multitaskers. Whether driving, exercising, or cooking, people can absorb content while engaged in other activities. This ability to multitask has expanded the time available for learning and entertainment.

Personalization: Podcast platforms use algorithms to recommend shows based on listening history, making it easier for users to discover new content tailored to their preferences. This personalization enhances the user experience and encourages continued engagement.

Depth and Detail: Unlike traditional media, podcasts often delve deep into subjects, providing detailed analysis and long-form discussions. This depth of content appeals to those seeking a more comprehensive understanding of a topic.

The Future of Podcasts

The future of podcasts looks incredibly promising. As technology continues to evolve, so too will the ways in which we create and consume audio content. Here are some trends and developments to watch for in the coming years:

Continued Technological Advancements: Advances in AI and machine learning will likely improve podcast recommendations and discoverability. Enhanced voice recognition technology will make interacting with podcasts even more seamless.

Monetization and Professionalization: As the industry grows, more opportunities for monetization will emerge. This could lead to higher production values and more professionally produced content, attracting even larger audiences.

Interactive Podcasts: The future might see the rise of interactive podcasts, where listeners can influence the direction of the content in real-time, creating a more engaging and participatory experience.

Global Reach: Podcasts are already popular worldwide, but as internet access improves in developing regions, their reach will expand even further. This global audience will bring new voices and perspectives to the medium.

Integration with Other Media: Podcasts are increasingly being integrated with other forms of media, such as video and social media platforms. This cross-media integration will create new ways for audiences to engage with content.

Conclusion

Podcasts have undeniably ushered in a second golden age of audio, transforming how we seek information, entertainment, and education. The combination of technological advancements and shifting consumer habits has propelled podcasts to unprecedented popularity. With their convenience, diverse content, and unique ability to engage listeners, podcasts are here to stay. As we look to the future, the podcasting landscape will continue to evolve, offering even more innovative and immersive experiences for audiences around the world. Whether you’re a seasoned listener or just discovering the medium, there has never been a better time to dive into the world of podcasts.

[pebblecola]

will literally never understand why adelard is so under appreciated, ilhsm

[justalittlesolarpunk]

I’ve teased it. You’ve waited. I’ve procrastinated. You’ve probably forgotten all about it.

But now, finally, I’m here with my solarpunk resources masterpost!

YouTube Channels:

Andrewism

The Solarpunk Scene

Solarpunk Life

Solarpunk Station

Our Changing Climate

Podcasts:

The Joy Report

How To Save A Planet

Demand Utopia

Solarpunk Presents

Outrage and Optimisim

From What If To What Next

Solarpunk Now

Idealistically

The Extinction Rebellion Podcast

The Landworkers' Radio

Wilder

What Could Possibly Go Right?

Frontiers of Commoning

The War on Cars

The Rewild Podcast

Solacene

Imagining Tomorrow

Books (Fiction):

Ursula K. Le Guin: The Left Hand of Darkness The Dispossessed The Word for World is Forest

Becky Chambers: A Psalm for the Wild-Built A Prayer for the Crown-Shy

Phoebe Wagner: When We Hold Each Other Up

Phoebe Wagner, Bronte Christopher Wieland: Sunvault: Stories of Solarpunk and Eco-Speculation

Brenda J. Pierson: Wings of Renewal: A Solarpunk Dragon Anthology

Gerson Lodi-Ribeiro: Solarpunk: Ecological and Fantastical Stories in a Sustainable World

Justine Norton-Kertson: Bioluminescent: A Lunarpunk Anthology

Sim Kern: The Free People’s Village

Ruthanna Emrys: A Half-Built Garden

Sarina Ulibarri: Glass & Gardens

Books (Non-fiction):

Murray Bookchin: The Ecology of Freedom

George Monbiot: Feral

Miles Olson: Unlearn, Rewild

Mark Shepard: Restoration Agriculture

Kristin Ohlson: The Soil Will Save Us

Rowan Hooper: How To Spend A Trillion Dollars

Anna Lowenhaupt Tsing: The Mushroom At The End of The World

Kimberly Nicholas: Under The Sky We Make

Robin Wall Kimmerer: Braiding Sweetgrass

David Miller: Solved

Ayana Johnson, Katharine Wilkinson: All We Can Save

Jonathan Safran Foer: We Are The Weather

Colin Tudge: Six Steps Back To The Land

Edward Wilson: Half-Earth

Natalie Fee: How To Save The World For Free

Kaden Hogan: Humans of Climate Change

Rebecca Huntley: How To Talk About Climate Change In A Way That Makes A Difference

Christiana Figueres, Tom Rivett-Carnac: The Future We Choose

Jonathon Porritt: Hope In Hell

Paul Hawken: Regeneration

Mark Maslin: How To Save Our Planet

Katherine Hayhoe: Saving Us

Jimmy Dunson: Building Power While The Lights Are Out

Paul Raekstad, Sofa Saio Gradin: Prefigurative Politics

Andreas Malm: How To Blow Up A Pipeline

Phoebe Wagner, Bronte Christopher Wieland: Almanac For The Anthropocene

Chris Turner: How To Be A Climate Optimist

William MacAskill: What We Owe To The Future

Mikaela Loach: It's Not That Radical

Miles Richardson: Reconnection

David Harvey: Spaces of Hope Rebel Cities

Eric Holthaus: The Future Earth

Zahra Biabani: Climate Optimism

David Ehrenfeld: Becoming Good Ancestors

Stephen Gliessman: Agroecology

Chris Carlsson: Nowtopia

Jon Alexander: Citizens

Leah Thomas: The Intersectional Environmentalist

Greta Thunberg: The Climate Book

Jen Bendell, Rupert Read: Deep Adaptation

Seth Godin: The Carbon Almanac

Jane Goodall: The Book of Hope

Vandana Shiva: Agroecology and Regenerative Agriculture

Amitav Ghosh: The Great Derangement

Minouche Shafik: What We Owe To Each Other

Dieter Helm: Net Zero

Chris Goodall: What We Need To Do Now

Aldo Leopold: A Sand County Almanac

Jeffrey Jerome Cohen, Stephanie Foote: The Cambridge Companion To The Environmental Humanities

Bella Lack: The Children of The Anthropocene

Hannah Ritchie: Not The End of The World

Chris Turner: How To Be A Climate Optimist

Kim Stanley Robinson: Ministry For The Future

Fiona Mathews, Tim Kendall: Black Ops & Beaver Bombing

Jeff Goodell: The Water Will Come

Lynne Jones: Sorry For The Inconvenience But This Is An Emergency

Helen Crist: Abundant Earth

Sam Bentley: Good News, Planet Earth!

Timothy Beal: When Time Is Short

Andrew Boyd: I Want A Better Catastrophe

Kristen R. Ghodsee: Everyday Utopia

Elizabeth Cripps: What Climate Justice Means & Why We Should Care

Kylie Flanagan: Climate Resilience

Chris Johnstone, Joanna Macy: Active Hope

Mark Engler: This is an Uprising

Anne Therese Gennari: The Climate Optimist Handbook

Magazines:

Solarpunk Magazine

Positive News

Resurgence & Ecologist

Ethical Consumer

Films (Fiction):

How To Blow Up A Pipeline

The End We Start From

Woman At War

Black Panther

Star Trek

Tomorrowland

Films (Documentary):

2040: How We Can Save The Planet

The People vs Big Oil

Wild Isles

The Boy Who Harnessed The Wind

Generation Green New Deal

Planet Earth III

Video Games:

Terra Nil

Animal Crossing

Gilded Shadows

Anno 2070

Stardew Valley

RPGs:

Solarpunk Futures

Perfect Storm

Advocacy Groups:

A22 Network

Extinction Rebellion

Greenpeace

Friends of The Earth

Green New Deal Rising

Apps:

Ethy

Sojo

BackMarket

Depop

Vinted

Olio

Buy Nothing

Too Good To Go

Websites:

European Co-housing

UK Co-housing

US Co-housing

Brought By Bike (connects you with zero-carbon delivery goods)

ClimateBase (find a sustainable career)

Environmentjob (ditto)

Businesses (🤢):

Ethical Superstore

Hodmedods

Fairtransport/Sail Cargo Alliance

Let me know if you think there’s anything I’ve missed!

[iamlouisebringmethecheese]

i kept seeing art about a silly horror podcast man and i couldn't not start it.

[mothcpu]

rehash of my SAYER AI construct designs from a couple years back

iamsayer.com

[izel-scribbles]

more requests!

king/knight jarthur au for @atheone

Parker for @the-algid and @koszmarnybudyn

sketch requests still open teehee

[tremendously-crazy]

Pov: The sign of four got announced for sherlock & co

Half of the fandom: OMG YAYYY IM SO EXCITED THEYRE DOING IT NO WAYY

The other half of the fandom:

[mouse-of-mischief]

I just had a not-so-fun thought. Since Sherlock & Co. is aware that it's a podcast and occasionally references real word events that are currently happening or have recently happened...Do you think the creators will stop releasing episodes of the podcast for two or three years after the Reichenbach Fall to create a consistent and realistic timeline of Sherlock's faked death and John and Mariana mourning? Or do you think they'll shorten the time of Sherlock's absence to merely a few months of playing dead for the audience if they go down this route? Maybe after Sherlock "dies" we'll just get a few sad episodes of John venting to us about missing Sherlock. Whatever happens, I'm both looking forward to and fearing how they will handle this part of the story!

[thecorruption-thespiralsversion]

TMP Stream Of Consciousness Theory

(Like, I'm forming it and I'm not sure where I'm headed here)

Spoilers All - TMP

So as I'm reading through a lot of Lena Post on here it's starting to strick at me. Her wording when she vaguely explained things to Gwen in EP 13, Futures.

Gwen asks if they're the bad guys.

Lena hesitates before answering "We are... Managing, the bad guys."

Unlike the The Magnus Institute they aren't collecting Statements, they're keeping track of them.

Lena doesn't see herself and her work as good, but a necessary evil.

This would make Lena NOT Jonah's Parallel, but Gertrude's.

To Gertrude, Michael was a necessary evil, but she hurt no more people than absolutely necessary.

Lena isn't willing to put her employees in unnecessary risk.

The Magnus Institute was destroyed and OIAR has something called The Magnus Protocol.

They're preventing the Dread Powers from taking hold. Be it Fear, Hunger, or Regret. They're making sure no one of them gets a real foothold into our world. And if one gets to close. Well, they have their last resort.

The Magnus Protocol

Non Vacillabimus

We Will Not Falter

[stummysnort]

juno steel and the case closed moodboard

[samglyph]

I can’t be the only member of the unhealthily obsessed with gravity falls as a kid to unhealthily obsessed with malevolent as an adult pipeline

[g0g0at]

So I’ve seen a few people theorising that Malam is future Arthur or John or some kind of mash of them in one person. The similar scars, inflection, knowledge of Faroe “OUR day of wrath”

But I have one to add. The fact he knew what a palindrome was when that word won’t exist for another 400 YEARS!!

[scryillo]

playing too sweet by hozier on loop and they got summoned

[im-secretly-a-frog]

Me: *starts listening to TMA* hey this is pretty cool

Me like a month later after binging the series at every opportunity: I have decided to become an Archivist.

[radicalreliablerandomness]

Podcast Rec Masterpost

I've been asked a couple times for podcast recommendations so I thought I'd post a compilation of some shows and a bit of info about them. Most shows I talk about are tagged below (I ran out of tags) so you can look through fan content as well if you're not one to care about spoilers. My asks are still open for personalized recs if you send me some others that you've listened to just because I love you, yes that's right! You. The person reading this right now!

Here goes!

Dungeons And Daddies *not a BDSM podcast

This show is a dnd actual play podcast. The first season is about four dads from our world lost in the Forgotten Realms in search of their lost sons. It’s a comedy but as with all comedies, you will cry by the end of it. It's super easy to get into with great chemistry between all the cast players and the dm, no prior knowledge of dnd is necessary. They do invoke slight horror sometimes so do keep an eye out for content warnings. Season 1 has 68.5 episodes along with bonus content and a mini campaign in between seasons 1 and 2. Season 2 is currently ongoing. Transcripts available.

The Bright Sessions

This is a science fiction podcast. The premise is a collection of clinical recordings of superpowered people's therapy sessions. The plot gets more interesting and convoluted as you get further in. Incredible voice acting filled with emotion. Does have some heavier discussions so be on the lookout for content warnings. It has 7 seasons (the last two are technically not part of the first five seasons' plot) and is completed. Transcripts available.

Hello From the Hallowoods

A post-apocalyptic fiction podcast. A beautifully written and preformed podcast that explores identity, religion, and other themes in vignettes throughout this haunted world narrated by an omniscient being. Some heavier topics are included so check the content warning before each episode. Seasons 1 and 2 are completed and season 3 will be done soon. Transcripts available.

The Magnus Archives

A horror fiction podcast. A well written chronological story told through anthology which seem to be tape recordings from a paranormal investigation institute. Incredible writing and actors that really bring it to life. This is horror so make sure to check the content warnings. The show is completed at 5 seasons. Transcripts available.

Neighbourly

Another horror fiction podcast! An interesting look into all the houses on Little Street and their peculiarities. Some more peculiar than others. The podcast is absolutely delightful with a horribly fun narrator. I would suggest checking the content warnings as some episodes are more intense than others. The show has 2 completed seasons. Transcripts available.

The Fall of the House of Sunshine

A musical mystery fiction podcast. The first season is about an investigation on the murder of a beloved host of a children's tooth-themed show. That's all I can say without spoilers. There are 3 incredible seasons along with short stories in between each season. Transcripts available until halfway through season 2.

Welcome to Nightvale

Possibly the most well known science fiction podcast, it really speaks for itself but I'll do my spiel anyways. Recorded as snippets of a daily radio broadcast, the show details the weird goings on in this strange desert town of Nightvale. Narrated almost completely by the radio host's smooth voice. It's ongoing and is currently sitting at 233 episodes. Transcripts available.

The Two Princes

A fictional queer romance podcast. It takes place in that special part of fiction that always starts with "once upon a time," it feels like a story book almost. The show is based around two boys meeting in the woods. Spoiler alert: they fall in love. It's just a cute feel good show. The podcast is complete at 3 seasons. Spotify auto-generated transcripts available.

What's the Frequency?

A self described psychedelic noir podcast. It's an absolute blast even if it is a bit hard to follow. Takes place in the 1940s in LA when all radio broadcasts were turned to static. You kind of just have to go with it until you get to the end. Completed at 12 episodes. Transcripts available.

Story Break

A writer's room podcast. The basic concept behind Story Break is 3 Hollywood writers in a room together take a prompt and try to make a story for it in an hour. There are many laughs in this podcast and just all around good humor and vibes. The show is complete at 169 episodes plus two full movie scripts. No transcript.

Who Killed Avril Lavigne

A science fiction podcast. It's about a time traveling pop punk loser and that's all you need to know. It's a podmusical so you'll be getting great nostalgic pop punk type songs along with crying from laughing so hard. Completed at 8 episodes. No transcript.

The Behemoth

A fiction podcast. Based around an unexplainable creature emerging from the ocean and how the world, and one girl in particular, deal with this phenomenon. It is pretty short with the longest episode being about 12 minutes. Completed at 20 episodes. No transcript.

Rude Tales of Magic

A dnd actual play podcast. It is mainly focused on the actual roleplay and story telling as opposed to the actual play. A handful of college students from Polaris University fuck the world up by completing a hazing ritual which in this case is a supposedly demon summoning. Obviously now they need to fix the world. Currently 64 episodes and ongoing. No transcript.

Midnight Burger

A very well written fiction podcast. It’s about a time/space traveling diner where the employees try to help solve a problem every place they land. Think Doctor Who adjacent vibes but with more drama. There is an overarching plot that comes together so look out for that. It has incredible characters that are really nicely fleshed out. You’ll somehow like and hate all of them as much as possible in the best way. Currently has 29 episodes of the main feed and a 9 episode mini-series. Transcript available.

Monstrous Agonies

A fiction podcast. It’s an radio advice segment on a station for “liminal Britain” aka the monstrous world to put it plainly. It’s really chill and comforting. There’s very good advice there and the intermittent ad reads will have you giggling to yourself. Episodes are on the shorter side, averaging about 15 minutes each. It does have some heavier discussions so make sure to check the content warnings. The show is completed at 111 episodes through 3 seasons. Transcripts available.

Desert Skies

A fiction podcast. The voice acting in this one is incredible, it’s the same person the whole time. The show as a whole is also just super well done. The premise is that when you die you show up on a highway and get to this astral pit stop. I’m not going to spoil it anymore you just have to experience it. There is an additional show, Desert Skies FM that's a buddy to this one. I recommend listening to both. Season 1 was completed at 12 episodes. Transcripts available.

Wooden Overcoats

A sitcom dramedy podcast. The show is about two siblings that run a funeral home on an island. It used to be the only one, it isn’t anymore. It has a wacky cast of characters and even wackier plot points. The dialogue can be a little hard to get used to at the beginning but once you get into it it flows easily. The show is completed at 4 seasons. Transcripts available.

Greater Boston

An audio drama podcast. It's set in Boston if you couldn't tell from the title and starts with the death of a man on a rollercoaster. It blends real life with some subtle (and at times not-so-subtle) fantasy elements. It's currently at 4 completed seasons. Transcript available.

Gay Future

A science fiction podcast. In a world where everyone is gay in the future we focus on this one straight kid. Following his journey to destroy the government who are making everyone gay. This is a satire by the way. 1 season completed at 6 episodes. No transcripts.

Death by Dying

A dark comedy podcast. The show follows an obituary writer while he does things that are totally under the jurisdiction of his job. A well written and preformed show. There are a lot of laughs and obviously some heartbreaks as well. Currently 1 completed season with season 2 sitting at 2 episodes for a bit now. Transcript available.

Not Another D&D Podcast

An actual play dnd podcast. This one's more mainstream than my other podcasts so I don't talk about it as much but that doesn't mean it's not incredible. The first campaign is about 3 adventurers off to save the world. Obviously. It can be a bit slow in the beginning but anything past the second half of the first season is incredible. There's humor, drama, love, and much more. The DM is also just incredible. 1 completed season, a couple mini campaigns, and the second season is currently at 43 episodes. No transcripts.

Forgive Me!

A fiction podcast. It starts based around vignettes of confessionals in this small town taken by a new father in the local church. An overarching plot is present but it's generally a feel good, sweet and simple show. They have 2 complete seasons with season 3 currently at 9 episodes. Transcripts available.

Real Housewives of D&D

An actual play dnd podcast. This show is based around the concept of a "Real Housewives..." type show but you don't need to know anything about those to listen to this. It's about 4 reality TV stars thrown into a magical fantasy world with no knowledge of how to get home. There's drama, excitement, danger, and lots more. The first season was just completed at 16 episodes. Transcripts available.

The Silt Verses

A horror fiction podcast. Two people who worship a banned god travel together up a river in a pilgrimage. There is incredible worldbuilding in this show along with acting and sound design. This is horror and a very good one at that so make sure you check content warnings. Season 1 and 2 are completed and season 3 is at 2 episodes so far. Transcripts available.

The Land Whale Murders

A comedy fiction podcast. It takes place in the year 1899 and is about a pair of friends? maybe not, that metaphorically explore the world they're living in. It is a commentary on the world we live in and the problems in it through a hilarious and wacky cast. There are currently 17 episodes between both seasons 1 and 2. Transcripts available.

Elaine's Cooking for the Soul

A post-apocalyptic cooking podcast. The show is about a dentist who makes her way through the fallout of an apocalypse while also making a cooking podcast. It does have depictions of violence, war, and dentistry so check out the content warnings. There are 2 completed seasons. No transcripts.

Fawx and Stallion

A mystery podcast. If you hate Sherlock Holmes you'll love this podcast. Also if you love Sherlock Holmes you'll love this podcast. It's based around the detectives who live across the street from Holmes at 224B Baker street. It's pretty goofy. Season 1 is completed. Transcripts available.

The Amelia Project

A fiction podcast. Follow the shenanigans of this death-faking organization as they take in new clients and hear their stories. It does develop an actual overarching plot later on but every second is fun. Seasons 1-4 have been completed and season 5 is in progress. Transcripts available.

A Voice From Darkness

A horror podcast. It's centered around a radio show hosted by Dr. Malcolm Ryder, Parapsychologist. He helps people who call into his show with supernatural problems, gives PSAs and warnings about strange happenings, and more. Season 1 is completed and season 2 is at 9 episodes. Transcripts available.

Station Arcadia

A dystopian fiction podcast. Formatted through a radio show, it tells the story of a world that's slowly dying. There are vignettes of different characters through different areas of the world. Season 1 is completed at 25 episodes. Transcripts available.

Margaret's Garden

A science fiction podcast. It has two plots running at the same time which keeps you on your toes but makes for an intriguing story line. In one plot line, two agents are sent to investigate the strange happenings of a weird little long abandoned town. Simultaneously, we hear from the past of that town as it catches up to the agents. Completed at 10 episodes. Transcripts available.

Camp Here & There

A horror comedy podcast. It's recorded as a set of daily announcements over a loudspeaker at a totally normal summer camp. The announcements are made by the camp nurse and he's also totally normal. I promise. Make sure to check in with the content warnings as some topics are a little mature or graphic. There are currently 34 episodes. Transcripts available.

Wayward Guide for the Untrained Eye

A companion horror podcast. This is actually a bit meta because it is the result of a youtube series. This show is the one the podcast hosts in the series release, it's definitely worth both the watch and the listen though. It's got werewolves and drama. Completed at 10 episodes of video and 10 of the podcast. No transcripts.

I am in Eskew

A horror podcast. It's about a man who's trapped in a city where the buildings always change and the rain never stops. There's a weird monotonous creeping horror in this show that just draws you in. Check for content warnings definitely. Completed at 30 episodes. Transcripts available.

Traveling Light

A comfy cozy fiction podcast. It follows The Traveller on their exploration through space, visiting alien planets and collecting stories to send back to their community. For supporters of the show, it almost functions as a choose-your-own-adventure with choices to vote on and listener submissions. It's made by the same people as Monstrous Agonies so if you enjoyed that, you'd enjoy this and vice versa. There are currently 16 episodes. Transcripts available.

Not yet described but still recommended:

Eeler’s Choice

The Secret of St Kilda

The Endless Ocean

The Department of Variance of Somewhere, Ohio

The Sword & The Stoner

World Gone Wrong: a fictional chat show about friendship at the end of the world

Travelling Light

Waterlogged

Brimstone Valley Mall

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3