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rainydaze-rhys · 1 year ago

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Do all 25 for borderlands. Yknow. For funsies.

There will be a readmore line here somehow because on god I’m about to say so much. let me preface: all my hot takes on the matter are a solid 4 years old at minimum, I do not keep up to date on the blands fandom, my enjoyment of the series exists exclusively in isolation these days, etc., etc., if things have changed then I simply do not know about it

1. the character everyone gets wrong

Handsome Jack. He is not a good dad. He is also not in his 30s. That man has an adult daughter and has been married twice. I refuse to believe he was anything under 50 during BL2.

2. a compelling argument for why your fave would never top or bottom

DHKDGDJSHDJDJ I sure did forget this was one of the questions. Um. My faves are all verse and no one would refuse to do one thing or another.

3. description of the worst take you’ve seen on tumblr

I saved this for last and then still couldn’t bring myself to remember anything so this doesn’t get an answer because I simply do not want to remind myself of those takes

4. what was the last straw that made you finally block that annoying person?

Back in my borderlands days I was afraid of blocking people so I simply did not do it. Took me until only a couple years ago to finally realize “Oh this rules and significantly improves my online experience” and now I block all the time, but this is an entirely separate blog from my borderlands one so it doesn’t have any crossover

5. worst discord server and why?

This one I can’t answer. Discord wasn’t a thing for my original dive into borderlands. We all were just on tumblr constantly and then me and a few friends also talked on Skype

6. which ship fans are the most annoying?

Handsome jack/Rhys. I mean I was there. I was in the thick of it. I could see it. But oh my god the braindead takes on it and the aggressive insistence that it was basically canon! The number of people who actively harassed people who liked the actual in-game love interests! The amount of times I saw people say “I don’t personally like this so I’d rather people not discuss it around me” only to be bombarded with dozens of responses discussing it in detail! Wretched! One of the all-time worst collective cases of people insisting the biggest and most popular ship was effectively canon and getting mad at anyone saying otherwise

7. what character did you begin to hate because not because of canon but because of how the fandom acts about them?

Handsome Jack. lol. lmao.

8. common fandom opinion that everyone is wrong about

Handsome Jack is a dogshit father and every single fluff piece or “Happy father’s day lol” post or headcanon about him being a good dad to Angel is dead wrong to an astounding degree. He put her in a cage and used her as a computer for her entire life and frankly she should have gotten to kill him

9. worst part of canon

Borderlands 3.

I was going to say “I kid” but I don’t. It has its moments, but god, it sucks so bad. Killing Maya, replacing Angel with Tannis, writing off Lilith, doing what they did with Aurelia (she would NOT fuck that man), flanderizing the characters from TftBL (Vaughn’s… whole situation…), and— god I just remembered mid-sentence that New Tales exists. That one was actually worse than BL3 somehow.

10. worst part of fanon

Handsome Jack. I’m just gonna keep saying this for basically every question that asks about the bad parts of fandom because literally… him and the people rabidly defending him. (<- he is my favorite character and also I think he deserved worse than he got. these are not mutually exclusive)

11, number of fandom-related words you’ve filtered

See above re: blocking people, I didn’t filter things at the time and on this blog I follow almost no one who posts borderlands content

12. the unpopular character that you actually like and why more people should like them

Fiona is weirdly unpopular given that she’s literally a protagonist. The same with Lilith, actually, now that I think about it; people seem to either be “meh” about her or frothing-at-the-mouth enraged about her. And they’re wrong! Fiona is a great character who deserved to actually fucking exist in bl3, and Lilith is really well written as understandably arrogant and capable! Also, Nakayama and Vasquez. I can’t take credit for being into those two because other people with extremely good taste did it first and influenced me, but it remains true. And ELLIE. I know “unpopular” isn’t strictly true of her because I think most people would say they like her, but Ellie is a gold star across every game she’s in and I wish there was even more of her and I wish people appreciated her more. Love Ellie.

13. worst blorbofication

. handsome jack.

14. that one thing you see in fics all the time

So many borderlands fics are a/b/o. Mpreg is like the DEFAULT. It boggles the mind. “Rhys Borderlands is Handsome Jack’s PA and then he goes into heat in his boss’s office and Jack is such a ruggedly masculine alpha he takes suuuuch good care of him!” Gives me the ick. One thing they don’t tell you about naming yourself after a video game character is the rammys when you try to read a fic and see Your Own Name in those situations.

15. that one thing you see in fanart all the time

I actually don’t really remember the fanart well enough to say about this. I vaguely remember a lot of art of Rhys Borderlands strung up like a puppet controlled by Jack, but beyond that, I’unno

16. you can’t understand why so many people like this thing

Can I be very fully and entirely honest. I don’t love Tim. I don’t hate Tim! And I’ve turned around on him a lot, his appearance in the Handsome Jackpot DLC in bl3 is phenomenal and he’s a great character! And it’s a super interesting concept! I just still don’t love him.

17. there should be more of this type of fic/art

I want more fics where Angel survives and gets out from under Jack’s influence. Let the Crimson Raiders be her new parents. I want her to be Maya’s best friend and I want her to date Gaige and I want her to be there in person to kick Jack in the dick when he loses badly and then dies.

18. it’s absolutely criminal that the fandom has been sleeping on…

The Pre-Sequel. The Pre-Sequel. The Pre-Sequel. YES the gameplay can be tedious at times. However. I love the Pre-Sequel so much. Love the writing. Adore the plot. Cherish the individual Vault Hunters. The Claptastic DLC remains one of my favorite DLCs. Love Elpis. Fucking love Janey Springs. Hate the way they left so many loose ends to be tied up plot-wise and then just kinda went “lol nvm all that” in the next game.

19. you’re mad/ashamed/horrified you actually kind of like…

IYKYK ;)

20. part of canon you found tedious or boring

A lot of the Pre-Sequel is going back and forth across very large open areas using Stingrays which are a vehicle I do not love. A lot of BL3 is also going back and forth across very large open areas using vehicles which control like the Stingrays. There are so many quests that are just “drive around and kill 30 guys and pick up 8 items then drive here and kill 30 animals and pick up 8 more items then drive back and kill 30 guys and give me the items.”

21. part of canon you think is overhyped

I don’t really think there are overhyped things unless BL3 entirely counts as overhyped, which… not anymore. Honestly most of the stuff that’s hyped is fairly understandable. The most popular DLCs are inevitably the ones which are the most well-written with interesting mechanics.

22. your favorite part of canon that everyone else ignores

I already said the Pre-Sequel. Uh, if “everyone else” includes the writers, then TftBL, because they absolutely just threw all of that except Rhys and Vaughn in the trash and then ran those two through a meat grinder.

23. ship you’ve unwillingly come around to

No “unwilling” about ‘em, I’m usually pretty much open to whatever, but I also don’t even poke my head into the tags these days so I haven’t experienWAIT no I just remembered Zer0/Rhys is a thing. I used to not like it. I do now. Silly goofy.

24. topic that brings up the most rancid discourse

“Is it okay to like Handsome Jack?” I will not be elaborating because thinking too much about the endless debates gives me hives

25. common fandom complaint that you’re sick of hearing

Once again I am too disconnected from the greater fandom these days to actually know and be annoyed by what people are complaining about.

#ask game #thank you B)#ALSO uhhh #not sfw #no images or whatever but since these ask about fanfiction. well. u know.

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alwaysthrowsscissors · 3 years ago

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Fic Writer Questions!

Thanks for the tag @venhedish dont mind if I do darlin'! Loved reading your answers too!

1) How many works do you have on AO3?

17 and I started May 2020

2) What's your total AO3 word count?

84,430! Sooooo close to that 100k milestone I just need to get off my writing hiatus since I have a beefy one shot WIP and a couple kink-meme prompt fills started that will get me to the finish line!

3) How many fandoms have you written for and what are they?

On Ao3/as an adult, just Supernatural.

4) What are your top 5 fics by kudos?

Well Jung – This was my first and I’m still super surprised it took off so well considering all the head-hopping. I also hadn’t written fiction since high school so it’s pretty technically rough!

I Can’t Forget the Time and Place Where We Just Met – Who doesn’t love a good old-fashioned double amnesia fic! This was a SPN Masquerade fill and it was super fun to write!

Kiss the Cook – Another SPN Masquerade fill inspired by Dean in an apron in S15. Kitchen fucking is fun fucking!

Iodine and Stitches – 3/5 SPN Masquerade fills that I did fall 2020. Seriously such a fun event to participate in I cant recommend it enough. This is one my only fics with a serious tone throughout which is tough for this clown.

Double Jeopardy – Written for my buddy after finding out she has an intelligence kink! Cut to us giggling about Sam losing his damn mind when he plays Jeopardy with clever Dean!

5) Do you respond to comments, why or why not?

Listen…I can’t fully express how much comments give me LIFE! I want to know what you liked about my silly musings, I want to know your fav part, I want to know that I gave you a boner! I'll take a button smash, I'll take an emoticon. Anything, everything! I make a point to always respond back to show my appreciation for people taking time out of their day to make my day.

6) What's the fic you've written with the angstiest ending?

Without a shadow of a doubt Yesterday Don’t Matter if It’s Gone about what would happen if Sam and Dean hooked up during Mystery Spot and exacerbated Sam’s downward spiral during the months of Tuesdays. I write a lot of humour and this sucker is humourless PLUS has an unhappy ending! Weeee!

8) Do you write crossovers? If so what is the craziest one you've written?

Never have but not opposed to the idea.

9) Have you ever received hate on a fic?

Nope, I’ve been pretty fortunate but I also write pretty tame shit. So if I start dabbling more in the archive warnings it may change. I do have a fun multichap wincestiel non-con WIP in the works 😈

10) Do you write smut? If so what kind?

AHAHAHAHAHA I’d say a good 90-95% of my 84k wordcount is smut! All M/M all explicit! Fun times over at Casa Scissors 😏. I do have some upcoming stuff that’s more plot heavy though which I’m looking forward to.

11) Have you ever had a fic stolen?

I fucking hope not that would be a big bummer.

12) Have you ever had a fic translated?

Yes! And as a noob I had to pinch myself, it still fucking blows my mind! A lovely Ao3 user Yigelulu translated I Can’t Forget the Time and Place Where We Just Met into Chinese. It was so incredibly cool to see my words in another language and a great honour that they liked my fic enough to put in all that work!

13) Have you ever co-written a fic before? Yup! Turn Your Head and Cough with my budbud Wearingdeantoprom. Dean gets his prostate rubbed for the first time at the doctors office.

14) What's your all time favorite ship?

Wincest wincest all the wincest! My brain is infected and there is no cure! I am a pro-shipper though ship and let ship my dudes. I also dabble in wincestiel and LOVE any combination of winkline and may write it one day. I don’t really read much from other fandoms. I’ve read some George/Fred (I like brother fucking ok?) and I love me some Jess Mariano/Dean Forester over in the Gilmore Girls camp (the perfect enemies to lovers) but its unfortunately such a small ship. Any souls reading this who like those ships, please drop any recs into my box!

15) What's a WIP that you want to finish but don't think you ever will?

Anything I am passionate about I will finish. I’ve only killed one thing because I got bored with it but I posted my fav part for a fic challenge. I hate not having something to show for my spent time (I know it's a hobby but it's the principle damnit!) and I hate unfinished things. Those damn little ao3 red circles haunt me 🚫

16) What are your writing strengths?

Christ uhhh I’ll say I’m most consistently praised in comments for my dialogue and it’s what always flows the smoothest for me. I think my humour is also a strength, it comes very naturally when I write which is why I have a hard time keeping it out of my fics! Times are tough I just wanna make y’all giggle ok?

17) What are your writing weaknesses?

Frankly, my greatest weakness is that I don’t take it seriously enough to look at my past writing critically for improvement. I also write (non-fiction) for my job and had extensive training to do so, so when its for this hobby I honestly whip it out, edit a couple times, and slap it up ‘good enough’ styles and I don’t go back to re-read once posted. I think if I looked back, I could see lots of opportunities for improvement and could go from a fine writer to a good writer. I’d also say that I’ve written pretty fun fluffy cracky smutty stuff so I guess another weakness is a lack of depth of plot and subject matter. I do want to explore this stuff more though.

18) What are your thoughts on writing dialogue in other languages in a fic?

My concern is if you don’t speak the language fluently, then native speakers reading your fic might feel a big disconnect if you get colloquialisms and euphemism etc. incorrect. It could take them out of your fic if its not authentic enough. I don’t speak any other language fluently so it would END BADLY. I can speak and read French VERY POORLY and that’s it so no, I will never write in another language unless its jibberish I invented myself!

19) What was the first fandom you wrote for?

The only fanfic I wrote before SPN last year was a handful of super cracky, gen Gundam Wing fanfiction in high school!! They are on a broken USB stick which kills me I want to read them so badly! All my other creative writing was original fiction mainly horror/thrillers. I stopped when I started my undergrad cause...that shit is a lot of work yo.

20) What's your favorite fic you've written?

My first love is my first baby Well Jung. I love the plot, I love the humour in it, I love the heart, and it’s still some of my fav sex I’ve written. And the title makes me giggle too who doesn’t love a bad pun? I'm so thrilled it was so successful but it would still be my favourite even if 3 people read it. It made me rediscover writing as a hobby and helped me explore this wonderful (yet insane) fandom. I love all my babies and I even think the writing is stronger in other fics, but he will always be #1 in my heart.

OK this was fun I love talking about fic writing! If any of you read my stuff and want to know more, hit me with an ask; I love making new frans! Tagging @oddsocksandstuff @samanddeaninpanties @raidens-realm I think my other writer mutuals have been tagged by Ven!

#ask game #about me #fanfic writing #spn fanfiction #my writing

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kosakashuntaro · 4 years ago

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for some reason, i became obsessed with this irrelevant filler character from izumi tsubaki’s lesser known series, oresama teacher. he’s consistently forgotten by fans and ranked 2nd to last out of the student council members, but despite that, i still think he’s a great and well-written character. also, he’s super cute!

and so without futher ado— here’s my stupidly long lovemail/analysis of shuntaro kosaka. a pure 1.5k word ramble about my favorite boy!

kosaka first appears in chapter #43, introduced alongside the rest of the student council members. he’s in class 1-3, the same as yukioka komari. the first major scene we see him in is him having a bad relationship with fellow council member, kanon nonoguchi.

not gonna lie, i forgot this scene existed and i don’t like it since he touches her forcefully. it’s a setup for their relationship later on, though. at this point, kosaka and nonoguchi are both closed off and cold towards each other; aside from their animosity towards each other from their interactions, they have their own personal issues for not being good with interacting with others. nonoguchi has her problems with men stemming from childhood and kosaka just seems bad at understanding how to act properly with people in general.

kosaka’s main arc is the student festival arc, where he plays the villain, but honestly, he’s just cringy as fuck in it. i think it’s good in that it shows how damn extra he is, though-- imo, he’s the most realistically extra of the characters. he’s a 15 year old kid who thinks he’s smart just ‘cause he gets good test scores. of course he’s going to be that bitch who smiles sneakily and thinks of himself as the grandmaster of the chess game, even when his partner in crime, kawauchi, knew all along of his betrayal plan.

we don’t see much of his motivations or personality in the student festival arc as it focuses mainly on okegawa and kawauchi. all we know so far is that he’s smart, manipulative, and sneaky. seems like a typical bad guy.

until the last chapter of the arc, #51. for the first time, we see the previously cool (lol) and cunning kosaka shuntaro... nervously fretting over how to kneel in apology to his superior, miyabi hanabusa.

we learn that kosaka is obsessively reliant on instruction manuals, ever since his childhood. he’s ridiculously good at studying and always gets first place in tests at school. however, he can’t cope with unexpected changes at all. everything has to go exactly to plan or else he comes up with a different approach to completing the original plan, that isn’t always appropriate for the situation.

he’s perfectly confident in interacting with people-- that’s obvious enough throughout the student festival arc--, but he’s bad at interpreting things on the fly, once again, prone to saying things inappropriate to the time and place. kosaka has to do things in order, step-by-step, otherwise he can’t proceed.

a while back, there was a post that talked about him being autistic. to be honest, i never considered this earlier (as in a few years ago, when i first started liking him a lot). but reading back, he really is strongly coded as such, i think. so frankly, the reason i like him might be a more personal reason, but... anyway.

like with the other student council members, miyabi helps him relax and feel better, guiding him to be more carefree and open. i have mentioned this a few times, but i think it’s really wonderful that miyabi basically helped out a bunch of kids with mental issues when their problems might’ve looked small or stupid from the outside. this is also brought up in chapter #104 during the hayasaka arc, where mafuyu and hayasaka both contact him for information about miyabi. he basically says that miyabi got him to join the student council because he was worried about kosaka’s personality and wanted to stay near him for help.

honestly, kosaka is probably the one who’s most grateful to miyabi (outside of nonoguchi?) simply because he recognizes his own issues. there’s a reason why he’s the only student council member whose face you can’t see during the scene where miyabi graduates; he’s the only one of the guys who cry.

kosaka’s problem is that he can’t cope with his plans going off at all, so miyabi sends him to prank mafuyu. even though he tries to get her by making many elaborate plans, he eventually learns to just attack without plan. it ends with him stuck in a ditch and miyabi unexpectedly pranking kosaka himself.

here we see kosaka’s first genuine smile. and it’s beautiful!!! he’s a sweetheart!!! i think that the story of kosaka could’ve worked even without the student festival arc, but that establishes him as an dramatic kid who’s super smart and cunning-- and here we see him just relax for once, and be truly happy.

after this, there aren’t any more kosaka focused chapters. however, he does appear once in a while, usually with the other student council members. (he’s in the very next chapter using yui’s equipment to cross the lake. but since he usually feeds the fish, they all come to him for food...)

kosaka's bad relationship with nonoguchi is reiterated in nonoguchi's arc, chapter #71 where she beats him up for saying that all girls want a prince. it's a stereotypical thing to say either way, but nonoguchi's response about "men wanting to be princelike is self-serving" is more due to her own issues rather than about kosaka in particular. anyway, this is just to highlight that at this point, they both still have their own problems and don't get along.

the next time we see him is during the school trip arc, where, although he’s still being far too overprepared by carrying too much luggage, he seems to be getting along with his class very well. kosaka organizes his class’s schedule and accommodates for changes on the fly (when his teacher wanted to stay longer to see the sea otters), even if it annoys him a bit. it’s an improvement! he’s able to assume a role where his pedantically organized personality is a benefit. mafuyu also notes that both he and ayabe have become more carefree and open with others, with kosaka becoming “the center of class 4″.

i think this chapter, #82, is also the first time kosaka talks about yukioka. since yukioka doesn’t talk to anyone aside from miyabi, he had never heard her voice despite being a close friend. there’s not really any significance to them being besties (does there need to be?), but it does show his sense of responsibility for others since he basically takes care of her. he has more scenes with yukioka in various arcs, mostly in the miyabi graduation arc where he helps protect yukioka from aki.

speaking of that arc, like the other student council members, he gets something precious to him stolen. in this case, it’s the books that he always reads. we find out that he’s actually surprisingly good at drawing from memory despite him believing he doesn’t know how to draw without instructions. this may be partially may be some juxtaposition of him truly being ‘creative’ even though his methods are so ‘academic/scientific’ (even though i don’t believe ‘drawing well’ is what ‘creativity’ is). in my opinion, this represents his progress in general. it’s probably not just art/drawing, but he’s actually gotten better at doing most things without manuals without realizing or being aware of it.

this idea is also expanded upon with the protection of yukioka i mentioned earlier. because kosaka doesn’t have his books, he doesn’t act so formal and is instead more forceful and ‘manly’, making it easier for him to communicate with classmates. by the way, kosaka’s actually popular with the girls in his class (shown in school trip arc 1-koma), but doesn’t realize it because he can’t understand things not directly stated. what a guy...

here is a short break to talk about kawauchi. i think their relationship is hilarious. from kawauchi getting him to dig holes to kawauchi stealing his math books... i feel really sorry for kosaka, but it’s so funny... he just can’t escape him. even in the very last student council saga arc, it was kawauchi behind the scenes all along...

really they’re two characters who are heavily associated with each other and yet... i don’t think kawauchi’s relationship with kosaka says anything about his personality since kosaka was such a one-bit character during the majority of the arc where they interacted (plus kawauchi is awful to everyone). all kawauchi did was give kosaka more trust issues and broke his phone. i feel kinda mean for saying this but it’s so funny how he caused kosaka to be absolutely terrified of delinquents.

honestly kosaka like... doesn’t have a reason to be associated with kawauchi beyond the student festival event. imo it’s just a way for tsubaki to make kosaka relevant or appear once in a while since the other character he’s associated with (yukioka) got a boyfriend and doesn’t appear as often (kawauchi’s common appearances is due to his surprising popularity with fans).

enough about kawauchi though, we’re finally at the end of this long and loving post. at the conclusion of the miyabi graduation arc, the very first conflict of kosaka shown is finally resolved: he’s made up with nonoguchi!

i really love this scene so much!!! i know it’s kinda just a set-up for the next joke, but tsubaki still dedicated over a page just to nonoguchi and kosaka, so it’s genuine to me! it’s so lovely to see that nonoguchi and kosaka have both resolved their own issues with the help of miyabi and the public morals club. they both acknowledge that they weren’t the best in the past, but now they can become friends... this is a relationship that’s been developing in the background of oresama teacher for over 80 chapters... it makes me so happy that tsubaki gave a resolution to it in the end. she truly does care about all her characters no matter how unpopular they are, and i love her for that.

(by the way, i just found out that this can badge released in the same year as the miyabi graduation arc. they’re so cute!)

the story of kosaka and the student council as a whole ends here. everyone’s finally improved, and they’re all happy... people say “oresama teacher has no plot”, but there’s so much to the story of the student council. if i can write so much about one minor character who rarely appears, i think there’s plenty of plot and plenty to say about the others.

that’s all i have to say on this topic for now.

actually, i started writing this back in 2019 but i forgot about it until recently. my thoughts haven’t changed, though... i hope this post shines some light on why i like kosaka and tsubaki so much. to be honest, though, i’d probably just say that he’s sooo cute and i wanna protect that sweet smile of his... my 174 cm tall son.

#oresama teacher #shuntaro kosaka #text #please read it i simply think izumi tsubaki is a genius #i'm ignoring everything past miyabi graduation arc btw i forgot what happened there so </3

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the-bejeesus · 4 years ago

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To Those Who Say “I’m not gonna catch up on One Piece until it’s finished. Why would I watch/read 1000+ episodes/chapters when I don’t even get to know how the story ends?”

Now for the past few years, when I came across somebody who said this, my rebute would be something like “Well the series is great already. It doesn’t really matter if I don’t know how it ends, because the journey itself is enjoyable.” or “Man if that’s your excuse, who you gonna explain why you read/watch stuff like Berserk, Hunter X Hunter, JoJo’s Bizarre Adventure, and My Hero Academia? Newsflash, they aren’t done yet.” But it came across my mind that I can now apply a completely different approach:

“If you start watching/reading at this pace right now, it will be over by the time you catch up.”

If you’re a fan of the series, you’ll know that for awhile now Oda has been saying that he plans to end the series in just 5-4 years. Now he’s made lots of claims in the past that turned out to be ridiculous. However, many One Piece researchers have compiled his claims and found out that they only get more accurate as time goes on, with the most ridiculous claims being found to be myths. And with the most recent claims of ending the series in less than 5 years, even his editors who are usually skeptical have started to trust that he can do this. After all, he has officially set there to be only one more saga (which isn’t necessarily one arc, but it’s either going to be 1-2 major arcs or an anthology of 5-6 shorter arcs). And now that we can trust this claim, we can essentially extrapolate how many chapters/episodes are left and what pace we have to binge to catch up at just the right time.

If you plan to read the manga (black and white):

The manga in black in white is a perfectly fine way to enjoy One Piece. It’s what Oda draws, it’s how he intends it to be viewed, and best of all, it will be the first version of publication to finish.

Out of the 1223 weeks since the first chapter published in July 19, 1997, 1000 chapters have published, meaning on average he publishes 42 chapters per year, or in other words, there are only 10 hiatuses per year (including holidays where WSJ does not publish). Now if I wanted to be more accurate, I’d only look at the chapters published this year, to exclude outliers like how he had no hiatuses for the first 200 chapters, or how he had a 4-week hiatus during the timeskip, but 2020 has been a bit crazy, so we’re not doing that for this or any of the others.

Going off of this, the final chapter would be chapter 1212 in December 28, 2025 (yes, the 28th would be a Sunday again.) So here’s how you’d calculate the pace in which you need to read One Piece, and really this is how we’ll calculate it for every version)

Now I know math is boring, but the reason I’m showing this to you is because the amount of weeks until One Piece ends will vary based on when you start this binge. Chances are you aren’t going to start the day you see this post, and there’s an even greater chance you won’t see this post the day it’s posted. For every example I’m going to assume you started binging on December 28, 2020. Now let’s try to use it for this example.

And there’s your answer, just read 4-5 chapters per week. By the end, One Piece should be nearly over or have very recently ended. To put that into a different perspective, you could purchase and read just two volumes per month and you’ll be at prime pace. Or you could read one chapter every day, but only on weekdays. If you want to, you can see this calculation in action in graph form.

While this is a very rudimentary graph, it’s a basic visualization of what we’re calculating here. We’re calculating what speed we need to binge to catch up at exactly the right moment. I say exact, but ultimately no one can predict how many chapters there will be exactly, nor how many hiatuses Oda will go on during it. It will be important, as you’re nearing the end, to find a spoiler-free way to keep up on how close One Piece is to ending. To know whether you ought to speed up or slow down.

If you plan to watch the anime (subtitled):

For years now people have hated on the anime “terrible animation!” “terrible pacing” but at the end of the day, it’s the more popular version. Or the more viewed version I should say. And personally, I think that once you acknowledge its problems and learn how to deal with them, it’s a perfectly fine experience. There’s enough good voice acting and enough good storytelling that you’re easily able to ignore the problems. Plus, the animation has substantially improved since Wano.

Now for this we’re going to have to change a lot of variables to get this right. We’re going to have to adjust when publication started, and recalculate when One Piece will end by looking at how slowly the anime adapts the manga, and how behind it is. The anime aired on October 20, 1999, and has aired 956 episodes since then. This means on average they air 44.9 episodes per year, meaning there is pretty much only 7 breaks the entire year. With these 956 episodes, they have adapted 955 chapters, making the pace almost exactly one chapter per episode. However this is really inaccurate, considering all the better-paced arcs earlier on in the story. Looking solely at episodes 2012 and onwards, the anime adapts at a pace of 0.65 chapters/episode.

Knowing that there are roughly 212 chapters left, and Toei adapts at 0.65 chapters per episode, we can assume that there are going to be roughly 324 episodes left. That sounds like too many, but keep in mind that there will be several, several instances where the manga will be on hiatus whereas the anime will keep on airing. Knowing there are approximately 324 episodes left, and that the anime only takes about 7 breaks a year, we can assume that it will take 7 years, or 374.49 weeks before the anime will end. So now we have the information we need to do the math again.

x = 1280/374.49

x = 3.417 episodes/week.

It may seem like a more relaxed binge, since you get a whole 2 extra years to binge, and you only have to do 3-4 episodes per week, compared to the 4-5 chapters. But keep in mind that these episodes are 24 minutes each. Still not at all bad, but you will be spending more time on it overall.

If you plan to watch One Pace:

One Pace is a fan project that edits the anime so that filler and padding is cut, other edits will be made to make the anime more manga-accurate, such as reorganizing scenes, or adding title cards where absent. Originally only used by a niche number of One Piece fans, One Pace has grown in popularity, and has tried to improve its quality to accommodate more fans, such as making their episodes Dual Audio (meaning you can switch between the dub and original Japanese audio tracks), and including Spanish subtitles.

You’d think we’d have to adjust for when One Pace began, how slowly One Pace catches up, and the works, but there’s not much to calculate. Fortunately for us, no matter how far behind One Pace is on editing the current arc, they always like to wrap things up just a few weeks within when an arc ended, if not the very same week. So really all we have to calculate is how many One Pace episodes there will be by the end of all this, so that we know how many you’ll need to watch per week.

Looking solely at what they’ve covered so far, One Pace has taken 573 episodes and condensed it down to 259 episodes. That’s a pace of 2.21 anime episodes/ paced episode. Earlier we calculated that there would be 324 episodes of the anime left, making for 1280 episodes total. This would mean that there would be around 578 One Pace episodes by the end. And One Pace would probably wrap up in, let’s say 376 weeks, because as I said, they’ll probably finish editing the final arc a week or two after the last episode airs.

x = 578/376

x = 1.53 episodes per week

Now that’s a relaxed pace. 1-2 episodes per week? That’s so slow, I’m not even sure if I’ll remember what I watched last week next time I watch some episodes. The only problem is some of the pre-timeskip still haven’t been edited. They’ll probably be done by the time they finish the final arc, but that’s not gonna work out fast enough. You’ll hit your first roadblock about 7 weeks in when you need to watch the Baratie arc and it’s not done. And don’t even get me started on how many arcs aren’t done in dub or Spanish sub yet. Hopefully you could just switch to the anime or manga when you hit these arcs, readjusting how many episodes/chapters you need to watch/read when you do. But that’s a bit of an excessive amount of math for something that’s supposed to be fun. So yeah, if you’re still convinced you shouldn’t get into One Piece until it’s ended, maybe this is the option for you.

If you plan to read the manga (Colored):

Since 2012, Shueisha has made a colorization of One Piece. It’s not a fan coloring, it’s as official as it gets. Many consider the color schemes portrayed in this version as the most canon, as the majority are pulled straight from whatever colored illustrations of Oda’s they can find. And quite frankly it makes the manga at least 10 times more beautiful. It’s especially great if you have trouble interpreting dense, small black and white panels.

This one is a doozy. You’d think all I gotta do is calculate how far behind the colored manga usually and just adjust from there, right? Wrong. Because how far behind the colored manga is, or how frequently they release volumes in full color, is one of the most inconsistent things I have ever seen. You wanna see what I’m talking about? This is how they’ve chosen to release each volume since 2012:

Volume 1-12: July 15, 2012

Volume 13-23: September 28, 2012

Volume 24-63: December 4, 2012

Volume 64-65: April 4, 2013

Volume 66-68: December 20, 2013

Volume 69-70: August 25, 2014

Volume 71-72: September 16, 2015

Volume 73-75: October 4, 2016

Volume 76: December 2, 2016

Volume 77: March 3, 2017

Volume 78: July 2, 2017

Volume 79: September 4, 2017

Volume 80: December 4, 2017

Volume 81-82: March 3, 2018

Volume 83: October 4, 2018

Volume 84-86: August 2, 2019

Volume 87-92: September 16, 2020

How I am supposed to find out how long it will take for Shueisha to colorize the final volume of One Piece is beyond me. I guess the first step would be to look at how far behind the manga each release was on average, but I’m going to ignore all the ones before 2013, because those were clearly just Shueisha catching up really fast cause they just started and didn’t want to be dozens of volumes behind forever. So of the 14 publications between 2013 and now, on average the last chapter of the last volume they colored was 97.78 weeks after that chapter had published in Weekly Shonen Jump. This means that if the final chapter of One Piece is chapter 1212 on December 28, 2025, then you can expect the final colored volume to publish November 14, 2027.

x = 1212/359

x = 3.37 chapters/week

So if you prefer the manga but don’t want to read 5 chapters every week for 5 years, this might be a better option for ya. But yea, I have no doubt my prediction is at least a little off for this one.

If you plan to watch the anime (dubbed):

Unlike the 4KidsTV and Odex dubs of One Piece, the FUNimation dub is a perfect way to enjoy One Piece. The DVDs come with enjoyable commentary and a marathon mode, great for binging.

FUNimation’s releases of the dub are inconsistent, although not nearly as erratic as the colored manga release. However, there was recently a 2-year hiatus we only just got out of. Since Episode 1′s dub in May 27, 2008, the dub has gotten as far as Episode 614. But that’s only looking at the DVD releases. If you’re willing to stream on FUNimationnow, the dub is as far as 641, and if you’re willing to digitally purchase it from an e-shop such as the Microsoft store, it goes all the way to Episode 654. With that being said, that would mean that on average, FUNimation dubs 1.004 episodes per week. Although if we go back to before the two-year hiatus so as to exclude it from the average, it’s actually 1.10 episodes per week. Not a huge difference, actually. And then if we look solely after the two-year hiatus, it’s actually 2.25 episodes per week, which is insanely faster. It’s hard to tell what the future of the dub will be. I can’t assume they’ll go this fast forever, so I’m just going to take the average of all 3 and say it’s 1.45 episodes per week. Don’t know if that’s the best mathematical approach, but the number seems about right.

So knowing that the dub is at Episode 654 and looking at our previous guesstimation that the anime will be 1280 episodes long, we can predict that it will take 431 weeks before the dub catches up and ends. That would be in 2029! Sounds quick at first until you notice it’s 4 years behind!

x = 1280/431

x = 2.96 episodes per week

Looks like it’s almost exactly 3 episodes per week. Not as much less of a workload as I expected, compared to catching up to the sub. You know, I figured those 4 extra years would make you binge a lot slower.

Final Thoughts:

There’s a lot of my math that was estimation, approximations, extrapolations. Feel free to correct me or fact check me, especially if you plan on using this. I figured this would be a fun thought excercise. There’s also a lot of smaller variables I simply didn’t want to take into account because of how long this is already. For example, reading the black and white manga. The calculation can vary slightly depending on if you read it the day it’s published (which I assume would have to be a fanscan unless you can read Japanese), reading the weekly publication legally on Viz.com, waiting for the physical volume release. The dub can also vary depending on whether you buy from Microsoft, wait for the FUNimationnow release, wait for the DVDs, or wait for the Collection sets. So feel free to take this into account.

#One Piece #OP #ワンピース #Wan Pīsu #anime #manga #FUNimation #dub #One Pace

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belliesandburps · 3 years ago

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Followup with MGS4 Peace Walker and 5?

History has a funny way of repeating itself. :P

This one's actually gonna be long, so I'll cap it here to spare those uninterested in non-kink posts the burden of having to scroll past this fanboy rant. 'XD

Metal Gear Solid 4: Guns of the Patriots

3. It's Okay

Soooooo...not a controversial opinion to say that I don't think MGS4 is GREAT. I adored it when it first game out, and I still enjoy replaying it from time to time. But good lord, so many of the interviews shed light on a LOT of this games problems.

Some backstory is required. Hideo Kojima was done with MGS by this point. He planned to move on and leave the series to the younger generation. But then, there was a lot of internal conflict and struggle to determine what MGS4 should be after Fukushima quit (AND was rumored to have been murdered by the Yakuza...how that rumor started...and became a SERIOUS rumor that millions believe, I do not know...). So Kojima came back, course corrected, and the end result was kind of a giant mess.

I'm not talking story because, there's just way too much to unpack. But as a game, MGS4 can't decide what sort of video game it wants to be. It had a brilliant idea that had never been done before with its Battlefield Stealth, which were the best parts of the game. And then they get dropped two acts in, and what gets replaced in their stead is not nearly as fun.

The game had substantially less boss fights than its predecessor, and a lot of them were mechanically simplistic or just didn't let you get creative with how you fought them. And we later learned there were a lot more bosses planned, more gameplay sequences planned, and an entire other PMC group that got canned in favor of the Scarabs so Shadow Moses could be guarded by machines instead.

There's a lot about MGS4 that I love. I think the first two acts are amazing, ESPECIALLY Act 2. I think the mechanics are great. REX vs RAY is criminally fun. The sheer buffet of insane weapons gives the game a good amount of replay value. And the graphics still hold up to this day!

But what I finally realized is that the game juggles way too many ideas and doesn't give any idea the time they deserve to flourish. Battlefield Stealth could've CARRIED MGS4. But it gets dumped before we can get our moneys worth. A disguise sequence could've been really creative, having to juggle different identities with OctoMask every time one identity is burned. But it's only used once and wasted because it's only used for a terrible tailing mission that doesn't let you actually explore the European City. And too many of the action set pieces are kind of bland except the bosses and piloting Metal Gear.

MGS4 should've been MGS4. Not MGS's "Best Hits."

Metal Gear Solid: Peace Walker

1. LOVED it!

I know this is unpopular to say, but I'll say it. Peace Walker is one of the best Metal Gear games ever made. I adored almost everything about it. The gameplay improves on MGS4 in most ways because it doesn't juggle a billion ideas all at once. It's MGS4 stripped down to stealth action from start to finish, and that's all I wanted. The level design is great. The insane volume of guns changes the entire feel of combat in later post-campaign gameplay. The mission select options mean you can jump into all the parts of the game you enjoy the most. There's TONS of bonus missions that are really inventive and fun to replay. And the story is one of the best in the series. It's straight forward, very tight, characterized well, and is the best iteration of Big Boss to date.

Peace Walker's also the FUNNIEST MGS game by Kojima as well. There's so much more personality and levity to everything, to the point where Big Boss often feels like an MCU character. That might sound bad, but it's really not. That corniness fits MGS PERFECTLY, and I'd argue is tonally spot on for this series. MGS doesn't need to be dark, gory or explicit. It's a silly series that's about giant robots, corny bad ass super agents with an anti-nuke message.

The only downsides to Peace Walker are the QTE's and the boss fights. This was a feature that only ever appeared in this game and for good reason...it was fucking terrible. So basically, you had cutscenes that forced you to do various QTE's or else get dinged on your ratings at the end, even if you played perfectly. Fairly minimal, but then, you get to Strangelove's torture. And this is the single most rage-inducing part of any MGS game ever made. It's an insanely physically painful button mashing sequence that will leave your fingers raw and your PS3 triangle buttons jamming. And the ONLY way you can replay one of the best missions in the game (the prison escape where you have no items) is by redoing that sequence over and over. And the boss fights? While inventive, they're all just grindy bullet sponges with no personality, no stealth tactics, and no room for creativity the way you can get creative with every other MGS game's bosses. This was the biggest disappointment for me because the stealth and combat mechanics of PW are great and would've been SO good against human enemies like what Portable Ops had. Instead, every boss is a mini-Metal Gear all voiced by the VOCALOID AI from the mid 2000's, and each one takes forever to destroy. It sucks because PW had a TON of bosses, but only a few of them are any fun, and that's only if you have weapons that are strong enough that they don't take ages to destroy.

But asides from the bosses, the REST of the game is so damn good that I don't even care because that's just one element to a much larger, grander game. Which is even more impressive when you consider PW was originally on the PSP before the PS3 port. And this game has more content and replay value to it than most games I've played since.

Metal Gear Solid V: The Phantom Pain

1. LOVED it!

Hooooooookay...so, I've rambled about my storybook romance with MGSV for YEARS now. (Just ask @twistedtummies2, he's been subjected to my fanboying of this game more than anyone in existence XD) But there's a reason I regard this game as one of my all time favorites and the best MGS game to date.

It's REALLY freakin' fun.

Kojima had been re-energized by the time he got to MGSV. He'd been working on the game around the time he finished Peace Walker in 2010. He KNEW it was his final MGS game and wanted to do something completely different...

...He wanted to make a game where the central focus was on...waaaaait for it...the gameplay...

MGSV was designed to be, what he described, as a toybox. You have these missions that all take place in structurally unique outposts like any level in MGS. And the missions are designed with the structure needed so that they all feel different, but all remain so open ended that you can play them countless different ways.

MGSV's game model is everything GTA SHOULD'VE been. It fully embraces the open world freedom and incorporates that into the missions flawlessly. And it plays in such a way that stealth and combat both feel like they were the primary point. In MGS, combat is usually a last resort. But with MGSV, you can fly into an outpost blasting away on your helicopters mini-gun, shoot up the bad guys, rescue your target, throw them back into the chopper and fly away while "The Final Countdown" blares on your choppers loud speakers.

Every method of gameplay is valid and the controls, the enemy AI responsiveness, it's all, bar none, the best I've experienced in ANY video game. Sneaking around feels tight and tense and combat makes you feel like Jack Bauer on adrenaline. (I mean, he IS the voice of Venom Snake)

And I really like the story for the most part too. Its weaknesses are really glaring. Namely, the "Fun" of MGS is completely devoid in the story (which is really odd since it's FRONT AND CENTER in-game). Venom Snake only has maybe six minutes of dialogue in the entirety of this 30+ hour long game. And the way Skull Face gets completely undercut right at the home stretch is something I have NOT stopped bitching about for almost six years, and my friends can personally attest to that.

That and the ending feels too abrupt.

We know that Kojima got fired by Konami's VP and said VP scorched the entire production company after that and made a series of dickheaded decisions that pissed off a LOT of fans, burning much of the good will Konami IP fans had towards the company. But that had nothing to do with MGSV's abruptness. That was the plan from the start because only Kojima would think to end the entire series on a plot twist like that.

And I think the issue isn't the twist at all. In fact, I LOVE the twist. The issue is that the game should've continued beyond it so Venom Snake could cope with the truth and realize how badly he'd been screwed. I think even people who hated the twist could've been won over if there was a little more to the games epilogue than Episode 46.

Also, the games boss fights were a tad underwhelming. Not the fights themselves, I LOVED all five of the games bosses.

Oh? There were twelve?

No. I meant what I said. Because so many of the games bosses are rematches against the same bosses. All MGSV has is the Skulls, Quiet, Eli, The Man on Fire, and Metal Gear. They're great bosses that do everything the best MGS bosses always did; give you tons of options, incorporate combat AND stealth, have varied attacks AND even have multiple methods to sneak around the boss and avoid the fight completely. But for a game as long as MGS, you need more variety. And frankly, the bosses NEED more personality. Skull Face should've had more XOF assassins acting as the bosses in the game along with the ones we have. Elite assassins like Quiet, with their own powers and specialized weaponry so the fights feel completely different from the ones we have. And oh yeah, SKULL FACE HIMSELF SHOULD'VE HAD A GOD-FUCKING-DAMN BOSS FIGHT!!!!

Buuuuuuut those issues don't even matter if for all the games issues, I still replay it frequently when it's almost six years old.

So yeah! There's the massive rant you totally didn't ask for! :D

#ask belliesandburps #mgs4 #mgsv #peace walker #metal gear #metal gear solid #seriously #i'm very very VERY bitter about how Kojima did Skull Face dirty #here's this really great villain with a super complex backstory and motivation #whadduya wanna do with him kojima-san?#I'VE GOT IT!!!!!!#we'll do...absolutely nothing!#he'll show up in five missions out of a thirty nine mission long game #he'll talk at venom snake a few times and do some cool things #then right around the time we're supposed to fight him?#a random twelve year old will hijack metal gear through a PSYCHIC twelve year old and crush Skull Face before we can do anything cool! :D #hold your applause children! :D #................we weren't clapping kojima-san...........#also sins of the father?#heaven's divide?#donna burke is amazing #seriously she is an in-freakin'-CREDIBLE singer #sorry cynthia hall #i got love #but...#whoooooa-HHHOOOOOOOOOOOOOOAAAAAAHHHH!!!!!!!

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thrillingdetectivetales · 4 years ago

Text

2020 Creator Wrap

2020 Creator Wrap: Favorite Works

Okay, okay, I know I’m late with this but the incredibly sweet @irolltwenties and the utterly delightful @anthrobrat were both kind enough to me in this bad boy and it seems really fun, so here we are!

Rules: it’s time to love yourselves! choose your 5 (or so) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought to the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

According to my AO3 statistics page, I wrote just over 100K of fiction this year, across 17 different fandoms, a few of which won’t actually go live until after the New Year because they’re part of a gifting collection that hasn’t been revealed yet... Anyway, I picked my faves for a variety of reasons, listed briefly after each link. If you have any questions about works I’ve shared (or just in general) feel free to ask!

1. Front Row at the Gongshow

The Pacific, 16K, Rated G Andrew ‘Ack Ack’ Haldane/Edward ‘Hillbilly’ Jones

Aside from being the longest completed work I produced this year, this is also the first fic I’ve ever written using the “found document” format. While there are parts of it I feel really conflicted about, I’m still incredibly proud of it and think it’s one of the better fic I’ve written...possibly ever. Which is doubly funny because I don’t usually do modern AUs of period fiction, but the hockey angle was enough to tempt and lo, here we are, lol.

[Excerpt from Deadspin]

"You all remember Eddie Jones, right? The corn-fed captain of the New Orleans Rougarou so wholesome he belongs on a box of Malt-O-Meal? The gentleman bruiser who spends his free time playing country tunes for kids with cancer?

Our favorite dapper D-man led his team to 97 points last night in a shut-out victory against the Los Angeles Kings, clinching a playoff spot for the first time in franchise history. Oh! And he also got caught on camera at the after-party, sucking face. WITH A DUDE."

2. Entremets

Hannibal, 8K, Rated E Will Graham/Hannibal Lecter

I have...so many Hannibal fic that I’ve started writing and haven’t finished because all my ideas lead to long plotty epics and also big name fandoms scare me. I did this one up for Eat, Drink, & Make Merry, and I’m really, really pleased with the way it turned out, considering it was my first foray into establishing new character voices and also a successful exercise in writing explicit content, which can be a bit of an Ordeal for me, so overall I’m incredibly happy with it. Plus! My deep and abiding love of writing characters cooking/eating/otherwise dealing with food finally paid off!

“The pâté was supposed to be more of a gesture,” Will explains, spreading a golden sliver of honeycomb out across a slice of sopressata with the blade of his pocket knife. “You don’t actually have to eat it. I’m not even sure if it’s any good.” He smears a healthy dollop of chȇvre across his meat-and-honey concoction and pops the whole thing into his mouth without ceremony.

“What better method exists by which to convey one’s appreciation of a gesture than to indulge it?”

3. An Ode to Matty Big-Time

The Good Place, 2K, Rated T Jason Mendoza/Original Male Characters, Pillboi

This one was actually a request made by my very dear @thesummoningdark, who wanted to see some bisexual Jason per that one fantastic Tumblr post about how everyone in TGP should be bi, and I’m really, really proud of the way it turned out. I love writing comedy and I very rarely get to lean into it as hard as I’d like, so delving into the whole wild craziness of Jacksonville, as explained in the show was really fun. I also love writing original characters, and this was a great excuse to indulge.

“We probably shouldn’t do any butt stuff,” Jason warns, with as much gravitas as he can muster. “I had two of Stupid Nick’s Disaster Buckets when I got here.”

“Yeah, your face is still kinda orange,” Mateo agrees fondly, bringing his other hand up to brush his thumb over Jason’s lower lip. It stirs a little frisson of heat in his belly that Jason is 68% sure isn’t just indigestion. “No chemical burns, though, so I think you came out on top.”

4. This and Who I Used to Be

The Tick (2017), 3K, Rated G Arthur Everest/Superian

Another new fandom I haven’t written in before, this was a fill for the Rare Male Slash Exchange that turned me on to a pairing I’d never even thought of before I wrote it and am now low-key obsessed with. It is also, to date, the ONLY Arthur/Superian fic on AO3 at all, which is a cool weird honor and fairly indicative of my life’s goal to eventually write my way into smaller and smaller fandoms until I come out the other side with original works. It was really fun to explore these characters, and to figure out some world-building for Superian’s backstory that fit within the tone and established canon of the extant Amazon!Tick universe. Also featuring an original character that nobody asked for but I’ve come to love unconditionally.

Arthur glances down to where Superian has one cheek pressed against his shoulder, humming something off-key and unintelligible with his eyes closed. Arthur sighs. “Let’s get you inside.”

He hauls Superian in until he can prop him against the wall while he shuts and locks the door behind him. When he looks back over, Superian is smiling at him, soft and lazy. He swings a finger in Arthur’s direction, a broad, sloppy motion, and announces, “I knew you’d say yes.”

“Technically I said fine,” Arthur rebuts. He gestures down the hallway toward the kitchen—which leads on to the bedroom, as Superian well knows—and sighs, “Come on. I don’t know what those handcuffs did to you, but you should probably lie down and have a glass of water or something.”

5. Rain in Its Season

Band of Brothers, 12K, Rated G Edward ‘Babe’ Heffron/John Julian

Oh boy. What to say about this one. It’s maybe not as polished as I might have preferred, but I feel that way about mostly everything I write and at the end of the day I do really love what I managed to do with this piece. Written for the Heavy Artillery Rare Pair Exchange, I managed to lean heavily into both my love for needlessly granular period research and original characters, which are abundant herein. Frankly, based on the very little we see of him in the show, Julian himself is practically an OC, but I digress. This was another of the longer pieces I’ve ever finished and I’m proud of it even if I’d’ve liked to write another 15K or so, time constraints notwithstanding.

“Tell me. Please. Why’re you here?”

Babe flinched, gaze dropping to the floor. His heart was a raw, swollen welt in his chest. He swallowed and licked his lips, slow and pained.

“Come on, Julian,” he rasped, low and quiet. “You know why.” He laughed, soft and hoarse, and shook his head, once. When he looked back up, Julian had taken a careful step into the center of the room. His eyes were very dark, his mouth very red, hope and fear warring in his every feature. Babe fisted his fingers in the cotton sheet underneath him, halfway to pleading as he insisted, “You gotta know.”

Julian sighed and came over to hover at the edge of the bed. Babe spread his legs to accommodate the intrusion.

“That was - ” Julian started. His voice failed midway through the protest, and he swallowed, took a breath, and regrouped at a lower volume. “You said that was just buddies, what we did over there. That it didn’t count. That you didn’t want it to.”

The TL;DR of this all being that while I didn’t write as much I wanted to this year in terms of volume, I feel like my quality has been improving consistently and hope it continues to do so into 2021 while I try to finish out some of my years-long WIPs and get into longer completed pieces.

I’m not sure who all to tag, so I’ll say @thesummoningdark, @blahblahblahclintnickiscanon, @thisbadge, @incognito-insomniac, and anyone else who’d like to join in and hasn’t been tagged yet! (If you’re the latter, feel free to @ me so I can see what you’ve written!)

Happy New Year everyone May the fanworks you create this year be prolific and soul-affirming!

#creator wrap #2020 creator wrap

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breaniebree · 5 years ago

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Can you share your journey as a writer? How the idea of writing fanfics came into your mind? Do you have other own fiction too? Also how do start a particular fanfic? As in do you make notes, timeline or character sketches and stuff or do you just go ahead and write and then make notes on facts?

What an interesting question -- thank you for asking! This is literally going to be a novel response (letting you know in advance LOL)

My journey as a writer... I guess I always wrote things down, started as a child when I wrote in a diary and then as I got older I wrote a little poetry, none of it very good (though I wrote a poem when I was twelve to describe the loss I felt when my Nana, my great-grandmother died, and my aunt read it aloud at her funeral). I wrote a few short stories, just little things, prompts from teachers in school and such and then one day I decided I wanted to write my own story. But funnily enough, it actually came about through fan fiction.

I used to love this book series back when I was ten called Trash by Cherie Bennett, and I was completely in love with the characters Chelsey and Nick, and when Jazz claimed that she was pregnant and Nick was the father and it did ended on a cliffhanger and I didn’t have the next book, I remember writing my own version of what happened next -- God, looking back, it was probably terrible, I definitely don’t have it anymore. Pretty sure the book series isn’t that great looking back at it now, but when I was ten, it was great! LOL. I also wrote a side story for Demetrius and Karma, so even then I guess I branched off into subplots. When I was fourteen, I started my own original series, which I am still currently working on and probably will be for the rest of my life if I’m honest -- it’s changed over the years, but the characters and my ultimate goal have stayed the same.

How did writing fanfiction come into mind?

Well, with Harry Potter, it was because of my friend Chris. We used to talk on the phone every single night after school for hours on end and after HBP came out and Harry and Ginny were FINALLY together only for him break up with her, I was so livid that I had to wait to find out what happened! I remember Chris and I debated what would happen in the last book for ages and one day I must have ranted too much because he told me to go write my own story if I didn’t want to wait, so I did.

I was seventeen and it was Harry Potter and the Prophecy Fulfilled: Which looking back at it now, I think it’s not exactly the greatest story lol and you can definitely see where I’ve improved since then. After finishing HPPH, I ended up still having different ideas, all Hinny, and went on to write a few one-shots: Almost Too Late and Beautiful Mess. Then I started writing A Different Beginning, which turned into my Beginning series: A Different Beginning, A New Beginning, Why Don’t We Just Dance?, Life Is Fickle Like That, Graduation Party, and The Reunion. Those of you who have been reading my fanfiction since the beginning know that I originally posted the above stories on SIYE between 2005 and 2007 and had then completed (except for the second half of Life is Fickle onwards before Deathly Hallows was published). I didn’t start posting on fanfiction.net until 2008 and only recently on Ao3. Somewhere in between writing the Beginning Series, I also wrote a few other Hinny one-shots including The Greatest Gift, She Never Lets It Get To Her Heart, I Loved Her First (actually Arthur POV, which I later incorporated into the Beginning Series), The River (which is a standalone but also can be read as part of the Beginning Series), When the Sand Runs Out, and then the mini-series Padfoot’s Advice (Late Night Talks with Padfoot 1 & 2, Padfoot’s Advice, and Secrets from the Past). Then I wrote the short Hinny/Romione story: The Trouble With Secrets and was inspired to write a Jily series, which I did with Crazy Little Thing Called Love, which could technically be a prequel to the Beginning Series as I kept some of the story similar. I also wrote a Jily one-shot called Flowers and another Hinny one-shot called I Don’t Like Your Girlfriend.

I didn’t plan on writing any more fanfiction as university became busy, but then in 2017 I started writing these little Missing Moments for Harry and Ginny both before HBP and then during, and then after. I just sort of compiled them on my computer for a while, wondering if it would turn into a story or not and then the idea came to me one day for A Second Chance after seeing some fan art of a five-year-old-Harry in sunshades and a leather jacket while riding a child’s motorbike next to Sirius in the same outfit and the next thing I knew, this story just pored out of me in February of 2018, I had the first twelve chapters written by March and another five by April. I started posting the Missing Moments compilation, added a few more things including the Remus and Petunia scene from ASC and kept writing A Second Chance and in May, decided it was time to share it and uploaded the first twelve chapters.

By the time I realized it was going to be a long one, I knew which characters I would sacrifice and how it would end, but how I was going to get there I still have no idea. I’m not a writer who methodically plots. I have a few general bullet points at the end of my current WIP chapter and that’s really it. I add to it occasionally as I go, but mostly, I just write as I go along. I can’t tell you how many chapters it will be or how long it will take me to get to the next section because frankly, it’s constantly changes. I do not write in chronological order, which means I am often writing anywhere between 2-6 chapters at the same time depending on what scene has drawn my attention. I might write something today that fits in the chapter I am currently working on and then by the time I finish writing other stuff, I realize that it doesn’t really fit there and stick it ahead into the next chapter or ten chapters from now. I write where my heart takes me and where my creativity flows.

I rarely ever work on more than one story at the same time, though I did write the short Newtina one-shot for my friend Heather as a Christmas present in 2018. She requested it and I couldn’t write it, I found it so hard as I like them but it’s not characters I loved enough to write so I did it with a Luna spin-in, which I found helped. I never take writing requests so this was very different for me, but I think it turned out cute: Say Love, ‘Cause We Got All the Time in the World. I only recently uploaded it a month or so ago because I found it on my computer LOL.

Do you make notes, timeline or character sketches and stuff or do you just go ahead and write and then make notes on facts?

Once I am into the story, my notes are EXTREMELY detailed. I do have a time line and separate documents for the following:

Character lists and family trees

General notes on: Political stuff, bills I’ve written, the sacred 28 document I wrote, tattoos mentioned, important dates, moon cycle dates of Remus’ life, classes I’ve invented (what they are about, who teaches them etc), textbook list per school year, notes on each Animagus form and information about their animals, actual time tables I wrote up Monday to Friday for Harry’s third/fourth, and fifth year, details of Zee and Tonks’ engagement rings, history and outline of Dante’s circles of hell with notes on how to incorporate into story, notes on pregnancy, character’s wands, geographic locations of characters, and any other little notes I think are important but don’t belong in the bullet points at the end of my current WIP chapter

History and ancestry of each family (from Harry Potter Lexicon, Pottermore, Harry Potter wiki, and my own personal creations). This also includes manor information for Potter, Black, Longbottom, Nott, and Malfoy.

Hogwarts lay-out including stuff I’ve added or made up

Ministry of Magic departments and people (known and created)

List of spells (including ones I’ve made up and which chapter and which character introduced it to who)

List and pictures of Sirius’ motorbikes with information on each one

List of Pensieve memories and marauder moments (crossed out which ones I’ve shared already, some are written and waiting to be used and others just a general idea)

Terms and phrases from different languages I’ve used in the past

My playlist of songs I have mentioned in the story

An entire document dedicated to Operation FUVP including a Voldemort timeline which I have now shared in the story itself (also includes when and where each character found the Horcruxes)

A list of some of the recipes I mentioned, and

I have a 72 page document that is literally just detailed chapter summaries to help me remember what the hell I’ve written LOL (also highlights introductions to new characters in a different font colour to help me find out when people were introduced).

Hope this answers your question -- thank you again for asking!

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onlyeverydaysa · 4 years ago

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3. Africa and the novel coronavirus.

Africa enjoyed a short bit of time before the novel coronavirus hit its shores. Here, however; the amount of time that lapsed till the first few reported confirmed cases made the world question whether or not we would be ready to handle a health crisis of this magnitude. Kind of ironic because the entire world including first world countries were and are still not equipped to handle a pandemic of this magnitude as we can clearly see from the numbers and how different areas have shifted to become the epicentre. But I digress.

The first known and confirmed cases in Africa originated from Egypt, and was said to be someone who was not of Egyption nationality who had recently travelled to an area affected by COVID-19 and was reported on the 14th of February, 2020. The last African country to catch COVID19 was Lesotho who recorded their first case on the 13th of May, 2020.

Then on the 5th of March, 2020 the first known and confirmed case was recorded / reported to South Africa. South Africa was ‘the 7th African country to have a citizen test positive for the disease’. The person was said to be a 38 year old male who had travelled to Italy with his wife in a group of 10 people. Here, South Africa was held to be ‘one of 2 countries on the continent with reliable testing capabilities’. But testing capacity has since improved in other countries due to the rapid spread and severity of coronavirus and the need to be able to take care of our people. Here, the rand was said to weaken against the dollar after confirmation of our first corona case.

We watched the novel coronavirus spread rapidly across Africa in quite a short period of time. It almost looked, well, too co-ordinated. Was that just coincidence? I don’t know but again this takes me back to whichever theory you believe in about it’s origins; as that theory might have an answer that suits you. -sips tea- However, one must also take into consideration how much travelling was still allowed during the earlier days of COVID19 and how in general, mild cases have been allowed, in most cases to treat themselves at home - which means the potential for underreporting of real COVID19 cases throughout the world; whilst some non-COVID cases have been misdiagnosed as covid cases potentially inflating numbers in some areas will cause problems for us when analysing what needed to be done, what has been done and what still needs to be done to fight COVID19.

But here is what we do know: every country’s experience of coronavirus is different and as a result everyone has had to respond differently to try address the unique challenges facing their country. The one size fits all approach couldn’t be used to treat this virus, as it has been used to treat other viruses and we are seeing in some instances this difference in approach paying off in some countries whilst going wrong in others which has been both eye opening and scary as the entire world realises that the entire health system has been greatly neglected.

However, despite having been praised for trying to get ahead of the curve by WHO and many others (and also praising WHO for their role in helping to combat COVID19) in our earlier days dealing with coronavirus, our numbers have since drastically shot up (currently sitting at about 23 615 as of the 25th of May, 2020 - Africa Day) and are expected to peak only around August / September/ Also, despite efforts by government to keep people calm and despite efforts by everyone to try and focus on the facts and the science of it all there have been some later decisions that have arguably taken us backward or caused us as citizens to question whose interests are best being served by some of the implementation measures introduced by government to combat / curve / reduce the spread of COVID-19.

But with regards to my experience in South Africa, I would definitely say we tried to do the best we could with the cards that we have been dealt and as critical as I am of politicians, authority and structures I would say that some of the decisions that have been taken have been quite impressive actually, despite potential political, racial and class differences that the country is facing. Also I am very proud of our healthcare sector and how they have managed to actually also encourage us to stay calm by leading by example from our Health Minister, to doctors, nurses, lab techs, scientists, pharmacists, paramedics and other essential staff that work at the health facilities including cleaning staff, security, food suppliers etc. Everyone has just been calm in the public eye. Our response between mid-march up until early April definitely inspired a sense of feeling safe (health wise), albeit not physically; because the army & the police were unleashed on the people causing greater distress.

Some controversial issues raised were in relation to class and how lockdown impacted on the unemployed, underprivileged and working class in a society that is so deeply unequal - actually even known as the most unequal country in the world. Social media has opened the door for all these different debates, with many people openly questioning and criticizing some of the decisions taken by the government. Most notably, the open letters to the president written by Ntsiki Mazwai and Gareth Cliff which caused a stir. For which I will definitely say at the time Ntsiki raised some valid concerns even though her tone was harsh. Gareth’s letter stated nothing new, but then when he was questioned on it, on the popular South African tv show the Big Debate SA he didn’t really articulate himself well and quite frankly was quite rude and unfortunately played into critiques belief that he was clout chasing and seeking relevance (a story for another day). (This all depends on which side of the debate you fall on, I guess).

Meanwhile, round-about mid to late-April (21 April, 2020) Madagascar announced a herbal mix remedy called COVID Organics that is preventative and curative in nature. The remedy is said to contain Artemisia Annua, a plant used in medicines to combat malaria, for which it has been critiqued to say that this plant does not fight malaria in its plant-like state. Here, several African countries had opted to try it by mid-May, including: Liberia, Equitorial Guinea, Guinea Bissau, Tanzania, Central African Republic, the Democratic Republic of Congo, and the Republic of Congo who have all ‘received some bottles’ of COVID Organics. The emergence of this remedy sparked growing debate around the usefulness / effectiveness in herbal and traditional medicine in combating COVID19 here on the African continent even though China has been exploring this option since February. This resulted in WHO cautioning against herbal remedies that are untested but criticism for the centering of Western medicine as the solution has grown. This led to a call to boycott WHO on social media which never really went further and was then resolved when WHO was rumoured to have agreed to look into COVID Organics but concerns were raised around the non-disclosure clause said to be agreed upon between the two (also rumour, as the sources on this are now more scarce). However Madagascar is still a member of WHO and supporting WHO. Madagascar was recently elected (22 May) on their executive board.

Personally, I believe a combination of both forms of medicine must be looked into, because some homemade remedies have proven effective in combating or helping to boost our immune systems against flu and if flu is a virus that logic holds. But on the other hand, noting that respiratory illnesses like pneumonia require antibiotics and other inflammatory and other drugs as well as liquids, rest, and possible oxygen therapy a more impactful drug with organic properties may be what is needed. But again I am not a medical expert so I am merely stating an opinion based on my understanding - its not fact. Anyway, interestingly enough: Madagascar only had 121 cases and no deaths at the time of releasing COVID Organics. Now by the 25th of May, 2020 they had 527 cases (I stand to be corrected). This is still significantly less than most countries especially for a population of 27.6 Million people so they must be doing something right even if it might not be linked to medicine - it could just be that they have disciplined citizens who are taking care of their health by eating healthy and practicing effective social distancing and sanitization.

To date, Africa as a whole continent has had 111 812 confirmed cases of COVID!9, with 3 354 deaths and 45 001 recoveries as of 6am, (25 May, 2020). In blog posts to follow, I will continue to touch on South Africa as my primary example of what is happening (for obvious reasons as you can tell by the name of this blog) and I will then try to give examples of what has been done in other countries.

*Disclaimer (again): images aren't mine. I just use pics from the net from the sources I touch on, for my posts.

*Wrote this piece on Africa Day, but struggled to post it.

*A reminder that the blog posts in the 21 Conversation series are just bits & pieces of the COVID19 experience that I have found worth talking about touching on some facts, some opinion and some theories you may or may not agree with, I have linked some of the sources that speak to these issues in all the posts that range from news to stats and facts to blogs to youtube so take everything with a pinch of salt. But always keep up to date with coronavirus news through reliable sources and keep up to date with your country’s rules, regulation and other legislation through official government sites. I hope lockdown is treating you well if you are in lockdown and if you happen to be reading this and your country isn’t on lockdown let us know how your country is handling it. Stay safe everybody.

M.T.M

Sources:

1. https://www.aljazeera.com/news/2020/02/egypt-confirms-coronavirus-case-africa-200214190840134.html

2. https://www.thesouthafrican.com/news/world-news/first-coronavirus-case-south-africa-who-is-it-where-reported/

3. https://techcentral.co.za/first-case-of-coronavirus-in-south-africa/96364/

4. https://edition.cnn.com/2020/03/05/africa/south-africa-first-coronavirus-case/index.html

5. https://www.cnbcafrica.com/news/2020/03/05/south-africa-confirms-first-case-of-covid-19/

6. https://www.iol.co.za/news/politics/coronavirus-in-sa-who-boss-praises-south-africas-response-to-covid-19-pandemic-45923836

7. https://www.cnbcafrica.com/news/2020/04/09/african-union-reaffirms-support-for-who-amid-covid-19-pandemic/

8. https://www.sabcnews.com/sabcnews/who-again-heaps-praise-on-south-africas-response-to-covid-19/

9. https://mg.co.za/article/2019-11-19-why-sa-is-the-worlds-most-unequal-society/

10. https://www.timeslive.co.za/news/south-africa/2018-04-04-poverty-shows-how-apartheid-legacy-endures-in-south-africa/

11. https://www.bbc.com/news/world-africa-52125713

12. https://businesstech.co.za/news/government/396473/handling-of-the-covid-19-crisis-makes-mkhize-a-stand-out-leader-analysts/

13. https://www.cnbcafrica.com/africa-press-office/2020/05/12/coronavirus-south-africa-employment-and-labour-praised-for-prompt-payment-of-coronavirus-covid-19-temporary-employer-employee-relief-scheme-ters-benefits/

14.https://select.timeslive.co.za/news/2020-03-23-sa-states-response-to-covid-19-gets-a-huge-thumbs-up/

15. https://www.bbc.com/news/world-africa-52619308

16. https://businesstech.co.za/news/government/395685/extending-lockdown-would-not-delay-south-africas-coronavirus-peak-by-much-mkhize/

17. https://citizen.co.za/lifestyle/your-life-entertainment-your-life/entertainment-celebrities/2261937/ntsiki-mazwai-pens-scathing-open-letter-to-ramaphosa-opposes-lockdown/

18. https://www.youtube.com/watch?v=OFPD2zj6DCE&t=6s

19. https://www.garethcliff.com/dear-mr-president/

20. https://www.youtube.com/watch?v=n8iGnW2cSYc

21. https://www.worldometers.info/world-population/madagascar-population/

22. https://www.reuters.com/article/us-health-coronavirus-madagascar-idUSKBN22K1HQ

23. https://www.msn.com/en-za/news/other/madagascar-launches-miracle-drink-for-coronavirus-infection/ar-BB12WZoM

24. https://africa.cgtn.com/2020/04/21/madagascar-president-backs-unproven-herbal-treatment-for-coronavirus/

25. https://www.aljazeera.com/news/2020/05/coronavirus-madagascar-herbal-remedy-covid-organics-200505131055598.html

26. https://www.bbc.com/news/world-africa-52374250

27. https://www.aa.com.tr/en/africa/who-to-study-madagascars-drug-to-treat-covid-19-/1840971#

28. https://africacheck.org/fbcheck/no-madagascar-hasnt-quit-world-health-organization/

29. https://www.africanews.com/2020/05/25/coronavirus-in-africa-breakdown-of-infected-virus-free-countries/

30. https://www.webmd.com/lung/understanding-pneumonia-treatment

31. https://www.drugs.com/condition/pneumonia.html

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ed-edward-blackbeard · 5 years ago

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Fanfic Author Meme. Keep Reading after question 2 for 3-50.

1. What was your first fic and could you stand to reread it today?

Jesus Lord, no. I’d die of secondhand embarrassment before I got halfway through it. It was never published online, thank Christ. It was called … ugh, I don’t remember what I called it, but it was a line from Edmund Spenser. (Don’t judge.) It was an OC female character and Autolycus, from Hercules and Xena, played by Bruce Campbell. It was… a SHAMBLES. Self-insert, wish-fulfillment of the worst kind. But, my friend Alicia read it at the time and she told me how great she thought it was, and I should keep at it. So, thank you, Edmund-Spenser-titled-fic.

2. What’s your most recent fic and how far do you think you’ve come?

It’s called “i commit sins every day but i never give my soul away”, and it’s on my AO3 at https://archiveofourown.org/works/22951009. And I actually don’t have a unit of measurement for how much I’ve improved. But it’s also been… God, I’m 43 today, so it’s been 27 years I’ve been writing. Almost thirty years. Shit, I’m old.

3. In your opinion, what’s your best fic?

Oh, man. Tricky question. If by best you mean technically written, most enjoyable? I’d say maybe wasting the dawn. Definitely By Inches We Fall. But to be totally honest with you? I think my best fic, the one that got me, personally by the throat, shook me, and hasn’t let me go? Shoah. It’s one of my earlier fics, from the Sentinel fandom, but man. Writing this was rough. I did my research on concentration camps, and I couldn’t sleep right for weeks. Lisa and Patt were holding my hands over AIM practically every night when I was sobbing that I couldn’t finish it, that I couldn’t do it, that it was too much. (I’d have been about fucking seventeen, maybe nineteen, when I was writing it.) I bit off way more than I was prepared for, but I didn’t quit. And I’m proud, quite frankly, that I even finished the damn thing, but even this far removed from it, I still feel that gut-punch when I go back re-read it, which is why I don’t. And haven’t for a couple of years.

4. In your opinion and without looking at any numbers, what’s your most popular fic?

It’d probably be Consortio.

5. Is there any fic that makes you super happy to reread and remember you wrote that?

I actually feel that way about 99% of my stuff. Even some of the older stuff, I re-read it and I get really happy because not only do I see myself changing and maturing, I realize I was harder on myself than I should have been. I didn’t suck like I thought, and I get the warm fuzzies.

6. Is there any fic that makes you super embarrassed to reread and remember you wrote that?

Er, not really? I mean, there’s some cringey shit I wrote when I was like, twelve, but not even I know where those notebooks got off to.

7. What’s the fic you most want to continue (unfinished or no)?

By Inches We Fall. It’s my only Game of Thrones fic, and I feel like I really want to continue the story of Jamie and Brienne and their kids, and of Jaime being Hand to King Jon and Queen Sansa.

8. What’s the oldest (longest since last update) fic you most want to continue (unfinished or no)?

How Firm A Foundation. It’s a Deadwood fic, and I (many years ago, when Deadwood was actually on the air) actually sketched out how every chapter would go. There’s a few things I’d change today, if I started it again, just because I can plot better than I could ten years ago, but I think the thread of the story is gone forever.

9. Have you ever written for a fandom without watching/reading/playing the source material?

Yami No Matsuei. A friend of mine was actually heavily into YnM, and I wrote several stories for her. Later I’ve watched some of it, and I realize I did okay on my characterizations, but there’s always things I could have done better.

10. Have you ever written for a fandom without reading other fanfic for it?

Pretty much every fandom I have ever been in. I don’t read a lot of fanfic, because I’m afraid (almost paranoid, in fact) that I’ll internalize something I’ve read and later spout it out in my fic, and I don’t ever want to copy anyone, deliberately or otherwise.

11. Have you ever written a fic for a concept you know someone else has done before? How did it impact your writing process or feelings after posting?

I have, and I didn’t publish it for the reason above; I didn’t feel like my take on it was original enough to bother.

12. Have you ever written a fic and decided never to publish it? Why?

Lots of reasons, actually. Sometimes I write with the intention of not publishing, it’s something just for me. I’ve also written a few fics that I ended up absolutely hating, and they’ve never seen the light of day. I’ve also done some that I felt wasn’t original enough, or they were written about the trope du jour, and I had nothing else to offer that ten other people hadn’t already done.

13. What’s the biggest change between your style when you started in fandom and today?

Sentence style and structure. I used to do the whole, “He said.” “In reply, she said.” “The sky was blue when he rode in.” And then a few of my better friends (and betas) took me in hand and showed me how to mix it up, chop my comma addiction in half (seriously, I once had a single sentence run on for twelve lines.) and I feel like I get a better grip on characterization.

14. What’s the biggest change in your taste between when you started in fandom and today?

Sex. I used to write it in everything. And then the more I wrote, and the older I got, the less I wanted to write it (or read it, or talk about it.) So I’m a lot more comfortable writing non-sex stories than I used to be.

15. Have you ever purposefully written one fandom/fic idea over another because you knew it’d be more popular?

Of course. I think everyone has, at one point or another.

16. Have you ever stopped writing a fic/for a fandom because it wasn’t receiving enough attention?

Anything I’ve ever abandoned was lack of my own attention, not anything else. I’m kinda used to not getting a lot of attention.

17. In your opinion, what’s your most overrated fic?

What He Wants. It’s pretentious wankfic, for a pairing I don’t actually like all that much (Lucius/Harry), and I just feel like everyone loves it way more than it deserves.

18. What’s your most underrated fic?

I’m gonna pick on Shoah again, because I feel like it just doesn’t get enough love. I’m biased, because of how emotionally attached I am to the fic, but I feel like it’s ignored.

19. If you had to pick one fic/scene/chapter of your work to describe your entire portfolio to a stranger, which would you pick?

Wasting The Dawn. It’s a Magicians fic, and it showcases every character from the show, and I think I did a passable job of hitting every voice. So I’d be proud to show that one around.

20. Have/Would you ever rewrite a fic? If yes, would you take the original down?

Would I rewrite it? Sure. Would I take down the original? Um, that’s a little more difficult. On the one hand, I’m not really ashamed, as such, of anything that I did. But having two copies of things would get really complicated and onerous. I might actually start a second pseud, like maybe kelex-originals or something like that, and move the originals over to that, and leave the rewrites on my main, with a link to the original in the notes. Yeah, that’s probably what I’d do.

21. If someone starts kudosing and commenting your fics in a spree and has a few works of their own, would you go look through theirs?

HELL YES. Mostly because I’m always looking for shinies to read in fandoms I don’t write for. I also kind of like to read their stuff and get a feel for who they are and why they like what I’ve got. But mostly, I just love it and it makes me giggle watching someone go through my fics and like EEEE THERE YOU ARE AGAIN.

22. Has there ever been anyone who’s made you freak out because they read your work and followed/favorited/reviewed?

Fucking scads of people, actually.

23. What’s the nicest review you’ve ever gotten?

Oh man, I’ve got a fuckton of good ones. But the one that I always get a kick out of is on one of my Gotham fics, and the comment was along the lines of, the tag mentioned bed-sharing and they thought that was all it was going to be, but it was so much more and they got caught up in it and it was wonderful. And that’s my favorite (if not the nicest) because I love the fact that I was able to give someone something they enjoyed, even more because it was unexpected!

24. What’s the meanest review you’ve ever gotten? Do you think the reviewer intended it?

It was a review back in the days of OneList, and I was told that my pencils should be broken and my keyboard taken away because I was a terrible writer. And yes, I know they meant it.

25. What constructive criticism, however well-meaning, always makes you feel bad when you see it in a review?

It’s less a concrit and more a crit. But it’s always, “why did you do X? It was out of character!” and that makes me grit my teeth. Mostly because I feel like I’ve always explained, thoroughly, why I’ve done something (whether in dialog, in the writing itself, or heavily implied in monologues), and that question always makes me want to throttle someone because either they didn’t get it, or I didn’t.

26. What aspect of your writing do you most enjoy to see praised?

Humor. I’m a sarcastic bitch, and when it’s appropriate (and sometimes when it isn’t), I have funny characters or have characters deadpan things. And it delights the fuck out of me when someone highlights that as one of their favorite parts.

27. If you could only ever write crossovers or single-fandom fics ever again, which would you pick?

Single fandom fics. I’m not a fan of crossovers, though I’ve written them from time to time, and probably will again if I think it’s appropriate. I just prefer not to cross the streams, as it were.

28. if you could only ever write for a single crossover or a single fandom again, which would you pick?

Good Omens. Hands down. So. Many. AUs. So many ideas. So many delightful characters.

29. Does the division of your writing across fandoms line up with your reading? What’s the biggest discrepancy?

It does not. I read far, far less than I actually write.

30. Do you continue to write for a fandom after you’ve moved on or do you focus solely on the new one?

I usually focus on the new one, however, I’ve occasionally re-visited a fandom after I’ve left it, because inspiration hits me, or I’ve gotten back into it.

31. Who’s the one character you’ve just never managed to get perfectly right?

Margo Hanson, from the Magicians.

32. Who’s the one character who shines without you even trying?

There’s a few. Eliot Waugh, Lex Luthor, Jack O’Neill, the Doctor (9 & 10 mostly)

33. Is there any particular character whose scenes always wind up being longer/more frequent than you expected? Does the quality hold up?

Not really? Characters and scenes are as long as they need to be. I do think the quality holds up, though, because honestly, by the time they’re done, I’m done.

34. Was there any fic that you wrote that really surprised you in the fandom reaction? Was it just by the numbers or did they take it an entirely different way?

Not really, or if there was, I don’t remember it.

35. Have you ever written a ship into a fic without meaning to?

Yup. It snuck in there, especially in the background early on, and by the end I was like, what the fuck, I don’t even ship you, YOU DON’T EVEN GO HERE.

36. Have you ever sincerely written a ship you do not support into a fic?

Nope. If I don’t like a ship, I don’t write it.

37. Have you ever purposefully bashed a character/ship in a fic?

No. Not as a writer. But like, I have written a character saying “I don’t think X belongs with Y, they belong with me!” because that’s pretty much how the actual relationship went down. (Spike, Buffy, Riley most specifically.)

38. Have you ever purposefully written something you know your readers would find uncomfortable/would not enjoy? If yes, why?

Very, very, very many years ago. I wrote it just to see if I could. I could, I did, and I haven’t written it again.

39. Do you consider yourself to have a readership?

No.

40. Do you feel like you put out enough content?

I feel like I put out what I need to. Is it enough? idk.

41. If you cross-post your fics on multiple sites, do you have a favorite? Are there certain fics you would only post on certain site?

AO3 is, hands down, my favorite. For awhile, I was posting to WWOMB (Wonderful World of Make-Believe) but I’ve stopped there, sadly.

42. How many views has your most popular fic gotten?

Consortio is my most popular fic, and it’s gotten 21,658 hits. Although the fic is multi-chapter, so I don’t know how to break that down into individual hits. In fact, four of my five most popular are multi-chapters. The only single-chapter fic is What He Wants, clocking in at 6,743.

43. Your least popular?

The Rose and the Yew Tree, with 0 hits.

44. Do you follow/favorite/kudos/comment/review more stories than you have received?

Unfortunately, no.

45. If you had to call yourself an author of a single genre (besides fanfic) what label would you give yourself?

Pornography.

46. Do you consider yourself a diverse author?

Diverse as in fandoms? Yes. Diverse as in style? Not so much.

47. If someone you know in real life who isn’t involved in fandoms asked to read your work, would you let them? If yes, what would you recommend they read first?

I’ve done that before, and I’ve tailored it to the person and what I know they like. For example, my old boss got me hooked on La Femme Nikita (the Peta Wilson one), and so when she wanted to read my writing, I gave her my LFN fics to read.

48. Does anyone you know from outside of fandom know you write fanfic? Are they involved in the same fandom too?

Yes, and some of them.

49. Has anyone in your life ever read your fanfic just because you wrote it?

Yes.

50. Has writing fanfic had a significant impact on your life? Would you say it’s entirely positive?

It has had a very significant impact, and no, it hasn’t been at all positive. Some of my best moments, as well as my worst, are because of fanfic and fandom, but fanfic in particular. Fic’s brought me close to people, fic’s pushed me away from people, and it’s made people change the way they look at me.

#everything you ever wanted to know about me #but were afraid to ask #fanfic writers meme #askbox meme

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egdocument · 5 years ago

Text

About the EvaGeeks wiki and why you shouldn't trust it, concerning mainly one user.

On the subject of EvaGeeks: Let’s talk about the manipulation of information on the wiki, and perpetuated “nastiness” on the forums that has persisted for several years now. THIS IS A MIRROR OF THIS GOOGLE DOCS FILE. (My twitter post.) You can share this post or the original document freely, use parts of it, etc. I want this document to simply serve as a warning to new Eva fans and those less familiar with EvaGeeks and their history - as well as an update for people who haven’t seen the current state of it.

NOTE: If you can’t read any of these images, these are Imgur albums containing all of the notable ones: https://imgur.com/a/z2mGvvX https://imgur.com/a/oAgufc3

The intent of this document is not to “take down�� the wiki or forum, obviously. The intent is simply to inform people of the dangers of trusting this site with their Eva info. It might be the best we have but that doesn’t mean we can’t improve it. I would actually love to see a more community cultivated version of the site with less biased information, but I fear that will never happen. The anxieties of any one (or many) individual(s), which have prevented consistent change until now are well justified, and it is not within reason to blame the outsiders for never bothering to correct the myriad of issues with the wiki. Please extend kindness to other Eva fans and approach sites like EvaGeeks with the appropriate scrutiny, if you aren’t already. We’re divided enough as it is.

Before I begin, I must state: All of the information presented is publicly available, either through main pages, chat logs or history. And yes, the link to join the Discord server and verify the information given in this is publicly available too. I will not link it myself, as I want to avoid any possible harassment of the users I speak about here. Harassment is NEVER the answer in any kind of conflict. This behaviour I don’t believe can go unchecked, but that doesn’t mean the consequences of it should be any kind of conflict towards any user. I will be naming them here so you are aware, but I really do have to advise you, as a reminder, DO NOT HARASS OR ENGAGE WITH THEM. The rule of thumb is that these issues are more systematic than you might think, and blaming or taking it out on a singular person or even a whole group is never justified. Targeted harassment, even with reason, especially never helps to remedy an issue, because it forces the person to double down on their behaviour and beliefs. Causing unnecessary pain to a person is never okay, and the ‘offences’ committed here aren’t deserving of it in the first place. Please also consider the feelings of the people who use the server and EvaGeeks site; not everyone is your "enemy" or your "target" (and frankly, no-one should be) and despite the feelings echoed in this document, EG is not a monolith of a singular opinion or belief.

The purpose of this document is to inform people of the ways EvaGeeks fails objectivity and has existed to push narratives and exclude outsiders for far too long. With new people coming into the Eva fandom (and there of course being others who have been around for quite a while but just aren't aware) I feel like now is the best time I could write this.

As for what prompted this, an anonymous member of the Discord server contacted me regarding the behaviour of one particular user they were concerned about. Said user had expressed considerable bias in the past and was admitting to making large edits to pages on the wiki very recently, and the person who contacted me felt unequipped to bring the issue to light themselves.

A decent amount of this document will be dedicated to presenting said user's contributions - while I feel someone always had to address the EvaGeeks Problem at large, it doesn't help that this user has essentially incriminated himself here to expose the problem in its entirety.

There is quite a bit of pretense I must discuss before I get into the subject of the wiki pages themselves. I suggest you read all of it; the start of the wiki section will be in heading text if you’d like to skip to it. I’m sure information on the biased editing of wiki pages is privy to anyone who has used the server or the site itself, but at the server’s current status of 60 entire members, I know not everyone has, or is aware of what the problem actually is. Please note that the person who contacted me has requested anonymity and I will be complying. I will not include screenshots of their conversation with me, and anything I quote from them will be paraphrased so nobody can go full Sherlock and analyse their typing patterns. It sounds silly and it’s probably just paranoia, but they shared my concern here. Any conflict we can prevent is for the best. EvaGeeks, of course, has a culture very much promoting the idea that it’s the “number 1 source for all things Eva”, and for English speaking fans it definitely is - you’d be surprised the amount of people who still, after all these years, think this site is consistently reputable. For the sake of context, I’m going to assume that you are not all that familiar with the site’s history or nature, so I’m going to provide a little bit of information about it for those without any first-hand experience. The forums in particular cultivate a very join-us-or-get-out type community, where those who dare to go against the grain get incentivised to leave the site; they’ll claim this isn’t the case if asked and obviously the site is NOT a hivemind but that doesn’t mean it’s not insular. I can vouch for myself and many others who refuse to go in more than a few threads for fear of discussion turning particularly nasty. Even the server member who came to me about this has stated they feel it “might not be a hivemind but it sure feels that way.” Silencing dissent, even when officially-backed, is part of their culture. You don’t have to personally harass everyone who has an opposing thought to you for it to not feel acceptable, you just need to have a history of mocking those who do. If you want some previous, notable cases of “discussion turning nasty”, here’s some off the top of my head: 1. The AWL Incident - In which ADV VA of Rei and director of EoE dub, Amanda Winn-Lee, joined the forums for discussion and was promptly harassed by a user. Most of these messages have been deleted but you can view what remains of her post history here. 2. Recently brought to my attention: upon beginning translation of the Episode 24 drafts, EG forum user LiLi was subjected to incentive to leave, mostly in the form of homophobic disgust in replies to her thread or others they were mentioned in. Any information that goes against the cultivated narrative, even when it is literally officially licensed content, is only ever considered with a degree of reluctance. The fact these drafts co-exist with other pages concerned with this episode is almost a miracle. You can find plenty of repeat instances of the above if you want to (more to do with homophobia and misogyny than outward hostility, but honestly it’s the same thing.) A look at basically any EvaGeeks thread concerning pairings or the female characters will unearth a variety of awful comments from many other users, not that that would be surprising to anyone who has spent more than two minutes in the fandom. Now, of course, that’s very relevant to the topic at hand even if it doesn’t seem to be. The EG wiki and forum have quite a bit of overlap and circular influence on each other as you’ll see later if you aren’t already aware of it. For a short summary before we jump into things and analyse our subject of the day, this essentially means that anyone with an opinion or information the majority doesn’t like will never get in a position good enough to edit the wiki and keep the edits there. This has resulted in many articles filled with conjecture and fan speculation that serve to shut down other viewpoints, whether it’s intentional or not.

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ON THE TOPIC OF THE EVAGEEKS WIKI

The issue surrounding homophobia and downplaying of references to LGB content in Eva, through proxy of fan-dictated content control and translation is not a new one by any stretch of the imagination. I'm sure you're all very well aware. It’s far from the only issue present in the fandom but it will be our subject of conversation today. Any ‘one instance’ of this persistent behaviour from Eva fans is never going to be enough to summarise how insurmountable it really is, though, so today I instead draw your attention to one user of the wiki who goes by the name of FelipeFritschF and his recent, frequent updates to pages concerning Nagisa Kaworu.

[TOPIC: FELIPEFRITSCHF]

I must reiterate here: although this document is mostly concerned with this user and will contain a number of receipts from various places, it is NOT supposed to function as a hit piece or inspire any kind of mob. Leave this guy the hell alone, just be aware that he’s the one making most of these changes and isn’t a particularly impartial party, to put things lightly.

Now, before we really get into things, it should be stated that the EvaGeeks wiki requires approval to get your edits there, as stated at the bottom of the homepage, here:

This means that anyone making consistent edits to the wiki has in fact been approved, and this isn’t the result of lack of maintenance.

What you’ll find is that it is consistently Felipe making edits to the pages in question. Kaworu’s bio page, for example, is almost entirely edited by Felipe, which we can see from the “History” tab of the article.

This is barely half of his edits made in the last few days. Take a scroll through it yourself if you’re so inclined. This hilarious bit of waffle was added by Felipe a few days ago and since revised since by him, as shown here.

(As an added bit of comedy, the man who decided to add in the Japanese in the first place apparently didn’t know the difference between 好意 (kindness, what Kaworu actually says) and 行為 (action). It’s been fixed since but I still think it’s quite funny.) Now, as anyone with even a rudimentary knowledge of Japanese knows, 好き is not actually a very ambiguous word at all. I think it goes without saying, though, and I’m not here to have an argument about translations with you all (for the record, Kanemitsu’s now scarily infamous translation of this scene is perfectly fine with me in a vacuum, it’s just literally everything else surrounding it that’s the problem. Also, regretfully, I will have to speak about this nonsense later when it becomes relevant.) I’m using this as an example instead, to show how utterly ridiculous this guy’s additions to these pages are. He’s not even making a point here. It keeps going past this excerpt, and I suggest you read the whole thing (Kaworu’s page is linked above.) The point of bringing this up - and when I eventually discuss the Netflix translation when it’s necessary - is not to complain about semantics, although I’d argue that’s what’s happening in these articles, honestly. It’s just helpful when proving the actual point of the editor being incredibly unreliable and biased in how he phrases and omits things.

On the page dedicated solely to Shinji and Kaworu’s relationship (which is basically identical to their section on Kaworu’s page as far as I can tell), we can see that Felipe has also edited this several times, and even credits himself with expanding the version on the Evangelion Fandom Wiki now copy and pasted back to EvaGeeks.

The kind of “discussion” (very much not discussion when added to a wiki page supposedly presented as factual information, is it, frankly?) would be fine if it was happening in the EvaGeeks forum itself (and happen does it ever, but that doesn’t change the inappropriateness of this particular behaviour.) What I find disturbing is that in the past few days, this user has gone out of his way to make some already worrying articles even worse, presumably in an attempt to silence discourse, or add more fuel to the flames, surrounding the new Netflix translation. He has a whole page on that one, too, one which is very up-to-date in some regards and not at all in others, despite only being added a few days before me compiling this information. Frankly, going through this whole page on its own is a huge waste of my time considering how BLATANT it is in its biases, but I’ll do it anyway. It IS only a Theory and Analysis page (which is essentially an EvaGeeks free-for-all), but I think it’s quite bothering that the site even allows Theory and Analysis pages that consider only one viewpoint and are written by one person. The forum, presumably, is connected to the site for a reason.

I’m just going to link it here, for the sake of brevity. https://wiki.evageeks.org/Theory_and_Analysis:Kaworu%27s_lines_in_Episode_24 I suggest you read this before continuing. For a slight departure, the original theatrical Funimation dub of 3.0 is partially available for viewing online, although the audio is in cam quality so you may want headphones if you have plans to watch what’s there. The home media dub’s major changes are to issues with lore and localisation of jargon. While not directly mentioned in this article, it is implied from the subject that this is what it’s about; it’s been speculated that the very literal translation of Episode 24 in particular has come about due to Khara’s embarrassment with how Funimation’s theatrical dub of 3.0 handled Kaworu and Shinji’s relationship rather loosely. Despite these claims, every instance of the two sharing (honestly pretty awkward and unnecessary) flirtatious back-and-forths are still present in the home media version, barring an instance in the stargazing scene where Kaworu’s dialogue was translated even worse than it is in the final dub. If you don’t believe me, do the comparisons yourself. It may not be conclusive, but I think it puts mostly to death the rumour that “a Khara employee was there and saw how people laughed at the Kaworu and Shinji scenes and demanded it needed to be changed for the final release and now that’s being reflected on the new translation”, which is what it tends to boil down to.

It also goes without saying that NO ONE PERSON is “the most qualified” (holy shit, is this entry not even bothering to hide how biased it is) to translate an entire TV show, let alone something like Evangelion. Let us not forget that Kanemitsu’s claims that he respects “ambiguity” are not even true to begin with. EvaGeeks itself is a shining example of Eva fans, of which Kanemitsu is one and this is even discussed in the article, not being impartial enough to be tasked with discussing Evangelion! (There is obviously issue with citing the ADV translation as a source of all truth; if you read further into the thread on my tweet [the kitchen scene in EoE], I provide extra context for those interested, which I am aware has been spread around Discord and other places without that context included. Of course, I’m not an unbiased source either as you can probably tell from my tweets nor am I claiming to be, so please feel free to discuss these things in other places if you want. I’ve just got the tweets I have on hand here. Sorry about that.) Next, the repeat claim that this is “Khara’s licensed translation and thus the most accurate version” is pretty obviously nonsense; I’m sure I don’t need to point out to the audience that Japanese companies meddling in localisation has ended poorly in the past, or that Khara uses questionable translations from the dubs of the Rebuild films on licensed merch from time-to-time, or that the translation was fairly obviously not overseen or even QA’d by anyone following Kanemitsu’s translation work judging from the myriad of grammatical errors, missing subtitles and overly literal, poor sounding phrasing present in the final work. (Do I need to source this? Just watch the damn thing.) It’s not even like the ways it was translated have been consistent through different versions on Netflix; some were translated from Kanemitsu’s English to other languages judging from the obvious mistakes being present in multiple tracks, and some were barely even translated at all - the Italian version, the dub of which is mysteriously now missing, was so bad people were commenting that it sounded like Shakespeare or that it was translated word for word from Japanese. I dunno about you, the reader, but something about “Khara only bothered to check very rigorously the English version for their specific requests with the translation” doesn’t sound like what really happened to me. It’s more like they’ve just sent a translator they have worked with before to work on a project of theirs. Apologies for engaging in speculation, but that’s all this whole article is anyway. It’s just something I noticed from skimming through the page, but I find it quite interesting that Felipe makes a blanket statement about the excerpts from Schizo and Prano “being wrongly attributed to Anno” and then the source he provides for that is just someone on the EvaGeeks forums saying the same thing with little proper sourcing, when that was never really the intent of their post anyway. An interview summary exists where Anno has stated he wrote both books himself, and if you haven’t seen it, here it is. It’s obviously flimsy at best, but Tokyo Otaku Mode is an officially licensed Evangelion distributor. If Felipe is going to parade around his love for the Very Official Khara Subtitles Of NGE he can at least extend the same gratitude to other forms of official information; I mean, frankly, this article is about as reputable as anything in the Netflix subtitles are. Lastly, another thing I found quite interesting is his strange love for the ADV VHS subtitles. I really, really think this is obvious, but subtitles changed in later versions of the ADV release were changed because they were deemed incorrect. I don’t have sources for this so take it with an absolute grain of salt but I believe there’s even a commentary track on the Platinum release where the translator talks in depth about why she translated episode 24 as she did. It’s not exactly a better word than Kanemitsu’s, but if we’re considering translator’s word as law for whatever reason like Felipe is here, we might as well consider hers, too, right? Oh, and actually, have a look at the sources used on that article. Most of the sweeping statements he makes have absolutely no backing beyond what he’s piecing together from old and irrelevant interviews (when discussing the Netflix translation) as well as...linking Kanemitsu’s job history...I mean, sure, the guy is qualified, but do I really need to go over this again?

INTERMISSION: Speaking of sources, you might have noticed from perusing these articles yourself that EvaGeeks has a very low standard for sourcing to begin with, which is likely partially to blame for how things like these articles can even exist in their current forms in the first place. A site that doesn’t have such a lenient policy on sourcing, though, is Wikipedia. Felipe, of course, cannot stay within the confines of the fandom and has decided to have a go at providing some information to Kaworu’s actual Wikipedia page as well.

https://en.wikipedia.org/w/index.php?title=Kaworu_Nagisa&action=history Felipe is far less to blame for the state of Kaworu’s Wikipedia article, which is honestly pretty bad to begin with. There have been plenty of other people editing this one and the rather homophobic “Relationship with Shinji” part of the article has been present for a while before he started editing it. (The fact this article literally uses someone being explicitly homophobic as a source is not surprising for Eva fandom, but holy shit, am I disgusted every time I reopen this page. I'm not even going to bother figuring out who added that one.) I do wonder if his reasons for not desecrating this page the same way he has on EvaGeeks is because he knows it wouldn’t stay up for particularly long. Reminder that he is also the main editor of the same pages on the Evangelion Fandom Wiki, which is essentially a copy and paste of EvaGeeks. Of note is this little tidbit I found:

This is what Felipe then deleted, as this is apparently not relevant, despite literally being about Kaworu’s relationship with Shinji. I mean, I’m sure this could have been put in somewhere else and perhaps phrased a bit better, but why the hell would you outright delete that kind of information? It’s supposed to be a wiki, not your own personal opinion chamber. BTW, this is the thread post he links as a rebuttal to that person adding it, and it’s probably for the best it’s presented here with context: https://forum.evageeks.org/post/886380/NGE-Ep24-Script-First-and-Second-Drafts/#886380

He clearly thinks he has a point here, but I’m not sure what exactly he’s going for. Basically everything he’s saying is conjecture, and while I can kinda see where he’s coming from it sure does completely fail to address the intent as explained in this interview. “Read the whole interview” is very dismissive, especially when the interview in full doesn’t exactly contradict the initial point. It does say quite a bit, how he will disregard official information when his wiki articles themselves are full of nothing but rambling.

Here’s another relevant and quite funny Discord screenshot:

Felipe is making a pretty hypocritical statement here. I’m sure he does have a point - there’s probably been quite a bit of vandalism happening to these pages which isn’t exactly surprising (again, Eva fans are not often rational people, please be honest with ourselves). That being said, I think there’s a particular irony to the man who has written many very, very long paragraphs on the wiki pages he has control over trying to stop people from thinking there might be anything but “ambiguity” between a pair he doesn’t like.

In the case anyone reading has forgotten: the purpose of a wiki should be to provide unbiased information on the material it discusses. Obviously the repeating of “innocuous” statements about how “ambiguous” it all is, in the vain of EG’s now made fun of ‘we don’t know what he really meant by that’ and ‘why Kaworu is so intent for Shinji alone to have happiness remains a mystery’ are pretty obviously intended to downplay the very, very obvious “subtext” and leagues of official information provided.

It kinda goes without saying that WE CAN INFER THESE THINGS FROM THE ACTUAL INFORMATION ON THE WIKI, you don’t need to add a disclaimer to everything going “well we just don’t know what it means!” (even in instances when we do know what it means, but that’s almost besides the point). You don’t need to add in these statements, unless you’re trying to sway people into ignoring what's presented by the show. If you want people to draw their own conclusions, you are in fact capable of presenting information without commentary - in fact, that's kind of the whole point of a wiki. Yes, Eva is ambiguous at times, but talking down to people like they need this reminded to them constantly is an absolute waste of time and energy. It’s almost as if the editor has been trying to cultivate a narrative and has been getting away with it because you can’t really prove these statements are biased unless you do the research. (I mean, you can from context, but it certainly hasn’t done much to get them removed, has it?)

You can view the editing history of any given EvaGeeks article on their own pages if you want to see just how many times these things have been added in by Felipe. And obviously, no, it isn’t just his fault - there are other users, several, in fact, credited with the editing of these pages, many of the edits serving the same point as Felipe’s paragraphs on “ambiguity”. He’s just the most concrete example of a biased editor. Also, yes, I do recognise this has all happened within the few days post the release of Eva on Netflix and that it was likely prompted by that. But we know at least one of the mods is aware of it given how Felipe talks about it in the EvaGeeks Discord server. It’s also quite funny I’ve seen people linking these pages like they're some kind of "gotcha" in response to tweets discussing the new translation, as if they haven’t been invented out of thin air in the past few days.

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Now, frankly I’m sick of staring at EvaGeeks, and if you want any more information on these articles and others with instances of the same thing happening, you can have a look at it yourself.

Originally, this document contained far more screenshots from Felipe. My desire for this to not turn into a hit piece has lead me to remove a great deal of these messages. I do suggest, if you want to, you join the server and make your own conclusions. Even beyond what the member told me about I found myself agreeing with him fairly frequently when he was being reasonable - this doesn't change my concerns regarding the presentation of information on the wiki, though. The anonymous member was mostly concerned about this user having basically all the control over Kaworu's wiki articles, seeing as he has far too high of a stake in everything. Not all of these messages are inflammatory or even necessarily bad or wrong, but I find that to anyone privy to the “revelations” about the EvaGeeks Wiki here, they paint an interesting story, to say the least.

It’s starting to sound like he perhaps has just had some bad experiences. The following few messages are part of the same conversation.

I find it interesting how he flipflops from not understanding anything about the whole Eva Parallelism Theory Thing to suddenly being all for it when it concerns things not about the gay stuff.

Comments on how ‘manipulative’ Kaworu is

Because Kaworu is very pro instrumentality, and this definitely isn’t just a theory, I mean, it’s even talked about on the wiki, guys! (And I’m not even touching on the yes-men in this server.) Oh.

Oh no.

For the record, this page is clearly still under construction, and to point out any one thing about how bad it is would be essentially just poking a stick at a beehive. At least this one is so absolutely poorly phrased it’s doubtful anyone could mistake it for any kind of proper information. I also find it incredibly funny whenever pages on the wiki use the forum as a source. Relevant: Qmisato’s post on his defending of Shinji sexually assaulting Asuka: https://qmisato.tumblr.com/post/183082754484/yesterday-i-was-invited-to-evageeks-official

In response much later. I really can’t see it as being framed as “fun teenage romance”, also why is the word romance suddenly being used to talk about Asuka and Shinji after the whole debacle with Kaworu? He’s said before he doesn’t see Asuka and Shinji’s relationship as romantic, either (and GOOD! It’s not!)

(Also - it’s not sexual assault when Shinji tries to kiss Asuka in her sleep, but it IS when Kaworu does the exact same thing to Shinji? Make up your mind, dude.) Turning this sort of thing into Shipping Discourse is frankly not the right way to go about it, but it is perhaps notable that despite what Felipe says, he is in fact an Asushin shipper. (I don’t feel the need to post all these images in the document as its cluttered enough as it is.) At this point it’s rather adhom and I feel irrelevant but I do think it’s relevant that through all of Eva fandom, those who have the most issue “understanding” (more like accepting, I suppose) LGB subtext, are those who also are really attached to a fairly morally grey het pairing themselves. Again, seriously, there’s nothing inherently wrong with any of this and assuming the worst of someone because of the pairings they like isn’t my intent here, it’s more that I find this pattern has always been prevalent and it’s bothering me I’m seeing it STILL in 2019. ESPECIALLY from a wiki editor who inserts so much of that into his work on the site.

You’re probably sick of reading all of this (and I’m getting sick of writing it), so I’ll wrap up the part on Felipe quickly: Yes, I just dedicated several pages to screenshots of mostly innocuous (when considered out of context) stuff one guy had to say. I feel more obsessive than I’d like to admit, and frankly I have no business with this person. We’ve spoken twice on EvaGeeks threads if you can even call it speaking. This task was given to me by a member of the community who was concerned about his behaviour but didn’t want to publicise it themself and I feel a little out of my depth here. I at least hope we can come to the conclusion I wanted to here, that I fear may have been lost in this whole great mess of language - no one person should have THIS much sway over the state of a wiki that’s supposed to be impartial, especially when they have not been quiet with their biases in the first place, and it is the failure of everyone involved in the maintaining of the wiki itself that this sort of behaviour has been allowed in the first place.

The guy can have whatever opinions and theories he wants, obviously. I don't give a shit; he's not even that bad compared to the grand majority of Eva fans to begin with. Don't think this document exists to "cancel" him or thoughtpolice, I truly, genuinely, do not care what is said inside this server anymore. It doesn't concern me. I mean, it's a fucking cartoon, for god's sake. This only becomes an issue when opinions are expressed on a wiki, for reasons I have reiterated many times now. EvaGeeks lacks the objectivity required to function as a wiki and I'm trying to make that clear.

[ON THE TOPIC OF THE EVAGEEKS WIKI AND COMMUNITY IN GENERAL] As for who can edit the wiki and what they’re allowed to say: As you can see from the nature of people’s posts in this thread, you’re given access to do very specific things, and although I haven’t bothered going through the process myself (as I find it would be quite redundant, trying to fix such an inherently broken system), I’m guessing it’s very easy to get your edits reversed if you post anything they don’t like. Take that as conjecture of my own.

I have it in decent faith that the approval process involves whoever of the mod team is there at the time coming to an agreement based on people’s applications. Obviously this is a decent idea for a system, and I’m sure there are legitimate reasons as to why EG has to be locked down as much as it is; judging from the state of other fanon wikis I’ve seen there’s likely to be a decent amount of vandalism, especially in a fandom as passionate as Eva’s is. However, I think it’s fair to say that the complete restriction of updating these pages to those approved by a mod team who, while I’m sure are very reasonable people overall, certain individuals of which have displayed concerning behaviour and biases of their own in the server during my brief look around. I won’t be naming anyone in particular from the mod team as I don’t feel like I need to add any more targets of shame to this already horrifically negative document, but I have gotten the general impression (in case it needed confirmation, following the remaining of these specific changes on the wiki) that some mods, not all, aren’t the most nonpartisan individuals themselves. I do happen to be decent acquaintances with at least one of them so, again, please don’t consider this a personal attack.

My concern here plainly is that I don’t think a group of mods who have routinely failed to prevent events like the ones mentioned earlier, nor seem to have much of an issue with the myriad of examples of people being openly homophobic and misogynistic on their own forum are really in the position to be choosing who of the Privelleged Few get to control the Eva meta-narrative here. As I was writing this, I was alerted to the state of the primary Japanese Evangelion wiki as a source of cross referencing for what these things can look like if done right. If you take a moment to browse it, even if you don’t speak any Japanese and have to use an automatic translator it should be very obvious how something like this differs greatly from EvaGeeks. Kaworu’s page, for a relevant example, doesn’t have present any of the nonsense statements about ambiguity or overwritten descriptions of everything. The wiki respects the reader’s intelligence enough to know that it is, in fact, a wiki, and thus tries its best to be factual. His page is fairly decent in size and states things we know are fact rather than theory. There’s no attempt made to influence or confuse.

Oh, and just in case you think the mods aren’t actually active or present enough to know what Felipe is doing, his particularly awful page on Kaworu in episode 24 got a shoutout from the official Twitter account two days ago.

If you are going to join the Discord server to verify things yourself* or do further digging, again, please be cautious of other users inside and do your best not to start anything. I am an occasional contributor to the forums and I’d prefer not to get my account flagged or to experience harassment myself, if any EvaGeeks members are still reading this document and disagree with my conclusions. I may not have posted much since I joined earlier this year, but despite everything I find the forums to be valuable for connecting with other fans and have enjoyed the positive feedback to my SIRP translation! Those who have spoken to me there have been very kind (including Felipe himself), and I must reiterate that this is not targeted at the whole site, or even at just Felipe. I simply believe there is more than enough evidence to suggest there have been consistent, systematic failures to recognise and correct the utter lack of objectivity present. I seriously don’t have any personal issues or beef with this guy, either. I wouldn’t have done this if it wasn’t someone else who came to me about it.

*It should be noted that the person who spoke to me has pointed out certain members have been concerned about outsiders joining and screenshotting the chat. They may remove the public link to join if this document were to cause a huge issue. I will leave the server following the publication of this document and I have no plans to join again. I can’t speak for those who may join of their own accord but I do hope people have heeded the disclaimer I made initially.

Thankyou to all the people who have extended their own kindness and support during the creation of this document, to the anonymous person who tipped me off and the lovely Eva analysts I know for offering their own experiences with EvaGeeks and further supplementary information. If this whole document reads like the product of a bad mental health day, I guess it is. Also yes I know how hilarious it is that I’ve spent all this time creating what essentially amounts to an EVAGEEKS CALLOUT POST but I mean. Someone had to say it. Why not make an utter buffoon of myself in the process?

#Mirroring this for the sake of people concerned with their privacy when accessing google docs #reading this back theres a lot of bad wording but whatever. itll do

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buzzdixonwriter · 5 years ago

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The Rise Of Skywalker Review [SPOILERICIOUS]

=0=

I’m going to post all the SPOILER stuff way below in section 3, so as not to ruin anything for anybody who hasn’t seen the movie yet.

You’ll get plenty of warnings.

=1=

In my old age I’m starting to divide creative works into three groups: Good, bad, and not-so-good.

A good creative work is any where the strengths overwhelmingly outweigh the weaknesses; a bad one is the obverse.

A not-so-good work is one where the strengths and weaknesses balance each other out.

It’s the kind of a work that will doubtless please those audience members who really enjoy the strengths in it, and equally irritate those annoyed by the weaknesses.

In my estimation, a not-so-good work is one done with straight forward intent and as often as not, a fair degree of technical and aesthetic competency, but fails to jell as a cohesive whole.

No one need feel ashamed for enjoying a not-so-good work, and no one involved in the making of a not-so-good work should feel bad about their contribution (unless, of course, their contribution turns out to be one of the weaknesses that should have been avoided).

Theodore Sturgeon famously observed “90% of everything is crap.”

I think that’s a little harsh.

I agree with him that only 10% of anything is good, but think only 40% falls into the crap bin.

Most stuff falls in the 50% I call not-so-good.

Star Wars Episode IX: The Rise Of Skywalker is in that 50%.

. . .

The good stuff is really good.

Elsewhere I’ve posted my enthusiasm for Star Wars Episode VII: The Force Awakens and Star Wars Episode VIII: The Last Jedi hinge in no small part on just how emo Kylo Ren (Adam Driver) could get, and holy cow, does he ever deliver in The Rise Of Skywalker.

Easily my favorite parts of the picture.

Doesn’t really mesh with anything else in the movie but, hey, ya can’t have everything, right? (I’ll discuss his performance in a little more detail in section =3=.)

Other performances range from adequate to doing-the-best-they-can-with-the-material to okay-smartass-you-try-recreating-a-dead-actress-via-CGI.

The dialog in The Rise Of Skywalker is the worst of any film in the series, with the possible exception Star Wars Episode III: The Revenge Of The Sith, which I haven’t seen and have no intention of seeing (but more on that below…).

It’s not an attempt to depict characters talking, it’s a series of shouted declarative sentences.

Elsewhere I’ve referred to The Rise Of Skywalker as the best Jason Of Star Command episode ever made.

For those who don’t get the reference, Jason Of Star Command was a low budget albeit imaginative Saturday morning kid-vid Star Wars rip off by Filmation Studios.

To make sure the youngest kids in the audience understood what was going on, they tended to hammer home plot points repeatedly.

DRAGOS Jason! In just sixteen hours my space fleet will destroy Star Command!

STAR COMMAND Jason! Dragos is going to destroy us with his space fleet in just sixteen hours!

JASON Don’t worry, Star Command! I’ll stop Dragos from destroying you with his space fleet in sixteen hours.

NARRATOR (i.e., Norm Prescott) Jason has only sixteen hours to stop Dragos from destroying Star Command with his space fleet!

There is far too much of that in The Rise Of Skywalker.

Ten minutes into the movie, and there was already far too much of that…

The opening credit crawl reveals an off camera plot development that literally deserved an entire film of its own to fully explore.

There is no sustained coherent plot to The Rise Of Skywalker:

Well, we gotta do this,

now we gotta do that,

first we gotta find this thing,

then we gotta find that thing,

now I’m feeling blue,

now I’m gonna get encouraged,

etc., etc., and of course, etc.

Everything feel frenetic, not fast paced.

There are far too many scenes that exist just to sell action figures and toy vehicles.

There was a desire to tie off loose ends and say good-bye to favorite characters and that was a mistake.

It undercuts the urgency of the story (or rather, the desired urgency; the fact the film is called The Rise Of Skywalker means everybody in the freakin’ audience ALREADY KNOWS HOW THE DAMN THING IS GONNA END!

(This is not a problem unique to Star Wars. Gene Siskell famously upbraided Roger Ebert for spoiling the ending to the third Star Trek movie, to which Ebert retorted, “Oh, come on! They’re going to call a forty million dollar movie The Search For Spock and not find him?!?!?”)

There is one nice little breather scene (“little” only in screen time; visually it’s pretty big and impressive): The Festival of the Ancestors on the desert world Pasaana that gives a nice touch of exotic space opera flavor to the proceedings.

All of the Star Wars movies offer really great art direction and visual design, and The Rise Of Skywalker certainly delivers in that category.

Which makes the occasional mediocre special effects shots all the more obvious.

The Rise Of Skywalker has a few painfully obvious matte shots, a few shots obviously composed in post-production, and a few shots where the audience becomes aware the actors are performing in front of a greenscreen.

You can get away with mediocre visuals so long as there is consistency in their mediocrity.

If everything else consistently looks great, a so-so shot spoils the illusion; if everything consistently looks so-so, it’s simply part of the work’s look.

Indeed, you’re better off with consistently mediocre work highlighted by a few great shots than consistently great stuff undercut by a few mediocre ones.

Best thing about the movie is the complete lack of Jar Jar Binks.

=2=

Before diving deeper in The Rise Of Skywalker, let’s look at the series as a whole (just the numbered theatrical episodes, not standalone films, TV series, video games, comics, novels, etc.).

I’ve said the original Star Wars was the movie an entire generation had been waiting all their lives to see.

George Lucas wanted to do Flash Gordon but when Universal turned him down, created his own space opera.

Lucas, it needs be noted, is not a good writer.

Whatever visual talents he has, they don’t extend to telling a good story.

One can easily find early drafts of Star Wars online, and while they all share certain elements, they’re all pretty bad.

The development of Star Wars the movie grew organically with storyboard and production art, characters and incidents changing and evolving along the way.

It’s long been rumored that a more skilled writer than Lucas came in to do the final draft; one thing’s for sure, the shooting script is head and shoulders above the earlier drafts.

Star Wars the original Han-shoots-first-dammit theatrical release is very much a product of the 1970s.

20th Century Fox thought they had a good enough kiddee matinee movie for summer release; they expected their big sci-fi blockbuster of the year to be Damnation Alley.

Instead, they hit a nerve and found themselves with a blockbuster on their hands.

Lucas did show one great example of foresight: He trademarked all the names / characters / vehicles and held the licenses on them, not 20th Century Fox.

This gave him the war chest he needed to build the Lucasfilm empire.

And let’s give Lucas and his crew their due: They added immeasurably to the technical art of film making, as well as making several entertaining films.

What Lucas did not fully envision was how to mold his Star Wars material into a coherent and thematically cohesive saga.

He started out with grandiose plans -- four trilogies with a standalone film connecting each for a total of 15 movies -- but that gradually got whittled down to 12, then 9.

After Star Wars Episode VI: The Return Of The Jedi, Lucas put the Star Wars movie series on hold, waiting for film making technology to develop to the point where he could tell the stories the way he wanted to tell them.

Okay, fair enough.

But the problem is that while the film making technology improved, the technology of the Star Wars universe didn’t.

As I said, the original Star Wars is very much a 70s movie in taste / tone / style / sensibility.

While the designs look sufficiently sci-fi, they reflect robots and spacecraft designs of the 1970s -- in fact, even earlier in many cases.

That fit in with Lucas’ “used universe” look and the tag line “A long ago in a galaxy far, far away...”

But compare the original Star Wars with Stanley Kubrick’s 2001: A Space Odyssey.

Kubrick spent a lot of time researching where technology was heading.

Long before visual displays and vector graphics became commonplace in real world aircraft, he showed them being used in the future.

The first example of what we refer to today as a computer tablet appeared in 2001 as a throwaway background detail.

Kubrick’s next film was A Clockwork Orange and he successfully predicted punk culture a decade ahead of reality (his only mistake being the assumption white, not black, would be the base color).

Star Wars Eps I - III take place a generation before the original Star Wars movie.

Star Wars Eps VII - IX take place a generation after.

Name a two generation span since the start of the industrial age that is not marked by radical technological change that produces an ensuing change in the social order.

Now I grant you, the Star Wars universe isn’t trying to tell that kind of story, but the story it is telling is static.

Characters in The Rise Of Skywalker talk about cloning as if it were A Really Big Deal.

Cloning today is cutting edge bio-tech, to be sure, but it’s already common place.

It’s as if the Star Wars characters were getting worked up over steam engines.

One can intercut scenes from the movies and, unless one is a familiar with each movie, it’s impossible to tell one film from another.

Lucas’ financial success enabled him to issue edicts re Star Wars (and other Lucasfilm projects) that undercut the strengths of his projects.

Lucas is a technological guru and a savvy businessman, but he really struggles to tell a story.

Frankly, I think he would have been a better film maker if he’d spent a decade or so making American Graffiti scale movies, not space operas and epic fantasies and adventure movies.

His decision to make the original Star Wars the fourth episode in his saga and going back to start his story with his villain was fatally flawed.

I grant following the Skywalker saga from Anakin to Luke to Rey could work if it started with Anakin.

But what he did was the equivalent of the James Bond movies jumping back in time to follow the pre-Bond career of Ernst Stavo Blofeld.

(And the Bond movies, at least up until the Daniel Craig era, are all standalone films insofar as one does not have to see any of the previous films to understand and enjoy the one being watched, not does the sequence they’re viewed in matter. And the Craig films were conceived from the beginning as having a coherent overall arc, so in that case they are the exception to the rule.)

The joyous whiz-bang space opera of the original Star Wars got bogged down in a lot of meaningless politics and talks of trade treaties, none of which explained why anyone would want to conquer the universe in order to rule it as a decrepit, diseased dictator in a dark hole.

Look at Hitler and Stalin and Castro and Mao and the Kim family in North Korea.

These guys enjoyed themselves (well, Hitler did until things went south for him). They loved the attention and went around preening themselves in public.

The off screen Empire (and implied Emperor) of the original Star Wars served that film well: It was a story about a tactical conflict, not a treatise on the philosophy of governance.

Lucas’ universe does not make sense even in its own context.

And because of that, it becomes harder and harder to fully engage with it.

A sci-fi movie doesn’t have to explain everything, but it has to at least imply there is an underlying order that links up.

Lucas began subverting his own universe almost immediately.

The Force was originally presented as a spiritual discipline that any sufficiently dedicated intelligent being could gain access to. (Robots seem to be specifically excluded from The Force, implying it needs a biological connection. But that would seem to exclude intelligences that may not be organic in the commonly accepted sense of the word, which means such beings cannot appear in the Star Wars universe, which means…well, I digress…)

That was a big hunk of the original Star Wars’ appeal, the thought that literally anybody could become a Jedi if they so desired.

It speaks to a religious bent in audiences from many different cultures around the world, and it offers up an egalitarian hope that allows everyone access to the Star Wars fantasy (“fantasy” in this context meaning the shared ideal).

But already in Star Wars Episode V: The Empire Strikes Back Lucas began betraying his original concept, sowing the seeds for self-serving deception and innate superiority as endemic in The Force.

By the time he got around to Star Wars Episode I: The Phantom Menace, Lucas abandoned the hope established in the original Star Wars movie.

Now one has to be a special somebody, not just dedicated.

Mind you, that sort of story has its adherents, too.

Way back in the 1940s sci-fi fans were saying “Fans are slans” in order to claim superiority over “mundanes”. Today many Harry Potter fans like to think of themselves as inherently superior to “Muggles”.

It’s a very appealing idea, so appealing that the United States of America is based on it, the assumption being that white people are endowed with more blessings -- and therefore more rights -- than non-white people (add force multipliers such as “rich” / “male” / “Christian” / “straight” and you get to lord it over everybody).

Lucas with his stupid midichlorians robbed audiences of their healthy egalitarian fantasy and replaced it with a far more toxic elitism.

It appeals to the narcissistic stain in the human soul, and encourages dominance and bullying and cruelty and harm as a result.

It’s an elitism that requires a technologically and sociologically stagnant society, one where clones and robots and slaves can all co-exist and nobody points out they are all essentially the same thing.

A progressive society -- and here I use “progressive” strictly in a scientific and technological sense (though as stated above, advances in scientific fields invariably lead to changes elsewhere) -- does not let such conditions exist unchanged for generations.

As technology changes and improves, the culture/s around it change (and hopefully improve, too).

As I mentioned above, I’ve never seen Star Wars Episode III: Revenge Of The Sith.

My reason for not seeing it? Star Wars Episode II: Attack Of The Clones.

Little Anakin Skywalker and his mom are slaves in The Phantom Menace.

He saves the Jedis and Princess Padame’s collective asses in that movie.

Okay, you’d think at the end of the movie that Padame would hand Qui-gon her ATM card and say, “Here, go back to Tatooine and bail the kid’s mom out. He did a solid for us, it’s the least we can do for him.”

No, they leave her there because there is no desire to change the underlying social order of their universe.

There can be no changes in Lucas’ bleak, barren moral universe.

There can be no help, no hope, no improvement.

When an edict is issue -- be it Jedi council or Emperor (or president of Lucasfilm) -- it is to be obeyed without question or pause.

Daring to say one can change their status -- change their destiny -- results in tragedy (and ironically, proof that is their destiny).

It’s dismaying enough that a large number of people enjoy cosplaying Star Wars villains, especially storm troopers, as that seems to indicate they’re missing the whole point of why the rebels were striving against the Empire in the first place.

Originally that could be written off as (at best) just enjoying the cool costumes and props or (at worst) finding an excuse for bad behavior (i.e., “I vuz only followink orders”).

But Lucas’ tacitly endorsing a sense of innate superiority pretty much destroys everything about The Force that the original Star Wars audience found enlightening and ennobling.

The Star Wars universe has become at its core a very ugly thing, and The Rise Of Skywalker doesn’t really clean it up.

SPOILERS ahead.

=3=

Seriously, SPOILERS follow.

Holy crap, The Rise Of Skywalker is a damn mess.

Nice eye candy, but a mess.

It pretty much undoes everything good in the previous two episodes.

I’m glad it’s the “official” end of the original saga because now I never need to see another Star Wars movie ever again.

(Oh, I’ll keep my DVD of the original Star Wars and if I find Solo in a bargain bin somewhere I might pick that up, but as far as the rest of Star Wars goes, I am D.O.N.E.)

The series stopped making sense long ago, so I’m really in no mood to analyze why nothing links up or really works.

It’s full of absurd, stupid ideas, such as space barbarians galloping across the deck of a star destroyed on their space horsies.

The whole back and forth between among Palpatine / Kylo / Rey goes on for two long. If hating somebody is bad because it sucks you over to the Dark Side, then why doesn’t somebody start building Terminators that can track down beings with midichlorians and kill them? (They’ve got the technology to detect midichlorians, that’s canon.)

It’s not anywhere near a good movie. It’s not as bad as George Lucas’ Star Wars Episodes I - III, but it’s clearly the worst of the last trilogy.

The scene where Rey gets off camera encouragement from all the dead Jedi? It seemed awfully familiar to me, as if the writers consciously or unconsciously remembered the John Wilkes Booth / Lee Harvey Oswald scene in Stephen Sondheim’s Assassins where all the presidential assassins and would-be assassins past and future encourage him to plug Kennedy.

Not what I want in a Star Wars movie.

I think we may be seeing the end of Star Wars. It’s been crammed down our throats for too long. I’m aware of The Mandalorian series and how insanely popular it is, but y’know, sooner or later every pop culture craze dies out.

Star Wars has nowhere to go. Star Trek is hemmed in, too, but nowhere nearly as bad as Star Wars.

We’re about to enter a generational shift in America, and I wouldn’t be surprised if a badly dated 1970s sci-fi concept fails to make the cut.

It ends on a frustrating note, taking much too long to come to a close, far too much self-congratulatory bullshit, and the deliberate planting of clues for a future set of sequels should the Mouse start jonesin’ for that sweet, sweet Star Wars franchise money fix.

It’s a really bad script, and dragging Carrie Fisher’s digitally reanimated corpse into it and then killing her off by suicide is a damned stupid / offensive idea.

Mark Hamill’s ghost walking out of the flames of Jedi hell (thank you for that analogy, David Brin)? Wow, who didn’t see that one marching down the avenue?

Harrison Ford coming back as a memory / hallucination to tell Kylo to do the right thing? Skrue dat noiz.

(Though I have to say Kylo Ren is the best thing about the movie and his character turn parallels both Luke’s and Vader’s in The Return Of The Jedi only his is much more believable and poignant so dammit, Disney, you could have done a much better job with this movie than you did.)

The plot and pacing is straight out of a video game. First do this, then do that, now ya gotta do another thing -- feh!

And unless I misheard the dialog, this whole film supposedly takes place over a span of sixteen hours!!!

They visit a half dozen worlds, crash and repair spaceships, go undercover, get captured and escape, fight duels to the deal -- all in sixteen hours?!?!?

Yeesh.

And I’ll say this, the last line is wrong wrong WRONG.

If the Star Wars saga has taught us anything, it’s that Force users are a threat to everything.

They should be eliminated for the good of the universe.

Rey shouldn’t have buried the Skywalker lightsabers.

She should have destroyed them -- and the one she made, and any others she found lying around.

And when she’s asked at the very end what her name is, the answer should have been: “Rey…just Rey.”

I know I put The Rise Of Skywalker in the not-so-good bin, but truth be told, that’s the nostalgia talking; it’s only a eyelash away from being bad.

The whole epic saga is a failure as far as I’m concerned. One and done is the way to go; the moment it started making money as a toy franchise it went south.

#sci-fi #Star Wars #The Rise Of Skywalker #Kylo Ren #The Force #movies

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v-le · 5 years ago

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Ktravels / Klife: After a year in korea Final Thoughts

Foreword: Surprise, surprise, procrastination got the best of me for quite some time. But im back. And for the last time. At least for the last time regarding my year-long study abroad experience in Korea. Here lies the last bits and pieces of my heart that left behind such a wondrous lifestyle in such a complex country.

I guess this will be the last of my “Korean” writings for a while. I think I kept holding off on this because I didn’t want to solidify the fact that my journey abroad is officially over. I guess even being home and everything still doesn’t make me accept reality. All I can keep thinking these days is that exactly a year ago, I was sitting around every day, waiting for my summer to end & for me to hurry up and end up in Korea & I kept asking myself over and over and over and OVER, ceaselessly: “I wonder how my life will change once I live there. I wonder what my life would be like over there”.

And what’s crazy, is that even though I kept desperately trying to grasp that fact so intensely a year prior to today, I still don’t have the answer as I sit here in this seat. I still don’t think I can properly express what my 10 month-ish experience was like. I feel just as contemplative as I did a year ago.

I think ive been holding off writing this mostly because I don’t even know what to say. Why don’t I have anything to say? Hmm.. or more like, I have so much to say that I don’t even want to begin. Because once I do, and then once I wrap it all up, everything will truly be all over. It’ll solidify the fact that my year abroad is all done for, never to come back to me ever again.

I think my final post of my study abroad IG account, the one I posted every single day for, enclosed my immediate, final thoughts and feelings really well. I mean, I literally wrote that on the plane flying home, sooooo…

Maybe I should start with addressing my goals I set for myself before I left, and how those goals panned out upon my return. Very vaguely, one of my main pursuits was to “become fluent in Korean”. Even to this day, im not exactly sure what that constitutes and by my standards, I don’t really know to what extent I wanted to improve based on that statement…. But, I guess I just really really really wanted to practice communicating more and essentially feel comfortable speaking, reading, writing, and listening in this completely foreign language. And I mean even prior to arriving, I had already known how to read Hangul for like 8 years. So in terms of reading, I just got to practice a looottt and just brush up on my speed & precision, I guess. Listening has also never been too much of a struggle: years of pure absorption and drowning myself in Korean in every form possible has taken me this far, to be quite honest. It was never anything intentional, I just held onto more and more words as the years went by. And quite frankly, I’m pretty damn proud of myself for that. I guess my point is that I unknowingly wanted to focus on improving my writing and speaking. Which sounds a bit futile, because what was the ultimate purpose in expanding on these skills? When I cannot even use them outside of Korea? Hm… I didn’t think that far. I just knew I wanted to improve. Or no, I don’t even think I had any real basis before arriving anyway. I just wanted to get exposed to that side of the language and make some sort of progress. Because I enjoy it that much.

I didn’t even know how to write the strokes of Hangul characters properly. No one had ever taught me. For years, for the small words or phrases I might’ve scribbled down for fun or doodled my notebooks with, I just wrote what I knew, like pictures. I still, to this day, don’t know the proper strokes lol. It kinda makes me feel noob, but o well, ive made it this far nonetheless. In terms of speaking, of course, I had absolutely no background. There had never been a chance to practice this skill… in fact, if there were one, if I did speak Korean at some point before going to Korea, I feel like that would’ve been really weird anyway… I wasn’t learning it formally in a classroom or anything, so if I were to try…. To god-knows-who…… I dunno, that doesn’t seem right to me. There was just never a proper place and time for me to use any sort of spoken Korean, and that made sense. Because I had such a wide range of “skills” under my belt when it came to this language prior to arriving, none of it was… “official”? None of it was ever proper…..? I am not really sure which word fits best, but the fact that I had known everything I knew at that time from pure Korean media absorption, it bothered me a lot actually.

I wanted to learn formally. I wanted to learn properly. So, I didn’t hesitate to take the intensive Korean language course at Yonsei, one that was 4-6pm every day, Monday-Friday, for the entire semester. What I did hesitate with though, very greatly, and a little regretfully, was the level in which I started learning formal Korean. A part of me is regretful, but I think I know in my heart it was the better decision. Speaking Korean with the teacher on the day of the placement test was probably my first time ever really speaking full sentences aloud to someone else & I can sorta recall it with slight embarrassment. Okay not even slight, like a ton lol I was such a nooooobbbb… I still ammmmm….anyway, based on that day’s tests, the teacher deemed me as able to start in level 2. But I rejected him. I told him I wanted to start at level 1. Because ive never learned properly before, I felt the need to start from the beginning. He told me that level 1 would begin with each Hangul character, pronouncing them one by one, etc. He asked if I’d be okay with going over all of that, and I told him it was fine.

My level 1 class ended up being more of a level 1.5 & we went much faster than all the other classes and didn’t even start with the basics that I was originally warned of. But still, quite frankly, level 1 KLI was butts easy and I didn’t even need to study for anything to do well. For that, im pretty proud of myself. I’m not trying to brag, but I’m actually just very glad that my skills I arrived with were at least up to par enough that I could complete 1 without much struggle. What I was most grateful for was that I got out of KLI was a lot of grammar basics. A lot of these structures I recognized and have probably used on my own before, but I didn’t know the rules properly myself, until I finally learned them in KLI. So really, if I didn’t take level 1, I really think I would’ve lost out on that basic foundation needed for learning more advanced things. Granted, I probably could’ve covered a lot of those things in my own time if I searched for the proper resources and had a stronger motivation. But I never did that by myself. So, I sorttttt offfff, “wasted time” in level 1.

The next semester, level 2, was also not too difficult. Some concepts were definitely a bit more challenging and less intuitive, but nothing impossible to understand. Overall, my semester 2 at Yonsei was when my Korean grew to the heights that I had hoped for. If I improved about 10% during semester 1, then I would say I improved 115% in semester 2. I don’t even know what that means myself, but my point is that I had many many manyyy more real life, application opportunities to use Korean. The biggest factor being my participation in Powers, the badminton team at Yonsei, that semester. Aside from the 2729017 other things that Powers influenced that semester, language was a big thing. At some point, many of my teammates considered me the “American that is really good at Korean”, but like, the over-exaggeration is real. Although one dude consistently talked to me in only English for the longest time, once I met beloved 익안언니, that English-only image of me died and I communicated with everyone else the same way they already communicated with each other: in Korean. I know that sounds….like…. idk, not a really big deal. Like wow good for you, you could communicate in a foreign language with these people. But my biggest deal with it was that if it weren’t for me being in Powers, I would not have practiced speaking or expanded my vocabulary or just LEARNED as much as I have. ESPECIALLY meeting 익안언니 was such a blessing. Although she is from Taiwan, she is a grad student studying Korean language and culture which already implies that she is basically fluent in Korean. And me, knowing absolutely no Chinese but at least having half-assed Korean skills, we only ever communicated in Korean from day 1. Since the day we met, the day she came up to me and asked if I wanted to warm-up with her and asked if I was a foreigner or not, and then revealing that shes actually a foreigner, too. That made us automatically click, because we realized we could both speak without feeling wary of sounding dumb or making mistakes in front of a REAL Korean person. Granted, other teammates always heard a lot of our conversations and sometimes joined in, too. The main point was that speaking Korean in that sense, was the best experience I could’ve asked for. Others may think the most ideal would be, y’know, a real Korean person. But, why be picky when the point is that I got to practice.

By the end of semester two, I had a kinda random idea, fueled by a conversation I had with a KLI classmate. She mentioned how she was studying for the TOPIK 2, the intermediate-advanced Korean fluency test for foreigners, and she decided to take it in Korea versus America because she heard it was easier and the 65th one would be held in Korea while she was there anyway. Upon hearing this, I only vaguely knew about this test, I didn’t think it to be that big of deal, yet in my head I knew I was always impressed with foreigners when they would say something like “yeah I placed level 6 (the highest mark) on the topik”. And so, I looked more into the test myself, and I was like hmm maybe I should try it out myself. 익안언니 mentioned that she actually needed to (re)take it too because her score from her last test is expiring soon. So very last minute, we decided to take it together. It costed money, but that was expected. I debated a lot in the beginning whether or not to take TOPIK 1 or 2, aka easy vs hard, but I decided to just fuck it, I just gotta make sure I study for reals and have more faith in my skills lol.

Im glad I made the right decision. I didn’t study as effectively for the test as I would’ve liked, but I did what I could given my circumstances. I was shooting for level 3. I at least wanted a LEVEL out of the test, not a blank score, which is what would be given if you can’t even manage the minimum level 3 out of the TOPIK 2. That test seriously HURT my brain LOL. As you get towards the end of each section, it gets ridiculously hard and there were 2475830 words I did not understand at all and the mere rows of sentences eventually turned into huge walls of text that filled the paper all the way to the edges and o gosh, just imagine how brain frying those sorts of exams can be HAHAHAH.

In the end, I placed level 5. I was 8 points away from level 6. I was honestly very shocked and to this day, I think I just owe my score to me doing a good job at guessing correct answers, not my pure skills LOL. But above all else, I definitely underestimated myself. I really wanted to take the TOPIK to assess my Korean skills once and for all, definitively. But even after receiving my score, I still feel lost on how to accurately describe my skills. Does level 5 even cut it? Do I even have the right to call myself level 5? I got it though, right? Having drowned myself in Korean for 8 years & taken level 1 & 2 KLI, I was able to be lowkey fluent, I guess.

That’s pretty damn cool. Im pretty damn proud of myself. And yeah, idk, that’s that. LOL. Im not trying to brag about myself or anything. All of that was purely my journey with the Korean language, particularly in the context of studying abroad in Korea for a year. And in regards to my goal, I think I did a pretty good job. I can write long chunks of text without too much problem, I can speak a good amount, maybe not 100% flawlessly, but I can hold conversations, I can go weeks with only speaking Korean, and I think that’s pretty awesome progress that I made towards my goal. If anything, I may have surpassed my anticipations. Cool. LOL

Another one of my main goals was to travel outside of Korea. Or not even that, just outside of SEOUL. Because as amazing that city alone is, I also knew that there is sooooo much to explore throughout the rest of the country and even in other nations. For second semester, I went to Tokyo in Japan, Bangkok in Thailand, Taipei and Tainan in Taiwan, and Busan, Jeonju, Jeju-do, and Yeosu in Korea. I was very blessed to travel to 3 other countries and hit a few beautiful areas outside of Seoul in Korea, too. Although it was a tiresome experience, I wouldn’t have traded it for anything else. Balancing school and travels and other commitments was ridiculously tough. Ive repeated this a lot but: all my snaps and ig updates may have looked like fun and games, but the burnout was real. Traveling with friends isn’t all fun and games.

I learned SO MUCH through this experience: planning logistics thoroughly, dealing with money & currency exchanges strategically, balancing school work, moving things around as necessary, utilizing transportation in various different settings in an effective and efficient manner, familiarizing oneself with the GEOGRAPHY of a place (a really important one that I feel people don’t really talk about), researching attractions from different perspectives & using multiple, varied resources, knowing where to go for help, preparing proper lodging accordingly & communicating with hosts/staff, researching FOOD, too. I could go on and on.

But when it comes to traveling, especially while on a budget bc we are broke ass college kids, the amount of proper communication & discussion & preparation with other members of the group that needs to go into it is no joke. It’s not fun and games, it’s making sure that we know what the fuck we’re doing in a foreign environment so that we can explore, see things, get around, eat, and ENJOY our time safely and efficiently.

SO in that sense, I’m also pretty proud of myself & my friends. Special shout out to Sabrina Sooyoung Wong who was my ultimate travel buddy for (almost) everywhere I went. I already miss the amazing time we had together :’(

Continuing where I left off, I have realized that this writing is taking way too long. The day that marks one year since I left for Korea has already passed (August 21st) & I realized that I was gone for exactly 11 months: Aug 21 - July 21 (w/ a break in bw ofc) bc I literally landed back in America on the 21st of July, not realizing that the day I left was exactly the 21st as well. And my birthday is on the 21st too. Of Sept..:0 that’s whack. ANYWAYYYYYYY…………

What more do I have to say about this trip, hmmmm……. Ive already talked about my growth through the language and through traveling all over the place…These days, ive truly been trying to relive & recall the worries that shrouded my mind a year ago before I left.

I remember so clearly, constantly asking myself “How will my life change once I go and live there? Will I even be able to make any friends?” People around me also kept telling me that I would “HAVE SO MUCH FUNNNN”, but I recall constantly shutting them down and being pessimistic & telling everyone that I “would just be a normal student studying all the time, just in a different country lol” To address all these predeparture worries, I’ll say simply, thinking back on it now: My life changed SO MUCH, that it feels like nothing even happened at all (ik like wtf??? But lemme explain…), I made friends that I know will last a lifetime, and HONESTLY, I worked really hard studying when it came down to it, but I also made sure to have as much fun as I could. I did my best to balance everything (especially 2nd semester..)

So like, how tf could my life have changed so much that it feels unreal? Well, it’s exactly that. My daily life, the way I went about my daily routine, the lifestyle that I honed, the world that I wrapped myself in, the things I did, the food I ate, just about EVERYTHING about my life in Korea was so drastically different than my life in America, that returning home actually just makes it all feel like a dream, as if it were all a lie. My Korean lifestyle and my American lifestyle are incomparable. They are two completely different worlds. And for that…. I….. yes, I miss the Korean one like crazy every day, but that affection and sentiment for what I had makes my experience all the more precious and just… dear to my heart. Oh so dear to my heart, 나의 유학생활…. I think I kept asking myself the “how will it change” question countless times before I left because I was trying to prepare myself, trying to make sure I don’t throw myself off in the heat of it, make sure I stay grounded in the reality of my circumstances. And although nothing could’ve prepared myself enough for all those specific changes in my life, I think I definitely stayed rooted in mindfulness and never lost sight of the privilege I had.

If I look back on my first semester writings, I always repeated the words “thankful” & “grateful”. I really did my everything to remind myself of those feelings. Same goes for the friends that I met. Particularly my first semester gang, my days spent with them were infinitely bright. I feel like we were all so lost in the wonders of Korea (and Taiwan) and the beauty of just being there, spending time together, having valuable conversations, but also some very dumb ones, and really just bathing in the precious company of each other. It is not every day you meet an amazing group of people as the ones I did 1st sem. I gave yall a shoutout before, but thank yall again for taking care of me, the youngest of younglings out there, and making me laugh & smile more than I could ever recall doing with anyone else. Even my blessed friends from 2nd sem too, sooyoung, antony, Vicky, & 익안언니, I could not have imagined what my life would’ve been with them. My point in all of this? I was so worried about “making friends”, but miraculously, luckily, AMAZINGLY, it all worked out in the end. I am so grateful for that. I got close to some frking really cool people, who I still talk to today, who I still think about a lot, whom I owe a lot of myself to. Even if our collective time spent together was not the longest, even if the timespan of my other friendships are significantly more extensive, the friends I made through studying abroad are infinitely valuable and precious to me at the end of the day. Only stunning memories remain. Our friendships wont end there. They only started in Korea, but I have faith that they will transcend timezones and the years to come.

In terms of just balancing LIFE in korea, I can definitely recall many instances where I felt completely overwhelmed and burnt out. Those days were bound to come from the start. There were many days were I lacked a significant amount of sleep because I was so busy, there were days were I felt perpetually stuck & I could never overcome my problems (the things… a foreigner in Korean cannot do without a phone number…. Gg I felt soooooo shitty at that time)… there were also, ofc, days where I felt frustrated with many different people, there were days were I was so stressed out about whether I was doing the right thing (my 2 tutoring gigs…) or if I deserved anything I was receiving…., there were countless days where I studied hard and stressed about academics, as always (but I managed to get all A+’s 2nd sem & im honestly so proud of that…) …there were plenty of days where I would feel Korean societal standards weigh down on me & I felt painfully inclined to fit in in any and every way possible,.. I also struggled with deeper questions about the kind of toxic community Koreans can foster in various contexts (political, nationalism, etc..)… and the biggest of adversities, the one that broke me down the most, and to this day has left me empty & lost… was watching my singer get torn apart and disappear before my eyes.

I have written about this specific topic very extensively in a different piece, and…. It is definitely a pretty heated, passionate, painful piece. I had many many many many things to say about all of it, and I actually still have countless words to say, honestly. For sake of concision, for sake of keeping my sanity in place for at least this piece of text, for the sake of my world that has crumbled apart far too much for me to ever pick myself back up again… I’ll just say… I miss him so much and I pray for the day I can listen to him again. I won’t even be greedy and say “see” him again. I know ive seen him more times than I ever deserved too. But I want to listen to his voice again. In a new light, in a reassuring way. In some form, I want to hear him again… just once at least… please…Knowing him, listening to him for years, holding onto my life with his voice & music… I know that he needs to do music and nothing else. It breaks my heart every day to think about how this light has been lost from him.

One day… one day……….. I pray desperately every day that one day, he will come back to us. Please.

Its honestly pretty difficult to talk about my hardships during my time in Korea without mentioning that stuff. It has taken such a big toll on me, life became so taxing because of that one situation, that even today I sit here, half a year after it all fell apart, without much improvement on the state of things anyway. But enough of the negative stuff. I hope that’s enough. Despite all the pain & highkey trauma I acquired from it all, I know that at the end of the day I learned valuable lessons and that I am still grateful for every experience nonetheless.

I still wouldn’t be who I am today or where I am today without those tough times, too. It sucks that I lost my light along the way, I lost sight of my world that so ironically always gave me healing when I needed it most.

Another thing I should mention is how I am also very grateful for that fact that I never got sick while in Korea, or just while abroad in general. I usually catch a cold about once a year, even my first year of college, I definitely had that small period of time where I was dead sick from some sort of virus. But not once, did my body ever falter while abroad. It’s ironic because usually being in foreign countries, especially the not-the-most-sanitary ones like Thailand, Taiwan, etc, one would normally be much more susceptible to a stomach bug or heat-related complication or whatever. One would think that my body would be especially vulnerable abroad. But nope. I stayed strong all throughout. I’m pretty damn proud of that too. I tend to take my health for granted, but looking back on it now, I guess I held up pretty well despite all the odds against me.

The most important question I should be asking myself now is… How have I changed since I’ve studied abroad? Some basic changes would be my outer appearance. My makeup has definitely changed, my clothes do not exactly look like the rest of my friends’, and my eyes are sometimes slightly different colored LOL. But, mentally? Emotionally? What has korea done to me? I thought that once I returned from being abroad, I could be this strong, amazing, fearless, bold person. Maybe in some aspects, I do feel that way. But quite frankly, being away from some beloved, close friends for so long has left me more insecure and unsure than I would like to admit.

No part of my confidence has significantly skyrocketed or anything. I am still too much of a pessimist for any of that to be possible. I actually feel kinda reluctant, vulnerable, skeptical… when it comes back to reconnecting with the friends I haven’t seen for over a year. So in this way, Korea has changed me in which I do not know how to reconvene with the life I originally left.

Korea also….. made me fall in love with the “Asian lifestyle”. I say this a lot in person, but I think I genuinely love Asian culture & way of living better than America’s. Especially after coming back & coming to terms with how normalized some illegal stuff are among kids my age are now, I cant vibe with any of that. I know well enough that both cultures have their pros and cons and but I think I can safely say I prefer one over the other. I have grown up in the same exact house and neighborhood my entire life and I very ironically chose to go to a school that mirrors this familiar environment almost perfectly. Therefore, I easily lose sight about what is new, what is enjoyable, what keeps me grounded here.

So to be honest, nothing keeps me grounded in my hometown. Not my parents, not really my hometown friends, nothing special. It’s a fact that I felt more attached to Korea than America. I don’t know. It just ended up that way.

I traveled to and studied there for a year because I felt like my heart belonged there. And after coming back, I think I finally can contest to that statement.

One more thing, as I try to run out of things to say… I dislike K-pop and I wish it wasn’t such a definitive part of Korea itself. I know for a fact that the way in which K-pop has blown up over the years is an inherent loss for Korean culture because now the world has been misguided, misinformed, and misinterpreting Korea as a whole due to K-pop. I hate how, if I were to speak to someone ive never met before about me studying abroad in Korea, they would most likely assume that I like K-pop or make some sort of connection to my experience, with K-pop. That presumption needs to end. I do not relate my experience to K-pop in any way. There was so much outside of that. So like, no, I did not meet so-and-so. No, I did not see that group on the streets. No, I did not go to that concert. I admit I went to plenty of concerts, but those people were basically NO NAMES compared to actual K-pop artists… So please… I wish there was a distance between Kpop & Korea.

I have come to cherish Korean culture way outside of K-pop. Sure, its what exposed me to it all in the beginning, but I very quickly, very NATURALLY, grew out of that mindset & perspective. Sigh. That’s that. A real shame.

I haven’t been able to wrap this up for an entire week now and I think, right before I head back to school for good at UCI, this would be a good time to close it up for good.

What I meant to talk about throughout this entire “final journey” chunk was how studying abroad changed me, and what that might mean for my future.

These days, while ive been lowkey wallowing away at home, avoiding my responsibilities and waiting for everything to come crashing down onto me once I return to Irvine, one of the biggest things ive been really missing is Yeosu. My spontaneous 2 day, 1 night trip to Yeosu with Sabrina was probably one of the best spontaneous adventures I ever chose to do.

Yeosu held some sort of beauty that is so impossible to explain, that pictures don’t even do justice for, and is really just a hidden gem sort of place that I am so so so blessed to have visited and fallen in love with. Even if it was just for two short days, Yeosu treated us SO well. It will forever be one of the best memories I’ve made in Korea, because of all its combined natural beauty, open air, wonderful weather, breathtaking views, exciting and undying street pojangmacha street life, and FOOD! Amazing, home-cooked 한식…..it was really, honestly, great.

Another thing I thought of: I feel like I took so many airplanes that I lost count and I even lost that exhilarating, enthusiastic feeling that used to be associated with taking airplanes at some point. I am not trying to BRAG that I had that sort of privilege, but I just wanted to…. Reminisce on that missing emotion. Now, going through that entire check-in, security, waiting, boarding process feels sooooo draggy, and if anything, even a waste of time….. :( but I at least appreciate airplanes for being able to take me everywhere…

OKAY FOR REALS, last thing im going to address: my current perceptions on sharing my journey abroad with others. If im going to be completely honest, I really hesitate to talk about how I studied in Korea for a year. I am pretty damn paranoid about what people would think of me and I am reluctant to really tell my story because I feel like all of it is very important and special and dear to my heart that it’s not as simple as “yeah, it was chill, I had a great time”. In response to the question of “omg how was it????”, ive literally made a script for myself: “honestly, like my life in korea and my life here in America were so totally different that it feels like it didn’t even happen… it went by so fast and there was so much going on that coming back here feels pretty weird…also, reverse-culture shock is real”

That is the best spiel I can muster up if I were to briefly talk about my experiences abroad. But in reality, I would want to talk about why korea & the Korean language mean so much to me, how grateful I am for all the places and people and things I got to see, how convenient day-to-day life was. And most of all, I would want to address the all the negative things I discovered about Korea. I would want to talk about how for nearly half of my time there, my world was, and still is, crashing down onto me, and how that entire happening has affected my viewpoint of Korean society greatly. I would love to go on about the nuances that make Korea a very toxic social environment, how many aspects that make it well-known and well-received globally also contribute to my disliking for Korea. My experience was so eye-opening. It really was. With all the beauty I discovered along the way, I feel like I faced some extremely terrible shit, too. But of course, as I have been repeating ceaselessly, I am thankful at the end of the day. I always am.

I think at this point, I don’t have much more to say. Despite how much I miss Korea on a daily basis, for now, I think its best to let go of it. I am proud that my daily Instagram will stay as my detailed, thorough testimony to the countless experiences and stories I thought were worth sharing, or remembering at the very least. 286 days. To be exact, I was abroad for 286 days. Not a year exactly, but sorta close. I did my best. I did everything I could. I was independent as I could be, I saw all the things I could see, and I just appreciated it all at the end of the day.

I am really excited to go back one day. It’s at the least the one thing keeping me a little bit optimistic for the future.

잘 있어줘, 한국아. 모든 걸 고마웠다.

#korea #yonsei #klife #study abroad #its officially all over #twas a good run #thank u for everything #to all the ppl that made it worth #am forever grateful

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