#Francois Truffaut

[tilbageidanmark]

2 unusual editions of Bradbury’s ‘Fahrenheit 451’.

[beingharsh]

The 400 Blows (1959), dir. François Truffaut

[dailyworldcinema]

Françoise Dorléac in The Soft Skin (1964) Dir. François Truffaut

[heavenhillgirl]

Domicile conjugal (1970)

[shihlun]

Jean-Pierre Léaud as "Antoine" who works at Philips manufacturing LPs to support himself.

François Truffaut

- Antoine and Colette

1962

[lecineaste]

The 400 Blows by François Truffaut

[citizenscreen]

“Of all the American film stars, Gloria Grahame is the only one who is also a person.”—François Truffaut, 1952

[theconstantnymph]

Le Dernier Métro, 1980

[freeartzombie]

JULES ET JIM (François Truffaut, 1962)

— Via Mubi

[pedroam-bang]

Close Encounters Of The Third Kind (1977)

[vintage-tigre]

[beingharsh]

The 400 Blows (1959), dir. François Truffaut

[hellish-cruelty]

Flowers for you. 💐

Movies - Close-Up (1990), Bed and Board (1970), Atonement (2007), Stealing Beauty (1996), Sleeping with the Enemy (1991), The Witches of Eastwick (1987), Fleabag season 2 (2019), While You Were Sleeping (1999), The Amazing Spider-Man (2012), Broken Flowers (2005)

[francoistruffautarchive]

François Truffaut and Julie Christie on the set of FAHRENHEIT 451, 1966

[brunettedelulu]

The French New Wave: A Cinematic Revolution.

Introduction

The French New Wave, or Nouvelle Vague, is a cinematic movement that revolutionized French cinema and, by extension, global cinema. Emerging in the late 1950s, it marked a decisive break from the conventions of traditional filmmaking. This movement not only redefined the rules of directing but also spotlighted new talents who would go on to influence generations of filmmakers.

Origins of the French New Wave

The movement was born out of criticism, particularly through journals like Cahiers du cinéma, where young cinephiles such as François Truffaut, Jean-Luc Godard, and Éric Rohmer began expressing their dissatisfaction with the rigidity of French cinema at the time. These critics soon transitioned behind the camera to materialize their innovative ideas.

Characteristics of the French New Wave

- Narrative Freedom : Films of the New Wave are characterized by non-linear storytelling and a liberated approach to narrative structure. Plot often takes a back seat, with emphasis placed on emotion and the moment.

- On-location Filming : Unlike traditional cinema, which predominantly relied on studio settings, New Wave directors favored natural locations, lending their films a more realistic and immediate feel.

- Innovative Camera Techniques : The directors experimented with groundbreaking camera techniques such as handheld shots, long takes, and rapid editing. This dynamic approach contributed to a unique aesthetic that often blurred the lines between fiction and documentary.

- Non-professional Actors and Improvised Dialogues : To enhance realism, many New Wave filmmakers cast non-professional actors and encouraged improvisation, resulting in more natural and spontaneous dialogue.

Pioneering Figures

- Jean-Luc Godard : With films like Breathless (À bout de souffle, 1960), Godard introduced a bold and provocative style, challenging conventional editing and narrative techniques.

- François Truffaut : In The 400 Blows (Les 400 Coups, 1959), Truffaut explored autobiographical themes with a new sensibility, deeply resonating with audiences.

- Agnès Varda : Although sometimes considered on the periphery of the movement, Varda contributed significantly with works like Cléo from 5 to 7 (Cléo de 5 à 7, 1962), enriching the New Wave with a feminine and introspective perspective.

Three Must-See Films of the French New Wave

1. Breathless (1960) - Jean-Luc Godard

One of the cornerstones of the French New Wave, Breathless tells the story of Michel Poiccard, a petty criminal on the run, and his love for a young American, Patricia. The film is renowned for its innovative editing style, with abrupt cuts and a frenetic pace. Godard disrupted traditional cinematic conventions, delivering a daring work that perfectly embodies the rebellious spirit of the movement.

2. The 400 Blows (1959) - François Truffaut

Truffaut’s debut feature is an autobiographical masterpiece that follows the misadventures of Antoine Doinel, a young boy rebelling against authority. The 400 Blows is a poignant film that explores childhood, the misunderstanding of adults, and the quest for freedom. The film is distinguished by its realism and sensitivity, hallmarks of the New Wave.

3. Cléo from 5 to 7 (1962) - Agnès Varda

Often referred to as the "grandmother" of the New Wave, Agnès Varda offers an introspective and feminist perspective with Cléo from 5 to 7. The film follows Cléo, a singer awaiting potentially grave medical test results. Over the course of two hours, we watch her traverse Paris, encountering various characters. The film is remarkable for its exploration of time, mortality, and identity, while also capturing the essence of Parisian life.

The Impact of the French New Wave

The French New Wave profoundly influenced global cinema, paving the way for a new generation of directors willing to break conventions, both in Europe and in the United States. Filmmakers like Martin Scorsese, Quentin Tarantino, and Wong Kar-wai have frequently cited the New Wave as a major source of inspiration.

Conclusion

The French New Wave remains a pivotal movement in the history of cinema. By breaking with tradition and innovating both in form and content, these directors redefined what cinema could be. Even today, their influence is felt, proving that the New Wave has left an indelible mark on the art of filmmaking.

(yes it is)

[lecineaste]

Jules and Jim by François Truffaut