Murder for Mortgage: Secrets on Maple Street (2024 Lifetime)
Murder for Mortgage: Secrets on Maple Street (2024 Lifetime)
#LifetimeMovie
Murder for Mortgage: Secrets on Maple Street (2024 Lifetime)
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Cast: Thomas Cadrot, Frances Leigh
Director: Paula Elle
Writer(s): Adam Rockoff
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In the Source Link, you will find a gif pack of Frances Leigh in 2021 Christmas tv movie - A Very Merry Bridesmaid.
Frances plays the role of Julia Rutherford, the fiancée of Paul Taylor and future sister-in-law of Leah Taylor.
Source - FabledEnigma
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Makenzie Leigh by Simon Brodbeck & Lucie de Barbuat for Numéro France Feb 2024
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i know champagne has become kind of synonymous with sparkling wine in general, like how kleenex morphed from a brand name to becoming a common term for tissues, but i still think it is so funny that they are drinking it in club cumulus at the beginning of crooked kingdom because it implies that france, and specifically the champagne region, exists in the grishaverse
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Tony Curtis et son épouse Janet Leigh sur la place du Trocadéro, au fond, la Tour Eiffel à Paris, France en 1955. - source Cars & Motorbikes Stars of the Golden era.
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Pierre Balmain Haute Couture Collection Fall/Winter 1953-54. “Jolie Madame de France” . Model Dorian Leigh.
Pierre Balmain Collection Haute Couture Automne/Hiver 1953-54. "Jolie Madame de France". Modèle Dorian Leigh.
Photo Georges Dambier
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Margot At The Wedding (2007) : A Rant (Spoilers)
i just finished margot at the wedding and was a little stunned by all of its negative reviews/ratings. i loved it. dare i say, i enjoyed it as much as frances ha and mistress america. the characters are relentlessly fucked up and every bit human. i love kidman and leigh and their perfect depiction of what sisterhood truly is at its core, how most times familial relations are all you hold on to even tho they're bursting at the seams. the "i tell everyone that you're my closest friend" and "you've successfully ruined two of my marriages" and every single twisted, tensed, you're-miserable-and-i-see-you emotion between them. i can see how there are extremely uneasy moments in the film that might make the audience give up halfway through it, but ohmygod i love baumbach for showing nothing but life. plain, boring, mistake ridden, indecisive, angry, confused, non-poetic lives. how everyone around margot keeps telling her she's kinda fucked up and how she never shows but quietly accepts it. how jim's kindness has an opposite impact on her, leading her to convince herself that she needs to leave him bec of HIS tender actions (and how small they make her feel), not bec of the consequences of HER OWN misdeeds. how malcolm is just an asshole, nothing more or less, and how pauline doesn't really want to see that, and convinces herself that she's been with someone decent for a year (it was interesting when she admits to margot they're at an age where men won't even look at them, which like probably is why she "settles" for malcolm). i also love how claude is not left behind in all the messes of adults, how we're shown what children at his age observe, assimilate and crystallize into their personalities. claude needs his mother to be more present, his need to just be seen and acknowledged is loud but god so inaudible at the same time. and this is only bec of margot's own blindness, her selfishness and harshness seeping into all of her relations, almost ruining everything she touches. but it's so gradual. and it's so subtle but ingrained that you cannot miss it. i love baumbach. i love how he shapes characters, how there's so much to say with so little dialogue yet such vast desires i love this movie a lot!!
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My Roman Empire Reads
This was originally going to be a list of my favourite books of all time, but I realised that my favourites shelf on Goodreads is littered with books I haven’t read or thought about in five years, I thought I’d focus on the books that still do occupy my brain space to this day, some read more recently than others. And I know the ‘Roman Empire’ meme is dead by now, but I have no other way to…
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Home Sweet Home | TV | Mike Leigh | 1982
Frances Barber, Eric Richard
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