#Forces of nature

[vavialdavi]

I'm litteraly devasted after reading the whole Disa's creator conversation. But at least, it confirms Elsa is indeed intented in a possible queer subtext and that we are not crazy. A win is a win... I guess?

We might never get our canon lesbian snow queen. However it looks like we were kind of right since the beginning. So, it's not a complete lost and the homophobes can suck my clit!!!

[renegadesstuff]

PENELOPE FEATHERINGTON MAKING COLIN BRIDGERTON THIRSTY 😩🤍

[somedayillbepeterpan]

I'm pretty sure that this:

Is in the same thought process as this:

The tone and the eyes were the same 😢 the same embarrassment and the pain of feeling pitied and the despair of unrequited love (not knowing that he's going through the same thing).

I'm happy for her confidence in putting herself out there but the sacrifice of letting go of your first love after finally experiencing a kiss from him just breaks my heart. She was truly doing her best to move on.

[multifandom-gif]

Penelope & Colin through the dances ❤️

[consoledacup]

In order to fully understand Colin's reaction to the Lady Whistledown reveal and how he processes everything moving forward, you have to think about the entire season, the entire series really, through his point of view. I have no problems with the part 1/2 split. It made the anticipation that much more intense, and it worked out perfectly with their love story. But you can't separate one part from the other when you're thinking about his character.

In Colin's mind, the end of episode 4 is his happily ever after. That's it. He did it. He took action. He was the Cupid to her Psyche and played god and rescued her from a loveless match. He made shit happen and told her how he felt and they shared that moment in the carriage, and he gleefully proposed. He saved the girl and got the girl, and what a remarkable, enchanting, beautiful girl she is.

And aside from Eloise and Cressida, everyone's obsessed with their relationship. They're the true love match with a great story, and how lucky he is to fall in love with his best friend. And she's showing hints of unease, but maybe that's just wedding jitters. Or maybe she's mourning her relationship with Eloise which is why he keeps trying to get them to make up. Or maybe she doesn't feel as secure with him as she would've with Debling, even though she'd never tell him that. He is the third son after all. And he still has no idea how in love with him she is.

So when she tells him how she's always loved him, he's warmed but also wracked with guilt. Because if he had only taken his stupid head out of his ass, he would've figured out why her letters meant so much to him or why he was eager to participate in an investment with her family or why her lack of response the past summer devastated him. He thought he was the instigator of their love. He's the one who laid himself bare and was like, is it possible you feel a fraction of what I feel for you? And to find out that she did always love him made him feel so undeserving. Because why would this exquisite siren still want anything to do with him after all that he put her through?

There is an incredible scene that I think deserves a lot more gravitas. The minute Penelope mourns Lady Whistledown and burns her issues, it cuts to Colin getting over his writer's block as he writes with great enthusiasm. It's like, he's unknowingly siphoning her power. He is Cupid and a writer and her protector and her provider and so madly in love. And he will finish his manuscript, and he will make things right with Penelope and Eloise. And he and Penelope will have the perfect life together.

And then everything he thought he knew about Penelope, about friendship, about love, is completely shattered. She rips his power from him, and he is absolutely gutted. She has been the mastermind this entire time, and he was none the wiser. And what part of their love story was even real? At which point was he manipulated into doing what she wanted him to do? And while he was helping her with her confidence, and telling her how changed of an individual he was, she not only saw through him but broadcasted his insecurities to the entire ton?

He's still so desperately in love that he remains steadfast in marrying her. But he cannot get over his fury and hurt and betrayal at that point. Which makes so much sense. It's painful to see him lash out and withdraw from her, but he's absolutely reeling.

And on top of all that, he is humiliated. He thinks about everything she said about his own writing. She told him how he made it seem effortless, which is such a great compliment. And he's like, I don't want you to edit my manuscript because I want to prove to you that I'm worthy of you. And he might be thinking, I can even give her some pointers for her own writing! What fun we'll have with more lessons. To find out that she's the talented, sharpest, most prolific writer in the ton fully emasculates him. He feels like she was patronizing him all along.

He brings that part up, and she's like, no, I meant everything I said about your writing. But he doesn't believe her and immediately switches the conversation to her dangerous predicament, so he can at least, at the very least, offer himself up as her protector. It worked before when he danced with Penelope after Cressida ruined her dress, when he rescued Marina from Rutledge, when he helped save Daphne's reputation, when he saved Penelope's family from Cousin Jack, when he helped save Will's business, when he kissed Penelope, when he saved her from the balloon, when he defended her to her mother... If he can't be the provider, he can be the protector. And she doesn't even want that from him. She's the knight in shining armor. She's Don Quixote. Not him. Never him.

So he is grappling with his role in their union. He figures it out, but it takes him a little bit to get there. And in the process, he not only remains in love with Penelope the entire time, but he also falls head over heels for Lady Whistledown.

[waltricia]

Regardless of whether anyone actually reads this, I need to show appreciation for the writing, blocking, and editing of the last scene of 3x03, “Forces of Nature.”

Recently, I noticed that the LW line “this author is captivated” was very specifically placed over a shot of Colin and I knew it was intentionally done to convey the double meaning of the narration being about her and him.

Since then, I’ve realized that the same thing is happening throughout that entire LW narration. And it is fucking BRILLIANT.

So, first of all, this is the transcript of the narration:

“This author believes that all of man’s greatest inventions are nothing more than a distraction from what is most natural to us. Our instincts. The innate animal impulse that is inside even the most sophisticated of us. For when all is said and done, our nature will always win out. It seems Lord Debling’s instinct has led this man of nature to the most surprising pick of the season in Miss Penelope Featherington. Suffice it to say, this author is captivated. For in the battle between man and nature, it is quite clear that the battle is in fact between man and himself.”

Now I’m going to break it down with captioned stills so that you can see which words line up with which frames and I’ll explain what I believe it all means.

“This author” - When it’s first said, it’s on Pen. The second time it’s on Colin. I think there are several meanings here. Firstly, she’s Whistledown and she’s published. He will be, assuming he publishes his travel journals or whatever. Secondly, I think it highlights how they will be united, in the Whistledown storyline along with everything else. There’s a third meaning, but I’m going to get back to it later, once we get to the second use of “this author.”

This is the Innovations Ball, so on the surface, LW is speaking about man-made technology versus the natural world. But with the introduction of “man,” the shot immediately cuts to Colin, so the second layer of the narration is about him. All of Colin’s invented personality traits are a cover, hiding his true self- his sensitivity and his feelings for Pen. Obviously, this echoes what she wrote about him in 3x01, but it’s different. The context is the same, but this time, she’s not speaking directly about him, and really, she may very well not be thinking about him at all in writing it. After all, she still doesn’t know about his feelings for her. But we know. And the feeling of what she’s saying this time is less jarring; more, fittingly, natural. Because he’s starting to confront all of it as well.

In this shot, Colin has been walking across the room to get to Pen. There were people on his right, obstructing his view of her, but as LW says “natural,” Colin passes those people and, though we cannot yet see Pen, we can tell from Colin’s face that he finally clearly can. She is what is most natural to him.

He comes up to her and says that he has a question for her. The narration starts again. But on this shot, it’s only the one word, “our.” Aside from this just being romantic, I think it highlights that the narration is about both of them. But I also think that it’s not just about them. It feels to me as if, metaphorically, it’s written by both of them. Hence, my emphasis on the importance of “this author.”

We cut to our first close-up of Colin in this particular intimate sequence of close-ups. And we’re really in his perspective now, as he’s struggling to manage his feelings.

Again, he had been masking, trying to be like the other “sophisticated” gentlemen.

But a shift is occurring within him.

And this where I really hope there is at least one other person out there paying attention because all of the elements are coming together to tell us something incredible here. We have our beloved Julie Andrews delivering the line with a profound heaviness. We have Kris Bowers’ “Call Me Simon” coming to a close, sounding like a clock striking midnight. And we have the decisive sentiment of the words themselves. I'm convinced that the words “done” and “win out” being said on Pen speak to the finality of Colin’s feelings. If there was uncertainty before, it is gone now and there is no turning back. He is in love with Pen.

But before Colin can say anything else, Debling steps in and takes Pen away to dance.

Side note: Amazingly, I can back up my theory with this shot and another one of my theories:

I had said, when the trailer came out, that when true red shows up behind Colin, that indicates his love for Pen. This is the first time we see that happen.

But anyway, back to Whistledown…

Debling is the literal “man of nature,” while Colin is the metaphoric “man of nature.” Both have picked Pen.

We’ve finally come to the second “this author” and here’s the third thing I wanted to say about it: Possibly my favorite thing about this sequence, is that it acts as a vehicle for the representation of the Polin role reversal. From one end of the Whistledown narration to the other, Pen and Colin literally and metaphorically switch places, seamlessly. They exchange their physical places in the room. She’s the wallflower, then he’s the wallflower. She’s the author, then he’s the author. In a metaphorical sense, they’re both writing this Whistledown piece. This whole sequence serves to show us how Colin and Pen have really been equal this whole time. They’re just star-crossed. It’s like what Luke has been saying in interviews, Colin and Pen keep missing each other. They have brief moments where they eclipse each other and then they slip right past until the next time they orbit around to each other again.

Ok, here’s the final stretch, and it is a fucking fascinating maneuver:

The battle isn’t between Colin and Debling. In fact, Debling doesn’t signify at all here. I’d say there are actually three other battles being referenced: Colin and himself, Pen and herself, and Colin and Pen. The first “man” of that sentence is said on Colin, while “nature” is said on Pen. So in the battle between Colin and Pen- for there is a battle, as Cressida will mention in 3x04 when she says “Eros and Psyche, battling it out”, and also there will be more blatant battling in part 2- the real battles Colin and Pen are facing are the ones within themselves.

Of course I’ve already written about Colin’s battle with himself.

The reference to Pen’s battle with herself is particularly interesting to me. At first, I didn’t see it and I didn’t understand why that bit of the narration was spoken over the Pen and Debling dance instead of over Colin. Then I realized that the second “man” of that sentence is said directly on top of this shot where, again, it’s not about Debling; it’s her face we’re seeing. Then, Debling spins her and the “himself” is on Pen too. And I know I’m right about this because the shot was in the trailer and I watched it so many times. And I noticed that Sam Phillips is very specifically looking away from the camera in this moment. I figured it was because we had to know that the moment was about her. And I was right.

Pen’s journey is her reconciliation with herself. Colin and Pen really have the same inner battles. They both need to drop their masks. That’s why the mirror scene is going to be so important- it’s about exposing and embracing the bare parts of both of them. They are already equal and united. They just need to see it.

Ok that’s it. I’m done. I got it out. And I literally can’t add any more images to this post. To anyone who will have read this fuckin novel I just wrote, thanks for sticking around. These ballroom sequences are particularly difficult for the cast and crew to do, and there is obviously so much complexity in this one, so I feel like it should all be acknowledged. Someone has to acknowledge it, and if that has to be me, I will gladly continue using up my Friday afternoons to do so.

To the cast and crew, to the captain of the season 3 ship, Jess Brownell, to the director, Andrew Ahn, and writer, Eli Wilson Pelton, to everyone’s favorite choreographer/movement director, Jack Murphy, to Luke, Nic, and Julie fuckin Andrews, I see you and I love you. Please keep doing what you’re doing. It’s all worth it. ♥️

[niidsch]

Pokémon Picross - Trios

[weirdlookindog]

Norman Lindsay (1879-1969) - Wind and the Furies, c. 1930

[uwhe-arts]

forces of nature . . . | uwhe-arts

[arendelle-archives]

Behold! The known (and derived) relatives of the Duke of Weselton!

Created by @virtual-winter

The Duke himself. - F1 & F2 + various books and comics.

Wolfgang, the Duke's nephew. - Forces of nature podcast.

"My mother's cousin's wife's nephew", a relative to the Duke who lives in the kingdom of Vakretta. - Across the sea, 2015 illustrated book by Brittany Rubiano.

"My grandfather", mentioned by the Duke. - Conceal, don't feel, 2019 Twisted Tale novel by Jen Calonita.

[hetalia-iggy]

There were many a moment from this episode that one could discuss dearest reader.

Though this author would like to point to Violet Bridgerton, who was ready to welcome Penelope to her family that evening, at the Innovations Ball.

Violet can be spotted watching the entire time as Colin moved to have a moment with Penelope. She did not take her eyes off her son the entire time.

This author does hope for more Penelope and Violet interactions in part 2 as they are very similar.

That is all dearest reader.

[renegadesstuff]

THE WAY HE LOOKS AT HER WHEN SHE DOESN'T KNOW IT 🥺❤️

[multifandom-gif]

Penelope & Colin in Season 3 Part 1 🤍

[consoledacup]

Ode to the Street Scene

I really thought my favorite scene was the wedding dance. It cuts away to no one in the room, and my heart just swells from the romance. And that cheek caress at the end? Butterflies!

But every time I rewatch, I have to pause the show and just sit with certain beats of my actual favorite scene because I'm so overcome. The writing is so fantastically good. Verica's directing is perfect. The scoring is angsty and beautiful. And Luke and Nicola deliver incredible performances. The give-and-take of this fight is exceptional, and their chemistry is electric.

This confrontation is one that is years in the making. And as they fight, they address all of it. He's only known about her Whistledown identity for a short time, so this fight was always going to be incredibly heightened and passionate. But we also get so much truth in this exchange, too.

Colin's leaving the saddest stag party ever. I'm sure he also felt weirdly guilty for not being ecstatic about it. Especially because the three gentlemen with him witnessed Colin-heart eyes-Bridgerton not a week ago. So they notice something is wrong, and he really doesn't want to talk about it.

Penelope's leaving her good friend and business confidant. And I love the little hesitation Genevieve has before asking Penelope if she'd continue publishing. She adores Penelope and has been such a fantastic support for her. So although Penelope feels like she's unworthy of Colin after everything that has happened, Genevieve is steadfast in encouraging her to not give up a huge part of herself.

So they run into each other, and Colin is immediately furious. He is shocked to see her, his Pen, out alone at night. And then he's like, well, she's Whistledown. She was doing this all along, right under my nose, having a laugh. And Penelope can probably smell the alcohol on him and is fed up with being the bad guy at this point. So she bates him because good grief, can he just look at her??

And he immediately lays into her. I really love Luke's rhythmic delivery here:

After all of the secrets you have kept, all of the things you have written over the years, all of the damage you have done.

And I love how Penelope immediately takes responsibility and apologizes. Two people have found out about her identity prior to Colin. Genevieve needs no explanation for why Penelope did what she did. And Eloise is so heartbroken and betrayed and humiliated, she has no room for Penelope's motivations.

But as angry as Colin is, he listens. And they go through her past transgressions, point by point. He asks about Eloise, as the protective brother he is, and receives a somewhat satisfactory response.

And then he asks about Marina, and Penelope is essentially like, I was saving you. For White Knight Colin Bridgerton, that is almost too much for him to take. If we go back to that scene when Penelope tells Colin about George, she purposely leaves out her pregnancy. That was deliberate. She might've gotten dismissed by him and interrupted by Marina, but she was always going to lead with, "well, she has a lover back home." Because she was terrified Colin would mount his white horse and see it as his duty to rescue Marina all the same. As a 17-year-old girl, who had incredible power, she saw no choice but to manipulate his future. That was a bad move, and she knows it.

Which is why he's like, do you really have that little respect for me? Because he reveals what cuts him the most. Whistledown called him out, belittling him. And then he finds out that the most important person in his life, his entire world, wrote that about him. And is that truly how she feels about him when he thinks she hung the moon and stars?

And that's when this fight takes a turn as Penelope lays bare everything she loves about him. She was like, I missed you just like you missed me. Here's where I praise Nicola's rhythmic delivery:

It's you. Kind, feeling, occasionally excitable good-hearted man who I love.

Even the way she says "man who I love" is just so matter-of-fact. Of course she loves him. When is he gonna get that?

Every episode this season, we see Penelope subtly gain more and more confidence. Which is why this payoff is so delicious because she has finally developed the confidence, that he helped her find, to stand up to him.

So he takes that all in, and in an almost hopeful way, he's like, well, I helped you gain confidence, and you have me now, so you really don't need Whistledown, right? You don't need to be more powerful than me. And she's a little taken aback by his plea but stands her ground, patiently explaining why Whistledown is important. Which breaks his heart because he feels that, deep down, Penelope surpasses him in talent and ambition.

Remember their engagement party when Penelope and Eloise take turns answering the riddles? He is proud of Penelope, and he is concerned something is going on with her, but he is also, plainly, jealous. Anthony obviously steals the scene with his competitiveness, but you see Colin sitting up a little straighter, wanting to impress everyone else with his quick wit. And each time Penelope or Eloise get the answer right, he deflates a little. He's always known Penelope to be incredibly smart, but now that he's desperately in love with her, he is terrified that she doesn't see him as her intellectual equal. And his fears are confirmed when he finds out she's the sharpest tongue in the ton.

He's honest about how patronized he feels, thinking about her hyping up his journal. His eyes are welling up because good god, he does not understand why she just won't choose him over Whistledown. And he chooses that moment to assert his physical dominance and join her on the step so he towers over her. He goes for broke, berating her for her carelessness, and she's not having it.

And this interplay between Luke and Nicola is like a perfect volley:

I have been careful.

You have been foolish.

Colin, I can take care of myself.

Then what good am I to you?!

And Penelope just snaps. She tells him she loves him which snaps him out of his spiral, and they finally allow their passion for each other to take over. And their physicality shows how relieved they feel in each others' embrace. Their kiss is like coming home, and they're like, thank GOD you want me like I still want you.

They're not thinking much else, but I do wonder if Colin in the back of his mind is like, she may not need my brain or my protection, and I have no title, and I can only provide her a townhome, but by god, I can give her pleasure. I think it says something that Colin's go-to move is his hands. He wants to bring her to ecstasy as expediently as possible, finding his own pleasure in hers.

Thankfully, they are interrupted because they really don't need another scandal. They were debauching each other in the street! That is an absolutely wild thing for them to do, and Colin has enough wherewithal to keep her shielded, quickly falling into his coveted protector role.

He holds her hand and walks her to her carriage. Their goodbye is tense, but he assures her that she doesn't have to worry about him. He will be at the church on time. He is still choosing a life with her, and is, of sound mind and body, intentionally entering into a union with Lady Whistledown. And then he watches her carriage leave.

Perfect, heartbreaking, passionate, angsty, emotional, sexy, honest, cathartic, electric, romantic scene from start to finish.

[waltricia]

look at that thing go

[l4v3nd3rv01d]

☆ I had the idea of them not getting along earlier today and then this audio showed up on my fyp so

This happened