#For some reason I write different things on every platform.

[multific]

Of Dog Tags and Love Letters

Simon Riley x Reader

Summary: Simon Riley never says “I love you” out loud. Instead, he writes letters, letters you were never meant to find.

Simon wasn’t the kind of man who said “I love you” easily.

He showed it instead.

He showed it in the way he pulled you close at night, in the way his hand always rested on the small of your back in public, in the way he made sure you always walked on the safer inside of the sidewalk.

His love wasn’t loud or obvious, but it was steady, always there.

Still, you wanted to hear it.

Just once.

Just once you wanted to hear him say it.

Simon had been gone on a mission for a few weeks.

You missed him, missed the way the house felt different when he was home.

Tonight, the quiet felt heavier than usual.

That’s what led you to the room, sitting on the bed, fidgeting with his dog tags.

That’s when you found them.

A small metal box, tucked away beneath an old shirt. You were trying to find a shirt which still smelled like him.

Inside the box, there were letters.

Dozens of them, all folded neatly, your name written on each one.

Your stomach flipped as you picked one up, your fingers shaking slightly as you unfolded the paper.

The handwriting was rough and rushed.

But it was undeniably his.

If you’re reading this, it means I didn’t make it back.

Your breathing stopped, but you kept reading.

I don’t say things the way I should. Never have. But you should know… you’re the best thing that’s ever happened to me. You’re the reason I want to come back in one piece. If I don’t... just know that I love you. Always have, always will.

Your chest ached as you grabbed another letter.

It was the same.

So was the next.

You looked at the dates. Every letter is written before a mission.

Every single one, carrying the words he never said to your face.

I love you.

All of them, filled with meaning and care. All of them are written from the heart.

You pressed them to your chest, blinking back tears.

Three days later, he was home.

The second he walked through the door, you didn’t wait. You crashed into him, arms wrapped tight around his middle.

He let out a small grunt of surprise. “What’s all this then?”

“You’re an idiot,” you mumbled into his shoulder.

He huffed a quiet laugh, arms circling around you. “Good to see you too, Love.”

You pulled back, searching his tired eyes. “Why didn’t you tell me?”

Simon’s body tensed. “Tell you what?”

You lifted your chin. “About the letters.”

His whole body went still.

“…You found them.” His voice was quiet.

You nodded. “Yeah. And I had to find out from some scraps of paper that you truly love me?”

His jaw flexed like he was bracing for something. “I didn’t think I’d ever—” He sighed, rubbing a hand over his face. “It’s not easy for me.”

“I don’t care if it’s easy,” you shot back, stepping closer to him. “Do you think this is easy for me? Waiting? Wondering if you’ll come home?” Your voice cracked. “Wondering if I’ll ever get to tell you—”

You stopped yourself, swallowing hard.

Simon’s eyes softened. “Tell me what?”

You exhaled. “That I love you too, you idiot.”

His breath hitched.

Then, before you could say anything else, he cupped your face in his hands, pressing his forehead to yours. His touch was warm, and grounding.

“Say it again,” he whispered, begged.

A smile tugged at your lips. You rested your hands on his chest, feeling the steady beat of his heart beneath your palm. “I love you.”

His eyes closed, and he let out a slow breath like he was letting himself believe it. When he spoke again, his voice was deep, barely above a whisper.

“I love you too.”

And this time, he didn’t need a letter to say it.

~Masterlist~

ˇAO3ˇ

Wattpad

/DO NOT TRANSLATE, STEAL OR REPOST ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[arvolna]

I bought bg3 and started playing and oh my god. I kick my feet, giggle like a mad man and for some reason slap my legs hard whenever I see him or hear him talk. And the line "Warm... Warm... Hot." got me off guard. SIR? HELLO? I'M BLUSHING RED AND BLUSHING RED WAS NOT ON MY PLANS FOR TODAY SIR. I NEED TO WRITE YOU A FINE. I'M GONNA REPLAY THE SCENE ON MY SAVES AND YOURE GONNA SAY THE SAME THING AGAIN AND AGAIN SIR. ENOUGH.

[thatsveryvortex]

Writing Tools for Planning Your Story

I've tried tons of writing apps and sites, so you don't have to. Here's a list of free sites to plot out your novel, with my review and some images of how I use it.

Milanote

Milanote is like having a giant pinboard with folders. You can upload anything onto it [yes even your main doc] and then draw over it or connect things with lines and arrows

Milanote lets you add up to a hundred things for free, not including drawing. This is one of the downsides of the site as I've found myself reaching that limit recently.

For me, the best part is being able to draw over stuff, and the color swatches.

Milanote is a lot less structured than other sites I've used, and personally, I don't think their templates are worth using.

8/10 overall, Milanote is what I mainly use. Here are some pics of how I use it:

Miro

Miro is a flowchart website mainly used for corporate jobs, however, it can be a great plotting tool for that reason

Miro has a lot of great starter templates if you are looking for a more structured freeform experience. It also comes with a blank page as well.

Unfortunately, I'd argue that it's a bit of a hard tool for beginners to use without a template, I've learned copy-paste is my best friend with Miro the hard way.

It's much better than most platforms at making timelines though.

It has a limit of three boards which is a bit disappointing but overall, I think it's worth the try.

5/10 Miro is very middle of the road for me due to the limited ability to customize things and the free limit. Here are some pics:

[I wrote that part weeks ago, I am now fully using Miro and believe it's the best for making timelines and charts, I just wish it let me make more boards 8/10]

Hiveword

This might be someone's jam, I can't really say it's mine though.

First off, the unpaid version is really just a few boxes saying "Write a summary here." which makes it just not worth it in my opinion

There really isn't any way to customise things which is my favorite part of most of these softwares

I've barely used this, so maybe there's something I'm missing but

1/10, Just use Google Docs at this point, here's a couple pics

World Anvil

People like this software, it's mainly used for tabletop, which is just a different way of writing adventure, and I've seen it recommended by authors.

Unfortunately, I'm going to disagree with a lot of people and say it's hard to use and isn't even really good at plotting.

I may be biased on this one as every time I've tried to use it in the past I've struggled. However, it seems like another just write it in a document and create a folder.

I'd say it's closer to an organizing tool, but even then just use something else.

3/10, I have nothing to say about it but maybe you'll enjoy it, all here are two photos

Campfire

This is the one I think I've heard the most about, but have never actually tried.

right off the bat, I'm going to say this is 100% worth it, you'll see at the end with the photos but this is like if Miro and World Anvil had an organization baby.

It's extremely easy to understand, and it makes timelines, it's more for writing your whole book but idk about that yet.

7/10, its themes are really pretty but it limits how much you can do to 20 I believe. Here are the photos

That's all for now, honestly, I think you should use Miro if you are looking to plot things out, and Milanote if you want to collect and organize your thoughts for writing, as that's what I do. Obviously what I like won't be for everyone, but hopefully, this helped you see some options

[seelestia]

✦ how can you tell? (of how easily i fall at your feet.)

⎯ oh, how love bleeds from just one gesture. ( some telltale signs that they might've fallen for you. )

#STARRING. neuvillette, wriothesley & lyney ft. gn!reader. { 2.4k words }

#TAGS. sfw, fluff & crack, major pining (!!!). more: neuvi has 1 extra part bcs i realized too late, wrio is a rascal /aff, lynette is a professional wingwoman here (everyone, applaud!!), mentions of various fontaine npc's.

#P/S. pardon my rusty writing and ideas but alas, may i entice you with some fontaine gentlemen on this fine day?? (˶ᵔ ᵕ ᵔ˶ ) ੭

★ 〜 masterlist.

© seelestia on tumblr, apr 2024. please do not repost to another platform, plagiarize, translate, use for AI-related purposes or claim as your own.

⎯ neuvillette's love is subtle, hidden behind a veil of formal courtesy. the iudex is the nation's symbol of impartiality; personal relationships, a common factor of inciting bias in one's judgement, are to be sifted through wisely. he can choose which he ends up keeping, yet he cannot choose which he ends up wanting. what of a relationship he desires but cannot keep? a conundrum but still, his affections for you seep through the crevices.

it's in the way. . . your name becomes a beloved among the melusines, you wonder why?

it goes without saying that every citizen of fontaine acknowledges melusines to be friendly creatures. all of them are sweethearts! ...but is it you or is there some form of hidden favoritism here?

for some reason, they always seem to go out of their ways to greet you on the streets. a “hello, mx. [name]!” from the right then a “good day, mx. [name]!” from the left. maybe a “stay safe, mx. [name]!” on days when it's crowded too... you're starting to think the quota of greetings you receive is much bigger than everyone else.

before long, even your arms are getting piled up with favors. one ticket for a seat in the opera epiclese from aeife, a slice of cake from sedene, some high-quality butter from muirne, a free beverage from menthe — you lost count of the freebies you've received already.

what's going on? it is as if there's a badge of approval from someone just hanging over your head. visible to a melusine's eyes, but not to yours. (you've heard that melusines perceive things differently than humans, though.)

but who are you to complain? you're not immune to their contagious smiles each time you pass by. on some days, you even entertain the thought that they are more familiar with you than you are with them. all in a humorous sense, of course.

ironically enough, this theory wouldn't take long to ring true: having received a bouquet of your favorite dessert from café lutece on your birthday from kiara, this coincidence only feeds into your suspicion even more.

a considerate gesture but surely, they don't do this for everyone? you don't recall ever telling your usual order and birthdate to a melusine before. your mind scrambles around for a memory you might've missed. who could've—

“oh, yes... i almost forgot,” kiara holds her chin in thought. “monsieur neuvillette says to send you his regards,” she nods, relieved that the message did not make its narrow escape from her mind. but blissfully unaware of the impact her words have left on you.

“goodbye, mx. [name]!” the melusine bids you farewell with a cheery wave. you murmur back a response but it comes out incoherent at best — you are simply too dumbfounded by the realization.

...so, that's who.

(wait a second, is arouet in on this too?!)

it's in the way. . . he begins to take longer breaks, hoping to run into you in front of the palais.

taking quiet strolls just outside the palais is, more often than not, neuvillette's idea of rest from work. although some might expect the iudex to have chosen a more 'creative' or luxurious location, but he digresses.

this place is near his office so less time is wasted on the journey back, liath also patrols here so he has the opportunity to inquire about her well-being — and occasionally, he stumbles upon you as well.

'occasionally' is the keyword: neuvillette has always preferred order and routine above chances and coincidences. but something about this idiosyncrasy — the tendency to linger beyond his usual duration, the act of stalling to hold onto hope that you might pass by today — is a indication of hypocrisy he wishes not to comment on.

sometimes, he closes his eyes so that his ears may be more attuned to the sound of your voice. sometimes, he opens his eyes so that they may look around for a glimpse of your face. who's to say if he'll ever be graced by your presence? it is all in fate's hands.

call it an odd method of manifestation, a childish one that even neuvillette scoffs at himself for. sometimes, it doesn't work, of course. not that he ever expects it to — but oh, when it does.

“...monsieur?” your voice cuts through the silence in his mind. he takes the sight of you in; a polite greeting on your tongue, several grocery bags in your arms and that beam on your face as you say, “what a coincidence to see you here.”

the iudex finds that he doesn't mind having his privacy briefly interrupted. not at all. not when it's like this, not when it's by you. alas, it seems that fate has smiled down on him today.

“yes, hello. what a serendipitous coincidence indeed.”

neuvillette smiles, he can't help it. perhaps, he might grow a soft spot for coincidences, after all.

(you sneak a brief glance at the sky with a squint. ...is it just you or are the clouds clearing up a little?)

⎯ wriothesley's love is beguiling, the kind of adventure that keeps you on your toes. a forthright gentleman; he is the type to know what he wants and he wants you. with him, you'll taste whiplash like never before. butterflies in your stomach, the urge to throw a shoe at him, you'll get it all. but an adventure isn't an adventure without breaks in between and it's at that very moment where you'll find you adore him the most... when he rests his head on your lap, momentarily free from worldly titles, breathing like the man who longs for warmth that he has always been.

it's in the way. . . he always offers you tea when really, he just wants you to stay.

everyone knows that wriothesley enjoys his tea — but that's only because he sees no need to hide his preferences; not his craving for a cup of tea when afternoon arrives nor his fondness for you either.

he doesn't conceal it, but doesn't bring attention to it either. wriothesley likes to think that only those with discerning eyes can pick up on the miniscule (???) hints he drops. that is, if saying “why not stay for some tea?” is even considered a subtle clue at all... maybe, he's mixing up polite courtesy with flirting a bit too much.

but who cares? in the grand scheme of things, the fun is seeing whether you'll figure it out or not. and let's be frank here; wriothesley is a patient man in all aspects, able to play the long game like no other.

don't worry, you may take as long as you want to — ironic since you're technically the only player in this 'game' — but hey, he has faith in your abilities! besides, you get to enjoy a cup of free tea (and with his company, preferably). surely, you can't complain about that? ...hah, he's just teasing you.

tick-tock! tick-tock!

the clock strikes twelve in the afternoon.

“ah, finally a well-deserved break.” the tone in which wriothesley pairs with that grin on his face is nothing less than devious. the glance he throws your way as he set aside the documents on his desk is something. or rather, it's suggesting something.

and frankly, you've experienced this many times enough to know what the underlying meaning is. “let me guess...” you let out a sigh, “you're asking me to have tea with you again?”

the emphasis on the last word is definitely, wholly intentional. you're sure wriothesley knows that too — “bingo,” he hums at you, sounds almost like a whistle. “you're getting more and more clever. must be all the tea i made you.”

“don't flatter yourself,” you roll your eyes at his attempted jest but you take a seat on his office couch, anyway. your own unique and adorable way of saying yes, he learned. still, wriothesley thinks that exasperated look on your face is an absolute marvel... and maybe, that little smile tugging on your lips you're trying to fight, too.

“same as usual?” he asks, pushing back his chair with a proud grin still plastered on his face that you wish you can wipe off.

but instead, you shake your head fondly at his antics. “mhm,” and rest a cheek on your fist. watching him tiredly, you realize you could get used to this. maybe.

wriothesley smiles to himself. looks like you figured out the tea has always been an excuse, after all.

(you've won the game, congrats! a subsidiary reward is a comment from sigewinne about how this tea routine between the two of you bears a resemblance to an elderly human couple's. she means it, innocently sincere.)

⎯ lyney's love can be faceted at first, one with such a smooth surface that you never imagined there would be so many layers underneath. joy and bliss, sorrow and burdens; all cramped and stuffed together behind his mask of perfection on the stage, a mask akin to a child's treasure chest almost bursting at the seams. you can unravel him if you tried, you can take off that mask if you reached out. and when you do, you'll find beautiful violet eyes staring right back at you, thankful, imploring you to go further.

it's in the way. . . his bravado dissipates around you, nerves scattering like confetti that bursts from his hat on stage.

they say that the first impression is the best impression — or at least, lyney hopes that's the case with all of the interesting impressions he has left on you so far. his instinct by nature is to impress, to bedazzle and that hasn't stopped since meeting you for the first time.

trying doesn't always lead to success, however. you stuttered in front of them twice, lynette pointed out after the first time he spoke to you. that fact spooked the poor magician so much he stayed up rethinking the conversation under the cover of his blanket. lynette isn't wrong per se, but lyney firmly believes that he will leave a better impression... one day, somehow, no matter how many times it takes!

he is a magician; charisma and charms should have or rather, already have come easily to him. his persona on the stage is no lie — just a tiny concerted exaggeration, maybe — but you've been among his audience before. you've seen what he is capable of. so surely, you'd know that lyney isn't really as demure and easily flustered as you might think he is... because no punches held back, he acts like that every time you talk to him.

he can't help it and that, exactly, is what makes it worse.

how many times have he cupped his face and mumbled nonsense into his hands for failing to impress you yet again? you're so wonderful and he's just so... miserable. this is unlike him. he has to wonder why you still look for him after each performance when you know you'll be greeted by his being a wreck.

maybe they like you that way, freminet tried to help. or maybe they like you no matter what, lynette chipped in. that had lyney pondering for a long, long, long time which translates into weeks.

will the day come where he presents you with a rainbow rose and professes his feelings for you without losing his nerves? he can only hope (and try, one day).

it never gets old.

when his feet step off the stage and the curtains have fallen, the satisfaction that spreads all the way to his fingertips never fails to disappoint. but with that, also comes the imminent feeling of anticipation.

for each performance he delivers, a visitor is bound to linger. when all members in the audience would head to the entrance of the opera epiclese to leave, one of them would stay. waiting patiently to be beckoned to the backstage. it's been a routine for so long, after all.

“lyney?”

right on cue.

your voice greets his ears, a sound that he can admit he misses only to himself. he exhales, a placating act to shush his beating heart from growing any louder.

“ah, [name]!” the magician enunciates your name with a certain type of fanfare. “here to lend a hand again, i assume?” he tries to shoot you a confident grin, but you aren't gullible enough to not see the tint of red blooming on his cheeks.

you stifle a chuckle at his (attempt at a) bold opening. “of course,“ said with a nod and a silly thought along the lines of: he's cute.

your honest and calm response takes him by surprise. he blinks a tad. oh, it seems the thrill from the show a few minutes prior still hasn't worn off. perhaps, he's still all too used to the crowd's shouts and cheers... not that he expects you to start yelling, of course!

“i see,” lyney feigns a cough to recollect his composure. now that he is cognizant of the fact it's just the two of you, he shrinks down into a more casual version of himself with a nervous chuckle.

“will you... be staying for long?” he asks, bashful. the question sounds more genuine than just a mere pleasantry. his eyes look hopeful, twinkling at the thought of having your presence around. his fingers have even come up to scratch at the side of his neck, you don't think lyney even realizes he is doing that.

who are you to say no? you smile. “well, my schedule's pretty empty today.”

his lips instantly break into a grin, brighter than one he usually has onstage. “that's actually marv—” he starts.

“that's great,” a familiar monotonous voice cuts in. lynette peers from behind you with a hum, “we could use more hands to pack up the new props.” oh, and that brief glint of mischief in her feline eyes as she watches how lyney gapes at her sudden intrusion.

“sure!” you glance back at her, oblivious to it all. “thanks for letting me in, lynette. i'll try my best to help.” even if you admit that one of the reasons you're here is for lyney, but you can't discredit his twin sister for allowing you to enter here in the first place. a free backstage pass in exchange for free labor, quite a fair deal.

with your back turned to him, lyney takes the chance to mouth his own words of disbelief to lynette. incomprehensible except for that one i can't believe you're doing this! that she manages to catch.

“no problem,” she observes her brother over your shoulder with keen interest, “everyone knows how fond lyney is of you.”

there is a series of spluttering noises behind you. a certain magician finds himself at the verge of choking on mere oxygen.

“lynette!”

but really, she has no doubt that lyney has fallen head over heels for you. hook, line and sinker.

— thank you for reading! reblogs and comments are most appreciated. ♡

[mostlysignssomeportents]

Dirty words are politically potent

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Making up words is a perfectly cromulent passtime, and while most of the words we coin disappear as soon as they fall from our lips, every now and again, you find a word that fits so nice and kentucky in the public discourse that it acquires a life of its own:

http://meaningofliff.free.fr/definition.php3?word=Kentucky

I've been trying to increase the salience of digital human rights in the public imagination for a quarter of a century, starting with the campaign to get people to appreciate that the internet matters, and that tech policy isn't just the delusion that the governance of spaces where sad nerds argue about Star Trek is somehow relevant to human thriving:

https://www.newyorker.com/magazine/2010/10/04/small-change-malcolm-gladwell

Now, eventually people figured out that a) the internet mattered and, b) it was going dreadfully wrong. So my job changed again, from "how the internet is governed matters" to "you can't fix the internet with wishful thinking," for example, when people said we could solve its problems by banning general purpose computers:

https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/

Or by banning working cryptography:

https://memex.craphound.com/2018/09/04/oh-for-fucks-sake-not-this-fucking-bullshit-again-cryptography-edition/

Or by redesigning web browsers to treat their owners as threats:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

Or by using bots to filter every public utterance to ensure that they don't infringe copyright:

https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back

Or by forcing platforms to surveil and police their users' speech (aka "getting rid of Section 230"):

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

Along the way, many of us have coined words in a bid to encapsulate the abstract, technical ideas at the core of these arguments. This isn't a vanity project! Creating a common vocabulary is a necessary precondition for having the substantive, vital debates we'll need to tackle the real, thorny issues raised by digital systems. So there's "free software," "open source," "filternet," "chat control," "back doors," and my own contributions, like "adversarial interoperability":

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

Or "Competitive Compatibility" ("comcom"), a less-intimidatingly technical term for the same thing:

https://www.eff.org/deeplinks/2020/12/competitive-compatibility-year-review

These have all found their own niches, but nearly all of them are just that: niche. Some don't even rise to "niche": they're shibboleths, insider terms that confuse and intimidate normies and distract from the real fights with semantic ones, like whether it's "FOSS" or "FLOSS" or something else entirely:

https://opensource.stackexchange.com/questions/262/what-is-the-difference-between-foss-and-floss

But every now and again, you get a word that just kills. That brings me to "enshittification," a word I coined in 2022:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

"Enshittification" took root in my hindbrain, rolling around and around, agglomerating lots of different thoughts and critiques I'd been making for years, crystallizing them into a coherent thesis:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

This kind of spontaneous crystallization is the dividend of doing lots of work in public, trying to take every half-formed thought and pin it down in public writing, something I've been doing for decades:

https://pluralistic.net/2021/05/09/the-memex-method/

After those first couple articles, "enshittification" raced around the internet. There's two reasons for this: first, "enshittification" is a naughty word that's fun to say. Journalists love getting to put "shit" in their copy:

https://www.nytimes.com/2024/01/15/crosswords/linguistics-word-of-the-year.html

Radio journalists love to tweak the FCC with cheekily bleeped syllables in slightly dirty compound words:

https://www.wnycstudios.org/podcasts/otm/projects/enshitification

And nothing enlivens an academic's day like getting to use a word like "enshittification" in a journal article (doubtless this also amuses the editors, peer-reviewers, copyeditors, typesetters, etc):

https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=enshittification&btnG=&oq=ensh

That was where I started, too! The first time I used "enshittification" was in a throwaway bad-tempered rant about the decay of Tripadvisor into utter uselessness, which drew a small chorus of appreciative chuckles about the word:

https://twitter.com/doctorow/status/1550457808222552065

The word rattled around my mind for five months before attaching itself to my detailed theory of platform decay. But it was that detailed critique, coupled with a minor license to swear, that gave "enshittification" a life of its own. How do I know that the theory was as important as the swearing? Because the small wave of amusement that followed my first use of "enshittification" petered out in less than a day. It was only when I added the theory that the word took hold.

Likewise: how do I know that the theory needed to be blended with swearing to break out of the esoteric realm of tech policy debates (which the public had roundly ignored for more than two decades)? Well, because I spent two decades writing about this stuff without making anything like the dents that appeared once I added an Anglo-Saxon monosyllable to that critique.

Adding "enshittification" to the critique got me more column inches, a longer hearing, a more vibrant debate, than anything else I'd tried. First, Wired availed itself of the Creative Commons license on my second long-form article on the subject and reprinted it as a 4,200-word feature. I've been writing for Wired for more than thirty years and this is by far the longest thing I've published with them – a big, roomy, discursive piece that was run verbatim, with every one of my cherished darlings unmurdered.

That gave the word – and the whole critique, with all its spiky corners – a global airing, leading to more pickup and discussion. Eventually, the American Dialect Society named it their "Word of the Year" (and their "Tech Word of the Year"):

https://americandialect.org/2023-word-of-the-year-is-enshittification/

"Enshittification" turns out to be catnip for language nerds:

https://becauselanguage.com/90-enpoopification/#transcript-60

I've been dragged into (good natured) fights over the German, Spanish, French and Italian translations for the term. When I taped an NPR show before a live audience with ASL interpretation, I got to watch a Deaf fan politely inform the interpreter that she didn't need to finger-spell "enshittification," because it had already been given an ASL sign by the US Deaf community:

https://maximumfun.org/episodes/go-fact-yourself/ep-158-aida-rodriguez-cory-doctorow/

I gave a speech about enshittification in Berlin and published the transcript:

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

Which prompted the rock-ribbed Financial Times to get in touch with me and publish the speech – again, nearly verbatim – as a whopping 6,400 word feature in their weekend magazine:

https://www.ft.com/content/6fb1602d-a08b-4a8c-bac0-047b7d64aba5

Though they could have had it for free (just as Wired had), they insisted on paying me (very well, as it happens!), as did De Zeit:

https://www.zeit.de/digital/internet/2024-03/plattformen-facebook-google-internet-cory-doctorow

This was the start of the rise of enshittification. The word is spreading farther than ever, in ways that I have nothing to do with, along with the critique I hung on it. In other words, the bit of string that tech policy wonks have been pushing on for a quarter of a century is actually starting to move, and it's actually accelerating.

Despite this (or more likely because of it), there's a growing chorus of "concerned" people who say they like the critique but fret that it is being held back because you can't use it "at church or when talking to K-12 students" (my favorite variant: "I couldn't say this at a NATO conference"). I leave it up to you whether you use the word with your K-12 students, NATO generals, or fellow parishoners (though I assure you that all three groups are conversant with the dirty little word at the root of my coinage). If you don't want to use "enshittification," you can coin your own word – or just use one of the dozens of words that failed to gain public attention over the past 25 years (might I suggest "platform decay?").

What's so funny about all this pearl-clutching is that it comes from people who universally profess to have the intestinal fortitude to hear the word "enshittification" without experiencing psychological trauma, but worry that other people might not be so strong-minded. They continue to say this even as the most conservative officials in the most staid of exalted forums use the word without a hint of embarrassment, much less apology:

https://www.independent.ie/business/technology/chairman-of-irish-social-media-regulator-says-europe-should-not-be-seduced-by-mario-draghis-claims/a526530600.html

I mean, I'm giving a speech on enshittification next month at a conference where I'm opening for the Secretary General of the United Nations:

https://icanewdelhi2024.coop/welcome/pages/Programme

After spending half my life trying to get stuff like this into the discourse, I've developed some hard-won, informed views on how ideas succeed:

First: the minor obscenity is a feature, not a bug. The marriage of something long and serious to something short and funny is a happy one that makes both the word and the ideas better off than they'd be on their own. As Lenny Bruce wrote in his canonical work in the subject, the aptly named How to Talk Dirty and Influence People:

I want to help you if you have a dirty-word problem. There are none, and I'll spell it out logically to you.

Here is a toilet. Specifically-that's all we're concerned with, specifics-if I can tell you a dirty toilet joke, we must have a dirty toilet. That's what we're all talking about, a toilet. If we take this toilet and boil it and it's clean, I can never tell you specifically a dirty toilet joke about this toilet. I can tell you a dirty toilet joke in the Milner Hotel, or something like that, but this toilet is a clean toilet now. Obscenity is a human manifestation. This toilet has no central nervous system, no level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible. If it could be obscene, it could be cranky, it could be a Communist toilet, a traitorous toilet. It can do none of these things. This is a dirty toilet here.

Nobody can offend you by telling a dirty toilet story. They can offend you because it's trite; you've heard it many, many times.

https://www.dacapopress.com/titles/lenny-bruce/how-to-talk-dirty-and-influence-people/9780306825309/

Second: the fact that a neologism is sometimes decoupled from its theoretical underpinnings and is used colloquially is a feature, not a bug. Many people apply the term "enshittification" very loosely indeed, to mean "something that is bad," without bothering to learn – or apply – the theoretical framework. This is good. This is what it means for a term to enter the lexicon: it takes on a life of its own. If 10,000,000 people use "enshittification" loosely and inspire 10% of their number to look up the longer, more theoretical work I've done on it, that is one million normies who have been sucked into a discourse that used to live exclusively in the world of the most wonkish and obscure practitioners. The only way to maintain a precise, theoretically grounded use of a term is to confine its usage to a small group of largely irrelevant insiders. Policing the use of "enshittification" is worse than a self-limiting move – it would be a self-inflicted wound. As I said in that Berlin speech:

Enshittification names the problem and proposes a solution. It's not just a way to say 'things are getting worse' (though of course, it's fine with me if you want to use it that way. It's an English word. We don't have der Rat für englische Rechtschreibung. English is a free for all. Go nuts, meine Kerle).

Finally: "coinage" is both more – and less – than thinking of the word. After the American Dialect Society gave honors to "enshittification," a few people slid into my mentions with citations to "enshittification" that preceded my usage. I find this completely unsurprising, because English is such a slippery and playful tongue, because English speakers love to swear, and because infixing is such a fun way to swear (e.g. "unfuckingbelievable"). But of course, I hadn't encountered any of those other usages before I came up with the word independently, nor had any of those other usages spread appreciably beyond the speaker (it appears that each of the handful of predecessors to my usage represents an act of independent coinage).

If "coinage" was just a matter of thinking up the word, you could write a small python script that infixed the word "shit" into every syllable of every word in the OED, publish the resulting text file, and declare priority over all subsequent inventive swearers.

On the one hand, coinage takes place when the coiner a) independently invents a word; and b) creates the context for that word that causes it to escape from the coiner's immediate milieu and into the wider world.

But on the other hand – and far more importantly – the fact that a successful coinage requires popular uptake by people unknown to the coiner means that the coiner only ever plays a small role in the coinage. Yes, there would be no popularization without the coinage – but there would also be no coinage without the popularization. Words belong to groups of speakers, not individuals. Language is a cultural phenomenon, not an individual one.

Which is rather the point, isn't it? After a quarter of a century of being part of a community that fought tirelessly to get a serious and widespread consideration of tech policy underway, we're closer than ever, thanks, in part, to "enshittification." If someone else independently used that word before me, if some people use the word loosely, if the word makes some people uncomfortable, that's fine, provided that the word is doing what I want it to do, what I've devoted my life to doing.

The point of coining words isn't the pilkunnussija's obsession with precise usage, nor the petty glory of being known as a coiner, nor ensuring that NATO generals' virgin ears are protected from the word "shit" – a word that, incidentally, is also the root of "science":

https://www.arrantpedantry.com/2019/01/24/science-and-shit/

Isn't language fun?

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system

[tuliptic]

Let Me Describe Your Aura

Hello, I'm back again. I have this in my drafts for a very, very long time (since last year), and I have finally completed it. This was meant to be a short reading for Instagram, but well, it ended up longer than what I expected. Tho I posted it there, you can still read it here. Honestly speaking, this reading ended up quite different from what I've expected and I don't really know what I was hoping to get from this. Maybe colours? And vibes? No idea. But still, I hope you all enjoy the reading.

As usual, close your eyes, breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.

Pile 1    -     Pile 2

Pile 3    -     Pile 4

Disclaimer: This is solely for my entertainment purposes. Take only whatever that you feel like it. If it doesn’t resonate, it’s okay to just drop it. That aside, I do not consent to my work or here to be used by third parties on this platform or other websites.

Decks used: Luna Cat Tarot Deck  (Major Arcana), Linestrider Tarot Deck, Starcodes Astro Oracle Deck.

Pile 1:

For some reason, it gives me a very Uranus vibe? It’s like you’re a person who’s constantly on board with change as you constantly get involved in almost everything possible. You also give me the feeling that you’re… Not satisfied. You are not satisfied with a lot of things, especially with finances. Imagine the hierarchy of needs. Every time you fulfill one of them, you constantly seek to fulfill the other level.  You’re constantly pushing yourself to achieve better and achieve more, but with this, you’re unable to have some form of balance and may have some conflicts with people you work with. I wouldn’t really say it’s insecurity, but there’s some form of fear and being “not enough” for others that I’m seeing here. Perhaps you come from a big family, and you feel that you have the responsibility to feed everyone and to answer to their needs as well as wants.  There’s an inner child in you that is trying to nurture yourself despite all the rush that you’re putting yourself through, sending you messages so that you can take a break from time to time. You not only receive messages, but you also send them out as well. Some (or perhaps, most) of you may like writing memos or notes for your loved ones.

Tl;dr: Instead of saying aura, I would say that there’s this air of uncertainty that you bring with you. You wouldn’t be called a wildcard, because there’s still some elements of earth in you, aka a sense of stability. But still, many may wonder how to approach you without feeling threatened, I guess. For some of you, you may also have an air of authority, or maybe an RBF, hence the fear towards you too.

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Pile 2:

For some reason, the first thing I’m picking up here is that you like to present yourself as mysterious? However, there is some secrecy involved here that I’m seeing, and you may be good at redirecting conversations or attention to other people. Butterfly effect as well? It’s like you’re fluttering away and not caring about what you’ve done or what are the actions they’ll take.  You have swords and court cards here, and I’m feeling that you’re that person, providing mental insight and stimulation to people around you. Just that there may be some concerns with how you present yourself, how you word yourself, and how people can be easily offended by you. Honestly, I’d say that they’re more offended to you as a person instead of your words or what you do. It’s like… They’re threatened by your presence. Pile 1 makes people feel threatened by their nature, but for you, people are threatened by what you’re capable of bringing - an unwanted change. It’s like seeing you will remind them of what they’re lacking and how much comfort they’ll need to give up, and hence, you may feel like an outcast most of the time, feeling that you do not belong to anywhere.  Still, I’d say, people who are close to you, especially your friends will find comfort in you. You’re a good listener and will be able to provide valuable insights. They’ll be glad that you’re on their team with whatever project you’re working on. If you’re ever interested in working on a collab, do it. You’re meant for it. 

Tl;dr: For you, your aura would be swords-ish, sharp but clear. You know how a sharp and strong sword can be used as a mirror? Yeah that. That’s you, reflecting the fear of others. It’s difficult, but with time, I believe you’ll be able to work along with it.

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Pile 3:

Hmmmm. Harmonious, I’d say. That’s the first word I’m picking up. I kinda have an image of an orange cat sleeping in the sun, probably the warmth, coziness and fuzzy feeling that it gives. You may have heard your friends or people around you describing you as a fun or sunny person, or that you’re like the sun, bringing warmth to people around you. You may also have a lot of passion projects and most of them are incomplete as of current, the same goes with how your life is right now too. Remember to continue whatever efforts you’re putting in. The rewards will come at unexpected times. Another thing I’m picking up is that you like to go along with the flow. Good things happen? Great! Not so nice things happening? Aww sheesh better luck next time. Kinda feeling. Or perhaps, this is what you portray yourself as. I’m getting a weight on my chest eventho there are happy cards. Probably it’s because you put up that mask so that people around you won’t see the pain you’re in.  Vulnerability sounds like a theme that you’ll need to explore, understand, and wield. It sounds difficult and probably painful, but it is needed for you to be able to understand the various facets of life. You’re very perceptive, or perhaps, you have a gift in it. But then, to be able to utilize that skill of yours, you’ll need to expand your knowledge base, experience the various emotions, look into all the tiny things that life has for you. 

Tl;dr: Some may say that you’re a person of culture but you know you’re far from that. Still, people generally like you with how amiable you are, and how you put an effort to make people around you comfortable. However, people will not cross you because you have respect for yourself too. There may be some similarities to Pile 1 with the earthy energy here, so you may check out Pile 1 if you’re drawn to it as well, especially if you have Saturn energy.

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Pile 4: 

A Chinese idiom came to my mind when I see this pile: 与世无争. It means there’s no quarrel or argument with the society, but it generally means a way of avoiding conflict in a passive way. As though you want nothing to do with the current world. Not sure if it’s correct to say that you’re disappointed with the society but there’s some apathy in here, not having much hope with the people you’ve seen. With this, you may have decided to keep yourself closed from the people around you. Not to use strong words, but you may detest the world and build a utopia in your head, imagining a world that is ideal to you and the rules you live with. Majority of the cards here are in reverse, which explains the dejection and dissatisfaction I’m feeling here. I am having problems in describing this pile and it’s making me scratch on my keyboard because of how I’m unable to phrase words. Still, despite all of that, you’re a very capable individual, especially with the King and Queens in your reading. You may have more feminine energy or may present yourself in a more feminine way than others, tho there’s a chance of you rejecting it. People may come to you for help and advice not only because they trust you, but also your words are able to assure them that things will be alright. You have quite a lot of resources on your hands, may it be finances/monetary resources, knowledge, or even network/connections, and you use them according to your needs and values. There may be some… Unconventional skills that you have. I’m not sure what they are, but it’s up to you to figure out how you want to put them to good use.

Tl;dr: This pile is the most difficult pile for me to write as the energy is all around the place yet focused at the same time. It’s very conflicting and confusing, which may be the aura that you exude. There is no clear definition of good or bad in this reading, but more of what you want yourself to be and how you’re going to work on it. 

[maxwellatoms]

Do you think the new division of Cartoon Network Studios will end up exploiting and abusing AI to make new cartoons of their old properties?

I wouldn't put it past any studio to do this.

We're at the end of The Animation Industry As We Know It, so studios are going to do anything and everything they can to stay alive.

The way I see it is:

AI "art" isn't actually art. Art is created by humans to express ideas and emotions. Writing prompts allows a computer to interpret human ideas and emotions by taking other examples of those things and recombining them.

Just because something isn't art doesn't mean that humans can't understand it or find it beautiful. We passed a really fun prompt generation milestone about a year ago where everything looked like it was made by a Dadaist or someone on heavy psychedelics. Now we're at the Uncanny Valley stage. Soon, you won't be able to tell the difference.

It's not just drawings and paintings that are effected, but writing and film. It's every part of the entertainment industry. And the genie is out of the bottle. I've seen people saying that prompt-based image generators have "democratized" art. And I see where they're coming from. In ten years, I can easily see a future where anyone can sit down at their desk, have a short conversation with their computer, and have a ready-to-watch, custom movie with flawless special effects, passable story, and a solid three act structure. You want to replace Harrison Ford in Star Wars with your little brother and have Chewbacca make only fart sounds, and then they fly to Narnia and fistfight Batman? Done.

But, sadly, long before we reach that ten year mark, the bots will get hold of this stuff and absolutely lay waste to existing art industries. Sure, as a prompter I guess you can be proud of the hours or days you put into crafting your prompts, but you know what's better than a human at crafting prompts? Bots. Imagine bots cranking out hundreds of thousands of full-length feature films per minute. The noise level will squash almost any organic artist or AI prompter out of existence.

AI images trivialize real art. The whole point of a studio is to provide the money, labor, and space to create these big, complicated art projects. But if there are no big, complicated art projects, no creatives leading the charge, and no employees to pay... what the fuck do we need studios for? We won't, but their sheer wealth and power will leave them forcing themselves on us for the rest of our lives.

The near future will see studios clamp down on the tech in order to keep it in their own hands. Disney does tons of proprietary tech stuff, so I'm sure they're ahead of the game. Other studios will continue to seek mergers until they can merge with a content distribution platform. I've heard rumors of Comcast wanting to buy out either WB or Nick. That's the sort of thing I'm talking about. The only winners of this game will be the two or three super-huge distribution platforms who can filter out enough of the spam (which they themselves are likely perpetuating) to provide a reasonable entertainment experience.

400,000 channels and nothing's on.

I do think that money will eventually make the "you can't copyright AI stuff" thing go away. There's also the attrition of "Oh, whoops! We accidentally put an AI actor in there and no one noticed for five years, so now it's cool."

One way or another, it's gonna be a wild ride. As the canary in the coal mine, I hope we can all get some UBI before I'm forced to move into the sewers and go full C.H.U.D.

[lamusedhermes]

Academic advices from a (non american) law student.

Premise: I feel the urge to underline the fact that I am not American nor attend any university in America due to the fact that most tips and tricks I found, coming from Americans, were scarce in terms of concrete application. If you found them to be useful, then I am more than glad. All I wish to do is to share different experiences and approaches to the university world that are maybe differing from the usual content.

I. “Time restricted” spaced repetition: the great majority of the subject in my curriculum are quite complex and portray a large number of complex topics, Latin terms, and regulations that are specific. What I suggest here is to write down in a fun colour (to me it is red) the words, terms, names and phrases that are difficult for you to remember. We are not born all knowing, and some terms can be, at first glance, peculiar or unusual. That is completely normal. Therefore, write down anything that you may struggle to remember and every day, you do your best to recall those specific terms, and over the span of even two days you will most likely incorporate even the most difficult words.

II. Repeat out loud: in my university, we do not have written exams. Therefore, practicing your speech for the exam is fundamental for us. However, even if your exams are not oral, explaining out loud subjects helps you remember them better (even if you give a look to your notes from time to time). Do this from day one of preparation. My favourite way of doing so is to repeat everything when outside, while on a walk or at a cafe.

III. Mental connections: chances are, some topics will be repeated in different ways in the same subject. For instance, the concept of inter-subjective laws was discussed three times in this one course, and each time a different aspect was discussed. What I am suggesting is that, when a particular topic or word comes up often, you force yourself to do two things: first, you do a repetition exercise in which you repeat where and when was that topic already mentioned, and second, you differentiate between the two. Why are they different, how are they different and in what ways they are similar.

IV. During the lectures: our professors do not record lectures, nor do they use any platform to “stream” them. If it is possible for you, attend the lectures! Take careful notes and correct them right away, after the lectures has finished! Ask those questions, no matter how “silly” they may be! The professor is right there for you, so you might as well use the opportunity to enrich your knowledge.

V. The notes: print them. Not only will your eyes thank you, but I find studying from paper more effective and it is easier to focus. Call me a grandma, but that is the truth. And if correcting some parts is the reason you prefer digital, try to simply cover the parts tg at you wish to rewrite eight plain paper and write the correction on it. This way the topic will be easier to be remembered.

VI. Audiobook: this may sound unusual, but listening to your notes can be quite beneficial. Due to me being a student, I have free access to the Microsoft package: world has this “read aloud” feature, and I play the audio during the night. The subconscious mind is much more powerful than what you may think of it.

VII. Grades: obviously we all aim for the greatest grades, but often the way we are graded may be out of your control. Sometimes you may get sick right before the exam, sometimes the examiner may be irritated and got up already upset with the world, sometimes we could have given better performances. It happens, and it will inevitably make you feel awful and out of place: please, remember to be kind and gentle with yourself. It will be better the next time, but in that moment remember that you are never alone. If you do not wish to talk it out with someone, ask ChatGPT. It really gives comfort and great advices in moments of frustration and disappointment. Do not ruin your life for a temporary moment.

[youareatragedy]

Do you think there will come a time when everyone realizes what a piece of shit Rhys and the IC are like how we now see Andrea’s friends and boyfriend in The Devil Wears Prada as the real villains?

Since you brought up Devil Wears Prada, a book that got a movie adaptation, let me bring up a point about other book-to-movie adaptations.

I made a post a few weeks ago explaining that the reason I know 50 Shades of Grey is an incorrect representation of the BDSM community is because many people spoke up about it, and others took their critiques seriously. I think it’s the same case with the entire Twilight saga. Now, it feels more like a guilty pleasure for people, whereas back then, some thought Twilight could be the new Pride and Prejudice or something.

That’s why I don’t think the ACOTAR live-action adaptation will work (I’ve been planning to make a post about this it’s in my drafts, but I haven’t had the time to finish it yet😅). I think ACOTAR won’t survive the scrutiny of a larger audience, and dare I say, the chances of it flopping are high. ACOTAR will not be the next Game of Thrones, Hunger Games, or Harry Potter. Instead, ACOTAR will be the next Mortal Instruments or Eragon.

If those two flopped because they didn’t follow the source material, ACOTAR will flop because one, the fandom won’t be pleased with the casting, two, the plot is already being mocked by so many people as "fae porn" as of now. And three, many viewers who aren’t tied to the “it helped me get back into reading” sentiment will watch it and see its flaws for what they are.

There’s no chance in hell (unless they ensure from the very beginning that Tamlin is portrayed as the bad guy—which would in turn, make Feyre even less sympathetic early on) that they can convince viewers that Rhysand and the IC aren’t bad people. If they include an intro similar to GoT with a map, the Prythian map alone would cause an uproar. And do you think Rhysand hiding Feyre’s pregnancy issues from her wouldn’t have actual feminists everywhere cancelling the show and writing scathing articles in every major publication?

Why am I rambling about this live adaptation thing? Because I feel somewhat hopeless about this fandom’s ability to accept that Rhysand is a bad person. We’re in a giant bubble. However, if something as big as a series or movie adaptation happens, the audience will expand, and this bubble will burst. At that point, these “cult-like” fans will have to confront widespread criticism of Rhysand, Feyre, and the IC.

It’s one thing to argue with “antis” but imagine trying to defend these characters against millions of people who aren’t attached to blurry headcanons-fanfic-influenced perceptions or self-conjured justifications. Watching even more people mock Rhysand, Feyre and the IC on very public platforms—not just among the readers—will be a whole different experience for their mafiastancult because they cant keep saying "but if you read the book!" to defend it. Good luck with that.

I have a headache I hope my answer make sense 😅.

[jetspikepub]

No one ever really talks about it in the fandom and it NEEDS to be discussed because it's hilarious to me. I have to ask where all the crazed spike x julia fans come from 😭 like say one thing negative about the ship or ship spike with someone else and there's this one person (who I think owns multiple spikexjulia accounts snd pretends to be different people😭😭) that starts sending their "CAnoN aNd facTuAL eviDencE" with so much hostility

I've also noticed that Julia fans either always hate Faye and/or don't give a damn about Spike's well-being and just want him paired up with Julia even if that costed him his life, which I don't even think Julia herself wanted for him to do in the end lol. It's a little disturbing

Oh trust me, this is a looong story. It's not like we don't see it, we just got tired of it. You're not alone, I give you a warm hug🫂

This user has been terrorising Bebop fandom across multiple platforms since 2022, I think. If you ever see this bitch harassing someone just flag the account or ban it. A collective appeal could do the trick, but it's gonna be like chopping off Hydra's heads. This pain in the ass keeps posting weird commissions on X (Twitter), Deviantart, Reddit, Pixiv (for Christ's sake, please DO NOT search Bebop tag on Pixiv, it's a total disaster in there right now) and edited Bebop wiki, describing Faye as Spike's no 1 enemy and Julia as a goddess of doves and roses 🤢 It's hard to track down every account, the only way to stay safe is to not interact with them and blacklist. "If I ignore it, maybe it will go away" tactics is the best in this situation, don't let them take away your time and emotions, they cannot be reasoned with.

Another thing that bothers me is that stupid localisation of guide books with SpikeJulia nonsence the translators added just because they wanted to and ruined the original idea that implies multiple ways of story perception. I've aready dispelled that "truest lover ever" myth by presenting the original texts from my collection of Japanese books. They fucked up with "love" kanji meaning in Eng and this changed a lot (I did some analysis here and here). Now we can see what happens when these love stories fall into the wrong hands: haters cite it like a Bible in each and every thread about SpikeFaye😩 Also there was a post about some Julia's love letter to Spike (wtf?) written on the back cover of the vol. 6.

I wanted to make a post about it and took pictures of a Japanese edition but forgot. Now it's the right time to dispel another myth.

According to quick translation results, this guide was made to inform fans about some Bebop episodes which weren't aired on regular TV and appeared later on WOWOW (premuim satellite broadcasting) because of censorship.

There was no mention of Julia writing letters to Spike in the original series. It was Spike who gave her a note describing rendezvous point or whatever and she tore it to pieces🤷🏼‍♀️

Just remember: Spike's well-being is up to the viewer. Noone can convince you otherwise if you don't want to and noone has right to insult you. Spike is for everyone 🌸

The situation is so annoying, those who loved SpikeJulia or didn't give a damn about them now hate this. If someone is going to use "SpikeJulia" as a safeword I will understand 🤣

[lurking-latinist]

How to Suck Less at Summaries

Probably almost anyone who's ever posted a fic to ao3 or a platform with a similar interface has been hit by that moment of panic, breaking in on the euphoria of having finished and polished a fic--"what do I put for the summary?!"

So much so, that "I suck at summaries" in the summary box has become something of a cliche. It's very understandable! You've already put all that work into writing the fic itself, and now you have to write ANOTHER thing with its own set of conventions and expectations? No way!

And I want to start by saying that that's absolutely fine. Fic writing is your hobby, your creative endeavor; you're not obligated to do anything in it that you don't want to. You can leave the summary box completely blank--ao3 will let you--and there's no reason you shouldn't, if that's what you want to do! If you're happy with your summaries, please don't change them. There's no wrong way to do summaries. This is your invitation to ignore the entire rest of this post!

However. My impression is that an awful lot of people aren't happy with their summaries. They would like to have summaries that catch a reader's attention, that fit common patterns, or that give a good representation of the fic; they're just not sure how to accomplish that, or what readers might be expecting. And the good news is that writing various styles of summaries, like other kinds of writing, is a skill you can improve--and that there are some tips and tricks that can help you write the kinds of summaries you may want to write more quickly.

How do I know? Well, on top of having read I don't know how many fics, I've published 200 of my own, with all different kinds of summaries. (In fact, writing this post is my treat to myself to celebrate publishing 200 fics!) So I have a lot of trial and error experience to draw on. I'll be using my own summaries as examples (plus some hypothetical examples), because I don't want to be nitpicking anyone else's!

I'm going to throw in a cut now because this is gonna get long.

What do you want to accomplish with your summary?

That's the first question you might want to ask yourself. And the answer really is up to you! The name "summary" suggests it's supposed to be a sort of short version of your story. That's one option. But summaries are often used to accomplish various other things, too: some of my favorite summaries don't really tell you anything about the plot of the fic, but instead give you a glimpse of the writer's style or lure you in with a question. It can also fill organizational purposes like commemorating the reason the fic was written (although author notes can also be effective for things like this).

Most fundamentally, I tend to think of the summary box as a place to manage your readers' expectations. I want them to have some sense of what the fic they're about to read might be like, and I want to present that in a way that highlights why it might be appealing to them. Of course, what I write won't be appealing to every reader--and an effective summary, plus accurate tags and ratings of course, allows a reader who won't enjoy what I have to offer to quickly keep scrolling and find something that fits their tastes better. But the way I think of them, summaries are really mainly for readers who will enjoy my fic if they decide to open it. A summary for a fic is like a pretty package for a gift: the gift is great in itself, and the nice gift-wrap makes it more eye-catching and more fun to open!

Sidebar: This "managing expectations" thing is, I think, the reason why authors sometimes add notes in the summary like "I'm sorry if this sucks" or "this is my first fic, it's probably terrible." I completely understand where this comes from--you don't want to make your readers expect some kind of genius literature and then only have something to give them that you yourself are still insecure about! But I really do think they're generally counterproductive. On the one hand, that kind of negative self-talk will tend to undermine your own confidence and make you more insecure about your writing, not less; on the other hand, they can subconsciously prime your readers to notice weaknesses and issues that they might otherwise not even have paid attention to! That doesn't mean you have to pretend you think your writing is perfect; very few of us do think what we post on fic archives is perfect. There's nothing wrong, even, with a note like "this is my first fic" or "this one is a bit experimental, I'm not sure how I feel about it" or "this wasn't written in my first language" or even "this is an old fic and I don't think it represents my best work anymore", although I tend to put that kind of commentary on craft in the author's notes rather than the summary, but that's just me; there's no rule. As an example, when I recently published my first fic in the Hornblower fandom, which has a historical setting I wasn't previously very familiar with, I thanked my beta for helping me avoid "historical howlers" and added "any remaining are my own responsibility." That made me feel better about potential mistakes in research by showing that I was aware I might have made some. I put this in an author's note at the end of the story. But, for the sake of you as a writer as well as me as a reader, I'm asking you--please don't start out our reader/writer relationship by telling me it's terrible! Give yourself a chance to shine. Even if there's a lot you're insecure about in your fic, there's something you love--maybe it's the premise, the ship, even one particular line--that makes you want to share it with the world. Use the summary to highlight that. As your reader, that's what I want to know about!

Anyway, now that you've decided what you want your summary to accomplish, there are a couple of very easy ways to fill the summary box that you might want to consider--if they make sense for your fic.

Just quote the prompt

When I write prompt-fic, often very short, I frequently just quote the prompt itself as the summary. An example would be my 3 Sentence Ficathon fic archived on ao3. Since the challenge in this event is to write a complete fic in only three sentences, a summary wouldn't be much shorter than the fic itself! So I just do summaries like

For reeby10's prompt: "Doctor Who, Clara/Twelve, unforgettable."

(Gaps)

This can work outside of prompt memes, too. If you're doing a monthly challenge, for instance, something like

Flufftember day 21, 'breakfast in bed'

might tell your readers all they need to know to be interested in your story and know what to expect.

Set the context

For some fic, the most important thing you want your readers to know going in is something about the fic's context. For instance, with drabbles I sometimes use the summary as a place to sneak in information about setting/what's supposed to be happening that I didn't have room for in the drabble itself. For Susan's Twist, a 100-word drabble, I set the scene in the summary:

Susan is grooving to the latest chart-topper of 1963. But for some reason, the song makes her grandfather uncomfortable.

which meant I didn't have to use any of my 100 words explaining "Susan was listening to the radio, when..." Since Susan's Twist was inspired by someone else's Tumblr post, I could also just have referenced that post in the summary. But in this case, I chose to phrase the premise in my own words in the summary, and cite the Tumblr post in the author's notes (I also tagged the OP when I shared the fic on Tumblr).

Flower Children is an example of a drabble with a not particularly effective summary where I could have used this strategy quite effectively. The summary is just

Neither of them wants to fight.

which is all right, but which doesn't do much to set up the (admittedly cracky) Eighth Doctor/Dalek Oswin pairing that motivates the fic. But then, I've always felt like I didn't have quite as much of an idea as I'd like about what the context for this fic is supposed to be. Maybe I'll write more about them sometime.

Setting the context can also be useful for summaries of AUs. Very often, what draws people into AUs is the AU concept itself.

For instance, the premise of my story te quaerens, Ariadna is that the events of the audio Zagreus go differently and the Doctor remains possessed by/transformed into Zagreus. So that's what I said in the summary:

The Doctor is still Zagreus, but he and Charley find ways to keep going.

In this case, the summary is accomplishing more than one thing; it explains the concept, but it also indicates a bit of the story's tone--it's fairly optimistic given its premise, and it's more about how their relationship evolves than any particular plotty event.

With setting change AUs--especially in familiar AU settings, like a coffeeshop, high school, or fantasy monarchy--often what readers will most want to know is what roles the characters are filling; in other words, how the translation from canon to AU has been made. For instance, my story Warmth is already tagged as a coffeeshop AU with the Fifth Doctor, Nyssa, Tegan, and Adric, so the summary indicates that it's told from the perspective of Tegan as a new employee:

Unexpectedly stranded in London and looking for work, Tegan finds a place where she just might fit in.

If she had been a longtime employee or a customer, that would have changed the story's dynamics, and I would have wanted the summary to reflect that instead. I could have also added that the Doctor is the shop's manager and Nyssa and Adric are the existing employees, but I decided to let the story itself reveal that in this case.

With someone's planted a bath bomb in the matrix, which is a retail AU inspired by an incorrect quotes tumblr post, I just stuck the whole tumblr post in the summary box:

Romana: When you work at lush and a customer comes in and bites the soap because they think it’s cheese… this happens way more frequently than you think. Leela: If you stopped literally presenting soap as deli food this wouldn't happen. Narvin: Who goes into a bath store and thinks something covered in glitter is cheese? Brax: Who goes to the store and just takes a bite from the cheese? ~incorrectgallifreyquotes.tumblr.com

I might do that a bit differently now--maybe more the way I handled Susan's Twist--maybe something like this in the summary:

An uptight employee and a too-suave customer are making Romana's job managing a bath store way too stressful. Thank goodness--probably--that her best friend works for mall security.

And then I'd have put the tumblr post that inspired it in author's notes.

Thing is, though, that reflects my taste and what I think is effective now, but it doesn't mean I did it wrong the first time. People read and enjoyed the story, and it was fine!

Also I just showed this post to Moki and she said she thinks the first one's more intriguing. So that just goes to show, it's really a matter of taste.

This strategy is also useful for missing scenes and things like that. Something as simple as

While waiting for Z to return from the rendezvous, X and Y have a conversation.

can draw in readers very effectively, especially if X and Y's conversation was kind of obviously a gap in the story that they might already be curious about.

Use a quote

A surprisingly effective and straightforward way to create a summary is just to use a quote from the fic. I've seen tons of great summaries like this that hook me in immediately. I struggle with using it myself, because I want the line I quote to be powerful/impactful/intriguing and give some sense of what the plot is like and make sense out of context, and I don't often seem to be able to find lines like that in my own work. But I did for The Moon by Night:

It could not have been more than a day that we clung to the hull of that station full of troopers.

Since this is a space AU for a historical fiction novel, this line gives some sense of how the events of the story have been translated into space, and also shows the voice I'm writing in (I tried to follow the style of the original, which is first-person, which is unusual for me). If you can find a line like that in your work, it can be a great summary. You can even just put the first couple of lines of the fic, especially if you've already worked to make them an effective hook!

You can also use a quote from another source. Was there a line or moment from canon that inspired the fic? A poem or song that fits its mood? You can use the summary as a sort of epigraph. (I often use author's notes for this as well.) If your readers vibe with the quote that inspired the story, they're likely to vibe with the story as well.

I did something like this with Absent thee from felicity awhile. The title is a quote from Shakespeare's Hamlet, and all I put in the summary box was another quote from a couple of lines later:

…to tell my story.

This is so short and contextless, though, that I'm not sure how effective it was. It maybe only works if you recognize the specific Hamlet scene that it's taken from and have thought about that scene in the context of a specific episode of Hornblower. (I promise that, if you do, it's heartbreakingly ironic!) This could have been a good opportunity for me to do a double summary (see below), especially since the story is epistolary and I could've established its context. Although I did kind of like revealing who was reading the letter and when slowly over the course of the story.

Okay, but I do want to explain the plot

Right, so we've established that effective summaries don't have to be in that "back of the book blurb" format. But sometimes you want them to be. Sometimes the thing you're most excited about is the story's plot or events, and you want to communicate that to the reader. But you already wrote the story in order to communicate the plot to the reader; how do you condense it into a sentence or two? Here are some tips that may help.

Are you using familiar tropes? If so, just mentioning them will likely tell your reader not only what the plot is, but that (if they like that trope) they're likely to enjoy it. For instance:

A and B are trapped in a snow cave/ice planet/walk-in freezer and must huddle for warmth.

That particular one will also explain a bit about the setting, if you want.

Relationship status/development is also something that many readers want to know, whether it's a romantic or a gen relationship (e.g. characters becoming friends or realizing they see each other as family). For instance, if A and B admit their romantic feelings for the first time in that huddling for warmth story, you might add:

They get a lot closer than either of them expects...

I rather like ellipses at the end of a summary; I think they imply, sort of, "read the fic to find out the rest." I sometimes use them to soften a summary that feels a bit abrupt. I feel like this might be just me, though? So if you don't like ellipses, nothing wrong with ending that same summary with a period.

If you have a fic where the entire content is some emotional development between characters, the entire summary can easily be that too!

I don't really write smut so I don't have good advice for summarizing it, but I get the feeling this might be a relevant strategy for it?

What changes in the story? This could be a change in characters' attitudes towards each other, in the information they have, in their physical situation, or anything else. A story doesn't have to be about one single major change, but there's almost always at least one. (Or a change fails to happen, but in an interesting way: "five times Lois Lane didn't realize Clark was Superman" would be a perfectly intriguing summary!)

What demands are made of the characters? Many stories involve a character overcoming some kind of challenge or meeting some kind of test. A summary can indicate what that challenge is--and you don't have to indicate whether or how the characters meet it! This can contribute to a feeling of suspense, so that the reader feels they need to read the story to find out how the characters react. For instance, I summarized my story Journey as:

The Doctor and Ace need to stop a dimensional leakage to put a life-sucking entity back where it belongs. But to do so, they'll each need to protect the other in their own way.

What are their own ways? Do they succeed? The reader can probably guess that they do--but how? Their attention is caught, and they'll have to read to find out!

Some notes on format and style

Summary style is as personal as the rest of your writing style, so this is only intended as a mention of a couple of trends I've noticed.

Sometimes summaries are 'in-universe'--i.e. they describe the characters and what they do, without reference to the existence of the fic itself as a textual entity--and sometimes, like the "five times" example I gave above, they refer to the fic's format, characteristics, relationship to canon, etc. in direct terms. (For instance, the example I gave for a missing scene was 'in-universe,' but I could just as well have said "While waiting for Z to return during Episode 3..."). Either of these approaches are fine, although I personally tend to incline more towards the in-universe style unless I have a particular reason to use the other, such as in Differences of Opinion, which took a lot of metatextual explaining:

When I read enough easily-crossed-over stories, such as for instance the Age of Sail books that I have been reading lately and also spaceship stories inspired thereby, what inevitably happens is I end up with a nebulous meta crossover setting where they can all hang out outside of their respective canons. Here's one conversation from that setting.

I keep wondering if something more terse might have been more effective, and I could have put all that in the author's notes. But I really think that for anyone who would enjoy this fic, the metatextual complication is a big part of the appeal. So I put it in the summary.

It's pretty standard to write in-universe-style summaries in the present tense, even if the fic is in the past tense. "The characters do this and that," not "the characters did this and that." You don't have to, but it's what your reader is most likely to be expecting.

It seems to be quite common to have a double summary: one that maybe reflects the style and tone of the fic, and another, more matter-of-fact one that explains the plot. They're frequently joined by "or." I don't typically use it--maybe because I rarely have the problem of having too much summary--but if you do, this could be a great solution.

Spellcheck and proofread your summary extra. Whatever strategies you normally use to make sure the words in your story are the words you actually meant to write, it's a good idea to turn those strategies on the summary with special intensity. After all, this is your first impression on your reader, so you probably want to look as polished as possible!

These are just a few things I've noticed that I tend to think about when staring at that blinking cursor in the summary box. I hope they may help you, too, to feel like you have something to say in that moment!

[sleepysnk]

there’s some things i really wanted to talk about especially regarding my account and tumblr as a whole, so i decided to finally make this post as a way to sort of vent out my feelings on some things.

i’m not gonna lie, tumblr has become a very different place from what it was. i started creating content 3 years ago and it’s gone through so many changes (much expected). however, i don’t think tumblr has really changed for the better, especially when it comes to content creators. this used to be a really safe space for me to come on and create works for fandoms that i enjoyed, but recently, that safe space hasn’t felt, well, safe anymore. there is constant discourse everywhere on this platform and i’ve found that many people here are just extremely bitter? it’s almost like it’s become a mean girl center and it makes it difficult to interact with others.

obviously, this doesn’t go for everyone. i’m not trying to come at people specifically or cause issues, but i have seen my fair share of problems with people on here and some of it is just completely ridiculous.

next, i’d like to discuss the elephant in the room and that’s the lack of interaction/support to writers. it is just mind blowing to me that we as creators have to BEG our followers to reblog or even send us asks. obviously, some people are new to tumblr and don’t understand it’s algorithm, but there are people on here who just simply chose not to reblog for some reason?? it’s not only discouraging, but it puts less confidence in writers and then we aren’t motivated to create content. i’ve said this before, but there is no reason why a 2k note fic should have only 100 or so reblogs. likes mean nothing on this platform. it’s not Twitter. i genuinely have gotten so tired of repeating myself that i don’t even say it anymore because i know it won’t be acknowledged.

i understand people have lives, i do too, but it isn’t hard to send an ask to a writer about literally anything. i think the last time i had an anon ask was weeks ago and i genuinely get disappointed when i ask for interactions just to receive nothing? no one is obligated to speak with me or send me asks by any means, but a little “hey! how are you?” goes a long way. i probably sound ridiculous, but it’s just how i feel about the matter.

another thing that bothers me is when a writer doesn’t write smut or suggestive content, they hardly get any interaction. i’ve seen it myself before and i’m not sure why people just ignore greatly written fics?? i understand that smut is the main appeal. trust me, i 100% get it, but fluff writers hardly get any attention and some of the best fics i’ve read weren’t even smut related. i’m not saying every person here has to read fluff or angst fics by any means, but it makes me sad that people write these fics to hardly get any interaction because it isn’t smut content. the least y’all can do is reblog it.

to discuss my account, i honestly don’t really feel the most happy here. i don’t have as much motivation as i used to and i have contemplated removing my account, but i have some great fics i’d rather not have be deleted. i might start a new account for a fresh start, but i’m still not 100% on it.

and if you read this till the end, thank you! i probably sound like a whiny baby but i just wanted to express some of my feelings because it’s been weighing on me a lot recently.

[kaelidascope]

Fandom and LGBTQ Hostility and My Experiences Trying to Exist in Both Spaces Online

I came into these spaces with a very strict rule that I would not react or do anything cancel-worthy out of an overabundance of caution. Digital footprints are dangerous. The things you say online will follow you around forever. I know that first hand. I’ve bottled up and stayed silent about a lot of things I’ve either witnessed first-hand or experienced because I was trying to maintain a clean online persona. I’m not an ‘airing out dirty laundry’ type person. 

In light of recent events however, it’s gotten so bad that I can no longer sit here and not say something about how I feel. I’m disappointed and frustrated with the experiences I’ve had both in fandom and LGBTQ+ spaces and I can’t be complacent. I’m tired of getting treated like this, I’m fed up and I’m not going to put up with it anymore. I feel it’s important I voice what I’ve been watching and what’s happened and how I’m not going to tolerate it anymore by calling it out first hand. 

This is a two-topic rant. They overlap in some instances, but it directly has to do with how fandoms behave in general towards each other on Twitter and Tumblr, and also how absolutely hostile LGBTQ+ individuals are nowadays to each other on the same platforms. 

I come from a different generation and a different social media platform. I wasn’t on Twitter and Tumblr until last year. I’m not dismissing the fact that I may have missed out on decades worth of culture and social expectation. The places where I come from aren’t exactly fantastic either, but at least here, more queer people are interacting with each other with shared interests much more widely than in places like DeviantArt. The amount of culture and information I’ve absorbed in one year is more than I ever had within the past twenty years. It should be a good thing, and I’m disappointed that it wasn’t. 

This is not the way I wanted to come out online to anyone. I’ve been figuring out where I sit on the gender and sexuality spectrum for a while now. I will not document a specific timeline for anyone because that’s nobody’s business but my own. Within the last year, I took a massive stride forward in exploring things I legally didn’t think I was allowed to. I expected backlash from cishets and the usual thing I see LGBTQ+ folks write essays over, about how the world hates us, but at least we have each other. Shockingly, the backlash didn’t come from straight people. It came from other queers. 

I am 27 years old and I am entirely self-sufficient. I’m mixed Puerto Rican living in a red state. English wasn’t even my first language. I don’t have a network, so I’m teaching myself these things. I'm asking questions. I'm reading materials and expressions of self-experience and self-identity through fanworks and other autobiographical content. I'm actively trying to seek community and support through transgender and non-binary individuals with shared interests and so far all I've been met with is hostility and assumptions. So much so that I've now been made to feel like I'm on a timeline to figure it out so I can have a well-practiced, short introduction to copy and paste to every person who comes across me. And the only reason I even need one is so that they can make the decision to pass judgement over whether or not I'm allowed to speak, write, draw, wear, act, breathe the things I do. I'm disappointed. I'm anxious. I honestly feel more shoved into the closet now than I ever did before and I shouldn't be. Nobody should be treated this way when trying to figure out who they are. I probably won't even get an apology for the things that were said to me, either. I pride myself on the extraordinary caution I take to be politically correct, vetted through reputable sources, and as close to authentic as possible. And yet somehow I’m still getting called things like terf, transmisogynistic, triggering, when I’m fucking trans myself and all of my content gets vetted/REQUESTED by trans individuals. I get promised up and down that people are kind and welcoming in these sorts of spaces and honey, they aren’t. The people you choose to be friends with aren't as inclusive and friendly as you think they are. You don’t even know me and what body parts I have. The fact that you need to know in order to decide whether or not to treat me with respect is telling of an internal issue that has nothing to do with me. 

I have no reference point. I live in a place where laws ban anything gender and trans. I have no local resources or community. I've barely met any LGBTQ people in person. If I have, they never came out publicly. Most of my queer exposure has been online, and the fact that I've seen nothing but angry, mean, exclusive and discriminating behavior without any sort of reasoning why other than selfish defensiveness, I don't know where else I'm supposed to go for support. Something a lot of you guys need to take into retrospect is anyone who identifies as LGBTQ gets shot where I live. We have sundown towns here. If you don’t even know what that is, good, but also that’s telling of your privilege that you need to consider when talking to others not from blue states. I didn’t grow up in an environment where we had these highly liberal culture points and the word ‘gay’ was never allowed to be said out loud. We did not have gay clubs in school. I'm about as fucking late to this as you possibly can get. The only reason I know anything about our history, representation, and barely anything about what's socially acceptable and what's not, is because of the internet. So many of you had the privilege of being exposed to this information as young as under the age of 10. I didn’t. Sue me for not immediately knowing what every gender label means right off the bat. Half that stuff isn’t even legal here. 

I can't believe it's boiled down to the fact that I have to somehow justify my existence on this Earth and give an explanation that fits into predetermined boxes just to do anything to engage with other people. I have no time or space to figure it out. I’m disorganized and overwhelmed because I can’t ask questions about ‘can butches do this?’ ‘How versatile is transmasc/transfem?’ ‘Am I more genderqueer or do I fit under the trans umbrella?’ Gender and identity is fluid and ever changing. I have actually seen people harp and attack individuals for "defaulting" or "detransitioning" when they change their mind after giving this big coming out speech. It’s like support on these platforms is entirely conditional and a one-time thing. Y'all really expect people to wear the first style of shirt they buy for the rest of their life? Are we not allowed to do anything unless we know for sure? How’s college working out for you, for those who believe this mindset?

The vocally aggressive ones who use big words that contradict their statements can do, say, and be whatever they want.  But people like me can't. The ones who have to straight pass in public to keep their jobs and maintain their life safely. Some of us have been on our own since 19 with no family support. Consider the environment someone lives in before assigning your harsh assumptions. I can’t just change myself on a whim without doing significant damage control. Half the jobs I work for don’t even allow unnatural hair colors. If we list our pronouns as anything other than our assigned sex at birth, it causes legality issues with taxes. The way I have to navigate how to explore my identity and also keep a roof over my head and my bills paid may seem highly conservative to most. It’s in no way shape or form meant to reflect disrespect on how others live and express themselves. I am doing the best with the environment I have. The way I do things is not meant to be read as a message of ‘you’re doing it wrong because you’re not doing it the way I do.’ None of us are wrong. That should not be the subliminal message here. 

You know someone actually challenged me on that? Saying I was being harmful for purposefully straight presenting in public? Please research your country and state specific laws before you say that to me. If I could afford to live somewhere safer and queer-friendly, this conversation would be different. I am working on getting the fuck out of this state. But I don’t have a partner or parents money to default on. I’m doing this by myself. It’s not impossible, just a slow process. 

I'm disappointed and fed up. I've reached my limit, and I don't really care anymore if someone uses this essay to try and cancel me 5 or 10 years from now when the world goes through another gender renaissance of terms and identities. I will not put up with being treated like this when you refuse to listen to anyone else other than the sound of your own voice. I’m trying my best to learn, adapt, and express myself. I do not need to be lectured or be called derogatory things just because you think I’m coming from a malicious place.  

It’s not just about the hostility and gate-keeping behavior exhibited in online queer spaces. The same exact thing happens in fandom spaces too. People get pissy about queer headcanons and presentations so much to the point of taking it upon themselves to police the fandom and scrub it clean of “impurities.” I’ve watched y’all go through people's social media pages for any type of ammunition for justification of a personal grievance. It shocks me how much hyperfixation gets put on specific and morally harmless things when there are people out there writing diabolical shit way worse than what I have to offer. And y’all happily support them too but bark at me about what I make cus that author fits your social criteria and you assumed I didn’t. Don't think I'm ignorant to every single scrap of hate mail and harassment I've gotten over the past year and a half in my inboxes. Including the passive aggressive posts about my work, vague tweets, and discussions about me in discord servers. Over what? Have you actually read my work? If it’s actually as problematic as you say it is, provide me with a modern and unbiased example why this particular scene and execution is harmful. And not because you got triggered or disliked the kink, or read the summary/tags and assumed it was something it’s not. I don’t know how much more caution tape, massive warnings, obvious clear-cut tags (that were provided to me by queer individuals to PUT on there in the first place) out of insane amounts of caution I can do. I have always been willing to provide spoilers and explicit details in case someone is unsure how they’ll be affected by something I make. If you already don’t like it based on my warnings, that’s always been more than okay! My work is not for everyone. I’m getting tired of politely and respectfully saying please move on, because the message seems to be getting lost in translation. So let me be clear; 

Get off my pages if you don’t like what I make. It’s not for you. It will never be for you. Dead dove. DO NOT EAT. PREFERRED DEMOGRAPHIC 25+ ADULT CONTENT RATED E FOR EXPLICIT. I can recommend so many other fantastic creators with better suited content for you! If I could hide my content behind a roped off section deliberately keeping you from seeing it, I would. BLOCK ME. 

If your response to this section is ‘well then just don’t write it’. Honey, there’s people out here in the RWBY fandom writing trans incest actively commenting on all your shit and you respond back. A magic grimm-goo strap and monster smut featuring a transfem character (again, requested by literally 3 trans people and WRITTEN by one) should be the least of your worries. 

I have actively chosen not to address the harassment and hate mail, because it's sad that half of you hate me so much you need to make a point of telling me so regularly. I sincerely hope moving on with your lives will grant you peace of mind. Truly.

This is why I barely interact with anyone. Nothing but hostility, harassment, and expectation to behave in ways I cannot emotionally commit to. I am exhausted, uninspired, and have such a bad taste in my mouth it's proving extremely difficult to want to do anything creative. It’s been worse with my recent exploration of my gender identity. Opening one door to write about certain things somehow, miraculously, closes ones I previously existed in. I’m practically getting kicked out if I’m not 100% one way or another. I don’t go out of my way to shove my content down your throats. Why you feel the need to come to me and tell me you dislike my existence because you read it, despite me stating this is not for everyone and probably not for you, doesn’t have anything to do with me. Idk what else I can do. Disappear off the face of the planet, I guess. That seems to be what the overall solution is when y’all find something you don’t like. I can't believe I witnessed grown adults in their mid twenties with self-proclaimed senses of rightness start a trend on Twitter to go through people's mutuals and their likes to see if they’re socially acceptable in Fandom spaces or not. That was fucking ridiculous. And especially not fair to those who had their private accounts leaked and put on blast when it was already behind an vetted follower wall. Believe it or not, people draw weird, lewd, diabolical shit. They’re actually being responsible by putting it behind a paywall, or some type of ‘proof of age before following’ requirement. It falls on the people who go on there, take screenshots, and post them publicly for minors and non-consenting individuals to see without filters what was previously hidden. It’s irresponsible and immature. 

For fear of getting canceled by the Fandom, I moved all 600+ accounts I was following onto a private alt. I don't interact with my main anymore. I went so far into hiding and didn’t dare share anything about liking content made by people I wasn’t allowed to like, because that’s how cruel it is out here. It's honestly stupid I even felt like I had to do that. For what? People glazed over the brief moment of drama within a few weeks and went right back to posting the same shit they always have. They find new things to gossip about on their privs. New enemies to cancel on Twitter. New things to deem problematic and attack. 

I will be heard with this letter. I don’t care to be associated with anyone who treats people like this. I don’t believe in it, I won’t support it, and I’d rather have a small circle of people who won’t be rude or attack other people for existing. I’m not going to sit here and take the abuse any longer. Leave me in peace. There is no reason any of this should be happening. 

This is not meant to undermine the support I have gotten from the few who know what I'm going through and have given me the space to figure it out. I appreciate every question answered and insight provided as much as your abilities allow. I'm so grateful for it. I just wish it wasn't 2 people while everyone else is an asshole.

[goodluckclove]

I've been meaning to say something. (100 follower hot take)

Hey! Thanks for stopping by. I hope you've had a nice day. Why don't you rest with me for a while? I made some chocolate chip cookies - with shortening instead of butter, so they're very soft and very chocolatey. I made way too many and they aren't my wife's favorite, so I could use some help in eating them.

You're probably a writer, right? Or maybe you think about how you could be. Browse the tags here, or on other social media platforms. Maybe you used to write stories as a kid. I bet those were fun. Teachers might've thought they were impressive, or they dissected them line by line until the words didn't make sense in your head anymore. Either way, if you're here you're probably here for a reason.

(rant alert)

I dipped a toe in online writing communities on and off. My last attempt was forty-five minutes scrolling through the writing hashtag on Youtube Shorts (so TikTok, I guess? I don't know). I didn't like it. I really didn't. The thing that sticks out the strongest in my mind is one particular video where a woman claims that every story needs a second act plot twist.

Huh? Every story? All of them? Why? Since when? Who are you? What qualifications do you have to make a statement like that?

That's the common thread that makes a lot of writing spaces very uncomfortable for me. Successful writers are really only successful in their genre and for the given moment, so they don't have that much objective authority in the craft. And yet I see a lot of people deciding the things that you can't do in writing. Or the things you have to do, and how you have to do them. It was so much of Writeblr at first glance that I almost dipped out once again. I didn't, though, and I'm glad I didn't because now I get to watch some of the next great storytellers from across the world grow and examine and forge their way forward.

No one can teach you how to write. No, that's not true. Teachers teach literacy. Handwriting. Typing maybe - do schools still teach typing? Let me try saying it in a different way - no one, not one single person on this goddamned planet, has the right to tell you how to make a story.

I was supposed to get my MFA in creative writing before my first breakdown. My uncle stayed in the program I was meant to be in, and a few years after I dropped out he graduated. Recently I had the thought to look up his thesis novella, and as I searched I found myself regretting my decision to leave school. If I stayed and got to develop my writing in an actual class, with other writers and a knowledgeable professor, how much further along would I be than where I am right now?

It was bad. His novella was terrible. It was so bad I had a small existential crisis for, like, three days. He spent so much money on years and years of professional education and came out with a truly soulless story that read as if you prompted an AI to write the next Great American Novel. So if you think you need a writing degree to be a legitimate author, it could help connections-wise, but it ultimately won't be the thing that does the work for you.

Not all advice I see online on writing is bad. I find the people who are able to capture the "I" statements of therapy and phrase advice as things that have worked for them, or things that they personally enjoy, to be fine. Some writing advice can spark inspiration.

But if someone is the type of person to boil every story down to troupes and cliches, and then immediately say that every story that uses the trait they don't like is automatically bad for everyone? I'm dropping the kindness for a second - that's trash. That's a trash take and I see far too many writers use it as a reason to stop before they begin.

I don't like whump. I say my reasons in previous posts if you go back through my blog. But you will never hear me say that any story with whump in it is bad, because I don't know that. You might prove me wrong. I am an adult human being and I have the humility to admit that I can like something I didn't expect to. I genuinely enjoy the direction of The Human Centipede (only the first one) and if you cringed just now that probably means you haven't seen it.

There are so many types of books and movies and plays and comics out there. To enjoy a specific genre is fine, to ignore the existence of everything else is a really, really, really odd thing to do. Maybe someone will hate your story because they think everything should be Neil Gaiman, and therefore have no way to understand your epistolary high-Western. You are not the wrong end of that situation just for existing.

And at there is a definite threshold on how many writing tips you can gather before they stop being useful. If you find them interesting, that's one thing. That's fine. But if the culture of creativity online has made you feel like you need to educate yourself on every possible angle before you can write a story, you are actively harming yourself.

Imagine taking the level of structure you put on yourself in that way and putting it on children playing pretend in the backyard. Oh, Susie, don't you know that it's overdone for your Kitsune have dead parents? Xyler, shouldn't you ask someone else before you decide how Spiderman would react to this? It would make no sense and they do not need it. Kids will make a whole world out of nothing and it's the most fucked thing in my heart that at some point they get access to Reddit and dipshits start insisting that's wrong.

They aren't wrong and you aren't either. Your favorite creative influencer can't tell you your story, strangers on the internet can't tell you your story, your teachers and loved ones can't tell you your story. They can influence it, but they can't write it honestly the way you can.

You do that. That's the thing you do.

Man that makes me upset. I can't tell you how to make a story, either. If anyone sends me asks for writing advice the most I'll do is say what I've done before hopping into your DMs and starting a direct conversation. it's so personal to each individual artist, and I'd like to think that the people selling these classes and software and promoting these platforms haven't thought about that before. Otherwise it does feel manipulative. If you have a willingness to practice and imagine and really experiment with the possibilities, you are ready to write your story.

And if it doesn't work? Try again. That's what you do.

Stephen King has written roughly a thousand books and maybe five of them have decent endings. He is unimaginably successful.

I'm rambling now. I think I got that out of my system. I was really worried to say this out of fear of being too weird or somehow reverse-gatekeeping so hard that it circles back into also being a bad thing. I've just spoken to a lot of people who I still think of throughout my day, and I truly ache for them to get past the fear of creation. Because it's worth it. It's worth it and it's fun, even when it's messy and you're tired.

Let it Be just came on. Beatles. I haven't listened to The Beatles in a long time. Feels a little apropos.

I love you, reader. Reader, Writer, Colleague. Take care of yourself. Especially the little you, still sitting there in the backyard of your soul, bathing in the sun with their bare feet in the damp earth.

Consider joining them, maybe.

[impcstcrsyndrcme]

The following post is a little rant about somethings that annoy me a little in the PJO rp scene (some happen in other fandoms too) or that my mind can't wrap around and make it make sense. Its just my opinion and in no form directed to anyone specific or trying to start drama, please don't start drama over silly shit. You've been warned. And i'm sorry in advance for the holy bible of a vent it is lol

✿ Honestly it makes no sense to me the idea that a young teen demigod, would be cabin leader if they don't show major responsibility and leadership skills over an older demigod that is there longer and have more experience. Honestly. And i don't mean that a younger person would not be responsible or could not be a good cabin leader, but they have to fit in the role or at least openly not like to be in it. It just don't make sense someone who basically don't care and it's 15-16 to be apointed leader.

✿ Other thing that bothers me a little is that is hard as fuck to find muses over 17... Like demigods can become adults and still be/stay at camp, honestly I believe this would be quite common for demigods that practically grew up at camp and don't have much experience outside besides missions. Of course I think after they have a serious relationship and plan to have kids that would change but I have a headcannon that someone would start a little village/residential area close to camp, so they can continue living in their comfort zone but with more privacy. Like maybe a place with smaller cabins or a building they'd go home to but once the day starts again, they go back to camp and basically work there.

✿ Also the amount of demigods from the big three. "Hey andy, this is a little hypocritical of you to say. You have demigods of all the big three" yeah, I know. Its just a little weird to see so many and this is just because on my old platform people prefer to keep them to a minimal because of the background of the books and all that.

✿ The last is how sometimes the characters appearance and powers don't seem to match their godly parents. Like, every god have a set of most common skills, traits and powers they pass along to their children, as in, most of their offspring will show them all or a mix of them. While they also have the more rare skills, traits and powers, that are EXCEPTIONS, so a small number of their children will have them. And there are also the things that they don't pass along or are not within their range or being, so it would not make sense that their children would have it. Like for example: poseidon kids will most of the times have green, or blue, eyes and dark hair. Or for Aphrodite's kids that most of the times are either romantic, sensual and/or care a lot about their appearance, also playing with others feelings. These are common traits, of course there are exceptions to every rule, but they should be that... Exceptions. If everyone are different, than are not exceptions anymore. That also includes how some gods don't have children at all for mythology/history reasons, like hera, hebe, artemis and hestia.

Okay those were fandom things that bothered me, but the following are specific roleplay things.

✿ I don't mind at all my partners age as far as interacting go, I don't have a DNI based on age only. But that being said, I wish people would put their age group on their blogs! And I don't mean the exact age, just a "minor" or "adult" or maybe "18+" or "21+" just so I (and others) know how to be respectful and act accordingly. I'll not send adult shit to minors and I would not feel good the other way around too. But it gets hard to do that if I dont know your age. "But andy, you can see the muse age..." Thats not the same! There is minors who have adult muses and adults who have minor muses. Its tricky when it don't need to be.

✿ I feel like a lot of people don't show interest in actually writing or roleplaying, this may be just a personal take, but if you constantly answer with only: "hm", "hi", "good"... Or half a dozen words that don't have any hook or action, thoughts, etc. If feels bad! It feels for me like you don't care or don't want to be there, like I'm the only one trying to write something with a meaning or an idea to keep going. It makes ME feel bad and I then drop the idea of interacting because it feels bad and pointless.

✿ This last point is just something I don't personally understand the appeal but I get that its just personal taste. I don't get the idea of a character blog, like it is still an online blog but as if the person behind it was the character writing on their computer the posts. I personally don't understand it, but thats just about me.

That was it I guess. Again, this is just a rant/vent about things from my end, its not personal or directed towards anyone specifically. Don't start drama! But feel free to comment here about it so we can discuss it, if you want to.

[qqueenofhades]

I’m in undergrad but I keep hearing and seeing people talking about using chatgpt for their schoolwork and it makes me want to rip my hair out lol. Like even the “radical” anti-chatgpt ones are like “Oh yea it’s only good for outlines I’d never use it for my actual essay.” You’re using it for OUTLINES????? That’s the easy part!! I can’t wait to get to grad school and hopefully be surrounded by people who actually want to be there 😭😭😭

Not to sound COMPLETELY like a grumpy old codger (although lbr, I am), but I think this whole AI craze is the obvious result of an education system that prizes "teaching for the test" as the most important thing, wherein there are Obvious Correct Answers that if you select them, pass the standardized test and etc etc mean you are now Educated. So if there's a machine that can theoretically pick the correct answers for you by recombining existing data without the hard part of going through and individually assessing and compiling it yourself, Win!

... but of course, that's not the way it works at all, because AI is shown to create misleading, nonsensical, or flat-out dangerously incorrect information in every field it's applied to, and the errors are spotted as soon as an actual human subject expert takes the time to read it closely. Not to go completely KIDS THESE DAYS ARE JUST LAZY AND DONT WANT TO WORK, since finding a clever way to cheat on your schoolwork is one of those human instincts likewise old as time and has evolved according to tools, technology, and educational philosophy just like everything else, but I think there's an especial fear of Being Wrong that drives the recourse to AI (and this is likewise a result of an educational system that only prioritizes passing standardized tests as the sole measure of competence). It's hard to sort through competing sources and form a judgment and write it up in a comprehensive way, and if you do it wrong, you might get a Bad Grade! (The irony being, of course, that AI will *not* get you a good grade and will be marked even lower if your teachers catch it, which they will, whether by recognizing that it's nonsense or running it through a software platform like Turnitin, which is adding AI detection tools to its usual plagiarism checkers.)

We obviously see this mindset on social media, where Being Wrong can get you dogpiled and/or excluded from your peer groups, so it's even more important in the minds of anxious undergrads that they aren't Wrong. But yeah, AI produces nonsense, it is an open waste of your tuition dollars that are supposed to help you develop these independent college-level analytical and critical thinking skills that are very different from just checking exam boxes, and relying on it is not going to help anyone build those skills in the long term (and is frankly a big reason that we're in this mess with an entire generation being raised with zero critical thinking skills at the exact moment it's more crucial than ever that they have them). I am mildly hopeful that the AI craze will go bust just like crypto as soon as the main platforms either run out of startup funding or get sued into oblivion for plagiarism, but frankly, not soon enough, there will be some replacement for it, and that doesn't mean we will stop having to deal with fake news and fake information generated by a machine and/or people who can't be arsed to actually learn the skills and abilities they are paying good money to acquire. Which doesn't make sense to me, but hey.

So: Yes. This. I feel you and you have my deepest sympathies. Now if you'll excuse me, I have to sit on the porch in my quilt-draped rocking chair and shout at kids to get off my lawn.