#Fiona Staples

[queereads-bracket]

Queer Adult SFF Books Bracket: Round 2

Book summaries and submitted endorsements below:

Saga by Brian K. Vaughan (illustrated by Fiona Staples)

The sweeping tale of one young family fighting to find their place in the worlds. When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old universe. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults.

Graphic novel, science fiction, fantasy, adventure, series, adult

The Last Binding trilogy (A Marvellous Light, A Restless Truth, A Power Unbound) by Freya Marske

Endorsement from submitter #1: "A trilogy of books set in a magical Edwardian England, the Last Binding series focuses on three queer couples who come together in order to solve a conspiracy threatening all magic. It’s a masterful blending of fantasy, historical fiction, and romance, with a splash of mystery and Wodehousian romp. Expect magical manor house parties with beautiful wallpaper, as well as explorations of power, trust, and what we owe the land. The prose is absolutely gorgeous and evocative. The characters and their emotional arcs form the beating heart of the story, intertwined with beautifully crafted romance. The worldbuilding feels organic and deeply rooted within this hidden magical society. These books are thoughtful, tender, scorching, and fun all at once."

Endorsement from submitter #2: "Utterly fantastic historical fantasy. Each book focuses on a subset of a larger character set. There is an overarching high stake magical plot, as well as different queer romances explored in each individual book."

Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.

Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.

Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep.

Fantasy, historical fiction, romance, magic, Edwardian, series, adult

[dollyiia]

[browsethestacks]

Conan

Art by Fiona Staples

[geekynerfherder]

'Alana' by Fiona Staples. 

Cover art for 'Saga' issue #8, published December 2012 by Image Comics.

[literary-illuminati]

2024 Book Review #63 – Saga, Book 1 by Brian K. Vaughan and Fiona Staples

I first starting reading Saga a literal decade ago (I think literally because Rachel Maddow recommended it on a podcast? Which, god, what a 2010s sort of sentence). I absolutely loved it at the time, and read intermittently until it went on an extended hiatus. So extended, in fact, that I’d kind of assumed the series was dead and only learned it had restarted a couple years ago quite recently. So, seeing as I am now in need of a new comic, I figured I’d restart from scratch and work up to the new stuff. It holds up! (and the letters to the editor are a fascinating cultural time capsule).

The series follows Alana and Marko – star-crossed lovers who eloped together from opposite sides of a brutal and galaxy-spanning race-war – and their newborn daughter Hazel as they evade the numerous forces trying to see them all murdered before than can become an embarrassment. The first arcs of this are most one long blind panic finding transport off-world and only afterwards deciding upon a destination, it’s only in the last volume (with the pointed assistance of Marko’s parents) that there’s any thought of finding stability or a status quo. Along the way, both the family and the series collect a wider and wider circle of colourful hangers-on – and the narrative begins switching focus to give real narrative focus and character arcs to three different groups that find themselves tracking down the family. None of them are particularly happy lives, but they all make for very compelling drama.

The best way to describe this is I suppose a ‘science-fantasy dramedy’. Which sounds viscerally and violently wrong, but the comedy and the drama are both absolutely vital motors keeping it running. And this is the incredibly rare work that actually makes them work together seamlessly. It’s an incredibly vulgar book in a dozen different ways, but the characters are all plausible and compelling, and once you have granted the slightly contrived explanation for why both governments care so immensely about Marko and Alana the plot coheres enough to never take you out of the story. Which is helped by the pacing being fast and tight in a way that always kept me (at least) engaged. I do deduct points for the wise author character basically looking directly at the fourth wall and saying ‘and the profound message of my work is-’ (moreso because said message is truly eye-roll-inducingly vapid and dumb, granted), but that’s easily forgiven.

The comedy was...more hit-or-miss. There is a lot of clever wordplay and funny, high-context character beats. There are also a bunch of just absurd or striking visual gags or background details that really work. And then there is the giant with balls so big and hideous that they almost crush someone to death.

It’s been said (by people with far more knowledge of and investment in the medium than I) that mainstream American comics are these incredible wells of repressed sexuality – full of physically implausible women dressed for a burlesque and with panels framed by a particularly sleazy tabloid photographer, but oddly coy about actually talking about or including sex itself. Which tracks with my limited experiences, but might just be bullshit I don’t know – what I do know is that Saga is basically the exact opposite of that.

Which is to say, this is an intensely sexual comic, but an atypically non-sexualized one. Which is a bit of an odd distinction, but compare how Saga shows an uncensored orgy and how any given artist at a con draws prints of Power Girl and you’ll get the idea. This is on balance a very good thing, occasional junior-high-level visual gags and gross-out humour aside. Sex is a part of life, of varying importance to different people but something present and shaping the world regardless (and Marko and Alana very much do believably seem like a couple that’d have a kid together without a huge excess of planning beforehand).

Aside from Alana, Marko and Hazel (and hangers-on including a phantom babysitter and Marko’s somewhat-approving parents), the various groups hunting them get a really surprising amount of page-count – The Will, Lying Cat and Prince Robot are all basically main characters in their own right, and Gwendolyn, Sophie, Upsher and Doff aren’t fair off. It’s an immense accomplishment that a series of 28-30 page comics manages to bounce between so many characters and always keep them all moving, both physically and emotionally. (The character work and character design of this is worth at least the price of admission on its own, really).

The thing that most makes me love the comic is, I think, how it will introduce characters and tell you explicitly they are murderers and monsters – and then show them struggling and risking their life out of guilt or altruism or love, show them falling for people and being part of rich social worlds, show the trauma and baggage and shitty relationships that made them who they are. Make you care about them and root for them, want them to accomplish what they need to to get a happy ending – and then have them destroy something or kill someone else you’ve grown to care about. Aside from the really obvious stuff about intolerance and war, it’s one of the most consistent themes of the series that monsters have lives and loves too, which is frankly something I wish more stories (and just, people) took to heart.

The setting is glorious, in a ‘mural on the side of a stoner van’ sort of way. Laser guns and spaceships that are giant flying trees, a kingdom of robots with TVs for heads and the planet-sized egg of what’s basically a living black hole – nothing that’s designed to bear scrutiny, but endlessly inventive and evocative and clearly very fun for the artist.

The most striking thing is that – even for now, let alone fucking 2012 – the comic is just incredibly diverse. Even leaving aside the really weird or cartoonishy exaggerated species there’s more diversity in body type and silhouette in one crowd scene of Saga than in most Hollywood movies I’ve seen recently. Same with race and sexuality—the whole setting seeming functionally queernorm except for the one couple whose character arc requires that they come from Planet Homophobia is slightly eyeroll inducing but again, compared to the early 2010s norm it’s soaring so high above the bar you can’t even see the ground.

So yeah, have fallen entirely back in love with it. Can’t wait to start in on Book Two.

[towritecomicsonherarms]

Saga #66

[superheroes-or-whatever]

Saga #68 art by Fiona Staples  

[cool-devil]

Inktober Entry 1 : Arachne

The Stalk.

[theblackestofsuns]

Saga #69 (September 2024)

Cover by Fiona Staples

Image Comics

[bobbole]

Labyrinth: Coronation #1 - cover art by Fiona Staples

[queereads-bracket]

Queer Adult SFF Books Bracket: Round 1

Book summaries below:

Saga by Brian K. Vaughan (illustrated by Fiona Staples)

The sweeping tale of one young family fighting to find their place in the worlds. When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old universe. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults.

Graphic novel, science fiction, fantasy, adventure, series, adult

The Stars Too Fondly by Emily Hamilton

In her breathtaking debut—part space odyssey, part sapphic rom-com—Emily Hamilton tells a tale of galaxy-spanning friendship, improbable love, and found family.

So, here’s the thing: Cleo and her friends really, truly didn’t mean to steal this spaceship. They just wanted to know why, twenty years ago, the entire Providence crew vanished without a trace, but then the stupid dark-matter engine started on its own. Now these four twenty-somethings are en route to Proxima Centauri and unable to turn around while being harangued by a hologram that has the face and snide attitude of the ship’s missing captain, Billie.

Cleo has dreamt of being an astronaut all her life, and Earth is a lost cause at this point, so this should be one of those blessings in disguise that people talk about. But as the ship travels deeper into space, the laws of physics start twisting; old mysteries come crawling back to life; and Cleo’s initially combative relationship with Billie turns into something deeper and more desperate than either woman was prepared for.

Science fiction, romance, science fantasy, comedy, cozy scifi, adult

[classicartverso]

Fiona Staples - Saga

[artverso]

Fiona Staples - Saga

[jugheads-choni]

Archie Andrews & Betty Cooper

- in “Archie” by Mark Waid and Fiona Staples

[towritecomicsonherarms]

Saga #67

[superheroes-or-whatever]

Saga volume one digest cover by Fiona Staples