#Finally getting back to this post-s2 to s3 fic that I’ve been working on on and off for the past year!! | Explore Tumblr posts and blogs

pynkhues · 3 years ago

Note

Please recommend some of your fav Rio fics!

Of course, anon! Since you asked for Rio fics, I'm going to guess you meant Rio POV fics? If not, I'm sorry, haha, because that's what I've collated, but I hope you give these a shot regardless! They're all fics I think are pretty great. ;-)

Below a cut, because this got long.

But when he does reappear at the store—she still doesn't hear him coming, she needs to work on that—she's wearing a fuckin' dress, and he's glad she hasn't seen him yet because he can't stop himself from grinning.

Maybe it ain't for him, but given the fact that he doesn't think he's seen her legs since he came back—aside from that one night at the bar when she was definitely feeling herself—it seems like this is an intentional break in the pattern. Either way, he fuckin' loves the idea that she's been dressing up all week, not sure if he's coming but wanting to be ready if he does.

Now Use Both Hands by ms_scarlet / @mego42 6k words. Explicit. Beth x Rio. S3 canon divergence.

Ooooof, this fic causes me physical pain, but I love it a whole lot. Meg really captures Beth and Rio at their most acidic, their most sharp edged, while also managing to balance that with the feelings they desperately don’t want to have. It’s a bit magic, and the fact that she follows this up with another fave, Listening Through the Air Shaft is *chef’s kiss*.

- - - -

When he wakes, he's in a hospital bed, mouth dry as bone and he can taste blood, stale and metallic, on his tongue. The pain in his chest has been dulled by the drugs, but it still lingers, a persistent ache that spikes with every breath.

By all rights, he's a dead man walking.

Ten hours, they had him in surgery. From the look of his chart, he'd flatlined twice, and he can feel the consequences of that, see it in the bruises on his chest, the exhaustion lining the faces of his family. He'd woken to a little hand in his, Pop's cheeks damp with tears, and shit, it'd been close. Too close.

Bury a Friend by @ejunkiet >1k words. Mature. Beth x Rio S3 canon divergence.

Pivoting from 3.01, this fic is a wonderful, quiet character study that looks at Rio in the aftermath of the shooting before he explodes back into Beth’s life. It pulses with emotion and with the promise of catharsis, and it’s just a really special little fic. The Rio voice is terrific too.

- - - -

He finally gets what he needs one day when Elizabeth’s wearing this tight black sweater with a keyhole that shows off just enough to make Rio’s jaw rock. It’s so out of the ordinary, so unlike her ugly li’l sweaters or her surburban mama button-ups, he does a double take, head whippin’ around so fast that she catches it immediately. Then she catches where his gaze lands, where it keeps landin’ through their whole stilted, irritated conversation, and he sees her chest pinken til he can count her freckles. He sucks his lower lip into his mouth, and her lips fall open just the smallest bit, and then she looks up at him.

Eyes locked on each other, Rio takes a step closer. Elizabeth doesn’t back away.

I Will Collect You and Capture You by @foxmagpie 17k words. Explicit. Beth x Rio S3 canon divergence.

I feel like I've recced this fic 1,200 times at this point, haha, but it really is one of my favourite fics in the fandom. It has this sort of grip on you as a reader that almost embodies Beth's grip on Rio in the story, and the way it builds and builds and releases only to build and build again is really delicious, affecting writing.

- - - -

“Com’n her and her lady friends were shakin’”

“Shakin’ about the lemon on the fuckin’ granite, sure.”

They chuckled as the car rolled on, the suburbs slipping away with the sun.

“Think they’ll pay up?”

There was a groan as Rio shifted in his seat, flexing his fingers along the dash.

“Neighborhood like this? Everybody knows someone who knows someone with a trust fund.”

Mick’s lighter flickered, followed by long, rasping inhale. “And a boat.”

Smoke swirled lazily through the open window up into the purple sky.

“And a boat.” Echoed Rio.

Drivin' through the Suburbs by gangfriend / @00gangfriend00 5k words. Teen+. Mick + Rio friendship, Beth x Rio. Canon compliant.

It takes a lot to make me laugh out loud in a fic, but this one does multiple times. It's just insanely fun, and captures Rio and Mick at their most boyish in a way I find utterly charming. It's really, really delightful.

- - - -

She’s got her crimes wrapped up and categorized in folders with labels and post-its. Wrapped up in gift paper with a big blue bow on it. And she’ll probably ask Turner do you want freshly baked cookies or some shit when they go raiding her kitchen.

Rio should really get it under control. Her, get her under control.

She opens the door and slumps onto the front seat, her eyes set angrily on him. Nineteen voicemails and she’s still got things to say: he sees it in the twitch of her hand, the restless, frustrated pattern. Any minute now she’s going to settle on new words to voice her complaints like he’s here to listen. Like he’s got the time— like he cares. Like he’d better.

It’s a Work Thing by isoldewas >1k words. Mature. Beth x Rio. 2.12 canon divergent.

I'm a bit of a sucker for a good canon divergent fic, and this one pivots the car break up in 2.12 in a smutty way that just works unfairly well. It's such a great little fic that really settles well into Rio's headspace during the messiness of s2, and I love it.

- - - -

They settle in their respective places and Rio takes the opportunity to give Elizabeth the same once over that asshole did. Her ass really does look great in those pants and she could fill out any shirt. Her eyes linger over him too, tracing his skin, the bar tattoos peeking out from under his t-shirt that she’s seen a million times but she devours at every opportunity. Then her eyes meet his and she gives him that small, crooked lil’ smile.

He’s not one for religion, but every so often he takes his mom to Spanish mass. All the viejitos and pious Catholic types think he’s a banger but his ma’s still excited to show him off. He sits with her in the pew and when the priest asks for the congregation to give thanks to God, he says a prayer for the riches that have come to him, the health and brilliance of his son, the vitality of the other little ones in his life now, and Elizabeth. And when he thinks of her in those moments, he sees her in his mind’s eye with this exact look on her face.

A Bit of a Stretch by @septiembrre 5k words. Teen+. Beth x Rio. Established relationship.

Beth and Rio do a yoga class together! There’s such a lived-in feel to this fic that it feels impossible not to fall a bit in love with it – their relationship is explored in a way that feels true to who the characters are, while sanding down the edges to create something that feels sweet in the way they usually aren’t in canon. It's a great fic, but more than that, it really just works in a way that's a lot more complicated than it looks, and it’s all the more charming for it.

- - - -

He’s happy to keep kissing her like this. To savour it. Realises she’s undone the last few buttons of his shirt at some point as she shoves it down his shoulders. Doesn’t have a second to think about his ugly scars pressed to her skin. Can just feel her little hot palms snaking up his back and grippin’ him tight. Refusing to let any light between them as they kiss for what feels like hours.

He realises these are the lips he’s been tasting. Searching for in other women when his night’s got too unbearably quiet, hunting for an echo of the thing he really wanted. Comin’ up short every damn time. Sweet and soft and lethal. Unique to her.

It’s longing in a way he’s never felt. This is the taste of it.

As Good as This by @riosnecktattoo 5k words. Explicit. Beth x Rio. 4.05 canon divergence.

Okay, I know I just said how much I loved canon divergence fics, but it bears repeating – I love canon divergence fics, haha. This is such a great alternate take on how the wire scene in 4.05 goes down, and it simmers with tension from the opening line. The way it escalates as Rio navigates this newest betrayal works really well too, and it results in a pretty sexy and surprisingly emotional sequence. Magic!

- - - -

“Do we have a deal?” She asks.

When he turns to look at her she’s smiling, and that’s when he realizes he’s absolutely fucked. He’d just fucked himself out of almost a quarter of a million dollars. He lets his eyes drop down her body, licks his lips and nods.

“I choose the place,” he says and turns on his side to face her. “You owe me half - with interest,” he says and slides a hand into her hair. She’s damp, the sweat slowly cooling.

“That’s not what - “ she opens her mouth to protest and he takes that opportunity to slide his mouth across hers and lick into her mouth.

Long Nights by zetuslapetus / @querenaxx 2k words. Explicit. Beth x Rio. S3 canon divergence.

Rio and Beth bone while negotiating a deal! What's not to love, haha. This has such a fun checks and balances feel to it which just makes me want to peel my skin off, it's so good. It's exactly the way I like my Beth and Rio - hot and snarky and constantly trying to get a leg over the other, literally and figuratively. It's the best.

- - - -

He should go out and find someone to fuck. Maybe text one of his hookups. See if Jen’s working. He has options.

He knows what he should do.

But it turns out fucking other people is a worse hell than the one they create when they’re together.

And now that he’s yielded to this wicked ecstasy, he knows he’ll do anything to keep sitting in the fire with her.

To Sit in Hell with You by @daydreamstew 2k words. Beth x Rio. Explicit. s4 canon divergence.

Canon-divergent from 4.06 – Beth and Rio keep hooking up after the time at his grandma’s place. It’s fun and sexy while also keeping the complicated push-pull and lack of communication at the heart of them. Deeelightful.

- - - -

“Does it make it easier?” Maddie asks him once they’re spent, maybe emboldened because he has already brought her into their bed. Which may be unfair, because Lee had been in their bed from the beginning.

“What?” He seems lost in his thoughts, his arm behind his head. In a few minutes he’ll get up and get ready to get back to the factory. Like always, she’ll be looking for her keys so she won’t be late for work.

“Getting it out of your system before you see her.”

Rio glances at her. “I don’t always see you when I see her.”

It’s so rare for him to explicitly mention this woman, however tenuously, and Maddie waits for more. Rio’s gotten like this about a few women in his life but it doesn’t happen often.

Sure am Using You by aniara 2k words. Explicit. Rio x OC, Rio x Beth.

It's not for everyone, but I absolutely love fics that feature characters with other people in ways that tell you something about the characters' feelings about somebody else. In this fic, Rio's fucking one of his childhood friends, but it's all about Beth really, and the way both Rio and the OC negotiate that is really compelling writing, and feels so in character for Rio. I really love it.

- - - -

Rio dreams of her that night, again. It’s irritatingly pedestrian – Elizabeth’s kissing him deep and then, ah, suddenly his gun’s in her hand and she shoots him, with a double encore. It’s always variations on the same futile theme. When he wakes it’s not that he’s freaked, unaware of reality or his whereabouts. But he’s been soaked in anger for so long. He can’t think straight, not on her. It’s honestly terrifying. Cos stubbornly keeping his head on right is – that’s him. Maybe her entire raison d’etre is destroying every single one of his attributes though.

He ain’t sure if his subconscious is desperately screaming that he’s made the wrong move, letting her live. Or if it’s the total opposite. Could be fucking neither. It’s not – it’s not getting any easier. And that main reason for not biting the bullet, that he’d be mad as hell for being mad as hell at himself over killing her, it's not smelling any less idiotic.

Climbing up the Walls by s_t_c_s / @sothischickshe 8k words. Explicit. Beth x Rio. S3 canon divergence.

Another canon divergence from 2.13 and an interpretation of how s3 could've gone, and another one I really love. There's a throughline of chaotic frustration to this fic that rings true to Rio's character for me, and the way that that reverberates through his moments not just with Beth, but alone and with other women, feels really textured and interesting and real. It's pretty great.

#this was fun to put together #so many good fiicccss #truly a blessed fandom #beth x rio #beth boland #rio #nbc good girls #gg fic #fic recs #welcome to my ama

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ajkal2 · 4 years ago

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the essay: childhood trauma, responsibility, and tma. part 1: jon

in a tma fic i published like six months ago, i left an authors note that promised an essay on jon and tim’s trauma to anyone who asked. several people asked, and so here i am!

the fic is called a deeply annoying child. it’s about being a kid and seeing something horrible, and it’s about jon and tim’s rocky relationship.

this post isn’t actually about the fic. it’s a breakdown of jon’s mental state through s1-3. im going to make another post about tim, and then a final one linking it all back to the fic. i’ll chuck links to those on here when they’re posted!

but first, let’s talk about my boy, JON ‘JARCHIVIST’ SIMS.

(fair warning- this isn’t a fully backed up meta post, it’s my interpretation of canon. any thoughts/queries/additions welcome! my askbox is always open <3)

part o: a note on guilt

hey, you know what’s fucked up? an eight-year-old kid with survivors guilt.

as a child, jon watched someone he knew die, due to circumstances that, while they were not his fault, were set in motion by his actions. children (and often teens!) think in black-and-white. complex logic often just doesn’t occur to them. jon, at 8, looks at what happened, and says that’s my fault. i did that. jon didn’t like his bully, and wanted him to go away, and then he did. that instinctive reaction is something i think he never grows out of. when you already hate yourself, it’s easy to pile more fuel onto that flame. he doesn’t think about risk, not to him, because he deserves whatever happens. he let someone die. he doesn’t ever forgive himself for that.

part i: belief (precanon+s1)

now, i have a headcanon about why jon doesn’t believe statement givers, and imma lay it all out for you right here.

when jon was 8, and freshly traumatised, i think he tried to tell someone what happened. beneath all the layers, jon is compassionate, and tries to help people. now, picture this. a kid, one with a history of troubled behaviour and an atypical home life, goes up to someone (a police officer, his carer, a teacher) and tells them a giant spider ate someone. what’s that person, someone who is a rational adult, someone who doesn’t believe in silly things, going to say back? are they going to believe that kid?

no. no way. they’re going to tell that kid that they’re making up stories, that they had a nightmare, that they should stop making jokes about someone who actually disappeared, jon, you need to be more sensitive about these things.

now, that kind of dissonance- ‘this did happen, it was real’ and ‘everyone i talk to is telling me it’s not real’- is hard on adults. to a kid? devastating.

jon, because he’s jon, would have been desperately searching for a way to explain this, and i think the thing he grabs on to is evidence. if he had some evidence of what happened, if he could prove what happened, people would believe him.*

but he doesn’t have evidence. and he resents that, and he resents that so much that by the time he’s an adult he’s settled into a mindset towards the supernatural somewhat akin to ‘i didn’t get believed, but you think you should be believed? what’s so good about you? you think you’re better than me?** fuck you! i don’t believe you!’ this is also a way of keeping himself safe. if the monsters aren’t real, they can’t hurt him.

and then, through s1, that mindset is chipped at. the statement givers start being real people, who come into jon’s office and cry when he dismisses them, and that clearly makes him uncomfortable. martin gives his statement, and martin has evidence. jon knows martin, and knows that he’s a good person, so martin having evidence isn’t likely to be an attack at jon.

jane prentiss attacks the institute, and then suddenly jon’s shield of denial and anger is ripped away, because the monsters are real, and they can hurt him.

*would they? i don’t know. people can be very attached to believing that the world is good, and kids are misguided, and there are a hundred thousand ways to explain away a piece of evidence, as jon comes to know well.

** this ties into jon’s self hatred, as people saying they are better than him kicks him right in the Issues.

part ii: paranoia (s2)

after prentiss attacks, jon is left floundering. his old I Do Not See It mindset has been smashed to pieces, and underneath all the trauma he’s been brutally suppressing is bubbling up. jon has no real experience in judging threats, because for the last 20 years he’s been burying his head in the sand and yelling he can’t see any threats. so he overcompensates, and assumes everything is a threat. his experience re:not being believed tells him that everyone around him is stupid and wrong and the only person he can rely on is himself.

so he investigates. he’s convinced that his life is in imminent danger, that everyone around him is plotting to kill him. he doesn’t hold back, because you don’t hold back in a life-or-death scenario. he knows something is wrong. something is very wrong. he’s sure it’s a threat to him, a threat to his life. but he can’t put a finger on what it is.

this is when his friendship with tim breaks down. i’ll talk about tim in a minute.

jon spirals, and obsesses, and wrings answers out of the ether until it all falls together. he understands what is wrong, that it’s sasha that wants him dead. or, well, not sasha. he’s been winding up tighter and tighter all series, and he lets loose by striking out, acting for once instead of reacting. it is remarkably easy to buy an axe in central london, after all.

and then, well, that doesn’t go well.

part iii: desperation (s3)

after what jon did backfired so badly, he goes to georgie, because he has no other option. and he thinks, what went wrong? and the answer he comes up with is i didn’t know enough.* that’s why it all went wrong, because he didn’t know what he was dealing with. and so the solution is to find out more.

he’s starting to realise that he’s changing.** he wants to find out more about that as well, to control it.

so he goes and finds out more. or, tries to. he doesn’t have many leads.*** jon is not good at judging threat, and doesn’t know the danger he is putting himself in. he’s stubborn, and locked onto getting more knowledge like a dog and a bone.****

and then he does get more knowledge, but it’s the knowledge that the world is ending, and he’s the only one who can fix it.***** he can’t process his trauma. he doesn’t have time. the world is ending.

in late s3, jon is desperate. he’s overworking himself. he feels alone: daisy’s at his throat, elias is dangling information over his head, tim...

we’ll talk about tim later.

basira doesn’t trust him, georgie isn’t happy with him, melanie’s never liked him. he gets kidnapped for a month, and no one notices. the only person jon has firmly in his corner is martin.****** and he doesn’t have time to talk to martin, because he’s getting kidnapped, and jetting across the world chasing shadows, and desperately, desperately trying not to fuck everything up again.

and he doesn’t! they build a plan. it’s dangerous, sure, but jon doesn’t even know what that means anymore. his whole life is dangerous. jon going into the unknowing is cautiously, waveringly hopeful. maybe this time it won’t go wrong. this time they know what to do, they know what they’re dealing with.

and, the tragedy is, it doesn’t go wrong. they save the world. they send elias to prison. it all goes to plan. and tim is dead, and daisy is buried, and jon is lost in dreams.

*👁️ **👁️ ***👁️ ****👁️ ***** he’s not the only one, of course, there are a whole team of people working on stopping the Unknowing, but jon is the Archivist. he’s the heir to gertrude’s legacy.

****** this is where they fall in love, after all. which is a good thing, of course, but it adds an extra weight to every interaction they have, guessing and double-guessing how the other feels, until jon actually can’t talk to martin, not how he wants to, because he’s not sure if they’re there yet. (martin is there. jon doesn’t have time to be.)

see yall next time

i would like to cover s4 and s5, but this post is 1.5k already, and i’ve covered up to when the fic takes place! next time i will be ranting incoherently about timothy stoker, punctuated by bursts on uncontrollable sobbing. when that’s up, i’ll chuck a link here, and on the author notes of the fic i’m doing this for. see you then!

#tma #tma meta #jonathan sims #jon sims meta #character analysis #a deeply annoying child #the essay tag #god this is a mess but w/e posting it anyway

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marypsue · 3 years ago

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I saw this on a blog and I wasn’t tagged, but it’s been a rough one lately so I figured, what the hell, and stole it. That’s right. I’m a hardened, dangerous criminal. Ladies, hold on to your hearts.

WIP Meme: List the titles/filenames/descriptions of your WIPs and tell us a little bit about them/wail about them/beg for inspiration/whatever you want! Then tag some people for a no-obligation mutual wailing/cheering/complaining session!

In order of probable proximity to publication:

Something Borrowed, Something Blues (aka ‘Reincarnation Blues 2: Electric Blues-galoo’): This one’s actually already posted to AO3. It was the last of my great ‘post each chapter as you write it’ projects and, well, it’s currently demonstrating why that’s a dangerous way to post fanfiction, as it’s been on unannounced and indefinite hiatus since 2020. I do intend to come back and finish it, it’s just...been a time.

the road goes ever on (aka ‘the monster longfic’ or ‘the monster Stranger Things longfic’): This beast is finally drafted! ...annnnnd needs a few structural edits and a looot of nitpicking before anybody else’s eyeballs are allowed on it. What started out as a fun silly immediately-post-season-three canon-divergence AU romp about Steve Harrington and Robin Buckley getting superpowers and also having to deal with an alien monster imprinting on them both like a duckling quickly ballooned into a horrific mutant hybrid of that story, a here-is-every-problem-I-had-with-the-season’s-characterisation coda to s3, and an extended-Labyrinth-reference narrative arc all about El dealing with grief and guilt and coming to terms with everything she’s lost in exchange for her freedom. I promise it’s still going to be fun, though. Totally.

put your curse in reverse (aka ‘superpowers fic season two’): The sequel to the kids aren’t alright, aka ‘the one where (nearly) all the main characters from Stranger Things have powers and (nearly) none of them know it’. Season two, but with some additional characters stirred into the mix, many friendships that weren’t present in canon s2, and at least one bonus love-triangle-to-polyamorous-triad subplot. This beast is nearly drafted, and if I could figure out why I keep feeling like it’s stupid and I’ve gone horribly wrong, and whether that feeling is accurate or just a natural low in the writing cycle, I could probably finish it off in a couple of weeks. Unfortunately...I can’t yet figure out if it’s actually stupid and I’ve gone horribly wrong. Writing is hard.

how many times do you want to die (aka ‘groudhog day but it’s halloween and every time bob newby dies it gets faster’): Absolutely nobody asked for this and you’re getting it anyway. Time loop fic for my beloved pool noodle Joyce/Bob/Hopper because there is nowhere near enough fic for them, I’m actively recruiting, and also I just think Bob Newby is neat. And I've had some additional characterisation thoughts since the last time I wrote for this trio. This one would be done already if I could just figure out this final loop - the characters have a plan, and obviously narratively it has to go wrong somehow, and the solution to that ‘going wrong somehow’ has to also resolve the romantic plot, but I’m still mired in the details. I don’t want to just rehash what happened in canon, but I also don’t want to reinvent the wheel.

why can’t we be ourselves like we were yesterday: This one doesn’t have a funny working title because the actual title, from notable 80s OT3 anthem ‘Bizarre Love Triangle’ by New Order, fell into my head fully formed the instant I conceived of this idea. Bodyswap fic, Steve/Nancy/Jonathan, post-s3. Fix-it for all of their interpersonal problems and not a whole lot else. Fun subplot that the kids are all bodyswapped as well but the teens don’t notice. I have just run out of scenarios to write into scenes and oomph to keep going, so this one’s on a backburner.

the same small town in each of us (aka ‘relativity falls but it’s stranger things’): Ageswap AU of season one of Stranger Things where the kids are the teens, the teens are the adults, and the adults are the kids. Hawkins Chief of Police Nancy Wheeler and single father Jonathan Byers search for a missing girl and uncover a government conspiracy, while twelve-year-old Karen Harrington and Jim Hopper hunt a monster, and seventeen-year-old Mike Harrington and Will Byers try to help a psychic fugitive rescue her long-lost little sister from the Hawkins National Lab. I’ve recently had a revelation about one of the antagonists that I think is gonna be really good, but it means I have to do a little rethinking of what I’ve already written. And also, I’m still trying to piece together the plot between what I’ve already written and the ending I have in mind. Like I said before, I don’t want to just rehash canon, but with different faces in different places. Even in rewrites of canon, I want to surprise people!

Le Morte d’Artificial Intelligence (aka ‘lesbian apocalypse robot tony stark, serial numbers filed off edition’): I posted about this piece of original fiction a million years ago (read: in spring 2020), and then did not finish it because I got really into Stranger Things and had to put everything on hold to exorcise the monster longfic from my brain first. I do still have the entire thing outlined, though, and I’m going to finish it. It’s not going to be a novel, maybe more like a novella, and I’m planning to put it up for free. If you’re interested in an artificial intelligence falling in love with a changeling who doesn’t realise she’s not a human woman, and also there are eldritch horrors that can only be defeated by the power of friendship and Ke$ha, and King Arthur is there? Stay tuned.

circus luna: I’ve been working on this kids-on-bikes novel about an evil circus and the group of friends who have to oppose it for literally over a decade now and only just figured out how it ends. Knowing how it ends is the first step to actually plotting and outlining it, though, which is just one step away from drafting it, which is one step away from finishing it, so! I am grateful to the monster longfic and also the hollow, abandoned carcass of Kate Summer Vs. The Multiverse for teaching me, respectively, how to and how not to write a novel.

I’m going to tag @marzipanandminutiae, @astriiformes, @gretchensinister, @bixxelated, and @trulyalpha to do this one as well, but if you have WIPs and you’d like to steal this meme as I stole it, please do!

#chatter

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dotsayers · 3 years ago

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20 Questions: Writer’s Edition

tagged by the beloved @myrmidryad

this is a LONG one so here’s a cut to avoid do you love the colour of the sky syndrome

1. How many works do you have on AO3?

101 after a recent purge... no one may know about my Past

2. What’s your total AO3 word count?

329004! used to be about 350k but again... purge

3. How many fandoms have you written for and what are they?

on ao3 i’ve written for (chronologically) doctor who, skyfall, discworld, les mis, star trek, lord peter wimsey, marvel (various), in the flesh, red vs blue, roosterteeth rpf, check please, hockey rpf, star wars, daredevil, rivers of london, dishonored, emmerdale, dirk gently, holby city, hot fuzz, kj charles, guardian, the covert captain, taskmaster rpf, good omens, ghosts, roswell new mexico, leverage, schitt’s creek, the magicians, 9-1-1, it chapter two, the magnus archives, the old guard, the mandalorian, the ritual, the locked tomb

way back on the pit of voles i wrote for twilight, harry potter, hetalia and xmen first class. and on the newsround chatrooms i wrote exclusively harry potter fic about my oc neville and luna’s daughter

as you can tell i am not prone to staying in one fandom writing wise, i tend to end up with one complete fic and seven abandoned wips concealed deep in my google drive

4. What are your top 5 fics by kudos?

finally see what it means to be living (captain marvel, carol/maria, i really hit the zeitgeist with this one i think i was something like the fifth fic in the ship tag)

do whatever you think (the magnus archives, this series is actually #2-7, then #8 #9 and #11 for me so i’m going to cheat a bit)

standing in a world of my own (daredevil, matt/foggy/karen, another zeitgeist hit! really miss writing for daredevil actually... it’s a perennial fave)

a winding road that stretches towards the truth (iron man, tony/rhodey, i STILL don’t know when this got so many kudos. i swear i looked away when it was at 100 and suddenly it ended up here)

where the long shadows grow (star trek aos, kirk prime/spock prime, thank god some people are checking the prime kirkspock tag is all i’m saying!)

5. What’s the fic you’ve written with the angstiest ending?

i don’t really Do angsty endings... possibly a blanket of stars just because i ended it on something of a cliffhanger and then completely zoned out of rnm for long enough that i forgot where i was going with it. there was definitely the intention of fixing things but then i just... did not do that. and now the show is on s3 and i’m over a season behind! life comes at you fast

6. What’s the fic you’ve written with the happiest ending?

where the long shadows grow, because it reunited kirk prime and spock prime and they DESERVE TO BE HAPPYYYY. i’m a complete sucker for presumed dead/back from the dead stories, actually, so on a similar theme i have two (TWO) daredevil fics which follow the trope, one about ray coming back post-s2 (might never be normal again) and one about foggy and matt reuniting post-endgame (in the corner, taking up space). this is the only time i will ever acknowledge endgame ever again

7. Do you write crossovers? If so, what is the craziest one you’ve written?

i do write crossovers! in fact i am often roundly mocked by my friends for the increasingly esoteric nature of my crossovers. way back in secondary i wrote a twilight/labyrinth crossover where angela was sarah and jareth’s daughter because i had a massive crush on a girl who liked both twilight and labyrinth. however, since that has been comprehensively scrubbed from the internet, i think my craziest crossover is probably part three of ‘traced upon the skies’, already an esoteric crossover of rivers of london and hot fuzz, when i added in a crossover with the horror movie ‘the ritual’ just because i wanted rafe spall’s character to be happy

8. Do you write smut? If so, what kind?

EXTREMELY rarely and only with extreme embarrassment. i will not be any more specific than that

9. Do you respond to comments, why or why not?

i used to really struggle with doing this, to the point that i had over 300 comments just. lingering in my inbox unanswered. so i decided to give those up and just commit to answering them from then on, which has been working fairly well for about a year and a half now. i love getting comments but i get overwhelmed really easily and struggle with replying in a way which feels meaningful without getting in my head about it!

10. Have you ever received hate on a fic?

yes lmao it was for a harry potter fic on ff.net where harry got sorted into hufflepuff instead of gryffindor. it wasn’t a very good fic but i think the fact it was clearly written by an 11 year old should have scared off at least some of the less flattering comments.

11. Have you ever had a fic stolen?

i don’t... think so? i don’t know how i’d find out to be honest, my vanity googling is rarely very effective

12. Have you ever had a fic translated?

yes! as bronze may be much beautified (skyfall, mallory/bond) got translated into chinese, i was extremely pleased. i think it’s mandarin but the ao3 page for the translation doesn’t say and my mandarin is.................. extremely poor

13. Have you ever co-written a fic before?

also yes! me and jess little-smartass have written a lot together, although only our star trek/les mis series has been published, more’s the pity. we spent a lot of les mis fandom time workshopping aus and we were always extremely correct about all of it, imo

14. What’s your all time favourite ship to write for?

oh god. i think probably kirk/spock, although there’s some recency bias to that since i reread space manhattans recently and was reminded of my love for them. i really like writing jon/martin but i’ve mostly done that from outsider pov which is a bit different to writing shipfic, i think. joe/nicky from tog was also something i really liked writing but i struggle with plotting longer fic with them

15. What’s a WIP that you want to finish but don’t think you ever will?

i recently went through my abandoned fic folder so i actually have a few options for this. the obvious choice would be ‘any of the hockey ones’ but i did delete most of those just for my sanity. more recently i started writing a vaguely smutty pre-the thing mac/fuchs fic for alex @milkdrinker5000 which i really WANT to finish but am struggling with. most obscure answer (even beyond the thing) and most likely to remain unfinished is the insanely in depth post-tog booker/copley fic i had planned out back in about october. i wrote a good 6-7k of that one and then i realised it was going to be, like, difficult, and decided if i was going to put that much work into something it may as well be the novel im meant to be writing

16. What are your writing strengths?

once a friend told me i had an excellent facility for dialogue and ive thought about it every time i write ever since. i love writing dialogue and i think i’m good at knowing what sounds ic and what is right out.

17. What are your writing weaknesses?

one of the things i struggled with for a really long time, and honestly still have trouble with, is depicting action in words. once i wrote a hockey fic which featured multiple hockey games and i spent probably four times as much effort editing those to make sense and be interesting that i’ve ever done on a talkier scene.

18. What are your thoughts on writing dialogue in other languages in a fic?

i’ve done it but only when i knew more or less what i was talking about - i did italian at school so i felt confident using it for nicky in something particular and real. i try not to italicise when i drop in words from other languages, which is what i usually do when i’m using a language i haven’t studied in depth (for example, joe’s use of arabic in some of my fic), and to only use words which i’ve heard used by native speakers in that context. i think if you don’t feel confident using another language, generally speaking, you shouldn’t do it. and for god’s sake don’t use google translate for a full sentence

19. What was the first fandom you wrote for?

harry potter on the newsround chatboards. ariana lovegood-longbottom my sweet child

20. What’s your favourite fic you’ve written?

this used to be an easy question because hands down the fic i was proudest of on posting it was i’ll be seeing you. i spent a year and a half on research and writing! but these days i do cringe a little at my hockey fic, and i think i’m prouder of some of my shorter works. let’s do a curveball and say layer on layer, down on down, which is my favourite of my rnm fics and the one i like most from a narrative voice perspective. getting michael right was stressful and i’m still proud i got it down for a TIME LOOP FIC, my absolute favourite trope

tagging @little-smartass and @leescoresbies just in case they want to try this

#gin i can't BELIEVE you wrote for xiaolin showdown. iconic #text post tag #tagged in #writing tag

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laufire · 4 years ago

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Supernatural s3

It’s so unfair that the season that has Ruby AND Bela is so short :(((. I was done with it waaaay too quickly, and now I’m speed running through s4 xD (which, like the first time around, is Strong Mixed Feelings territory).

-My girl Ruby!!!! I was so happy to have her back, I kept grinning like a loon every time she was on screen. It’s quite interesting watching the 1.0 and 2.0 versions so close to each other, instead of as they air. I have... Thoughts, on whether Ruby as a double agent was something planned or that they decided as they went, but that’s for the s4 post. s3!Ruby really doesn’t come across as one (“I don’t believe in the devil” oh I wish sometimes xD, I love my nonbelievers), imo, but the beauty of such a device is that you can rationalize anything she does as devious if you want to xD

And it goes without saying that I love her interactions with Sam. THIS SHIP ISTG. I love how immediately ~attuned to her he is lol, his present and instinctive concern for her even if he tries to mask his interest as “practical”. And all the repeated times Sam’s conflicted between her and Dean -like when he deviates Dean shot (wasting one of the Colt’s bullets lmfao) or during the argument about the virgin sacrifice xD. And the “that’s my boy”/ “little fallen angel on your shoulder” quotes!!! Ruby 1.0 deserved to be railed by Sam too, smh.

My favourite episode of hers is “Jus in Bello” (which would be my fave of the season just by virtue of having both Bela and Ruby in the same episode lol. Not interacting, of course, the world as we know it wouldn’t have survived). I just love that she gets that final moment of I TOLD YOU SO to the brothers xD. I really like how she expands on the demonic lore of the show- I love, LOVE the detail about how all demons used to be humans, how they’re souls corrupted in hell. And that in her past life she was a witch (there was this really good fic in Spanish fandom about it... I need to hunt it down).

BTW, though I think her interactions with Dean in that episode are interesting, it really hammers home how much I hate him sometimes xD. Can you stop saying misogynistic slurs for TWO GODDAMN MINUTES, DEAN (and as we know from as early as this season, only HE can have demon/monster friends!! What a fucking hypocrite xD). I freaking love the moment in the finale when she viciously yells him about how she wishes she could see him in hell lmao (and how it foreshadows that when she shows sympathy later, it’s actually Lilith in disguise lmfao). I hate Dean gets the last word in their dynamic, tbqh. Until the s15 cameo, at least xDD

One thing that’s been bothering me xD: the French fries. Demons are vulnerable to salt, like other spirits, right? (and hey, look what a nice piece of foreshadowing that was). How does that translate to food lol. Because Ruby adores French fries, and they obviously contain salt. It’s like spicy food for humans? Or like pineapple? Inquiring minds etc. xD

-I still cannot believe Bela Talbot was only on the show for six episodes lmao. Her presence still lingers in the watchers’ heads so much?? Which is understandable because she’s Lead Girl Material if there was ever any lol. The care with which they styled her even?? You don’t do that for just any character lmao (I mean, just look at most of SPN’s female characters for comparison xD).

Her ship with Dean could’ve really been something, too -even if I hate Dean in it, I can’t deny it packs a punch, narrative-wise. I mean, the Batcat undertones alone!! The fake married undercover shenanigans!! And I think it’s really interesting that she’s such a blind spot for him; Dean’s unusually intuitive about people, but with Bela he takes everything at face value and she can fool him like no other (while, OTOH, is Sam who questions her facade and wants to see more). If he hadn’t been such an idiot (and such an asshole) he could’ve had a really powerful ship. Sucks to be him lol.

Anyway. Man, I love her. So much. I love how Gordon’s threats to kill her don’t work on her, and I love that the show basically said “Bela killing her abusive parents is good, actually” (I’m so tired of forgiveness narratives, you guys. This entire show is founded on revenge, so let me get my revenge fantasies in peace!!) xDD. And I love, LOVE that she withheld that truth from Dean, that she decided he wasn’t worth it. OTOH, you know, fuck the fans that got her written out, definitely; but on the other, I do love how her story ended (and that it was a clear "fuck you" to shitty fans). Doesn’t stop me for wanting to read and re-read (and maybe write!) even more “Bela escapes hell” fix-its, but still.

Also, very important question: what happened to her cat?? It’s the cat alright?? I’m going to headcanon that she left them with that cougar friend of hers lol.

-So. THE DEAL. Okay. Oof. I love this storyline, a lot. A loooot. I love the conflict it creates between the brothers (as long as there’s still conflict and Sam hasn’t yet started taking everything lying down I can enjoy that part of their narrative lol). I love Dean’s initial forced giddiness about “making the most out of his last year” and I love the moment Dean decides he does want to try to live because it makes the last few episodes all the most desperate and cruel (and hey, I’ve heard he only went to hell because the season was cut short due to a writers’ strike... if that’s true that’s so funny lmao).

My absolutely favourite part however? That you can FEEL Dean’s unvoiced resentment towards Sam. For Dean having to die for him, even if Sam never asked him to. He lashes out to Sam repeatedly through the season, but it really came to ahead in the dreamspace episode, where Dean confronts another version of himself that talks about how Sam was “dotted on” (the revisionism asldfkaf). This show is absolutely ruthless when it comes to showing you its characters’ ugly, unfair reactions to things and it’s my favourite thing evah.

Speaking of the dreamspace episode, OMFG. I loved both brothers there. Dean’s hallucination, seeing himself as a demon? And how he let out his anger about John?? Beautiful, truly (regarding John, I also loved their different reactions when it looked like his spirit had contacted them: Dean jumping on it and Sam detached skepticism). But my favourite part has to be when Sam uses the villain’s abusive father against him. Like. Damn. That was cold-blooded o.0

The second-to-last episode, when Sam tracked down that Frankenstein doctor to try and make Dean immortal was ABSOLUTELY HORRIFYING OMG. I loved that. I love that Sam wanted to use it for both them. It was some scary shit. I also love the scene where the crossroads demon questions whether Sam really wants to break the deal, I’m gathering it’s going to be nice foreshadowing later on in the show lol.

Anyway. I also found Dean’s death scene more impactful than Sam’s. Partially because of the horror of it, but mostly because I think at this type of scenes, Padalecki is better. Sam’s grief felt more real, Dean’s got me out of the scene (it’s the voice, I think. Sometimes Ackles’ voice takes me out of scenes, it sounds... forced).

I also really enjoyed how the time loop episode wrapped around this subplot. It managed to be both heartbreaking and mind-numbly hilarious lmfao. Like?? All the deaths?? Were so pathetic?? I tip my hat to Ackles because I don’t think most actors could carry plots like this half as well lmfao.

Sidenote, it’s always a trip to see The Trickster God knowing that fucker is Gabriel. Archangel “hey Mary do you accept God knocking you up” Gabriel. Which I guess isn’t exactly a thing in this show?? Since according to the wikia SPN Jesus was “just a man” (and let me tell you, I’m tickled pink by the fact that out of ALL mythological figures, specifically all CHRISTIAN mythological figures, the show decided to go “nah” on Jesus Christ. I mean, I guess he’d take away from Dean’s, Sam’s and Castiel’s resurrection narratives, but still. It’s so funny!!).

-Gordon Walker remains a superbly acted and fascinating character with extra racist nonsense alsdkfjasdf. But I can’t deny I loved seeing him as a vampire. He was terrifying. And I’m definitely shipping him with Kubrick, ouch xD

-The Ghostfacers episode is... something. As in, incredibly exploitative and homophobic and with an egregious case of BYG (and the first where I’d say it’s incontestable to claim the trope was used. s1 and s2 are muddy territory given the circumstances, IMO, but this one is 300% BYG), but so successfully manipulative my heart hurt for Corbett and Corbett x Ed still. Fuck them for that ngl. I do still enjoy how anti-Winchesters they all are though xD

-3x01 introduces the one nice marriage of hunters so far, between a black couple. The man dies in a gross, horrifying way within the episode ofc (because he was Mean to the the brothers duh). She makes it out alive, and since she doesn’t reappear in the show she gets to live. So for now black women have a sliiiiiightly better track record in SPN than track guys there: they get to appear in a few more episodes and be more fleshed out (Victor, Gordon), but as long as they’re only in one episode they get to live!! (Cassie, Tamara).

-Rufus and Bobby are exes, right? Right?? Probably still married in some state? You know that post about how when gay marriage was legalized across the USA there were a lot of issues because some couples had split and never bothered to divorce, since it was only legal in one place? That post was made for them. Pity Rufus is a black man, and as such has a limited number of allowed appearances before he’s killed off ¬¬

-I would’ve enjoyed Dean’s moments with Lisa and Ben more (it’s just so RIGHT that in this moment he’d want Ben to be his) if my knowledge of future spoilers didn’t perpetually have me in a state of “pls keep this guy away from kids” lol.

-They had Harmony’s actress (BTVS) and they made her a vampire!! The show’s hard on for the Buffyverse is a bit of a hit and miss but I can’t say I don’t relate xDD.

-I know Jensen Ackles can sing (in fact thanks to youtube I know a few of the actors can... is there a musical episode. Does this show have its own OMWF. I need to know). So why. WHY. Does he sound like that during “Dead or Alive”??? I actually like the scene but he sounds so off-key lmao.

-BTW, I found out that apparently Katie Cassidy and Lauren Cohan originally auditioned for each other’s roles añslkdfjasf. I can’t picture it. Ruby 1.0 is Ruby 1.0 and Bela is Bela xD. Although I’ve seen each playing roles that could meld with the other, just. Nope. Good choice on the casting there lol.

#talking to the void #my thoughts #spn thoughts #supernatural #spnruby #samruby #bela talbot #deanbela #deanruby #sam winchester #dean winchester #gordon walker #ruby 1.0 #spn gabriel #ghostfacers #alan corbett #bobby x rufus #spn s3 #the winchesters get to have a tag I GUESS

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ravenbell-exchange · 4 years ago

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Here come the prompts!

These are for all of us to use, so please feel free to peruse, reblog, explore, comment, and be generally delightful. Everyone will be receiving their assigned prompts later today, but remember that we are writing two stories each: one from the assigned prompts, and one from this list. You are free to pick anything apart from stuff you yourself prompted. There haven’t been any Dear Author letters I’ve spotted so far, so I’ve included some additional crossover prompts from people here, just for ease of reference. You absolutely don’t have to pick them - there’s just there in case you want them!

If you didn’t sign up for this challenge, but want to use any of the prompts below to write a fic – go for it! As long as you make sure to credit where you got the prompt from, you are very welcome to play with us.

Now, without further ado:

Url: @autobot

Prompt 1: Sports AU: Bellamy and Raven flirt while their respective teams yell at them to get their head in the game.

Prompt 2: Delinquent Winter: It's snowing, so the delinquents decide to start a snowball fight. Raven and Bellamy really go at each other. Bellamy ends up getting a cut on his lip from an icy snowball, and Raven decides to remedy that with a kiss.

Prompt 3: Season 7: This is pretty vague but just anything with the relationship Bellamy/Raven/Doucette, with Bellamy having had separate relationships with the other two in the past.

Prompt 4 (optional variation on 1): HP AU: Bellamy and Raven flirt while their respective Gryffindor and Ravenclaw Quidditch teams yell at them to get their head in the game.

Things they don’t want to find in the fic you write for them: Momma didn't raise no wussy "N/A"

Also: Have seen all 7 seasons.

Url: @growlereish

Prompt 1: post mount weather road trip. monty, miller, lincoln, gina, octavia, harper welcome to come too. maybe they find a bunch of cars and the delinquents take off into the sunset together. maybe it's just bellamy and raven exploring the world together.

Prompt 2: au where they're on a sports team together. any sport, the sport is not important, it's about the Team As Family and the Narratives

Prompt 3: fantasy au or canon + fantasy elements

Prompt 4: relationship negotiation / exploration

Prompt 5: anything from the expansive list of likes on my dear creator letter: https://growlery.dreamwidth.org/11097.html

Things they don’t want to find in the fic you write for them: somnophilia; humiliation, especially as a kink; d/s that's about punishment; discussion of diets/nutrition plans/exercise regimens/body maintenance/weight management/etc

Also: Have seen up to + including 3x08

Url: @kinetic-elaboration

Prompt 1: High school AU: Bellamy and Raven are exes, but Raven is still good friends with Octavia, so they still see each other all the time

Prompt 2: Bellamy/Raven/Gina negotiating/figuring out a poly relationship in Arkadia pre-S3

Prompt 3: Braven + First real, heavy snow on the ground (canon or canon-divergent AU)

Prompt 4: Librarian!Bellamy and Mechanic!Raven

Prompt 5: Modern AU: Bellamy, Raven, and author's choice other delinquents living in a cramped apartment together; Raven and Bellamy are either struggling with UST or in a secret relationship or FWB arrangement

Things they don’t want to find in the fic you write for them: pregnancy/kid fic of any sort; side/background Minty, Marper, or Clexa; explicit sex (implied/fade to black/generically described is ok); character bashing of any kind

Also: Have seen season 1-4 (really do not want to write/read anything related to the timeskip on, please!). I'm not really into the Grounders generally; I love the delinquents; I headcanon Raven as bisexual but Bellamy as straight.

Url: @justbecauseyoubelievesomething

Prompt 1: Sci-fi/Space AU where Bellamy and Raven serve on the same ship; (fr)enemies to lovers with lots of angst along the way! Time loop/travel or interdimensional travel shenanigans would be appreciated as well!

Prompt 2: Dark Fairytale/Fantasy AU; very dark, stormy, foresty vibes; one of them is some sort of mythical creature, maybe even ruler of other mythical creatures; dark forbidden romance; for lots of bonus angst, one of them can be a magical creature hunter and reveal themselves at the end!

Prompt 3: Canonverse Ark AU; Bellamy and Raven meet as adults on the Ark because they both join the same secret revolutionary group planning to overthrow Alpha Station; other Delinquents can definitely make appearances!

Prompt 4: Modern AU; one of the two is driving through a small town trying to get home for Christmas when their car breaks down and they are forced to take it to the town's only mechanic; they snark at each other before the mechanic invites the stranded party to Christmas dinner; found family; fluff; basically you're typical Hallmark-esque set-up.

Prompt 5: Any setting! Bellamy and Raven are rivals in some sort of extreme sport (or if set in canonverse can be something like spacewalking). They're constantly pushing each other to their limits trying to beat each other, until Raven permanently injures her leg. She becomes very bitter during her recovery until she realizes that Bellamy isn't competing anymore and confronts him. Maybe feelings come out right away or maybe it takes them a while to get around to realizing it, but lots of angst and hurt/comfort during the build-up!

Things they don’t want to find in the fic you write for them: Explicit smut; pregnancy/kid fic; incest; student/teacher; character bashing of any other characters

Also: Have seen seasons 1-6 and the first half of season 7.

Url: @ravenbells

Prompt 1: Raven discovering and enjoying the fact that Bellamy is a huge history nerd (can be canon, modern or some kind of fantasy/sci-fi setting).

Prompt 2: Modern AU. Raven is sharing a flat with friends, but one of them has to move out because of Reasons, and Bellamy rents the freed up room. Doesn’t have to be set in the US if you don’t want to, I don’t care that it’s an American show.

Prompt 3: Grounder AU, but set in the past. Bellamy and Raven were children when the nukes that caused the Ark to stay in space for generations went off. Now they are they first generation of survivors who have to build a life in a world without technology.

Prompt 4: Steampunk AU. Can be traditional Victorian-aesthetic steampunk, but if you want to lift your visuals from any other time period, be my guest. I’m going to love anything you do.

Prompt 5: Bellamy and Raven are exes who get back together (can be canon or any AU setting you can imagine).

Things they don’t want to find in the fic you write for them: Graphic violence

Also: Have only seen the first 2 seasons, please have mercy. If you want to incorporate the characters playing DnD into any of the stories, be my guest - just putting this in here because I know some people in the group love it (Bellamy would play a paladin, fight me), but if you’re not into this stuff, absolutely don’t feel obliged.

Url: shortitude @ AO3

Prompt 1: Modern coffee-shop AU where they meet because both of them has a Specific Table they like to sit at and usually their schedules do not coincide, but then because of fate (someone's wi-fi broke, there's plumbing work happening at home, etc) they have to go to the coffee shop and their table is taken, as are all the others. Luckily, the traitor who took their Specific Table is willing to share it, just for today. (And then every day after.) Friends to Lovers is preferred over Instant Attraction in this one. Even open-ended works. (Please, no pandemic.)

Prompt 2: Canon-based AU: Give me cottagecore survival to replace the weird plots that happened to this show after s2. The idea of the Delinquents settling in a village, life moving on, peace being brokered, etc etc. In the middle of it all, Bellamy and Raven rely on each other to rebuild, and fall in love. A lot.

Prompt 3: Five times Bellamy tried to show his love for Raven and failed, and one time she finally got the point. Oblivious That People Might Love Her!Raven is my tragic and problematic fave. A bonus: competence kink. Acceptable: any form of AU; I am not a stickler for canon.

Prompt 4 (optional): Pacific Rim AU; veteran Jaeger pilot gets pulled back into action because of a need to pull off a last fight against the apocalypse/alien invasion, drifts unexpectedly with the supermouthy, supersmart, very capable engineer/mechanic. Add as many characters from The 100 as you'd like into this, but I am very much more into the wholesome survival of all of them than I am about everyone except Braven dying.

Things they don’t want to find in the fic you write for them: Bellarke content if the Braven content is just a way for Bellamy to "get over" Clarke, be it failed relationship or unrequited one.

Also: Have seen season 1 and Season 2 in full; vaguely familiar with STUFF about how they ended up in space, and nothing beyond that because I literally don't care.

#blayesnetwork #ravenbell #braven #bellamy x raven #bellamy blake #raven reyes

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pictureofsoph1sticatedgrace · 5 years ago

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rethaniel anon here and i would love fic recs! thank you for taking the time to answer my asks.

Anon, I’m so sorry I’m late on this ask BUT here we are at last. So, I’m splitting this up into 2 categories: one, fics that were written before/ignore s4 completely so you can be content leaving it at s3... and two, fics that are s4 compliant but deviate from canon or pick up where canon left off so that you can watch s4 with the knowledge that a whole world of imagination exists where things were fixed.

Fics That Were Written Before/Ignore S4

The Rebecca and Nathaniel Give Love A Chance series by @heartbash, rated G-E. You get SIX whole stories here, nonnie! And she’s still working on a few of them! Picks up after 3x07 and explores what could’ve been if Rebecca hadn’t broken up with Nathaniel. The first story very closely parallels the back half of s3 which I love. Also features a sexy sexy fic, a hilariously sexy fic, and a few glimpses at what R&N in a healthy relationship would look like further down the road in life.

Supply Shopping and Tree Climbing by @justwanted2dance, rated E. My friend, you said you missed the heat of R/N - here it is! 29 whole chapters of glorious explicit sexiness. There is truly a chapter here for everyone. Have a glass of water and maybe a fan beside you to cool off after reading this one.

you’re the fire and the flood by @notbang, rated M. Quarantine, but make it California wildfire edition so like... pretty relevant. This one is a 23k epic one-shot that I consider essential reading.

that silly girl, she’s all wound up by @catty-words, rated T. This one actually picks up at the end of s2 but is classic R/N banter, mutual pining, the works.

this mess was yours now your mess is mine by @notbang, rated M. Another that picks up around 3x07 (are you sensing a theme here?) and follows what a relationship might look like for R/N if things went down differently.

would rather eat than starve, would rather kiss you hard by @akisazame, rated M. Rebecca’s birthday set in the 8 month 3x11 time skip. Angsty and yet so, so good.

and they were roommates (omg they were roommates!) by @eyesontheskyline, rated E. Pre-series AU where - you guessed it - Rebecca and Nathaniel end up as roomies before starting at Stanford Law. We’re only 2 chapters in and I’m already positively delighted by the possibilities of this one.

the you send me back on my heels series by @justwanted2dance, rated E. HARRY POTTER AU. Seriously, I love all three works in this series so much. She so seamlessly works in elements of canon to fit in the world of HP that I feel like every time I read it I catch something new. Just... genius.

the soul mark au series by @anthropologicalhands, rated G-T. Canon compliant AU where basically everything is the same up through the end of s3 but with SOUL MARKS! Just incredibly well written and creative. And not just R/N, though there’s a good bit of that too.

Fics That Deviate/Pick Up From S4

hold out my lonely hands by @justwanted2dance, rated M. Picks up at 3x13 and will be a rewrite of s4! Yes please!

don’t know what you’re carrying or how your heart is wired by @notbang, rated E. AU that picks up post-4x02. The Santa Ana Winds are BACK and ready to make these two body-swap, baby! So good.

adventure of a lifetime by @justwanted2dance, rated E. Picks up post-4x03 but can be read as a standalone. Nathaniel and Rebecca go to Bora Bora and adventures are had. It’s sweet, it’s sexy, it’s even got a Spotify playlist that I listen to on the reg.

let the sun inside by @eyesontheskyline, rated E. Post 4x06, Nathaniel visits Rebecca. Apologies are made and things are discussed, my fave!

let your hesitations be hushed by @akisazame, rated T. Post 4x14. Theatre AND fluff. Immediately sold.

the landing light by @eyesontheskyline, rated E. Set 9 months into the series finale time skip, Nathaniel’s father passes and Rebecca is there for him. Perfect hurt/comfort, more conversations! We love conversations!

Bite-Size Love by @heartbash, rated M. Picks up immediately post-series, and explores what happens when these two are given the chance to do things the right way. This fic is... everything. Even if you watch s4 and you are disappointed, this is the ultimate fix-it fic. Trust me. This is a must-read.

That’s just a small selection of the 163 R/N fics - but I’d start there! All of these authors have other works as well. I’m certain I’ve missed a ton of amazing fics but I’ve already spent over an hour on this ask and it’s now 1AM. Oops. Have fun exploring the depths of our happy little fic-filled world, friend! ❤️

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lunafeather · 5 years ago

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Writer Asks!

tagged by @hereliesbethboland and @foxmagpie

AO3 name: Lunafeather

Fandoms: Good Girls(Brio), Wynonna Earp (Wyndolls), Rizzoli and Isles (Rizzles), Dragon Age (Solavellan, Alistair x Brosca, Tethraghast), Gilmore Girls (Java Junkie)

Number of fics:

18 on AO3, I think like 10 on ffnet?

Fic I spent the most time on:

I’m gonna have to say These Are a Few of My Favorite Things and Remix, both of which I’ve been working on since July ‘19 and are still very much works in progress (I haven’t abandoned either of them).

Fic I spend the least amount of time on:

If Kisses Could Talk. I saw the finale and literally stayed awake until the next morning writing it -- it just poured out of me in about 6 hours. It was my catharsis. Sal’ethast (Dragon Age) is a very close second, and it the most words I’ve written in the shortest time: 25k words in maybe 4 days? It was a Reverse Big Bang and I had a strict deadline. I work well under pressure! Who knew!

Most hits:

Retribution (Solavellan) is first, followed by These Are a Few of My Favorite Things. People REALLY LOVE Retribution, it is by far my most popular DA fic. I still get new kudos to this day. And then obviously people love TAaFoMFT :)

Most Kudos:

TAaFoMFT, by a bit of a margin. Second place is One Question Left.

Most comment threads:

Again, TAaFoMFT hahaha I actually tend not to get very many comments on my stuff, which sucks, but this fic has twice as many comments as the runner up (Remix).

Most bookmarks:

Would it surprise you if I said TAaFoMFT? It also has the most subscriptions as well.

Highest total word count:

Sal’ethast. Remix is second with 11k.

Fave fic I wrote:

I’m gonna be weird here and say I tend to love everything I write?? At least, for the last few years. My ffnet stuff was terrible, but I was 16 so it makes sense. I’ve improved a ton. If I had to pick just ONE thing, I would probably go with These Are a Few of My Favorite Things. I’ve basically created my own little canon divergent universe with it’s own rules and guidelines, and I really like writing in it. I like using that world to explore angst and fluff and smut. Some of my best writing and prose is in that story. Plus, I love a shameless opportunity to explore two characters I am unbelievably attracted to haha

Runner up is Cake Break (Solavellan), cause like.... I love fluff, I love it, I would marry it if I could.

Fic I want to rewrite/ expand on:

I don’t know of any that I would rewrite. There are a couple I reread where I would change things based on where they’re at now/what we’ve learned about Brio, but it isn’t anything huge and so I leave it. Reminds me of better times lol

As for expanding, I am still obviously expanding TAaFoMFT and Remix, but I kind of also want to write other, more linear stuff for the former? Like how they get from “you’re just work” to them falling in love. I dunno, other stuff would probably pop up in my head. It’s my comfort blanket universe. I actually write a lot of prompt fills with that universe in mind.

All of my other pieces are relatively insulated (and most were canon fixes).

Share a bit of a WIP or story you’ve been working on:

My main priority right now is the next chapter of TAaFoMFT, I have it outlined (most of the next 16 chapters are outlined as well) and am slowly adding to it.

I have a lot of prompts I am filling here or there just for the sake of writing, because I like it.

There’s a prompt fill I’ve been working for almost a year that is incredibly self indulgent, that’s centered around Danny’s birthday pool party and it’s just... chock full of Brio being sexy fluffy, Annie x Nancy goodness, everyone being a big, weird family, Dean only showing up to be openly mocked and derided. I don’t know if I’ll ever finish it, but it’s there waiting!

And I have a nebulous idea for a post S3 multi-chaptered fic (gasp! I know! A linear fic with more than one chapter??) but I am like.... really worried that everyone will be writing these, and that mine is gonna be too much like someone else’s, and that mine will suck in comparison, and that gets in my head and makes me all flustered and anxious and unsure, but then I’ve already written 2000 words of JUST outline/ideas, trying to piece everything together. I dunno, I really want to write it, but also I don’t?? But I think about it as I’m falling asleep and have written so many notes in my phone before i pass out. Also, I have done SO MUCH research about pool and spa places, you guys have no idea. I am a FOUNTAIN of knowledge now. (Maybe they should get stuck somewhere, and there’s only one bed?!?)

Aaaaand I have a few ideas I still have a little interest in working on, like the fic inspired by a prompt fill I wrote that was inspired by a theory @cpt-falcon had about the S2 finale, where instead of breaking up with Rio, Beth tells him what Dean is doing and they hatch a plan to undermine him and get her kids back, and someone gets shot but for a different reason.

And another that was inspired by a long discussion with @johnisntevendead about Rio accidentally saying te amo to Beth one night and him freaking the fuck out about it cause you don’t say that unless you really fucking mean it, and he does, and that’s scary as shit, and Beth takes his reaction the wrong way.

So yeah, there’s a lot going on in my head lol

#thanks guys #sorry it took a while #I am very tentatively lurking #not really wanting to engage #though I will be writing cause these two assholes won't leave me alone #about me #luna writes

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sonatanotwo · 5 years ago

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Well... I barely slept. 😂 Least I’ve got coffee... Gonna try to fumble out some words... (Spoilers ahoy!)

I didn’t quite expect the emotional roller coaster this has turned into... and not entirely cause of the episode itself. 😂 It’s feeling ever so bitter sweet... mostly in that experiencing something so emotional without a lot of the people that made up this sorta... fandom home? that it was to me. All the friends I love and care about. It’s... been feeling kinda lonely... Even though I’m not alone of course, but... yeah. It’s hard to explain. 😂 And then with this looking like the end (...though I kinda doubt ITV is gonna shelve the franchise for another 10+ years... least I sure hope not. That’d seem VERY dumb to me. But what will they do with it? That’s the real big question, ain’t it? XD I was a bit agape after attaching ‘Season’ to every time they spoke of ending that today they finally changed their tune and was like THE END. What the ever loving heck, ITV. Seriously. 😂 BUT I digress...) ...IDK if any of that feeling will ever come back now. Shit changes... god, do I ever know it does... but I guess... I just wasn’t ready for it yet. ;A;

...And boy is my body telling me that. 😂 Anxiety is such an asshole.

ANYHOO.

SO.

This ep.

As I mentioned when I gif’d it (opening my gif making stuff was first thing I did XD) that HUG man. That old hug art I did, the original version (the one you see commonly around now is the tweaked one) was one of my first finished (ish) TAG piece (only few rough doodles and half coloured things were before that lol) that I posted June 10th 2015.... so long ago. (My first post that was some sketches was June 2nd XD Yeah, I’ve been around a long while now, blimey. Not quite the VERY very start, but nearly!)

BUT YEAH. I was wanting this hug for a VERY, VERY long time. XDDD Just, back then, didn’t think it’d involve their Dad too. lol

And then, gosh... Scott in this ep... Last ep was def more Scott heavy... to balance he was stepped back a bit, but... it did make sense? Scott just seems quietly basking in the feeling of having his Dad back. Him hanging back from the hug for a moment having that exchange with his Dad feels a bit like a... passing back the torch? Here they are Dad. I took good care of them. :Db Does that make sense??? IDK. I’m so tired you guys. 😂 But it didn’t feel like Scott needed to say anything. It was written all over his face. He must have been so happy... and relieved. It’s pretty overwhelming in all the best way to hear from someone you haven’t in awhile... so... in this case, it must be turned up to like... an 11. ^^a

Man, I don’t think I can go through this in order so, bear with me if I bounce around.

There’s been so much wondering what this version of Jeff would be like all these years... and in such a short time, we definitely got a LOT to go off of. He’s a Dad who definitely doesn’t hesitate to hug his sons. :3 Fears Grandma as much as the boys, lolololol HUGS HIS ENGINEER. I actually really just... LOVED that scene with Brains. That casual, ‘Hi Brains.’ And then just calling him PARTNER and going right in for a hug... and lol Brains’ lil happy sound. Jeff and Brains were certainly friends in TOS, but there was still a kinda distance between them in that Brains is working for Jeff, but that was definitely laid out to be much different in TAG. I’m not surprised by it, cause Brains is def part of the family, but it was lovely they took the time to show it.

ALSO just how he picked up Virgil was dwelling on something... we don’t really get a window into what exactly... but after all those years, he just... picks right up on Virgil’s in some turmoil. (As said in a tag... MAYBE MOM RELATED? He seems to think Virgil’s worried if he’ll really be okay, which is why I wonder... GONNA DEF WRITE SOME FIC THOUGH. XDb) Like. GOSH. I’m sad we aren’t likely to see more of this Jeff, cause with this single ep, he was absolutely sold on me. And I love he was a total presence... but he did sit back quietly and other than dealing with ‘Brains’ and largely just *watched*. Scott was still in charge here.

So as for the end and what role Jeff is gonna play... WELL... I mean. To be fair here at the end, John is probably changing and heading to the elevator... and I mean, we’ve seen Grandma fill in several times for John... he can’t be awake CONSTANTLY, so I’d always felt a bit like maybe they’d gradually gel into a team with just... one more member. And that seems more likely now that we’ve seen he didn’t just... jump to take command. He sat back and let them do their thing.

And now we can see Jeff is def a bit younger... and as kinda already implied, is definitely one to get his hands dirty, so sometimes (once he’s recovered a bunch) maybe he’ll even go out with the boys. That’d be my guess. ^^a I mean, might be a little kinda jostling at first to settle into a new routine... but while he certainly has a strong presence... he’s also did kinda feel... a bit gentle too? He’s not nearly as stern as TOS!Jeff. It felt like a good balance??? IDK. I’m rambling up a storm. XDDD (...and making walls of text... I should... break these up more lol...)

OKAY ALSO...

WAIIIIT wait. WAIT. This looks familiar. V E R Y familiar... Bridge... rockety thing at bottom... explody warning? Two people inside... *squints* DAY OF DISASTER? IS THAT YOU?

I HAVE A FEELING... If so... //CHEF KISS// VERY NICE. A+ XD

OKAY. WHAT ELSE. Uh. Glad they did end up using Fuse’s (or I guess I could say Clarence’s :D) mixed feelings, which was good and gave Grandma a heck of a moment of awesome. They also served to give some action for Kayo, Penelope and Parker which was good else I suppose they’d have been standing around worriedly. lol Which isn’t really suited to their characters. XD YEAH just lotta nice moments, especially with Kayo and Grandma. ANd just. YEAH. GRANDMA MAN. YOU TELL HIM. and also OMG she was a doctor?! THAT sure explains some things. XD And that’s awesome, gosh.

ALSO the number of HUGS in this ep were A+ Getting a moment with Jeff and Grandma was lovely. :D

LIKE REALLY. LOOK HOW HUG HAPPY THIS DAD IS. I AM PLEASED. A+

And just lol... ‘I don’t even have a car yet.’ ‘You have a rocket.’ ‘...oh yeah. That’s true.’ LOLOL SUCH ALAN. He is too cute.

...AND yeah. IDK. I feel like I’m forgetting things. I’ll ramble them into another post if I think of things. I gotta pop out for a bit. 😂

BUT YEAH. Yeah, there’s few things they didn’t get to addressing, but there were hugs and emotions which was what was really the important thing, right? :Da I don’t really feel like nit picking when had all that. XDDD

(It is kinda interesting how in a way the ending reminded me of Legacy’s a bit with a ...Oh we got an emergency. It’s a good note to leave off of... but goes to show when maybe S1 was written, it was largely on the assumption that it could be the only season... but then were able to hint of S2 in an additional scene. But if S2 hadn’t been commissioned, it was sorta ready to be a finale if it had to. In a way S2 was the same, though with bit more hints of S3 were there so... Just kinda interesting. =Oa But also nice that Rob has left it in a way that NEVER SAY NEVER (to quote Rob) is definitely open. ^^)

ANYHOO. That’s all my rambling for now. ^^

#~OOC Post #Thunderbirds Are Go #TAG Spoilers #Spoilers #Episode: The Long Reach (Part 2)#here is my thoughts finally #and by thoughts I mean #lots and lots of rambling #I am SO so tired #I feel like I'm forgetting something I was thinking of...#but I also might be sleepily delusional lol #anyhoo... :3

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miss-m-calling · 4 years ago

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Chocolate Box 2021 letter

Dear writer,

Hello and thank you for writing for me!

I’m Miss_M on AO3. For all requests, I am asking for fic.

My requests this year are: American Gods (TV), The Marvelous Mrs. Maisel (TV), Starred Up (2013 movie), Witchblade (TV), and Бeсa ǀ Besa (TV)

General likes:

-pre-canon, canon, post-canon, canon-divergent, and missing-scene stories

-character-driven as well as plot-driven stories

-fics which mix humor and angst/serious business (when this fits the canon)

-characters at work and play

-group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too

-irony, snark, humor, angst -- all arising from the characters rather than the plot crowbaring it in

-linear, non-linear, and 5+1 stories

-hopeful endings, happy endings, bittersweet endings, “everything is awful but you’re here and maybe I don’t entirely hate that” endings

-worldbuilding

-spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, tough characters with (maybe not so well) hidden vulnerabilities, characters who are their own worst enemies, characters who manage to get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other, characters who may not be exactly friends and may well irritate one another but manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise/reluctance/discomfort), characters who just cannot get along with each other or find common ground

-workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters get to be competent

Shippy and smutty likes:

-(where it fits the characters) banter

-competitiveness or antagonism shading into attraction (this tension need not be resolved)

-”oh god why did it have to be you what did I do to deserve this“

-”come here and say it to my face/do that again/kiss me, you motherfucker”

-bickering yet loving couples

-characters who are serious about their romantic interests

-characters who think they are much better at flirtation than they actually are

-characters forced to work together only to prove much more compatible than they initially assumed

-fics which mix an exploration of characters’ professional and everyday lives with shipping

-characters who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, or there has been betrayal!!!), and while they love and/or want each other, they’re not willing to change sides or abandon/compromise their identity/beliefs for the other’s benefit

-I don’t know how better to phrase this than: smut which fits the characters; how does their canon dynamics spill over into hubba hubba stuff?

-sexual scenarios that subvert expectations a little and surprise the characters themselves

-sexual scenarios that contain an element of competition or antagonism

-"this is a bad idea but we’re going for it hammer and tongs”

-not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not

-characters getting way more into the sex or being more affected by it than they thought they would

-quick and intense sex, slow and intense sex, rough yet willing sex (when it fits the characters), unexpectedly emotional and/or tender sex

-masturbation while thinking of the other half of the ship (or not wanting to think about them only oops there they are in the fantasy!)

-first time sex

-established relationship, we-know-each-other-so-well sex

-”we’ve both wanted this and now we both know it so here we go diving in headfirst” sex

-for het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) -- all is good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon fic written in lapslock

FANDOMS:

American Gods (TV)

Laura Moon/Mad Sweeney

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it, not to mention the upped shippiness in S2. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back. And the way that their New Orleans adventure makes clear they have feelings for each other but neither wants to admit it. And and and… yeah, I just love them.

Even if some of my prompts are about stuff that’s addressed or hinted at in canon, feel free to diverge – canon divergences and canon-adjacent stories are my jam, as are missing scenes and post-canon stories! Also, I’ve read the book, so feel free to riff on that if you want.

Canon-specific DNWs: Laura as Essie or Sweeney's wife's reincarnation/descendant or lots of comparing her to them, Sweeney staying dead, any S3 spoilers.

Exception to blanket DNW about blood/gore/bodily fluids: describing the physical decay of the living undead (undead? there but for the grace of magic coins dead?) is fine!

Prompts:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me [again], you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...) Or later when she straight-up says she’s going to kill Wednesday, but is warned to bring power with her when she does, how does that work? How else might she damage Wednesday or ruin his plans, just in case she can’t actually kill him?

-At the end of S2, Laura hoists Sweeney’s dead body over her shoulders and strides off, seemingly leaving Cairo, Shadow, and all of it behind. Tell me what happens then – does she use Baron Samedi’s potion to bring him back, and whose is the blood filled with love she uses (does she still bleed? You could get creative here, worldbuilding is also my jam)? Does her/his coin play a part – and how come the coin still “powers” Laura despite Sweeney’s death? Does she bring him back another way, maybe figuring out how to keep herself around and be able to give Sweeney back his coin? Does he come back like she did, more undead than alive, or does his godhead, however depleted, help with that? That still leaves Laura to be fully resurrected too… Or does something completely out of left field happen – surprise me!

-Possible divergences from “Treasure of the Sun”: Sweeney manages to kill Wednesday, and then Laura rolls up, and then…? Or Laura rolls up and makes like Mama-Ji told her – destroys some motherfuckers? Or Sweeney gets killed temporarily but Laura brings him back, or brings herself back, or does something else with the Baron’s potion, and is Sweeney’s blood the one filled with love, or can we interpret voodoo spells in a non-literal way? Or what happens with Gungnir hidden in Sweeney’s hoard? And definitely how do they deal with each other once they meet up in Cairo, given how they parted in New Orleans?

-Or how about a wild divergence from the last several episodes of S2? Sweeney and Laura manage to settle their differences (ahem, more fucking, on this plane of reality, might help) and don’t part ways before leaving NOLA. Or they roll up in Cairo separately but at the same time, and confront Wednesday together, and neither of them die (or die more, in her case). Or they’re there together when the police nearly raid the house. Or they have Wednesday (the ultimate cause of Laura’s death) and Ibis (a death deity) and Bilquis (a love/death/life deity) on hand, surely they can concoct some kind of resurrection thingamajig for Laura, and if they have to twist some divine arms then so be it. Or or or…?

-Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, what if Sweeney decided much sooner to say to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence – but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it. Speaking of other deities, I really enjoyed their brief canon interactions with Ostara, Anansi, and Mama-Ji, and I’d like to see more of that, especially Ostara’s polite yet over-it attitude, Anansi very obvious over-it attitude and his dramatic flair, or Mama-Ji being one of the few capable of giving Laura pause.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-Sweeney and Laura fighting together, like they did on Mr. Town’s train of torture. Whether it’s a bar fight of their own making, or the big gods’ war they find themselves embroiled in, or something else entirely.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma (he did kill her way back when), he can still be pissed off about it – how do they navigate this?

-Related to that, the Baron said: “In death is her true love, but she betrays him also.” If that meant Sweeney, or can mean Sweeney in the future (I don’t like destiny-wills-it stories, and they’re definitely not there yet, but they could maybe get there at some future point, and even then It Would Be Complicated), was the betrayal Laura rejecting him after the loa ‘fuck them,’ or is it something that hasn’t happened yet, and if so, what?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and then she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want – in any case, I’m sure it will be marvelously disastrous and amazing. If the place they have to stay happens to be NOLA, all the better, I find everything about that city fascinating. Or, if you wanted to use book canon, Laura and Sweeney (rather than Shadow) are the ones who have to spend time living in Lakeside and deal with its creepy Norman Rockwell-ness and with Hinzelmann.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Maybe they even cross the paths of some loa and it doesn’t get all angsty. They were actually getting along nicely in those first couple of scenes in NOLA, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-AU from the end of “The Ways of the Dead”: they still have their big fight (which was amazing as well as painful) or some variation thereof, but they don’t split up. (Maybe the reason is as mundane as Sweeney refusing to get left behind or they have a shared ride out of town, or maybe the more time passes the less Sweeney can afford to be far from his coin – or maybe the coin needs him close by to work at full capacity.) And then what?

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self. Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)? On that note, Sweeney’s decline from Lugh to king to leprechaun was more sketched in than really explored in canon, ditto I didn’t really get why he couldn’t seem to remember his own history except in snatches (the curse that made him a bird/madman of the woods?) – I’d love to see more about it and his (not) dealing with it, or with a reversal of that decline. Eorann told him long ago to adapt and change with the times – but what does that mean after humpteen centuries in a rut and becoming used to always feeling angry and unappreciated?

-The power of names, since they never use each other’s in canon: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is not his actual name, and true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-They’re both so complicated and contradictory and spiky, but they also start to care and rely on each other - and react really badly when they (think the other one) betrayed them. I would like to see those nuances explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-Sweeney and Laura get drunk and wake up married. Or some sex and/or blood resurrection spell results in basically an unbreakable marriage bond, whether it also secures resurrection or not. Or marrying the dead keeps them (sorta) alive. Or being married makes it possible for them to share magical/supernatural abilities. They’re both pissed about it, but secretly having to make it work may not be the worst thing that’s ever happened...

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn, including a canon-divergent first time, or their second time, or all the later times after they had their first time in NOLA in canon.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have – or have left from when he was Lugh? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities? For example, why can’t Sweeney just take his coin back, or why does Laura gain super-strength as part of her undead package deal? Is the hoard in the same space as the behind-the-scenes accessed through the merry-go-round, or it’s a different place? Why does the coin seem to start to “run down” the longer Laura has it? Why did Wednesday need Laura to kill Argus when he killed Vulcan himself just fine? What happens with Gungnir now it’s in the hoard – can only Sweeney get to it, has it been transformed somehow (it’s now the treasure of the sun), etc.?

The Marvelous Mrs. Maisel (TV)

Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson

Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson

Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson

I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. Shippy or platonic, I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with L/M/S or L&M&S or L/M & M/S – so, if you go the shippy route, either a V-shaped triad or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history.

Canon-specific DNWs: explicit sex (so nothing above M rating for sex), pairing any two as a / couple with the third as a & hanger-on, Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – but I don’t want him dying if your fic is set in 1966 or after.

Prompts (most of these are from before S3 dropped, feel free to work with canon or diverge however you see fit -- I am all caught up with S3):

-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?

-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.

-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…

-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny’s depression and Midge’s need to make everything pretty.

-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.

-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.

-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…

-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.

-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)

-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.

-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.

-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.

-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…

-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.

-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)

-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.

-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. This could also work platonically, if they’re trying to save money by only getting one room, there only being one free room in the hotel, or for any other screwball reason you can invent.

-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.

-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.

-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”

-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).

Starred Up (2013 movie)

Oliver Baumer/Eric Love

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!

Exception to blanket DNW: dubcon is a-okay! If you decide to go there, my preferred flavors of dubcon for this canon are: power differential makes it a bad idea but they do it anyway; “I know you want this”; “if the answer’s no/you’re only doing this for a dare or to prove a point, then why are you enjoying this so much [as am I]?”; no no yes a.k.a. starts as dubcon (or one of them thinks they’re dubconning the other), becomes enthusiastic consent.

Also, if this is relevant or makes you nervous about writing for me, Eric would be 18-19, and Oliver is maybe 10-12 years older – and I like it!!! (The actors were 22 and 31 when the movie was made, FWIW.)

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Or how about this: Eric gets out, relationship happens or is in the process of being negotiated, and while physical intimacy is a whooooole neeeeeew woooorld, you know what else would be cool? Phone sex. Yep. Or even, Eric gets himself one of those secret prison burner phones (preferably hidden somewhere that’s not someone’s arse), and… phone sex after lights-out and lock-down. Maybe nothing (much) has happened physically (yet), so phone sex can be a building block to that or one facet of that deepening intimacy.

Witchblade (TV) Sara Pezzini/Danny Woo

Sara Pezzini & Danny Woo

I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he's a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Gen is good, shippy (incl. porny) is good. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). BTW I really like Conchobar too, so if you want to include him (that means also Conchobar Lives AUs), his relationship (current or past) with Sara, or his canonical death somehow, go for it!

Canon-specific DNWs: Irons and any version of Nottingham appearing (you can mention them if you need to).

Exception to blanket DNW: dubcon is fine (see first prompt).

Prompts:

-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade's POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.

-Witchblade v. mythological monsters. In S1, even with everything else that's going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it's implied that the Witchblade was forged from a meteorite, so it's basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China (another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural).

-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.

-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!

-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it's getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can't really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway... right?

-Case fic/stakeouts and banter. Flirting/ribbing/joshing to pass the long and stressful days at work.

-Quick and guilty sex because Danny's married. Slow and intense sex if handwave he's not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I've always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn't, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.

-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”

-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.

-Apart from the pretty obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can't think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what's going on with Sara's bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade's wearer to wield it temporarily, but There Is a Price to Pay.

Бeсa ǀ Besa (TV)

Dardan Berisha/Petrit Koci

Skënder Berisha & Petrit Koci

Teuta Berisha/Petrit Koci

Divna Dukić/Petrit Koci

Petrit Koci/Marija Perić

Petrit Koci/Uroš Perić

My longest of long-shot requests! If you already know and like this canon, yeeees come sit with me. If you don’t know it, here’s a quick intro: this is a crime drama, one 12-episode season so far, produced in Serbia and created by Tony Jordan of “Hustle” fame. Set in (and with a cast including actors from) several ex-Yugoslav states, the story follows three main characters: a Serbian family man and regular joe who accidentally kills the daughter of a major Kosovar Albanian crime boss in a car accident; said Albanian crime boss who coerces his daughter’s unwitting killer to start working for him as an assassin; and a half-Albanian, half-Serbian Interpol agent (Petrit Koci) who’s after the crime boss but starts investigating the regular joe turned assassin as well.

The show has a twisty plot, gritty and handsome visuals, excellent performances, and a great through-line of deconstructing Balkan machismo and patriarchal culture. All three of the main characters have an image of themselves as MEN who Provide and/or Take Care of Business and Put Family First, each in their own way, and all three end up compromising on all their principles by season’s end. The women in the show’s ‘verse sometimes become collateral damage but also assert themselves in unexpected ways, which is great. The title refers to the Albanian (but more broadly, Balkan) cultural concept that one’s promise/vow/word of honor has to be kept and carried out no matter what, at peril of losing face, dishonoring both oneself and one’s family, even death. This gets deconstructed five ways from Sunday too, and it is awesome.

If you glance at the pairings I’m requesting, I think you can guess who my favorite character is. :-) Koci is so committed to being the “good sheriff” and carrying out his professional duty regardless of whom he has to piss off along the way, but is also often quite ineffectual because the local police forces with which he has to cooperate tend to resent both his attitude and his ethnic background – not to mention that when everyone’s corrupt and compromised, the man who refuses to play the game makes lots of enemies. He’s also a real hard-ass who made a conscious choice long ago to have nothing in his life but his work, is a bit of a bastard, has a huge blind spot about gender which comes back to bite him, and ultimately is driven by a desire for personal vendetta more than an abstract commitment to justice (I love a character who is super focused on their goal and presents themselves as invulnerable, yet whose insecurities and traumas are always just beneath the surface of what drives them). And yes, by the end of the season he’s presented with a Faustian bargain and gets a huge target on his back. There’s a lot to unpack there!

I will eat up any local color you want to throw in. Ditto, the canon is super intense, but if you find a way to bring in some vintage Balkan pitch-black humor, I’m here for it. If you wanted to include some dialogue or phrases or hey write the whole fic in any variation of what used to be called Serbo-Croatian, I’m here for that with bells on! (Unless you’re writing smut – I just can’t with E-rated prose in Slavic languages, sorry.) Alas, I do not read Albanian, but if you want to include dialogue/phrases in it, go for it, so long as you tell me (in parentheses, in footnotes, whatever works) what’s going on.

Canon-specific DNW: soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Exceptions to blanket DNWs: RL current events being mentioned + dubcon *but* for M/F ships I want both characters to be motivated by anger/revenge/general existential bleakness/whathaveyou instead of or as well as lust, so just no M/f dubcon, please!

Prompts:

-Any of my requested pairings in any kind of casefic, either a divergence, something pre- or post-canon, or a side investigation spinning off from the canon’s central plot. Anything that requires Koci to again traipse all over former Yugoslavia, butt heads with everyone, interrogate people, and do that soft-spoken “you don’t want to give me what I want but you’ll do it anyway” thing he does along the way.

-Something that requires Koci to use his knowledge of Albanian language and culture even more than in canon. I love how the canon depicts the existential discomfort of never fully fitting into – or being accepted by – either of the cultures/communities to which one has a connection, and how a person can become antagonistic and volatile as a result. Leaning into that would be wonderful.

-Koci has devoted his whole life to bringing down the Berisha clan. With the help or hindrance of any of the other requested characters, he finally gets his wish. Now what?

-Maybe the other character has to turn to Interpol for help/becomes a material witness/gets arrested/enters witness protection, or otherwise has to do teeth-clenched teamwork with Koci. For / pairings, the shippiness doesn’t have to be overt -- antagonism, barely finding common ground, something that reads more like gen or shippy gen than explicit shippiness is fine! If the relationship turns porny, the antagonism (I keep using that word because it fits!) and complicated dynamics and maybe a reluctant recognition that they’re not so different would perpetuate themselves in the porn too, and I’m here for it.

-A few words about the other characters and how they (could) fit with Koci:

Uroš Perić – the regular joe turned assassin, who gets multiple chances in the course of the show to seek Koci’s help and doesn’t because he gets in deep and wants to be the guy that protects his family and takes care of everything himself. I keep thinking back to their very first scene, when Koci gives Perić his calling card and tells him to get in touch, and Perić could have done that before he committed his first murder but… didn’t. And then at the end, there’s that huge spoiler setting up S2. Despite becoming a murderer several times over, Perić is a much softer character than Koci, but he doesn’t like getting pushed around either. How would they work together, how would they clash?

Marija Perić – Uroš’s Croatian wife, who has the thankless role of being married to the guy who’s keeping her in the dark about major plot developments, but makes up for it with how she reacts to the hints she gets of Uroš’s continuing troubles as well as getting on Koci’s radar. She’s scared and out of her depth, but she’s also angry and, yep, antagonistic when she thinks Interpol is harassing her for no reason. I love the scene where Koci interrogates her and she lashes out and won’t give him an inch even when he blindsides her with evidence of her husband’s activities – more of that kind of thing, please! Or what if she decided to protect herself and her kids by cooperating with Interpol, or maybe thought she could help Uroš by turning on him?

Divna Dukić – Koci’s Interpol colleague and maybe the only character that likes him. Their dynamic is both very professionally respectful and yet… “flirtatious” may be too strong a word. They pretty obviously have a little thing for each other but choose not to act on it for a whole mess of reasons (he’s an emotional disaster area, she has enough on her plate as a single mom with a shitty ex, they work together). Also, I have a theory that Divna, while seeming loyal, may take her marching orders from one of the criminal elements or maybe from the more corrupt parts of Interpol or the Serbian police. I would love any or all of that to get explored more.

Dardan Berisha – the grieving crime boss and main target of Koci’s obsession (even though it was actually Dardan’s old uncle Skënder who had Koci’s father killed decades earlier). They’re both such hard, intense men, in part because they’ve had to be, and the narrative sets them up as mirror images of each other (while Uroš Perić is more a study in how someone becomes hard when circumstances push them to it). Yet while their conflict underpins the whole show, they rarely share a scene. Put them together more; let them fight or y’know *waggles eyebrows*.

Teuta Berisha – Dardan’s wife, who first loses her daughter, and by the end of the season her family is totally blown to smithereens, in part because of how she chooses to assert her agency within the super-patriarchal context in which she lives. She was ambivalent about her marriage before we meet her, and I love how canon events bring out her anger, grief, and quiet steeliness. Also, that moment at her daughter’s funeral when Koci gives her his condolences really hit me – they know they are enemies, but there’s that moment of standoffish respect between them. What if somehow they had to work together? Or what if she took over as the head of either the Berisha or the Sokoli clan (or both!)? A divergence from the end or any part of S1 would be very welcome.

Skënder Berisha -- Dardan’s uncle who still wields enormous influence in the Berisha clan and was behind the assassination of Koci’s father decades earlier. I only want this as a & pairing, but the character dynamic is still one of difficult shared history, knee-jerk antagonism, goading humor, not being at all intimidated by each other, and yet recognizing something familiar in each other. One of my favorite scenes from the whole show is their conversation at the hospital, in which they cover both present troubles and the past. Skënder is one of the few characters who can and does consistently run rings around Koci, and I want more of that as much as I want the tables turned.

#chocolate box 2021 #chocolate box fic exchange #dear author letter

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