#FeministArt

[yellowmanula]

Dear friends, greetings to all who confuse Art and entertainment with the Church. For too long, I've bowed under the male-centric discourse about the sanctity of the immaculate body (oh dear, cover up, because you give me sinful thoughts and that makes you dirty). It's the 21st century, yet the sacred/profane, clean/unclean dichotomies are as strong as ever.

I'm fascinated by the notion that pictures and films are supposed to extend the real, breathing body. Well, no, we women don't care if someone masturbates to our photos as long as they don't inform us about it in unwanted ways. The boundary between public and private is really manageable, even for those below average IQ levels.

I'll spare you a lecture on unwanted compliments (it gets complicated here too, with those expressed intelligently and those that are crude), reducing it to the minimum: visual creation can truly stem from the joy of working with the body. We, women, don't reduce our image solely to the desire for attention.

So, a message to all those who insightfully called me or other girls "w****s," quoting the poet: "Kiss my ass, all of you" (virtually, of course, and yes, yes, I know, it's pretty)

[vasiliaaandreeva]

[therewasabrowncrow]

Bird Transformation (1972) Ana Mendieta

[nakedpastor]

Might have worked for a while.

Not anymore.

[the-leegend-99]

A hand-drawn reel I made to celebrate Imane Khelif's olympic gold win.

Click on the Instagram link to watch and read it, and to read my thoughts on the disgusting campaign of hate that she was subjected to--transphobia, intersex-phobia, misoginy and racism all rolled into one package to reaffirm colonial definitions of what a woman is--and how she took a stand against it by holding form, winning, and standing for Palestine. She's a working-class hero.

[arthistoriansdiary]

Plan

Jenny Saville, Plan (1993). Oil on canvas, 274 x 213cm.

Jenny Saville's Plan, created in 1993, is a striking embodiment of her approach to redefining the portrayal of the female form in contemporary art. This analysis aims to delve into the various elements that make Plan a significant work in the realm of modern art and feminist discourse.

The Visual Narrative:

Plan presents a large-scale depiction of a female nude, a subject traditionally associated with beauty and idealization. However, Saville subverts these conventions by presenting a figure that is unapologetically raw and real. The body is marked with lines and contours, reminiscent of surgical markings, which demarcate areas of the flesh. These lines speak to the societal pressures on women to conform to certain physical standards, echoing the invasive nature of cosmetic surgery.

Technique and Style:

Saville's use of oil on canvas is notable for its thick, tactile application, giving the painting a visceral quality that emphasizes the physicality of the body. The exaggerated scale of the work, measuring 274 x 213 cm, confronts the viewer with its imposing presence, making it impossible to ignore or diminish the subject's physicality.

Influences and Inspirations:

Saville's work is heavily influenced by a range of artists, from the voluptuous figures of Peter Paul Rubens to the raw, emotional intensity of Lucian Freud. Yet, she transcends these influences by challenging the traditional male gaze in art, offering a perspective that is deeply rooted in the realities of the female experience.

Feminist Undertones:

Plan resonates with feminist ideas, particularly those related to body politics and the societal scrutiny of female bodies. Saville's work is informed by feminist theories and writers, exploring themes of identity, autonomy, and the complexity of the female experience. The painting becomes a powerful statement against the idealized, often unrealistic standards imposed on women's bodies.

A Canvas for Thought:

How does Jenny Saville's Plan challenge your perceptions of beauty and the representation of the female form in art? What does this painting evoke in you regarding the societal expectations placed on women's bodies?

[notesofveritas]

Is there a more devastating drug for women in the 21st century than feminism?

The case of this actress is just a mere example. there was already a profile on Twitter called "before and after feminism". Under anonymity, the profile posted countless cases of women who disfigured themselves after entering college and became supporters of feminism.

This type of phenomenon occurs because of the subietivism and socioconstructivism as substrates of feminism.

First comes the rejection of objective morality, then comes the revolt against beauty and the subversion of everything that feminism rejects as by-product of patriarchy.

The rejection of gender symbols is also a manifestation that contributes to this. If you argue that using a beard as part of an attribute masculine is nothing more than a false symbolic construction of gender, so there is absolutely nothing objective that can aesthetically define what it is be a woman or a man.

All this mixed salad of conceptual confusion and these massive doses of relativism against beauty,against hierarchies and biological boundaries incontestable by science are ignored by those who reject reality

Feminism is nothing more than a visceral revolt of the subversive against objective reality. It is the rejection of basic biology and the basic Greek philosophical understanding of beauty. And a childish and irrational manifestation against femininity.

[natuart]

International Women's Day

[brightsunnystudio]

a valentine for you <3

[yankeegirlband]

Don’t claim you won’t tolerate abuse then support an abuser, yeah we are talking about you.

[vhs-death]

Eyes on/Terrain of the Body Review for Wonderland Magazine by me https://www.wonderlandmagazine.com/2017/02/07/eyes-terrains-body/#3

[julesmonson]

[lip-readmefast]

Bueno, a mi no me miréis mucho que yo a veces sí querría una poquititita, una miajina de vengancita. En casos personales, en casos en los que habría deseado físicamente estar mazada para haber soltado una buena hostia sin temer por mi vida luego. En fin, que este año no os suelto más tocho, ya me he quedado bastante a gusto con esta ilustración. Feliz día a todas!! . . . #8m #8marzo #hastalosovariosdetantoscojones #feminismoilustrado #diadelamujer #ilustracionfeminista #feministart #igualdaddegénero #womansday #digitalart (en Brooklyn, New York) https://www.instagram.com/p/CphdBXeOdhy/?igshid=NGJjMDIxMWI=

[lucygallery-earlyfigurativework]

Pink Beret  Acrylic, pastel and paper mache on cardboard (1982)

[arthistoriansdiary]

Judith Slaying Holofernes

Artemisia Gentileschi, Judith Beheading Holofernes (1620). Oil on canvas, 146.5 x 108 cm. Museo Capodimonte, Naples.

Artemisia Gentileschi's Judith Slaying Holofernes stands as one of the most vivid and dramatic works in the realm of Baroque painting, encapsulating themes of courage, justice, and female empowerment. This post delves into the artistic and symbolic nuances of Gentileschi’s iconic painting, offering a deep dive into its historical context, visual analysis, and enduring impact.

The Power and Fury: A Closer Look at Gentileschi's Masterpiece

Artemisia Gentileschi, born in 1593 in Rome, was one of the first women to achieve recognition in the male-dominated world of post-Renaissance art. Judith Slaying Holofernes is often viewed through the lens of Gentileschi's personal history, particularly her experience with sexual assault and the subsequent highly publicized trial. The painting, created in the early 1620s, is interpreted by many as a form of cathartic expression, showcasing her mastery over her traumas and her assailants.

The Art of Contrast: Tenebrism in Judith Slaying Holofernes

The painting depicts the biblical story of Judith, a widow who saves her village from the Assyrian general Holofernes by seducing and then beheading him. Gentileschi’s rendition is remarkable for its intense realism and emotional power. Unlike other contemporary versions of the subject, Gentileschi’s Judith appears strong and resolute in her task, capturing a moment of intense physical and psychological action.

Defiance in the Details: Symbolism in Gentileschi's Narrative

In Judith Slaying Holofernes, Gentileschi aligns herself with Judith, symbolically enacting a narrative of female agency and vengeance. This work is often read as a proto-feminist statement, with Judith’s act representing a broader defiance against patriarchal oppression. The painting challenges traditional gender roles and reflects Gentileschi's own struggles against the societal limitations imposed on women of her time.

Artemisia Gentileschi's Legacy: Reclaiming Space and Narrative

Artemisia Gentileschi's work has experienced a resurgence of interest in recent years, celebrated for its bold thematic content and its reflection of the artist's personal narrative of overcoming adversity. Judith Slaying Holofernes not only contributes to the historical narrative of art but continues to inspire discussions on gender, power, and resilience.

A Canvas of Courage: The Timeless Message of Judith Slaying Holofernes

Judith Slaying Holofernes by Artemisia Gentileschi is not just a depiction of a biblical heroine, but a profound commentary on justice, courage, and the capabilities of women both in art and in life. It remains a powerful image of defiance and autonomy, resonating with audiences centuries after it was painted.

Reflect and Engage

How do you think Judith Slaying Holofernes challenges or reinforces the perceptions of women both in the era it was painted and today? Does the painting's violent imagery detract from or enhance its message of female empowerment?

[notesofveritas]

A woman's realization is only possible when she exercises her feminine essence when she connects with what she was created to BE.

Just look at your characteristics and observe that you are cyclical, your body has a different form and function than a man's, and when your hormones - a woman's - are at adequate levels, then you feel happier.

And all of this is directly influenced by how you treat your emotions, how you act with your body, and how you deal with your choices and decisions.

You only experience full satisfaction in your life by exercising the purpose for which you were created - and your body is a living reminder of what you have to look for in your every action in the world.

When you understand the greatness of your purpose as a woman and settle into your feminine essence, being beautiful, vulnerable, loving and receptive... it becomes possible to achieve true happiness.