#FeministArt

[yellowmanula]

Dear friends, greetings to all who confuse Art and entertainment with the Church. For too long, I've bowed under the male-centric discourse about the sanctity of the immaculate body (oh dear, cover up, because you give me sinful thoughts and that makes you dirty). It's the 21st century, yet the sacred/profane, clean/unclean dichotomies are as strong as ever.

I'm fascinated by the notion that pictures and films are supposed to extend the real, breathing body. Well, no, we women don't care if someone masturbates to our photos as long as they don't inform us about it in unwanted ways. The boundary between public and private is really manageable, even for those below average IQ levels.

I'll spare you a lecture on unwanted compliments (it gets complicated here too, with those expressed intelligently and those that are crude), reducing it to the minimum: visual creation can truly stem from the joy of working with the body. We, women, don't reduce our image solely to the desire for attention.

So, a message to all those who insightfully called me or other girls "w****s," quoting the poet: "Kiss my ass, all of you" (virtually, of course, and yes, yes, I know, it's pretty)

[vasiliaaandreeva]

[nakedpastor]

Might have worked for a while.

Not anymore.

[the-leegend-99]

A hand-drawn reel I made to celebrate Imane Khelif's olympic gold win.

Click on the Instagram link to watch and read it, and to read my thoughts on the disgusting campaign of hate that she was subjected to--transphobia, intersex-phobia, misoginy and racism all rolled into one package to reaffirm colonial definitions of what a woman is--and how she took a stand against it by holding form, winning, and standing for Palestine. She's a working-class hero.

[arthistoriansdiary]

Judith Slaying Holofernes

Artemisia Gentileschi, Judith Beheading Holofernes (1620). Oil on canvas, 146.5 x 108 cm. Museo Capodimonte, Naples.

Artemisia Gentileschi's Judith Slaying Holofernes stands as one of the most vivid and dramatic works in the realm of Baroque painting, encapsulating themes of courage, justice, and female empowerment. This post delves into the artistic and symbolic nuances of Gentileschi’s iconic painting, offering a deep dive into its historical context, visual analysis, and enduring impact.

The Power and Fury: A Closer Look at Gentileschi's Masterpiece

Artemisia Gentileschi, born in 1593 in Rome, was one of the first women to achieve recognition in the male-dominated world of post-Renaissance art. Judith Slaying Holofernes is often viewed through the lens of Gentileschi's personal history, particularly her experience with sexual assault and the subsequent highly publicized trial. The painting, created in the early 1620s, is interpreted by many as a form of cathartic expression, showcasing her mastery over her traumas and her assailants.

The Art of Contrast: Tenebrism in Judith Slaying Holofernes

The painting depicts the biblical story of Judith, a widow who saves her village from the Assyrian general Holofernes by seducing and then beheading him. Gentileschi’s rendition is remarkable for its intense realism and emotional power. Unlike other contemporary versions of the subject, Gentileschi’s Judith appears strong and resolute in her task, capturing a moment of intense physical and psychological action.

Defiance in the Details: Symbolism in Gentileschi's Narrative

In Judith Slaying Holofernes, Gentileschi aligns herself with Judith, symbolically enacting a narrative of female agency and vengeance. This work is often read as a proto-feminist statement, with Judith’s act representing a broader defiance against patriarchal oppression. The painting challenges traditional gender roles and reflects Gentileschi's own struggles against the societal limitations imposed on women of her time.

Artemisia Gentileschi's Legacy: Reclaiming Space and Narrative

Artemisia Gentileschi's work has experienced a resurgence of interest in recent years, celebrated for its bold thematic content and its reflection of the artist's personal narrative of overcoming adversity. Judith Slaying Holofernes not only contributes to the historical narrative of art but continues to inspire discussions on gender, power, and resilience.

A Canvas of Courage: The Timeless Message of Judith Slaying Holofernes

Judith Slaying Holofernes by Artemisia Gentileschi is not just a depiction of a biblical heroine, but a profound commentary on justice, courage, and the capabilities of women both in art and in life. It remains a powerful image of defiance and autonomy, resonating with audiences centuries after it was painted.

Reflect and Engage

How do you think Judith Slaying Holofernes challenges or reinforces the perceptions of women both in the era it was painted and today? Does the painting's violent imagery detract from or enhance its message of female empowerment?

[notesofveritas]

Is there a more devastating drug for women in the 21st century than feminism?

The case of this actress is just a mere example. there was already a profile on Twitter called "before and after feminism". Under anonymity, the profile posted countless cases of women who disfigured themselves after entering college and became supporters of feminism.

This type of phenomenon occurs because of the subietivism and socioconstructivism as substrates of feminism.

First comes the rejection of objective morality, then comes the revolt against beauty and the subversion of everything that feminism rejects as by-product of patriarchy.

The rejection of gender symbols is also a manifestation that contributes to this. If you argue that using a beard as part of an attribute masculine is nothing more than a false symbolic construction of gender, so there is absolutely nothing objective that can aesthetically define what it is be a woman or a man.

All this mixed salad of conceptual confusion and these massive doses of relativism against beauty,against hierarchies and biological boundaries incontestable by science are ignored by those who reject reality

Feminism is nothing more than a visceral revolt of the subversive against objective reality. It is the rejection of basic biology and the basic Greek philosophical understanding of beauty. And a childish and irrational manifestation against femininity.

[natuart]

International Women's Day

[brightsunnystudio]

a valentine for you <3

[yankeegirlband]

Don’t claim you won’t tolerate abuse then support an abuser, yeah we are talking about you.

[vhs-death]

Eyes on/Terrain of the Body Review for Wonderland Magazine by me https://www.wonderlandmagazine.com/2017/02/07/eyes-terrains-body/#3

[julesmonson]

[lip-readmefast]

Bueno, a mi no me miréis mucho que yo a veces sí querría una poquititita, una miajina de vengancita. En casos personales, en casos en los que habría deseado físicamente estar mazada para haber soltado una buena hostia sin temer por mi vida luego. En fin, que este año no os suelto más tocho, ya me he quedado bastante a gusto con esta ilustración. Feliz día a todas!! . . . #8m #8marzo #hastalosovariosdetantoscojones #feminismoilustrado #diadelamujer #ilustracionfeminista #feministart #igualdaddegénero #womansday #digitalart (en Brooklyn, New York) https://www.instagram.com/p/CphdBXeOdhy/?igshid=NGJjMDIxMWI=

[lucygallery-earlyfigurativework]

Pink Beret  Acrylic, pastel and paper mache on cardboard (1982)

[arthistoriansdiary]

The Two Fridas

Frida Kahlo, The Two Fridas (1939). Oil on canvas, 173.5 cm × 173 cm. Museo de Arte Moderno, Mexico City.

As an avid enthusiast of art history, Frida Kahlo has always held a special place in my heart. Her bold and deeply personal artworks have captivated me since I first encountered them, igniting my passion for studying art and its ability to convey raw emotion and profound truths. Among her many iconic paintings, The Two Fridas stands out as a powerful testament to Kahlo's resilience and her exploration of identity and emotion in the face of personal turmoil.

The Painting's Context: Completed in 1939, shortly after Kahlo's divorce from Diego Rivera, The Two Fridas is a poignant reflection of the artist's inner struggles and conflicting emotions during this tumultuous period of her life. The painting portrays two distinct versions of Kahlo, each representing different aspects of her personality and experiences.

The Duality of Identity: The two Fridas depicted in the painting symbolize the duality within Kahlo herself. On the left, we see the traditional Frida adorned in Tehuana clothing, a representation of her Mexican heritage and cultural identity. This Frida sits with a broken heart exposed, representing her vulnerability and emotional pain following her separation from Rivera. In contrast, the Frida on the right is depicted in modern attire, embodying her independence and strength as a woman.

Symbolism and Imagery: The imagery in The Two Fridas is rich with symbolism and metaphor. The visible hearts of both Fridas highlight their emotional turmoil, with the heart of the traditional Frida visibly cut and torn open, symbolizing her emotional wounds and vulnerability. The main artery, cut off by surgical pincers, further emphasizes the theme of heartbreak and the potential for emotional destruction. The vein winding around the two Fridas connects their hearts, underscoring their shared pain and emotional bond. Additionally, the miniature portrait of Diego Rivera held by the Frida on the right serves as a profound testament to the complexities of Kahlo's relationship with her husband. It encapsulates the tumultuous nature of their bond, portraying both love and pain intertwined.

The Power of Connection: Despite their differences, the two Fridas are depicted holding hands, symbolizing a connection between different aspects of Kahlo's identity. This gesture speaks to the artist's resilience and ability to find strength and solidarity within herself, even in moments of profound vulnerability and despair.

Conclusion: Frida Kahlo's The Two Fridas remains a timeless masterpiece that continues to resonate with audiences around the world. Through its powerful imagery and symbolism, the painting invites viewers to explore themes of identity, resilience, and the complexities of human emotion. As a personal favourite of mine, it serves as a reminder of the transformative power of art to illuminate the depths of the human experience and inspire empathy, understanding, and connection.

Pondering The Two Fridas: How does Frida Kahlo's The Two Fridas resonate with your own experiences of duality and identity, and what emotions does it evoke in you when you examine its rich symbolism and imagery?

[notesofveritas]

A woman's realization is only possible when she exercises her feminine essence when she connects with what she was created to BE.

Just look at your characteristics and observe that you are cyclical, your body has a different form and function than a man's, and when your hormones - a woman's - are at adequate levels, then you feel happier.

And all of this is directly influenced by how you treat your emotions, how you act with your body, and how you deal with your choices and decisions.

You only experience full satisfaction in your life by exercising the purpose for which you were created - and your body is a living reminder of what you have to look for in your every action in the world.

When you understand the greatness of your purpose as a woman and settle into your feminine essence, being beautiful, vulnerable, loving and receptive... it becomes possible to achieve true happiness.

[christelno]

Women rising❤️‍🔥 😝 #femaleportrait #selflove #femaledrawing #feminineart #rapesurvivor #abusesurvivor #womenempowerment #feministart #womensupportingwomen #divinefeminine #womenbodyart #feminista #equalrights #selfloveart #womenartists #activistart #goddessart #goddessrising #portraitdigital #feminist #cartooning #girlpower #artefeminista #mentalhealththerapy #illustração #semirealistic #genderequality #femalenudeart #visualsnack #feminismoilustrado https://www.instagram.com/p/CpMBpYhK91W/?igshid=NGJjMDIxMWI=