#Fanny Lund

[goalhofer]

2024 olympics Sweden roster

Athletics

Suldan Hassan (Göteborg)

Ragnar Carlsson (Falun Stad)

Henrik Larsson (Karlstad)

Erik Erlandsson (Genarp)

Andreas Kramer (Sävedalen)

Samuel Pihlström (Landvetter)

Andreas Almgren (Stockholm)

Carl Bengtström (Landvetter)

Oskar Edlund (Stockholm)

Perseus Ibáñez (Eskilstuna Stad)

Armand Duplantis (Uppsala)

Thobias Montler (Landskrona)

Daniel Ståhl (Solna)

Thea Löfman (Lund)

Julia Henriksson (Helsingborg)

Nora Lindahl (Stockholm)

Carolina Wikström (Hudiksvall)

Maja Åskag (Elskilstuna Stad)

Axelina Johansson (Vaggeryd Stad)

Fanny Roos (Ljungby Stad)

Vanessa Kamga (Uppsala)

Caisa-Marie Lindfors (Uppsala)

Boxing

Nebil Ibrahim (Uppsala)

Agnes Alexiusson (Stockholm)

Canoeing

Isak Öhrström (Tavelsjö)

Martin Nathell (Ängelholm Stad)

Moa Wikberg (Vallentuna Stad)

Melina Andersson (Norrköping Stad)

Linnea Stensils (Vaxholm Stad)

Cycling

Jakob Söderqvist (Sundsvall Stad)

Caroline Andersson (Oskarström)

Jenny Rissveds (Falun Stad)

Diving

Emilia Nilsson-Garip (Malmö)

Equestrian

Patrik Kittel (Österåker Kommun)

Rolf-Göran Bengtsson (Breitenburg, Germany)

Henrik Von Eckermann (Peel En Maas, The Netherlands)

Carl Fredricson (Lund)

Maria Von Essen (Göteborg)

Malin Josefsson-Assai (Eslöv Stad)

Therese Nilshagen (Niedersachen, Germany)

Juliette Ramel (Eslöv Stad)

Frida Andersén (Hofors Stad)

Louise Romeike (Meyn, Germany)

Sofia Sjöborg (London, U.K.)

Malin Barijard-Johnsson (Söderköping Stad)

Golf

Alex Norén (Jupiter, Florida)

Ludvig Åberg (Tallahassee, Florida)

Maja Stark (Abbekås)

Linn Grant (Helsingborg Stad)

Handball

Jonathan Carlsbogård (Göteborg)

Max Darj (Göteborg)

Felix Möller (Partille Kommun)

Daniel Pettersson (Eskilstuna Stad)

Andreas Palička (Lund)

Sebastian Karlsson (Göteborg)

Hampus Wanne (Göteborg)

Tobias Thulin (Göteborg)

Felix Claar (Norrköping Stad)

Lucas Pellas (Stockholm)

Albin Lagergren (Verberg Stad)

Jim Gottfridsson (Ystad)

Jonathan Edvardsson (Partille Stad)

Oscar Bergendahl (Kungsbacka Stad)

Lukas Sandell (Eslöv Stad)

Karl Wallinius (Lund)

Johanna Bundsen (Uddavalla Stad)

Nina Koppang (Vadstena Stad)

Carin Strömberg (Nacka Stad)

Linn Blohm (Stockholm)

Jamina Roberts (Göteborg)

Mathilda Lundström (Stockholm)

Evelina Eriksson (Hanninge Kommun)

Emma Lindkvist (Helsingborg Stad)

Nathalie Hagman (Stockholm)

Kristin Thorleifsdóttir (Stockholm)

Sofia Hvenfelt (Göteborg)

Elin Hansson (Nacka Stad)

Jenny Karlsson (Göteborg)

Olivia Löfqvist (Hörby Stad)

Tyra Axnér (Lund)

Judo

Marcus Nyman (Botkyrka Kommun)

Tara Babulfath (Stockholm)

Pentathlon

Marlena Jawaid (Stockholm)

Sailing

Anton Dahlberg (Växjö Stad)

Emil Järudd (Stockholm)

Johanna Hjertberg (Stockholm)

Hanna Jonsson (Göteborg)

Josefin Olsson (Nyköping Stad)

Vilma Bobeck (Nacka Stad)

Rebecca Netzler (Östersund Stad)

Emma Karlsson (Göteborg)

Shooting

Marcus Madsen (Sävsjö Stad)

Rickard Levin-Andersson (Skepplanda)

Victor Lindgren (Sjöbo)

Stefan Nilsson (Trelleborg Socken)

Marcus Svensson (Härslöv)

Victoria Larsson (Österbybruk)

Stina Lawner (Mora Stad)

Skateboarding

Hampus Winberg (Varberg Stad)

Swimming

Isak Eliasson (Göteborg)

Elias Persson (Malmö)

Björn Seeliger (Södertälje Stad)

Victor Johansson (Nässjö Stad)

Erik Persson (Kungsbacka Stad)

Robin Hanson (Järfälla Kommun)

Michelle Coleman (Vallentuna Stad)

Louise Hansson (Helsingborg Stad)

Sophie Hansson (Helsingborg Stad)

Sarah Sjöström (Salem Kommun)

Sara Junevik (Leksand Stad)

Sofia Åstedt (Helsingborg Stad)

Hanna Rosvall (Ängelholm Stad)

Table tennis

Anton Källberg (Sollentuna Kommun)

Truls Möregårdh (Lessebo Stad)

Kristian Karlsson (Trollhättan Stad)

Mattias Falck (Karlskrona Stad)

Filippa Bergand (Åsa)

Linda Bergström (Stockholm)

Stina Källberg (Borlänge Stad)

Matilda Hansson (Stockholm)

Triathlon

Tilda Månsson (Upplands Väsby Stad)

Volleyball

Anders Hellvig (Lidingö)

Klas Åhman (Umeå Stad)

Wrestling

Sara Lindborg (Stockholm)

Emma Malmgren (Helsingborg Stad)

[nofatclips]

This Side of the Moon (Song for Jacob) by Lisa Li-Lund - Video by Angelina Komarova

[ffschweden]

Linköping fem poäng före

Linköping fem poäng före

Kristine Minde gör 3:1 till Linköping

Linköpings match mot Kvarnsveden som jag besökte i dag spelades i fint väder på Arenan. Inför matchen ärades Östergötlands bästa fotbollsspelare 2016: Pernille Harder som var på besök i Sverige och Alva Selerud som senare fick göra ett piggt inhopp i andra halvleken. f

Kristine Minde var tillbaka i startelvan för Linköping, hur viktigt hon är visade hon när…

[justforbooks]

Οι 100αδες του BBC είναι από τις λίστες αυτής της δεκαετίας που συζητιούνται λίγο περισσότερο σε σχέση με τις πολλές που περνούν από τα μάτια μας, σχεδόν σε καθημερινή βάση πλέον. Φτιαγμένες έτσι ώστε να περιλαμβάνουν όσο το δυνατόν ένα ευρύτερο φάσμα, είναι αποτέλεσμα καλέσματος του βρετανικού μέσου προς έναν μεγάλο αριθμό κριτικών και ακαδημαϊκών, που σφραγίζουν την αυθεντικότητα της.

Μετά από τις αντίστοιχες των 100 ταινιών γενικώς αλλά και των 100 του 21ου αιώνα, το BBC κυκλοφόρησε το αποτέλεσμα της έρευνας που έκανε σε 209 ειδικούς, φροντίζοντας και για το ανάλογο diversity καθώς αυτοί βρίσκονται σε 43 χώρες ενώ η αναλογία ανδρών-γυναικών είναι 55-45%.

Το αντικείμενό της ήταν οι μη αγγλόφωνες ταινίες και οι αθάνατοι «Επτά Σαμουράι» του Ακίρα Κουροσάβα, πήραν μάλλον αναμενόμενα την πρώτη θέση, με τον «Κλέφτη Ποδηλάτων» του Ντε Σίκα και το «Tokyo Story» του Όζου να συμπληρώνουν την πρώτη τριάδα. Άλλη μια ταινία του σκηνοθέτη να βρίσκεται στην πρώτη πεντάδα, το «Ρασομόν» που είναι τέταρτο.

Οι συμμετέχοντες δήλωσαν από 10 ταινίες ο καθένας με αξιολογική σειρά, ώστε να προκύψει το τελικό αποτέλεσμα. Οι σκηνοθέτες που έχουν τις περισσότερες θέσεις μέσα στην 100άδα είναι ο Ίνγκμαρ Μπέργκμαν και ο Λουί Μπουνιουέλ (από 5), με τον Κουροσάβα να ακολουθεί με 4.

Σε άλλα ενδιαφέροντα στατιστικά της λίστας, τα γαλλικά αποδεικνύονται η πιο δημοφιλής γλώσσα, καθώς ακούγονται σε 27 ταινίες, πολύ μακριά από τις 12 όπου ακούγονται Μανδαρινικά και τις 11 των ιταλικών.

Από τις τέσσερις μόλις ταινίες που είναι σκηνοθετημένες από γυναίκες, το «Jeanne Dielman, 23 Commerce Quay, 1080 Brussels» της Σαντάλ Άκερμαν βρίσκεται στην υψηλότερη θέση – στο νούμερο 14.

Δύο φιλμ αυτής της δεκαετίας κατάφεραν ήδη να θεωρούνται κλασικά ώστε να έχουν θέση εδώ, η «Αγάπη» του Μίκαελ Χάνεκε και ο «Χωρισμός» του Ασγκάρ Φαρχαντί, ενώ από τη λίστα δε θα μπορούσε να λείπει ο Θόδωρος Αγγελόπουλος, έστω και αν βρίσκεται στην τελευταία θέση με το υπέροχο Τοπίο στην Ομίχλη.

Δείτε παρακάτω τη λίστα με τις 100 ταινίες όπως αυτή ανακοινώθηκε από το BBC.

100. Landscape in the Mist (Theo Angelopoulos, 1988)

99. Ashes and Diamonds (Andrzej Wajda, 1958)

98. In the Heat of the Sun (Jiang Wen, 1994)

97. Taste of Cherry (Abbas Kiarostami, 1997)

96. Shoah (Claude Lanzmann, 1985)

95. Floating Clouds (Mikio Naruse, 1955)

94. Where Is the Friend's Home? (Abbas Kiarostami, 1987)

93. Raise the Red Lantern (Zhang Yimou, 1991)

92. Scenes from a Marriage (Ingmar Bergman, 1973)

91. Rififi (Jules Dassin, 1955)

90. Hiroshima Mon Amour (Alain Resnais, 1959)

89. Wild Strawberries (Ingmar Bergman, 1957)

88. The Story of the Last Chrysanthemum (Kenji Mizoguchi, 1939)

87. The Nights of Cabiria (Federico Fellini, 1957)

86. La Jetée (Chris Marker, 1962)

85. Umberto D (Vittorio de Sica, 1952)

84. The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)

83. La Strada (Federico Fellini, 1954)

82. Amélie (Jean-Pierre Jeunet, 2001)

81. Celine and Julie go Boating (Jacques Rivette, 1974)

80. The Young and the Damned (Luis Buñuel, 1950)

79. Ran (Akira Kurosawa, 1985)

78. Crouching Tiger, Hidden Dragon (Ang Lee, 2000)

77. The Conformist (Bernardo Bertolucci, 1970)

76. Y Tu Mamá También (Alfonso Cuarón, 2001)

75. Belle de Jour (Luis Buñuel, 1967)

74. Pierrot Le Fou (Jean-Luc Godard, 1965)

73. Man with a Movie Camera (Dziga Vertov, 1929)

72. Ikiru (Akira Kurosawa, 1952)

71. Happy Together (Wong Kar-wai, 1997)

70. L’Eclisse (Michelangelo Antonioni, 1962) 

69. Amour (Michael Haneke, 2012) 

68. Ugetsu (Kenji Mizoguchi, 1953) 

67. The Exterminating Angel (Luis Buñuel, 1962) 

66. Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1973) 

65. Ordet (Carl Theodor Dreyer, 1955) 

64. Three Colours: Blue (Krzysztof Kieślowski, 1993) 

63. Spring in a Small Town (Fei Mu, 1948) 

62. Touki Bouki (Djibril Diop Mambéty, 1973) 

61. Sansho the Bailiff (Kenji Mizoguchi, 1954) 

60. Contempt (Jean-Luc Godard, 1963) 

59. Come and See (Elem Klimov, 1985) 

58. The Earrings of Madame de… (Max Ophüls, 1953) 

57. Solaris (Andrei Tarkovsky, 1972) 

56. Chungking Express (Wong Kar-wai, 1994) 

55. Jules and Jim (François Truffaut, 1962) 

54. Eat Drink Man Woman (Ang Lee, 1994) 

53. Late Spring (Yasujirô Ozu, 1949) 

52. Au Hasard Balthazar (Robert Bresson, 1966) 

51. The Umbrellas of Cherbourg (Jacques Demy, 1964) 

50. L’Atalante (Jean Vigo, 1934) 

49. Stalker (Andrei Tarkovsky, 1979) 

48. Viridiana (Luis Buñuel, 1961) 

47. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007) 

46. Children of Paradise (Marcel Carné, 1945) 

45. L’Avventura (Michelangelo Antonioni, 1960) 

44. Cleo from 5 to 7 (Agnès Varda, 1962) 

43. Beau Travail (Claire Denis, 1999) 

42. City of God (Fernando Meirelles, Kátia Lund, 2002) 

41. To Live (Zhang Yimou, 1994) 

40. Andrei Rublev (Andrei Tarkovsky, 1966) 

39.  Close-Up (Abbas Kiarostami, 1990) 

38. A Brighter Summer Day (Edward Yang, 1991) 

37. Spirited Away (Hayao Miyazaki, 2001) 

36. La Grande Illusion (Jean Renoir, 1937) 

35. The Leopard (Luchino Visconti, 1963) 

34. Wings of Desire (Wim Wenders, 1987) 

33. Playtime (Jacques Tati, 1967) 

32. All About My Mother (Pedro Almodóvar, 1999) 

31. The Lives of Others (Florian Henckel von Donnersmarck, 2006) 

30. The Seventh Seal (Ingmar Bergman, 1957) 

29. Oldboy (Park Chan-wook, 2003) 

28. Fanny and Alexander (Ingmar Bergman, 1982) 

27. The Spirit of the Beehive (Victor Erice, 1973) 

26. Cinema Paradiso (Giuseppe Tornatore, 1988) 

25. Yi Yi (Edward Yang, 2000) 

24. Battleship Potemkin (Sergei M Eisenstein, 1925) 

23. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928) 

22. Pan’s Labyrinth (Guillermo del Toro, 2006)

21. A Separation (Asghar Farhadi, 2011)

20. The Mirror (Andrei Tarkovsky, 1974) 

19. The Battle of Algiers (Gillo Pontecorvo, 1966) 

18. A City of Sadness (Hou Hsiao-hsien, 1989) 

17. Aguirre, the Wrath of God (Werner Herzog, 1972) 

16. Metropolis (Fritz Lang, 1927) 

15. Pather Panchali (Satyajit Ray, 1955) 

14. Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975) 

13. M (Fritz Lang, 1931) 

12. Farewell My Concubine (Chen Kaige, 1993) 

11. Breathless (Jean-Luc Godard, 1960) 

10. La Dolce Vita (Federico Fellini, 1960)

9. In the Mood for Love (Wong Kar-wai, 2000) 

8. The 400 Blows (François Truffaut, 1959) 

7. 8 1/2 (Federico Fellini, 1963) 

6. Persona (Ingmar Bergman, 1966) 

5. The Rules of the Game (Jean Renoir, 1939) 

4. Rashomon (Akira Kurosawa, 1950) 

3. Tokyo Story (Yasujirô Ozu, 1953) 

2. Bicycle Thieves (Vittorio de Sica, 1948) 

1. Seven Samurai (Akira Kurosawa, 1954)

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[spectralarchers]

Top 5 people you meet this year?

Oyy, I have a couple!

Tumblr-friends:

Cosplayer @_r_o_n_i_n because he’s frankly amazing and I can’t believe I got to hang at New York Comic Con with him.

I got to hug @tygerblaze​! It was so cute meeting her

I got to see @thebestpersonherelovesbucky​ in person as well! That was so much fun!

And I also got to see both @stephrc79​ and @isjustprogress​ again, which was super nice, while I was in New York. I also saw @solrosan​ when I went to another Comic Con, so that’s super amazing too!

I got to see @daughterof-wolves​ again, and bring her to the farm in Sweden, while it was covered in snow!

Other people:

Phil Noto - I got to interview him about being a comicbook artist and he was so nice

Todd McFarlane - I got to talk to him about Spawn (and Jeremy Renner!) and he was so kind and motivated about the project, it made me even more excited to see the movie, once it comes out.

Hailee Steinfeld, John Cena and Travis Knight - I was privileged enough to get the Danish slot to interview those three people for Bumblebee, and they were SO nice. Hailee is a ball of amazing energy and I wish I’d had more than five minutes with her (she also commented on my Hawkeye and Captain Marvel pins, so that’s #goals). John was very intellectual with his answers and laughed at my RKO-shirt (because if there’s one time where I was gonna wear an RKO-shirt, it was for a John Cena interview). Travis was fantastic, he broke the tension immediately and it was so nice to hear him about directing a movie with robots (also, when I introduced myself and said ‘Christine, from Denmark’ he replied with ‘Travis, from Oregon’ which made everything a lot more relaxed, and I thank him for it, lol)

Alex Høgh Andersen - this was a last minute thing because I knew he was in Denmark and I had the possibility to interview him. I know for a fact that @clumsychicken​ can attest to how sweet and nice he was, he was so passionate about his acting and his opportunities - he was an angel, all in all, a very nice guy to interview!

David Sakurai - I know this probably isn’t someone anyone knows, but it’s the guy who played Scythe in Iron Fist, and he’s the one who played Krall in Crimes of Groopadoop (the guy who gets disintegrated at the end by the blue fire). He was so nice, a little bit stiff in the beginning, but when I asked him if you had to take a chewing gum in order to not have bad breath when Johnny Depp was right up in your face, he laughed and we had a lot of fun. It was super cool!

I also met Clara Rosager, Fanny Bornedal, Christoffer Boe, Ali Abbasi, Pilou Asbæk, Paprika Steen, Lue Støvelbæk (son of Lars Mikkelsen), Sebastian Jessen, Rosalinde Mynster, Joey Moe, Michael Bertelsen, Anders Lund Madsen, Martin Buch, Gerda Lie Kaas, Ditte Hansen and more through my internship, so that was super fun!

Ask me my top 3 / 5 /10 of anything!

[thecgbros]

CGI 3D Animated Short: "100,000 Acres of Pine" - by Jennifer Alice Wrigh...

TheCGBros Presents "100,000 Acres of Pine" by Jennifer Alice Wright - Ranger Megan Patel must uncover the mystery surrounding her brother's death. But following his footsteps, Megan discovers darkness she might not escape. For more information, please see the details and links below:

Team: Pine Team: Jennifer Alice Wright - Director/Editor/Storyboards/Animator - https://wrightalicejennife.wixsite.com/jenniferalice Helena Lucca B. Schulin - Art Director/CG Generalist/Character Designer - https://helenaschulin.pb.design/ Anna Fischer-Larsen - Animation/Storyboard - http://annafischer-larsen.mystrikingly.com/ Laura Konradi Brodersen - Animation Lead - https://laurakonradi.wixsite.com/portfolio Karoline Lie - Animation/Storyboard - https://liekaroline.wixsite.com/2019 Joanna Szczepańska - Technical Director / CG Generalist - https://joannaszczepanska.pb.online/ Lho Brockhoff - Production manager/animation - https://www.linkedin.com/in/lho-brockhoff-0b1117100/ Marin Monserand - Animator/Technical Animator - https://www.linkedin.com/in/marin-monserand/ Pia-Carina Cessak - CG Generalist - https://www.piacolada.com/ Mathilde Lund Søbrink - CG generalist Tristan Gallahger - CG generalist Fanny Wree, August Blicher Friis - Sound Design Mads Vadshold - Music The Animation Workshop Miyu Distributions

FOLLOW US BELOW: Jennifer - Cakegums (IG & Twitter) Helena - helenaschulin (IG & twitter) Joanna - joanszphoto (IG) Anna - anna_fischer_art / gun_mouse (IG & Twitter) Karoline - karolilie (IG & twitter) Laura - laurakbrodersen / laurakonradi (IG & twitter) Lho - lhobrockhoff (IG & twitter) Marin -marinmonserand (IG) Pia - piacarina_art (IG) The animation workshop - animationworkshop (IG) Miyu distribution - miyudistribution / miyudisrib (IG & twitter)

We really hope you enjoy watching this video! When you do, please hit the LIKE ✔️ SUB ✔️ SHARE ✔️ button as well as the bell symbol 🔔 so you'll be kept in the loop as new material is published on our channel! ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂

Help support TheCGBros by purchasing our official Gear!! ►https://teespring.com/stores/cgb-gear

Thank You for SUBSCRIBING -►http://bit.ly/2c8Fl8u ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂

Watch More CGI 3D Animated Shorts HERE ► https://bit.ly/2Bg4Wge

WANT TO GET FEATURED? If you’re a CGI ARTIST, SCHOOL, ANIMATOR, FILMMAKER, or STUDIO and would like your project showcased on TheCGBros simply apply here ►https://www.thecgbros.com/getstarted/

———————————————————— WHO EXACTLY ARE THECGBROS? CLICK TO FIND OUT ►https://www.thecgbros.com/who/ ————————————————————

FOLLOW US BELOW: ►Web - TheCGBros http://www.thecgbros.com ►Facebook https://www.facebook.com/TheCGBro ►Twitter https://twitter.com/TheCGBros ►Pinterest https://www.pinterest.com/TheCGBros/ ►Tumblr http://thecgbros.tumblr.com/

TheCGBros have permission to broadcast this video. If you believe this video should not be broadcast on our channel, please contact legal@thecgbros.com.

#Shortfilms #CGI #3D #VFX #VFXBreakdowns #Reels #MotionGraphics

[jsmnhlm]

AMAZE

Volume #5

Let´s talk about love bby. 2017 Berlin

Director / DOP: Henrik Alm Stylist: Nicole Walker Editor: Felix Aaron Sounddesign: Rip Swirl

Participants: Amra Novak, Brian Mboa-Ngoie, Einar Thoren, Fanny Schlichter, Jasmin Halama, Katharina Korbjuhn, LiljaNov, Marie Berger, Negroma, Nik Kosmas, Niklas Bildstein Zaar.

Music: Aids-3D, Bladee, Jonatan Leandoer127

Designers: Bless, Converse, Dumitrascu, Marie Lea Lund, Nhu Duong, Ottolinger.

[visualcultureconference2019-blog]

Abstracts: Day 1, March 19

Seeds of Knowledge: The Power of Beautiful Animation (Mimosa Wittenfelt) 

In order to create a constructive discourse about nature from one generation to the next, I believe that one must first enable an understanding of nature itself. One of the ways to do so is through the media that children consume. Animation has unique possibilities in how it expresses its core messages to its audience. It can and has been utilised as a pathway to encourage the younger generation’s innate curiosity and strive to learn through their entertainment. In my paper, I will explore how the film My Neighbour Totoro uses the beauty of animation to encourage children to learn about nature. Rooted in Japanese Shintoism, the portrayal of nature in My Neighbour Totoro is one of spirituality and mystery, beauty and comfort. By using aesthetic theory and analysing what the fan anime community has dubbed “sakuga” (here meaning “beautiful animation”) as well as Célestin Freinet’s pedagogical ideals, I will show how My Neighbour Totoro gives a template for how to encourage its younger demographic to learn by giving them an example that plays into the wondrous imagination of children, while still being planted in reality.

Visualizing Space: Visual Investigation from Saturn to the Moon (Emily Hsiang)

Modern science such as physics and math are becoming progressively abstruse, in this array of studies, one field stands out for its abundant visual images - space exploration. With growing numbers of unmanned spacecrafts exploring the Solar system, astronomical images captured by spacecrafts become not only important tools to visualize scientific concepts, but also as proof for successful discoveries. Could these images be a new type of landscape? Could they be the force of communication between the widening gap of abstract political and scientific discourse? What does the commodification of space images mean for humanity’s view of the Universe? Using images from unmanned spacecraft Cassini-Huygens mission and images taken from the Moon, I attempt to address these questions using WJT Mitchell and Verschaffel’s theories on landscape, as well as Arendt’s “The Conquest of Space and the Stature of Man”.

 Analyzing Visual Representations of Climate Change on Social Media (Victoria Grant) 

Visual communication across social media platforms is a critical but frequently underestimated contributor to the social and cultural life of environmental issues. My presentation hopes to use content and discourse analysis to examine visual representations of climate change on social media within the US. The US is currently one of the leading polluters, whilst simultaneously having a large population of climate change sceptics. I will examine images that appear on social media in distinction to 3 areas - science, politics and society. My presentation, which focuses on image- language interactions, leads me to determine that climate change is being inconsistently narrated to Americans through social media platforms. Although research suggests that social media can be an agent of positive impact by encouraging greater knowledge, enabling the mobilization of activists and providing an online forum for discussion through visual communication, it rarely galvanises sceptics into becoming agents of change for the environment. To combat this, I suggest that a modification of visual imagery in one area alone can positively impact science-society-policy interactions in regards to climate change.

Art, Ecology & Science (Kerstin Jakobsson and Jasmine Cederqvist)

ARNA is the only organization in the world to develop the Cultural Dimension of Sustainability as a tool for storytelling about a changing world.

They connect all their work to The Avian Kingdom, now the planned core for a new UNESCO biosphere reserve in Sweden, called Vombsjösänkan. The area is a rural valley, rich in history and ecological values. Rooted in this specific landscape ARNA's projects explore subjects in connection to Man and Nature with the aim to support a sustainable development. Their vision for Vombsjösänkan is for it to become the world's first UNESCO biosphere reserve to include the Culture Dimension of Sustainability from start.

With the starting point of Vombsjösänkan, the ARNA-project Art, Ecology & Science explored the connecting points, if there are any, between two different worlds; the nature in a biosphere reserve and the high-tech science facilities for material studies at Brunnshög just outside Lund. The project involved artists, natural scientists and children through the theme Perspective through details. The outcome is a rich variety of art works, photos and reflections through films and texts. All adding their story to Art, Ecology & Science.

HIDDEN LIFE AND DEATH (Ninette Koning)

As an artist nature is of great interest for me. I become aware of the subtle stuff which lies outside the focus of attention. For me it is a way to develop intuition, the unknown. My main field of art is within site-specific installations, which means that I take location and cultural history into account while planning and creating my artworks.

At ARNA I went out in the countryside with my gardening tools, bucket, gloves, bags for collecting materials and making photos. My way of thinking and exploring is through my hands. Thinking about a topic = thinking in material = thinking with my hands. I worked in the forest and made physical sketches on the beach of Vomb with materials as leafs, twigs, stones, sand, fish scales and fish bones.

The outcome of this artist in residence is the connection that I have made between life and death in Skåne; the burial sites, the presence of the army in the landscape, the birds in the Avian Kingdom, the use of colours in science technology, ancient Skåne-weaving and astronomical photography. Hidden life in the ground, in the sky and in the material at MAX IV.

  From mystery to mastery: a human perspective of nature through photography (Ana Laura Bezzi)

The need for images began with the simple fear of the unknown. Before any photographic image, the unknown nature was sacred. Mountains and oceans were here when we arrived on this planet - and they will most definitely see us leave. Even with all its greatness, humans tend to see Earth as a subject - to be lived on, to be discovered, to be exposed. Photography came as a proof of that. Somehow, the visual knowledge of nature makes us feel like we are conquering - instead of belonging. Landscapes end up connecting us to ourselves, rather than to nature. Jean Baudrillard used to say that “between reality and its image, there is an impossible exchange” - meaning that we are never actually in the real presence of an object. Because the more images we have, the more the idea of landscape becomes a cultural construction. Perhaps the only absolute truth in nature is seen through vivid experience. Therefore, if art is made by humans to humans, photography should not be seen as a solid form, but as a value.  

Living with Nature – A dichotomy between the wild and the tamed within eco-aesthetics (Fannie Baden)

In the past few years there has been in increasing trend incorporating plants and other green vegetation as home décor. The rise of eco aesthetics can not only be measured by the greenery in the home but also in the popularity of rustic furniture and other natural elements in the home. The act of including these ‘genuine’ ‘raw’ materials perfectly represents of the sublime through environmental materiality can be conquered. This power dynamic, in regard to physical ownership, is especially depicted by the ‘showing off’ culture on Instagram. This presentation will question the power relation between man and natural elements in the living space. It asks key questions to determine how the visual scheme corresponds with the environment: Do natural-based material goods really increase nature’s aesthetic value or does it decrease by shallow nature appreciation? With the use of aesthetic theory, the presentation looks at the subject form a contemporary point of view. With the use Instagram for visual evidence and notions from historical sources, the presentation enlightens the dichotomy between the wild and the tamed ecoaesthetics. What happens to our homes when we bring in nature, asking what kind of knowledge we need to appreciate nature as is or at home? 

Rootless Trees will Fall A brief history of Skåne (Loek van Vliet)

In the past ten years I’ve been exploring landscapes as a visual artist through the medium of photography. How we experience specific landscapes (Sacred Grounds), how through visual representation we identify with landscapes (Natural Climatebuffers), how the landscape is being experienced differently in different eras (Earthly Windows), and in this most recent body of work (Rootless Trees will Fall) our experience of an area through details, distance, perspectives and abstractions. The short stories created in this body of work are an exploration of what happens within the landscape. Landscapes, either in the experience of walking, or in the form of painting and photography, have always fascinated me. In many ways they show how we as a society see and use the world. These ‘stories’ are created as part of a one-month Artist-in-Residence in Harlösa, Sweden. As part of the project Art Ecology and Science. While being guided through the area, and meeting different experts in the field of science, physical geology and archeology a research question arose. How can a photographic approach give a new perspective on the Skåne landscape?

[goalhofer]

2020 Olympics Sweden Roster

Archery

Christine Bjerendal (Lindome)

Athletics

Vidar Johansson (Öjersjö)

Kalle Berglund (Jämshög)

Emil Blomberg (Järfälla)

Perseus Ibáñez-Gustavsson (Växjö)

Andreas Kramer (Sävedalens)

Simon Sundström (Stockholm)

Kim Amb (Solna)

Armand Duplantis (Lafayette, Louisiana)

Thobias Montler (Malmö)

Wictor Petersson (Malmö)

Simon Pettersson (Stockholm)

Daniel Ståhl (Solna)

Meraf Bahta-Ogbagaber (Stockholm)

Sarah Lahti (Klippan)

Carolina Wikström (Roslagen)

Angelica Bengtsson (Väckelsång)

Erika Kinsey (Nälden)

Sara Meijer (Göteborg)

Maja Nilsson (Stockholm)

Fanny Roos (Ljungby)

Khadi Sagnia (Helsingborg)

Badminton

Felix Burestedt (Vellinge)

Boxing

Adam Chartoi (Stockholm)

Agnes Alexiusson (Värnamo) Canoeing

Erik Holmer (Nyköping)

Petter Menning-Öström (Vaxholm)

Linnea Stensils (Vaxholm)

Cycling

Jenny Rissveds (Falun)

Diving

Emma Gullstrand (Stockholm)

Equestrian

Sven Svennerstål (Stockholm)

Carl Fredricson (Flen)

Rolf-Göran Bengtsson (Lund)

Peder Fredricson (Flen)

Henrik Von Eckermann (Nyköping)

Louise Romeike (Stockholm)

Therese Viklund (Stockholm)

Therese Nilshagen (Lodbergen, Germany)

Antonia Ramel (Bettna)

Juliette Ramel (Bettna)

Malin Barijard-Johnsson (Söderköping)

Sara Algotsson-Ostholt (Rockneby)

Soccer

Rut Lindahl (Katrineholm)

Jonna Andersson (Mjölby)

Emma Kullberg (Umeå)

Hanna Glas (Sundsvall)

Hanna Bennison (Lomma)

Magdalena Eriksson (Stockholm)

Madelen Janogy (Falköping)

Lina Hurtig (Avesta)

Kosovare Asllani (Kristianstad)

Eva Jakobsson (Örnsköldsvik)

Emma Blackstenius (Vadstena)

Jennifer Falk (Göteborg)

Amanda Ilestedt (Sölvesborg)

Gun Björn (Uppsala)

Olivia Schough (Vanered)

Ingrid Angeldal (Uppsala)

Sara Seger (Helsingborg)

Fridolina Rolfö (Kungsbacka)

Anna Anvegård (Bredaryd)

Julia Roddar (Falun)

Rebecka Blomqvist (Göteborg)

Zećira Mušović (Skåne)

Golf

Alex Norén (Stockholm)

Henrik Norlander (Augusta, Georgia)

Anna Nordqvist (Orlando, Florida)

Magdalene Sagström (Orlando, Florida)

Gymnastics

David Rumbutis (Älvsbyn)

Jonna Alderteg (Eskilstuna)

Handball

Jonathan Carlsbogård (Göteborg)

Max Darj (Göteborg)

Niclas Ekberg (Ystad)

Daniel Pettersson (Eskilstuna)

Andreas Palicka (Lund)

Hampus Wanne (Göteborg)

Mikael Aggefors (Stockholm)

Fredric Pettersson (Jönköping)

Felix Claar (Norrköping)

Lucas Pellas (Stockholm)

Albin Lagergren (Varberg)

Jim Gottridsson (Ystad)

Oscar Sunnefeldt (Mölndal)

Lukas Sandell (Reslöv)

Anton Lindskog (Kristianstad)

Johanna Bundsen (Uddevalla)

Carin Strömberg (Nacka)

Linn Blohm (Stockholm)

Jamina Roberts (Göteborg)

Melissa Petrén (Huddinge)

Mathilda Lundström (Stockholm)

Johanna Westberg (Nacka)

Jessica Ryde (Lund)

Sara Dano (Göteborg)

Anna Lagerquist (Lund)

Emma Lindqvist (Helsingborg)

Nathalie Hagman (Farsta)

Kristin Thorleifsdóttir (Stockholm)

Elin Hansson (Nacka)

Jenny Carlson (Göteborg)

Judo

Tommy Macias (Stockholm)

Robin Pacek (Stockholm)

Marcus Nyman (Tullinge)

Anna Bernholm (Älvsbacka)

Rowing

Lovisa Claesson (Jönköping)

Sailing

Jesper Stålheim (Karlstad)

Emil Järudd (Stockholm)

Max Salminen (Lund)

Fredrik Bergström (Onsala)

Anton Dahlberg (Växjö)

Olivia Bergström (Göteborg)

Lovisa Karlsson (Stockholm)

Cecilia Jonsson (Stockholm)

Josefin Olsson (Nyköping)

Shooting

Stefan Nilsson (Naglarp)

Skateboarding

Oskar Rozenberg-Hallberg (Malmö)

Swimming

Robin Hanson (Stockholm)

Victor Johansson (Nässjö)

Erik Persson (Kungsbacka)

Björn Seeliger (Södertälje)

Michelle Coleman (Vallentuna)

Emelie Fast (Solna)

Louise Hansson (Ramlösa)

Sophie Hansson (Ramlösa)

Sarah Sjöström (Salem)

Sara Junevik (Leksand)

Table Tennis

Anton Källberg (Stockholm)

Mattias Falck-Karlsson (Karlskrona)

Kristian Karlsson (Trollhättan)

Linda Bergström (Stockholm)

Christina Källberg (Stockholm)

Tennis

Rebecca Peterson (Stockholm)

Weightlifting

Patricia Strenius (Karlskrona)

Wrestling

Alex Kessidis-Bjurberg (Stockholm)

Sofia Mattsson (Gällivare)

Henna Johansson (Gällivare)

[kristablogs]

Animals have mysterious ways of finding their way back home

An inch-long bogong moth covers hundreds of miles of Australian terrain to return to its birthplace. (Ajay Narendra/)

For some species, neighborhood pride is more about survival than sentiment. Many creatures travel hundreds of miles to find resources before returning home to mate. How do they know where to go? Signature smells and magnetism help migrators, but some parts of the process are a mystery.

Aquatic animals generally just follow currents to open waters, but aromatic awareness comes in handy when it’s time to reverse course to reproduce. Lake sturgeon, for one, hatch in the pebbled depths of Wisconsin’s Kewaunee River and wend up to 100 miles to the Great Lakes, where they mature for a decade or two before the big paddle back. Less than 4 percent settle somewhere new. “They imprint on the river they’re born in,” explains Jessica Collier, a biologist at the US Fish and Wildlife Service in Green Bay. Sturgeon may use their whiskerlike barbels to sense proteins in the water, allowing them to sniff out their route.

Scientists put fanny pack trackers on young lake sturgeon to learn where they wander. (Dave Lawrence/USFWS/)

Species covering larger distances can tap Earth’s magnetism instead. Arctic terns fly 12,000 miles from pole to pole; loggerhead turtles cruise 8,000 miles from Japan to Baja; and bogong moths flit 600 miles across Australia to winter in caves. The bugs are so precise that they often mate and die on the same stretch of rock where they were born.

Still, the moths don’t rely entirely on the planet’s pull, says Eric Warrant, a zoologist from Lund University in Sweden. He likens them to hikers handling a compass: They set a course with cardinal directions, then adjust based on visual landmarks. But even this multisensory system doesn’t tell the whole story. “Their parents have been dead for three months when they’re ready to take wing,” Warrant says. They’ve never been taught where to go yet somehow inherit the instinct to seek specific waypoints.

Cracking these gene-driven impulses will provide a fuller picture of how more animals navigate, as well as help us assess if DNA-encoded intuition can withstand human changes like dams and light pollution. And if we do get in the way, research can offer ideas for how to help critters get where they’re going.

In late spring, the caves and hollows of Australia's Kosciuszko National Park fill up with migrating moths. But what draws them there? (Eric Warrant/)

This story appears in the Spring 2020, Origins issue of Popular Science.

[scootoaster]

Animals have mysterious ways of finding their way back home

An inch-long bogong moth covers hundreds of miles of Australian terrain to return to its birthplace. (Ajay Narendra/)

For some species, neighborhood pride is more about survival than sentiment. Many creatures travel hundreds of miles to find resources before returning home to mate. How do they know where to go? Signature smells and magnetism help migrators, but some parts of the process are a mystery.

Aquatic animals generally just follow currents to open waters, but aromatic awareness comes in handy when it’s time to reverse course to reproduce. Lake sturgeon, for one, hatch in the pebbled depths of Wisconsin’s Kewaunee River and wend up to 100 miles to the Great Lakes, where they mature for a decade or two before the big paddle back. Less than 4 percent settle somewhere new. “They imprint on the river they’re born in,” explains Jessica Collier, a biologist at the US Fish and Wildlife Service in Green Bay. Sturgeon may use their whiskerlike barbels to sense proteins in the water, allowing them to sniff out their route.

Scientists put fanny pack trackers on young lake sturgeon to learn where they wander. (Dave Lawrence/USFWS/)

Species covering larger distances can tap Earth’s magnetism instead. Arctic terns fly 12,000 miles from pole to pole; loggerhead turtles cruise 8,000 miles from Japan to Baja; and bogong moths flit 600 miles across Australia to winter in caves. The bugs are so precise that they often mate and die on the same stretch of rock where they were born.

Still, the moths don’t rely entirely on the planet’s pull, says Eric Warrant, a zoologist from Lund University in Sweden. He likens them to hikers handling a compass: They set a course with cardinal directions, then adjust based on visual landmarks. But even this multisensory system doesn’t tell the whole story. “Their parents have been dead for three months when they’re ready to take wing,” Warrant says. They’ve never been taught where to go yet somehow inherit the instinct to seek specific waypoints.

Cracking these gene-driven impulses will provide a fuller picture of how more animals navigate, as well as help us assess if DNA-encoded intuition can withstand human changes like dams and light pollution. And if we do get in the way, research can offer ideas for how to help critters get where they’re going.

In late spring, the caves and hollows of Australia's Kosciuszko National Park fill up with migrating moths. But what draws them there? (Eric Warrant/)

This story appears in the Spring 2020, Origins issue of Popular Science.

[lansbibliotek]

Överenskommelsen ideburen sektor och Region Skånean ordnar årligen ett regionalt forum. Det åttonde äger idag rum på Folkets hus Bioborgen i Osby och temat är Möteplatser för Skåne att skapa framtiden i partnerskap. Dagen inleddes med tre fantastiska exempel på idéburna integrationsprojekt. Berne Andersson tränare för Vattenpolo teamet i Ängelholm kom med en fin eldsjälsberättelse, INitiativet i Lund har skapat arbetsplatser för nya svenskar och Talentbyrån i Skillinge som förmedlar lokala arbete till nyanlända genom SFI anordnat av Hyllie Park på Österlen. Partnerskap , Agenda 2030 och Skånes utveckling. Ann Svensen från IM uppmanade alla både offentlig sektor och idéburen sektor att förhålla sig till målen i Agenda 2030 utgå från det man redan gör och kroka arm med nya samarbetspartner för att lösa målen. Både för- och eftermiddag fanns valbara seminarier och jag deltog på Malmös överenskommelsen med den idéburna sektorn som heter Överkommelsen Malmöandan där ca 300 aktörer och organisationer deltog i arbetet med framtagandet. Nu kommer jag att delta på ett seminarie där projekten KRUT som Malmö stadsbibliotek genom Nina Sigurd och KOD för Sverige som drivs av Rosengårds fplketshus och Fanny Pelin. Båda projekten handlar unga och unga vuxnas demokratiska röst. via Bibliotek, bildning och media

[riffsstrides]

Jan Ludgren Trio

I Love Jan Lundgren Trio

Figaro, 2013

Jan Lundgren, piano

Mattias Svensson, bass

Zoltan Csörsz Jr, drums

Lundgren's trio, the Jan Lundgren Trio with Mattias Svensson (bass) and now Zoltan Csörsz (drums), broke through in 1997 with the album Swedish Standards, which won Orkesterjournalen’s Golden Record prize in 1998. In 2007, Lundgren became the first Scandinavian jazz pianist to be named an International Steinway Artist.

Since the early ‘90s, Lundgren has worked with a variety of Sweden’s leading artists both in the studio and/or at concerts. These include, inter alia, Dan Berglund, Povel Ramel, Putte Wickman, Bengan Janson, Jason Diakité, Peter Asplund, Monica Zetterlund, Lill Lindfors, Arne Domnerus, Jacques Werup, Goran Söllscher, Pernilla August, Georg Riedel, Göran Fristorp, Anders Bergcrantz, Sylvia Vrethammar, Jojje Wadenius, Bengt Hallberg, Lars Danielsson, Hayati Kafe, Lars Erstrand, Håkan Hardenberger, Miriam Aida, Ulf Wakenius, Michael Saxell, Rune Gustafsson, Nils Landgren, Pernilla Andersson, Hans Backenroth, LaGaylia Frazier and the Bonfiglioli Weber String Quartet.

Among the international artists Lundgren has worked with are Johnny Griffin, Mark Murphy, Eric Alexander, Richard Galliano, Paolo Fresu, Herb Geller, Joe LaBarbera, Andy Martin, Scott Hamilton, Arild Andersen, Pete Jolly, Bill Perkins, Peter Washington, Billy Drummond, Deborah Brown, Harry Allen, Grégoire Maret, Caecilie Norby, Chuck Berghofer, Tom Warrington, Paul Kreibich, Dave Carpenter, Mark Murphy, Conte Candoli, Jacob Fischer, Lee Konitz, Joe Ascione, Stacey Kent, Charlie Mariano, Jukka Perko, Morten Lund and Wolfgang Haffner.

Lundgren has recorded some 50 discs as leader or co-leader since 1994.These are on labels including ACT, Fresh Sound, Marshmallow, Sittel, Four Leaf Clover, Volenza, Alfa, Gemini and Bee Jazz. Some of Lundgren’s particularly well-received and strongest selling albums include the Fresu-Galliano-Lundgren recording Mare Nostrum (ACT), 2007, which had sold around 50,000 copies by 2014, and Together Again ...At The Jazz Bakery (Fresh Sound), released in 2011, which was chosen by critics at the UK magazine Jazz Journal as the year’s top jazz record. As a sideman, Lundgren has been involved in dozens of other recordings across a broad range of labels.

In addition, Lundgren has produced albums for the Volenza label, including recordings by the John Venkiah Trio, Fanny Gunnarsson Quartet and Hannah Svensson. He has also produced several of his own records.

 In August 2014, Lundgren released his second solo studio album, All By Myself (Fresh Sound), which is a collection of standards from the great American songbook. The album was voted best new release of 2014 by Jazz Journal's critics. Lundgren's newest release as leader, in January 2016, is a live recording with Mattias Svensson on bass and the Bonfiglioli Weber String Quartet, The Ystad Concert: A Tribute to Jan Johnasson (ACT).

in https://en.wikipedia.org/wiki/Jan_Lundgren