#FangFang

[catfindr]

[redem10]

Black Widow 2099 (Tania): Miguel, would you be interested in mind blowing sex with the hottest woman in all of Nueva york, there will even be a surprise at the end

Miguel: Are you planning on eating me after we had sex?

Tania: That's for you to find out *blow kiss*

-

Tania: Miguel, It just make us for us to be together, we are both spider-people, can't you see, fate has brought us together!

Miguel:...

Tania: We could produce incredibly powerful offspring! Will you deny evolution Miguel! Surely, the future of mankind is our hands,

Miguel:....

Tania: I can already see myself mothering our beautiful babies as I tell them everything about their father how he was this incredible titan of industry...

Miguel: You said was.

Tania: *Grins*

-

*Tania is eating some leftover meat the alchemax's at cafeteria*

Miguel: Tania, I told you many times, do not eat human remains on site.

*Tania cover up the containers infront of her and she looked ashamed*

Tania: Miguel! I'm sorry that you are catching me in the act! Believe me this is just a meaningless one time affair with an old fling...

*Eat up what's left on her fork*

Tania: See! He's gone now!

[janeradikian]

[mxescargot]

Chinastuck: kids' accents/dialects/speech

most of these just correspond to where they live lmao. the rest of their typing is close to canon (emote usage etc) ill put context for how chinese texting slang works if anyone asks for it

John: the most typical beijing mandarin you ever heard. talks in a fairly enunciated manner. when typing, sometimes uses kaomoji, number abbreviations, and uppercase latin letter abbreviations. occasionally uses single tildes after normal punctuation like this!~

Rose: shanghainese + kinda accented mandarin. hears john is from beijing and is like TEACH ME HOW TO SOUND LIKE U

uses abbreviations very occasionally. will sometimes use lots of tildes after messages~~~

Dave: bro raised him primarily on chongqing dialect, and he picked up other stuff on the internet. nearly incomprehensible to the other kids when they meet irl. frequent english loanwords. types with lowercase latin letter abbreviations even though they're a pain in the ass to do on a chinese keyboard.

Jade: jin mandarin, picked up some mongolian from grandpa harley. types similar to john but more tildes and kaomoji

Jane: uses some antiquated/outdated phrases like in canon. also very standard beijing mandarin, less enunciated than john. tendency towards using multiple punctuation marks!?!?!

Roxy: what would one sound like growing up without hearing other humans. uses lots of abbreviations like in canon. mayhaps the lots of tildes is a lalonde thing~~~

with gender stuff i could see them referring to everyone as TA in writing unless asked otherwise

Dirk: again, what would one sound like growing up without hearing other humans. uses traditional and sometimes even archaic spellings, unlike every other kid (he isn't taiwanese; he's just dirk). occasional "ironic" kaomoji. semifrequent japanese loanwords, sometimes english loanwords.

Jake: uses frequent antiquated phrases like in canon. jin mandarin + mongolian. sounds and types sort of like john.

[killbent]

google give me top 10 safest digital pets no virus please. google for the love of god

[ravi-617]

I demand a rosario + vampire reboot

[ausetkmt]

congress needs they own #Bravo tv show cause they throwin shade and callin names like their is no retribution. ooooo whitemensss.. y'all can be real messy specially on the congressional record. Damn

y'all don't even know how funny this is till you watch it and hear the sounds of Eric Swalwell goin in on him

and for the record her name is FangFang

[queen-chengfei]

remember that hot minute when jia fangfang was throwing around one of the all-time best FTDLO in WAG history

[savethelastdan]

💘 for ship of choice

fake relationship / mutual pining / dared to kiss

"Stop bothering my girlfriend," Lin Yiyang snaps without thinking.

Fangfang jolts back from the cash register to stare at him with wide eyes. Which makes perfect sense, since they're not actually - well. You know.

He's just been crushing on her for the better part of a few months. And she just spends a significant amount of her free time with him. For whatever reason.

"Girlfriend?" The weirdly familiar-looking man rolls his eyes. His crossed arms are still pressed to the countertop, pushing past the invisible line of space between customer and employee; just like his earlier, ear-reddening words. "Oh, please. I've gotten coffee here loads of times, and I've never seen you act like a couple."

He's stupid, he's so stupid, because the first thing Yiyang can think to do is sling an arm around Fangfang's shoulder and press a kiss to the side of her head.

Fangfang turns bright red and hisses his name under her breath; the customer frowns, and then Lin Yiyang's brain finally processes that this man is a regular.

Which means this lie won't exactly be a five-minute commitment.

[mijikai-tan]

Art trade for @ravi-617 I had so much fun drawing Fangfang x Yukari! 🥰💞 Thank you for giving me this opportunity to draw them again, they're a super cute couple!! 💖

[faeriedustunicorn]

Xiang Liu is the most human of the 3 suitors (4 if you count boring fenglong). YES THE OLD ASS NINE HEADED DEMON IS MORE HUMAN THAN JING. He leads a ghost army with no home or land for centuries and takes care of his army even after they leave whether retirement or death. Even if they discriminate against him he doesn't care he's there to lead that army! To keep his promise, ease his boredom, quell his loneliness all of the above and because he has grown attached to these sad and desperate people??

A random man pleads to him to take care of his sick mother and he agrees....just like that to experience what it is to have a mother???

Circle back to him living as a low status son in a rich family that stole and shit on the land of chenrong and experiencing how he's treated by nobility everyday just cuz of his status.

Also Jing does not waver when seeing Xiang Liu not because he is sure of Xiaoyao's love because he very much was not. He just thinks he's better than Xiang Liu and FangFang Bei because of his status and close relationship to Xiaoyao. Demons and lowly sons are beneath him that's why his rude ass always walk in like he own the place.

[chinesehanfu]

[China] Tries to restore the famous dance during the China Tang and Song Dynasties< Zhezhi Dance/柘枝舞>

The blogger tried to restore the dance by referring to the movements in many related reliefs and murals from the Tang Dynasty to the Five Dynasties, combined with the Tang Dynasty records of the dance.

< Zhezhi Dance/柘枝舞>

is a type of well-known "Jian dance/健舞"from the Tang and Song dynasties. The ancient "Yudiao" (羽调) has a piece titled "Zhezhi Qu" (柘枝曲), and the Shang Diao (商调) has "Qu Zhezhi" (屈柘枝), from which the dance takes its name. It originated from Talas (a region in modern-day Kazakhstan, once under the jurisdiction of the Tang Dynasty's Anxi Protectorate). Initially, it was a solo dance performed by women. The most popular form during the Tang Dynasty was the "Double Zhezhi Dance/《双柘枝舞》," performed by two young girls wearing red and purple silk robes, with Hu-style(胡人/Foreigner style) hats adorned with golden bells. They would dance in time with the beat of the Hu drums, their slender waists swaying in harmony with the ringing of the bells and the dance movements, creating a pleasant sound as they turned.

Zhang Xiaobiao/章孝标's poem 《Zhezhi /柘枝》includes the line "Zhezhi first appears, the drumbeat calls," and Bai Juyi/白居易's poem 《Zhezhi Ji/柘枝妓》 has the line "Three drumbeats strike, urging the painting drum." The dance features rich variations in movement, being both vigorous and lively, as well as graceful and charming. The sleeves of the dancer's costume alternately droop and lift, as described in the poem with phrases like "lifting sleeves amidst the busy drum" and "long sleeves sweeping into the embroidered train." The rapid and intricate footwork causes the golden bells worn by the dancer to produce a clear, crisp sound. Spectators are amazed by the dance's lightness and flexibility. As the dance nears its end, there is a deep bending motion of the waist.

-------- Annotation >Yudiao(羽调) & Shang Diao (商调)<

The Chinese pentatonic scale, or pentatonic mode, is a scale system commonly used in Chinese music. Ancient China named these five notes Gong, Shang, Jiao, Zheng, and Yu（宫、商、角jué、徵zhǐ、羽） in sequence, which is roughly equivalent to the singing notes in Western music notation. Noun (do), (re), (mi), (sol), (la).

--------

In the Song Dynasty, it evolved into a group dance, and the official music included "Zhezhi Troupe" (柘枝队). There were many variations of the dance in the past, though most of the original songs were lost by the Song period. Despite this, the dance still flourished. Since the Yuan Dynasty, the dance itself disappeared, and the name "Zhezhi Ling" (柘枝令) only survives in the lyrics and music.

Along with the Hu Xuan Dance (胡旋舞) and Hu Teng Dance (胡腾舞), Zhezhi Dance was one of the three major Western Region dance styles that were immensely popular during the Tang Dynasty, often performed to welcome foreign envoys gathering in Chang'an China.

【Historical Artifact Reference】:

China Five Dynasties and Ten Kingdoms Period Brick Carving Relics from Tomb Of Feng Hui 冯晖墓

< "Jian dance/健舞 & Ruan Wu/软舞>

Jianwu (健舞) is one of the categories of court music and dance in the Tang Dynasty, specifically referring to a type of martial dance. It signifies a dance style characterized by vigorous, forceful movements and a lively rhythm, in contrast to the "soft dance" (软舞).

The Tang people categorized the various small-scale entertainment dances and musical performances popular in the palace, noble households, and among the general populace based on their stylistic characteristics into "soft dance" and "martial dance" (jianwu). Originally folk dances and Hu music, these were later reorganized and adapted by the court's music and dance troupes, often performed at feasts. The music for these dances typically used elaborate wind instruments and fast string instruments. According to the "Fangfang Ji" (放坊记) and "Yuefu Zalu" (乐府杂录), soft dances included pieces like "A Liao" (阿辽), "Jianqi" (剑器), "Zhezhi" (柘枝), "Hu Xuan" (胡旋), "Hu Teng" (胡腾), "Huang Zhuang" (黄獐), "Da Weizhou" (大渭州), "Fu Lin" (拂菻), "Damo Zhi" (达摩支), and "Ling Da" (棱大).

Ruan Wu（soft dance）/软舞

Ruanwu (软舞) specifically referring to a type of graceful and elegant dance. It signifies a dance style characterized by graceful, delicate, and flowing movements, in contrast to "martial dance" (健舞).

The Tang people categorized the various small-scale entertainment dances and musical performances popular in the palace, noble households, and among the general populace based on their stylistic characteristics into "soft dance" and "martial dance" (jianwu). These dances, originally folk dances, were adapted by the court's music and dance troupes and were often performed at feasts. The movements of soft dance were light, graceful, and elegant, resembling either a startled swan or a flying swallow. According to the "Yuefu Zalu" (乐府杂录), the main soft dances included "Liangzhou" (凉州), "Lüyao" (绿腰), "Suhexiang" (苏合香), "Qu Zhezhi" (屈柘), "Tuan Yuan Xuan" (团圆璇), "Ganzhou" (甘州), "Chui Shou Luo" (垂手罗), "Hui Bo Yue" (回波乐), "Lanling Wang" (兰陵王), "Chun Ying Zhuan" (春莺啭), "Ban She Qu" (半社渠), "Jie Xi" (借席), and "Wu Ye Ti" (乌夜啼).

Next time I will make a post to share to the Tang Dynasty "soft dance/软舞" restored by Choreographer：@李诗荟

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"Taiping Yue": Ji《太平乐》· 急 (Great Peace Music: Quick), an instrumental movement in the Dashi mode (Chinese: Dashi diao, 大食调, equivalent to the Mixolydian mode on E), dating back to China's Tang Dynasty, as reconstructed by Bilibili user "männlichkeit," c. January 24, 2020. As the final movement of the suite "Taiping Yue," this piece is known by the title "Hehuan Yan" (合欢盐, Happy Together Song). According to musicologist Steven G. Nelson, this suite probably had its origins as a military dance, perhaps of the pozhen yue (破阵乐, literally "destroying the formations") type, in Tang China, which was transmitted to the Japanese court by the early 8th century, then arranged into a suite in the Japanese court of the mid-9th century.

In the context of the piece's title, the term "yan" (塩), which usually means "salt" in Chinese, refers to a particular type of poetic song popular during the Tang period (a synonym for "qu" 曲, meaning "piece"); "yïr" or "yır" means "song" in Turkic languages.

This reconstruction is based primarily on the version of this piece as found in "Sango Yōroku"『三五要録』, the most important and extensive collection of Tang-era scores for 4-string pipa; this collection was compiled by the Japanese nobleman Fujiwara no Moronaga (藤原師長, 1138-1192) shortly after 1177 (c. 1180), during the late Heian period (794-1185).

In Japan's tradition of Tōgaku (唐楽, court music of Chinese origin), this dance suite movement is called "Taiheiraku": Kyū《太平楽》· 急 (たいへいらく：きゅう), with the movement title being pronounced "Gakka-en"《合歡塩》(がっかえん). Its mode is called Taishiki-chō (大食調) in Japanese.

__________________

🧚🏻‍♀️Dancer & Choreographer：@李诗荟

👗Hanfu：@君子山岚

Venue Provider：@包意凡

Lighting Design：@大彤寶殿的彤寶

Music ：@männlichkeit（BiliBili）/@dbadagna（Youtube）

🔗Full Video on Xiaohongshu App：https://www.xiaohongshu.com/explore/674995190000000008005fc6?

__________________

[hollowfaith]

「✧」 His senses are sharper, though it doesn't help much. As Eiden distances himself Aurelius is suddenly all too aware of the size difference between them, of the sharpness in those extended claws, of the deep-throated threat issuing from that cat-like throat.

The suddenly furrier human is offering him a gesture of peace, but his instincts are screaming to mistrust him. He's taller, heavier, somehow more dangerous; it'd be a fool who initiated contact unprepared. It's an irrational thought, but it doesn't leave him alone, making the angel twitchy and tense.

Also, that name.

Aurelius doesn't know what to make of it and decides that hate is the default option. After all, since when had Eiden's naming sense ever impressed him? With a sniff of his nose, the white ermine darts up the length of Eiden's arm like a car speeding up a ramp before standing on his hind legs to nip the guy on his freshly fuzzy ear.

Not spotting anything to have been stolen Eiden returns to the clothes pile. His ears perk up with excitement.

" Top---hm? "

He blinks. No. Topper's plumper than that. The cat's pupils grow smaller as he tilts his head for a look. As their eyes meet there's spark of recognition though but right now it's only the 'that's strangely familiar'...

" ..whoa!! "

As the white flurry dashes towards him Eiden steps back, dodging the jump sliding back against the floor. He ends up leaning ahead, the clawed hands attaching to floor. Tail too shoots up with his upper body leaving him into stalking position.

After a grumble of a growl leaves him Eiden immediately blinks awake.

" Ahh sh--... sorry little guy ! " he apogizes as he gets up again revealing the set of fangs for a smile.

" Sorry you gave me a fright there! Let's try again hmm.... Little Fanfang-showmax Freeze Fate? How's that for a name eh? "

He now extends his partially furry arm for the animal to climb into.

[ravi-617]

Yet another pile of sketches to dump into the endless WIP void