#Fabric Inspection Rewinding
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Rediscover ⢠Part 1 ⢠7 - Nero
Previous â˘Â Series Masterlist â˘Â Part 1 Masterlist ⢠Next
Nero follows the director, whom she now knows as Marilyn down the Hospital-like hallways. They still unnerve her, itâs surprising considering how much time she spent rearing young Rewinds in sterile environments.
âIâve heard youâve had a job in nursing, tell me about it,â Marilynn asks her.Â
Nero scratches the back of her neck. âIt was more like an advanced daycare, my job was really just to educate the fresh Rewinds and make sure they felt comfortable in their bodies.â
âHmm, thatâs good nonetheless, keeping teens in a good state of mind will be a big part of your job.â
Nero is confused. âWonât there be children too?â
Marilynn laughs. âI sure hope not!â
Soon they close in on a room simply labelled âTraining Roomâ. Nero watches as Marilynn walks over to a filing cabinet to the side and picks out a DVD case. She opens it and hands the DVD to Nero.Â
âInsert this into the player when you go in, itâll start up immediately.â Nero notices that almost all of Marilynn's peppiness is gone like life has drained out of her.
âIs something wrong? Are you okay?â
She looks at Nero, confused. âNo?â She opens the door to the room for her, the first thing Nero notices is the only furniture in the room consists of a TV and its disc player, a comfy chair, and a side table simply holding a box of tissues. Nero snickers at the side table, âIs training the only use of this room?â
Marilynn looks to the side. âThe walls are sound-proof, sometimes people will scream in here to get rid of pent-up frustration.â
Nero looks back at the tissues. âRiiiiiiiiiiiight.â
Marilynnâs voice, despite being dead of all emotion, somehow becomes soft, yet authoritative. âThere are no security cameras in there, take your time and come out when youâre ready.â
Although still miffed about the ambience of this situation Nero steps through the doorway and is promptly closed in by Marilynn shutting the door for her. Nero inspects the room more, its floor and walls are made up of white fabric panels. She knows theyâve been there for a long time as when she softly punches one of them dust waterfalls out of it.Â
âThis room is a big fire hazard.â She whispers to herself. She looks at the block of light on the wall and follows it back to a small window on the other side of the room. Itâs placed in a way one would place a basement window, though Nero knows she isnât underground. She finally goes to sit down in the chair, picking up the player from the floor. She inserts the disc and watches as the TV screen illuminates. Free-Range Camp Nursing: The Hand-Holder Nurse is what the screen reads, at the bottom of the screen she catches the words Happy Jack, those words seem familiar to her, has she heard them before? Perhaps they were listed as funders for this camp, this camp is called Jackâs Canadian Summer Camp after all. The video starts with a narration, it sounds like an older woman, maybe, the voice seems so cigarette-filled that it is hard to tell the gender of the voice.Â
Nero sits cross-legged as she sets the player down.
âA Hand-Holder Nurse is a very important job in a Harvest Camp, you will have the greatest impression on everyone you see.â
Harvest Camp? Harvest Camp! Nero has heard those words many times before she believes the last time sheâs heard them was when Roland was talking about the events leading up to his original bodyâs unwinding. Wait, then what is she watching, oh god what is she watching?Â
âThe job is very simple, you are to keep the unwind calm during the process of unwinding.âÂ
What! WHAT! SHEâS TO WHAT! The screen then suddenly cuts to a boy panicking on a table, the boy is about Samâs age, and he even sounds like Sam. Nero finds herself off of the chair and onto her knees she feels the static coming from the old TV as she has her hands pressed to it. The boy cries for help as directions on how to act are spoken, from the boy's reaction itâs clear that the instructions arenât an audio overlay, theyâre being told to you in real-time as the boy screams. As the video plays on it shows how to direct the unwindâs attention away from the cutting, itâs mostly focused on the face of the unwind, that poor, poor child, until it flashes to his body being taken apart. Suddenly, Nero feels her body tense up and ache; she curses as all the scar tissue stings like thereâs no tomorrow. Sheâs really in for it now.Â
Nero canât even pay attention to whatâs on the TV screen anymore the voices scream in her head crying out wanting to go back to their bodies. They canât, and they never will, not without tearing Nero apart herself, and she doesnât want that. It seems like all those opportunities Nero takes lead her back to rotting in situations heâd rather not be in. Being at that support group brought her friendship with Roland, yes, but it also brought her pain through no one understanding or wanting to understand how she saw her own life. She found peace for a moment in the academy, but it only led to her friend becoming miserable and her going back to the military. And now she lays convulsing against the floor knowing she made another mistake of bringing her and Roland here. She couldâve been with Sam now, she wouldnât care that sheâd be on Molokai if she had her brother by her side. If she still didnât want to be on Molokai, she couldâve been brewing coffee at three in the morning for Roland as he told her about all the crazy stories that came with being an EMT Helicopter Pilot. For a brief moment through all the struggling Nero hears only a blurb of the film. âReassure the patient after their eyes have been removed that you are still here, then only, will you be allowed to leave.â Nero receives the worst headache ever as her brain implodes on itself screaming traitor, liar, and whatnot. She feels her fingers dig into her shoulders and her legs kick into the ground as Roland, Beth and her Biobuilder fingers do whatever they can to rage in her convulsing body. Nero lays on the floor teary-eyed wanting all of this to end, the video, the convulsing, and being stuck on this smelly padded floor. So she does the only thing she can, She takes a deep breath and lets out the loudest, anger-filled, blood-curdling scream she can muster up.Â
âYou have come to the end of the training video, please return to your camp director when possible.â
Nero stares at the ceiling feeling sobered up, sheâs finally able to reach up and grab tissues from the box. She feels hopeless in her situation as she stares at the end card of the video. Nero knows sheâs in the palm of the enemy, and she must find a way out of it. But first, sheâll cry, sheâll cry her big heart out, sheâs not sure if itâs the homesickness or the fear of what waits for her on the other side of that door, but she knows it canât be good.Â
She looks at the garbage pail hidden from her sight when she first walked into the room. Nero goes to put the Kleenex in the garbage only to have second thoughts, she wonders if the staff would check the garbage after sheâd left. See if she had cried. Nero stuffs the Kleenex in her bra before opening the door, outside is Marilynn waiting for her, Nero wouldâve jumped if this wasnât exactly what she expected.Â
Marilynn has the same stone-cold face when Nero returns the disc to her. She expects Marilynn to say something to her, but instead, she lifts Nero's veil and Nero immediately slaps her away. That gets Marilynn to react.
âStrong hands,â Marilynn mutters. She puts the disc away and ushers Nero into a backroom. Nero wonders if the shelves are planted on the wall or if she could knock one over and easily kill the director, pretending it was an accident.Â
Nero snaps out of it after being handed a few garments, she looks at the shirts, noticing they are a bright, sunshine yellow.Â
She cringes at them. âIs there any other colour?â She asks.Â
Marilynn blinks at her. âWe all wear yellow.âÂ
Nero huffs. âIsnât Maha wearing blue?âÂ
âWe donât have any blue shirts your size.â
Nero holds the garments close to her, frowning, she goes towards a bathroom to change. Upon entering she looks in the mirror to see a veiled figure looking back at her. Somehow the hard plastic mask she wore when she came here seems more comforting now. She begins to slowly undress and redress herself, although now wearing more modest and flowy attire she feels even more trapped and exposed than before. She feels nauseous like a patient anxious before their first surgery, not sure what exactly to expect. She takes the tissues out of her bra and throws them into the garbage already in use. Before leaving the bathroom Nero takes one last look at herself, her nose is stuffed, her eyes are puffy, and she has a very noticeable pout. She takes a deep breath and calms herself like she was taught to. At least serving in the military had some use in the end. She takes one last look at her yellow shirt and then dismisses it before her legs get any second thoughts and starts falling on her.Â
She returns to the main room to see Marilynn with Maha at her side, and she notices Marilynn has something in her hand. Once she gets close enough sheâs handed the paper, Nero shouldâve been surprised by what she saw, but when else would Marilynn have given her the list of every unwindsâ appointment with her?Â
âYouâll have to tell me how the first one goes.â Maha smiles. âIâll be more ready for Fatima when her time comes.âÂ
Nero canât exactly give the stink eye if her eyes are out of view, so instead she turns her head to Maha for an uncomfortably long second before looking away. It gets her point across. Nero looks back at the paper and notices something. âWhy am I hand-holding a 19-year-old?â She asks.Â
Marilynn clears her throat. âThatâs Connor Lassiter, known for forcing unwinding out of the United States.âÂ
Nero looks at her, confused. âIsnât he a liberty fighter?âÂ
âA war criminal really. We plan on unwinding him first before anybody else,â Marilynn gets closer to Nero. âI need you to gain his trust, heâs obviously hatching a plan to destroy us, and I need to be one step ahead of him, understand?âÂ
âYes maâam!â Nero says out of habit before biting her tongue.Â
âGood.â She then leaves Maha and her alone, Maha takes the hint that Nero doesnât like her and leaves soon after.Â
Nero looks at the page again, Connor Lassiter/Robert Saltries, set for unwinding on the 24th, thatâs the guy sheâll help if she wants this place crushed beneath her feet.Â
#unwind#unwind dystology#unwind series#unwind fanfic#sequel fic#roland taggart#unwind oc#connor lassiter#recalled nero t.
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Professional Fabric Inspection machine Presentation :
Fabric inspection machines are used to inspect fabric materials in order to find manufacturing defects(weave), mechanical defects (holes) and dirty spots. For convenience of operator inspection machines have an illuminated panel, under the material. This machines rewinds and measures fabric in order to verify declared by the manufacturer length of roll oraz precisely mark distances between defects on the inspected roll of fabric. Yet another very important feature of the inspection machine is to ensure even tension of rewinded fabric. This is a very important condition for spreading and cutting operations in future. Fabric inspection machines are used by manufacturers, where high quality of manufactured products forces additional quality check before materials are sent for spreading and cutting.
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8 common machine embroidery problems

Taming the Thread: Conquering 8 Common Machine Embroidery Problems
Machine embroidery allows you to create stunning designs on fabric, but even the most seasoned stitchers encounter occasional roadblocks. Don't let these problems prevent you from achieving beautiful embroidered finishes! This guide explores eight frequent machine embroidery issues and provides solutions to get your projects stitching smoothly again. 1. Thread Terror: Breakage Blues Upper Thread Snapping: This can be caused by several factors. Ensure proper threading, checking for snags on the thread path or a rough needle eye. Adjust the upper thread tension â too tight can cause snapping. Consider using a higher quality thread designed for embroidery. Bobbin Thread Breaking: An improperly wound bobbin or a bobbin case with rough edges can snag the thread. Rewind the bobbin with even tension and inspect the bobbin case for damage. Ensure the bobbin is inserted correctly and the tension is balanced with the upper thread. 2. The Not-So-Smooth Stitch: Uneven or skipped stitches are frustrating. Check the needle for burrs or bends and replace it if necessary. Ensure the correct needle size and type for your fabric and thread weight. Verify proper threading and tension settings. Sometimes, cleaning the machine's feed dogs and tension discs can resolve stitching issues. Consult your machine's manual for specific cleaning instructions. 3. The Dreaded Bird's Nest: This tangled mess of thread beneath the fabric occurs when the upper and bobbin threads don't catch cleanly. Re-thread both threads, ensuring they lay flat in the tension discs. Check for loose bobbin casing components or a worn-out tension spring. Using a water-soluble stabilizer can help prevent birds' nests in some fabrics. 4. Puckering Up: Puckered fabric around the embroidery is unsightly. The culprit is often improper hooping. Use a stabilizer that matches the weight of your fabric, and hoop it taut but not drum-tight. For knits or lightweight fabrics, use a floating technique where the fabric lays on top of a layer of stabilizer within the hoop. 5. Thread Shredding: A blunt or incorrect needle size can shred delicate threads. Choose a sharp needle appropriate for your fabric and thread weight. For thicker threads or dense stitch patterns, consider a larger needle. Using a higher quality thread designed for embroidery can also improve durability. 6. The Wandering Design: Stitches that veer off course can be caused by loose fabric in the hoop. Re-hoop your project with proper tension. Additionally, a stabilizer that's too weak or the wrong type for your fabric might not provide enough support, leading to shifting. 7. The Unruly Machine: Unusual noises or slow stitching can indicate an underlying issue. Consult your machine's manual for routine maintenance procedures like cleaning and oiling. Ensure the bobbin is properly seated and the needle is securely tightened. If these steps don't resolve the problem, consider seeking professional servicing for your machine. 8. Design Dilemmas: Improperly digitized embroidery files can lead to stitching problems. If you suspect the design is the culprit, try contacting the digitizer for assistance. There are also software programs available that can help you edit and troubleshoot embroidery files. Bonus Tips: Invest in quality supplies:Â Using good quality needles, thread, and stabilizer will significantly reduce embroidery problems. Practice on scrap fabric:Â Before starting your final project, experiment with different settings and stabilizer combinations on a scrap of fabric that matches your project materials. Consult your machine's manual:Â It's a valuable resource for troubleshooting and proper maintenance procedures. Join online communities:Â Online forums and embroidery groups are a wealth of information and support. Conclusion: Machine embroidery can be a rewarding hobby, and with a little troubleshooting know-how, you can overcome common challenges and achieve beautiful results. Don't be discouraged by occasional glitches â consider them opportunities to learn and refine your skills. With practice and the knowledge to address these eight frequent problems, you'll be stitching stunning embroidery designs in no time! Read the full article
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Nonwoven Rewinder: Unraveling Efficiency and Quality
Nonwoven materials have become integral to various industries, from textiles to healthcare. To ensure the efficient production and utilization of these materials, Nonwoven Rewinders play a pivotal role.
The Basics of Nonwoven Rewinders
Nonwoven Rewinders are specialized machines designed to handle and process nonwoven materials. These machines are essential for rewinding, cutting, and inspecting nonwoven fabrics, ensuring they meet industry standards.

Key Features of Nonwoven Rewinders
Precision Rewinding: Nonwoven Rewinders offer precise rewinding capabilities, resulting in consistent and high-quality rolls of nonwoven material.
Inspection Systems: Many Nonwoven Rewinders are equipped with advanced inspection systems that detect and address defects, enhancing product quality.
Versatility: These machines can handle various types of nonwoven materials, making them adaptable for different industries.
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Nonwoven Rewinder find applications in several industries, including:
Textiles: They play a crucial role in processing nonwoven textiles for clothing and upholstery.
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Benefits of Nonwoven Rewinder
Investing in Nonwoven Rewinder can bring several advantages to businesses:
Improved Efficiency: These machines streamline the production process, reducing downtime and increasing productivity.
Quality Assurance: Nonwoven Rewinders ensure that the final product meets the required quality standards.
Cost Savings: Enhanced efficiency and reduced material wastage result in cost savings over time.
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Drawing from extensive industry experience, we can confidently assert that Nonwoven Rewinders are indispensable for any business involved in nonwoven materials. Their ability to improve efficiency, maintain quality, and reduce costs makes them a valuable asset.
FAQs
Q: Are Nonwoven Rewinders suitable for small-scale businesses? A: Yes, there are models designed for small-scale operations, offering cost-effective solutions.
Q: Can Nonwoven Rewinders handle delicate nonwoven materials? A: Absolutely, advanced models come with precision control to handle delicate materials.
Q: What maintenance is required for Nonwoven Rewinders? A: Regular cleaning and servicing are necessary to ensure optimal performance.
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Fabric Rewinding Machine
With a lot more effective winding unit (from your roll cradle on to the tube), duration measurement gadget. Vital characteristics: - Fabric rewinding machine / inspection machines with backlighting display deliver quickly, quick good quality Command and measure material size. - Equipment can have a created-in lay handbook (version /R) or semi-automatic (Model /A) finish-cutter for greater performance within the office. - A wonderful choice for all textile suppliers and businesses that manage any type of fabric. - The device winds material from a roll positioned Within the cradle over a Main put on a winding shaft. - Superior winding velocity (fifty m/min or sixty m/min). - Mechanical counter (yards or meters). - Easy fabric roll installation. - Body made from powder-coated steel.
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handmaid - 26
PAIRING: mob!sebastian stan x ingenue!reader
WARNINGS: age gap, mention of weapons and gunshotsÂ
A/N: Â will i ever write a chapter without a musical reference? no as i literally cannot help myself.
NEXT CHAPTER
The night was like a warm blanket tonight yet the world somehow seemed wider, brighter as she laid against his chest, hearing his heart softly beating against his ribcage. The sound itself sent her in a spiral of her own mind, the sound itself proved he was alive, he was real and he was there. Laying down next to him was just the right thing to do despite it being at the same time the wrongest of all wrong things. Sure, this was the man Gwen had been promised to ever since she was born but at the same time whenever she was next to him he seemed like a completely different person than the mythical mob boss her mind had fabricated over the years. When she was next to him he was her lover and at the end of the day that was what overwhelmed her overall perception.Â
   - What are you thinking about? - Sebastian slightly raised his head with precaution as to not disturb her. - Youâre very quiet. Â
   - Just basking in the feeling. - she looked up to him without really moving the rest of her body, hand remaining in its imaginary circle drawing. - We should probably return to doing what we were doing.
   - I think thereâs more boxes in the garage. - he sat up, arms wrapped around her figure so she didnât fall off his lap and landed on the ground. If it was up to him, he would remain in that position for another hour with his nose buried in her hair smelling the scent of her fragrance mixed with her shampoo. - Maybe thereâs something there.Â
  - You donât need to do this for me. - she pushed her hair to the side, cocking her head slightly as her hand searched the ground for her jumper which was colder than she would like due to the winter weather just outside. - I know you probably have your own business to take care of.Â
  - Iâm a good multitasker, my angel. - he kissed her naked shoulder before she slide her jumper on, shivering at the contact of her warm skin with the cold fabric. Y/N gave him a playful smile followed by a roll of the eyes before getting up, picking up his garments in the process and throwing them at him.Â
Smiling like a fool who just won the lottery, and in a certain way he sort of had, he got dressed up in the wrinkled clothes and wrapped his arm around her natural waist before leading her out of his office and into the life to the garage. If there was a room in the house that was always, if not ever since its construction, in chaos, it was the garage. Whatever he didnât want in his home anymore or anything for which he didnât have space, he would send it down to the garage which meant the room was filled to the brim with boxes and boxes along with some record books and more contracts, most likely belonging to his father as Sebastian prided himself in keeping an electronic copy of all his contracts, just in case. Y/N couldnât help herself but sneeze at the amount of dust that had gathered over the years as she grabbed one of the boxes. Surely he had enough money to hire someone to clean it, however it seemed to always escape his mind.
Sebastian took the other side of the box created walls while Y/N started to go through the first box which weirdly was filled with clothes, childrenâs clothes. She cocked an eyebrow in confusion, but continued to go through the boxâs contents, carefully putting the clothing off the box by her side until she reached a silver picture frame of a woman holding a baby whose gaze was somewhere else. She smiled at the warm nature of the photo which looked to have been snapped unknowingly. Her fingers traced the contours of the photo as she wondered who the two individuals were until she felt Sebastianâs hand on her shoulder.Â
  - Thatâs my mother. - he pointed at the woman in the photo. - And thatâs me.Â
  - Why is this photo here? - she asked, turning her head to stare at him. Y/N knew Sebastian clearly had a soft spot for his mother as he spoke of her like any kid spoke of their parents, something that didnât seem to occur whenever he mentioned his father whose relationship seemed to be more apprentice-master than father and son.Â
  - In all honesty, I didnât even remember it was down here. My father got rid of most stuff related to my mother after the divorce. - his hand left her shoulder as he took a seat next to her.Â
  - Youâve never spoke to me about your mother. At least not a lot. - it was in her nature to be curious, she found the most she knew about people, the best she could connect and help them out. Sebastian normally wouldâve taken curiosity at harsh value but whenever she asked him something, he couldnât help but feel wrapped around her kind nature.Â
  - Well, they got divorced when I was 6 or 7. Bad divorce, my mother didnât have enough money to get a legal team so my father got everything, including me. One visit a year ... she ended up dying when I was 14.
  - Iâm so sorry, Seb. - she wrapped her arms around him, kissing his temple, trying to console him the best way she could. Sebastian however had closed that wound a long time ago and instead looked inside the box she was looking at, recognising most of the items as childhood belongings. With a curious look in her eyes, his hand rummaged through the boxâs belongings taking an old teared by time stuffed bunny which gained Y/Nâs attention. - Whatâs that?
  - Oreo. - he said nonchalantly.Â
  - Oreo? - she giggled. - It has a name? You donât mean to tell me that the mob boss had a stuffed animal named Oreo.Â
  - Mob bosses arenât born mob bosses. - he put the stuffed animal back in the box. - I thought one of my kids might want it someday but if theyâre anything like Gwen, I think they wonât want something this old.
  - Right. - she swallowed her worries which kept telling her that she would never be the one to bore him a child. Mr. Williams words rang inside her mind like terrifying echoes. Mistress. Mistresses donât get happy endings. - Well, you have good taste, Oreo is a great name.Â
  - Good taste ... - his eyes seemed to rewind to a past time, leaving Y/N to look at him weirdly as he jumped on his feet to walk to a little shelf filled with books which turned to be photo albums. Looking through several pages in second-like intervals, he finally stopped in the middle of the album, a smile on his face as his memories proved right. Quickly moving towards the young handmaiden, placing the book in her lap. Her eyes glued to the photo which was of a round table filled with mostly men and little to no women, however, a specific woman stood out in the middle of everyone, a kind smile contrasting with the tight lipped smirks of the rest of the crowd. Around her neck a golden necklace just like the one which was wrapped around the young handmaidenâs neck. - I knew I remembered the name Robin.Â
  - What happened to her? - Sebastian sadly couldnât answer this question as he was rather young and most of the times forbidden to even be close to any of his fatherâs parties or dinners. Y/N flipped through the pages noticing she showed up in a few more pictures before completely disappearing. - She seems to stop appearing.Â
  - Whoever she was, she was no mere worker. My father had a rather elitist taste when it came to who got to attend his dinners and parties. - the theory that her parents didnât want her screamed at her again. At that point, it just sounded like the most plausible theory. Noticing this shift his attitude, Sebastian closed the photo album, putting it away from her. - You donât need to keep going, angel. You turned out just fine without them.Â
  - I know. - she forced a smile, trying to see if she could fool Sebastian but he was much too familiar with her characteristics to be easily fooled. Sighing, Sebastian took her hands in his, slowly yet surely getting her on her feet.
  - I think thatâs enough detective work for today. - he leaned down, pecking her lips two times, a smile on his face. Y/N nodded, thinking it would be best if she didnât dig in the past and together they returned to the lift which took them back to the penthouse. The lift doors slowly open and Y/N noticed her suitcase standing slightly to the side of the lift. She didnât think much of it knowing Sebastian to be a man who had man for everything so he had probably gotten someone to grab it earlier than mentioned. Even with that, she felt a somber heavy vibe in the air as she located her suitcase, something that seemed to push her down, like a weight. - Your suitcase is here.
  - Oh ... I guess I should just unpack. - his words took her from the glued, almost hypnotic glare at her own bag. Sebastian shrugged, letting her do her own thing, only offering his help to help her move the suitcase into her bedroom to which she declined.Â
Her intuition was telling her to be careful and as such, she closed the door behind her immediately opening her suitcase. There was nothing odd about it, mostly filled with the clothes she had brought to the Forrest along with other objects and personal belongings. Still there was a heavy weight which seemed to grow heavier and heavier as she folded her clothes and put them back in her wardrobe which hit a climax as she noticed a piece of white like fabric right at the bottom of her suitcase. She took a step back however her hand leaned forward, her fingers lightly tracing the fabric as if the fabric itself were a bomb.Â
The fabric itself didnât feel worn out and as she raised it into the air so she could inspect it better. It was an old fabric which at his prime was white but had started to grow slightly yellowish with the passage of time, the material of cashmere itself however still had the same comfort of a new one, almost as if it had never been worn. However, the most notable feature of the blanket was the cursive embroidery spelling Ella next to the silhouette of a robin. Without much thought to it, she brought the blanket up to her nose, inhaling what was reminiscent of fresh rosemaries on a hot summer day spent in a garden. Then out of the sudden, just as her nose sensed the scent of the blanket, a loud gunshot sound seemed to reverberate from the back of her skull to the front. She let out a scared scream, dropping the blanket on the floor as if the fabric was burning her hands. Her eyes scanned the room, looking paranoiacally for where the gunshot couldâve come for but there was nothing in her bedroom, there was no one in her bedroom. That was until Sebastian broke into her bedroom, black revolver set in the air to which she immediately put her hands up, noticing there were few tears rolling down her cheeks and meeting at her chin. Sebastian lowered his gun, after inspecting her bedroom for any threats.
  - I heard a gunshot. - her breathe came rather harshly through her mouth, almost as if she had been holding in her breathe.Â
  - There was no gunshot, angel. - his hands cupped her face, kissing the top of her forehead as she leaned into his embrace. - Your mindâs playing tricks on you.Â
  - No, I heard it. - she heard it, she could still hear it ringing in her ears like a never ending sound. Sebastianâs lips tightened as he embraced her tighter, letting go of his revolver on top of her bed. - I heard it.Â
 - I know, angel. I know. - he spoke very lowly, whisper-like even. - Youâre tired, you need some rest.
 - I swear I heard it. - she looked around, her eyes convincing her that there was no real danger but her mind telling her to keep her guard up, specially when the blanket on the ground caught her attention once more like a cursed amulet. Like a child, she hid from it on Sebastianâs shoulders, the contrasting cedar wood scent almost erasing the soft and fresh rosemary from her mind. She had heard it, she knew she had heard it. - Maybe youâre right, I just might be tired.Â
 - Câmon, I can make you a cheese toastie. - he rubbed her arm soothingly, a inviting smile on his reddish pink lips which just always looked so inviting. - Itâs gonna be alright, angel.Â
 - Well, Iâm surprised you can use a sandwich maker. - Y/N pushed the worries to the back of the brain, that part you only see when youâre trying to fall asleep or too lost in your own mind to visit those darkest parts which you hope disappear with time.Â
  - Iâm not completely incompetent in the kitchen. - she looked up at him, a seemingly calm smile masking all her worries. - I never set it on fire.
  - What an amazing astonishment. - she giggled, a hand coming to stand in front of her lips.Â
  - Câmon angel, letâs get some food in you.
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Beginnings
I,,,,couldnât help myself. I am very weak and needed to write this idea down as soon as I could. So, here you go gamers. <3 I love yâall and hope youâve had the best day on earth!
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Donella hasnât expected for any of this to happen. She hadnât expected to suddenly be launched into a parenting position, relying on the small, leather bound book that sheâd hidden behind a panel in the wall of the workshop after hours of listening to Ulla ramble about her son. Sheâd secretly hoped that sheâd be able to take care of the boy one day, alas it wasnât meant to be, but she kept the book regardless. Either way, she hadnât expected any of this to just...happen on the Thursday afternoon. But let's rewind, shall we?
  Walking through Pittsford was a hit or miss. One day you could be walking and it would all be fine and dandy, and the next, you could have a knife to your throat and someone demanding you give them your money. Luckily for her, it was one of the good days. No trouble going on whatsoever. Well, thatâs what she thought was happening until she saw the motionless body of a scruffy blonde haired child against a wall.
  A frown painted her features as she strolled over quietly, glancing down at the boy with a bloody stump for an arm. He was a mess - hair covering his face with glasses, the frame snapped where his nose was and barely sitting on it with cracks all over the thick lenses. His pale, freckled face had an assortment of cuts and bruises, a particularly gnarly one through his right eyebrow separating the hair there. The shirt he wore was far too big for him, the white fabric hanging off his scrawny frame and coated in grime, blood and mud as though heâd never washed it in his life. His feet were bare, presumably sore and throbbing with pain from having to walk on the terrible quality cobbled streets of Pittsfordâs lower class area.Â
The worst part however, was the significant lack of a right arm. Blood had pooled on the rocks below him, no longer dripping from the stump as apparent from the dried up puddle underneath him and on his shirt. Colour had drained from his face, well, at least Donella thought so as there was no way a kid could be that pale and it not be from blood loss. Heâd need to get that wound checked out before infection set in eventually, the arm severed from below his elbow. She shouldâve probably been more worried about his condition and the fact that his arm was nowhere in sight, but considering the harsh punishments for thieves that were caught in Pittsford, it wasnât uncommon for someone to lose an arm.
She lowered herself to his level, glancing over his small figure. âWhat should I do?â she thought as her eyes scanned over the curled up child. She could send him to an orphanage, but then they wouldnât get him the help he needed with his arm and the orphanages were already full as it was, unable to feed all the kids in their care. Heâd most likely die there if she sent him there. She could just leave him here, but...something stopped her. Maybe it was just something stupid, but all she could think about as she stared at the child was Ulla and how sheâd talk about her son all the time.
  ...Could she be a mother?
  She pondered the thought for a moment. Sheâd made notes on everything Ulla would tell her about childcare, such as certain things her son loved and liked, and this kid couldnât have been more than two years older than Ullaâs boy (Varian, was it? She couldnât remember at this moment, more concerned about the scene in front of her). She could also make him a prosthetic if he needed it - scratch that, because he definitely needed it. Donella could take care of him if she really put her mind to it, but she wasnât sure if she had the money to help two people. Surely sheâd have to lower some wages to be able to provide for him and teach the kid how to survive out here. With a groan, she scooped the boy into her arms, him unsurprisingly light, as she carried him down the street.Â
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  Blurry. Everything was blurry.Â
  Hugo grumbled as he pushed himself into a sitting position, only for two strong hands of a grey haired woman to push him back down. Where even was he? And who was she? How long had he been out? He glanced over to his right, a metal prosthetic greeting him and sticking out like a sore thumb against the pale skin of his shoulder. He couldâve sworn that the stall owner only severed from his elbow down, so how the hell had he lost the rest of it?Â
  âGood morning, kid. Youâve been out for three days since I picked you up and made your prosthetic.â the mystery woman muttered, placing his glasses in his hand. Upon closer inspection, however, they had new lenses with the middle of the frame crudely stuck together with some tape. He appreciated the effort though, carefully placing them onto his face and pushing them up his nose as he looked the woman in front of him up and down. âMy nameâs Donella. Whatâs yours.âÂ
  âHugo.â his voice rasped and cracked. How dehydrated even was he? A table on the left of his makeshift mattress decorated with sweet sweet water and a loaf of bread. He stared at it, his mouth watering and, when Donella gave an approving nod, he lunged forward to scoff the bread down. It had been so so long since heâd eaten something this beautiful and heavenly - in fact, he canât even remember when he last ate something like this. He gulped down the water and swore that Donellaâs stone cold expression cracked into a soft smile as he indulged himself on the treat placed so graciously in front of him.Â
  âWhy did you do this?â Hugo whispered as he gazed at the arm, the sunlight peering through the window glinting off the metal. It looked like titanium, but that was incredibly hard to come by in these parts - or at least for him. Maybe aluminium? Or steel? Perhaps copper? Nonetheless, it was an impressive feat even though there was a slight pain in his shoulder and he couldnât move it just yet.
  âBecause youâd die otherwise, either from blood loss or infection and I didnât want that on my conscience.â She shrugged and her cold stare fixed onto him, a shiver trailing down his spine at the sight. He bet that stare could make a grown man cry if he was being honest. âHow did this even happen anyway?âÂ
  Hugo took in a sharp inhale. âI...tried to steal something from the vendor that sells mechanical parts. Look!â he declared as Olivia rolled out of his shirt pocket, the small mouse trailing onto his fleshy hand before he moved her to his shoulder, the cold metal lingering on his hand. âI wanted to make some improvements to her, but he caught me and the law said that...this was a suitable punishment.â Donellaâs monotone expression shifted into a frown as she heard his story, the two in an uncomfortable silence as Olivia rolled happily on his shoulder.Â
  âImpressive creation.â She muttered, her face conflicted as if she was making a difficult choice. Hugo could almost hear the cogs in her brain turning. âSo kid, youâre obviously smart so Iâm going to give you a choice,â Donella started, shuffling to sit on the end of the mattress, her knees bending awkwardly as she sat down, the mattress directly on the floor which seemed to be made out of concrete or solid rock. âYou can either get sent back to the orphanage, or you can stay here with me. You can work for your keep and to pay off the debt for your arm, with a home to come back to. Which one?âÂ
  Hugo stopped eating for a second, his hands hesitating before he took another gulp of water. She was offering him a home. A family. A good life. He didnât even know her and she was holding out everything heâd ever wanted as if it was nothing. Hugo searched her face for any sign of lying or false hope, picking up on nothing but genuine feelings as her eyes locked with his. ��Okay.â he whispered, moving back in the bed as she rose to her feet.Â
  "You need a bath, kid. Just to get all that blood off of you and all." she commented to him as she started to walk out of the door and down the hall. Hugo sat in silence, playing with his hair as he waited for the woman to come back for him. She...really was here to help him wasnât she? She wasnât going to double cross him and leave him back in the alley, or throw him back into the orphanage where he really didnât want to go back. She actually wanted to be there for him. Wow. That was new.
  The woman - Donella - walked back in, an old, green tunic in her arms along with a jacket and some brown trousers with leather boots. âOkay kid. Here you go. It isnât much, but it's the best I can do.â She stated as she guided him along the hall to the bathroom, which was a small room with a little wooden barrel for a bathtub. âGet washed and go to sleep, it's been a long day.â she declared as she turned around and left the room, closing the door behind her, leaving Hugo alone once again.Â
  -----------------------
  As soon as she heard the boy leave the bathroom and his bedroom door creak shut, Donella strided down the hall to remove a panel from the wall. Inside the small alcove sat a leather notebook, already gathering dust and a pair of goggles from her former partner, Ulla. Keeping her footsteps as quiet as she could to not disturb the sleeping child in the room beside her, she made her way back to her room and sat on her bed, the object in question moaning under her sudden application of weight.Â
  Her fingers trailed over the cover for a millisecond longer than it shouldâve, the memory of Ulla lingering, as she shook her head and opened the cover to show parchment paper with ink staining their pages. Scanning over the text, she took in as much information as she could, the page illuminated by the small candle lit beside her bed. Scrawled across the pages were notes on Ullaâs parenting techniques for her little boy. Sheâd made them in hopes sheâd at least see the boy and be able to look after him at one point, but that was a wish of the past. The pair had long since separated after the whole...library incident. Her hand drifted upwards to trace the scar trailing over her chin before she shook the thought away and continued to read.
  Hours later, she finally set the book aside and let herself fall back amongst the pillows, the sound of snoring from Hugo loud enough to carry itself down the hall. A smile slowly fought its way onto his face, before she shut it down immediately and covered her face. God, she already cared too much about this kid. Oh well, she could look after him.
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Fire Flies with the Fleeting Time ~ Part Three: But I mean nothing to you and I donât know why

Summary: Reader grew up as an experiment in the Hawkins Lab. Born with the power to manipulate time, the Bad Men train them to be a weapon. But what they donât realize is, two years from now, their world is supposed to end. And Reader is there to see it. But when Steve Harrington recognizes them among the chaos, an anomaly occurs that drags them both back to the beginning. Now they must retrace their steps and save the world, but one wrong move might be enough to unravel all the time that they have left.
Word Count: 4.2k
Warnings: Swearing
Catch Up Here
You stare through the open door at the inner house beyond, frozen in place.
âUh.â Dustin, whoâs been holding the door for the last five minutes â leans towards Steve. âAre they gonna go in or...â
âJust, here. Let me ââ He steps around you, being the first to enter Dustinâs home. Your eyes snap away from the walls and doors to watch him spread his arms, spin in a small circle. âNothing happened. Itâs safe.â He turns back to face you and grins sheepishly, extending a hand and beckoning you forward.
You glance at Dustin and he waves you impatiently forward. A deep breath and you look at the still foreboding clouded sky before you scurry over the threshold, reach for Steve. A shiver runs up your arm as your fingers brush the palm of his hand. Dustin looks between you, shaking his head.
Itâs as he closes the door, begins to lock it, that you tense again. But miraculously, like Steve has already read your mind, he blurts, âkeep it unlocked.â
âWhat?â
âDonât lock it. Iâm â Iâm claustrophobic!â Steve shifts closer to you. âFeel better if itâs unlocked, yâknow,â he rubs the back of his neck. âEasier to uh, get some air in.â
Dustin narrows his eyes, his gaze flicking back to you. âRight...â He steps away from the door though, and you exhale, letting your shoulders drop. Steve squeezes your hand. âThis is mental,â Dustin mutters, brushing past you.
âHey so...you have a first aid kit around here? And a ââ Steve coughs, averting his gaze. âA change of clothes?â
Dustin cocks a brow and the corner of his mouth quirks up. âI donât think thatâs really how hand-me-downs work.â
He blushes at your expense and refuses to look at you. âI meant, pea brain, if you have anything of your momâs laying around. For ââ Steve presses his lips together and waves a hand in your direction.
The expression on his face seems familiar somehow. Like youâve watched him send Dustin looks of exasperation a thousand times over.
You shake off the feeling.
Dustinâs smile widens into a curious grin and he makes his way down the hall. âSure, I can go check.â
Steve waits until heâs out of view to go raiding his kitchen, opening and closing the fridge, scouring cupboards and drawers. He perches a knee on the counter and reaches up. âJackpot!â
âShould - should you be ââ
âItâs fiiiine.â He sends you a knowing grin as you follow him to a small table and starts pouring milk and lucky charms into a bowl. âBest friends in the future anyway,â he says around a shovelling mouthful.
âExcuse me, what?â You jerk your head towards Dustin, now standing in the middle of the hallway; nightwear crumpled in his arms, balancing the first aid kit under his chin. He dumps them unceremoniously on the table. âFirst of all, I leave for five seconds and youâve already figured out the entire layout of our kitchen and found my sugar stash? Then out of all the cool shit you couldâve revealed about the future and ââ He deflates, slumps into a chair to slam his head into his arms, and waves a vague hand towards Steve. âAnd Iâm stuck with you?â
âHey!â Steve jabs his spoon towards him and swallows. âI happen to be lovely company alright? And you should be glad I didnât tell you about Dart.â
âDart?â Dustinâs lifts his head.
âYou donât wanna know, man,â he says around another spoonful.
âToo late.â Dustin sits up, leans forward. Heâs almost bouncing in his chair. âWhoâs Dart?â Steveâs mouth turns down in an exaggerated frown and he shrugs. âCome on, you gotta tell me!â
âAnd risk tearing a hole in the space time continuum? Yeah, no. Thatâs not happening.â
While the two of them bicker, your gaze wanders around the home. If youâre going to be stuck here for a while, thereâs something you need to do. Your gaze snags on something in the kitchen, stuck in a wooden block and maybe thatâs just the thing.
You slip into the kitchen. Reach for one of the hilts.
âHey uh, hate to break it to you dude, but I think your partner might be preparing to stab you in the back,â Dustin says.
âHaha, very -â Steveâs gaze flicks to you just as you begin to inspect the small blade in your hand â- shit! Y/N!â His chair falls sideways as he leaps up, stumbling towards you.
âShhh! My momâs sleeping down the hall!â
Steve glares over his shoulder at Dustin before he slaps the knife out of your hand. It clatters to the ground and your breath hitches. You shy away until the small of your back is pressing uncomfortably against the edge of the counter. Steve steps forward and you flinch. âYou didnât cut yourself or anything, did you?â You look up, tears gathering in your eyes and shake your head. âShit, Y/N, I didnât mean to -â
âI can show you the bathroom if you want.â You both turn to Dustin, hovering awkwardly in the archway. âIf you want to, um -â he holds out his arms, offering over the nightwear.
You look down, hands twisting in your stiff, crusty, and blood stained hospital gown, swallowing your rising panic. Your heart slams against your rib cage but you nod. Carefully take the clothes from Dustin and follow him down the hall.
Dustin has the good sense to leave the door open a little, before he leaves you to your privacy. âOkay, what was that?â
You donât hear Steveâs response as you hurriedly slip the hospital gown off your shoulders and pull the light, frilly material over your head. It nearly swallows you but you realize with dismay that the sleeves donât reach your wrists.
Wrapping your arms tightly across your chest, you turn towards the mirror. Deep breath in. Deep breath out. You donât look at yourself directly as you turn the tap on, poke at the dark bruises blossoming over your cheek. They ache, your whole body does, but you shield yourself in the comfort of knowing that at least, being back in your time means that any injuries will fade away as time continues to rewind itself.
So long as the Bad Men â and the Upside Down â donât catch up to you.
The weight of the world falls on you again and a sob breaks past your cracked lips. You donât know what any of this means and the events are tangling in your head. Was the world crumbling around you? You want to believe that part never happened. But a nagging at the back of your head says otherwise.
You slide down to the floor, hands gripping your knees as you try to steady your breathing.
You slide down to the floor, hands gripping your knees as you try to steady your breathing.
On the one hand, youâre technically free. Youâre out of the lab. Youâre not trapped in that empty room anymore.
But then, how soon will you be brought back? Thereâs no telling what will happen when the Upside Downâs internal clock catches up to you. And those kids...maybe they wouldnât even give a second thought to taking you back there. Something tells you that would never happen. That even if it did, Steve would never â
Steve.
You close your eyes. Force yourself not to go there. The thing about time is, even if you forget - if thatâs what this is - it doesnât let the problems disappear. They are still there, pressed against the walls of your mind, and no matter what you do, you canât scrape them away completely. So you live with them, and hope that, because you forgot, they arenât important enough to address.
You wish thatâs not what it had felt like when the two of you were pulled together into this fucked up paradox.
But maybe youâve torn open more than just the fabric of time.
Thereâs a gentle knock on the door.
âY/N?â Your heart drops to your stomach. âHey, I - I wanted to apologize for scaring you. I just kinda...I saw the knife and freaked out âcause I didnât want you to - to uh...look, I have the first aid kit if you want to -â
You swing the door open. Steveâs wide-eyed gaze darts around the room before he spots you by the sink, and his expression softens immediately. Barely moving into the small bathroom, he crouches and sweeps his gaze over you. âWhat do you need?â
Your mouth drops open, words nobody has ever given you a chance to say sticking in your throat. You search his expression for any kind of cruelty, hidden meaning. But if there is any, you canât find it. You furrow your brow and look away.
âI can -â he licks his lips, inclining his head toward you. âI can leave if you want me to.â You snap your head back towards him and shake your head fervently. Something small and lopsided, maybe not quite a smile but something a bit more hesitant, breakable, curves into his cheek. âOkay. I wonât then. Can I?â He nods to the space beside you.
You scoot closer to the wall on your other side and Steve gracefully flops down. Youâre both silent for a while and you take the moment to watch him.
Already the cuts on Steveâs chin are starting to look like old scars from years ago past. A thin line runs from the corner of his lip, down the length of his chin. It wonât be gone forever, you know. As long as the future you left is in tack, it will appear again when the summer of 1985 comes around again, no matter if Steve is in the same fight or not. Even his hair, long enough to curl around his ears with blond highlights running through his thick locks, is starting to revert back to the shorter length his doppelgänger sports; blond beginning to fade and fringe beginning to trim itself back.
âYou werenât really going to stab me, were you?â He asks.
You blink, shaking your head. Besides a cocked brow that could be interpreted as anything, Steve gives no indication that he caught you staring. âNo!â You say too quickly. You clap a hand over your mouth, slump your shoulders, slip further down the sink.
He tips his head back and laughs softly. âGlad to hear it.â Your face flames and you duck your head into your arms. âSo, wait. Whatâd you want the knife for. Never seen one before or?â
For a second, you debate not telling him. But this is the least you should be worried about right now. You lift your head, and pull a chunk of hair forward, moving a finger over it in a slicing motion.
âWanna cut it?â You nod, biting your lip. Steve looks thoughtful for a moment, then heâs clambering to his feet. âJust, hold on a sec.â
He disappears back into the hall before you can do so much as protest. Murmuring voices float through the door before Steve comes back, a scrunchie over his wrist and an unfamiliar set of two attached blades. He drops them on the floor in front of you.
Your brows furrow and you look up with a frown.
Steve cocks his head, gestures at the objects. âYouâve never...?â You shake your head. âI uh, I can do it. If you want...not that you need to cut it,â he says under his breath.
You bite your lip, considering. What if he could do a lot worse than just a bad haircut though? You lean down and take up the double blades, spinning it in your hands. After a minute of inspection you start to press the outer edge against your hair and saw back and forth.
Steve lets out a breathless laugh and reaches a hand towards you. Your breath catches before he asks, âMay I?â
Your heartâs pounding, but you nod, holding out the blades handle first. He takes them, bends down and picks up the scrunchie. You watch closely as Steve carefully positions himself behind you and wait with bated breath.
He starts to gather the hair at the nap of your neck when a not-memory floods your senses.
Youâre on a bed in a room you both recognize and donât. Two girls are giggling behind you, one holding up ribbons against your dark locks while the other breads your hair back with an experienced hand.
âThis one?â You realize with a jolt that one of them is Eleven.
âNah, too dull,â the one you somehow know as Max says. âWe want something eye-catching.â
âEye-catching?â You and El ask in sync.
âYeah.â You donât need to see it to know Max is rolling her eyes. âItâs like, rule one in the dating handbook: dress to impress. Donât ask me why, it just is.â
âDating?â
âWh- what?â
In an instant, youâre back in Dustinâs bathroom, kneeling on the tiled floor. Something clatters to the floor. âShit,â Steve mutters as he quickly retrieves whatever he dropped. âSorry.â
Silence stretches between you as Steve fiddles with the scrunchie in your hair. Something in you says that you shouldnât ask, to just stay quiet, but every time you blink you see the not-memory reflecting against your eyelids.
You bite your lip, taking a deep breath. âWhat...what is it? Dating?â
Steveâs quiet for so long you worry he isnât even breathing. But then he stutters, âitâs â well I um â I donât â itâs...â He clears his throat. âItâs, like. You go out with someone, either you ask them out or they do and uh. If â if by the end of the âdateâ you uh, find that you are interested in getting to know them better or have butterflies in your stomach every time youâre both around each other then...then you continue to go out with them until the interest turns into something stronger like, um.â He exhales a long breath.
âLike?â
âLike attraction or â or love.â His voice breaks on that last word. Love.
Just after his says that thereâs a snip and your head tips forward with an immediate lift in weight. You reach your hand back, running fingers through the strands until you reach the newly shorn edges sitting just at the base of your shoulders. You smile and turn to Steve subconsciously. He gives you one in return, something wondrous and sad and different in his gaze.
He lost his love, the voice in your head says.
Steve averts his gaze and raises his hand. Itâs your chunk of hair, bound in one thick chopped off ponytail. âWhatâd you think, put this under Dustinâs pillow tonight?â
A laugh bubbles out of you bright and loud. You clap your hands over your mouth and shake your head. âDonât - donât get me involved if you do,â you whisper.
âExcuse you, itâs your hair.â
Another laugh slips past your lips before you have it in mind to stifle it. That is before the door opens. You startle, scooting back until you bump against Steveâs chest, him instinctively wrapping his arms around your waist to steady you.
You both stare with wide eyes as Dustin pops his head in. He looks to you, then to Steve, and back again. âAh, shit,â he groans. âReally? Now? Here I was thinking you ââ
âItâs not what you think,â Steve blurts, pulling away from you and standing.
âRight.â
âReally, man. Iâm being serious.â He offers you a hand and gently helps you to your feet.
Dustin sighs. âWhatever. Just came to say that whenever youâre ready, your bedroom is second down on the left.â He gestures towards the hall, narrowing his eyes at Steve. âYou can have the couch. Gonna be pissed if you burn the house down, Steve.â
âLucky for you, I wasnât ââ he folds his arms, ââ I wasnât planning on staying.â
âWhat?â You and Dustin spin towards him.
âOh really? And uh, where do you plan to go Steve? Back home where your so-called doppelgänger currently lives?â
Steve scoffs. âNo.â He averts his gaze and says under his breath, âWas gonna break into my car and scope around the neighbourhood.â
Dustin laughs. âDo that and Iâm not gonna be the one bailing you out.â
âHopper would help ââ
You grab his arm and look up at him, shaking your head. âDonât. Please.â One unspoken word lingers on your tongue that scares you more than anything you have faced today. But Steve meets your gaze, a hidden conversation and promise in his eyes, and nods.
âFine. Just, letâs finish patching you up yeah?â
You shake your head with a knowing smile, prepared to tell him about the physics of time. âNo need.â
******
Steve Harrington is incredibly, irreparably fucked.
Really, his entire life has been one big massive Fuck You. Raised with parents that didnât give a shit, friends who were willing to drop him at the slightest provocation â and did eventually â with a girlfriend that loved him enough to cheat the minute he chose his own self worth.
But before all that had started to break him, he met you.
You showed up, almost without any kind of trace of where you came from, what your past was â on November 8th, 1983.
Steve never really paid close enough attention to know you. Well, he *did* in some respect. You were ridiculously smart, nearly reciting your shared history class textbook word from word at every question the teacher posed, and perceptive. Almost none of the boys in your chemistry class ever got away with fooling around with experiments, least of all Steve himself.
There had been something about you, but he never knew that it could possibly have been tied to El, or the lab, or the Upside Down.
But he guesses now, that you had been called the Reset Button for a reason considering everything he had come to learn â or will or wouldâve learnt if not for the timeline set out in front of him now â that the Bad Man had asked of you.
The kids hadnât trusted you the second they saw you. It took all of his and Elevenâs efforts to change their minds.
But now itâs like none of that ever fucking mattered anyway.
Because you didnât remember him.
The mantra that heâs spent years building his walls around, rears itâs ugly head.
Itâs all just...bullshit.
Steve rolls onto his other side, face pressed into the couch cushions. Of all the times he has spent sleeping here and it still amazes him how uncomfortable Dustinâs couch really is.
He squeezes his eyes shut, hoping to be dragged into a dreamless sleep for once.
No sooner is exhaustion tugging at his brain that he hears it.
Whimpering.
His eyes fling open and he jerks up, searching around the living room, the kitchen, his gaze darting to the hallway.
It isnât until he hears his name, choked and muffled, that he springs off the couch. Lunges for his bat.
That isnât there.
He curses softly, dragging his hand through his messy bed headed hair. Still will never understand how he couldâve gone all summer without his beloved bat.
So, instead, he picks up the kitchen knife you had found, and creeps down the hall. Snores can be heard the entire length of it, but Steve stops at the second door on the left, door ajar just as he had left it.
He watches through the sliver for a moment, the sight clutching at his chest. Youâre squirming in your sleep, blankets tangled around your legs as sobs shudder through your body.
Steve takes a shaky breath and slips the knife into his pocket. Gently pushes open the door and pads over to your bed.
âY/N,â he says, lowering himself to the edge of the mattress. He drops a hand to your shoulder. âHey ââ
You jolt up, hands twisted in the sheets, trembling, and gasp. âSteve!â
âHey, easy. Itâs okay.â His brows furrow as you meet his gaze. âIâm here.â
âSteve,â you breath. Before he knows whatâs happening, your clawing at his shirt and pulling him closer. He tenses for a moment when you press your face into his chest, but carefully wraps his arms around you all the same. âI - I thought - and they - they took ââ
A knot twists in his stomach and he holds you tighter, rubs circles into your back. Heâs had his fair share of nightmares. Can feel the demo-dogs launching themselves at him every time he closes his eyes.
Heâd never wish them upon anybody so seeing you â hair clinging to your neck and tears soaking into his scoops shirt â it does nothing to quell the longing buried in his chest, sending a pang straight through his heart.
Steve wouldnât hesitate to go through everything all over again if it meant you were free from all that pain.
Even if there was still a possibility of you never remembering him.
He shakes away the thought and shushes you, rocking you back and forth exactly the way he found out you liked all that time ago. âYouâre safe,â he murmurs, tucking your head under his chin. âJust a bad dream.â
âIt didnât ââ You tip your head up to look at him and shake your head. âDidnât feel like it.â
âI know.â Youâre both quiet for a moment, the only sound your shallow breathing and sniffling. Steve grabs for the first words he can find. âTell me more about the time physics.â
You pull away with a frown, and Steve already misses the feeling of holding you, safe and protected, in his arms. âWhat?â
He shrugs. âGetting my mind off things usually helps.â
You rub a hand across your eyes. âLike what?â
âYou tell me.â He grins. âWhatâs the weirdest thing about time travel?â
It takes you a while to answer and Steve tries desperately to not be distracted by you biting your lip. Eventually, you say, âI got to see the day I was born when I was 12.â
Steveâs eyes widen. âShit, really?â
You nod, averting your gaze. âFirst time travel. Not fun experience.â
His face falls. Heâd struck a nerve. He tries a different tactic. âSo does that mean that you have like, a doppelgänger or something?â
âNo. Or never seen them?â You rush to explain before Steve gets the chance to ask. âItâs like - itâs like this tether that was given by the Bad Men? Like the up - upside down. It doesnât ââ You shake your head. âDonât have one.â
âBut I do?â
You nod. âDunno know how itâll effect you.â
âWell, thatâs reassuring.â Panic surges through him as he remembers broken fragments of the plot of Back to the Future, the only comfort knowing him still being alive right now. He laughs to soften the blow and you look up, confusion etched in your expression.
âYouâre um...never mind.â
âWhat?â
âNothing.â
âCâmon,â he repeats what Dustin told him earlier. âYou gotta tell me now.â
You sigh. âYouâregoingtostartlookinglikehim.â
âExcuse me.â He blinks. âWhat?â
His voice raises too loud, echoing through the room. He bows his head sheepishly and keeps an eye on the door. It doesnât open any further.
âYour hair,â you say as explanation.
Something clicks and his gaze is drawn to the scratches along your arms and legs, remembering what you told him about injuries. âIâm...â He licks his lips. âIâm gonna change in relation to how time rewinds?â You nod again. âJesus christ. I mean, I grew my hair out for a reason!â
âItâll grow back,â you offer.
âNot the point! Believe me you donât want to see the fucking...â He searches for the right words. âGlue head I had back then.â He looks up and does a double take. Youâre grinning. âWhat?â
âGlue head.â
âItâs true!â You both begin to laugh softly. âLook. My mom was a stylist back then. She had way way too much hairspray and gel lying around.â
You cock an eyebrow. âPolos too?â
âHow did you ââ you give him a pointed look ââ right, doppelgänger. But hey! Leave my polos out of...you know what? In my defense ââ
âIs there one?â
âOkay, yeah no. Youâre right.â He laughs. âHow can you defend a fucking polo?â
Your laughter slowly dies down and you look back at the bed. âWe should probably ââ
âOh. Oh, yeah, totally.â Steve scrambles off the bed, heart pounding. âYou okay? Need anything else before I ââ
Your meet his gaze, response quick on your tongue. âStay.â
âI â are you...â Steve looks between the empty side of the bed and you. âYou sure?â
âI think...â You bite your lip again. âWhat if the - the Upside Down tries to take me in my sleep and...and youâre not here?â
âWould it?â
You shrug. Donât meet his eyes. âHappened before.â
âI wonât leave. Okay?â As answer, you scoot closer to the edge of the mattress and lay down, back facing him.
Thereâs something you arenât telling him, Steve thinks, but for now heâll be damned if he isnât gonna try to keep you safe.
ââ
Tag List (click to be added/removed): @jxnehxpper @harringtown
#steve harrington#steve harrington x reader#steve harrington x you#steve harrington au#stranger things#steve harrington fanfic#dustin henderson#julia writes fics
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@epeolxtry continued from here
One of many quick escapes theyâve made, but his heart continues to race long after they make sure theyâre safe and have cast the standard protective charms. As he whips his cloak off, Draco tells himself the palpitations are because of such a close call, but he canât seem to pull his gaze away from the gash in Grangerâs arm.
He pays no attention to her irritated outburst or dismissive tone, instead dragging an old ottoman over to where sheâs sat so he can inspect the wound. A healing charm will do the trick for now, but even as Draco cradles her forearm in his hand, blood seeps through her open flesh and runs down onto him. He pushes his sleeves up carelessly to spare the fabric from stains.
â You clearly hit your head harder than you think, â he grumbles disapprovingly, own head searing with fatigue and stress as he uses the fabric of his cloak to quickly tourniquet her wound. Itâs silent in the ancient library of the abandoned home theyâve taken reprieve in, leaving him alone in his thoughts. The skirmish they just escaped rewinds in his mind and replays in vivid color; it rolls into slow motion as one of Voldemortâs cronies swipes his wand, a look of terror appearing second by second on Grangerâs face as blood begins to flow.
They always target her. He knows why of course, the idea causing him to tense and his eyebrows to knit together even as he focuses on healing. He is the one they should go after, the one they should want to crucio and filet like a fish for his defection of allegiance. Yet itâs always the muggleborn. Itâs something thatâs been on his mind for weeks, but right now heâs too high strung to make sense.
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