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The problem is that a part of Steve knows the spider isn’t real.
But it’s the suggestion of it, right? Cobwebs in his hair, movement just out the corner of his eye; it’s all enough to convince him that there’s something crawling on his skin, to let out a panicked whisper to Nancy, there was a spider. It’s a black widow.
He tries to disregard it as a one-off. It’s an old creepy house. Just got him spooked for a bit, that’s all.
But then… diving into Lover’s Lake. Bats biting into his flesh. Overwhelming dizziness.
Nancy wrapping torn strips of clothing tight around—there’s something crawling, crawling underneath his skin, no, there isn’t, no, there—a bike ride through The Upside Down; one hacking cough, pushing through it, pushing through it—
Swallows it all down. Ignores the sweat, the tackiness around his bandage. Shh. Calm, calm.
Drives the RV. Doesn’t know how he’s even moving, is just grateful—grateful that his mind on autopilot seems to still function.
The War Zone. In and out. Parked. Sun in his eyes. Kids outside.
The feeling comes back. Something. Something under his skin. (In his blood, in all of him—)
“S’there something in my hair?” he asks Eddie, who’s mid-step out of the RV.
Eddie turns back with an air of amusement. “Nope,” he says. “Looks perfectly coiffed to me, man.”
“Can you—can you just check?”
Look closer, something’s wrong, something’s wrong.
“Uh, sure,” Eddie says, bemused. He sits next to Steve and tilts his head before lifting a hand uncertainly. “You want me to, uh?”
“Yeah, thanks. Just… there was a spider on me.”
It’s not what Steve wants to say at all, but there’s a sudden, terrifying disconnect between the thoughts in his head and what actually comes out of his mouth.
“Oh, you don’t like them, huh?”
Eddie’s not even teasing, just sounds understanding; he lifts up a few sections of hair carefully, taking his time. He’s so kind. Steve abruptly wants to cry.
“Yeah, I don’t blame you,” Eddie continues. “I have the same thing with mice. The way they move. Creepy little feet.” He shudders dramatically.
Steve wants to laugh at that. Can’t.
Eddie runs his fingers through Steve’s hair a couple more times, gentle.
You don’t have to, Steve thinks. Make it hurt. Get it out. Did you find it? Please say you found it.
“Good news, you’re officially spider-free, Harrington.”
Eddie claps him on the shoulder, stands up.
Steve doesn’t move.
Eddie pauses again, halfway out the door. “Hey, you okay?”
“Yeah,” Steve says. “Just need some air.”
He goes through the motions of prepping for the fight. Chats with Robin. She talks about a terrible, gnawing feeling, and he wants to scream yes, I know, I know, but he can’t tell her, why can’t he tell her?
Shh. Calm, calm.
Drives the RV. Forest Hills.
He brakes with no warning, sends bottles of alcohol rolling across the floor. He’s mad suddenly that they didn’t smash. He’s so—
Slip away.
Eddie’s trailer. Lets himself in.
Bathroom.
The wound on his stomach pulses. He doubles over the toilet. Throws up.
His skin is crawling.
There, in the back of his mind, a creeping coldness. A thought that is not his own.
I will kill them all. And I will make you watch.
Oh, God. Oh, God, he’s been so stupid.
-
Eddie finds him first.
He picks up one fallen bottle of alcohol before a gut feeling pulls him out of the RV—because Steve Harrington is a good driver, and he’d only brake like that if he had no choice.
“Steve?”
But Steve’s not waiting for them on the porch, he’s not even by the Gate.
Clattering; a strangled cry.
Eddie’s stomach lurches.
He runs towards the noise, opens the bathroom door and is instantly hit by the acrid smell of vomit.
“Steve! Jesus Christ.”
Steve’s pushed up against the cistern. There’s a damp patch all across his stomach, and his chest is heaving.
“Oh my God, Steve, what’s—”
Eddie reaches for him instinctively, and Steve flinches as if he’s been struck.
“No, don’t!”
“Jesus, you’re burning up,” Eddie whispers, drawing his hand back; Steve’s skin is feverishly hot, slick with sweat. He looks around frantically for a cloth, turns on the cold water. “Gotta get you cooled—”
Something slams into him; he’s pinned against the sink, Steve’s hand clamped around his throat.
“No,” Steve repeats. “Don’t.”
“Okay,” Eddie manages. He chokes on a swallow. “S-Steve, you’re—you’re—”
His hand flails, trying to pry Steve’s fingers off.
Steve’s grip loosens ever so slightly. His eyes are wide, bloodshot. Pleading.
“Eddie,” he says through gritted teeth. “You need to hurt me.”
With the last of his strength, Eddie gets his knee up and jabs—it’s barely anything, but it works enough to break Steve’s hold.
Eddie staggers; his back slams against the door. He’s shaking.
Steve stares at him. He’s gripping onto the sink so tightly that Eddie thinks it’s a miracle that it doesn’t crack.
And then there’s a horrible, guttural noise like Steve’s started to choke too, like he’s at war with himself.
Barely audible, he says, “Get… get Nancy.”
Eddie runs.
He nearly falls into Nancy as he opens the front door. He’s breathless, can’t think of what to say, save from—
“Wheeler, he needs you.”
It happens in an instant: Nancy’s brow pinches, and then she goes very pale, and she’s shouting for Robin and Dustin to stay in the RV, like she can turn on a dime, launched into an unknown crisis.
She pushes past Eddie, and he follows her, back into the bathroom.
The cold water is still running.
Steve’s got his hands in the sink. He looks at Nancy desperately.
“S-stop me.”
Another choking sound is ripped from Steve’s throat; Eddie realises that it’s actually a dry sob.
“Nance,” Steve says. It’s half her name, half a pained whine. “Fuck. I’m sorry. I—I know everything.”
And then he’s suddenly launching towards them—it’s only the fact that he’s so completely freaked out that makes Eddie move in time, saves him from getting strangled again.
He grabs Steve’s wet hands, pins them behind his back and tries to hold him still.
“Jesus! Wheeler, what the fuck is going—”
“Do you have anything that can knock him out?” Nancy says.
“What?”
“Drugs, Eddie!”
“Are you crazy? There’s no way—oh my God, what are you—”
Crack.
Nancy’s grabbed the cistern, brought it down upon Steve’s head. Eddie looks down at Steve lying eerily still on the floor in abject horror.
There’s blood in his hair.
Eddie feels sick.
But Nancy just watches, as if to confirm that Steve’s not moving. She looks Eddie in the eye.
“Come on. That’s only gonna work for so long.”
Eddie just follows her out, too shocked to even attempt speaking.
It’s chaotic at the RV; Dustin sees them coming, leaps out of the door as Robin yells at him.
“Where’s Steve?”
“Get back inside.”
“Nancy, where the hell is he?”
“We can talk inside.”
“Bullshit, I’m—”
“Dustin, he’s Flayed,” Nancy says, her voice breaking, and all the fight goes out of Dustin at once.
“No, that’s—he can’t—”
Eddie finally finds his voice. “Can someone tell me what the fuck you’re talking about?”
Nancy doesn’t speak, not until they’re in the RV, the door locked behind her.
“I think it’s the—the bites—”
Robin swears, a hand over her mouth.
“Flayed?” Eddie persists.
“The Mind Flayer,” Dustin says numbly. “It’s what we—it’s a part of The Upside Down. It—it used Will to… to spy on…”
“And what, it’s—” Eddie swallows. “It’s inside him?”
“Like a virus. He’s part of the Hive Mind,” Nancy says.
Eddie’s knees feel weak.
“Fuck,” Dustin says. “He knows where we are, he’ll know—”
“It’s too late to change that,” Nancy says. “We just have to—at least someone needs to stay with him.”
“I will,” Robin says instantly, eyes blazing.
“Me too,” Dustin says.
Nancy glances at him, shakes her head—firm but apologetic. “You can join Erica.” And as Dustin opens his mouth, no doubt to argue, she adds, “I’m sorry, Dustin. It’s just—we might need to… to fight him.”
Dustin doesn’t reply, but looks so utterly devastated that Eddie wishes he’d insisted on diving first, that the bats had torn into him instead.
“Keep him warm,” Nancy tells Robin urgently. “And I don’t mean just—it’s got to be unbearable.”
Robin nods, ashen-faced.
Nancy catches Eddie’s eye. “The one thing that fucker can’t stand is heat.”
She paces up and down the RV, checking for stray bottles. Then she comes to a stop right in front of Robin.
“He—he might beg,” she whispers. “And it won’t—it’ll sound like him. Like he just wants the pain to stop.”
Robin’s eyes look glassy. “Nance, I don’t—don’t know if I can—”
“I’ll do it,” Eddie says.
He feels everyone’s eyes on him, but he just looks at Nancy, at the determined set to her jaw.
He doesn’t know when he made the decision, if he can even pinpoint a conscious moment of thought—but now that the words are out, he feels the vow he’s made, deep in his chest.
Nancy hands him a bottle and cloth.
A lighter.
She fixes Eddie with a piercing look. “It’s going to look like you’re killing him,” she says.
Eddie nods.
He turns, offers Robin his hand.
“C’mon, Buckley. Let’s that bastard out of him.”
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Did I ever tell you, I’ve got a thing for brunettes?
FLYNN RIDER - STEVE HARRINGTON
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can you elaborate more on steve being abandoned by the narrative?
yes <3 so i think there are two very unfortunate circumstances surrounding steve's character that have led to the current state of his plotline: 1. after not killing him in s1 like they originally planned, the duffers have never really had a plan for steve and 2. they are extremely influenced by audiences. when they were conceptualizing steve to fit in among the ensemble cast, the duffers were picturing him as a douchey boyfriend who unceremoniously dies. lonnie was originally going to come back to the byers house to save jonathan and nancy. there was no need to picture where he'd be 4 seasons down the road, so they just didn't account for that. then joe keery charmed them so hard that they literally couldn't bear to kill him, so steve ends season one still somehow alive.
but we've already established the nancy/jonathan plotline, because jonathan was once the duffers' self-insert who must defeat the evil jock and win over the girl. they couldn't just backpedal on that right away, so they needed to give nancy and jonathan a plotline alone, away from steve. but steve only ever functioned as an extension of nancy until this point, so what do we do with steve now? in an accidental stroke of genius that the duffers have admitted was a last second decision, they pair him with the children and make him into a babysitter. it almost instantly boosts steve into being tied with hopper and el for most popular character from the show, potentially even beats them both out. in 2017 when s2 aired, you could not escape mom steve jokes. it was everywhere, steve was everywhere, joe was everywhere, it was arguably the second coming of #justice for barb, which, in netflix business-y terms, was the exact viral meme type situation that the show wanted and needed to sell merch and remain relevant and say "see we still got it!!!"
you know who has the 2nd most lines in the entirety of season three? directly behind hopper? ahead of winona ryder? steve. think for a second about how absolutely insane that is. the character who was written specifically to die in season one. joe keery's name wasn't even in the season one credits, because he wasn't considered a series regular. and now he has the 2nd most spoken lines in the big blockbuster season because he rocketed up in popularity so intensely. season three marketing features the mall so heavily, creates a literal physical shrine to 80s nostalgia, and when the very first promo is released an entire year before the season airs, who's the star of that teaser trailer? and who, pray tell, is featured in the main brand sponsorship ad that plays in movie theaters worldwide? thats right its america's little darling steve harrington.
but here is the issue. the duffers look at what made steve popular and they see: funny exasperated babysitter, heartthrob action hero. they're like oh okay so we should keep putting him directly in the center of the action, bang him up every season to give him his classic bloodied aesthetic, but. he still needs to be funny. we can almost kill him, but we can't actually kill him because he's profitable. we can let him get horrifically injured because it's badass, but we still gotta let him crack jokes. it creates this very weird tone to steve's role in the story starting in season 3 because he's both the action hero and the comedic relief and protected by plot armor, so we get scenes where he's being literally tortured until he's begging for his life and gasping for breath but the tone is still.......fun? comedic? light and goofy? i think the duffers also forgot he's supposed to be a teenager.
now this is partially me making educated guesses but i feel pretty confident about this: once again, like gollum, joe keery uses his big shiny eyes and manages to evade death again in season four by being so likable and charming and marketable that netflix execs or shawn levy or maybe even the duffers themselves were like oh fuck we just can't do it. they were obviously tossing around the idea of taking mom steve all the way by letting him die sacrificially for dustin, so in season four they make eddie, transfer steve's relationship with dustin directly onto him, ctrl f steve's name in the death scene and just type in eddie instead, and once again steve is alive but he's directionless.
so what does he have now, in season four? i think the duffers have a whiteboard somewhere with steve's name and around it are little circles that say "funny" "cool" "DO NOT KILL" and steve is now stuck in this endless cycle of getting beaten up, popping back up somehow unharmed like a looney tune, saying something cute and oblivious, rinse and repeat. because that's what worked, that's what made him popular all the way back in season two. that's what the duffers are obviously keeping in mind when they're writing steve: popularity. not realism, not depth, not growth, just literally how to continue making him popular. meanwhile, other characters get to be part of the actual story. other characters get to serve a purpose other than selling merch. when el is bitten by a monster, she gets to actually feel pain and need help because that's realistically what any human would need. when hopper is tortured, he gets to suffer and ponder his existence and reflect on the relationships in his life. steve never gets any of that, because the writers just don't see steve as the 19 year old boy on his 4th straight year of traumatic events that he actually is.
they literally just see him as a money maker, there for cool viral moments and witty lines and maybe the occasional emotion experienced but only if it's about his romantic prospects. and the narrative that other characters get to have and be apart of just kinda runs parallel to steve. he's there, technically, but he's not really in the story. and it's like actually crazy because you'd think after all the funko pops he sold, he'd have earned an actual storyline!!!
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winona ryder’s character in stranger things has never been wrong even once and every time the fucking gravity turns off or whatever she says “hey thats weird right” and everyone in a 10 mile radius is like “woah category five woman moment incoming”
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#We all need a platonic soulmate like Steve 
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Hey, dickheads! How come the only one who helped me out is this random girl?
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not to be a rabid steve girl but it’s really so stupid how nothing that happens to him like. matters. at all. obv st isn’t the first show in history to ignore injuries for the sake of moving the plot along, but it goes beyond that with steve into just like laughably ridiculous territory. like yeah he gets increasingly horrific injuries every season and they have literally no effect on him somehow, but also he gets literally tortured for information at the tender age of 18 and he’s never once shown to be upset or on-edge afterwards, someone dies outside his home in his pool and we never get a single inkling of how he feels about that, someone he’s befriended and protected for days also dies a horrible death and he doesn’t show any acknowledgement, like. the only things steve gets to react to are related to his romantic endeavors!! which is so boring!!!! how are you gonna have a 19 year old pretty boy former prom king who’s become battle-ready after repeated incidences of supernatural danger wherein he gets horribly injured to protect others without fail every single time and not allow him to ever….reflect on that? to only focus on who he wants to date?? it’s sickening luv it’s sickening
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here we go
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if they actually did leave eddie's body in the upside down, can you imagine how hard it must've been to pull dustin away from his corpse. he must've thrashed and screamed till his voice gave out. and I know it was steve that had to be the one to drag him away.
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the duffers really couldn’t let eddie live, despite the possibility him getting arrested would leave for a heist episode?
will and robin and enzo working together to create an escape plan. erica and steve and eleven and jim sneaking into the prison. eleven breaking open doors with her mind. suzie disabling security systems while eden keeps their dad busy. lucas and dustin giving them directions from the hospital. eddie quipping “aren’t you a little short for a storm trooper?” to steve and the reference going about six feet over his head. nancy and jonathan and argyle being the escape drivers and doing something that furthers the supernatural plot of the show. some poor guard telling hopper he’ll call the police, and hopper just telling him he is the police.
guys this is what we missed out on. for real.
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Could you talk more about the issues you have with s4? I’m only asking bc I think you’re very sensible when writing about ST!
yessss i love to whine and complain <3 plus ive had a lot of time to Reflect and Marinate on the season so i think these thoughts will be more coherent than some of the stuff i was posting directly after it came out. here we go <3
biggest overall complaint is steve's storyline taking a sharp left turn back into stancy territory. before anyone sends me a why dont you like stancy ask: stancy itself isn't even the reason i disliked this storyline! (also they arent compatible and want different things and its canonically stated like 5 different times in the show) but the Main reason i disliked steve's writing this season was that it largely undermined the value of his relationships with other people. season two established that steve would willingly put himself in harm's way for the kids both against billy and in the tunnels, and season three went on to establish that steve feels the most comfortable when he's hanging out with robin and dustin and just being himself, free from social expectations. all of these discoveries that we worked up to since season one were basically just forgotten in this season. steve is annoyed with dustin, annoyed about staying with the kids, gets injured and only has a meaningful interaction with nancy while robin just walks off screen, doesn't get a single emotional interaction with dustin about the danger they're in or the trauma they're undergoing even after eddie fuckin DIES and overall i just felt like he wasn't acting like himself in terms of his relationships with other people, and this to me seems like an issue with the duffers wanting to prioritize a love triangle once again
i also just have issues with the plot writing as a whole. soooooo many glaring mistakes that just do not seem typical of a stranger things season! ive seen people say "well what did we expect" NOT THIS?? idk from small details like will's birthday and hopper apparently just lying on the floor completely unscathed to larger overall bad writing like eddie's death being absolutely pointless and no one talking about it afterwards, the season somehow feels rushed? even though it was 2x as long as any other season and they had three years to write it? how do you have a 2 hr 30 min episode and not a single scene where the people who spent all season protecting eddie don't get together and talk about his death. that's just...unfathomable to me
out of the four storylines in volume one, two of them were like unbearably boring to me. im so sorry. it got to the point where every time it cut away from hawkins i would text em "FUCKKK" because they were far and away the most compelling story. i always predicted the russia plotline would be boring like the second s3 ended i said oh boy thats gonna be boring. but the HNL storyline......was somehow even more boring. and i love el! i liked venry as a villain! i LOVE JAMIE CAMPBELL BOWER but jesus christ is brenner a redundant boring ass character who's always entering the frame sneakily and saying some shit like "eleven......the virus inside you is spreading.....you are an evil evil little girl" like JESUS dude we get it. idk ive never found his character nearly as interesting as the show seems to think he is, and i think spending this much time with him this season was honestly a mistake! so glad he's dead rip. i also wasn't a fan of the stretched out bullying plotline because it was very cartoonish to me and also just like. not necessary. we already know el feels alienated. watching her get shoved to the ground and have a milkshake spilled on her precious little dress just felt like kicking her while she was down
anyways theres a lot this season did well! quite honestly, it all falls apart in the last episode. without the mistakes made there, it would have been so much stronger. but alas i fear it's my least favorite season of stranger things so far because of these issues </3 to me there were times where i was like "am i really watching stranger things right now??" because the writing choices were just so bizarre and uncharacteristic of the show as a whole. praying season 5 is better but i have a strong feeling season 2 will always reign supreme
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i want to become a time traveler for the sole reason of seeing what happens in stranger things s5
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ᴊᴏᴇ ᴋᴇᴇʀʏ ᴀᴛ ʙᴏᴛᴛʟᴇʀᴏᴄᴋ ɴᴀᴘᴀ ᴠᴀʟʟᴇʏ 📸 ᴄʀᴇᴅɪᴛ ʀᴀᴄʜᴀᴇʟ ᴘᴏʟᴀᴄᴋ
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love how when the scooby doo gang is getting into the boat every single one of them ignores steve’s offer for help to get in
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Perhaps I gotta write a King Steve Complex, s4 edition.
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anyone who thinks steve would force nancy to stay at home and raise 6 kids instead of her pursuing her career while he becomes a malewife has no understanding of his character at all
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STRANGER THINGS Vol 2 | Papa (4.08)
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