#Fabio Armiliato

[pier-carlo-universe]

Al Via la 24ª Edizione del Festival Internazionale "A.F. Lavagnino Musica e Cinema". Un ricco calendario di eventi culturali tra musica e cinema ad Alessandria, Gavi e Novi Ligure

L’11 ottobre 2024 è stata presentata ufficialmente la 24ª edizione del Festival Internazionale "A.F. Lavagnino Musica e Cinema", organizzato dall'Orchestra Classica di Alessandria con il patrocinio della Provincia e il sostegno di diverse istituzioni.

L’11 ottobre 2024 è stata presentata ufficialmente la 24ª edizione del Festival Internazionale “A.F. Lavagnino Musica e Cinema”, organizzato dall’Orchestra Classica di Alessandria con il patrocinio della Provincia e il sostegno di diverse istituzioni. Il festival, dedicato al celebre compositore Angelo Francesco Lavagnino, si propone di onorare il contributo dell’artista alla musica colta e al…

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[classicalmusicdaily]

Zoltan Nagy started his international career as the youngest ensemble member of the Vienna State Opera. Recognized by opera critics for his strengths in both dramatic and comic roles, he is regularly invited to perform as a guest artist in many of Europe’s leading opera houses. Zoltan’s most requested role is Escamillo (Carmen), a role he has performed in over 12 productions in theatres like Bilbao (ABAO), Teatro Massimo di Palermo, Teatro Grande di Brescia, Teatro Ponchielli di Cremona, Teatro Sociale di Como, RTE Orchestra in Dublin, Romanian National Opera Bucharest and Cluj, the Shaanxi Grand Opera House in China, the State Theatre of Nuremberg, among others. As a permanent guest soloist of the Hungarian State Opera, Budapest, Zoltan has been invited to perform the role of Guglielmo (Cosi Fan Tutte), Silvio (Pagliacci), the title role in Kodaly’s Hary Janos, and Schaunard (La Bohème), a title he has performed at Oper Leipzig, Opera de Nice, Singapore Symphony Orchestra (in concert), Vlaamse Opera Antwerpen, and Opera Ghent among others. Zoltan made his Bolshoi Theatre of Moscow debut with the role of Count Almaviva (Le Nozze di Figaro). He has sung Haraschta (The Cunning Little Vixen) at the Hamburg State Opera, Dr Falke (Die Fledermaus) at Teatro Verdi Trieste, Calchas (Iphigenie en Aulide) in Athens, Schmied (Egk’s Peer Gynt) in Theater an der Wien, where he also had the privilege to join Edita Gruberova for her gala concert. Zoltan made his debut as Alberich (Siegfried) at Teatro Campoamor in Oviedo. He sang Marcello in a new production of La Bohème at Teatro Comunale di Sassari, portrayed the role of Dulcamara in a new production of L’Elisir d’Amore at the Romanian National Opera, and was invited to give masterclasses at the Xi’an University of Music in China. Count Tomski was a role debut in a new production of Tchaikovsy’s Pique Dame at the Opera Festival Heidenheim accompanied by the Stuttgarter Philharmoniker. Zoltán returned to Oviedo for a new production of Götterdämmerung where he performed the role of Alberich. He sings the role of Theseus in the Essen Philharmonic’s CD live recording of Bohuslav Martinu’s Ariane directed by Czech conductor Tomas Netopil, released in 2016 on Supraphon. Zoltan has worked with conductors such as Marco Armiliato, Pinchas Steinberg, Ulf Schirmer, Renato Palumbo, Fabio Luisi, Marc Minkowski, John Wilson, Alejo Perez, Tomas Netopil, Guillermo Garcia Calvo, Leo Hussain, Marcus Bosch among others. Some of the stage directors Zoltan has collaborated with are: Peter Konwitschny, Damiano Michieletto, Inga Levant, Stefano Poda, Calixto Bieito, Paris Mexis, Thorsten Fischer, Georges Delnon, Maurizio Scaparro, and Immo Karaman. He has collaborated with the Vienna Philharmonic, Robert Schumann Philharmonie, RSO Vienna, Vienna Symphony Orchestra Singapore Symphony Orchestra, National Taiwan Symphony Orchestra, Orchestra of the Romanian National Radio, Hungarian National Philharmonic Orchestra among others. Zoltan studied at the Gheorghe Dima Music Academy in his hometown Cluj-Napoca under Professor Gheorghe Roşu. Upon graduation, he received a full scholarship to study at the prestigious Mozarteum University in Salzburg for a Masters degree in voice performance with Professor Boris Bakow. He has won prizes at various singing competitions including the Romanian National Song Competition, the Hariclea Darclee International Voice Competition, and “Debut”, the European Opera Singing Competition in Germany. In 2012 Zoltan participated in the Salzburg Festival’s Young Singers Project, and was then selected to sing in the Festival’s production of Das Labyrinth. Recent engagements included two new production of La Wally and Jenufa at Theater an der Wien, a new production of The Raise and Fall of the city of Mahagonny in Parma. Future higlights of his saison include a debut at Regio Torino as Escamillo, a ROH debut in La Bohème as Schaunard and a debut at Komische Oper Berlin in the Love of the three oranges as Leander.

Dear Zoltan, I’m so glad to meet you, this time in Italy! And I am very much looking for- ward to your house debut at Teatro Regio di Parma! What has been your relationship with the Italian theatres throughout your career and what does this event mean to you? In my nearly 15 years of international career I have been lucky enough to be part of some wonder- ful productions all over the world starting with Vienna until Singapore, but singing ocasionally in Italy, becomes each time on of the highlights of my season. My first ever concert accompanied by an orchestra abroad was actually in Palermo when I was 22. Since then I was dreaming about singing one day at Teatro Massimo which was closed for renovation those years. Several years later my dream came true and I was indeed portraying the role of Escamillo in that amazing opera house… I always used to say, that a part of my heart is in Italy. I’ve also worked on several occa- sions at Teatro Verdi in Trieste, one of them was a very funny production of Die Fledermaus (Dr. Falke) with the late Gianluigi Gelmetti conducting who I was very fond of. I have beautiful memo- ries of Sardegna where I’ve done a new production of La Bohème as Marcello, and later a Pagliacci as Silvio. Singing at Teatro Regio in Parma is an absolut honor for me not only because of the enormous tradition that surrounds this opera house but also because of the fact that I am a guest artist in a very unusual production that should make history in Parma. Tell us more about this opera, about the role that you’re about to perform and the produc- tion that will be on stage at Regio di Parma this month (April)? Rise and Fall of the City of Mahagonny is an opera, although I like to call it rather music theater/ music play… composed between 1927-1929 by Kurt Weill on Bertold Brecht’s libretto, where I will interpret the role of Trinity Moses. When I first saw the score, I said to myself… “oh, I’ll deifinitely need some time to learn this music and get used to certain rhytms“. I’ve seen it challenging but I ended up having great fun singing this part and enjoying Weill’s geniality. The opera was a scandal on its premierere in Leipzig in 1930, presenting the decandece of the society which is more then actual nowadays where money is everything. I hope the audience will be receptive, of course, one should not expect a coservative staging for this type of music. I’m sure everyone will leave the the- ater whistling the Alabama song at the end of the performance… and realizing hopefully how en- joyable this music is. reposted from https://opera-charm.com/

[pigeons-sitting-on-branches]

To Rome With Love (2012) Woody Allen 22-12-2018 Some really funny moments and the surreal elements work well, but doesn't flow as well between the different stories as it could have

[joaquimblog]

LICEU 2021/2022:CONCERT DEL 175è ANIVERSARI

LICEU 2021/2022:CONCERT DEL 175è ANIVERSARI

Lisette Oropesa interpreta Lucia en el concert del 175è aniversari del Gran Teatre del Liceu. Foto gentilesa del departament de Premsa No va néixer amb bon peu aquest concert d’aniversari, però múltiples i complicades vicissituds van modificar el nyap inicialment previst i malgrat el discutible resultat final, puc dir sense cap angúnia que ha estat una celebració que guardaré entre els records…

[cerebrito]

To Rome with Love Shower Singer.

[simone-boccanegra]

Simon Boccanegra liveblog (Parma 2004)

https://www.youtube.com/watch?v=hmbtSzSkfG4 

Thanks to Fabio Armiliato! (also, seeing Boccanegra with any tenor that isn’t Meli is such a rare occurrence I’m already hyped XD)

I’ll probably not do the drinking game because I have one (1) beer at home and I’d run out too fast XD

[womanbride]

Zepter International festeggia 30 anni di successi con un museo e una serata d’arte

Zepter International festeggia 30 anni di successi con un museo e una serata d’arte

La Zepter International è un’azienda multinazionale che produce, vende e distribuisce in esclusiva beni di consumo di alta qualità in tutto il mondo. Oggi opera in ben 5 continenti e 60 diverse nazioni. Ha venduto circa 760 milioni di articoli prodotti da 8 stabilimenti attivi in Germania, Italia e Svizzera. Un successo inimmaginabile quando, trent’anni fa, i coniugi Madlena e Philip Zepterl’hann…

[buzzwebzine]

Le Nouveau Roi : la pub Winamax 2019 "Grosse cote, gros gain, gros respect"

Le Nouveau Roi est la nouvelle pub 2019 Winamax. Un jeune parieur qui devient le roi du quartier sur fond d’une musique d’opéra du chanteur Fabio Armiliato.

Lire la suite sur : https://www.buzzwebzine.fr/pub-winamax-2019-jeune-parieur-roi-quartier/

[loosealcina]

UMBERTO GIORDANO’S FEDORA AT LA SCALA, NOVEMBER 3, 2022

Act I: Saint Petersburg. Princess Fedora Romazov—a fourteen-million widow—is about to get married again. But when the wedding is a mere few hours away, her betrothed (Count Vladimiro Andrejevich, captain of the Royal Guards) is murdered. A gunshot in the deep of night. Who or why—the police come up with a single suspect, who narrowly manages to escape and vanishes. Act II: Paris. Surrounded by the swirling colors of the beau monde, Fedora is on a mission; she’s actively flirting with the aforementioned sole suspect—Count Loris Ipanov, who doesn’t know who she actually is—in order to discover the truth and get her revenge on the killer. Yet, after the trap is set, Loris’s version of the whole incident (supported by a solid piece of evidence) changes everything, turning hatred into love. Act III: Bernese Alps, not far from Thun and its lake. While Fedora and Loris revel in the ultimate bliss of each other, a ferocious monster—the past—is coming for them. Mario Martone’s retelling of Fedora (his third encounter with Umberto Giordano at La Scala after La cena delle beffe [2016] and Andrea Chénier [2017]) chose to truly center on René Magritte. Three of his works were specifically—and prominently—present in some form: Empire of Light (which is, in fact, a series of paintings), The Lovers, and The Menaced Assassin. It may have been interesting (or even memorable) as far as Magritte’s reception is concerned; alas, it didn’t appear to give any boost to the opera itself. I wasn’t able to detect a strong, unifying idea/path within this iteration of Fedora. And it all felt more flat and tentative than arcane or enigmatic.

My feelings about Sonya Yoncheva’s Fedora are complicated. The super-rare, mesmerizing aura that only a genuine diva can generate was definitely there. So was the jaw-dropping timbre. And the theatrical sparks. Nevertheless, her performance was somewhat capricious—not necessarily in an entirely good way. At times, she seemed to be barely aware of whatever was going on onstage. At times (quite suddenly), she would unleash her own artistry and tear the blanketing grayness open, in a short-lived blast of anger, tenderness, or craving. (If you need examples, I’d consider the love duet of Act II [«Vedi, io piango…»]; and of course that high-temperature, heart-shattering finale). In spite of an elegant, positively moving rendition of the famed aria «Amor ti vieta» (Act II), Fabio Sartori’s Loris was a little patchy as well—and not especially helped by the production. The orchestra conducted by Marco Armiliato sounded partial to a brisk and energetic attitude. I was impressed by a number of tasty miniatures, such as the heroic outburst of the brass section coming out of nowhere the moment a mystery man is seen fleeing the murder scene in the middle of Act I. And I was extremely impressed by essentially anything the strings—as sweet and shiny as they come—were doing; including my very favorite: the spectacular absence of motion of the first part of the Intermezzo. (I suspect this Intermezzo is a bit of a frank imitation of the one you find in Pietro Mascagni’s Cavalleria Rusticana [which predates Fedora by eight years: 1890/1898], but I also suspect originality is not [I mean: is not always] that important after all).

[princesssarisa]

Where do you watch operas?

There are plenty of complete filmed opera performances available on YouTube, which you can watch for free. Unfortunately, not all of them have English subtitles, but if necessary, you can always find a translation of the libretto online to follow along with.

In fact, just for fun, as an example, I'll provide some links to complete filmed performances of the world's top 10 most popular operas, with English subtitles.

Die Zauberflöte (The Magic Flute)

Studio film, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; directed by Sir Peter Ustinov; conducted by Horst Stein)

La Traviata

Studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; directed by Mario Lanfranchi; conducted by Giuseppe Patané)

Carmen

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcangelo, Norah Ansellem; staged by Francesca Zambello; conducted by Antonio Pappano)

La Bohéme

Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; directed by Franco Zeffirelli; conducted by Herbert von Karajan)

Le Nozze di Figaro (The Marriage of Figaro)

Teatro alla Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orsatti Talamanca, Pietro Spagnoli, Monica Bacelli; staged by Giorgio Strehler; conducted by Gérard Korsten)

Tosca

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; staged by Nuria Espert; conducted by Maurizio Benini)

Madama Butterfly

Theatrical film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; directed by Frédéric Mitterand; conducted by James Conlon)

Don Giovanni

Zurich Opera, 2001 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Wimer, Matti Salminen; staged by Jürgen Flimm; conducted by Nikolaus Harnoncourt)

Il Barbiere di Siviglia (The Barber of Seville)

Metropolitan Opera, 2007 (Peter Mattei, Juan Diego Florez, Joyce diDonato, John Del Carlo, John Relyea; staged by Bartlett Sher; conducted by Maurizio Benini)

Act I, Act II

Rigoletto

Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; directed by Jean-Pierre Ponnelle; conducted by Riccardo Chailly)

[awesome-shygardencollection-blog]

Quanno 'A Femmena Vò - Fabio Armiliato

[ilmondodellacritica]

To Rome With Love

To Rome With Love

24.04.2018

TITOLO: To Rome With Love

ATTORI: Woody Allen, Alec Baldwin, Roberto Benigni, Penélope Cruz, Judy Davis, Jesse Eisenberg, Greta Gerwig, Ellen Page, Antonio Albanese, Alessandra Mastronardi, Ornella Muti, Alison Pill, Flavio Parenti, Riccardo Scamarcio, Alessandro Tiberi, Fabio Armiliato

REGISTA: Woody Allen

ANNO: 2012

GENERE: Commedia

DURATA: 111 minuti

PAESE: USA

TRAMA: Il film ci…

[fabioarmiliato]

FABIO ARMILIATO, cantante e attore, è da oltre tre decenni uno dei più importanti tenori della scena lirica internazionale, acclamato dal pubblico grazie alla sua vocalità, al suo carisma interpretativo, all'impressionante registro acuto e alla sua innata musicalità. 

[tmnotizie]

FANO – Un ospite di spessore internazionale per la serie RaccontARTI, che nel mese di giugno cambia il suo appuntamento settimanale: andrà in onda tutti i venerdì alle 19.00 sul canale YouTube della Fondazione Teatro della Fortuna.

Un Trovator cantò: Fabio Armiliato, è il protagonista del settimo episodio della serie, realizzata in collaborazione con l’Orchestra Sinfonica G. Rossini, visibile in streaming su YouTube a partire dalle 19.00 di venerdì 5 giugno.

Fabio Armiliato è uno dei più importanti tenori della scena lirica internazionale. Nasce a Genova e si diploma al Conservatorio Niccolò Paganini, nella sua città debutta giovanissimo nel Simon Boccanegra di Verdi.

Dopo aver vestito i panni di Cavaradossi alle Terme di Caracalla, Riccardo al Teatro Regio di Parma, Radames in Aida all’Opéra municipal de Marseille, nel 1993 ottiene la consacrazione internazionale con il debutto al Metropolitan Opera House di New York ne Il trovatore.

Ed è proprio a quel debutto che richiama il titolo di questo episodio di RaccontARTI, in cui Armiliato ripercorrerà la sua lunga carriera, che lo ha visto protagonista nei templi della lirica di tutto il mondo: il Teatro alla Scala di Milano, L’Opéra de Paris, l’Opera di San Francisco, il Teatro Real di Madrid, la Wiener Staatsoper, solo per citarne alcuni.

Non solo lirica, ma anche cinema: nel 2012 ha, infatti, recitato nel film di Woody Allen dal titolo “To Rome with Love”.

Alla conduzione del programma, che vuole essere un’importante occasione di approfondimento per il pubblico, Paolo Rosetti, segretario artistico della Rossini, e Maria Chiara Mazzi, docente di storia della musica al Conservatorio Rossini.

Questo il link per accedere al canale www.youtube.com/FondazioneTeatrodellaFortuna

[princesssarisa]

Opera on Youtube 4

L'Elisir d'Amore (The Elixir of Love)

Maggio Musicale Fiorentino, 1967 (Carlo Bergonzi, Renata Scotto; conducted by Gianandrea Gavazzeni; no subtitles)

Metropolitan Opera, 1981 (Luciano Pavarotti, Judith Blegen; conducted by Nicola Rescigno; Spanish subtitles) – Part I, Part II

Metropolitan Opera, 1991 (Luciano Pavarotti, Kathleen Battle; conducted by James Levine; English subtitles) – Part I, Part II

Vienna State Opera, 2005 (Rolando Villazón, Anna Netrebko; conducted by Alfred Eschwé; English subtitles)

Theatro da Paz, Brazil, 2013 (Atalla Ayan, Carmen Monarcha; conducted by Emiliano Patarra; Brazilian Portuguese subtitles)

Teatro Manoel, Malta, 2015 (Cliff Zammit Stevens, Shoushik Barsoumian; conducted by Philip Walsh; English subtitles)

Vienna State Opera, 2017 (Dmitry Korchak, Olga Peretyatko; conducted by Marco Armiliato; no subtitles) – Part I, Part II

Ópera de Bellas Artes, Mexico City, 2017 (Ramón Vargas, Olivia Gorra; conducted by Guido Maria Guida; Spanish subtitles)

Vienna State Opera, 2018 (Benjamin Bernheim, Andrea Carroll; conducted by Frédéric Chaslin; no subtitles)

San Francisco Opera, 2023 (Pene Pati, Slávka Zámečníková; conducted by Ramón Tebar; English subtitles)

Hänsel & Gretel

Vittorio Cottafavi studio film, 1957 (Fiorenza Cossotto, Jan Poleri; conducted by Nino Sanzogno; sung in Italian with Italian subtitles)

August Everding studio film, 1981 (Brigitte Fassbaender, Edita Gruberova; conducted by Georg Solti; English subtitles)

Leipzig Opera, 1981 (Annelott Damm, Steffi Ullmann; conducted by Horst Gurgel; no subtitles)

Julliard Opera Center, 1997 (Jennifer Marquette, Sari Gruber; conducted by Randall Behr; English subtitles)

Opera Australia, 1992 (Suzanne Johnston, Christine Douglas; conducted by Johannes Fritzsch; sung in English)

Vienna State Opera, 2015 (Daniel Sindram, Ileana Tonca; conducted by Christian Thielmann; English subtitles)

Pacific Northwest Opera, 2015 (Sylvia Szadovszki, Ksenia Popova; conducted by Clinton Smith; sung in English with English subtitles)

Scottish Opera, 2020 (Kitty Whately, Rhian Lois; conducted by David Parry; sung in English with English subtitles)

Eklund Opera Program, 2020 (Christine Lee, Anna Whiteway; conducted by Nicholas Carthy; sung in English with English subtitles)

Amarillo Opera, 2021 (Sarah Beckham-Turner, Patricia Westley; conducted by Carolyn Watson; English subtitles)

Turandot

Mario Lanfranchi studio film, 1958 (Lucilla Udovick, Franco Corelli; conducted by Fernando Previtali; English subtitles)

Vienna State Opera, 1983 (Eva Marton, José Carreras; conducted by Lorin Maazel; no subtitles)

Royal Opera House, Covent Garden, 1986 (Gwyneth Jones, Franco Bonisolli; conducted by Jacques Delacote; English subtitles)

Forbidden City, Beijing, 1998 (Giovanna Casolla, Sergej Larin; conducted by Zubin Mehta; no subtitles)

Teatro alla Scala; 2001 (Alessandra Marc, Nicola Martinucci; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2009 (Anna Shafajinskaia, Fabio Armiliato; conducted by Giuliano Carella; English subtitles)

Chorégies d'Orange 2012 (Lise Lindstrom, Roberto Alagna; conducted by Michel Plasson; French subtitles)

Wichita Grand Opera, 2015 (Zvetelina Vassileva, Ricardo Tamura; conducted by Martin Mazik; no subtitles)

Teatro de Bellas Artes, Mexico City, 2017 (Gabriela Georgieva, Carlos Galván; conducted by Enrique Patrón de Rueda; Spanish subtitles)

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim; conducted by Paolo Olmi; English subtitles)

Eugene Onegin

Prince Regent Theatre, Munich, 1965 (Hermann Prey, Ingeborg Bremert; conducted by Joseph Keilberth; sung in German; no subtitles)

Paris Opera, 1982 (Benjamin Luxon, Galina Vishnevskaya; conducted by Mstislav Rostropovich; French subtitles)

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova; conducted by Yuri Temirkanov; English subtitles)

Chicago Lyric Opera, 1985 (Wolfgang Brendel, Mirella Freni; conducted by Bruno Bartoletti; Spanish subtitles)

Petr Weigl film, 1988 (Michal Docolomanský dubbed by Bernd Weikl, Magda Vásáryová dubbed by Teresa Kubiak; conducted by Georg Solti; English subtitles)

Festspielhaus Baden-Baden, 1998 (Vladimir Glushchak, Orla Boylan; conducted by Gennadi Rozhdestvensky; English subtitles) – Act I, Act II, Act III

Palau de les Arts Reina Sofia, Valencia, 2011 (Artur Rucinski, Kristine Opolais; conducted by Omer Meir Wellber; no subtitles) – Part I, Part II

Teatro Comunale di Bologna, 2014 (Artur Rucinski, Amanda Echalaz; conducted by Aziz Shokhakimov; English subtitles)

Mariinsky Theatre, 2015 (Andrei Bondarenko, Yekaterina Goncharova; conducted by Valery Gergiev; French subtitles)

Livermore Valley Opera, 2019 (Morgan Smith, Antonina Chehovska; conducted by Alex Katsman; English subtitles)