#FOR A 2024 ENGLISH DUB CASTING

[guardianhyren]

KATEKYO HITMAN REBORN IS GETTING A DUB AND NO ONE TOLD ME?!?!

[lin-onehalf]

Fun little reminder that the voice of Ryoga Hibiki is Damien Haas (man with the baseball cap) now.

I personally know him best from Smosh and when I saw his name on the credits I was both happily surprised and like, “I should have expected this.”

[bapydemonprincess]

"NOW FIGHT ON! YOU CAN DO IT CIEEEL!!"

"Keep it up! GIVE EM WHAT FOOOOR!!!"

"WE'RE HERE FOR YOU, WE ARE!!!!"

"...He ain't even out on the field yet, you loons"

"Ho, ho ho ho.."

"Goodness gracious. Such rowdy bohemians. Can't take them anywhere."

[demifiendrsa]

Uzumaki | Official Trailer

The 4-part Uzumaki anime mini-series will premiere on Toonami on September 28, 2024 at 12:30AM (effectively September 29, 2024), followed by streaming on Max.

Cast

Japanese/ English Dub cast

Uki Satake/Abby Trott as Kirie Goshima

Shinichiro Miki/Robbie Daymond as Shuichi Saito

Toshio Furukawa/Doug Stone as Yasuo Goshima

Takashi Matsuyama/Aaron LaPlante as Mr. Saito

Mika Doi/Mona Marshall as Yukie Saito

Mariya Ise/Cristina Vee as Azami Kurotami

Katsutoshi Matsuzaki/Max Mittelman as Katayama

Wataru Hatano as Okada

Tatsumaru Tachibana as Tsumura

Kouichi Toochika as Yokota

Ami Fukushima as Shiho

Gen Sato as Boy 1

Shunsuke Takeuchi as Boy 2

Anna Nagase as Girl

Kōsuke Okamoto as Attendee 1

Staff

Director: Hiroshi Nagahama

Script: Aki Itami

Original creator: Junji Ito

Music: Colin Stetson

Animation Production: Studio Drive, Studio Akatsuki

Production Producer: Production I.G

[animenostalgia]

News - Netflix has FINALLY announced a release date for their streaming English release of Sailor Moon Cosmos! The streaming platform will release both 80-minute parts on August 22, 2024, and if you search for it, you can already set a reminder. No word yet on the dub cast, but much like with Sailor Moon Eternal, we probably won't know until it goes up, and it'll most likely be the Viz dub actors. Who else is excited to finally watch this movie?!

[mixelation]

do you recommend yugioh? i saw a screencap of the guy who's like "no more white wine spritzers before bed" or something and it kinda made me want to watch the show. but some shows (cough naruto cough) are like. i wouldnt recommend this to anybody even though i liked it. i'd tell them to watch specific episodes or fights but forget the whole show yk

oh boy. would i recommend it........ hmm. definitely i would recommend looking up an episode list/guide and skipping filler if you do decide to watch it. but for the rest.... depends on what you are looking for in a show!!

first, do not let my blog fool you. yugioh is about playing a card game. all conflict is solved with card games. all of it. every once in a while someone throws a punch or they have to escape a burning building, but usually somehow these events will also involve card games. somehow. there is ancient dark magic, but it doesn't come up nearly as much as just playing a card game. there are compelling characters and friendships, but most of their shonen-style friendship bonds are forged through the card game. you need to accept this in order to enjoy the series.

(the first few volumes of the manga use a variety of games and challenges instead of focusing on the main card game. the chapters are mostly episodic with a few longer arcs, and the focus is on yugi's friendships. also the ghost possessing him sets at least two people on fire. if you're dubious of the card game aspect but interested in getting to know the main cast, this might be up your alley.)

for the anime, a lot of the zanier lines you see in screen caps are from the english dub, which has nostalgic "call the rice ball a donut" and "give this character a ridiculous accent for no reason" vibes. sometimes the dub is genuinely funny. sometimes it's annoying. if you want an entertaining and over-the-top old school-ish anime, you might enjoy the dub.

the original Japanese is slightly more serious. for example, in the dub, Yugi does a magical girl transformation every time he uses the puzzle. this doesn't happen in the original. there's fewer bizarre ad-libbed lines (like the wine spritzer joke). in some ways it makes the show less fun? but also some of the zanier situations get a little more fun if, for example, the buzzsaws set to chop off your legs if you lose a card game aren't edited out. it is still VERY firmly a show about playing card games, but it takes itself more seriously.

honestly, if i did a rewatch, i'd probably watch the dub for duelist kingdom (the first arc) for the nostalgia and then switch to the japanese for the rest. my recollection is that post duelist kingdom is when the weird voice acting choices started to get grating, and also bizarre editing choices got worse (like changing buzzsaws to.... glowing disks that send you to the shadow realm. or something)

OR you can try YuGiOh the Abridges series, which is housed entirely on youtube and leans fully into how ridiculous YGO is as a concept. I've only seen a few rando episodes of it, but it's very well-loved. (also a warning that apparently it's very "of its time" so there might be some jokes that.... would not be acceptable in 2024.)

[lupincentral]

It’s that time again - the next classic Lupin III television special is coming to YouTube in the United States, for free, for a limited time!

From August 2nd through to September 5th, 2024, Memories of Flame: Tokyo Crisis will be available to watch for those living within the United States. First released in July 1998, the tenth television special will replace The Secret of Twilight Gemini, which has been streaming on the service since July 5th, 2024.

The upload will only be available with English dubbed audio, which stars the mid-2000s Funimation cast (Sonny Strait as Lupin, Christopher Sabat as Jigen, Mike McFarland as Goemon, Meredith McCoy as Fujiko, and Phillip Wilburn as Inspector Zenigata.

[operafantomet]

The Romanian / Norwegian / Greek / Middle East + European Tour version is really starting to hit many countries and cities now. Along with some photos of the current cast (from the respective webpages I have linked to underneath), here's a complete overview to where it has played so far, and where it will play in 2024-2025 (*):

JAN 2015: Teatrul National de Opereta, Budapest, ROMANIA. This was the prototype, directed by Stephen Barlow and designed by Andrew Riley. Leading trio was Adrian Nour, Irina Ioana Baiant and Florian Ristei, and it was performed in Romanian.

SEPT 2018 - MARCH 2019: Folketeateret, Oslo, NORWAY. This was a much updated version of the original Romanian production, with new costumes, and revamped sets and effects. Leading trio was Espen Grjotheim, Mira Ormala / Astrid Giske and Carl Lindquist, and it was performed in Norwegian.

JAN - MAR 2020: Thessaloniki Concert Hall and Christmas Theatre in Athens, GREECE. This was pretty much the Oslo production, but with some changes for tourability. From Greece on it has only been performed in English, regardless of the location. The original leading trio in Greece was Ben Forster, Celinde Schoenmaker / Amy Manford and Nadim Naaman. The production closed earlier than announced due to Covid.

FEB - MARCH 2023: Christmas Theatre in Athens and Thessaloniki Concert Hall, GREECE. Back in Greece, still in English, still an international cast, even more set and costume changes. This time the leading trio was Tim Howar, Harriet Jones / Georgia Wilkinson and Nadim Naaman.

OCT - DEC 2023: The Arena, Riyadh, Saudi Arabia. Continuing most of what was the case in Greece, except Nadim Naaman took over the role of the Phantom from Tim Howar, and Dougie Carter took over as Raoul. Was now dubbed "The Middle East Tour". It was the first time a full-scale production of Phantom of the Opera was done in Saudi Arabia.

FEB - MARCH 2024: Dubai Opera, Dubai. Same cast and overall set-up as Riyadh. This production followed in the footsteps of the World Tour (original version), visiting Dubai in 2019.

APRIL 2024: National Palace of Culture, Sofia, BULGARIA. Same cast and overall set-up as Riyadh and Dubai. This was, I think, the first time a city has housed two different non-replica productions. Not at the same time, mind you, as this version touring has meant the local productions are now allowed to perform for some time. This was at least what was announced from the producers in Bulgaria, Serbia and the Czech Republic. Curious.

AUG - SEPT. 2024: National Palace of Culture, Sofia, BULGARIA. The production has announced its return to Sofia this autumn. This due to the sold-out initial run.

OCT 2024: Sagros Campo Pequeno, Lisbon, PORTUGAL. The production has announced a run there from October 15-27, 2024. A concert version has previously been performed in Portugal, but it will be the first time a full-scale production is done.

NOV - DEC 2024: Musical Theater Basel, Switzerland. The production has announced a run there from Nov. 6 to Dec 22, 2024. The original Swiss production 1995-1997 did a hardcore thing of perfoming in both German and English. It will therefore not be the first time POTO is performed there, nor the first time it is performed in English. But it is the first time this exact version visits, and the 1995-1997 one was the original version.

FEB - MARCH 2025: Stadsschouwburg, Antwerp, Belgium. The production has announced a run there from Feb. 6 to March 7, 2025. The original Belgian production ran from 1999-2000, and was performed in the local language, but it will be the first time it is performed in English. It will as such also be the 10th anniversary for this specific touring version, as it premiered in Romania in January 2015.

MARCH 2025: Kongresove Centrum, Prague, Czech Republic. The production has announced a run there from March 19-27, 2025. This means the local production 'Fantom Opery' at Goja Music Hall has been paused. According to the official website the Phantom will be Nadim Naaman, the role of Christine will be shared between Georgia Wilkinson and Bridget Costello, and Raoul will be Dougie Carter.

(*) More dates will likely follow. Kuwait was announced some time back, but cannot be found anywhere now. Also, the local Serbian production announced a break because another version was visiting, so I won't be surprised if Belgrade is added to the list later on.

[snapscube]

it was announced that LAD:the man who erased his name won't have english dub at launch and will be added later If the same happens with Infinite wealth, will that effect your enjoyment? like would you stay away from the game until you can play it the way you want?

Hard to say actually! I'd be really surprised if they didn't have the english dub at launch for Infinite Wealth, as it's a mainline title rather than a spinoff, but truth be told yeah I honestly would probably wait if that ends up being the case. Kaiji Tang and Ichiban Kasuga are inseparable to me, personally, as well as everyone else in the Y7 cast. I would not want to experience a big new story with these characters without the voices that made them shine for me in the first place. The english dub performances are genuinely one of my favorite things about Y7. Also to be honest as much as it would pain me to wait, it would sure make my stream plans in early 2024 a lot easier LOL. I'll take as much of that as I can get right now.

[astoundingbeyondbelief]

Kaiju Week in Review (January 14-20, 2024)

Ultraman Blazar's finale aired on Friday. It was a solid capper to what's easily the best entry in the Ultra Series since I was an undergrad, full of heart and pyrotechnics. There were a few major loose ends—Captain Gento is better at keeping secrets than most hosts—which I'm hoping the movie, due in late February, will address. If you're looking for a place to start with the long-running franchise, it would be one of my first recommendations. Great effects, great cast, tons of new kaiju, and a blend of novelty (lots of focus on the tensions between the defense team and the larger monster-fighting organization; a host who's in charge of said defense team) and returning to form (Blazar yowls plenty but is an Ultra of few words; the power-ups and goofy weapons are kept to a minimum). And even if you don't want to commit to a whole show, episode 22, focusing on a hapless salesman of kaiju insurance, is a must-see for any fan of the genre. There seem to be no worlds left to conquer at Tsuburaya for lead director Kiyotaka Taguchi, so as I've been saying since around 2015: Toho, are you paying attention?

Godzilla Minus One/Minus Color, the regraded black and white version of Godzilla Minus One, is coming to North American theaters for one week starting January 26. Toho's yanking both versions from theaters after February 1—puzzling considering that the film is likely going to be nominated for the Best Visual Effects Oscar tomorrow. Takashi Yamazaki led a Godzilla delegation to the Academy's visual effects "bakeoff", in which voters watch highlights from the ten shortlisted films and their VFX teams explain their work. IndieWire reports that Yamazaki's presentation drew the most applause, describing Minus One as the "potential frontrunner." The Hollywood Reporter likes its chances too. Nominations will be announced starting at 8:30 AM EST. The Creator seems to be its biggest competition.

Godzilla Minus One also recently cleared $50 million at the U.S. box office, in the process passing the first Demon Slayer as the highest-grossing Japanese-language film ever released in the U.S. Some outlets are reporting that it's the highest-grossing Japanese film ever released here, which isn't accurate; the English-dubbed Pokémon: The First Movie made almost $86 million back in 1999. (And I think it's plausible that something like Rodan or Godzilla vs. Megalon would be the champ if you figured out how much they grossed and adjusted for inflation.)

Justice League vs. Godzilla vs. Kong #4 brought Godzilla and Tiamat to Atlantis, forcing Aquaman to release the Kraken to defend his city. Incredibly, this is the third Kraken associated with the Monsterverse, after Na Kika (called Kraken when it was introduced in the King of the Monsters novelization) and the main antagonist of the Skull Island cartoon. I'm guessing it's going to have a shorter lifespan than either of them though.

In other Godzilla comic news, IDW will be putting out another intriguing one-shot in May, titled Godzilla: Mechagodzilla 50th Anniversary. Past comics from the publisher have included multiple Mechagodzilla models, but this one seems to be going above and beyond. Rich Douek is writing; Andrew Lee Griffith is illustrating. The logline:

For 50 years, the King of the Monsters, Godzilla, has gone toe to toe with its robotic doppelgänger, Mechagodzilla! As an intrepid reporter profiles the history of Mechagodzilla and its creator before the launch of the newest model, he finds himself entangled in a much deeper conspiracy. A decades-spanning adventure celebrating the mechanical monster's milestone!

One of master kaiju illustrator Shinji Nishikawa's books will receive an English translation courtesy of Titan Books. Awkwardly titled Godzilla: The Encyclopedia of Godzilla, the Japanese edition included over 100 full-bodied illustrations of various Godzilla series kaiju and analyses of their designs (alongside plenty of Nishikawa's trademark chibis). I'm sold, suffice to say.

Ryo Momota, director of the short tokusatsu film Revive! Smile Rock Giant God, has put the whole thing on YouTube with English subtitles for your amusement. It posits that a real rock formation outside of Tamano City will come to life to help its citizens in their hour of need. Very low-budget.

Kaiju Brooklyn is a one-day con that began filling a longtime void for East Coast kaiju fans last year. Here's the first major piece of news about their June 1 event: they'll be screening The Return of Godzilla outdoors at day's end. Consider me highly tempted.

Kaiju United has a new, wide-ranging interview with Barry Goldberg, webmaster of the legendary Barry's Temple of Godzilla. That fan site was my first window into the wider world of Godzilla in the early 2000s, and it's only been updated a few times since, so I was pretty interested to read how its creator was doing. Don't get your hopes up for a revival: he's still a Godzilla fan (loved Minus One, Shin not so much), but has moved on to other things. Great insights from a Big Name Fan who stayed humble.

[animesavior]

Clark: “One week ago, Earth faced an alien invasion. You’ve heard different versions of what happened, but we at the Daily Planet have a duty to bring you the truth.” Jimmy: “The truth is that Superman and his cousin [Supergirl] saved us. But they weren’t alone.” Lois: “The people of Metropolis came together to help them, putting aside their differences to protect our home.” Clark: “The invader was defeated, and justice came to those who those who tried to benefit from fear and pain.” Lois: “But even as this brought out the best in many, it brought out the worst in others. And there will always be new threats to face.” Clark: “No one knows what will come next for Metropolis, but there’s one thing we at the Daily Planet know for certain…” Jimmy: “No matter what the future holds…” Lois: “No matter what is thrown at us…” Clark: “We will face it together.” -          My Adventures with Superman (Season 2, Ep. 10)

The Toonami Trending Rundown for the month of July 2024. During these past few weeks, fans got to enjoy the final two episodes of My Adventures with Superman season 2, among other great moments. And as July is the month of San Diego Comic-Con, Toonami viewers got to enjoy some big announcements in regard to several upcoming shows.

During the night of the airing of the penultimate episode of My Adventures with Superman season 2 on July 13-14, #MyAdventuresWithSuperman would trend on the USA on Twitter, while One Piece trended on Tumblr. And during the night of July 20-21, where we saw the season 2 finale of My Adventures with Superman, #Toonami would trend in the US alongside #MyAdventuresWithSuperman and #NarutoShippuden. #Toonami also trended on Tumblr. The night of July 27-28 did not see any trends, as Toonami showcased a MAWS marathon of season 2 during SDCC week.

As for Toonami Rewind, #ToonamiRewind would trend in the US during the broadcasts of July 12, 19, and 26, though on July 19, Sailor Moon and Naruto would also trend in the US, while Naruto also trended on Tumblr. Which isn’t bad, especially considering that on July 26, both the Olympics opening ceremony and Comic-Con were occurring at the same time.

As mentioned, San Diego Comic-Con took place at the end of July, and in case you missed it, Toonami fans got to enjoy several announcements during the convention. The big news was that we got a brand-new show announcement in Rooster Fighter by Shū Sakuratani.

Adult Swim announced that the English dubbed version of Rick and Morty: The Anime will premiere on Thursday August 15 @ midnight EDT/PDT, while the Japanese (with English subtitles) version will air on Toonami on Saturday, August 17 @ midnight.

Also, towards the end of the Rick and Morty panel, Jason DeMarco also revealed that we finally have a release date for Junji Ito’s Uzumaki after several years of delays: September 28, 2024 at 12:30 a.m., following premiere episodes of Rick and Morty: The Anime. Back during Anime Expo 2024, the Uzumaki cast was revealed by Production I.G, with Abby Trott as Kirie Goshima and Robbie Daymond as Shuichi Saito. In addition, Lazarus, the newest work of Shinichiro Watanabe, will be scheduled to premiere in 2025.

Finally, during the Demon Slayer panel on Saturday night, Aniplex announced that Demon Slayer’s third season, the Swordsmith Village arc, will begin airing on Toonami this August 10.

Meanwhile, for those who have been wanting to see more Lycoris Recoil, it’s been announced during the show’s second anniversary program that there are six short films in the works, that will depict the daily lives of Chisato, Takina, and others in the LycoRico cast. While Director Shingo Adachi will return in supervising, each of the six movies will feature different people handling direction and storyboarding, including character designer Imigimuru will be in charge of some of the scripts. A release date is to be announced.

Of course, this won’t be the end of My Adventures with Superman, as DC is hard at work creating the show’s third season, so stay tuned. In the meantime, we’ll have the trending rundown for the first few weeks of August, including the premiere of Demon Slayer's Swordsmith Village arc and the premiere of Rick and Morty: The Anime, out in the coming days, as with other articles and interviews from San Diego Comic-Con coming soon. Until next time, Be sure to register to vote for this year’s elections if you’re eligible and haven’t already, and let’s go Team USA.

Legend: The shows listed are ordered based on their appearance on the schedule. Show trends are listed in bold. The number next to the listed trend represents the highest it trended on the list (not counting the promoted trend), judging only by the images placed in the rundown. For the Twitter tweet counts, the listed number of tweets are also sorely based on the highest number shown based on the images on the rundown.

July 12, 2024 Toonami Rewind Trends

United States Trends:

#ToonamiRewind [#25]

Tweet Counts:

#SailorMoon [2,303 tweets]

July 13-14, 2024 Toonami Trends

United States Trends:

#MyAdventuresWithSuperman [#26]

Tweet Counts:

#MyAdventuresWithSuperman [2,539 tweets]

Tumblr Trends:

#one piece [#8]

July 19, 2024 Toonami Rewind Trends

United States Trends:

#ToonamiRewind [#17]

#SailorMoon [Trended with #ToonamiRewind]

#Naruto [Trended with #ToonamiRewind]

Tweet Counts:

#SailorMoon [3,307 tweets]

#Naruto [14.3k tweets]

Tumblr Trends:

#naruto [#9]

July 20-21, 2024 Toonami Trends

United States Trends:

#Toonami [Trended with #MyAdventuresWithSuperman]

#MyAdventuresWithSuperman [#7]

#NarutoShippuden [Trended with #MyAdventuresWithSuperman]

Tumblr Trends:

#Toonami [#8]

July 26, 2024 Toonami Rewind Trends

United States Trends:

#ToonamiRewind [#2]

Tweet Counts:

#ToonamiRewind [1,552 tweets]

#SailorMoon [4,244 tweets]

#Naruto [8,515 tweets]

If you wish to send me a tip for the work on the trending rundown, donations can be sent to PayPal.Me/DanielLimjoco.

Only Toonami on [adult swim] on Cartoon Network.

[okayto]

Mini-Review: Summer Time Rendering

To attend the funeral of his best friend and part of the family that took him in after his parents died, Shinpei returns to his small island home for the first time in two years. Hearing whispers that her body showed bruises around her neck inconsistent with the story of a tragic drowning while rescuing a child in the ocean, Shinpei becomes suspicious. There may be something brewing under the surface of this warm summer...

This is the perfect show as the northern hemisphere heads into summer: atmospheric, intriguing, balancing action and mystery.

STR first piqued my interested when I saw it referred to repeatedly as a show that didn't get the attention it deserved (a reviewer for Anime News Network referred to it as "among the best anime of 2022") due to being locked in "the Disney+ jail."

And having watched it, I agree: if this had been on a bigger anime-watching platform and released (in the US, at least) close to when it came out in Japan, it absolutely would've made a bigger splash. For some inscrutable reason, Disney got the rights but didn't release this in the US until months after it finished its run in Japan, without fanfare as a Hulu exclusive.

The upside to this is that you can more easily go in blind, and this is a show that benefits from knowing as little as possible ahead of time. Watching it weekly would've been an experience, but it lends itself to bingeing, as each episode advances the story--and mystery--even more, leaving the viewer hooked and hungry for answers.

That does, of course, make it difficult to talk about specific things I liked! The mystery is suspenseful, but it keeps up a good pace, balancing revealing more of what's going on with introducing even more questions. There wasn't a single episode where I got frustrated because it felt like the show was just playing up the tension; you're right there with Shinpei piecing things together, even if the thing is just "I can affect this even if I don't know what the outcome is."

Shinpei is a good main character, intelligent but not overbearing, and balanced with a cast that can variously match or surpass him in strength, intelligence, and relevant skills; if it weren't for the Plot Reason he's the protagonist, this would have just as well worked as an equal-ensemble show. Even Ushio, whose death was the catalyst for Shinpei's return, plays an active role in the story, helping prevent this from just being about a boy doing stuff in sad service to the memory of a dead girl.

As Shinpei uncovers more information about what happened, and through judicious use of flashbacks, Ushio's character develops, and she is a great character. In a show where scenes are sometimes sorting through the equivalent of two simultaneous chess games, it's nice to have at least one character who, while not stupid, uses her scenes to be refreshingly straightforward.

Verdict

English dub? Yes!

Visuals: Very nice! The story takes place equally during the day and after dark, as well as in a variety of locations, and it does a good job setting the stage, as well as balancing darkness and the need for the viewers to actually see things.

Worth watching? Absolutely. It's 25 episodes and uses all of them, neither feeling like it's dragging things out nor moving too fast. And despite its length, you don't have to wait until the final episodes to get any answers--Shinpei starts working things out quickly, and so the viewer does too. It's a solid suspenseful action show, and it was quickly obvious to me why I'd seen so many people say Disney did it dirty with its bizarre release.

Where to watch (USA, May 2024): Hulu (sub and dub)

Click my “reviews” tag below or search “mini review” on my blog to find more!

[bearofohu]

since level-5’s localization branch closed down a couple of years ago, im honestly wondering how this will affect the english release of nwos

dont get me wrong im not at all concerned for its existence—its going to exist most definitely. not only is nwos included in christopher robin miller’s business website (he lists 8 games hes worked on, when his voice only appears in seven), but nobody is more aware of layton’s incredible popularity in the west than level-5 themselves. professor layton was inspired by the west, after all. it would be franchise suicide to not localize it and that’s the last thing l5 is trying to do after making a reboot so crappy that it nearly bankrupted the franchise

but since there’s no localization branch anymore, it’s likely level-5 is for the first time ever outsourcing their projects’ localization, and that’s what kinda concerns me. the reason a lot of anime and games have shitty dubs is bc they get outscored to companies that can’t be fuckin asked (funimation is a good example)

localization divisions of game companies specifically can be shit too (treehouse is a good example) but level-5’s branch always made a genuine effort to produce good dubs. thats why all of their voice actors fit the setting; they're all bri'ish, and most of if not all of them did genuinely good jobs (im not tolerating slander against lani she did her best. i blame whoever casted her she was not designed to be voicing a 11 yr old cockney child)

and that's why it worries me to see nwos be outsourced - we have no way of knowing how the dub quality will change. obviously christopher robin miller is not going to stop voicing layton, we're not going to get any kind of chris pratt mario shit bc hino is not a backstabber

but what DOES worry me is the possibility of nwos getting outsourced to one one of those companies that dont give a shit. i should note that the the likelihood of this isnt very big just given how aware level-5 is of layton's prevalence in the west. layton is not like most anime/anime games, its not going to have its dub be unceremoniously flung to some low-effort team to hire the same non-union white man you recognize in every fire emblem game

but still, just because its unlikely doesnt mean its completely impossible. in the second l5 vision hino mentioned that inazuma eleven's next game is getting internationally released, which means the same is almost certainly happening to nwos (the fact this is happening is actually kind of huge - every other layton game before this has had to wait up to a year after the game releases in JP for the localization)

as much as it pains me to give any non-hershel level 5 game anything but my cold and dismissive scorn, i will be checking out inazuma eleven victory road's english version when the game releases in 2024 (its not guarenteed that victory road and nwos will be outsourced to the same people btw, but that kind of thing is common)

and unless victory road's localization ends up sucking some seriously crinkly ass, i dont think we have anything to worry about

[demifiendrsa]

Uzumaki | SDCC 2024 Teaser

The 4-part Uzumaki anime mini-series will premiere on Toonami on September 28, 2024 at 12:30AM (effectively September 29, 2024), followed by streaming on Max.

Cast

Japanese/ English Dub cast

Uki Satake/Abby Trott as Kirie Goshima

Shinichiro Miki/Robbie Daymond as Shuichi Saito

Toshio Furukawa/Doug Stone as Yasuo Goshima

Takashi Matsuyama/Aaron LaPlante as Mr. Saito

Mika Doi/Mona Marshall as Yukie Saito

Mariya Ise/Cristina Vee as Azami Kurotami

Katsutoshi Matsuzaki/Max Mittelman as Katayama

Wataru Hatano as Okada

Tatsumaru Tachibana as Tsumura

Kouichi Toochika as Yokota

Ami Fukushima as Shiho

Gen Sato as Boy 1

Shunsuke Takeuchi as Boy 2

Anna Nagase as Girl

Kōsuke Okamoto as Attendee 1

Staff

Director: Hiroshi Nagahama

Script: Aki Itami

Original creator: Junji Ito

Music: Colin Stetson

Animation Production: Studio Drive, Studio Akatsuki

Production Producer: Production I.G

[animenostalgia]

News - The trailer for the new Ranma 1/2 anime dropped yesterday! The series will be done by Studio Mappa, with almost all of the original Japanese voice cast reprising their original roles. The series begins on NTV in Japan October 5th, 2024, with each episode going up on Netflix Japan the next day.

No news yet on how much this anime will cover story-wise, if it's Netflix broadcast will be world wide, or if the series will be dubbed in English. I'll update with more info as it's released!

[dailydoramipics]

On this day, 10 years ago, on July 7th, 2014, "Doraemon: Gadget Cat from the Future" made its official US premiere on @disneyxd with the first episode (containing the segments "All the Way From the Future World" & "The Mecha-Maker")!

It was an English dub adaptation of the third "Doraemon" anime series, running since April of 2005 and still going strong! (with 700+ episodes as of July 2024)

The dub had an incredibly high profile set of voice actors, starring Mona Marshall, Johnny Yong Bosch, Cassandra Lee Morris, Brian Beacock, and Kaiji Tang as the leads (Doraemon, Nobita/"Noby", Shizuka/"Sue", Suneo/"Sneech", and Takeshi "Gian"/"Big G"), with Mari Devon, Tony Oliver, Max Mittelman, Keith Silverstein, Spike Spencer, Minae Noji, Kirk Thornton, Cristina Vee playing the reoccuring set of secondary cast of the show's characters.

The show centered around the life of a misfortunate boy named Nobita "Noby" Nobi who suffers from bad grades, bullying from his peers, scolding from his parents (his ferocious mom mainly), and is generally an awkward, lazy, kinda weird, and slow kid.

A robotic cat from the 22nd century named Doraemon is sent back in time to aid Noby in his life, pulling out futuristic magical gadgets from his pocket that can turn everyday human life into something much more every day.

Hijinks ensue when Noby ends up misusing Doraemon's gadgets, often continuously using them for his selfish (or selfless sometimes) benefits until things get incredibly out of control either through inconveniences, bullies, or just... really really poor choices.

Occasionally every now and then, the show has little half hour adventures, such as Noby & the gang helping a group of little people ("A Little Adventure"), Doraemon & Noby seeing aliens ("Invasion of the Goat Aliens", "Doraemon and the Space Shooters"), Doraemon & Noby going after a time capsule ("Doraemon's Time Capsule"), escaping from a villian from the future ("A Visitor from the Future"), but generally overall, the show is incredibly episodic and formulaic with the premise listed above.

The dub made numerous edits to the source material such as having the show's setting take place in a random no-name town in America instead of Japan, changing Japanese yen to American currency, removing content, motifying the character Shizuka's personality due to American viewers misunderstanding or getting confused over her original traits, etc.

The cast of characters were also given Americanized names, though these are confirmed to be just nicknames, with it being implied that they still have their original names in media such as Stand By Me Doraemon 2 (the English dub) & in the English manga.

It ran for a total of 52 episodes (with two 11 minute segments each with the exception of a few half hour specials that were dubbed, especially by season two) across two seasons from July 7th, 2014 to September 1st, 2015, being seemingly cancelled or sidelined by Disney quietly, with no official answer on the status of the dub.

According to Sneech Honekawa voice actor Brian Beacock via his TikTok on a stream from around 2020, Disney lost interest and didn't want to continue pushing the series.

The show continued to air in reruns after the conclusion of the second season on Disney XD until on June 20th, 2018, it got preempted by a rerun of Phineas & Ferb and has never aired again nor been seen again on American television (photo above courtesy of Collin LW)

And sadly, as of 2024, there seem to be no plans to officially re-release the dub via formats, as its not on DVD and Blu-ray nor is it available on watch on major streaming services with anime like Netflix, Disney+, Hulu, or Crunchyroll.

Though thankfully, thanks to the efforts of an unknown to my head right now fan, the entire English dub's episodes in 1080p logoless quality (ripped from "Watch Disney XD" before being removed) is currently available to watch online on Archive.org (& MEGA), being helped made widespread by Doraemon US superfan & voice actor Collin LW!

Despite receiving some particularly heavy negative reception from several fans of the original Japanese dub over the years since its existence came to be, the dub has generally received positive feedback from those who saw it, especially from its devoted cult following. Particularly for the voice cast's performances, heartfelt moments, the cute cartoony artstyle, the fun cast of characters, the original soundtrack by Joseph Bauer, and the sense of witty hilarious humor that's been favorably compared to the likes of the 4Kids dubs of the "Pokemon" anime from the 1990s and 2000s.

(What are your own personal thoughts on the dub? I'd love to hear in the replies and reblogs on your personal views and experiences on the series!)

Again, happy tenth anniversary "Doraemon: Gadget Cat from the Future"!

Thanks to everyone who worked to make this dub possible and exposing so much people to this wonderful, timeless, underrated goofy, silly, heartfelt little show!

Still hope we get more of the dub via either a dub of one of the mainline movies (cough cough Doraemon: Nobita's Earth Symphony cough cough) or maybe another dose of the 2005 series somehow on Netflix after their Stand By Me Doraemon 2 release in 2021 ^^