#FEEL FREE TO CONVINCE ME!!!

[starfanatic]

Demeter x Hecate

I’ve decided not to a ship bingo because I feel like there isn’t a lot of options that make sense? Anyway, Demeter is probably the Olympian/god that I know of the least? I just feel like information on her isnt as easy to find as Athena or Zeus. Though, I have no hatred towards her like SOME fans I know 😒 Hecate is in the same boat, so I really don’t know where the ship came from though I don’t HATE it persay? There’s nothing I actively dislike and from the posts I’ve seen, it’s not too bad.

[keferon]

What are your thoughts on a decepticon prowl?

Oh I'm all for it. But! Only if he's actually a Con. Like. Wholeheartedly.

Not "nnnooo we're doingg a bad thing and I kind of dont wanna do bad thing but I have no choice poor me".

You know how in canon he truly believes he's on the right side and makes everything to ensure that Optimus wins the war? You know how he's willing to make every tough decision so Optimus doesn't have to risk his reputation? You know how he literally makes Autobots look like shiny brave and clean heroes who did nothing wrong ever?

I want all that but the other way around. I want him to do that for Megatron and for the Decepticons. The implications would be so fucking dramatic I could write a whole essay.

Low rank Cons would hate him so fucking bad.

Starscream would try to murder him at least once a day.

Megatron would absolutely treasure him. Autobots would have it r o u g h

Can you imagine

[melit0n]

Some cryptid photos of Vessel (+ ii) that I've collected over the past week. The fact that almost all of them look like they came out of trail cam footage is absolutely sending me

[turtleblogatlast]

Tiny little guys

(That comic of mine is on its way - wanted to share the little ones from the current wip haha - EDIT: no longer wip!)

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[bakudekublogblog]

kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license

[trashcanwithsprinkles]

debate

(topic: how many and what configuration of kids do they give off vibes of having (either at present or in the future)(partner is irrelevant in most cases, some could be single parents for all i care))

[odd-chips]

Tim's First Pride! 🌈 ✨

I think he would be a little uncomfortable in the beginning, but he'd be very glad he went!!

Bonus sketch of a post-Pride Tim featuring his sister, Josephine, who pushed him to attend in the first place (and another sketch of accidentally bumping into a familiar face):

[baselicoc]

A small spider-man 2099 reading guide

Just watched atsv and wondering where to start getting into Miguel O’Hara? Hate trying to figure out comic timelines? Well hopefully this guide can help a little bit. Please note its far from a definitive guide and could probably use some work but I'm hoping it helps someone out! Also not including spider-verse appearances or those in most other comics, because we could be here forever listing every comic appearance and this is meant to be a quick guide Miguel's original appearance was in Amazing Spider-Man #365, but that was more of a preview than anything else. I've split it pre-2000's and post-2000's, but listen to me if you have to pick one comic to read out of all of this make it the original 1992 run. You basically cannot go wrong with just reading 1992. A few have been marked with asterisks because you really don't have to read them but it felt wrong to not include them on the list.

Pre 2000's

Spider-man 2099 (1992): Literally Required Reading. Keep in mind that the last two issues had different writers and are kinda disregarded by just about everyone. Issue #16 starts the crossover event Fall of The Hammer, a mini-guide to which I've included below. The Special and Annual take place in between issues but it's easiest to just read them last.

Spider-Man 2099 Meets Spider-Man (1995): It's short, it's sweet, give it a read.

*2099: World of Tomorrow (1996): At the time this was meant to close off all the 2099 plots, theres lots of other 2099 characters in here but a fair bit of Mig.

*2099: Manifest Destiny (1998): Further closure to the 2099 world, again lots of other characters but still a solid read. Basically waves away the last two issues of sm2099 (1992) in a slightly hilarious way and worth reading just for that.

Fall of the Hammer crossover mini-guide:

Spider-man 2099 (1992) #16

Ravage 2099 #15

X-men 2099 #5

Doom 2099 (1993) #14

Punisher 2099 (1993) #13

Post 2000's

*Superior Spider-man (2013) issues #16-19: Largely set up but its cool too

Spider-man 2099 (2014): You can read this without the Superior Spider-man setup but depending on your prior comic reading experience you may be a bit confused. If you're a seasoned reader and used to taking weird comic shifts in stride due to missing some random issues of a completely different comic you'll be fine

Spider-man 2099 (2015): Solid run, I don't have much to say about it honestly

Marvel's 2099 (2019 event): you are better off looking up a separate guide for this one it is not my ballpark

[implied-divinity]

robot girl who doesnt understand that youre not also a robot and she keeps trying to shove an ac adapter into various holes in your body and even in your skin. she doesnt stop when she draws blood. she thinks shes successful when shes pushed it all the way in your cunt but gets confused when nothing happens

[coffinpal]

🔥

[festive-unserious-fellow]

I am going insane

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[spineless-lobster]

Thinking to myself about who is the most fuckable character in hades and honestly the characters are so diverse I think the answer is everyone, it really all depends on your type

Like obviously we have aphrodite she’s in a category of her own you work girl

Are you bisexual? Throw dionysus into that mix

Into milfs? Nyx and persephone are right there

Into dilfs? Girl achilles and patroclus are lined up

Want a sad, edgy boy? Thanatos and orpheus are your guys

Want a bad boy? Ares girl have you SEEN him?!

You want a hot woman to step on you? My brother in christ megaera is right there

Calling all lesbians I have an artemis and a eurydice right here for you

Want a cutie patootie? Hypnos, hermes and dusa at your beck and call

Are you a furry? Asterius babe get into it

Himbos? Zagreus and theseus they’re hot they’re dumb they’re perfect for you

Do you straight up wanna fuck someone’s grandma? BABYGIRL DEMETER IS THE ONE FOR YOU

Tall dark and handsome? May I introduce you to charon?

Literally are you aroace? Babe guess what dusa is still there start that cute little qpr

Monsterfucker? MORE dusa MORE asterius WE GOT SKELLY WE GOT THE FURY SISTERS AND Y’KNOW WHAT FUCK IT I’LL TOSS PRIMORDIAL CHAOS IN THERE WHY NOT

I could go on forever but this post is already too long and I think you get the idea. Anyways play hadesgame please

[weltyangfancam]

Okay okay okay listen.

Welt Yang + PDA = not very likely. Subtle and small at least. I know and I love that.

However. Consider.

WALKING ARM IN ARM.

Pretty casual but also So So Intimate and it's so cute and sweet and hhhhhhhh

Like on a mission? No, work's gotta be done and Welt is in Herscher Mode. During downtime though? If it's just the two of you strolling and seeing the sights? Hands DOWN your arms are LINKED. Man wants you close, but still with your agency to slip away if you wanted. Plus, he's canonically old fashioned and (in the words of some students he oversaw) "boring" I'm sure this is the shit they mean BUT ITS SO SWEET.

Like Welt would offer you his arm and get that bashful little smile when you link in yours. Bonus melting if you gently rest your hand on his bicep. My god. It's so cute.

Also hello?? lookin' like a power couple over here??? like damn I swoon. It also just fits Welt so well ESPECIALLY WITH THE CANE I'm dead it's too good

Anyways. In conclusion. Arm in arm. Underrated form of intimacy and I wish I could explain why he would enjoy it better instead of just loosing my mind lmao

[lemongogo]

oo u want 2 draw soo bad..