#FANTASY. where it doesn't have to make SENSE

[unknown7s]

Can I just say that I really fucking HATE how the majority of the Arcane fandom praising Season 2 is deeply in the mindset of Piltover in reality? Like, it's not even funny, and I don't know where to begin.

I'll just start with Silco because he's this huge metaphorical character who is clearly written as the embodiment of a long list of sociopolitical agendas in the real world. And before I start, pardon my English, since it's not my first language.

I know y'all in the Anglo-American sphere tend to focus more on classism, inequality and police brutality theme. But the way I see it, THAT and every single dialogue plus the specific word choice of Silco & Sevika literally SCREAMS of postcolonial discourse (I guess F. Fanon is most well-known to y'all) and even some part of M. Foucault's philosophy, etc. I'm writing "etc." because the list will go on forever if I describe all these creepy historical parallels between the depiction of Zaun's internal conflict and what real countries that have been (or still are) colonies went through, and what real colonizer propaganda looked like during that time—like how those characters who fight for the nation's independence are the big bad villain and psychotic monsters who need "redemption arc" therapy, while those who cooperate with the oppressors are the good-hearted familial heroes of this story.

So upon reflection, if this fandom were to be a collective intelligence, we should have asked ourselves, "Is this show truly not problematic for portraying such a character as villainous?" and thus, "Is this show thematically implying far-right propaganda?" even before Season 2 presented us with this insane plot that glamorized the militaristic fascist aristocrat proclaiming martial law as a 'romantic revenge arc'.

But what did the majority of the fandom do since 2022? They were so busy shitting on this dead villain, claiming he has done so much wrong that he doesn't even deserve to be praised as a character. So instead of trying to understand where this character's point of view is coming from, they blindly hate him to the point where they are now fabricating a list of crimes that he didn't even commit, editing false information on the fandom wiki profile.

What's more frustrating to me is that I thought the problem was media illiteracy all along, but oh no, I was being way more optimistic than the reality. Now that I’ve read all these interviews from the showrunner and main writer—Linke and Overton—I get the sense of why Season 2 turned out like that. The more they babble on about this show, the clearer it becomes that they don't even acknowledge how messed up their political views are, which are so far-right. Taking the seemingly-centrist line doesn't make you fair, you're just passively siding with the oppressors. And lesbian sex scene doesn't make this show "progressive", in fact, hiding oppressor fantasy behind a rainbow flag makes it even more treacherous.

So yeah, I think critical voices should be much louder than this, but watching the majority of this fandom neglacting problems only to praise the show? I think my hope for humanity kind of get lost more and more as time passes, lol.

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[microwavesaferat]

This is a different topic than my usual stuff, but I was relistening to Epic: The Musical and wanted to talk about my personal interpretation of Calypso's character both within and out with the musical.

So a couple things to consider when going into this:

The original material and the biases/lense that it was created through

The long game of telephone that has moulded the current view of her character

The changes made from the Odyssey to Epic

In the original material, Calypso is trapped on the island of Ogygia for supporting her father, Atlas, in the battle between the Titans and the Gods. When Odysseus washed up on her shore, she took a fancy to him and proceeded to attempt to court him. She did not take no for an answer and in fact cast spells on him through song to force herself onto him. It is noted that, later in his stay on the island, Odysseus would spend most of the day crying on the shore before being forced into bed at night.

TLDR: in Greek Myth, Calypso is a horrible person.

In Epic, some liberties are taken for a multitude of reasons:

Dramatic effect

Narrative flow

Thematic storytelling

Making it more 'PG'

The big one here is the last point, although Epic covers a lot of violent acts and tough topics, but some aspects do need to be cut in order to not make the musical too graphic. For example, in the original myth, Odysseus and Circe definitely have sex, in fact, she has a child with him. So Jorge trimmed down the complicated relationship Odysseus has with Calypso, that is perfectly fine, in fact, it probably works better in the medium than being 100% accurate.

To talk about the version of Calypso in Epic; she was cast away as a child and naively fell in love with the first person she saw. My interpretation lies somewhere in-between these versions. I believe she was isolated on the island (something present in both), but I do not believe she was entirely well meaning yet harmful.

Calypso, at least in my eyes, became obsessed with the first contact she has had in a century and did, like a school-child, gain a naïve crush. But I believe she was cruel and manipulative to Odysseus and is not free of blame for what she did.

Based on the lyrics present in Paradise, she does not reveal her Godly nature until after Odysseus threatens violence if she does not leave him alone, this is a threat to him. She will play nice as long as he does, but she always has the upper hand. She also uses his friends' words against him to manipulate him (open arms), plus she almost completely ignores everything he says during the song to continue her fantasy of a perfect couple.

In Not Sorry for Loving You, she sings a very half-hearted apology that sounds like a YouTuber apology video where she apologises for how he interpreted her behaviour (I'm sorry if my actions offended some people), she blames her actions on her own problems (I've been having a real hard time you guys and wasn't thinking straight). My interpretation is that, she is (as she says) not sorry and is fully aware of what she did, just hoping he would believe that she was simply trying her best and that he would choose to stay.

An important factor that stops Calypso from being 100% awful is that she is a goddess with a skewed interpretation of mortality and of human emotions. She doesn't understand why this is such a big deal to Odysseus to be faithful and get home soon, they have all the time in the world. 7 years is merely a moment in her lifetime. It is also important to note the general reception to Calypso's actions at the time of the Odyssey. It was common for mythological characters to take war brides and the like in many Epics, even Achilles has a bride given to him as a spoil of war. The use of an action like sex in the Odyssey is to demonstrate a power imbalance and a sense of ownership. Calypso takes Odysseus like a spoil of war because he has lost and the Gods have won. In the Odyssey, Calypso does not do this because she is a horrible person, but because Homer wanted to demonstrate the loss Odysseus has faced.

I also find it weird that Calypso is brought up so much surrounding the topic of consent when, in the original myth, Circe does the same exact thing. In fact, it's like her main thing. She turns Scylla into a monster for being with a man she likes, she turns a king into a beast for noting accepting her courtship and has sex with Odysseus in exchange for help home, giving him a child.

The changes for Circe in Epic work because Circe's job in the story is to demonstrate Odysseus's wit and his devotion to Penelope, so she can still help him after he proves he's 'not like other men' (he's a monster rah rah rah). With Calypso, you cannot make it so that she respects his choice, or that would make for a pretty chill 7 years.

TLDR: In both the Odyssey and Epic, Calypso is more important as an idea than as a character. She serves to show how far Odysseus has sunk, lost the war and has been taken as a spoil, defeated and broken.

[grumpchump]

Adding the full yap because a few people asked for it !

(no fast pass spoilers, I'm not caught up yet anyway!)

I feel like this theme applies to almost every character in the main cast.

First of all, we all know that one of Chase's biggest aspirations is to be a famous singer, even though nobody in his life really thinks he can do it. He seems perfectly aware of this. He knows that everyone thinks his dream is impossible, and maybe part of him thinks the same thing, but he just doesn't care. He's still extremely determined to realize his goals despite what everyone thinks of him.

Buddy especially doesn't think very highly of him (at first!)- throughout a good portion of the season, he constantly assumes Chase is going to give up the stories as soon as they get hard. But as Chase says in Sick Day, it's not his style to give up. He is so much more than what a lot of people expect him to turn out to be and he's so cool and I love him so bad

This applies to Buddy pretty obviously too. He's meant to be a cold and ruthless villain, and he certainly does try to be that. He's tough and more than a little mean at times, but we can see pretty consistently that he isn't as heartless as he might want people (Chase) to think. Even from the beginning when he's determined to antagonize Chase and get his key, he drops hints and helps him to finish the stories.

I always thought the scene in the Cinderfella arc where he tells Chase that he can eat the storybook food was really interesting. Like, he has no incentive to do that. He has no reason not to sit by and watch Chase suffer wanting to eat the desserts. But instead he does this small act that is, whether intentionally or not, actually kinda nice of him. It's just another small moment that shows that the villain persona people expect of him isn't really all that he is.

(This is a smaller thing, but I think with his exterior and how he acts in the books, we kind of expect him to be cunning and hard-working. I believe Punko said in a Q&A that in his free time he's actually an extremely lazy person, contrary to how we usually see him. I'm just mentioning that because I think it's funny and I love him a lot.)

Deacon is an extremely complex character with so many layers that I honestly am still grappling with, this guy's really cool.

A lot of his struggles are with the expectations placed on him. We know his whole life and career have been planned out for him by his parents. There's constantly a lot of pressure on him to work hard at this path that has been chosen for him, but in reality, he doesn't want any of it. My man just wants to read his shitty fantasy novels and chill with horses, give him a break !!

He's also constantly trying to defy his role as the helper key (specifically in Sick Day and The Book of Deacon). I think it's really interesting how he struggles to accept his role. Chase and Buddy don't actively try not to be the hero and the villain, they just naturally are more morally grey with it. Deacon, on the other hand, is almost a little desperate to go beyond being a helper and fall into another alignment, acting carelessly and causing trouble because of it. And the thing is, it makes perfect sense why he'd do it.

Books are very much a source of escapism for him. Actually getting to LIVE OUT the books is extremely exciting. Inside the books, he has a chance to escape his parents' expectations- being the helper, though, he just feels like he has a new set of expectations placed on him. Once he actually gets to be the hero in The Book of Deacon, he learns that this role is just as tough- again, he's trading one set of expectations for another. There's really no winning for this man lol. but im getting a little off topic here.

What Deacon needs is to reject the expectations his parents have placed on him and do what will make him truly happy. We can see how Buddy and Chase sort of naturally deviate from their expectations just through being themselves, but Deacon is still struggling in this process. Deacon is struggling to be himself in the way Buddy and Chase do.

There is still that level of acceptance he needs to have for his current situation though, specially in his helper role. He's still struggling to grasp all that being a helper means and how it's still just as important a role to take on as the hero or villain. He needs to find a way to balance his responsibilities and his happiness.

In Prunella's case, it's a bit harder to say- as of Friends and Family, we haven't gotten to spend as much time with her as the boys, so we're still learning more about her. I think the irony of this little girl getting to play the role of the big strong hero is sort of a subversion of expectations in itself lol.

We've also seen her upbringing. We've seen her mom. We've seen her house. It's a big awesome fairytale mess, and she doesn't really fit into it at all- being more into wilderness survival, she's not really what most people would assume her to be when they see her home life. Nothing wrong with that of course, just worth mentioning. We also learn in Friends and Family that she's very advanced for her age- she's extremely smart and probably a lot more understanding and level-headed about all the key business than I think a lot of other kids would be. I'd say she deviates from what a lot of people would expect of a child her age.

I'd love to hear if anyone has any other thoughts about her character !! I like her a lot and I'm excited to get to know more of her in the story :)

I wanna touch on the Keys last, specifically Silver. This part will be more speculation, so take it with a grain of salt.

In line with the theory about Silver possibly betraying Chase, this theme would apply perfectly. The way we've gotten to know Silver, she's extremely sweet and caring. She acts very selflessly for her family and friends and is eager to lend Chase a helping hand in saving his mom.

What we need to remember is that her first priority is to take care of her family. Helping Chase with his thing is definitely a means to reunite everyone (since he'll need all 12 keys to make his wish anyway), but it may not feel like she's doing enough. Helping her family and taking care of the Keys is her ultimate goal. If she's the heroine of her story, it makes perfect sense that she would take whatever actions necessary to do this.

The problem is, Cinderella Boy follows CHASE as the protagonist. We're rooting for Chase to evade Ex Libris, collect the keys, and save his mom. From this perspective, Silver betraying Chase, going behind his back, etc. would technically be an antagonistic action.

Am I saying that makes her a villainess? No, I really don't think so. But we've come to know Silver as a kind, supporting force for Chase. All I'm saying is, if she really were going behind Chase's back in some way (referring specifically to the letter she writes to Violet at the end of Friends and Family), it would absolutely subvert ours and Chase's expectations of her. It would line up with the theme of defying these expectations.

This theme is another of the many reasons why the Beach Boys arc is so important.

Circling back to Chase and Buddy, the core relationship at the center of the story- up until this point, Chase and Buddy have not cooperated with each other. Just a few episodes ago was the Toffee Break arc, where Buddy was an absolute menace and Chase straight got him thrown off a boat, lol.

But then Chase sees Buddy struggling to light a fire, and he does something unexpected. Even though he and Buddy have spent pretty much every moment together as rivals, he offers Buddy a tip on how to start the fire. He completely subverts what we've come to expect of their relationship. And then Buddy does something even more unexpected by returning the gesture and sharing his fish.

They're meant to be the hero and the villain- complete antagonists to one another. But in this moment they both choose to defy their expected roles and share a small, nice moment.

Later, Chase offers to help Buddy get out of the dangerous situation he's living in, and Buddy assumes he's lying. He doesn't expect Chase to be genuine about it. But like he says in Beach Boys (VI), Chase gets mad at him for doing the same thing, and he realizes he's been wrong about Chase maybe the whole time. Chase is not at all like Buddy expected him to be.

I think the point Chase makes in this episode about their roles as the hero and the villain is extremely important to the story as a whole. Buddy is meant to be the villain, so he's supposed to be a horrible person. Chase is meant to be the hero, so he's supposed to be patient and forgiving. But Chase says it himself- he doesn't care about that. He isn't the perfect protagonist we might expect him to be. He's an extremely kind and good person, yes, but he also has no trouble standing his ground and acting the way HE wants to, despite what everyone thinks of him. And Buddy, while harsh and standoffish, has plenty of moments that showcase how he's actually quite a caring person when he starts to let down his guard around someone.

Hell, even the entire concept of Cinderella Boy as a whole is kind of a subversion of expectations in itself!!!! A boy finds a magical artifact that lets him enter and play out any story he uses it on, but, ironically, he always has to be the princess?? it's amazing i love it

Cinderella Boy shows us consistently that nobody is stuck playing the role everyone expects them to. Nobody is bound to the perceptions that other people have of them, and everyone is free to defy these expectations and be the person they want to be. Chase says it best in Beach Boys (IV): "Nobody should have to accept being the villain if they're trying their best not to be."

To rap up my yap session, Cinderella Boy is a narrative about defying expectations and other people's perceptions of you and being a person of your choosing and everyone should go reread it one billion more times !!!!!!

shout-out to Cinderella Boy and its ongoing theme of defying the expectations everyone has for you and being more than your roots and upbringing, gotta be one of my favorite genders fr

[em-dashes]

i don't know why i'm doing so much research into real theories on faster-than-light travel and getting caught up on all the caveats like time dilation and acceleration and how a human body would not be able to handle the G-force blah blah blah when a billion sci-fi works have just casually had FTL travel and nobody questions it. it's SCIENCE. it's FICTION.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[vaguely-concerned]

Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).

many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.

(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)

[blujayonthewing]

it's weird to me that online content on foraging and camp/ bushcraft cooking never seem to overlap, at least not that I've ever found?? foraging recipes are always like 'wild mushroom risotto with chardonnay and arborio rice' and bushcraft cooking is always like 'first, unpack your ribeye you brought from home--' like what is going on here, surely 'guy who wants to camp out and cook over a fire' and 'guy who wants to eat some plants they found in the woods' cannot be completely separate venn diagram circles

[probablyaparadox]

Y'all can someone explain to me how Kay is Arthurs adoptive brother while they're both the sons of Uther Pendragon and adopted by the same holy knight... I'm struggling.

[ilovettrpgs]

What's ttrpgs?

I just stared at my screen like this

[ktempestbradford]

I have been on a Willy Wonkified journey today and I need y'all to come with me

It started so innocently. Scrolling Google News I come across this article on Ars Technica:

At first glance I thought what happened was parents saw AI-generated images of an event their kids were at and became concerned, then realized it was fake. The reality? Oh so much better.

On Saturday, event organizers shut down a Glasgow-based "Willy's Chocolate Experience" after customers complained that the unofficial Wonka-inspired event, which took place in a sparsely decorated venue, did not match the lush AI-generated images listed on its official website.... According to Sky News, police were called to the event, and "advice was given."

Thing is, the people who paid to go were obviously not expecting exactly this:

But I can see how they'd be a bit pissed upon arriving to this:

It gets worse.

"Tempest, how could it possibly--"

source of this video that also includes this charming description:

Made up a villain called The Unknown — 'an evil chocolate maker who lives in the walls'

There is already a meme.

Oh yes, the Wish.com Oompa Loompa:

Who has already done an interview!

As bad (and hilarious) as this all is, I got curious about the company that put on this event. Did they somehow overreach? Did the actors they hired back out at the last minute? (Or after they saw the script...) Oddly enough, it doesn't seem so!

Given what I found when poking around I'm legit surprised there was an event at all. Cuz this outfit seems to be 100% a scam.

The website for this specific event is here and it has many AI generated images on it, as stated. I don't think anyone who bought tickets looked very closely at these images, otherwise they might have been concerned about how much Catgacating their children would be exposed to.

Yes, Catgacating. You know, CATgacating!

I personally don't think anyone should serve exarserdray flavored lollipops in public spaces given how many people are allergic to it. And the sweet teats might not have been age appropriate.

Though the Twilight Tunnel looks pretty cool:

I'm not sure that Dim Tight Twdrding is safe. I've also been warned that Vivue Sounds are in that weird frequency range that makes you poop your pants upon hearing them.

Yes, Virginia, these folks used an AI image generator for everything on the website and used Chat GPT for some of the text! From the FAQ:

Q: I cannot go on the available days. Will you have more dates in the future? A: Should there be capacity when you arrive, then you will be able to enter without any problems. In the event that this is not the case, we may ask you to wait a bit.

Fear not, for this question is asked again a few lines down and the answer makes more sense.

Curious about the events company behind this disaster, I took myself over to the homepage of House of Illuminati and I was not disappointed.

I would 100% trust these people to plan my wedding.

This abomination of a website is a badly edited WordPress blog filled with AI art and just enough blog posts to make the casual viewer think that it's a legit business for about 0.0004 seconds.

Their attention to detail is stunning, from how they left up the default first post every WP blog gets to how they didn't bother changing the name on several images, thus revealing where they came from. Like this one:

With the lovely and compact filename "DALL·E-2024-01-30-09.50.54-Imagine-a-scene-where-fantasy-and-reality-merge-seamlessly.-In-the-foreground-a-grand-interactive-gala-is-taking-place-filled-with-elegant-guests-i.png"

"Concept.png" came from the same AI generator that gets text almost, but not quiiiiiite right:

There are a suspicious number of .webp images in the uploads, which makes me think they either stole them from other sites where AI "art" was uploaded or they didn't want to pay for the hi-res versions of some and just grabbed the preview image.

The real fun came when I noticed this filename: Before-and-After-Eventologists-Transformation-Edgbaston-Cricket-Ground-1024x1024-1.jpg and decided to do a Google image search. Friends, you will be shocked to hear that the image in question, found on this post touting how they can transform a boring warehouse into a fun event space, was stolen from this actual event planner.

Even better, this weirdly grainy image?

From a post that claims to be about the preparations for a "Willy Wonka" experience (we'll get to this in a minute), is not only NOT an actual image of anyone preparing anything for Illuminati's event, it is stolen from a YouTube thumbnail that's been chopped to remove the name of the company that actually made this. Here's the video.

If you actually read the blog posts they're all copypasta or some AI generated crap. To the point where this seems like not a real business at all. There's very specific business information at the bottom, but nothing else seems real.

As I said, I'm kinda surprised they put on an event at all. This has, "And then they ran off with all our money!" written all over it. I'm perplexed.

And also wondering when the copyright lawyers are gonna start calling, because...

This post explicitly says they're putting together a "Willy Wonka’s Chocolate Factory Experience" complete with golden tickets.

Somewhere along the line someone must have wised up, because the actual event was called "Willys Chocolate Experience" (note the lack of apostrophe) and the script they handed to the actors about 10 minutes before they were supposed to "perform" was about a "Willy McDuff" and his chocolate factory.

As I was going through this madness with friends in a chat, one pointed out that it took very little prompting to get the free Chat GPT to spit out an event description and such very similar to all this while avoiding copyrighted phrases. But he couldn't figure out where the McDuff came from since it wasn't the type of thing GPT would usually spit out...

Until he altered the prompt to include it would be happening in Glasgow, Scotland.

You cannot make this stuff up.

But truly, honestly, I do not even understand why they didn't take the money and run. Clearly this was all set up to be a scam. A lazy, AI generated scam.

Everything from the website to the event images to the copy to the "script" to the names of things was either stolen or AI generated (aka stolen). Hell, I'd be looking for some poor Japanese visitor wandering the streets of Glasgow, confused, after being jacked for his mascot costume.

HE LIVES IN THE WALLS, Y'ALL.

[arolesbianism]

I find it so funny just how long I'd have to talk to get to a single non original character in the random card au if I explained the worldbuilding in chronological order. I'm pretty sure the first recognizable characters would be og Tae and Rei and even then there's a pretty big span of time where they could have possibly existed so I could theoretically go through a Lot before getting to them even without all of the finer details of kingdom worldbuilding

[teaboot]

Kinda gotta admire the tiktok instagram cottagecore tradwife hoes a little bit.

Like. THEY know that the perfect pretty obedient natural-makeup gently-coiffed rural June Cleaver, barefoot-and-pregnant in a sweet little peasant dress, baking fresh bread24-7 housewife doesn't exist.

They KNOW she doesn't exist. They know she CAN'T exist- that nobody can maintain that façade without burning out eventually-

but they also know that the political divide between men and women is deeper than ever in North America, that men as a demographic are getting increasingly angry and conservative and lonely (fuck off terfs and radfems i can sense your bioessentialism coming), and that women aren't legally beholden to them anymore.

This is one of the first generations in North America where women aren't entirely reliant on finding a husband and keeping him happy to survive, to hold a bank account or live apart from their parents, and so what men are dealing with is several hundred years of being told that REAL men have hot fuckable agreeable wives and...a present reality where nobody is lining up to apply for that position.

So what these shills have done- and they ARE shills- is that they've seen that divide, that niche that isn't being filled, that role that's so unpleasant but so desired- and they've constructed a caricature for profit.

Women aren't naturally more gentle, or parental, or submissive. Women aren't naturally, effortlessly smooth and soft and hairless and desiring of simple tasks to fill their time and a big, strong provider to protect them.

But generations of marketing and media have told us it's POSSIBLE, if not for those pesky man-hating feminist libs and their oversensitive woke culture lashing out at Normal Folks for no good reason.

Like- they're selling themselves, the characters they're playing, as an IMAGE, as a FANTASY, and they rely on people BELIEVING in that fantasy to keep the money rolling in.

The people who buy into it sincerely, the women who give up their degrees and careers and financial freedom for this "simple, peaceful life" we ALL desire in some form, away from stress and technology and horrible things on the news... only to get trapped with six children and a partner with all the power who could up and strand them at any moment... they're just collateral.

Like, "Shame it didn't work out for you, have you tried losing weight and trying harder? Maybe some extra Adult Time? He wouldn't have to chase someone younger and prettier if you'd just take care of yourself and put out more."

I on't hate this faux-humble faux-simple wannabe-amish bullshit just because I grew up rural and know it's fucking stupid, hard work and blood and shit and cow piss and placement in the rain kinda crap.

I ALSO hate it because these women are straight-up class traitors, selling off not just their own image as people, but everyone else's, just to make some paper on a grift.

You know Marie Antoinette used to wear sweet little milkmaid-style dresses and play with lambs in the field, just like the poors?

Never mind that she OWNED the land, and the field, and the people, the cute little frocks, and didn't help the sheep birth, or bury the dead premies, or slaughter for meat, or fight off wolves and dogs, ferrets and foxes and rats with a stick in the winter.

It was just fashionable to pretend.

Sweet and coquettish and Quaint.

THAT is why I hate that shit, and THAT is why I give a fuck.

[sunderwight]

PIDW but it's a game.

You play as Luo Binghe, the lowliest disciple of Cang Qiong Mountain Sect's Qing Jing Peak. The first part of the game proceeds more or less like a semi-normal fantasy dating sim -- Luo Binghe is bullied and downtrodden, but can seek help and opportunities to build relationships with various female characters, like Ning Yingying and Liu Mingyan. The game's interface implies a truly staggering number of potential romance candidates to unlock, however, so it makes sense that the first part in your disciple years doesn't get you very far in any of the routes.

But then for the second part, things start to shift. You get an option that seems to amount to asking whether you want to make things better for Luo Binghe or not. When you click the obvious choice, that you do, your previously cold and ruthless shizun seems to go through an inexplicable change of heart. You get a weird kind of fanservice-y scene featuring him during the Skinner Demon Mission. Then he features extremely heavily in the Demon Invasion Mission, only to turn up as your companion in the Dream Demon Mission.

After that, it seems like you've gotten onto his route, somehow? Why does the scummy male teacher even have a route in a game like this, though? You try to check for player guides but you can't seem to find any. You try reloading older saves and making other selections, but no matter what you choose, you end up finishing the Dream Demon Mission by moving into Shen Qingqiu's house, and the routes for Liu Mingyan and Ning Yingying and the briefly-encountered Sha Hualing are all greyed out.

But maybe that just means they're inaccessible for advancement for now, or something. And a lot of games have plot points that are on rails, and you can see where Luo Binghe actually getting a place to live would be one of those things. The format of the game changes as well, going from a relatively loose sequence of scenes and interactions to a daily management style, where you have tasks to complete (make shizun breakfast, go to morning lessons, cultivate, do chores, etc) and only a set number of hours in which to complete them. You have affection points, but any time you try to spend them on anyone other than Shen Qingqiu you get an error message. There are dialogue options for flirting with other characters, but they're always greyed out and impossible to select.

Still, you can unlock scenes. A lot of them are just long slow shots of Shen Qingqiu doing things, like reading, or lecturing, or eating. You get missions, and sometimes you meet female characters who seem to unlock new possible romance paths, even though they're still constantly greyed out. Maybe this part of the game's just especially on rails? Waiting for the actual harem-building segment? You kind of like a lot of aspects of it anyway, though. Luo Binghe is an especially compelling character, not at all like the usual sort of non-entity placeholder main guys in games like this. He definitely has personality.

But then you get to the third part. The Abyss. Shen Qingqiu pushes Luo Binghe in, and suddenly you're wondering if you've somehow reached a bad end. You were saving up some of those affection points for later, maybe you should have spent them all on him? Was there something you did wrong to make this happen? You're not even sure why he's thrown poor Binghe away, he was cold and cryptic about it, and now you're wondering if all the time you spent distracted by other things was time you should have spent farming a better relationship with him. You can't help but wonder where you went astray, because Luo Binghe will not stop wondering about it, and wondering about it in ways that make you feel oddly like he is accusing you, the player, of making the wrong choices... but in a way that could still plausibly be aimed at himself, as a character. You feel bad. You kind of want to restart, but you also can't bring yourself to abandon Luo Binghe. You have to see this through, to help him make it to the other side.

Regardless, the Endless Abyss seems like it must be an inevitable plot development. A lot of the game shifts to account for it. There's even an option to essentially select this "thought" from Luo Binghe's internal diatribe, that this is inevitable, and it seems to turn off the litany of recriminations for a while, although sometimes it also results in Luo Binghe... glaring at the screen?

At you?

Anyway the daily management system goes out of the window, and instead there's an energy bar now. Encounters with monsters or the occasional demon woman will lower the energy bar, how much depends on what you choose and how the encounters proceed. Sometimes there are romantic/sexy responses for interacting with the demon women you meet, and they aren't greyed out, but if you try and select them the cursor will jump to another option. You think there might be something wrong with your mouse? Sometimes you get Luo Binghe glaring at the screen scenes afterwards. When Binghe's energy bar hits zero, you're offered two choices -- "sleep" or "think of shizun". Sometimes even if you pick "sleep" the cursor will still jump to "think of shizun", and you'll be treated to another one of those slow lingering scenes of Shen Qingqiu. Except they are becoming increasingly strange, obviously warped by the exhaustion and trauma of the situation, so that aspects are eerie or even disturbing. For example, sometimes Shen Qingqiu seems to be missing limbs, or eyes. Sometimes there's blood on his hands. Sometimes the food he's eating is rotted, or the bamboo house background looks like the Qing Jing Peak wood shed. That kind of thing. You don't mind the idea of harm coming to the man. He deserves it, really, for pushing Luo Binghe into the Abyss. But the few times you try and select options along those lines, the UI glitches again.

Also the "think of shizun" option only restores a quarter of the energy bar, whereas resting restores all of it. But if you try to go for too long without doing it, it will lock you into choosing it successively for a long time.

In addition to the energy bar, there's a calendar. It's not all that sophisticated or even consistent, and it's clearly meant to reflect the fact that Luo Binghe has troubles accurately judging the passage of time in the Abyss. However, the longer you spend in the Abyss, the more violent and unhinged things start to become, and the more the UI starts glitching to reveal disturbing messages, and the more often Luo Binghe "glaring" scenes happen. So you decide to do your best to get Binghe out of here as quickly as possible. This part of the game must be broken, but hopefully if you can make to the next segment, it will work properly again.

Eventually you get to the Xin Mo Mission, which is the last part of the Abyss section, and Luo Binghe escapes.

But the weirdness continues. Worsens, even. You still get missions to like, take over the demon realms and infiltrate Huan Hua Palace, all cool stuff, and you still meet girls who seem to unlock possibly romance paths. But most of the time everything is greyed out. There will be 5 dialogue options but maybe only 1 or 2 of them will be selectable. Parts of the menu are inaccessible. You don't have an energy bar anymore, you have a Xin Mo corruption bar, and it just keeps steadily rising. Sometimes you're presented the option of propositioning a character to "mitigate corruption", but if you try and click it the game glitches or the cursor freaks out and it fails. Sometimes the game crashes outright, and when you reload your last save, it starts with Luo Binghe glaring at you through the screen. You still get the "rest" and "think of shizun" options at times, but neither one helps the corruption bar.

Then. Jinlan City. You reunite with Shen Qingqiu. There seem to be a lot of options for acting vengefully towards him, but they're all greyed out, except for a few which let you chase him down or manhandle him a bit. The whole segment is frustrating, full of weird fanservice-y moments but also mired in how little Shen Qingqiu will say, how often he insists on evading or running away, and how Luo Binghe doesn't seem to have the right prompts to actually get him to explain himself. At times it seems like the "think of shizun" mechanic is bleeding over into the real interactions with the character, so that you can't tell what's really going on vs what are the manifestation of Luo Binghe's trauma or even hallucinations. The Xin Mo bar has maxed out. You have to catch Shen Qinqiu. Catch Shen Qingqiu. Catch Shen Qingqiu--

Then suddenly the bar is at 0, and you're watching Shen Qingqiu's lifeless body fall towards the ground, his energy expended in the effort to push back the corruption. Like, all of his energy.

You catch Shen Qingqiu. Or at least, you stop his corpse from hitting the dirt.

Now the game art is crisp and clean again. All the weird UI artifacts and blocked-off menus are either gone altogether or else working properly. The sound, which had been very gradually deteriorating with low-pitched ringing and muffled portions, is normal. You can hear characters gasping and distantly shouting, and birds chirping somewhere, the ragged cadence of Luo Binghe's breaths, while the camera focuses on Shen Qingqiu's body.

Huh, you think. That's a sort of dramatic resolution to that plot arc, and it raised more questions about Shen Qingqiu than it answered, really. But at least it's over with now? Does this mean Luo Binghe can finally start to recover, or advance other plots?

Then everything blacks out. You get booted to the main menu, or something that looks like it, except the only option you can select now is the New Game+ one.

When you click it, it seems like you've started the whole game over again. Except that there is a Xin Mo corruption bar, greyed out, already waiting for in a corner of the screen. And instead of starting out with a view of Qing Jing Peak, you start out with the young Luo Binghe looking directly towards you. Like he's staring through the screen. It's the basic starting point character, except he already has his demon mark on his forehead, and his expression is way more cold and calculating than anything the junior protagonist would have worn.

"Don't get in my way," he warns.

Then the game proceeds like a visual novel with extremely limited choices. The old selections and the menu for various romance routes don't even appear, the menus have all changed again, this time oriented entirely around hiding Luo Binghe's demonic cultivation (while building it) and managing daily choices and Shen Qingqiu's relationship status. A romance game with only one romance route, and it's the treacherous crusty old teacher? Wtf? But otherwise it seems almost normal, except for the special faint-lettered red options that sometimes appear in weird places on the screen, suggesting things like preventing the Skinner demon from catching you unawares, or saving Shen Qingqiu from Without a Cure poisoning, or keeping out of the Endless Abyss.

Those options seem like they should create different outcomes, and you click them whenever they show up, but they consistently fail. As if there's some other force in the game pushing things back onto the rails no matter what you do...

Anyway, eventually you get through the main plot again, and Shen Qingqiu dies once more. This time the game keeps going from that point, however, with quests to try and find ways to resurrect him. You're starting to wonder why you're still playing -- after all, you signed up for a harem game, not this tragic gay love story? You're not even gay! It's just that Luo Binghe is such a compelling character. You decide it's time to take a break, though, so you get up, do some stretches, go to the bathroom, etc.

It feels like someone's watching you.

You've definitely been playing that game for too long. Sometimes you think you catch sight of Luo Binghe's face out of the corner of your eye, in the bathroom mirror or on the black surface of your phone's screen, just before you turn it on. But when you look twice or turn your phone off again, nothing's there. You call your little sister, to apologize for dropping off the face of the earth for a bit, and you joke about getting too invested in this weird game that might be broken? She hasn't heard of it, but she sounds a little worried as she suggests maybe coming over and taking you out to lunch, or something.

You decline -- she's got a lot on her plate, and she mentioned already having plans earlier -- but then you promise to get some fresh air anyway. But when you go to head out, somehow you find yourself turning away at the last minute. You try again, and yet it's like you just keep getting distracted before you can open the door. After a few tries you give up, swallowing down your growing unease. You take off your shoes and coat. When it comes to it, you really do want to find out what happens to Luo Binghe next.

The game is running.

You don't remember turning it back on...?

The screen is focused on the familiar image of Shen Qingqiu's preserved corpse. You can see Luo Binghe's hand in the frame as well, transferring qi in yet another familiar sequence, the one that seems to run at the end of every in-game day. There's some text.

Is it you? the red letters ask, scrawling and flickering, as if someone is attempting to write directly onto the screen. Are you the one behind all this? Thwarting me at every turn?

Yes/No options appear in the game's usual font and position. You try to click "no", even though you're unsure and feel like you must have missed a scene somehow. But the interface warps and when you hit "no" it changes to Stay Silent.

I can't figure out. Are you here to help me, or get in my way?

Help/Harm. You click "help" but again it changes to "stay silent" afterwards.

What do you want from me?

This time there's no option to select at first. Then, as if being shoved onto the screen by some alternative function, a text box opens up. Like the kind that some games have for implementing cheats or selecting character names. This particular game has never shown such a function before, Luo Binghe's name was locked in and you don't even know if it has cheats. The cursor blinks, and somehow it feels as if you have only one chance, and if you don't take it now, it will be gone forever.

You type in "help" and barely manage to hit enter before the interface blinks out. No list of prompts or possible options appear.

Shizun? the red text scrawls, shakily.

Then the whole game crashes.

You wait, but it doesn't start up again. You try to run it again, but you can't find it on your system, somehow. Really weird. Even if it had crashed, it shouldn't have gotten deleted? But you still can't find it. You start to feel genuinely alarmed. Not only can you not find the game on your system, but when you try and search for it absolutely nothing comes up. You try and go to the online shop page for it, but you can't remember where you actually got it from in the first place, now that you're thinking about it.

What bullshit is this?

What, was the game actually some kind of virus? It couldn't have been. Also who would make a virus like that? You get up and pace, trying to make sense of it.

It's gotta be some kind of mistake. Maybe you've just missed too much sleep, you're not thinking right. You'll take a break and when you come back you'll realize that you were just looking in all the wrong places, somehow.

You head over to the fridge to grab something to eat.

You can't remember the last time you went shopping, but the food in there is probably still fine. Right?

[reidmotif]

For the Love of Lace

Summary: Reader decides she doesn't want to pine for her best friend, Spencer, anymore, but still needs his help deciding what lingerie to wear for her upcoming date.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: breast and nipple play, fingering (r!receiving), lingerie talk, unprotected penetrative sex, no implied breast size, couch sex, best friends to lovers, possessive Spencer

Word Count: 3.7k

Masterlist

Pining for your best friend definitely has its lows. There’s a certain sense of pathetic-ness that comes about when your friend is simply speaking, and your mind is occupied with the yearning to bridge the gap of distance between you two, and kiss them senseless. I think perhaps the biggest low that I’d hit, however, in the two years I’d been pining for Spencer Reid was the sexual frustration that came with being unable to see myself with anyone else. 

I’d never meant for it to play out like this. I thought it was an innocent crush, a byproduct of all the time we’d managed to spend with each other divulging into our personal lives and sharing the ordinary comings of the day together. However, there came a point where I looked at him and could see my future laid out so perfectly with him. A future of love, and laughter, and God, so much sex.  And no matter what I’d tried, the thought was too good to let go. 

It didn’t help that not only was he oblivious, he clearly didn’t return my affections. There were no signs of longing that I could deduce from his actions, and I’d decided to be reasonable about this. His actions were always remnant of a good friend, but a lover? No. There were no longing stares. No stolen brushes of fingers, or hushed whispers. It seemed that anything romantic about our relationship only emanated from my fantasies of what I wish we could be. 

And so here I was, unable to get past the mental block of wanting anyone as much, and it’d resulting in a long, exasperating two-year stint of celibacy. And Jesus, did it show. The tiniest thing Spencer did would set me off in a frenzy, and it left me feeling nearly perverted at a certain point. There’d been a day that he ran his finger down a page, attempting to locate a passage to display to me and all I could think about was how badly I wanted that finger in me. My mouth. Me. Anything. And then I realized I was lusting over my best friend’s hand, and considered the possibility of this being a serious problem on my end. 

My only block to getting laid was my own self.  And I certainly didn’t relish in the debauchery I’d clearly stooped low enough to indulge in, and so it was decided. This Valentine’s Day? I wasn’t going to watch rom-coms and wonder if Spencer and I could ever have a happy ending like them.

 I was going to man up, and go on a date. Easier said than done. 

I’d found the date, that bit was easy enough. Trying to find someone to hook-up with on Valentine’s Day is like trying to find sand on a beach. Plentiful and simple. 

What wasn’t easy? Feeling ready for it. I hadn’t been like that with anyone for nearly two years, and found myself worrying that my sexual skills had deteriorated with lack of practice, even though the thought was rooted in some ridiculous notions about myself. I knew that logically the sex would be fine, and hopefully, exactly what I needed to get over Spencer, but still. I wanted to ensure the best possible experience. 

I found myself going through the motions of date preparation. A manicure and pedicure. A facial. I even bought a fancier perfume to wear the night of. And of course, a trip to procure some new lingerie for the night. 

I’d always been indecisive, and with the choices presented in the shop, I found myself overwhelmed. I’d decided and picked up 3 possible pieces, and instead of determining between them whilst buying, I bought all of them, with the intention that I’d be able to make a choice in the comfort of my own home. 

Except now, it’d been a week, my date was tomorrow, and I still couldn’t figure out what would work for me. All three were equally as appealing, but which one was the best? The question haunted me, and continued to  haunt me as Spencer and I hung out. Despite my date tomorrow, I’d promised to keep up our tradition of binging episodes of Star Trek on Friday night together, except my head was clearly elsewhere, which he quickly noticed. 

Damn profiler best friend. 

“Alright, what’s up with you?” Spencer asks, reaching for the remote and pausing on some random frame of Spock’s face, the show taking less precedence than my lack of attention. 

I sigh apologetically, quirking my mouth to the side. “I’m sorry, Spence.” I say, taking a deep breath. “Just a lot on my mind.” 

Spencer tilts his head, his expression a little more worried. “Something important?” 

I shake my head quickly, not wanting to disclose the reasoning for my distraction tonight. Especially to him, considering my date tonight had the sole purpose of me getting over the man currently sat to my right. 

“No, no.” I say, softly. “Just.. stuff.” I voiced, quickly.

“Stuff?” Spencer inquires. 

“Stuff.” I affirm. 

Now it’s his turn to sigh, making a slight groaning noise whilst he did so. “Come on. I’ve known you for years. I know there’s something on your mind, and it’s clearly distracting you, so.. Please? Tell me?” He asks, giving me those eyes. A look that would make anyone weak in the knees. 

I find myself hesitating, and bite my lip, and in the end, it’s the way he’s looking at me that does me in. I opt to stay vague, but give him a bit more insight into my wandering thoughts. 

“My date tomorrow? I don’t know what to wear.” I say, shrugging. “It’s not very important, but I want to make it work, you know?” I continue. 

“Why don’t you just show me your dress then?” Spencer inquires. “I’m not a fashion expert, but it’s not like I’m unable to have taste.” 

I laugh a little self consciously, shaking my head quickly. “Oh no, no. It’s not a dress. It’s okay, Spencer. I couldn’t ask you to do that for me.” 

“Shoes? C’mon! I’m your best friend. I’d do anything for you.” He protests, coming closer to me now. 

“Not shoes.” I say, still shaking my head. “And no! I mean, seriously. There are some things you can’t do for me, and it’s fine. I’m fine.” 

“Jewelry? Hair? Makeup?” He implores continuously. “I’m all ears.” 

I realize there’s no way in hell he’s ever going to let this go, so I blurt out with little thought, “It’s lingerie!” 

He goes a bit quiet in thought, and then raises an eyebrow. “And that poses a problem?” He asks, softly. 

I blink a little. Yes. Of course that’s  a problem. I love you so much that it makes me feel weak, and I can’t be even more vulnerable in front of you. Not like that. 

But instead I shrug, running my hands through my hair. 

“I just.. Wouldn’t that be weird?” I say, hesitantly. 

“Not really.” Spencer replies, nonchalantly. “You’re my best friend. And I want to help you in any way I can. Nakedness doesn’t really bother me, and if it doesn’t bother you, I’d love to help you decide.” 

“Spencer..” I mumbled, still incredibly hesitant. 

“I’m your best friend!” Spencer articulates. “And logically, I can provide you with insight that only another guy could give.” He points out. “In a purely platonic, and logical sense.” 

I had to give him credit for that. It’s true. Spencer did have insight that none of my friends could provide, and I’d always entrusted him in helping me make decisions for myself and my life. And honestly, it was starting to get suspicious with how much I’d been objecting to this. The man had helped me decide bikinis, clubbing dresses- this couldn’t be any more different, could it? 

“Okay. Okay. Fine.” I give him a resigned nod, getting off the couch. “Alright. Wait here.”

He plants himself more firmly on the couch, his eyes trained on where I’d disappeared into my room, rummaging through the shopping bag until I’d found the first lingerie piece. 

It was a simple black lace bra and matching panties. The bottoms were a bit cheekier than a normal pair of underwear, and my legs were on display in full. My hair framed my pushed-up breasts, and I looked at myself in the mirror, slightly self-conscious at the fact that I was about to present myself this way to Spencer. 

How did I get into this mess? 

I slowly twist the doorknob, calling out to him. “Spencer! I’m coming out with the first one.” 

“I’m here.” is his reply, and I know he’s waiting, and so I slowly push open the door and come out in the light, a little more in his view. I give a half-hearted 360 degree turn, and look at him. 

“So?” I ask, my eyes finally meeting his, but the sight I’m met with is a lot different than the one I’m expecting. He’s slightly red in the face, his hands fidgeting in his lap- quite different from the more composed version I’d seen of him. 

“Is there something wrong?” I ask, quickly, feeling even more vulnerable as I stood there, half naked in front of a blushing man. 

“No, no!” He sputters. “I’m sorry. This is normal.” He gulps a bit and gives me a quick once over. “Sorry, I’ll be normal.” He clears his throat again and nods more definitively. “This one is nice. It’s simple.” He replies, as diplomatically as I’ve heard him. “Black works well with your skin and hair, and I feel like it brings out your eyes.” 

I nod, biting my lip. “Anything I could do to make it.. more than nice?” I queried. 

He narrows his eyes in thought.  “It’s already really, really nice, but I feel like stockings, or even a garter would even the attention from your breasts, more to your legs- which already look really nice, by the way.” 

It's my turn to blush and I nod quickly. “Stockings, got it.” I say. I blow out a breath of air. “One down, two to go.” I say, absentmindedly. 

“Better go back and try the other two, then.” Spencer says, with a smile. 

I attempt to return his smile and disappear back into my room, putting on the next piece. It was red, and a bit more showy than my previous piece. It was a criss-cross, cut-out lingerie. Lines of maroon fabric danced around my skin in a way that exposed the curve of my breasts, and connected to a simple, red thong. I walked out quicker than last time, a little less nervous now that the initial nervousness of appearing naked in front of him had faded. 

Despite my nervousness fading, it seemed like his had only increased. I’d only caught a glimpse of it in my hurried departure from my room to his line of sight, but had he.. been adjusting his crotch area?

 No. No. I mean, maybe he was turned on, but that was a completely normal reaction to a half-naked girl in front of a man. To my knowledge, Spencer hadn’t dated anyone in 2 years either, so it was completely possible he also had pent-up desires. This was normal. Spencer Reid did not feel the same way for me, not in the same way as I did for him. 

He quickly looks up and his hands are by his side in record speed. “This one is.. Wow.” He marvels, his eyes boring into my body. “Your breasts. They look great.” 

I can’t help the giggle that escapes me, a part of me secretly delighted that even if this was friendly, Spencer was enamored with my body in the way I’d always wished he would be. 

“Was that too much?” Spencer questions, upon hearing my laugh. “I’m only being honest. Your breasts look nice in this one. My eyes immediately went there with this piece.” 

I smile. “No, no. That’s what I need from you, anyway. That’s what I want my date to do too, anyway.” I say, dismissing his worries. 

“Right. Your date.” He says, curtly. 

I raise an eyebrow at the snippy reply, but don’t think much of it. “So.. the last one then?” 

“Yep. The last one.” 

“Right..” I mumble, going back to my room, slightly confused by the sudden change in demeanor, but ready to get this over with nonetheless. 

The last piece was a lot more revealing, in the sense that my nipples were exposed from the get-go with this one. A lavender slip, with transparent lace covering the breasts, and the silky fabric stopping right below my crotch. It was a bit more daring, but I still enjoyed the way it framed my curves, my hips, and my breasts. I wondered what Spencer would think, and out of modesty, I placed both my hands over my nipples, wanting to show the lingerie without fully exposing myself to him. 

I walk out, and this time, his gaze is intense. More so than I’d ever seen him in our years of friendship. 

“Spence..?” I ask, when he’s silent for a beat too long.

“Turn around.” He says, firmly, and I find myself listening instantly, baring my back to him, and no doubt he’s focusing on the way the fabric wrapped around my ass, leaving me slightly flustered and more on display than I’d ever felt tonight. 

“Spencer? Come on. Say something. Feeling a bit like cattle right now.” I voice, laughing a little nervously.

When I hear his voice again, I nearly jump out of my skin because he’s right behind me, his hands ghosting across my bare shoulders. 

“Don’t go.” He whispers, his hot breath fanning around my neck, sending shivers up my spine. 

I’m too nervous to turn around, so I keep my hands planted firmly on my breasts and murmur out my confusion. 

“What?” 

“Don’t go.” He repeats, more firmly this time, and I can feel his hand moving to grip my hip, orienting me to face him. “Please.” 

“Why not?” I ask, softly, my eyes wide as I try to read his expression. His pupils were dilated to the size of saucers, and I could feel his hands moving to cup my face, bringing us even closer. 

“I’d be an idiot to have not at least tried.” He whispers. “I’m sorry for doing this now. I’m sorry if this ruins everything. But I couldn’t live with myself if I didn’t try.” 

I feel my confusion bubbling up, my eyebrows furrowing a little bit. “Why.. what is this? Is this because of the lingerie?” I ask, my lips parting slightly. 

“No. God no.” I can see him emphatically shaking his head at my rumination. “This has been coming for a long time.” He murmurs. “I thought I could ignore it, but I can’t. I can’t physically stand the thought of someone worshiping you the way I’d like to.” He rasps out, and I feel my heart jump, my breath coming out faster. 

When I’m silent, unable to respond,  his fingers run across my lips. “Can I kiss you?” He whispers. 

I nod, and it’s like he’s been waiting all night, and then some. His grip on my face tightens and he brings me in for a searing, earth-shattering kiss. His lips move over mine desperately, and I feel his grip shifting to bring my hands off my breasts, and to replace them with his own, his hands now pawing and squeezing at the flesh, which draws a soft moan from me. 

He throws his head back at the noise, leaning to kiss my neck. “Fuck yes.” He mumbles, seemingly goaded on by the noises slipping through my lips. “I’ve wanted this for so long.” He groans out, to no one in particular, just wanting to get the words out there somehow. 

I nod rapidly, and his hands are on my hips again, guiding me to the couch and laying me down. I move easily in his grasp,  a slight gasp escaping me as he climbs on top. His thumb goes to graze my jaw, leaning in for another kiss. It’s less rushed this time, slow and passionate. His tongue darts out to swipe over my bottom lip, and I open my mouth easily for him, reveling in the sweetness of how he tasted. 

He breaks off the kiss and moves down, kissing my breast between the lace. His tongue goes out to wet the fabric, and I’m arching my back at the sensation of the rough lace and the warm wetness now rubbing against the sensitive skin.

“You taste so good.” He mumbles. “God. Why did I wait so long?” 

“No clue.” I whimper out, desperately. “But don’t stop.” 

“I’m not stopping.” He says, gruffly, moving to bunch up the fabric of the slip until it pooled around my waist, exposing my dripping cunt to him. 

“I can’t stand the thought of another man touching you like this.” He whispers, his finger running up and down my wet folds, causing me to moan out needily. 

“Shh, shh, baby.” He murmurs. “You’ll get what you want soon enough.” 

Without warning, he easily slides two fingers inside me, and I can’t help but wonder if he was made for me. Given the way he effortlessly reached that spongy spot so deep inside me, I was compelled to say yes. The action prompted me to release a string of desperate moans and whimpers, increasing in octave with every second he pumped the digits in and out of me. 

“Yeah, you like that?” He mumbles, almost entranced with the way my cunt was sucking him in, tightening around his finger with each second he continued. 

“Yes. Yes, oh God.” I moan out, my eyes squeezing shut. 

“Open your eyes.” he demands, his thumb now darting out to rub harsh, tight circles on my clit. “I want to see your face when you come on my fingers.” 

My eyes snap open, and I can’t help it when I release another moan and feel my orgasm absolutely shred through me. My hips raise in an attempt to move off Spencer’s fingers, but he manages to follow my movement, nursing me through my orgasm, and watching every second of it. 

When it's over, he removes his finger and brings it up to his lips, sensually tasting my release right in front of me, never breaking eye contact- and the sight itself makes me need him all over again. 

I pull him in by the collar of his shirt, and my hands move to remove his buttons, wanting to feel his skin on mine. He laughs a bit and admonishes me, removing my shaky fingers. 

“Let me.” He mumbles, leaning back between my spread legs, and removing the clothing, before moving to his belt. 

I bite my lip as he hovers over me, and kiss him again. I can’t get enough of him. He’s all I wanted for so long, and here he is- mirroring my desire in the way I’d always hoped he would. 

“No man-” He breathes out, in between kisses, “could do this for you.” 

I nod in affirmation, continuing to kiss him. No argument there. 

“No man deserves to.” He adds, possessively, and it’s enough to make me clench around nothing, and I know at that point I’m more desperate for him than I had been the whole night. 

“Spence, please.” I groan out. “Need you.” 

He understands immediately and wastes no time, pulling himself out from his boxers, giving himself a few tugs before pushing inside of me, groaning as he feels my warm, wet walls grasp onto his cock. 

He remains there for a second, allowing me to adjust to his size. When he looks at my face again, and I nod, he starts to move, pulling out until only his tip remains inside of me, before slamming in. My jaw drops in a silent scream, and my hands go to grip his shoulders, and with the confirmation I was enjoying myself, he set on a ruthless pace, snapping his hips over, and over again, until I was reduced to a babbling mess in front of the man. 

He’s all I can feel at this point. His hands on my breasts, my hips, before he eventually rests both hands on either side of me and envelops me in his being. I can smell him, and the familiar scent only serves to tighten the coil in my stomach, reminding me that this was someone I’d loved so deeply for so long. Someone who was interwoven into the fiber of my being, and I know this is all I want, and all I’ll ever want. 

As we both feel our releases coming on at an alarming pace, he leans up to kiss me one more time, moaning against my mouth. I feel myself whimper before I feel my walls contract around his cock, my orgasm causing my back to arch even closer to him. The clamping of my cunt seems to drive him to finish too, and a warmth fills my deepest point as he groans into my ear, pulling out and lying against me. The two of us are panting, sweat sticking to both of our bodies and hair, lost in the post-sex haze and enjoying the proximity. 

He kisses my jaw and I giggle out and give a soft moan. “God.” I whisper. 

“Yeah.” He murmurs against my skin, and I can feel his smile. “Are you canceling your date then?” He says, a slight bit of glee in his voice. 

I giggle a little, finding his delight adorable and endearing. “Yes, Spencer. Obviously.” I murmur. 

“Good.” He whispers, laying his head on my chest. There’s a lull of quiet as my hands stroke through his hair, smoothing it out from our illicit activities just a moment ago. I can hear his grin as he breaks the silence. 

“Guess you could say I liked this piece the best.” 

hiii!! omg. this took a while. yes this is more of a valentines day fic and its a bit late but hey!! got it out in february. this was actually written for @imagining-in-the-margins new beginnings challenge, so go ahead and check that out when you can. i hope you guys like this one. as usual, please reblog, like, comment, and show your support any way you can. thank you for reading, and i hope it was enjoyable <333 ty ty ty!!

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.