#F/W 2015-2016 | Explore Tumblr posts and blogs

thegeminisage · 7 months ago

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as someone who wasn't around in 2014....can you tell me what it was like? (stucky) can you give me a taste of the gardens of babylon etc

what was it like...this is such a fun question i want you to know i gave serious thought to my answer and also discussed it at length with my 2014 friend last night and i know already it's gonna be so long. sorry that i answered your ask at fuck o clock in the morning i am scheduling it to go up later and also at the time you sent the ask in to make sure you see it

ok so like. i mean, you're on the fandom website, right, so i assume youve been in fandoms. idk if youve ever been in a really, REALLY big fandom, at the same time that said fandom was also producing content (even if the source material was not). think d*stiel post nov 5, or undert*le circa late 2015/early 2016, or z*lda after totk came out, or h*rry p*tter as the seventh book was being released. (i'm censoring to avoid a false positive of anybody's blacklist except in the case of the last one, which i am censoring out of <3 disrespect.) like there's something REALLY luxurious about being in ANY large and active fandom and it's mostly the power of crowdsourcing. st*r tr*k 2009's tarsus iv headcanons. the storm trooper lore re: the f*rce awakens before the second two movies came out. everyone just kind of agreeing that dean w*nchester was a teenage hooker. you know?

like, that's "just fanon," sure, but part of the beauty of it is that no one person makes up fanon, we all gather in the biggest writing group in the world and collectively go insane and bat ideas back and forth. there are a hundred THOUSAND fics about bucky barnes on ao3 and that's just the people who were writing, not even counting artists and gifmakers and meta-writers and people who just reblog stuff. i can't possibly begin to put an accurate number to how many people are in any given fandom at any given time, but imagine (on the low end, i'm sure) there are THOUSANDS, perhaps tens of thousands, of people going nuts about stevebucky at all times. tens of THOUSANDS people doing "yes and" with each other on the internet 24 hours a day seven days a week. it's just like being in any fandom, you log on to your dash and see what the mewchies posted while you were gone, but in a fandom so huge and so active you were getting bombarded with idea after idea after idea every single second, so if you don't like one you're spoiled for choice in what you engage with next. it didn't even matter that cap3 was two years away or that it sucked when it finally got here because we collectively wrote cap3 a million times over. like, genuinely, it was a mass creative exercise. it's the biggest writing group in the world. for better or worse, we were shaping our own version of that universe, without any input from or regard to the people who actually created the characters and movie, in a way that compelled most strongly to our own tastes and demographic.

what made this particular movie/fandom special though was a few things. firstly i still genuinely believe it was ahead of its time...marvel shit pre disney was allowed to be political in ways it is ABSOLUTELY not now. like, cap2 could say "the government is secretly full of nazis and they all need to burn" in 2014 two years before the 2016 election and 7 years before jan 6. like you just couldn't say that now. "war bad" is an oldie but goodie, but "our entire government is corrupt and needs to be torn into flaming pieces and cast into the potomac" is um. pretty radical. so is, by the way, "men as victims" and "men having emotions" etcetc. like, not in fandom, fandom all but invented that shit, but as far as dumb superhero movies go. i can't tell you the number of metas i read AND WROTE discussing steve rogers and masculinity and how all that was portrayed, intentionally or not, in that fucking film. i had entire separate universes built up in my head for steve who was born a cis girl and steve who decided later in life that "nonbinary" or "trans woman" was a better fit and then steve who was born as a cis boy and remained a man his whole life but felt weird and different ways about being queer which clashed with the weird and different ways BARNES felt about being queer. i'm not saying the film (or the fandom! good lord) was perfect, it was a product of its time, but it was also WAY ahead of its time too. it was weird to expect the next film to come out and actually, like, be good. it wasnt, but we fully believed it would be and that wasn't delusional behavior because the last one had been. i would never have that kind of faith in a marvel project now because they've been bought by disney.

oh yeah and that's the other thing too like. speaking of queer people. gay marriage wasn't legal in the US on a federal level until 2015, and you couldn't just flip on your TV and see them whenever you wanted. ten years doesn't seem like that long ago in the grand scheme of things but like, we lived on glee and cw/mtv queerbait (disclaimer that i personally only participated in cw queerbait) and that was it. we had crumbs. and like when people write gay characters theyre Just Gay, but if you decide to be crazy stupid in a slash fandom you can decide these layered characters are gay and that's even better rep than um whatever was going on in other pieces of media. these guys are both so lonely and out of step with time and lack other people with "shared life experiences" (girl what the hell was that) and their connection w each other keeps them afloat in a world that doesn't want them so like of COURSE it seems like it's supposed to be romantic. and like, i could and did make myself and my tumblr buds crrrazy (and got made crazy by them) thinking about:

how steve's size when small and again when big interacted w his gender identity and his sexuality and how that sexuality manifested. barnes's identity As A Man hinging on his ability to go to war for his country bc Thats What Men Did but now he's no longer fit because theres worms in his brain. loss of bodily autonomy which usually happens to women and natasha being later in that journey than steve and bucky are and so close to being at peace with it but not there yet. stigmatization of seeking treatment for mental health issues lessened by the presence of sam who could have been a Macho Tough Guy but actually gives off strong Talk About Our Feelings And Be Soft vibes. don't even get me started on the relationship (predatory) between steve and rumlow and how it parallels the one between barnes and pierce (and if any of you motherfuckers BREATHE a word of that h*dra tr*sh p*rty shit in my direction i will END you) and the stigma that comes from being preyed on when vulnerable As Men. steve's depression and ptsd and him getting triggered by, yes, the fucking ALS ice bucket challenge. the collective belief that he was conscious when he was frozen even though nobody said that so that he and barnes could have that in common too. the headcanon about barnes having roma heritage - shoutout to not easily conquered my beloved, and the 14k smut coda i wrote for it✌ speaking of smut, i would be remiss also not to mention there was a STRONG element of collective lust involved. i'm immune to 99% of it bc im ace but the winter soldier was uh. VERY graceful. you know? i didn't write 14k of porn because i was uncompelled. we were on one. we went fucking crazy. fandom in general but especially big fandoms have a kind of nonstop endless well of creative energy born from obsession that is the absolute envy of people like my mortal enemy grrm. we NEVER quit.

also, HISTORY (and other vaguely educational subjects). we were all so desperate to know how steve and bucky would have lived in the years we couldn't see them it sparked a sitewide interest in 1940s american history. there was a thing about bananas tasting different now because of a plague. m&ms being invented as wartime candy. stuff about how shoebox apartments looked and how rations worked. 1940s recipes and radio shows. the 1940s queer movement and how it interacted with ballroom dancing and private drag get-togethers. how amputations work and how prosthetic limbs work in real life so we could extrapolate it to fantasy. how to hand-draw that fucking arm in photoshop. why soldiers are trained to say their serial numbers when captured. what ww2 was like. what dog tags are for. what did they get in the ration packs. what brand of cigarettes did they smoke. what brand (and i am being so serious, i STILL own a tube) of LIPSTICK did peggy carter use. caloric intake of someone with a 4x speed metabolism and how much famine peanut butter he'd need to eat daily to keep from starving to death. oppression of irish immigrants and their children/grandchildren back in the 1940s. the difference between conservatives and fascists, back when there was a difference. what activities generally took place on these mysterious but ever-present new york city docks. just exactly HOW many terrible movies and tv shows has sebastian stan been in ranked by his resemblance to james buchanan barnes in each one. (i personally went through his entire imdb list at the time and then made a venn diagram.) electroswing! teachers and professors would have killed for their classes to have the kind of enthusiasm a bunch of mentally ill teenagers and 20-somethings on tunglr dot edu were showing about this one very specific set of subjects. this film also sparked my love of fight scenes. if you've read this fic or this fic and liked the Big Fight Scenes in them, you can thank cap2 for leading me down that path.

and then yes there was also discourse. my personal most hated thing was the above mentioned h*dra tr*sh p*rty (DO NOT GOOGLE THAT, i will just tell you it's nazi rape porn🤢 and i hope everyone involved is having a bad day today) and also the fact that SOME FUCKING PEOPLE can't understand "don't be shitheads about a fanfic where the author can see you doing it." but then ofc people were also sexist about nat and racist about sam and minimalizing those guys (and every other character besides tony really but sometimes him too) for the two white male leads was a whole thing. and on the funnier side of things you had (justifiably, i suppose) bitter st*ny fans who HATED what those two got in avengers and got real mad when stucky started outpacing them on ao3. and people complaining about the characters being too uwu soft. and then other people arguing whether or not barnes counted as disabled when he was missing a Whole arm. and THEN discourse about was it ethical to remove the arm and build him a new one ESPECIALLY without his consent (if people don't know they're being ableist in their fanfics hypothetically is it still ok to kill them with hammers?) and why was tony doing it if that guy killed his parents and is it ok that we keep making tony not that mad about his dead parents is it not enough that barnes stole his limelight as the guy who gets shipped with steve but what if all three of them fucked but can you really fuck the guy who offed your folks but ACTUALLY isn't it cringe to like tony anyway since RDJ and gwenyth paltrow are bad people and who says chris evans are sebastian stan are such good people etcetcetc. and let us not even get started on the plausibility of the avengers tower fanon after age of ultron came out and it turns out nobody became friends and they all still hated and mistrusted each other. and whether or not the avengers could be considered found family if the other characters were constantly getting shafted into being barnes's little support animals. and then ofc every once in awhile one of the actors of people involved creatively would say something ranging from mildly controversial to absolutely horrible on the internet and we'd all fight about THAT for awhile like a dog with a bone. i mean. typical infighting of any fandom tbh.

but i was very happy. it was all the most enormous thought experiment and creative endeavor (and semi-educational adventure??) that we all participated in daily for like two-ish years without stopping ever. i loved doing it. AND, when you click with a piece of media like that, you also click with other people who clicked with that same piece of media, so in addition to the sheer level of dopamine going into my brain at all times i also formed decade-long friendships that will certainly last the entirety of my lifetime, and when we're in our 90s in nursing homes i will be able to say, "we are friends because i wrote 14k of smut for your fanfic" or "we are friends because i couldn't get enough of your gifsets" or whatever because you know, we quite literally went to stucky together.

#liz answers asks #anonymous #personal

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enternalempires · 2 months ago

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The Jackalope Contract

For my account doggerthedogwatcher on Ao3, I am writing a Hannigram fic called The Jackalope Contract (with fake/pretend relationship turned real, A/B/O, and a sort of fix-it with ambiguous time setting) and a couple people asked me for what the contract looks like, so I'm going to show you guys!

There will be minor spoilers, like what Will's real name is and not-yet updating information, so go forward knowing that!

Wolfberry A. Graham & Hannibal G.D. Lecter agree to court one another as if “preparing for marriage” whilst attending their families respective weddings, affairs, and activities therefore (Graham & Petrauskas-Doukas), including the three month period before and afterwards*1. The relationship will be presented as real to all family*2, friends, and colleagues.

*1: Start Period: October 2nd, 2015 / End Period: April 23rd, 2016.

*2: Dogs (owned by W. Graham) count as family members.

Necessities and General Boundaries During Course of Contract

1. Schedules (both personal and professional) must be shared from both parties.

“Moonlighting”*1 will be added in advance and put it into their shared calendar, H. Lecter notifying W. Graham immediately if it changes.

1A) Whilst H. Lecter is hunting or prepping meat, he will not bring home anything the butcher hasn’t yet cleaned nor a still-alive animal (in which time W. Graham will keep the house without visitors). H. Lecter will make W. Graham if he is about to eat pork and not feed it to his family.

2. Boundaries involving Expectations for Work & Home Spaces.

Shall drive and show up to public*2 settings, together. H. Lecter will be responsible for taking and receiving W. Graham to work*3 on M/W/F, unless a case takes W. Graham out of state or four hours from either home, switching to W. Graham taking H. Lecter to work*4 on Tuesdays and Thursdays and taking themselves on weekends.

2A) Lunch dates (every Saturday & Tuesday) are to be told to people or made obvious, though not disturbing clients, students, active crime scenes, or colleagues.

2B) Both parties must share when actions done, either in private or public spaces, are done out of true want rather than to the appeal and appearance of being believable. This should be done by bringing up flowers, for example: I want you to buy me flowers (enact action).

2C) Both parties, if uncomfortable or need actions, behavior, or words to immediately stop, shall use the terms/words Pineapple Pit, Pitters, or “Do you remember the Pits?” and the responding party shall immediately stop.

2D) During course of the contract, both parties shall remain completely exclusive*5.

2E) During the course of contract and the aftermath, H. Lecter will not use any demeaning*6, negative, or otherwise harmful language towards W. Graham. Both parties will not be dishonest, use manipulation tactics, physical violence, or otherwise harmful actions against one another.

3. Physical and Verbal Boundaries/Expectations:

In public spaces or with guests over, both parties will show physical displays of affection. This includes hand holding, quick kisses, nose and cheek kisses, arms pressed together, leaning into one another’s personal space. H. Lecter is allowed to touch W. Graham where he wants that’s not Mating Glands, private areas, and feet. All actions regarded as acceptable in use before shall remain in place, I.E.: When W. Graham grabs H. Lecter by his belt loops.

3A) Regarding physical touch unstated, both parties must ask if (in the moment) these are allowed: open-mouth kissing, touching hair, leaving marks*7, or H. Lecter using his mouth.

3B) Kissing should stick to less than five minutes and used as “Hello, Goodbye” when approaching or leaving one another, sparingly as a thank you, or after making each other laugh. No kissing at active crime scenes*8, morgues, and due to allergies or preferences, not after eating grapes or cinnamon or if H. Lecter is actively hunting.

3C) First name use of W. Graham will only take place in private spaces, where no one besides both parties or knowing individuals can hear. If W. Graham wishes, in intimate moments and if there is a conflict, it will not be used.

3D) In front of clients and colleagues who are unknowing, H. Lecter will be referred to as Doctor Lecter. In private and around closer circles, it is appropriate to use agreed upon nicknames.

4. Terms of Affection During Course of the Contract

4A) H. Lecter will be referred to as Bear, Brute, Brutus, Monster. W. Graham will be referred to as Wolf, Bambi, Deerheart, Heart, and Court. Both parties will use the terms boyfriends, fiance, partner, courting, lover, spouse, and Alpha/Omega*9 for one another.

[Key for the Jackalope Agreement:

*1: Moonlighting will be put into the shared calendar Wolf & Bear’s Private Schedules as “Sexual intercourse & intimacy time set aside to abide frustration on Bear and prove the connection the Wolf needs - can be used as time to discuss boundaries pertaining to sex.”

*2: Public Settings include offices, work environments, active crime scenes, other people’s (including families) homes, public trails, restaurants, bars, and cars. Private Space includes both parties’ main residences and claimed “safe places” that will begin to adapt each other into.

*3: Wolfberry Graham works at FBI Quantico Headquarters & Academy as a Professor, FBI Profiler, FBI Special Instructor.

*4: Hannibal Lecters works at Re-Building: Where the Healing Begins as a Psychiatrist.

*5: Exclusivity includes no flirting, no kissing, no non-platonic hand-holding, no sex or otherwise deemed romantic connection or approach to anyone else outside of both parties.

*6: Demeaning and Degrading Verbage or Actions includes talking down to, forcing submission, any negative and commonly used pet-names (though, indicated that the ones H. Lecter already uses is allowed to sustain), excessively used physical descriptions, hair-pulling, insults, and such calling as “bad boy, kiddo, pupmill”. Note that compliments, praising, and otherwise positive actions will not be shut down but will refrain from physical descriptions.

*7: Marks should be asked about and never randomly placed. Acceptable Ones (where it would be unable to be seen in work environments) includes bite marks, bruises, hickies, scratch marks, and knife marks.

*8: Active Crime Scenes mean where police tap or team members are still working.

*9: Alphan and Omegan Titles and Acts include when there is a presented challenge, in front of Pack Heads or otherwise important and indicated pack members.]

#hannigram #hannibal lecter #will graham #will graham's dogs #cannibalism is a metaphor for love #ao3 fanfic #hannigram fanfiction #eternalempires

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fiabex · 3 months ago

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Dreamwidth Roundup

Nominations are now closed, and our closing posts are up! We have final clarification posts, and we have the post about tag set clean up!

Mods will be going through the tagset, but we also welcome your input! If you see an issue with tags already in the tagset, please comment on the tagset cleanup post, but if you think that a tag you nominated didn't make it into the tag set, please send that comment to clarification post 4!

More details about the fandoms that are parts of the clarification posts below the cut:

Nominations Clarification Post 3

Nominations Clarification Post 4

Tagset Cleanup

Nominations Clarification post 3:

Fandoms with Queries

+Anima (Manga)

Crossover Fandom

DCU (Comics)

Dimension 20 (Web Series)

Dredge (Video Game)

Dungeons and Dragons (Cartoon)

Elden Ring (Video Game)

Fairy Tail

Gary and His Demons (Cartoon)

Gundam 00

Imperial Radch Series - Ann Leckie

Magic Kaito

Nantucket Trilogy - S.M. Stirling

Original Work

Pocket Monsters | Pokemon (Main Video Game Series)

QSMP | Quackity SMP

Red Dwarf (UK TV)

Ride Kamens (Video Game)

Shadow and Bone (TV)

Star Wars: The Clone Wars (2008) - All Media Types

Transformers Generation One

Westworld (TV)

Xenoblade Chronicles (Video Game)

Xenoblade Chronicles 3 (Video Game)

少年白马醉春风 | Dashing Youth (Live Action TV)

Fandoms with Rejections

A Date With Death (Visual Novel)

Crossover Fandom

Disco Elysium (Video Game)

Dungeons and Dragons (Cartoon)

Earth Girls are Easy (1988)

Exordia - Seth Dickinson

Gothic (1986)

Hazbin Hotel (Cartoon)

Persona 4

Pocket Monsters | Pokemon (Main Video Game Series)

Pokemon Mystery Dungeon

Warframe

방탄소년단 | Bangtan Boys | BTS

人渣反派自救系统 - 墨香铜臭 | The Scum Villain's Self-Saving System - Mòxiāng Tóngxiù

少年白马醉春风 | Dashing Youth (Live Action TV)

Additionally, we have some updates about In-Universe tags and the umbrella tags that reference them (example: "Medium Opt-In: Any - Any Nominated In-Universe Medium")!

Nominations Clarification post 4:

Fandoms with Queries

Barely Lethal (2015)

Batman Beyond

Benjamin January Mysteries - Barbara Hambly

Books of the Raksura - Martha Wells

Chicago Fire

Crossover Fandom

Digimon Adventure Zero Two | Digimon Adventure 02

Doctor Strange (Movies)

Fallen London | Echo Bazaar

Fire & Blood - George R. R. Martin

Harry Potter - J. K. Rowling

In Nomine

Mapp & Lucia Series - E. F. Benson

Monster Prom (Video Games)

Murdoch Mysteries

Original Work

QSMP | Quackity SMP

Sanders Sides (Web Series)

Schmigadoon! (TV)

Stellar Firma (Podcast)

Stellaris (Video Game)

The Ballad of Songbirds and Snakes - Suzanne Collins

Thor (Movies)

What If...? (Cartoon 2021)

僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Manga)

英雄伝説閃の軌跡 | Sen no Kiseki | The Legend of Heroes: Trails of Cold Steel Series (Video Games)

龍が如く | Ryuu ga Gotoku | Yakuza (Video Games)

Fandoms with Rejections

A Song of Ice and Fire - George R. R. Martin

Biggles Series - W. E. Johns

Chicago Fire

Chicago Med

Children of Time Series - Adrian Tchaikovsky

Compilation of Final Fantasy VII

Crossover Fandom

Digimon Adventure Zero Two | Digimon Adventure 02

Fallen London | Echo Bazaar

Friends at the Table (Podcast)

John Wick (Movies)

Ladyhawke (1985)

Original Work

Stranger Things (TV 2016)

The Expanse Series - James S. A. Corey

The Fall of the House of Usher (TV 2023)

The Long Earth Series - Terry Pratchett & Stephen Baxter

The Saint of Steel - T. Kingfisher

Voltron: Legendary Defender

Welcome to Night Vale

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smoshgoshbefosh · 6 months ago

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jan 14th!!

Already, right off the bat, your birthday has ICONIC videos.

What Smosh Videos were Posted on Your Birthday?

2011:

Paranormal Easy Bake Oven- Smosh Main

2012:

Crazy Pokemon Killer- Smosh Pit

2013:

Dirty Gurls in Our Mail- Smosh Pit

Finding Easter Eggs (Why We're Single)- Smosh Games

The Lost Christmas Episode- Super Mari Fun Time

2014:

Eat Bubbles Mother F@#ckers (Backseat Gaming)- Smosh Games

2015:

Orcs In Da Hood (Gametime w/Smosh Games)

2016:

First Annual Stripper Run (Grand Theft Smosh)- Smosh Games

2017:

Terrible Prison Food w/Shayne- Smosh Pit

Extreme Scream Coaster (Cell Outs)- Smosh Games

2018:

Munchkin Epic Finale (Board AF)- Smosh Games

2019:

This Conspiracy Theory is Dumb- Smosh Main

2020:

Eat It or Yeet It 9: Drinks Only- Smosh Pit

The First Ever Meme Review Show (Never Been Done)- Smosh Games

2021:

No videos January 14

2022:

Can We Stump a Star Wars Expert? (Stan Vs Internet)- Smosh Games

2023:

No videos January 14

2024:

Has This Ever Happened to You? (Shorts)- Smosh Pit

Are We Relatable? (Board AF: What Do You Meme?)- Smosh Games

#smosh #smosh games #smosh pit #smosh birthdays #its interesting how little smoshcast has been in these birthdays

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identity-library · 7 months ago

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Mental Health (TV Shows)

Alladin (1994)

Mechanicles (Low Vision)

Big City Greens (2018)

Alice Green (Phobia - Snakes)

Chicago Med (2015)

Jason Wheeler (Addiction - Alcohol/Drugs, Suicidal Ideation)

Dead End: Paranormal Park (2022)

Barney Guttman (Abuse)

Norma Khan (Anxiety)

Dirty God (2019)

Jade (Abuse)

Doom Patrol (2019)

Kay Challis/Crazy Jane (Abuse, DID)

Empire (2015)

Andre Lyon (Bipolar Disorder)

ER (1994)

John Carter (Addiction - Drugs)

Euphoria (2019)

Jules Vaughn (Depression)

Get Ed (2005)

Loogie (Dissociative Identity Disorder)

Glee (2009)

Emma Pillsbury (OCD)

Grey's Anatomy (2005)

Amelia Shepherd (Addiction - Drugs)

Andrew DeLuca (Bipolar Disorder)

Charlotte King (Addiction - Drugs)

Jo Wilson (Depression, PTSD)

Miranda Bailey (OCD)

Owen Hunt (PTSD)

Richard Webber (Addiction - Alcohol)

Hazbin Hotel (2024)

Angel Dust (Addiction - Drugs)

House (2004)

Gregory House (Addiction - Drugs)

Inside Job (2021)

Andre Lee (Addiction, Anxiety, Obsessive Compulsive Disorder)

Reagan Ridley (Trauma)

Jessica Jones (2015)

Jessica Jones (Addiction - Alcohol, PTSD)

Lilo & Stitch: The Series (2003)

Clyde (Kleptomania)

M*A*S*H (1972)

Benjamin-Frankling "Hawkeye" Pierce (Claustrophobia)

Mom (2013)

Bonnie Plunkett (Addiction - Alcohol/Drugs)

Christy Plunkett (Addiction - Alcohol/Gambling)

Marjorie Armstrong (Addiction - Alcohol)

Ray Stabler (Addiction - Drugs)

Regina Tompkins (Addiction - Drugs)

Moon Knight (2022)

Marc Spector/Moon Knight (Autistic, Dissociative Identity Disorder)

NCIS: Los Angeles (2009)

Alex Kilbride (Addiction - Substances, Depression)

NCIS: New Orleans (2014)

Patton Plame (Addiction - Gambling)

New Amsterdam (2018)

Lauren Bloom (Addiction - Drugs)

New Girl (2011)

Ernie "Coach" Tagliaboo (Phobia - Boats)

Jessica Day (Claustrophobia, Phobia - Tight Spaces)

Winston Bishop (Panic Attacks)

Person of Interest (2011)

Harold Finch (Anxiety, PTSD)

Private Practice (2007)

Violet Turner (PTSD)

Roswell, New Mexico (2019)

Alex Manes (Abuse, PTSD)

Station 19 (2018)

Jack Gibson (PTSD)

Robert Sullivan (Addiction - Drugs)

Sean Beckett (Addiction - Alcohol)

Stumptown (2019)

Dex Parios (PTSD)

The Healing Powers of Dude (2020)

Noah Ferris (Anxiety Disorder)

The Infinity Train (2019)

Simon Laurent (Abuse, NPD, PTSD)

The Lion Guard (2016)

Ono (Phobia - Bats)

The Magicians (2015)

Eliot Waugh (Abuse, Addiction - Alcohol)

The Prodigal Son (2019)

Malcolm Bright (Night Terrors, PTSD)

The Second Best Hospital in the Galaxy (2024)

Dr. Klak (Anxiety)

The Simpsons (1989)

Abe Simpson || (Dementia, PTSD)

Artie Ziff (Narcissism)

Bart Simpson (PTSD)

Carl Carlson (Schizophrenia)

Clancy Bouvier (PTSD)

Gary Chalmers (Aerophobia, Anxiety, Borderline Personality Disorder, Intermittent Explosive Disorder)

Gloria Prince (Kleptomania)

Homer Simpson (Kleptomania, PTSD)

Lisa Simpson (Anxiety, Depression, OCD, PTSD)

Marge Simpson (OCD)

Ned Flanders (OCD)

Nigel (Anxiety)

Richard "Rich" Texan (OCD)

Seymour Skinner (PTSD)

Shauna Chalmers (Intermittent Explosive Disorder, ODD)

Snake Jailbird (Kleptomania)

Willie (Intermittent Explosive Disorder)

Total Drama (Franchise)

David "Dave" (Anxiety

Jay (Anxiety, Phobias)

Mickey (Anxiety, Phobias)

Mike (Dissociative Identity Disorder)

Sam (Addiction)

Shawn (Anxiety)

9-1-1 (2018)

Robert "Bobby" Nash (Addiction - Alcohol)

Edmundo "Eddie" Diaz (Anxiety, PTSD)

Evan "Buck" Buckley (PTSD)

Christopher "Chris" Diaz (PTSD)

Maddie Buckley (Postpartum Depression, PTSD)

9-1-1: Lone Star (2020)

Judson "Judd" Ryder (Grief, PTSD)

Tyler Kennedy "TK" Strand (Addiction - Alcohol)

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monmuses · 1 year ago

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angelicgentleman asked: 1, 2, and 3 from "canon questionare." for the multiple Leviathan class lifeforms on the blog! ; canon questionare. 1. What made you pick up this character? 2. How did you get into this franchise/fandom? 3. What’s the best thing about the show/series/books/comics/etc.?

it originally started with T'iamat, but ended up growing to four more muses to add! something about her being a sentient sort of "anti-boss" character you meet in the game was just icing on the cake. and how she speaks to you, plus reading her whole story? you feel sympathy for what she had gone through. her entire story was essentially over a thousand years of being a self-made puppy mill. then over time, once i finished the game and kept playing on my own, i picked up more ideas on what these creatures could be. like, what if they were also sentient? and could speak telepathically? or had different worlds you could really put yourself into when swimming with them? just stuff like that is... huge to me. the possibilities of what else could be discovered in the world of Subnautica.

the game was bought for me YEARS ago when it was in early access. roughly around 2015-2016? and i knew of the game, but didnt have the proper specs to actually run it, unfortunately. but i learned more of the lore w/ @f--hawk some months ago and finally pushed myself to actually play it a couple of months ago. it was absolutely worth playing on my own and i even recorded some funny clips (some of which were made into a simple video i crafted together in an hour :P). never regretted getting into it. its SO much fun - it was like rediscovering minecraft!

the atmosphere and music. my god, i was... in absolute awe. every part of the world was so goddamn pretty. it was easily like rewatching Finding Nemo (it used to be my favorite movie as a toddler for a long time) and just looking out into the ocean. the horrors of it are just as beautiful as its outside view. the music itself was so relaxing and so beautiful to hear; easily one of the most PERFECT soundtracks to sleep to. i loved everything about it! but the scenery sold it for me.

#angelicgentleman #// *ill praise Subnautica as being one of the most prettiest games. easily up there with Minecraft with the potential of silliness #// *and building stuff #// *i LOVED IT #🐺 * 𝐌𝐎𝐍𝐌𝐔𝐒𝐄𝐒 : out of character #🐺 * 𝐌𝐎𝐍𝐌𝐔𝐒𝐄𝐒 : ask answered

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amphtaminedreams · 2 years ago

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Currently Obsessing Over, Debrief No.3: All Hail Queen Vivienne Westwood & Here’s to her Eternal Reign

-Vivienne photographed in June 2012-

“Fashion: I really love doing it. It’s really a kind of lifeline to me. It’s recharging my batteries. It’s exciting. I love what we’re doing, and I think the next thing we are doing is the best thing I have ever done. Because it’s totally political.”

-With Chrissie Hynde & Jordan at the SEX boutique in Chelsea, 1976-

-Clockwise L-R: making an appearance on the runway with husband Andreas Kronthaler at the Andreas Kronthaler for Vivienne Westwood 2016 Menswear collection, in 1976 with Chrissie Hynde & Jordan, c. 1976, and in 2012 in her studio-

-in attendance at memorial for Vivienne @ Southwark Cathedral, Friday 17th February 2023, centre: Lila & Kate Moss, clockwise L-R: Alexa Chung, Matty Bovan, Christina Hendrix & husband, Helena Bonham Carter, Ellen von Unwerth, Farida Khelfa, Lucinda Chambers, Elle Fanning-

-Anson Boon in attendance at memorial for Vivienne @ Southwark Cathedral, Friday 17th February 2023-

Look, I am far from a royalist but as London Fashion Week draws to a close, the weekend saw a who’s who of the fashion mourn a Queen of the people whose crowning would’ve truly made me reconsider my position. It goes without saying that the impact Vivienne Westwood has had on both her contemporaries and a younger generation of up and coming designers is monumental, but above and beyond that, what made her such an incredible individual was the consistency with which she stuck to her principles over the years and championed a fairer world, free of structural barriers, discrimination and the destructive force of rampant capitalism on the earth.

-Upper left portion: Vivienne Westwood RTW S/S 2016, & bottom right: Vivienne Westwood RTW S/S 2017, then whole image clockwise L-R: Vivienne Westwood RTW F/W 2010, & RTW F/W 2009-

-Charles Jeffrey LOVERBOY collections, Clockwise L-R: Menswear RTW F/W 2020, RTW F/W 2022, RTW Menswear S/S 2018, RTW S/S 2023-

-Undercover collections, clockwise L-R: RTW F/W 2011, RTW F/W 2013, RTW S/S 2004, RTW S/S 2009, RTW S/S 2011-

-Matty Bovan collections, L-R: RTW F/W 2018, & S/S 2019-

-Ambush Resort 2023-

-Vivienne Westwood RTW, top to bottom: F/W 2007, S/S 2013-

-Undercover collections, L-R: RTW F/W 2019, RTW S/S 2022, RTW F/W 2020-

-Stella McCartney collections, L-R: RTW F/W 2018, RTW F/W 2017, F/W 2020-

-Undercover collections, upper left portion, clockwise L-R: RTW F/W 2003, RTW F/W 2015, RTW S/S 2005, RTW S/S 2007, then whole image clockwise L-R: RTW S/S 2015, RTW S/S 2014, RTW F/W 2014-

She didn’t have to be That Bitch, in an industry which too often actively worked and continues to work against her goals, but she did at risk to her own success, and she made some fucking incredible clothes whilst she was at it.

Vivienne had every capability of being a thorn in the side of the industry figureheads operating business models domineered by overconsumption and yet her legacy will outlive every trend cycle imaginable ten to the dozen, reminding us that above all, principles & passion are the best thing we have if we want to truly make in impact.

-12 Emerging Designers on How Vivienne Westwood Inspired Them, AnOther Magazine, Autumn/Winter 2021 issue-

-”Pirates” collection, 1981: Though by this point Vivienne had already established a name for herself within the industry, namely through the widespread popularity of the Chelsea boutique she opened with partner Malcolm McLaren in 1971 and her work styling the Sex Pistols, whom McLaren managed, it wasn’t until a decade later that she made her runway debut with her “Pirates” collection. And you know what? She was so right for that. These are men who sail the world in pursuit of Jewells, ffs. How historically accurate that statement is, I have no clue; Peter Pan probably isn’t the best frame of reference. All I know is that ruffles and Jewells and big hats and bold patterns are absolutely my cup of tea and all those of us girlies with a preference for maximalism owe Vivienne Westwood a thank you for helping the stiff upper lipped power players of that period realise that.-

-”Britain Must Go Pagan” collection, S/S98 RTW-

-Clockwise L-R: Vivienne Westwood RTW F/W 1993, RTW S/S 1994, RTW F/W 1994, RTW S/S 1997, RTW F/W 1995, RTW S/S 1994-

-Arguably, the early years of Vivienne’s runway residency was characterised by a consistent drive to dissect, explore, and push the boundaries of the fashion of bygone eras through her work in a provocative, tongue in cheek kind of way, but one that ultimately showed her knowledge and love of fashion. Her flirtation with the whimsical, ethereal hallmarks of romantic period dressing and references to the costume-like decadence associated with the nobility and wealth of the post-renaissance world helped to torpedo a giant, jagged hole through the perfectly polished wall high fashion had built around itself to retain its status as an interest reserved for the privileged.

Vivienne’s growing cultural relevance occurred in the midst of the 90s grunge movement that banished the illusion everything had to be perfectly refined at all times, and championed the gaudy, the over the top, the playful, controversial and performative. This time, counterculture was unruly, broody, and intentionally unyielding in a way that closely harked back to the values of the ‘70s London punk scene where VW had started out, and so it makes sense that interest in her work grew given the position her clothing came to be associated with in this decade

I don’t claim to be enough of a fashion expert to know the complete history of costume piece inspired designers and to be able to say Vivienne was the very first to bring this subversion of the expectation to appear aloof, elegant, and let’s be honest, occasionally boring as fuck, to the runway through her exploration of period clothing but she has to be one of the first to bring such a playfulness to it and her collections at the time certainly helped to reignite the childhood desire that exists in every person interested in fashion to play dress up.-

-Christian Dior Haute Couture F/W 1998, “Les Incroyables” collection-

-Christian Lacroix Haute Couture S/S 1998-

-Vivienne Westwood RTW F/W 1996-

-Christian Lacroix Haute Couture S/S 1999-

-Clockwise L-R: Vivienne Westwood RTW S/S 2013, RTW S/S 2012, RTW S/S 2014-

-Christian Dior Haute Couture S/S 1998-

-Vivienne Westwood RTW S/S 1996-

-Clockwise L-R: Vivienne Westwood RTW S/S 2010, RTW F/W 2015, lower right portion: RTW Menswear F/W 2017, RTW F/W 2011, RTW Menswear F/W 2017, & RTW F/W 2011-

-L-R: Vivienne Westwood Bridal Made to Order 2022, Vivienne Westwood Bridal Made to Order 2020.

Marriage:

*Reasons AGAINST: too many to list

*Reasons FOR: Vivienne Westwood’s bridal collections (and also a big party with all your friends that they feel morally obligated to attend, where you get to pick all the food and cheesy music is socially acceptable)-

-Vivienne Westwood Bridal Made to Order 2021-

-She further developed her brand’s reputation as a disruptor of the status quo in a time which saw young people in the Western world grow tired of the straight laced conservatism of the Thatcher/Reagan (forget Charlie Kelly and Frank Reynolds, these 2 were the OG gruesome twosome) and the tastemakers of the fashion world followed suit, lauding her work. As much as the impact of massive industry players is portrayed as having a trickle down effect (see what I did there) on the trend cycle, designers inevitably draw inspiration from the current social climate whether acknowledged or not and in this way the aesthetics adopted by boots on the ground, the influence of art and pop culture, makes its way back up to the runway where the Anna Wintours of the world have to like it. For people like Vivienne Westwood, Rei Kawakubo (founder of Commes Des Garcons), Ann Demeulemeester, and Yohji Yamamoto, who occupied much of the same avant-garde, anti-establishment scene from the ‘70s onwards with all 3 having been customers at Vivienne’s boutique and setting up shop in London at one point or another, incorporating that disruptive spirit probably felt like a return to their roots as designers.-

-Vivienne Westwood Bridal Made to Order 2019-

-Yohji Yamamoto collections, L-R: RTW S/S 2015, & S/S 2016-

-Vivienne Westwood RTW, top to bottom: F/W 2008, S/S 2012-

-Yohji Yamamoto RTW S/S 2023-

-Vivienne Westwood RTW, top left: S/S 2009, remaining photos: S/S 2011-

-Top to bottom: Ann Demeulemeester RTW F/W 2019, & RTW F/W 2017-

-In this period where anti-fashion established itself as an integral part of what was decidedly “in”-fashion, new roots, which would go on to produce some of today’s boldest designers, buried themselves deep and inevitably soaked up Vivienne and her contemporaries’ celebration of androgyny, experimentation with subversive silhouettes and prints, and embrace of the dark and dramatic to tell stories through their styling which served as the antidote to the immaculate coordination of looks showcased by fashion giants like Chanel. Vivienne collections managed to grasp hold of the psyches of even the most prestigious designers, and the lasting effects were visible in the heavily period themed, almost theatrical collections, the debuts of which broke the expected mould for labels traditionally associated with a sense of refinement and/or glamour. That Donatella Versace, for example, would draw influence from punk aesthetics is unexpected but once you’re aware she’s expressed her admiration for Vivienne Westwood, there are a number of Versace collections over the years where you can’t unsee that inspiration. John Galliano was known to sit front row at her shows! John Galliano. That, baby, is one mighty flex.-

-John Galliano collections, top to bottom: RTW S/S 2018, RTW F/W 1997, RTW S/S 2019-

-Valentino RTW F/W 2005-

-Versace collections, L-R: RTW F/W 2017, RTW F/W 2013, RTW F/W 2018-

-John Galliano RTW F/W 2018-

-Ralph Lauren RTW F./W 2016-

-Vivienne Westwood RTW, upper left portion, clockwise L-R: F/W 2016, “, “, RTW F/W 2016, then whole image, clockwise L-R: RTW S/S 2015, RTW F/W 2012, F/W 2013, & F/W 2012-

-Versace RTW S/S 1994-

-John Galliano RTW S/S 1993-

-You could argue the prevalence of Westwood gowns amongst the rich and famous is kinda antithetic to its founder’s manifesto but we can’t be delusional and forget it’s a high fashion label we’re talking about and well, a business. Ultimately the craftsmanship and time which goes into original designs means red carpet photos are probs the closest 99% of us are gonna get but I’ll take it. I’m thirsty. Helena Bonham-Carter, one of the many prominent figures in attendance at Vivienne’s funeral, kinda symbolises the dichotomy; as much as her public image is of her as someone who exists outside the boundaries imposed by a privileged, aloof, very airbrushed elite, we are talking a woman with a double-barrelled family name which carries with it the exactly the kind of wealth and lineage you’d expect it to. But at the same time, she is someone who has chosen to break away from the expectations set upon her by this kind of background and do things her own way. Not so much so that her whole mismatched, slightly dishevelled whilst simultaneously very cool outer appearance isn’t made up of expensive, designer subcomponents, but if you’re going to have some brand loyalty, Helena being a Vivienne simp feels correct:

“I have an obscene amount, a sinful amount of her clothes. Decades’ worth. She wouldn’t like it, given she was always telling us to buy less.” Helena recalled buying her first pirate shirt, aged 15, from Westwood’s shop in World’s End “so I could be Adam Ant.” She explained how she once reprimanded a red-carpet journalist who asked why she always wore Westwood, because it was always “the same, same, same.” Bonham Carter replied: “No, no, no…. You have no idea how many ideas and choices have gone into this dress. She is never boring. And the dresses do all the work. All the actresses on this red carpet haven’t eaten for weeks—and I have had a full-fat English breakfast.” Of wearing Westwood she said: “I feel like who I want to be. I feel like a woman…. She has given me my armor to face the world for so many years.” She added: “Thank you for the cutting, the draping that makes your clothes so dynamic and alive, so much so that I wouldn’t be surprised to wake in the night and find them dancing in my closet, alive.”

-Extract from “Vivienne Westwood is Remembered in London” Vogue article, Luke Leith, published 17th February 2013 @ https://www.vogue.co.uk/news/gallery/vivienne-westwood-memorial-

-Helena Bonham Carter in Vivienne Westwood-

-FKA Twigs wearing Vivienne Westwood, photographed for her zine, published May 2019-

-You can’t talk about Vivienne’s impact on street style and its adoption by today's anti-it girl (which in itself has made her kinda the ultimate it-girl in my eyes, lmao) without a section dedicated to FKA Twigs, whose love of the designer is evident in her ethereal take on ‘90s grunge inspired fashion. If anyone doubts the existence of Vivienne’s influence on Twigs’ street style, may I gift you with knowledge that she included an absolutely STUNNNNINGGG feature about her whole COLLECTION of VW corsets in her zine. Money can’t buy you happiness but it can buy you archival designer pieces by the Grand Dame of Punk (no, I’m not talking about Karen from RHoP) and the ability to circumvent a year long waiting list for treatment of your ailments on the NHS sooo I mean…we’re talking substantial quality of life improvements here.-

-FKA Twigs personal style-

-Public figures in Vivienne Westwood over the years, upper left portion, clockwise L-R: Dua Lipa on the red carpet @ the 2021 Brit Awards, Kim Kardashian via Instagram backstage @ the 2019 Emmys, Winnie Harlow on the red carpet @ the 2019 British Fashion Awards, Kim Kardashian photographed in 2019, Kristen Stewart hosting SNL in Vivienne Westwood suit in November 2022, Lashana Lynch on the red carpet @ the No Time to Die premiere in 2021, Jade Thirlwall on the red carpet @ the 2021 Brit Awards, Elle Fanning on the red carpet @ the 2021 Vulture Festival, upper right portion: Bella Hadid’s street style ft. a love of Vivienne Westwood, bottom right portion, clockwise L-R: Dua Lipa on the red carpet @ the 2021 Brit Awards and on stage for the event, Billie Piper @ the 2021 UK Fashion Awards, Thandie Newton on the Cannes Red Carpet in 2018, Rihanna performing @ the 2012 Victoria’s Secret fashion show, Zendaya on the red carpet @ the Art of Elysium gala in 2016, Maude Apatow via Instagram photographed @ the 2022 Emmys afterparty, Alexa Demie @ an event for Tiffany & Co. in 2022, bottom left: Winnie Harlow on the red carpet @ the 2020 Vanity Fair Oscars afterparty-

-Vivienne’s personal style over the years, clockwise L-R: making an end of show appearance in December 2011, photographed c. 1995, @ the V&A museum in London in 1998, with Naomi Campbell at the 1993 Designer of the Year Awards, @ the opening of the Costume Institute’s Anglomania exhibition in 2006, with husband Andreas Kronthaler at Ascot in 1995, photographed by paparazzi c. 2009-

-Vivienne Westwood’s “Portraits” collection, 1991-

-You really can’t talk about the common appeal of Vivienne Westwood and the label’s legacy without an acknowledgement of the irreverence of the Portraits collection, which most likely constitutes the strongest imagery of the brand in most people’s minds. For all that rambling on I did about her challenging fashion conventions, the corset is probably, like, one of the most stereotypically feminine garments out there, and so it seems contradictory that it’s probably the most famous VW piece. That being said, you just have to look at the earliest prominent iteration of the staple showcased in Portraits; the way the shape was utilised flew in the face of all that was conventional and “demure” through its combination with religious iconography, micro skirts and nude illusion cut outs, in the ‘80s ffs, so need I say more about what it is that made it so groundbreaking? It was a moment that was emblematic of the middle finger to the world attitude that Vivienne’s collections are known for, and which makes it such an iconic, and true to brand piece that is still loved, emulated, and collected by a very lucky few today.-

-Vivienne Westwood RTW S/S 2023-

-It’s only half the picture to say Vivienne’s participation in the fashion industry contradicts her personal politics, which completely ignores how much of her fortune has been redistributed through her activism over the years; to advocate for her brand is to advocate for the anti establishment mission she has made an inextricable part of it, which over the past few decades has ranged from her vocal commitment to fighting climate change, her stance on sustainability, her support of Chelsea Manning and Julian Assange, and notably her Ethical Fashion Africa campaign, shots from which feature below.-

-Andreas Kronthaler for Vivienne Westwood RTW, clockwise L-R: S/S 2008, S/S 2007, S/S 2019, “-

-Andreas & Vivienne at Paris Fashion Week, 2nd October 2021-

-Andreas Kronlather for Vivienne Westwood RTW, top: S/S 2016, bottom L-R: S/S 2018, S/S 2014-

-”, top L-R: RTW S/S 2006, RTW F/W 2014, & bottom: RTW S/S 2023-

Ending with the content Vivienne would most likely find to be closest to her heart is a reflection on the Andreas Kronlather for Vivienne Westwood, surely the purest form of her punk spirit that will go on without her. Undeniably, Vivienne has had no greater influence on anyone than her husband, Andreas, with whom she publicly entrusted the more affordable offshoot of her brand, and whose creative relationship first began when he began working under her wing in the late ‘80s. They were artistic geniuses, revolutionaries, and basically the much more aspirational version of the rockstar bf/gf model bc/gf duo. Above all they were cutie pies<3

-Andreas Kronthaler for Vivienne Westwood RTW, clockwise L-R: S/S 2010, “, F/W 2017, & F/W 2015-

-”, L-R: RTW S/S 2017, RTW S/S 2009, RTW F/W 2016-

Though for the majority of the 30+ years they spent collaborating Andreas chose to be a silent contributor, the name change of the red label offshoot to Andreas Kronthaler for Vivienne Westwood was the clear realisation of his journey in becoming an equal partner and suggests that over time, the direction of influence evolved from the latter over the former to a much more reciprocal force.

-”, L-R: RTW F/W 2012, RTW F/W 2018-

-”, left portion: RTW F/W 2010, top right portion: RTW S/S 2011, bottom right portion L-R: RTW F/W 2013, RTW F/W 2011-

-”, L-R: RTW S/S 2006, RTW S/S 2014-

-”, L-R: RTW F/W 2019, RTW S/S 2015-

I’m going to get real cheesy here but I have to say it: there is no doubt that whilst he continues to showcase his designs, Vivienne’s presence in the industry will not cease to be felt. Regardless-we’ll miss you anyways, Queen.-

-Vivienne photographed at the end of her RTW F/W 2016 runway presentation, February 2016-

-Vivienne photographed attending premiere screening at Regent Street Cinema, November 2022-

Vivienne Westwood, April 1941-December 2022

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slimethought · 10 months ago

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youtube

Is this a video about Breadtube? Is it a reaction video to Philosophy Tube / Abigail Thorn and her video about coming out as trans? Is it a reaction video to myself? Is there such a thing as objectivity? Is there hope for joy in the wake of postmodernism? Can YouTubers really fill the role of educators? If not, can I still join in the party of making fun of conservative nonsense from Ben Shapiro and PragerU? Please?

Watch to find out! Then tell us because we have no idea.

The Leftist Cooks are Neil Farrell and Sarah Oeffler

I’m on PATREON! Join the community ►► / theleftistcooks SUBSCRIBE why not! ►► https://www.youtube.com/channel/UC358... One time payment in my tip jar? ►► https://www.paypal.com/paypalme/neilf...

↓↓↓Vegan Scones with Jam↓↓↓

500g (4 cups) of self raising flour 100g (1/2 cup) coconut oil 100g (1/2 cup) of sugar 200ml (7/8 cup) cashew milk Add 125gms (1 cup) dark chocolate

Bake for 15 - 20 minutes at 180°C (350°F)

Heat 250g (1 1/2 cups) frozen berries 100g sugar (1/2 cup) on a low setting on your hob

↓↓↓ CITATIONS↓↓↓

Rozenblit, L., & Keil, F. (2002). The misunderstood limits of folk science: An illusion of explanatory depth. Cognitive science, 26(5), 521-562.

Fernbach, P. M., Rogers, T., Fox, C. R., & Sloman, S. A. (2013). Political extremism is supported by an illusion of understanding. Psychological science, 24(6), 939-946.

Kruger, J., & Dunning, D. (1999). Unskilled and unaware of it: how difficulties in recognizing one's own incompetence lead to inflated self-assessments. Journal of personality and social psychology, 77(6), 1121.

Drescher, J. (2015). Out of DSM: Depathologizing homosexuality. Behavioral sciences, 5(4), 565-575.

Lindholm, C. (1997). ‘The Swat Pukhtum family as a political training ground’, in R.J. Casstillo (ed.) The Meaning of Madness. Pacific Grove, CA: Brooks/Cole.

Heine, S. J., Kitayama, S., Lehman, D. R., Takata, T., Ide, E., Leung, C., & Matsumoto, H. (2001). Divergent consequences of success and failure in japan and north america: an investigation of self-improving motivations and malleable selves. Journal of personality and social psychology, 81(4), 599.

Park, S. W., Tignor, S. M., Joo, M. J., & Heo, Y. H. (2016). Accuracy and bias in self-perception of performance: Narcissism matters in Korea as well. Korean Social Science Journal, 43(2), 29-43.

↓↓↓ CREATIVE COMMONS RESOURCES↓↓↓

ESO/spaceengine.org/L.Calçada RoyaltyFreeTube

Link to Philosophy Tube / Abigail Thorne's little public statement: • Coming Out As Trans - A Little Public... (I'm aware that this isn't actually the coming out video but it was the one she gave express permission to play with and use for making art and spreading positive messages)

↓↓↓ LYRICS↓↓↓ (and highly recommend all of these YouTubers)

Tom Scott, Adam Neely, Lonerbox and Michael Stephens T1J, Folding Ideas, Nerdwriter, Kevin Lieber Legal Eagle, Lindsay Ellis, Jay Foreman, Rowan Ellis David Bennet Piano, Innuendo Studios Every Frame a Painting, Lessons from the Screenplay, Matt Gray, Patrick Willems, We’re in Hell, Khadija Mbowe PBS Eons, Veritasium, Hank Green Animalogic, Numberphile and… John Green It’s Okay to Be Smart, & Today I Found Out Langfocus, Tom Nicholas, Jake Roper (opted out) Thought Slime, Jessica Kellgren Fozzard, Jessie Gender and Cogito, Ordinary Things and Hbomber...man Big Joel, Little Joel, Medium-sized Joel Plenty of others -- (YaadPikni, Verilybitchie, Flavorlab, Paul Morrin, Renegade Cut, Zoe Bee...) but how was I supposed to know? Some of these people might be absolutely full of sh*t And it’s an English-speaking young white guy list Edutaintment isn’t bad Nobody’s a perfect Dad Some of them are really smart And some of them just make Art Some of them created a whole new art form Like Natalie Wynn and Abigail Thorn.

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saraelisaperezpierrez · 2 years ago

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MCDONAGH, D. AND THOMAS, J. (eds.) (2015) ‘Design + Empathy = Intuitive Design Outcomes’ The Design Journal [Online] 14(2011) pp 147-150. Available from https://doi-org.ezproxy.herts.ac.uk/10.2752/175630611X12984592779881. [Accessed: 29th October 2022]

INTERACTION DESIGN FOUNDATION (2022). Interaction-Design.ORG [Online] Available at- https://www.interaction-design.org/literature/topics/empathize. [Accessed: 28th October 2022]

KRZYWINSKI, M. (2016) ‘Points of View: Intuitive Design’ Nature Methods [Online] 13(11) pp 895. Available from http://dx.doi.org.ezproxy.herts.ac.uk/10.1038/nmeth.4041. [Accessed 29th October 2022]

VARDEHAUGEN (2015) Floor plan for Villa Stamsund [Online] Available at- http://vardehaugen.no/real-scale-drawings/ . [Accessed: 2nd November 2022]

AUTODESK (n.d.) 3D Modelling Software [Online] Available at- https://www.autodesk.co.uk/solutions/3d-modeling-software#:~:text=3D%20modelling%20is%20the%20process,in%20a%20variety%20of%20industries. [Accessed: 2nd November 2022]

PEREZ, S. (2021) Kitchen Project.

PEREZ, S. (2019) Kiosk.

HUA, H. (2014) ‘A case-based design with 3d mesh models of architecture’ Computer-Aided Design. 57 (2014) pp 54-60. Availiable from - https://doi.org/10.1016/j.cad.2014.07.004 [Accessed: 20th October 2022]

GAO, W., WU, C., HUANG, W., & LIN, B. (2021) ‘A dat structure for studing 3D modeling design behavior based on event logs.’ Automation in construction. [Online] 132 (2021) pp 103967. Availiable from- https://doi.org/10.1016/j.autcon.2021.103967. Accessed: 22th October 2022]

SHAH, S., BENNAMOUN, M., BOUSSAID, F. (2017) ‘Keypoints-based surface representation for 3D modeling and 3D object recognition’ Pattern Recognition, [Online] 64(2017) pp29-38, Available from; https://doi.org/10.1016/j.patcog.2016.10.028. [Accessed: 23th October 2022]

KUMAR, A. (2021) ‘1. Design for Creative and Immersive Technology in KUMAR, A, Immersive 3D Visualization. Berkley, Ca.: Apress. pp 1-6

LAING, P.M. (ed.) (1993) Ergonomics: a practical guide. 2nd edition. Chicago: National Sefety Council. (p.73)

KARWOWSKI, W. (2012) Handbook of Human Factors and Ergonomics. [Online] New York: John Wiley & Sons Incorporated. Availiable from https://ebookcentral.proquest.com/lib/herts/detail.action?docID=817338 [Accessed 25th October 2022]

VAZQUEZ-MENDEZ, M., CASAL, G., SANTAMARINA,D., & CASTRO, A. (2018) ‘A 3D Model for Optimizing Infrastructure Costs in Road Design.’ Computer-Aided Civil and Infrastructure Engineering [Online] 33(5) pp 423-439. Available from- https://doi-org.ezproxy.herts.ac.uk/10.1111/mice.12350. [Accessed: 28th October 2022]

FOSTER, S., HALBSTEIN, D. (2014) Integrating 3D Modeling, Photogrammetry and Design [Online] Rochester, N.Y.: Springer. Availiable from: https://books.google.co.uk/books?id=wH4pBAAAQBAJ&printsec=frontcover&dq=3d+modeling+what+is+it&hl=es&sa=X&redir_esc=y#v=onepage&q=3d%20modeling%20what%20is%20it&f=false. [Accessed: 30th October 2022]

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WHITE, M.D.,(1989) ‘Update: Interior design light sources’ Interior design. [Online] 60(11) pp 164. Available from: link.gale.com/apps/doc/A7871899/AONE?u=uniherts&sid=summon&xid=61faff86 [Accessed: 30th November 2022]

CENTAUR COMMUNICATIONS LIMITED (2005) ‘Lighting Design” light touch’ Design Week. [Online] 2005, Available from: https://link.gale.com/apps/doc/A138927363/AONE?u=uniherts&sid=summon&xid=a5168e2f. [Accessed: 30th November 2022]

YUAN, J. (2021) ‘Research on the Effect of Light and Shadow in Computer-aided Interior Design’ Journal of Physics: Conference Series. [Online] 2074(2021) pp. 012053. Available from- https://iopscience-iop-org.ezproxy.herts.ac.uk/article/10.1088/1742-6596/2074/1/012053/pdf. [Access: 30th Novemeber 2022]

CHEN, Y & CHEN, R. (2020). ‘Design thinking based on reflective level in emotional design’ E3S Web of Conferences [Online] 178 p. 02082. Available from - https://doi.org/10.1051/e3sconf/202017902082. [Accessed: 27th November 2022]

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HO, A.G., & KIN WAI, M.G. (2015) ‘Emotion Dsign, Emotional Design, Emotionalize Design: A review on their Relationships from a New Perspective’ An Internal journal for All Aspects of Design. [Online] 15 (2012) pp 9-32. Available from- https://doi-org.ezproxy.herts.ac.uk/10.2752/175630612X13192035508462. [Accessed: 27th November, 2022]

CHAPMAN, J. (2005). Emotionally Durable Design; Objects, Experiences & Empathy. London: Earthscan.

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REID, G.W.(2007) From concept to form in landscape design / Grant W. Reid. 2nd Edition. Chichester: John wiley & Sons.

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PANDELAKI, E.E., & FIRMANDHANI, S. W. (2022) ‘Inclusive space for children in vertical housing’ Journal of Architecture and Urbaism.[Online] 46(2) pp 100-106. Availiable from- https://doi.org/10.3846/jau.2022.15250. [Accessed: 10th December 2022]

RIOTAMA, T., SODRI, A., & SUNDARA, D.M. (2022) ‘AIP Conference Proceedings’. Study of passive design and energy in vertical housing [Online] 2534 (020010) pp 020010-1 to 020010-6. Available from- https://doi.org/10.1063/5.0105743 [ Accessed: 10th December 2022]

SWASTO, D. F. (2018) ‘Friendly vertical housing: case of walk up flat housing development in Yogyakarta.’ IOP Conference Series: Earth and Environmental Science. [Online] 126(1) pp 12178. Available from- https://iopscience.iop.org/article/10.1088/1755-1315/126/1/012178. [Accessed: 10th December 2022]

MALOUTAS, T. & KARADIMITRIOU, N. (2022) ‘Chapter 1: Introduction to Vertical Cities: urban micro-segregation, housing markets and social reproduction’ In: MALOUTAS, T. & KARADIMITRIOU Geography, Planning and Tourism. [Online] London: Edwrd Elgar. Availiable from: https://doi.org/10.4337/9781800886391.00007. [Accessed: 10th December 2022]

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dystini · 1 year ago

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Indycar Driver Lore

Indycar Driver Lore Masterlist

Marco Michael Andretti

Birthdate: March 13, 1987 Hometown: Nazareth, Pennsylvania Residence: Nazareth, Pennsylvania/Miami, Florida Height/Weight: 5’8”/147 lbs

Rookie Year: 2006

Team: Andretti

Follow him on: Instagram Twitter

Career Stats

2006: Andretti Green Racing - 7th Overall 2007: Andretti Green Racing - 11th Overall 2008: Andretti Green Racing - 7th Overall 2009: Andretti Green Racing - 8th Overall 2010: Andretti Autosport - 8th Overall 2011: Andretti Autosport - 8th Overall (last race, Las Vegas, was abandoned after Dan Wheldon's death) 2012: Andretti Autosport - 16th Overall 2013: Andretti Autosport - 5th Overall 2014: Andretti Autosport - 9th Overall 2015: Andretti Autosport - 9th Overall 2016: Andretti Autosport - 16th Overall 2017: Andretti Autosport - 12th Overall 2018: Andretti Herta Autosport w/ Curb Agajanian - 9th Overall 2019: Andretti Herta Autosport w/ Marco Andretti & Curb Agajanian - 16th Overall 2020: Andretti Herta Autosport w/ Marco Andretti & Curb Agajanian - 20th Overall 2021: Andretti Herta-Haupert Autosport w/ Marco Andretti & Curb-Agajanian (Indy 500) - 19th 2022: Andretti Herta Autosport w/ Marco Andretti and Curb-Agajanian (Indy 500) - 22nd 2023: Andretti Herta Autosport w/ Marco Andretti and Curb-Agajanian (Indy 500) - 27th

IMSA 2021 Andretti Autosport LMP3 class

SRX 2021 4th Overall 2022 1st Overall 2023 2nd Overall

NASCAR Xfinity Series 2022 Big Machine Racing Team (1 race) Truck Series 2023 Spire Motorsports (3 races) 2024 Roper Racing (1 race) ARCA Menards Series 2024 Cook Racing Technologies (2 races)

The French room is the most prized room at Marco’s house which overlooks the pool and has its own glass-walled shower. -Third-generation driver; grandfather, Mario, won 52 races (including the 1969 Indianapolis 500) and four NTT INDYCAR SERIES championships; father, Michael, won 42 races and one championship. 2022 was his 17th season competing in the NTT INDYCAR SERIES. -Has competed in SRX, American Le Mans Series, the A1GP World Cup of Motorsport, 24 Hours of Le Mans and the FIA Formula E Championship. -2006 Indianapolis 500 and NTT INDYCAR SERIES Rookie of the Year -Two-time race winner, six-time pole sitter -Purchased his childhood home in Nazareth, Pa. From his father for $2 Million. -Operates a real estate business. -Planned to compete in the 2020 New York City Marathon before COVID-19 Pandemic canceled the event. -Loves to run. Runs for miles daily. At one point, he was running so much that it became a concern to his friends and it’s rumored that they staged an intervention. -As per family tradition, Marco's first born son will have a first name that starts with M, with Marco as a middle name. -left handed

Iconic/memorable moments The INDYCAR Off-Season with Marco Andretti, James Hinchcliffe, Josef Newgarden and Conor Daly Andretti Autosport Driver Q&A 2013 IZOD Firestone 550 Texas - Marco Andretti - Hand Gesture & The F Bomb IZOD Race to the Party Commercial Marco Andretti Hires Body Double Marco Andretti Hires Body Double - Bloopers Marco Andretti shares his recipe for a Turkey Truffle Burger Andretti IndyCar Drivers Test Their Pit Stop Skills | #AllAndretti | Indy 500 INDYCAR Chronicles: Marco Andretti Marco Andretti wins Camping World SRX Series race at Slinger Speedway | FRAM The Andretti Curse: 2006 Indy 500 Last Laps of the 2006 Indy 500 INDYCAR TEST DRIVE Episode 12: Marco Andretti Marco Andretti's AWESOME car control with slick tires in the rain We All Have A Story: Marco Andretti Trackside 6: Marco Andretti Honda Driver Profiles: Marco Andretti 11 in 11 with Marco Andretti Marco Andretti - Magnaflow (2008) Marco Andretti at Indy This or That with Marco Andretti by Texas Motor Speedway This Is May | Marco Andretti 15 year old Marco The Driven 1.0 | Marco Andretti Marco and Michael Andretti Alexander Rossi on Marco Andretti's Car Name Marco Andretti Is Ready For An Indy 500 Mic Drop | Drivers Eating Donuts U2S: Marco Andretti Interview One hour highlight reel of his career A tour of Marco's house

IndyCar Racer Marco Andretti’s Pennsylvania Palace (article is paywall locked but video is watchable) Gillette Changing Blades Marco Andretti 2008

Most people probably think of Marco as a spoiled rich boy, heir to a family considered to be racing royalty, and in many ways they are not wrong. Fame and fortune have been his from an early age with opportunities available to him that most of us can only dream of. Always somewhat shy and introverted, he was bullied in school for not being like his famous father and grandfather, the first time he felt the pressure of his family name. It wouldn’t be the last.

He began as most drivers do, racing go-karts at a local track at the age of 8. Three years later, his father pulled him out of racing, feeling the that stress and pressure was too much for him. A year later he was back racing at a different track. And winning. And he continued to win as he rose through the junior racing categories. At just barely 19 years old, he began his rookie season in Indycar. His career has been filled with near misses and what could have beens, most of them largely out of Marco’s control. Whispers of unfulfilled potential have plagued him for years.

As if this wasn’t enough angst for one man, tragedy and accidents have stuck some of those closest to him. Dan Weldon’s death devastated him. Dan had been a friend and like a big brother to Marco, looking out for him. A few years later, another terrible crash would force Marco’s honorary uncle Dario Franchitti to retire. And then he nearly lost one of his best friends, James Hinchcliffe. Marco was there when James woke in the hospital and still has the piece of paper James used to ask questions.

Off track, Marco is generous with his friends. His home is almost always open to them. He gave Conor Daly $3k for testing, no strings attached, enabling Conor to land his first Indycar ride. (James Hinchcliffe also contributed.) Conor has referred to something called ‘Wine Wednesdays” at Marco’s house. Caymus is Marco’s favorite brand.

In 2010, Marco purchased his childhood home from his father, first built in 1986. He also bought much of the furniture and décor back from his mother, all things she had received after divorcing Marco’s father in 1996, restoring it to the way it had been when he was a child.

In 2021, Marco transitioned to running only the Indy 500, the race win that had eluded him and his father their entire careers, deciding to focus all his efforts on that one race. This also freed up time for him to pursue other forms of racing. He won the 2022 SRX championship and has run a few NASCAR races.

The Andretti curse – explaining this would take a post all by itself so I will offer these sites to explain. The 'Andretti Curse' Andretti curse

Fanfic Lore

Good friends with James Hinchcliffe, Alexander Rossi and Conor Daly. The four could be considered a 'band of brothers’ and he is often paired with one (or several) of the others of the band.

Also paired with Graham Rahal, as they grew up together in the paddock, both of their fathers racing at the same time. Relationship is antagonistic at times from Graham's side.

To be honest, it might be easier to list who Marco has NOT been paired with. He is sometimes referred to as the ‘paddock bike’. (Because everyone has taken him for a ride.)

Historically paired with Dan Wheldon (sometimes as more of a big brother/little brother relationship), Dario Franchitti, Tony Kanaan, Bryan Herta, sometimes in groups.

Often considered a ‘woobie’ or a character that writers love to abuse.

#indycar #indycar rpf #fanfic #driver lore #marco andretti

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zsmbr · 2 years ago

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past concerts.

2022. 10. 29. Budapest - Robot 2022. 10. 08. Budapest - Yuk 2022. 09. 22. Budapest - Dürer Kert 2022. 08. 17. Mátrafüred - Fekete Zaj Festival 2022. 07. 08. Boskovice - Festival pro židovskou čtvrť [CZ] 2022. 06. 30. Orfű - Fishing On Orfű Festival 2022. 04. 02. Budapest - Szimpla Kert 2022. 03. 18. Budapest - Kék Yuk w/sunnata 2021. 12. 03. Budapest - Robot 2021. 11. 20. Szeged - Grand Cafe 2021. 10. 30. Veszprém - TEREM 2021. 10. 16. Győr - A Beton 2021. 10. 02. Pécs - FényFesztivál, Szabadkikötő 2021. 09. 10. Bratislava - Randal Club [SK] 2021. 08. 20. Mátrafüred - Fekete Zaj Festival 2020. 10. 30. Győr - A beton 2020. 09. 04. Székesfehérvár - Nyolcas Műhely 2020. 08. 07. Budapest - Dürer Kert 2019. 12. 20. Budapest - Dürer Kert 2019. 11. 23 Zenta - Zentrópia [SRB] 2019. 11. 22 Szeged - Grand Cafe 2019. 11. 09. Maribor - Gustaf Pekarna [SI] 2019. 11. 07. Delemont - The Pub Fiction [CH] 2019. 11. 06. Chambéry - Brin de Zinc [F] 2019. 11. 04. Strasbourg - Le Local [F] 2019. 11. 02. České Budějovice - Velbloud Music Bar [CZ] 2019. 11. 01. Brno - Bajkazyl [CZ] 2019. 10. 26. Budapest - Dürer kert 2019. 08. 19. Mátrafüred - Fekete Zaj Fesztivál 2019. 08. 17. Orom - Malomfesztivál (SER) 2019. 05. 11. Dunaújváros - /secret show/ 2019. 05. 10. Budapest - Dürer Kert 2019. 04. 20. Budapest - Szimpla Kert 2019. 04. 02. Debrecen - MODEM 2019. 04. 01. Miskolc - Tinta Social Grund 2019. 03. 29. Budapest - Nembáj!fest 2019. 03. 28. Pécs - Szabadkikötő 2018. 12. 28. Budapest - Dürer Kert, Téli Fekete Zaj 2018. 11. 24. Székesfehérvár - MehKasAula 2018. 10. 20. Budapest - Szimpla Kert 2018. 10. 02. Budapest - Hatszin teatrum - UH Fest 2018. 08. 17. Orom - Malomfesztival (SER) 2018. 05. 25. Budapest - Dürer Kert, Budapest BeerWeek 2018. 05. 19. Pécs - Szabadkikötő 2018. 05. 18. Szeged - Grand Cafe 2018. 05. 17. Békéscsaba - Csabagyöngye MH 2018. 05. 16. Szolnok - Tomi 2018. 05. 15. Debrecen - MODEM 2018. 05. 14. Miskolc - Tinta 2018. 05. 13. Budapest - Instan 2018. 05. 12. Dunaújváros - Tareeja 2018. 05. 11. Győr - Dongó 2018. 03. 28. Budapest - A38 w/Ufomammut 2018. 02. 10. Szeged - Grand Cafe 2017. 11. 21. Budapest - Dürer kert 2017. 10. 20. Budapest - Dürer kert 2017. 09. 14. Budapest - Dürer kert w/Shining 2017. 08. 18. Orom - Malomfesztival (SER) 2017. 07. 21. Matrafured - Fekete Zaj 2017. 05. 27. Kromeriz - das LIGA (CZ) 2017. 05. 26. Chemnitz - Lokomov (GER) 2017. 05. 25. Prague - Nákladové nádraží Žižkov/1435mm (CZ) 2017. 05. 24. Ybbsitz - Club2 (AT) 2017. 05. 23. Ljubljana - Klub Gromka (SI) 2017. 05. 06. Budapest - III. Thulsa Doom Fest - KVLT 2017. 04. 22. Szeged - Grand Café Várkert 2017. 04. 22. Budapest - Wave music RECORD STORE DAY 1.00pm 2017. 04. 21. Budapest - Robot w/Porch 2017. 04. 15. Győr - Rómer Ház 2017. 03. 25. Debrecen - MODEM 2017. 03. 24. Budapest - Fészek Kulturális Központ 2016. 12. 08. Budapest - MüSzi 2016. 10. 13. Budapest - Dürer kert w/Karma To Burn 2016. 08. 21. Budapest - Dürer kert w/Ghost Bath 2016. 08. 20. Kecskemét - Kilele 2016. 08. 19. Szeged - Grand Café Várkert 2016. 07. 23. Sástó - Fekete Zaj Festival 2016. 06. 18. Budapest - GMK 2016. 06. 16. Prague - Nákladové nádraží Žižkov (CZ) 2016. 06. 15. Pilsen - Papirna Plzen (CZ) 2016. 06. 04. Maribor - Gustaf pekarna (SI) 2016. 05. 07. Budapest - Dürer Kert 2016. 04. 15. Budapest - Akvárium 2016. 04. 10. Bang! Radio Show (Tilos Radio) 2016. 03. 26. Szeged - Grand Café 2016. 03. 17. Budapest - "Reign Of Fire" Dürer Kert 2015. 12. 03. Budapest - Dürer Kert 2015. 10. 09. Budapest - S8, NemBáj! Festival 2015. 08. 15. Pilsen - PsyHigh Festival (CZ) 2015. 07. 31. Sástó - Fekete Zaj Festival 2015. 05. 23. Budapest - R33, Harmadik Ember Festival 2015. 04. 04. Pécs - E78 club 2015. 03. 20. Budapest - KVLT 2014. 11. 21. Budapest - R33, Harmadik Ember Festival 2014. 11. 15. Budapest - Dürer kert 2014. 10. 17. Luzern - Sedel (CH) 2014. 10. 16. Linz - Stadtwerkstadt (A) 2014. 10. 15. Wien - EKH (A) 2014. 10. 10. Budapest - Roham 2014. 09. 27. Budapest - Yuk 2014. 07. 12. Budapest - Roham 2014. 06. 20. Murska Sobota - City Fest MIKK (SI) 2014. 06. 19. Torino - Alla Vecchia Maniera (IT) 2014. 06. 15. Paris - La Cantine (F) 2014. 06. 13. Brussels - Rock Classic (BE) 2014. 06. 12. Kortijk - Cine Palace (BE) 2014. 06. 11. Liege - La Zone (BE) 2014. 06. 09. Chemnitz - Odradek (GER) 2014. 06. 08. Praha - Kokpit (CZ) 2014. 06. 07. České Budějovice - Velbloud Music Bar [CZ] 2014. 06. 06. Kromeriz - Fcelka (CZ) 2014. 05. 03. Budapest - Super8 2014. 05. 02. Debrecen - Dharma Klub 2014. 04. 29. Szeged - Varmuzeum 2014. 03. 29. Nyíregyháza - Romkert 2014. 03. 21. Budapest - Kék Lyuk 2014. 01. 30. Budapest - Gödör 2013. 11. 14. Budapest - Dürer Kert w/Russian Circles 2013. 11. 09. Salgótarján - Talent Klub 2013. 10. 26. Nagymagocs - Pince Klub 2013. 10. 25. Cluj Napoca - Truda (RO) 2013. 10. 24. Bucharest - Underworld (RO) 2013. 10. 23. Sofia - Maze (BG) 2013. 10. 21. Sarajevo - Fis Club Bock (BA) 2013. 10. 20. Beograd - BIGZ Scena (SER) 2013. 10. 19. Novi Sad - CK13 (SER) 2013. 10. 18. Backa Topola - Panta Rhei (SER) 2013. 10. 16. Budapest - Dürer Kert w/Jucifer 2013. 10. 05. Debrecen - Lilla bar 2013. 10. 04. Balmazújváros - BAKI klub 2013. 09. 25. Szeged - Super 8mm Festival 2013. 08. 17. Budapest - Dürer kert, Fekete Zaj Festival 2013. 05. 01. Linz - Stadtwerkstadt (A) 2013. 04. 30. Budapest - Showbarlang 2013. 02. 25. Budapest - Gödör Klub 2013. 01. 12. Budapest - Roham 2012. 10. 19. Szolnok - TOMI 2012. 10. 18. Szeged - Vármúzeum 2012. 09. 29. Cerkno - Cmakajne Festival (SLO) 2012. 09. 28. Ljubljana - Menza Pri Koritu (SLO) 2012. 08. 19. Matrafured, Fekete Zaj Festival 2012. 07. 07. Szolnok - TOMI 2012. 06. 23. Debrecen - HNO3 2012. 06. 22. Balmazujvaros - BAKI 2012. 05. 26. Budapest - A38 w/ VHK 2012. 04. 22. Budapest - Toldi Cinema 2012. 04. 11. Budapest - Trafik Klub 2012. 03. 04. Budapest - Toldi Cinema 2011. 08. 05. Matrafured - Fekete Zaj Festival 2011. 06. 04. Balmazujvaros - BAKI 2011. 06. 03. Budapest - Tundergyar 2011. 03. 04. Szolnok - Tomi 2011. 02. 24. Budapest - A38 2010. 11. 01. Budapest - A38 2010. 10. 02. Budapest - Tundergyar 2010. 09. 25. Ottensheim - Gas Post (A) 2010. 09. 22. Ljubljana - Klub Gromka (SLO) 2010. 09. 12. Litomerice - Jemafor (CZ) 2010. 09. 11. Wroclav - Artystycznych Firlej (PL) 2010. 09. 10. Prague - Klub 007 (CZ) 2010. 09. 09. Brno - Jolanda Club (CZ) 2010. 08. 06. Matrafured - Fekete Zaj Festival 2010. 06. 24. Balchik - In the Palace Festival (BLG) 2010. 02. 22. Budapest - A38 2010. 01. 15. Balmazujvaros - BAKI 2009. 12. 18. Szeged - Garabonczias 2009. 12. 28. Budapest - A38 2009. 12. 20. Novi Sad - CK13 (SER) 2009. 12. 19. Beograd - Livingroom SKC (SER) 2009. 12. 13. Budapest - Durer Kert 2009. 11. 28. Budapest - Tuzrakter 2009. 11. 21. Szekesfehervar - MehKas 2009. 10. 01. Budapest - Tuzrakter 2009. 08. 08. Matrafured - Fekete Zaj Festival 2009. 08. 01. Tasov - Besheda Bigbitu Festival (CZ) 2009. 06. 09. Budapest - Durer kert 2009. 05. 22. Linz - Stadtewerkstadt (A) 2009. 05. 21. Ljubljana - Klub Gromka (SLO) 2009. 05. 16. Budapest - Durer kert 2009. 04. 23. Budapest - Godor Klub 2009. 04. 10. Budapest - After Music Klub 2009. 02. 28. Szentendre - Vajda Lajos Studio 2009. 01. 31. Budapest - Kek Yuk 2008. 10. 25. Budapest - Avalon 2008. 10. 24. Balmazujvaros - BAKI 2008. 10. 23. Salgotarjan - Kakukkfogo 2008. 10. 18. Tatabanya - IFI 2008. 10. 17. Gyor - Romer haz 2008. 10. 12. Wien - Rhiz (A) 2008. 10. 04. Backa Topola - Panta Rhei (SER) 2008. 10. 03. Szeged - Garabonczias 2008. 10. 02. Kecskemét - Kilele 2008. 09. 30. Budapest - A38 hajó 2008. 09. 25. Prague - Chapeau Rogue (CZ) 2008. 09. 21. Torun - Piwnica Pod Aniolem (PL) 2008. 09. 20. Zgorzelec - Dom Kultury (PL) 2008. 09. 19. Piensk - Qultur Kombinat (PL) 2008. 06. 21. Budapest - Klub Vittula 2008. 05. 02. Sopron - Hangar 2008. 05. 16. Sarvar - Kastely 2008. 04. 24. Budapest - Kuplung 2008. 04. 13. Subotica - Ambush Music Festival (SER) 2008. 04. 12. Backa Topola - Panta Rhei (SER) 2008. 04. 11. Szeged - Garaboncziás 2007. 11. 25. Asti - (ITA) 2007. 11. 17. Szeged - Garabonczias 2007. 11. 16. Kecskemet - Kilele Music Cafe 2007. 09. 22. Pecs - Labor 2007. 08. 30. Guta - Hannah-Hanna Festival (SK) 2007. 06. 22. Budapest - Klub Vittula 2007. 05. 26. Murska Sobota - MIKK (SLO) 2007. 05. 25. Vrhnika - Klub Zakon (SLO) 2007. 05. 24. Ljubljana - Metelkova, Menza pri koritu (SLO) 2007. 05. 18. Pecs - Labor 2007. 04. 21. Gyor - Romer Haz 2007. 04. 14. Berlin - Club Arcanoa (GER) 2007. 04. 13. Leiden - Bar En Boos (NED) 2007. 03. 24. Budapest - UH-FEST 2007. 03. 06. Budapest - Trafo Bar Tango 2006. 11. 18. Pecs - Szeszgyar 2006. 11. 09. Budapest - Kultiplex 2006. 10. 06. Debrecen - MODEM 2006. 10. 04. Budapest - Kultiplex 2006. 09. 23. Subotica - (SER) 2006. 09. 22. Bačka Topola - Phanta Rhei (SER) 2006. 09. 21. Szeged - Red Ship 2006. 09. 20. Budapest - Tűzraktar 2006. 09. 08. Dresden - Storm of Change/Moskau Festival (GER) 2006. 09. 07. Szekesfehervar - Fezen Festival 2006. 08. 18. Vásárosfalu - Vé-Festival 2006. 08. 14. Budapest - Sziget Festival 2006. 06. 07. Cluj Napoca - Transilvania Film Festival (RO) 2006. 05. 07. Potenza - 10+ Festival (ITA) 2006. 05. 06. Bologna - Ex-Mercato 24 (ITA) 2006. 05. 01. Komárom - Mediawave Festival 2006. 04. 23. Moscow - DOM Cultural Center, SKIF Festival (RUS) 2006. 04. 22. St. Petersburg - SKIF Festival (RUS) 2006. 04. 21. Moscow - Blow Up Club (RUS) 2006. 04. 14. Budapest - Süss Fel Nap 2006. 01. 07. Wien - Planet Music (A) 2006. 01. 05. Győr - Rómer-Ház 2005. 11. 13. Budapest - A38 2005. 10. 25. Budapest - Kultiplex 2005. 10. 11. Budapest - Akku 2005. 09. 10. Bačka Topola - Phanta Rhei (SCG) 2005. 09. 09. Szeged - Super8mm Fesztivál 2005. 09. 08. Subotica - Alcatraz (SCG) 2005. 08. 10. Budapest - Sziget Festival 2005. 07. 14. Senta - Youth Days Festival(SCG) 2005. 05. 21. Győr - Popkontroll Festival 2005. 05. 14. Weikersheim - Club W71 (GER) 2005. 04. 30. Győr - Underground Music Workshop 2005. 04. 29. Győr - Mediawave Festival 2005. 04. 17. Backa Topola - Phanta Rhei (SCG) 2005. 04. 16. Szeged - Bartók square 2005. 04. 15. Kecskemét - V-pub 2005. 04. 09. Budapest - RS9 Havizaj 2004. 11. 13. Győr - Rómer ház 2004. 10. 15. Székesfehérvár - MéhKasAula 2004. 10. 04. Eindhoven - Burgers (NED) 2004. 10. 03. Rotterdam - Worm (NED) 2004. 10. 02. Dortmund - Soahc (GER) 2004. 04. 30. Győr - Mediawave Festival 2004. 04. 22. Szeged - Old Timer 2004. 03. 12. Győr - Rómer Ház (Colors of Music) 2004. 01. 17. Budapest - Trafó 2003. 10. 12. Potsdam - Archiv (GER) 2003. 10. 11. Berlin - Supamolly (GER) 2003. 10. 10. Bochum - Wageni (GER) 2003. 10. 09. Rostock - JAZ (GER) 2003. 10. 08. Nijmegen - Onderbroek (NED) 2003. 10. 07. Liége - La Zone (B) 2003. 10. 06. Eindhoven - Burgers (NED) 2003. 10. 05. Dortmund - Soahc (GER) 2003. 10. 04. Berlin - Chokoladen (GER) 2003. 10. 03. Budapest - MU-Theatre 2003. 08. 03. Budapest - Sziget Festival 2003. 07. 01. Budapest - Pesti Est Café w. Mono 2003. 04. 30. Győr - Mediawave Festival

#pozvakowski

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alemdobvio · 6 days ago

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Referências

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Vieira, P. A., & Vieira, P. (s/f). Sermões do Padre Antônio Vieira da Companhia de Jesus, Pregador de Sua Majestade. Ufsc.br. Recuperado el 9 de noviembre de 2024, de https://www.literaturabrasileira.ufsc.br/documentos/?action=download&id=149163

(S/f-a). Infopedia.pt. Recuperado el 8 de noviembre de 2024, de https://www.infopedia.pt/dicionarios/lingua-portuguesa

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E todos os vídeos anexados no canva.

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consultatiiladomiciliu-ro · 1 month ago

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Cine spune ca albastrul de metilen face minuni in leziunile cerebrale - STUDII

Citeste articolul pe https://consultatiiladomiciliu.ro/cine-spune-ca-albastrul-de-metilen-face-minuni-in-leziunile-cerebrale-studii/

Cine spune ca albastrul de metilen face minuni in leziunile cerebrale - STUDII

Albastrul de metilen utilizat in mod curent ca antiseptic urinar (face urina verde sau albastra), are un rol salvator pentru creier. Citeste mai mult despre mecanismele prin care salveaza neuronii.

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