#Eps Plays:

[mwolf0epsilon]

Thank you TFT for giving me perfection incarnate...

My son is beautiful and so very very round!

[keebokuun]

Falling with you <3

[macbcth]

Lu Guang’s phone passcode being Cheng Xiaoshi’s death date will never not fuck me up

[thingsmethinks]

Saying "Gonna be Nobody's Soldier" instead of "I won't be anybody's soldier" because he won't be a puppet to an oppressive regime but that doesn't mean he will stop fighting for Nobodies, one who war is crushing and killing. Oh my fucking god, what if I ate my hand Andrew

[pjs-everyday]

it's not too late for a summer beach episode, is it? 🥲

[hawkp]

I was listening to an interview that Alexander Siddig did with Trek Geeks and this man said that he stayed up so late playing video games in the 90’s, and was so tired all the time on set, that the producers staged an intervention and were like “We’re going to support you no matter what your answer is but: are you on drugs?”

[emerynn-art]

was feeling kinda down this morning so i drew max six times and that seemed to do the trick

[kosmikowboj]

you know now knowing that as kids shawn played bassoon and gus played clarinet it’s truly criminal there was never an episode involving a local symphony orchestra. like, one of the principal musicians dies—call it the principal flutist—and foul play is suspected, so shawn convinces the chief to let them go undercover. gus is still using his old clarinet, but henry got rid of shawn’s bassoon like ten years ago so shawn makes the department rent him a really nice one. lassiter’s huge qualm this episode is that he thinks shawn and gus are making a mockery of the beauty that is classical music. shawn actually feels very strongly about the case because one of the pieces they’re performing has a majestic bassoon solo that he was supposed to play in the eighth grade until he got stiffed for first chair. gus and jules are the only ones being normal.

lassie and jules end up arresting the second chair flute player because it seems like a jealousy case, but shawn isn’t convinced. he goes down the rabbit hole and uncovers this crazy romance subplot about how the principal bassoonist and the principal flutist were sleeping together, but then the flutist slept with someone else in the orchestra—call it a percussionist (they’re always doing that)—and so he killed her. shawn claims he learned this through the instruments speaking to him. the high stakes moment of the episode is when the bassoonist tries to kill the percussionist, but our fave crew end up saving the day.

the episode ends with shawn and gus playing in the concert and shawn doing the bassoon solo since the principal was arrested for murder. biggest plot twist of all is that he actually sounds pretty good.

another random note is that lassie has it out for the second chair flute because he used to play oboe when he was younger and got relentlessly bullied by the flutes. shawn finds this out and forces bonding between the two of them by sharing his bassoon trauma. lassie does not seem to care. because the percussionist gets injured in the scuffle near the end of the episode, shawn convinces the orchestra director to let lassie play the triangle in the concert. later on in the series, there’s a throwaway line about how shawn can’t get ice cream with gus after a case because he’s busy. there’s a honk outside the psych office and shawn jogs out, gets in lassie’s car, and they go to community orchestra together.

oh also the henry subplot of the episode is that he and the director of the orchestra go way back for some reason and that’s the only reason that shawn and gus are allowed to go undercover. shawn is pissed at henry for getting rid of his bassoon and henry tries to turn it into a lesson about responsibility that is immediately undermined by the department renting one for him.

do you see my vision

[jinxitx]

“And this is our son Joey. Say hi Joey!”

[incandescentflower]

Thamepo is actually saying real romance is wanting to know who you are and things about you and spending time with you. Honestly, it should not feel like something rare, but it does and it's pretty wonderful.

[mwolf0epsilon]

Still thinking about the 62 Kills Draven that jokingly called me some kind of slur/swear last night after we played two consecutive games together as ADC and Support

[secriden]

Absolutely heartrending because it just hit me that before Bison's phone call, Fadel was actually began to believe that he'd been wrong to suspect Style. Because despite the evidence stacked against Style -- and remember, it was Fadel that spells out the reasons they have to be suspicious of Kant and Style -- Style is so incredibly genuine here and Fadel, in truth, wanted to believe in him.

I think it's possible that Fadel actually saw Style through the window here, but pretended not to because he had to take a moment to prepare himself. But if you see where Style is standing and the way the patio is lit up, there's no reason why Fadel shouldn't have seen him from where he was by the tables before he turns to go behind the counter.

Fadel: I was thinking of going to your place. But you were more impatient than me, huh?

This would also explain how Fadel is able to say this before Style even has the chance to make a sound. I had expected Fadel to wait and see what Style would say, to play it safe and observe; but no, Fadel immediately sets their dynamic back to the assumption of familiarity that their relationship was on before he disappeared for a week. The assumption that he could show up at Style's house unannounced and Style would welcome him.

This feels incredibly intentional. Fadel wants to see how Style is going to react to Fadel acting as if nothing strange happened. If Style was an informant, he should be confused and Fadel may catch him out in a lie.

But Style's performance is flawless:

Style: Where have you been? You didn't reply any of my texts! (punctuation added for emphasis and to mimic Style's tone)

He says this and the whine in his tone is a clear affirmation of that same assumption of familiarity. This is the tone used by someone who is secure in the knowledge that they are owed an explanation; this is the tone of someone in an established relationship who feels justifiably wronged at being left out of the loop.

And I cry a little bit more at the thought of Fadel reading those texts -- Style by turns frantic and confused and worried -- and refusing to respond. Or worse, receiving them and refusing to even read them because Fadel doesn't trust himself to tell the lies from the truth anymore.

At this point, Fadel seems to waver a little bit in his resolve to "test" Style. I think he was a little taken aback that Style didn't seem to be even a little bit weird about his abrupt disappearance for a week. His reply takes on a quality of gentle pleading and the way he's speaking is exactly like a boyfriend who knows he messed up. But because these lines are a lie, Fadel cannot meet Style's eyes as he says them. It's only when he says "I was busy, too" (not a lie) that he's finally able to squarely meet Style's gaze again.

And Style continues to be so convincingly NORMAL because all of this is real for him. This is just genuinely Style, the boyfriend, who actually wants to know where his boyfriend disappeared to without notice for a whole week. Nothing about his body language or tone has even a hint of inauthenticity because there is none. Style means every single word and meets Fadel's gaze squarely as he says them.

It genuinely looks to me like Fadel thaws significantly at this point. He suddenly looks less stiff and the way he delivers this line contains so much more inflection, it becomes cajoling. He even begins to more consistently meet Style's eyes as Fadel begins to allow himself some honesty. Fadel's logical brain knows that the circumstances surrounding Style coming into his life are riddled with inconsistencies, but he both senses and WANTS to see Style's sincerity. The shields that Fadel had up are melting in the face of Style being present and unchanged from what Fadel remembers.

Stay, Fadel all but says, let me make it up to you. Fadel offering to make food for Style (@braceletofteeth please hold me as I cry about this!!) is also significant because the last time Fadel made food for Style (the burger) is when he was softening towards Style after Style helped out at the diner during the rush crowd. Fadel is a creature of habit and all that he's learned of late are the ways Style is easy to love.

They begin to fall back into their usual, playful banter and teasing dynamic. Style leans back against the table (and the way he's all unspoken surrender and submission -- throat arched up and bare and vulnerable -- truly makes me feral), turns up the flirt and Fadel responds in kind. And yes, Fadel means his question on some level but you don't get the sense that his heart is in the interrogation. Fadel may be going through the motions, but this is just Style being himself, exactly as Fadel has come to know (and love), so nothing is pinging as wrong to Fadel.

I mean, just LOOK AT FADEL'S EYES!! His expression is so so soft and tender and wistful. He wants this. He wants so desperately to believe that this is why Style was texting him throughout the week. He wants to have Style in all the ways that include and go beyond the physical; like Style offering his affection is everything Fadel didn't think he could wish for.

It's almost cruel the way Style's touch so utterly disarms Fadel. Because, while it is part of the games they've been playing, so much of their interactions have also been grounded in genuine feelings and moments of intense vulnerability on both sides (although neither of them know this for sure!! T_T). Style's hands on Fadel's body literally removes the last stretch of distance between them and that odd unease lingered over the way Fadel spoke and held himself at the start of the scene finally disappears.

If we compare their expressions and the way they are holding themselves and, most importantly, touching each other by the end of the scene to what we see when Style first walks into the diner, it becomes apparent just how much ground Fadel has given in the span of those few minutes.

It's the way Fadel keeps holding onto Style's hand even as he's turning to leave, maintaining that point of contact until the very last second.

Because with Style in front of him -- warm and familiar and carelessly affectionate -- Fadel allows himself to slip back to the version of himself that woke up in Style's bed at the start of the episode, the version of himself that called Style's name for the first time and wanted to wake him up with the softest of touches. The version of himself that literally, physically couldn't let Style go.

Which is why, when the call comes and Fadel's heart gets broken anew, Fadel remains devastatingly empty of anger towards Style.

Because it was Fadel's own fault for choosing to believe the lie.

Because it was a decision he made to allow his heart to rule over his head.

Because Fadel understands that Style only succeeded in "fooling" him once again because Fadel let him.

So Fadel gives himself this truth, allows himself to finally take that step to bare his heart to Style, the way he promised himself he never would, but the way he so desperately wanted.

And Style kisses Fadel because he doesn't realise that this confession is not a reward, but a judgement.

For Fadel is paying penance for giving in to his own foolish heart, and in so doing renders Style's love to devastation.

[babacontainsmultitudes]

"What about robot Trudy" what about robot Trudy?

Edit: Imagine there's a "?" beside the Tony thing I honestly don't know if he's actually a spy or not either lol.

[epiphainie]

months ago i got this anon ask about how we don't really see buck be his earnestly dorky, silly, comical self with his love interests much. how we see him with all his quirks like his brattiness, his obliviousness, his high-handedness, his superstitions, his fun facts etc. only when he's with the firefam, and how we only see the firefam really reacting to it and playing off of it. and how this is an intimate layer that lacks in his romantic arcs. anyway, a big win for bucktommy.

[exdeputysonso]

Brad Dourif as Charles Lee Ray | CHUCKY 3.07 There Will Be Blood

[ammonitetheseaserpent]

Something something abt how a clown’s whole thing is to make themselves the butt of the joke and take everything thrown at them while a jester’s whole thing is to freely call out & ridicule the king however they choose something something…