#Emma frost one shot

[awkward-walking-potato]

Can I ask for Kurt, Emma, and Scott with a reader that’s a little off-putting? They’re mostly harmless but them not making a sound still gives people a start.

Kurt Wagner (Nightcrawler)

Kurt has a deep understanding of feeling like an outsider due to his own appearance and abilities. He appreciates the silent, almost ghostly way you move, seeing it as a unique expression of who you are rather than something unsettling. He finds your ability to be stealthy fascinating and sometimes even challenges you to see if you can sneak up on him—though with his teleportation skills, it becomes a fun game of cat and mouse.

Kurt notices that your silence often leads others to feel uneasy, but he never lets it bother him. Instead, he shows affection through small, thoughtful gestures—leaving you little notes in places only you could find, or teleporting into your space to surprise you with a snack or a joke, making sure you feel included and cared for.

Kurt finds peace in the quiet of the night and enjoys spending that time with you, knowing you’re more comfortable when things are still. Whether it’s sitting together in silence or engaging in deep conversations about your experiences, he appreciates the calm you bring to those moments and is always there to listen without judgment.

He encourages you to embrace your mutation, reminding you that just as he has learned to love his appearance and abilities, you can find pride in what makes you different. He’s patient and kind, never pushing you too far but always there to help you see the beauty in your uniqueness.

Emma Frost

Emma isn’t easily rattled by much, including your unsettling presence. She’s more intrigued than anything, appreciating the power and control you have over your ability to move undetected. She respects strength, and in her eyes, your ability to make people uncomfortable is just another form of power, one that she finds admirable.

Emma sees your potential and takes it upon herself to help you refine your abilities, offering to train you in using your mutation more strategically. She’ll guide you in turning what others see as “creepy” into a sophisticated skill set, perfect for espionage or other high-stakes situations.

While Emma appreciates your ability to unsettle others, she also understands the importance of social dynamics. She’ll offer tips on how to use your silence to your advantage without alienating people, teaching you how to blend your natural stealth with a more polished social presence.

Emma doesn’t coddle you or try to make you more approachable; instead, she respects you as you are. She values your authenticity and never asks you to change, only to hone your skills. In her eyes, you’re already powerful—she just wants to help you refine that power into something truly formidable.

Scott Summers (Cyclops)

Scott’s military-like discipline means he’s rarely caught off guard, even by someone as silent as you. While others might jump when you appear out of nowhere, Scott barely flinches. He’s more likely to acknowledge you with a calm nod, appreciating that you’re simply doing what comes naturally.

Scott immediately sees the tactical advantage in your ability to move without being noticed. He’s constantly thinking about how your mutation could be utilized on missions, often pairing you with teams where your skills would be most effective. He’s pragmatic, recognizing that what others find unsettling is actually a powerful tool.

Scott isn’t one for excessive words, so he appreciates that you don’t need to fill the silence with chatter. There’s a mutual understanding between you two, a quiet camaraderie where actions speak louder than words. He respects your space and doesn’t push you to be more outgoing than you’re comfortable with.

Scott can be very protective of his team, and that includes you. While he respects your independence and ability to take care of yourself, he’s always watching out for you in his own quiet way. If anyone on the team ever made you feel uncomfortable because of your mutation, he’d step in with a firm hand to ensure you’re treated with the respect you deserve.

Scott might encourage you to push your boundaries, not to change who you are, but to explore how your abilities can evolve. Whether it’s training exercises that challenge your stealth in new ways or missions that test your limits, Scott believes in your potential and wants to see you grow into the best version of yourself.

[elusiveweekend]

Chapters: 1/1 Fandom: X-Men (Comicverse), X-Men - All Media Types Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Emma Frost/Scott Summers Characters: Emma Frost, Scott Summers Additional Tags: Imaginary Friends, Angst, Teenagers, Hurt No Comfort, Implied/Referenced Sexual Harassment Summary: Heaving a sigh, Emma bites her lower lip, wondering whether it’s the meds or she’s actually going insane. Seeing a cute boy with red glasses who doesn’t really exist.

[excelsiorfics]

That Which We Are

Date: April 1, 2018 Author: GrayJay Rating: Not Rated Word Count/Status: 3,482, complete Dynamic: N/A Characters: Scott Summers, Christopher Summers, Charles Xavier, Jean Grey, Logan (X-Men), Ororo Munroe, Emma Frost, Hank McCoy, Moira MacTaggert, Nathaniel Essex, Alex Summers Tags: Medical Trauma, Needles, Non-Consensual Body Modification, Closeted Character, Trans Male Character, Canon Compliant, Character Study

Summary:

The day he loses his glasses and brings down half the orphanage is the day he becomes Scott for good.

(Or: The universe where Scott isn't born Scott.)

[naoa-ao3]

God How She Feared

Her love was so totally different from Jean's. Her love was hard and firm and she had a certainty to herself that was purely her own. Jean had been warm and kind and gentle. Emma was only rarely some of these things. She was so utterly different. She was gorgeous like an ice sculpture while Jean had been something akin to fire. They were so different. Emma burned cold and cruelly where Jean had burned hot and searing and Emma was intentional and forceful when she burned over old scars, determined to make them hers now. She hated seeing the marks of another woman, but who could blame her? What woman can say she likes seeing the mark of another on the man she loves? But Emma could not and so she burned away the marks of the lover again and again but they never truly went away and it frustrated her to no end. Scott was hers and yet she could never remove the mark of Jean. Sure she could add her own and the flesh of Scott's soul and heart became painted with the loves of two women. Each mark distinct. There was no confusing the two.

And Scott welcomed the ice just as he had welcomed the fire. He craved it as they had both craved him. And at night when he lay next to Emma he was careful to keep his thoughts on her and she was careful to keep her mark fresh so his thoughts would not stray. He was hers and she would keep him. And if she had her way Jean's marks would be buried. She had long since given up trying to make them go away but she could bury them. Hide them deep. Keep them there until only she knew them and the name Jean was just a sad echo that stirred his heart.

She would bury them with love and force. She would bury them in the bedroom where she would do things Jean never dreamed of. Make Scott forget the world and know only her. That was her power over him. Him whom she truly did love. Him who she wanted to keep by her side and him who she so desperately feared would leave her.

God how he made her heart ache, his power, his determination, his heart, his everything. She wanted to give him everything and to be his everything and to make him everything. She was strong, she knew that. Stronger than Jean had been. She could mold Scott into a stronger man and yet, he still loved Jean. That was her endless torment. That she could not erase his love. And she knew it was selfish but she was beyond caring. She waned him to be hers and to love her completely, as she did him. That was the real pain of it. She loved him so totally and completely and a portion of his heart remained with Jean. Not buried with her but alive and beating. Alive and in him and it drove her mad.

And Scott, he loved them both. Never knowing or thinking that love made women jealous and spiteful and the most beautiful emotion a soul could possess could turn a person bitter. And love did just that. Love turned a person bitter. Perhaps love was the mother of all evil. Love had made him sin repeatedly. Love had made him leave Madelyn. Love had made him confused and made him cheat on Jean. Love had made a fool of him but he was a man and a woman was a far different creature. And he could never truly know. So it had been between Jean and Emma. They had loathed each other. Each seeing the other as a threat and an obstacle. In the end Emma had been wrong. In the end it didn't matter. Emma had him now. A bitter prize to love. A bitter prize to keep.

Two women so utterly different had loved the same man and he had loved them both and he was fool to think that was enough.

And so Emma feared. Feared he wold leave her and feared that he would always love Jean more. Secretly she feared and he never knew. Maybe he did. She didn't know. God, how she feared.

God how she feared he would leave her. She feared she wasn't enough. And how tragic and unfair it was that she should be less than a dead woman. That a dead woman should claim the heart of the man she loved. The dead couldn't love the living and how foolish she thought it was that they should think they could. How awful it was to fear the dead.

[johanneswinstonwileyatmse]

X-Men Regenesis is probably one of those comics who have really really stayed with me. To the point it inspired my writing.

[whippedcloudsofcream]

X-Men Origins: Emma Frost

[peachesofteal]

Light On - single mom/neighbors fic Simon Riley/female reader 🎄 @glitterypirateduck’s December challenge: O Christmas Tree

"What about this one?"

You're standing next to a giant tree, one that's probably double your height. "It's a little big but-"

"I don't know if that will fit in your flat, sweetheart." You huff, hands on your hips, and Emmaline wiggles where she's snuggled against him, tucked up on his chest inside his arms. You've got her in some sort of snow suit, like a baby marshmallow, capped with a red knit hat that ties under chin to keep the ear flaps down, and even though she clearly hates it, and looks a little ridiculous, he knows the whole thing is keeping her warm in tonight's frigid weather.

"Okay. What about this one?" The one you're pointing to now is smaller, but sparse, a little prickly looking. He shakes his head. "You don't like any of them!" You protest, and Emma grunts, babbling some sort of nonsense.

"'m just doing what the boss here is telling me to do." She looks up at him, eyes bright with a little bit of snot beneath her nose, and he wipes it away with his thumb. "There you go, baby girl. I gotcha."

"She's not the boss." You step close with a shiver, close enough that he can see the fog of your breath, peek of your neck beneath your scarf, and he reaches out to pad his fingertips across your chilled cheek.

"Cold?" You shrug.

"A little." You dip forward to give Emma a quick kiss on the cheek, and at the same time, he ducks down, pressing his lips to the crown of your head. He's never going to get used to this. Never. Even now, in this moment, he can't believe he's walking a tree lot with you, debating which one to choose. Him. Simon Ghost Riley, picking out a Yule tree with you and the baby. His family.

There's a bang in the street. A car backfiring, probably, but it's enough that it startles someone else on the lot, and they shout, the combination like a shot of adrenaline to his heart, focus and intensity taking over, his movements shifting to autopilot. His hand covers Emma's head, curling forward at the same as he tugs you into his body with a firm arm around your back, essentially immobilizing you, keeping you close in case- "Simon." You say his name softly, gently, fingers holding onto his forearm. The touch grounds him, reminds him to breathe, and he relaxes slightly. "It's alright. We're okay, we're at the Christmas tree place. You're okay. You're with us." With you. With you and Emmaline. At home. He closes his eyes, repeating it in his mind, twice, three times, for good measure, before he trusts enough to uncover the baby's head and let go of you completely. You smile when he does, bright, beautiful, sweet, still working you touch against his arm, not stepping away.

"I'm sorry." He tries to explain, but you shake it off.

"Don't be. It's okay." You loop your arm through his, sticking close to his side. "Want to keep looking?" You ask, nonchalant, and he's overcome with emotion so strong it could bring him to his knees.

"Yeah, but I... I want..." he stumbles over it, words failing, and you wait, patiently, turning into him so you can look up at his face.

"What is it?" Holiday lights glow behind you, twinkling colors mixed with frosted whites, strung together across trees and posts and big red and green signs, 'O Christmas Tree' playing over the speakers that line the perimeter. He's never been one for holidays, never really cared about any of it, all the excitement lost on him, most of the celebrated days spent alone. But now... with you, with the baby, he feels the magic. He thinks he can even see it, in you, in Emmaline, and he's filled to the brim with the wonder, the anticipation for it all, to experience it all for the first time like this, with his angels.

"I want to kiss you." He says the same words he gave you a week ago, outside on the balcony, and you give you him the same smile, warm and welcoming, lips curling upwards with happiness.

"Please." You beam, and he obliges, your lips parting for his, getting lost in the taste of your mouth, decadent honey dripping across his tongue. You make him dizzy, make him stupid, make him so weak for you, and all he wants is more. He wants it all, wants everything you'd give him, and he has to hold himself back, cognizant of Emma in his arms, pulling away regretfully after five seconds that could last five hours, or days. Years. You clear your throat. "Well, okay, uh- should we?" You motion to another row of trees, and he nods with a laugh.

"We should."

Later, after the tree has been decorated, dinner has been made and cleaned up, fire started in the fireplace, Emmaline has had her bath, and you've changed into your pajamas, he sits on your couch with you curled into his side, both you and the baby asleep. It's late, and the lights are out, and he thinks he probably should have woken you to get you both up into bed, but he can't bring himself to shatter the moment, the silence, the fire, and the sounds of your breathing, face barely illuminated by the glow of the lights. He stays right there, listening to the crackle of the logs, staring at the tree, watching the two of you breathe, heart so full he thinks it could explode. This is it, he thinks. This is the magic.

[heckcareoxytwit]

The battle rages on as the X-Men fighting the three Nimrods at different places - Sentinel City, New York and Washington DC. Wolverine, Nightcrawler, Cyclops, Colossus, Rogue, Gambit and Monet are fighting the main Nimrod in Sentinel City. Emma Frost and Synch are battling a Nimrod duplicate in New York. Whereas Polaris and Magneto are facing the Nimrod duplicate in Washington DC. Magik and Eden Fesi try to join into the fray but they get shot by Nimrod (I don't know which one though).

While they are fighting Nimrod, Cyclops and Nightcrawler are wandering around the burning Sentinel City. Nightcrawler confirms to Cyclops that he has destroyed the thrusters and Nimrod/Omega Sentinel won't be able to repair them before the orbit decays. Nightcrawler asks how they're going to kill something that exists in multiple places and Cyclops says they'll have to do it all at once. "Under that armor, it's just… electricity." Then, Kwannon telepathically chimes in saying Colossus got punched out into space and he's almost out of sight. Cyclops tells Nightcrawler to go and he teleports away to save Colossus. Cyclops then goes off to challenge Nimrod. In the control room, Omega Sentinel tries to regain control of the station when Rogue busts through the floor asking if Karima has lost every last shred of her humanity. Omega Sentinel says Xavier cut a deal that the X-Men would get to live on their little island but they're too dense and prideful so she'll have to kill them including Xavier who she'll kill last. Kwannon sneaks up behind and nails Omega Sentinel with a psychic knife, leaving the cyborg mumbling and crying in despair. Rogue is about to stomp her head in but Kwannon stops her, telling her that she fried the Sentinel mind and that Karima's human brain was drowning in regret and pain.

Rogue and Kwannon charge at Nimrod but the robot knocks them out with a blast. He punches the just arriving Colossus away and is about to stomp a knocked out Manifold and Magik but Nightcrawler gets to them first and Cyclops blasts Nimrod away from them. Just as Nimrod could kill more X-Men, the killer robot gets zapped by the timely arrival of Storm. With Storm's lightning zapping the main Nimrod, the Nimrod duplicates are affected too, giving the chance for the other mutants at New York and Washington DC to fight back. The main Nimrod is left to face Storm and Cyclops in Sentinel City when Monet and Omega Sentinel fly in. Omega Sentinel (now with regained humanity) begs at Nimrod to stand down but the killer robot refuses to listen. Cyclops and Storm work together to take down the main Nimrod by cracking the armor and frying the circuits. As the other Nimrod duplicates, they are also defeated by Synch, Polaris and Magneto at different places. As Storm watches as the main Nimrod melting away, Monet arrives with Omega Sentinel and Cyclops says Kwannon is showing him what's going on inside her brain. He tells Omega Sentinel to earn this second chance and she, crying, replies weakly, "Call me Karima." Once the battle is over, the X-Men leave the Sentinel City with Eden Fesi before it explodes.

Fall of the House of X #5, 2024

[monsieuroverlord]

Letterless preview pages for Marvel Voices: Pride a.k.a. X-Men: The Wedding Special have been posted.

Main Wedding Story by Kieron Gillen, art by Rachael Stott

Betsy Braddock/Rachel Summers story by Tini Howard, art by Phillip Sevy

Wolverine + crew story by Tate Brombal, art by Emilio Pilliu

Rogue/Gambit story by Wyatt Kennedy, art by Jenn St. Onge

Emma Frost Pre-marriage counseling story by Yoon Ha Lee, art by Stephen Byrne

source here

Personal thoughts:

I gotta say, I'm still feeling incredibly ambivalent about this book.

I mean, a Mystique/Destiny wedding is great! Ya love to see it and its long overdue, but I think this would've been better served as a one-shot alongside the main pride story this rather, rather than in place of it.

Most of these stories sound really fun, like for example: a Rogue/Gambit side story involving a wedding band mishap! That sounds hilarious!

But, for a Pride-centric issue, its really lacking in the Pride department. No one outside of the x-books this year, and even the x-couples are lacking!

I mean, to name a few: Northstar and Kyle, Rictor and Shatterstar, Iceman and whoever he's dating right now (lol), Cerebella and Escapade, Akihiro and Aurora (he's still bi, straight-passing relationship or not), the list goes on!

I don't know, I'm just frustrated. The stories themselves seem fine, its just the branding/packaging that's rubbing me the wrong way, if that makes sense.

Except the Wolverine story. We literally have a confirmed/canon queer member of the snikt fam (who, at bare minimum, has had a flirtation with Mystique as well), and he's still ded :(

Like, if they wanted a Wolverine-centric story, why not have Gabby finally explore her sapphic feelings for that girl on the bus? Let her have a little heart-to-heart with Akihiro, drag Logan to a Pride parade (then, he accidently gets roped into a side quest involving a group of short trans-mascs, ending with Logan buying them a round of beers). My point is, there are ways to add your money-maker character into stories while still respecting your target audience.

I don't know. My feelings are complicated.

[dykedalecooper]

emma frost punisher au?

emma frost punisher au diverges from 616 canon after genosha. in 616, emma returns to the mansion and snaps cassandra nova's neck, who comes back to life and is shot by professor x, presumably killing her. emma then rejoins the x-men as a teacher once again, this time for the xavier institute. in my au, emma doesn't come back to the x-men. she takes the phrase "perfect faberge killing machine" literally- she becomes the punisher.

one of the things i really love about this au is that for emma as the punisher, it really is about the children in a way that it isnt necessarily for frank castle (this is not the place to discuss my punisher opinions but i do have them).

this panel from new x-men #116 is really interesting to me because contrary to jean's argument, emma isn't trying to be magneto when she becomes the punisher. she isn't looking for this widespread social political change. she's not a spearhead for change like magneto or professor x. she's emma frost and she's a diamond. she is by definition her own best friend and she doesn't need anyone else. she's the punisher. there's a very individualist philosophy at the core of emma frost as the punisher that doesn't stop with rejecting magneto or the professor's ideologies. when emma leaves mutant society to become the punisher, what that means is that she will never be a teacher again as long as people are threatening genocidal violence on mutants, because her students will be attacked and she will survive having failed to keep them alive.

because of her diamond form, emma isn't as worried about like. staying alive and out of bodily harm as frank castle as the punisher is- she's practically invulnerable. she's also not as proficent with weapons, and relies on her brute strength in diamond form to compensate. because she's in diamond form so much, she uses her telepathy less. punisher emma using her body as a weapon in a very violent way is really interesting to me because it's a very clear contrast to everything about emma frost and the way she positions herself.

like she says in classic x-men #34, her body is her weapon, and her mind is what she wins her battles with. an emma frost in diamond form being the punisher is using her body and mind in very different ways to the classic emma frost

another thing i love about punisher emma is that she doesn't need body armor because she is the body armor in diamond form, so she just wears her typical emma frost outfits. she also still wears white, so she's just constantly covered in blood. they start calling her the red queen eventually.

[thisisatesttai]

Exceptional X-Men #1 is out and it's very good

Exceptional X-Men #1, by Eve Ewing, Carmen Carnero, Nolan Woodard, and Joe Sabino

So, I knew Exceptional X-Men was going to rock just based on the fact that it's a Kitty Pryde book set in Chicago. I love Kitty Pryde and I love it when Marvel does stuff outside New York, plus Chicago's one of my favorite cities. Also, I can't think of a single comic that isn't improved by having Emma Frost around to do whatever the hell she wants, so, yeah, already sold.

It ended up being better than I expected, though! It felt really personal and focused on Kitty, which was great. I love Ewing's characterization for her; she's different from her New Mutants or Excalibur era, but still feel like the same character, just now with the weight of her years of experience since then. I think the low stakes of this issue -- it's basically about her cancelling a date -- made for a unique break from what you expect from the genre.

(Also, glad to have it in writing that Kitty is bi, that's been "kinda/sorta" canon for basically the entirety of her existence.)

I really liked the rest of the cast this book introduces. I think Priti is brand new to this book, which is cool. The mutant Kitty meets, Trista, feels unique, her power is cool, and you get a nice sense of who she is from this first issue. I look forward to seeing more of her!

I also really love the art in this. I've never seen Carnero's work before, but I really like her style. I love how Kitty is drawn -- not a direct translation of Alan Davis's design, necessarily, but, again, clearly the same character. Also, she managed to do something which I'm VERY envious, which is capture the look of Chicago from every exterior and interior shot. There's something about the openness of the frames that is exactly how I picture Chicago.

There's not a lot of Emma Frost in this issue, but I assume she'll be around to recruit Kitty to a new, midwestern X-Men team soon, and based on what she says in this issue, that's a call Kitty's going to reject. I...doubt Emma takes that well XD

Also...

Kitty Pryde plays guitar?? This is distressing for me, personally.

[period-dramallama]

How much worse would "Becoming Elizabeth" be if the two-headed monster known as Fraham had written it?

This ask kept me awake for hours.

The key difference would be that we would go in with zero expectations, so we wouldn't be disappointed, for the most part.

I think Fraham would accidentally make the good decision to not give Tommy S too much screentime. They'd give us Gaston from Beauty and the Beast with a side order of child abuse. That's it. Whereas Becoming Elizabeth spent aaaaaaaages trying to flesh out Tommy S and his insecurities and his terrible judgement and his relationship with his brother.

....and nobody asked for that.

Having said that, Fraham would squander 110% of the benefits of this accidentally wise decision.

What does the show look like? AU below cut. You have been warned.

-Upon the death of Henry VIII, Elizabeth receives a Mysterious Box. The label tells her she must open this box on her 18th birthday. What's inside the box? Watch the show and find out.

-Someone calls Jane 'cute'.

-Jane calls Elizabeth 'a mean girl'. References! Look how contemporary we are!

-Anne Stanhope has a pointless scene of her trying on Katherine's jewels, while topless. Why is she topless? No-one knows.

-For her 16th birthday party, Elizabeth does full Anne Boleyn cosplay. Katherine does the necklace thing but doesn't tell her to change. So.... it's still pretty obviously AB cosplay.

-Elizabeth Hates Sewing and wants to be a Leader so Robert Dudley gives her secret sword-fighting lessons. Shippers are torn between thinking this is cheesy and stupid, and the need to have Content.

-While hunting, Elizabeth accidentally shoots a peasant. Robert helps her bury the body in the woods. It's a Serious Moment for Elizabeth's Journey. So naturally it's never referred to ever again.

-The scene where Katherine discovers the truth about Tommy S and Elizabeth is... more graphic.

-Katherine has a graphic C-section.... and survives. Syke! She dies offscreen of a post-partum infection anyway.

-Mary Seymour dies as an infant... because Tommy S got drunk and dropped her down the stairs.

-John Dudley is a full-on Trump expy. He's racist to Pedro for no other reason than to signal he's No Good Very Bad.

-Alternatively, John Dudley is a Male Feminist who Leans In and Respects Wamen and tells Robert that his girlbossery comes from following his mother's example unlike his father Edmund Dudley who was a Useless Loser Who Got Beheaded. This clumsily foreshadows that John will one day be the Useless Loser Who Gets Beheaded.

-either way, we still don't get Jane Dudley.

-Mary chokes on a communion wafer and is saved by Pedro, because he's a Civilised Spaniard who knows something the Backward English don't know. (Basically the Heimlich Manoeuvre.)

-John Dudley tells Mary "we've had enough of your popish paraphernalia!" This line is so clunky and difficult to say that it becomes a meme.

-In their confrontation in the woods, Mary and Elizabeth get so angry they start to duel. It's surprisingly well-choregraphed. "Romola Fencing Champion" trends on Twitter. (Alicia is also pretty good).

-The duel descends into the two women rolling around in the mud and fighting. This sparks Discourse. Was it kinky accidentally, or on purpose?

-In their director's commentary of the scene Emma Frost calls the fight "their Anakin and Obi-Wan moment". She says this over a shot of Mary trying to crush Elizabeth's windpipe with her thighs.

-Edward's disease uses up presumably a large chunk of the special effects budget. He bleeds from the nose, eyes, mouth, and ears. Oliver Zetterstrom in an interview says this was his favourite bit to film because of course it was.

-John Dudley is so desperate for Edward to survive that he chooses black magic. Pentagrams, chanting, candles, sacrifices, the works. A black cockerel is sacrificed and John Dudley is sprayed with blood. Some members of the audience are kind of into it.

-Despite England being too backward for the Heimlich manoeuvre, Henry Grey performs mouth to mouth and CPR on Edward.

-No sign of Frances Grey, it goes without saying.

-Edward is dying and Elizabeth has just turned 18. Time to open the Mysterious Box! Inside are two canopic jars and a letter. The letter is from Henry VIII. He tells her that Anthony Denny is tasked with sending her the Mysterious Box. Henry says he has had a prophetic dream revealing that Elizabeth has been Chosen. He apologises for dismissing her because she was a girl and her mother was a Wicked Slut. She must wait for Edward and Mary to die as it has been foretold, then she will be Queen and preside over a Golden Age. After his death, the canopic jars will be filled and given to her as proof of his faith in her.

And what's inside the canopic jars? Why, the heart and stomach of a king! And of a king of England, too!

The End.

[excelsiorfics]

Preview unavailable at this time, please refresh the page.

Date: July 6, 2022 Author: JamieGaylePiff Rating: Teen Word Count/Status: 1,364, complete Dynamic: Jessica Vale & Sarah Vale, Jessica Vale & Melody Guthrie, Jessica Vale & Noriko Ashida Characters: Jessica Vale, Melody Guthrie, Sarah Vale, Noriko Ashida, Emma Frost, Megan Gwynn Tags: (Past) Major Character Death, (Past) Child Death, Alternate Universe - Twins, Canon Compliant, Krakoa Era (X-Men)

Summary: There is a bus, burning. There is an egg, hatching. There is a girl, watching.

[scottxlogan]

Emma Frost/Scott Summers Master List

One Shots/Short Stories

I Should Have Known Better  (Scott/Emma, Tony/Emma, Rating T) On Emma’s wedding day to Tony Stark, Scott decides to stop the wedding and tell Emma his true feelings for her.

Strange Bedmates (Pairing: Scott/Logan, Scott/Emma , Rating T)  Scott wakes up the morning after his bachelor party only to discover the person beside him is not his bride-to-be.

Wish Upon A Star (Scott/Emma , Rating T) Post AvX: Scott finds himself reflecting on all the changes to the world around him after the X-Men fell apart and the world changed. The one constant still in his life is Emma against the odds, whom Scott is still very much in love with, yet finds himself wanting to do what is right by Emma no matter what the cost to his own personal happiness. Beneath a shooting star Emma and Scott find a moment to claim as their own before the world comes crashing down around him and reality shatters the possibility of what if.

The Better One Series

The Better One (Pairing: Scott/Logan, Scott/Emma , Rating M)  Emma ponders the intricacies of Scott and Logan’s ‘relationship’ behind closed doors with one another and rationalizes why she’s far better suited for Scott than Jean ever was. *slash*

Temptation (Pairing: Scott/Logan, Scott/Emma , Rating M) Scott’s overwhelming obsession with Logan pulls him outside of himself lost in an unavoidable hunger and desire when he finds himself wanting to embrace desire. (Scott’s Point of View)

Multi-Chapter Stories

Scott Summers/Emma Frost

Back To You (pairing Scott/Logan, Scott/Emma Rating E) When a mission goes sour and leaves Logan in trouble, Scott and Emma enter into a dark place to try to bring Logan back to them. Will their mission be successful?

[samasmith23]

Damn! This Elseworlds Marvel WHAT IF? one-shot certainly elevated Kitty Pryde & Emma Frost’s normally hilarious rivalry to a much darker & disturbing level!

From What If? Astonishing X-Men (2009) #1 by Jim Mccann, Matteo Casali, Kai Spannuth, David Yardin & Mike Getty.

[smashpages]

Marvel has shared more details on X-Men: The Wedding Special #1, which they announced in February. Serving as their Marvel’s Voices: Pride one-shot for this year, it’ll not only feature a main story focused on Mystique and Destiny renewing their vows by Kieron Gillen and Rachael Stott, but also several other related stories featuring the X-Men, including:

A Betsy Braddock and Rachel Summers adventure by Tini Howard and Phillip Sevy, which pits them against Opal Luna Saturnyne. “Just about everyone in the Marvel Universe is invited to the vow renewal… except for Saturnyne. And she’s not happy. But why is she taking it out on Betsy and Rachel?”

Tate Bombal and Emilio Pilliu will make their Marvel Comics debut with a story starring Wolverine, Anole, Pixie, Indra and Bling searching for the perfect wedding gift everywhere from the Savage Land to Limbo.

Rogue and Gambit are tasked with delivering the wedding bands in a story by Wyatt Kennedy and Jenn St. Onge.

Mystique and Destiny receive some pre-marriage psychic counseling courtesy of Emma Frost, as told by Yoon Ha Lee and Stephen Byrne.

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(cover by Jan Bazaldua)