#Emma Lesser

[badmovieihave]

Bad movie I have Music and Lyrics 2007

[krookodyke]

if you cannot handle mean dykes then DON’T WATCH EMMA SELIGMAN MOVIES FUCKHEAD.

[the-physicality]

Toronto certainly had success this season. They had the most favorable draft conditions being gifted Natalie Spooner in the fourth round, and the second overall pick in the draft. But there's been vocal concern among other teams in the league that Toronto has leveraged information that could be considered a conflict of interest in having access to medical records, fitness testing, and scouting reports collected by Hockey Canada for Team Canada. Toronto's staff obviously utilizes this information for the formation of Team Canada, but that knowledge being transferred to Toronto is the concern from other teams. It was noted at the 2023 Draft that Toronto staff were using laptops with Hockey Canada insignia on them. It's a concern making its way around the league among staff.

x

[mermaidsirennikita]

One reason why I think Mila Finelli's mafia books do work for me better than most other (Italian--I did really love Kresley's series) mafia romance novels I've read is that the characters do feel DISTINCT and so do the relationship dynamics.

In a lot of these somewhat darker, more erotic reads, you do get the sense that any of the characters could be switched out for one another. The heroes are always the same types of alphas, the heroines are always the same types of a) virgins or b) defiant rebels who may also still be virgins, and what really sets the books apart are a few bananas scenes here and there, and some distinct sex scenes.

And while I definitely think there are distinct sexual dynamics and kinks at play with each couple (Fausto/Frankie are obviously daddy kink-central, Enzo and Gia are.... generalized freaks with some heavier BDSM by way of CNC vibes, Giulio and Alessio also have some D/s vibes but with a more competitive edge and are very into each other's violence, and Giacomo/Emma are obviously a breeding kink/softer touch vibe) they're also just super different people.

I guess the closest couples would be Fausto and Frankie and Enzo and Gia, but even then... Fausto is a dick, but he's more rational, more doting (see: daddy), and though Frankie is absolutely defiant and strong, I actually think that though she and Fausto have more of a traditional partnership in terms of gender than Enzo and Gia (which also could be because Frankie wants a billion kids and yes she has her MBA but she's very much a wife and mom first, whereas Gia is more about her career, which keeps them from being too similar). Enzo and Gia are more into the defined D/s shit sexually, but you get the sense that she has more control in the relationship and that, at the end of the day, he is very much... her bitch. Enzo and Gia have a very similar age gap to Fausto and Frankie, but Fausto and Frankie have more of a care-focused DD/lg relationship, whereas Enzo and Gia thrive on the friction of her giving as good as she gets.

And Alessio and Giulio, aside from the obvious of being the only queer relationship in the series, are very much coded as D/s as well... But not as inflexibly as the previous two couples. Aside from them switching it up in the bedroom a little, there's also a lot of space for Alessio to take care of Giulio. Like, Giulio kinda doesn't know shit about what he's doing lol, whereas Alessio is hypercompetent (which also makes sense, as Fausto for sure spoiled Giulio and Alessio has been in essentially a different class his entire life). So while Giulio is more sexually dominant, Alessio is really the stronger, steadier, and more threatening partner otherwise. And again, they both really get off on watching each other do what they do best, which is: crime.

I do think Giacomo and Emma have the softest relationship in the series--but it's not so much because she's this kind of babe in the woods virgin (and I will say, I did love that Frankie and Gia were NOT lol) but because Giacomo is just a much more tender guy. Like, yes, Fausto and Enzo both also had loved ones, but I think that because they'd both been running their shit longer than Giacomo had before he met Emma, they had these very set roles. Fausto and Enzo come off as more brutal, and honestly more crazy (like, Enzo is THE CRAZIEST for sure, but Fausto is a fucking nutball). Giacomo seems like a dude who's good at killing people and doing mafia stuff, but it's really like? His day job. It's not his life and it doesn't feel like his culture, even, which makes sense because he was on the fringes of the types of levels Fausto and Enzo have always been in, because his father and brother kept him separate from it. Even Giulio is more connected to that space than Giacomo, because he was groomed to take over for years.

I think it would be very easy to rely on these great sex scenes and wacky plots she writes, but the thing that does make it clear that Mila has the chops (.... and it also makes it clear that she's very experienced, lol, and someone who has had to write series with very individualized characters for professional editors in the past........) is that the characters are very DIFFERENT. Like, Frankie and Gia may both have their partners' balls in their pockets, but you see Frankie do a wheedling kind of little girl pouting thing to get her way with Fausto because she knows he looooves it, whereas Gia is like LISTEN UP ASSHOLE with Enzo (and it makes the relationship the best because nobody else can do that with him, Enzo and Gia are the greatest, thanks for coming to my Ted Talk). Giacomo is willing to let Emma go in a way that Fausto, Enzo, and honestly I would say Giulio too after working out some things, really aren't okay with. He's probably the best guy out of the series, on a moral level, while also being a scary murder man.

(Except for maybe Alessio? Because Alessio is also a scary murder man, but he literally just does it for the cash or to protect Giulio. It's PURE BUSINESS.)

I find the distinctiveness of the characters really cool, especially when I reread the books, and that is probably why I've had a hard time finding a series that really clicks for me in the same way within the sort of Italian mafia genre.

(That, and: so much of the other books center on Italian-American mafia stuff and that shit DOES NOT HAVE THE SAUCE the way Mila's Italy-set books do. Like, be real here, the Italian-American mafia has not been raking in this kind of cash for DECADES.)

[goldiipond]

something i really really like about ray and isabella's relationship is that ray is never expected to forgive her at the end. it makes sense that the younger kids would all forgive her after she used her position to help them in the return to gracefield because at the end of the day, she raised them in a warm and nurturing environment and did truly love them. ray didn't really get that same treatment though.

im sure ray's feelings about her at the end are complicated to say the least, he understands the horrifying position she had been in since she was 12 and probably relates to that at least a little bit. i like the way he tells her to get over it and come to the human world with them because if he couldn't use death as a way out, he definitely wasn't going to let her do it. (this would have been much more impactful if she didn't proceed to die anyway a little later on but. gently pushes that aside <3)

i don't really think ray's 'no one is holding any grudges' line necessarily means he forgave her though? the kids know that the sisters are all victims of a horribly abusive and oppressive system, and none of them are going to hold that against them even if some can't bring themselves to forgive them for whatever personal reasons. in ray's case specifically as a victim of abuse, i do not think he owes isabella anything. it was the system that forced isabella to raise children for the farm or face death, but her actions against ray specifically were her own, and he has every right to feel a little differently about her because of that.

kill the trope of characters forgiving abusive family members because 'they had no choice'/'they're still family' give me more ray 'i know you were hurt deeply by things beyond your control but that doesn't excuse the pain you caused me' tpn <3

[fullscoreshenanigans]

One thing that I appreciate about TPN is that it never revels in the horror of the act of systemic medical rape that occurs within the farm system, which easily could stray into being very gross and fetishy given how IVF isn't even around for a century by the times canon kicks off, but given the target demographic for the series we're originally confronted by the horror that is the demons commodifying children's bodies for consumption that provides dual upfront‚ visceral terror at the prospect of being impaled in the heart and then eaten, and a haunting‚ lingering despair at the dehumanization they've been subjected to.

(Chapter 181.1)

Dehumanization that turns out to be completely unnecessary with the discovery of the evil blood, but that the ruling class actively works to maintain out of selfish decadence and entitlement. It's something that I appreciate the series being so upfront about, to the point where that commentary overrides my mixed feelings about the anthropocentrism of the demons striving to maintain human levels of intellect as the pinnacle of their existence.

[angelic37]

10 years since... RIPPER STREET "The Good of This City" Written by Julie Rutterford and Richard Warlow. Directed by Andy Wilson. Original air date: 20 January 2013 (insp.)

[always-a-slut-4-ghouls]

I’ll make myself tea, drink half of it, forget it, and then be less sure what i want to do when I find it again three hours later

[sergeantpixie]

top 5 Grimm’s fairytales, top 5 mean girl characters <3

you really get me tbh <3

Grimm's Fairytales:

Little Red Cap

Cinderella

The Robber Bridegroom

The Juniper Tree

The Shoes That Were Danced to Pieces

Mean Girl Characters:

Alison DiLaurentis from Pretty Little Liars

Blair Waldorf from Gossip Girl

Jennifer Check from Jennifer's Body

Chanel Oberlin from Scream Queens

Addy Hanlon & Beth Cassidy from Dare Me by Megan Abbott

[hauntedbythenarrative]

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(a lot of tmi in the tags, just saying)

[bugwat3r]

there is not enough love for Failsafe on tumblr dot com she is so silly and i love her

[multiprises]

The Pilot, Moonhaven, 1.01

Danielle Rudy & Bridget Savage Cole (D), Peter Ocko (S), 07/07/22

Curiosité que ce pilote dans lequel l'héroïne lit Vol de nuit de St Ex, écoute "Ne me quitte pas chanté" par Brel pour se concentrer sur son alunissage...

[defendglobe]

this episode just makes me :( :( :(

[wonder-worker]

"Sveinn’s mother Álfífa, who was called Álfífa the powerful, ruled the most with the king, and everyone said that she spoiled everything and for that reason the people of the country were not in favor of her rule, and so many unfortunate events occurred as a result of her government in Norway that people equated this rule with the age of Gunnhildr, when things were at their worst before then in Norway."

-The Fagrskinna describing ÆLFGIFU OF NORTHAMPTON, first wife or concubine of Cnut the Great, during her tenure as regent of Norway with her underage son (excerpt and translation taken from Women in Old Norse Literature: Bodies, Words, and Power by Jóhanna Katrín Friðriksdóttir)

[hurremsultanns]

One of the interchangeable ghouls running in 2024 is talking up his plan to tie voting rights to passing a civics test & it’s amazing watching people discuss this in neutral terms

ALT

A lot of the response to this is “oh, that’s great, next let’s restore civics education in schools”, but the entire point is that they’re not going to improve civics education. The age range gives a hint: this is a ploy to disenfranchise young voters, by, presumably, demanding they pass a test the state won’t train them for in order to get rights granted by the states. It’s like saying “oh, yes, literacy tests for voting makes sense, it’ll really inspire the South to educate black people”. It uh. Didn’t. And I think many of the people agreeing know that and support it bc it’s disenfranchising, but some seem to just agree bc it’s “COMMON SENSE” and they’re not digging any deeper?

This would be a civics test authored by a far right administration, to be clear. The tests we give immigrants are already propagandistic nonsense, imagine that in the hands of the “slavery taught people valuable skills” crowd

Also, his amendment would allow young people who can’t pass the test to vote if they join the military. This is a “service guarantees citizenship” amendment

ALT

[bethanydelleman]

Something about how Emma Woodhouse must feel a kinship with Frank Churchill because both of them have a sick relation that they must care for that restricts their ability to enjoy their own life, only for her to realize that Frank doesn't take this responsibility very seriously at all, has been everywhere that Emma has longed to go, and that he resents his aunt for the (lesser) restriction, which Emma never does with her father.

Something about how Frank Churchill hides his engagement from his aunt and uncle because he knows they will disapprove but he does it anyway, while Emma tells her father about her engagement right away and considers his feelings above her own, even to the point that she accepts that her wedding will have to be delayed indefinitely.

Something about how Frank Churchill will not do his duty to his father until he has something to gain by it (seeing Jane) while Emma sacrifices her happiness, time, and energy again and again without complaint to the care of her father.

Something about how on the surface, Frank Churchill and Emma Woodhouse seem very similar, but they are nothing alike.