#Emily Lightyear
Explore tagged Tumblr posts
Photo
LETTERBOXD
1. The Batman 2. Everything Everywhere All at Once 3. Prey 4. Triangle of Sadness 5. Barbarian 6. The Northman 7. Bodies Bodies Bodies 8. The Banshees of Inisherin 9. Bones and All 10. Avatar: The Way of Water
Grade A
11. Turning Red 12. The Menu 13. Babylon 14. Hit the Road 15. Cow 16. Watcher 17. Funny Pages 18. Mad God 19. On the Count of Three 20. Armageddon Time 21. Terrifier 2 22. Marcel the Shell with Shoes On 23. Smile 24. Glass Onion: A Knives Out Mystery 25. Holy Spider 26. Aftersun 27. The Fabelmans 28. Breaking 29. Decision to Leave 30. The Whale 31. All Quiet on the Western Front 32. Brian and Charles 33. Piggy 34. Saint Omer 35. Thirteen Lives 36. Men 37. The Fallout 38. Resurrection 39. Causeway 40. The Black Phone 41. Official Competition 42. Nope 43. Guillermo del Toro’s Pinocchio 44. Apollo 10½: A Space Age Childhood 45. Till 46. TÁR 47. Happening 48. A Love Song 49. The Outfit 50. The Innocents 51. Jackass Forever 52. BARDO, False Chronicle of a Handful of Truths 53. Montana Story 54. Three Thousand Years of Longing 55. You Won’t Be Alone 56. The Sadness 57. Halloween Ends 58. Pearl 59. X 60. Vesper
Click "Keep Reading” For My Full List
Grade B
61. This Place Rules 62. Fresh 63. Windfall 64. Kimi 65. No Exit 66. Top Gun: Maverick 67. “Sr.” 68. Farha 69. The Unbearable Weight of Massive Talent 70. Weird: The Al Yankovic Story 71. Nitram 72. Speak No Evil 73. Run Sweetheart Run 74. She Said 75. White Noise 76. Puss in Boots: The Last Wish 77. V/H/S/99 78. The Wonder 79. Women Talking 80. Hatching 81. Soft & Quiet 82. Scream 83. To Leslie 84. Hustle 85. Chip ’n Dale: Rescue Rangers 86. Dual 87. God’s Country 88. Emancipation 89. Vengeance 90. Fire of Love 91. Bullet Train 92. Incantation 93. The Valet 94. Hellraiser 95. Christmas Bloody Christmas 96. Significant Other 97. Cha Cha Real Smooth 98. Lucy and Desi 99. Not Okay 100. A Christmas Story Christmas 101. Blonde 102. Deadstream 103. Sissy
Grade C
104. The Bad Guys 105. The Cursed 106. Empire of Light 107. A Man Called Otto 108. Broker 109. Black Panther: Wakanda Forever 110. The Princess 111. Beast 112. After Yang 113. RRR 114. Fall 115. Jackass 4.5 116. Beavis and Butt-Head Do the Universe 117. Doctor Strange in the Multiverse of Madness 118. Jennifer Lopez: Halftime 119. Lightyear 120. The Pale Blue Eye 121. The Woman King 122. Violent Night 123. God’s Creatures 124. Ambulance 125. Elvis 126. You Are Not My Mother 127. Emily the Criminal 128. Crimes of the Future 129. The Apology 130. The Lost City 131. Wendell & Wild 132. Trainwreck: Woodstock ’99 133. The Found Footage Phenomenon 134. See How They Run 135. Spiderhead 136. Studio 666 137. Bros 138. Spin Me Round 139. We’re All Going to the World’s Fair 140. Paws of Fury: The Legend of Hank 141. Honor Society
Grade D
142. Thor: Love and Thunder 143. Summering 144. Strange World 145. Glorious 146. The Gray Man 147. Devotion 148. Clerks III 149. The Forgiven 150. Enola Holmes 2 151. Father Stu 152. Jurassic World Dominion 153. DC League of Super-Pets 154. She Will 155. The Bob’s Burgers Movie 156. Whitney Houston: I Wanna Dance with Somebody 157. Hellbender 158. Samaritan 159. Day Shift 160. Sonic the Hedgehog 2 161. Prey for the Devil 162. Troll 163. Uncharted 164. Lyle, Lyle, Crocodile 165. Dashcam 166. Firestarter 167. Do Revenge 168. Catwoman: Hunted 169. The Munsters 170. Amsterdam 171. Fantastic Beasts: The Secrets of Dumbledore
Grade F
172. Mrs. Harris Goes to Paris 173. The Bubble 174. Dead for a Dollar 175. Jerry & Marge Go Large 176. Honk for Jesus. Save Your Soul. 177. Infinite Storm 178. Marry Me 179. Don’t Worry Darling 180. Spirited 181. Disney's Pinocchio 182. Alice 183. Black Adam 184. Orphan: First Kill 185. The Adam Project 186. The Invitation 187. Texas Chainsaw Massacre 188. Ticket to Paradise 189. The 355 190. Umma
Bottom 10
191. Green Lantern: Beware My Power 192. Deep Water 193. Where the Crawdads Sing 194. Blacklight 195. Mack & Rita 196. Memory 197. Me Time 198. Death on the Nile 199. Morbius 200. Moonfall
#kane52630#filmedit#top 10 2022#top 10 year#filmgifs#doyouevenfilm#fyeahmovies#moviegifs#cinemapix#dailyflicks#chewieblog#userrobin#userbrittany#mikaeled#useroptional#userlera#userkd#dailytvfilmgifs#userel#userconstance#gifs#the batman#everything everywhere all at once#prey#triangle of sadness#barbarian#the northman#bodies bodies bodies#the banshees of inisherin#bones and all
2K notes
·
View notes
Text
Fall Into Me - Chapter Five: My Whole World Came Alive
dbf!Joel x f!reader
Summary: Joel is hanging on by a thread as a single father to a tenacious 10-year-old Sarah. Feeling like he's drowning, like the world is about to spit him out, he needs some help before he breaks in half. At your dad's insistence, you show up in his life and change everything.
Story is inspired by the song Fall Into Me by Forest Blakk. Chapter titles will be lyrics from the song.
Word Count: 2.9k
Chapter Warnings: Mature, under 18 take a hike. No outbreak AU. Lots of feelings, confusion, and self doubt. Two idiots falling and pining for each other, and finally some progress. Tommy keeps it real. Age gap of about 9 years (Reader 24/25, Joel 33/34). No use of y/n. Reader has a nickname used only by her dad. Emily is modeled after my sister and JB is based on my dad, who used to try setting me up with his younger work buddies when I was in my 20s :)
Dividers by the wonderful @saradika-graphics
Thank you all for reading! Comments and reblogs make me weep with gratefulness.
Some of the tags aren't working in the taglist - if you're not getting the notifications, please check your settings to make sure you are taggable. Thx!
Chapter Four | Main Masterlist
Sitting in Phil’s Icehouse with juicy burgers and drinks – you insisted Joel try a mimosa – conversation flowed between the two of you. Joel found his lips twitching into a smile at nearly every word that came out of your mouth. He was fascinated with the stories you shared of your college years, and he listened, completely enraptured, to your plans for the future. Every bit of your lunch together felt like a date. He wondered if you felt the same, yet he couldn’t find the courage to ask outright.
“Yeah, so, I have a meeting at Sarah’s school this week for a possible position. Remember that interview I mentioned a few weeks back? It went really well and now they want me to meet with the teacher who’s retiring and the principal,” you explained, sipping at your mimosa. “I’m pretty excited.”
Joel’s eyes lit up. He’d forgotten that you were looking at a position at Sarah’s school. “Wow, that’s great, darlin’. This would be for a science teacher position, right?”
“Yep. Middle grade science.” The beaming smile you flashed him nearly blinded Joel. “Wanna know the best part? If I get this job, I’ll have the same hours as Sarah, give or take a bit, so I can continue with the school drop-off and pickup for you. She might have to stay later with me somedays, but it’ll still work.”
Nodding, Joel’s mind was flashing lightyears forward, picturing you calling his house home and taking Sarah to school with you, coming home to have dinner together, watching TV in the evenings. Heart thudding in his chest at just the thought of you living together, Joel shook himself. He had to slow his mind down, put the brakes on those kinds of thoughts until after you were actually dating him, at least.
“You could be Sarah’s science teacher in a few years, huh?” Joel asked, focusing once again on listening to you instead of drifting off into daydreams.
“Could be, yeah,” you laughed. “I imagine she’d be my favorite student.”
He beamed at that. Conversation shifted to other things and soon your meals were finished.
“We should do this again,” you said, glassy eyes meeting his across the table, lips curved in a gentle smile. “I really enjoyed spending time with you, Joel.”
Fighting the urge to grab your hand and entangle your fingers, Joel smiled back. “Yeah, me too.” He wanted to kick himself for not saying more, for not asking you out for a real date. He just couldn’t find his words.
How was it that you made him so nervous?
Joel spent the next week in some kind of weird liminal space between a dream and reality, between agonizing confusion and utter happiness. Lunch with you on Sunday felt like a date – he asked you with the intention of it being a date, even if you didn’t know that yet. He spent the week thinking about that lunch, how you teased each other, laughed, shared stories of your past. How your gazes locked for longer than necessary, touches lingered, the smiles never fell from your faces.
It was wonderful, yet nothing was said of what it all meant – which was his fault, probably. Hence the roller coaster of feelings throughout the week.
He could tell you felt it, too. Doing as Tommy suggested, he started paying close attention to how you acted around him, how you looked at him when you thought he wasn’t looking. It was all starting to come together. He could finally see what Tommy was talking about.
You liked him. You really liked him, Joel Miller, overworked single father.
It was a wonderful feeling, knowing that someone liked him. It’d been way too long since he felt that way, that spark of hope for something more.
For the first time in a long time, he slept well the night before and woke early, eager to face the day and see you before heading off to work. He was already out front, filling a birdfeeder Sarah asked for, when you arrived.
“Good mornin’, darlin’,” he greeted, pulling the car door open for you once you parked in the driveway. His heart skipped a beat at the way you smiled up at him, taking his hand to help you out of the car. Your touch electric on his roughened palm.
“Hiya, Joel.” Your voice washed over him, warm as honey and twice as sweet. “Whatcha doing out here?’
Gesturing to the red barn-style feeder Sarah picked, he finished filling it with the wild bird seed the clerk insisted birds loved. “Just fillin’ our new birdfeeder.”
“Oh, what a cute feeder!” You admired the intricate features as it hung from the post Joel installed. “Sarah has been talking nonstop about birds this week. Hopefully we’ll see some good ones.”
“Hope so,” Joel hummed in return. “Don’t know much about birds personally, but I’m sure Sarah’ll teach me.” Your smile brightened at his sheepish grin.
“I have a bird guide I could give her to help identify all the different types that visit the feeder.” Your face lit up with excitement. “I even have binoculars from when I took an ornithology class in undergrad. I’ll bring them when I pick up Sarah this afternoon.”
“Orna what now?” Joel questioned. He had no idea what kind of class you were talking about, but he loved how smart you were.
“Ornithology,” you repeated, drawing out each syllable with a soft giggle. “It’s the study of birds. It was a really cool class. We had field trips around campus once a week to go bird watching. I got pretty good at naming the different species that we saw, but it’s been a while.”
In awe of you, Joel’s eyes crinkled with the strength of his grin. “Would you, uh, maybe want to go on an adventure with us tomorrow?” he asked, stumbling a bit over his words, a nervous energy welling up in his gut as he once again sort of asked you out. “We could go for a hike in the county park, and you could teach us about birds.”
You gazed at him, lips pursed in thought, for long enough that Joel began to fidget, brimming with recurring doubt. Did he misinterpret the signs after all? He wouldn’t be surprised. He wasn’t any good at this stuff anymore. You responded before he could spiral back into the land of self-doubt. “That sounds great, Joel. I’d love to.”
A visceral relief washed through him. “It’s a date then,” he said, his voice deep and rough while his dark chocolate eyes locked with yours. A satisfied smirk graced his lips as your eyebrows rose in surprise. Too quickly, doubt clouded your pretty eyes, and you laughed it off like he was teasing you. Joel sighed. He would be more direct next time. He’d get the hang of asking a woman on a date again someday. Hopefully.
“We’ll have to go early, is that okay? Birds are more active in the early morning hours,” you explained, heading for the door to find Sarah.
“That’s fine. We’ll make a day of it, grab lunch somewhere when we’re done.” Joel followed you into the house, already plotting out conversations in his head on how to properly ask you on a date.
The rest of the day went by in a blur for Joel and before he knew it, the job was finished, and it was only mid-afternoon when he arrived home. You pulled into the driveway with Sarah shortly after him and he came down from taking a shower to find the pair of you on the living room floor playing a racing video game.
“Hi Daddy!” Sarah exclaimed as he kissed the top of her head and took a seat on the couch. It didn’t take long before Sarah asked him to play as well and the three of you were taking turns racing against each other, laughing when one of you crashed.
There were moments, when your gaze would connect with Joel’s and he’d swear you shared the same thought – this was how it could be if you were together, a family.
“Do you want to stay for pizza? Tommy and your dad are coming over,” Joel asked when Sarah’s attention focused elsewhere.
“We have an early morning ahead of us, Miller. Don’t be up late partying with the guys,” you replied with a smile that reached your twinkling eyes. “I’ll stay for a bit, but then I need to go dig out the old binoculars and get my beauty sleep.”
“You’re already beautiful,” he murmured, watching your eyes widen as you smile demurely.
“You say the sweetest things, Joel.” Your voice held a teasing tone that drove Joel nuts. How was he ever going to convince you that he was serious?
Shortly thereafter, Tommy arrived, pizza and beer in hand. “Come on, Millers! I come bearing gifts. JB here yet?”
“I’m right here, ya troglodyte,” your dad called from the front yard, stepping up the porch steps as Tommy whirled around.
“What the hell did you just call me?”
“A troglodyte. Learned it from Spud and thought it fitting since you don’t close doors behind you.” He winked at you as he teased the younger Miller brother. Placing a kiss on your cheek, he added, “Hey Spud, haven’t seen you in a bit. Must be working too hard. Miller! You workin’ my daughter too hard?”
Joel spluttered. He was too busy gazing at you to pay much attention to JB and feared he got busted. “I hardly think so,” he grumbled, fighting the blush he knew rose to his cheeks.
“Ah, in the same ol’ grumpy mood, I see. Maybe this’ll help.” Your dad placed a 12-pack of Joel’s favorite beer on the coffee table before taking a seat in the recliner he always chose at Joel’s place.
The five of you sat around the living room, eating pizza with beer for the men and sodas for you and Sarah. The conversation revolved mainly around construction work, and you ended up taking your leave before the sun dipped below the horizon. Your dad followed not long after, eager to relax in his own well-worn recliner.
“Alright, nugget. It’s time for bed. We have an early morning tomorrow,” Joel said, swinging the young girl over his shoulder much to her delight. “Say goodnight to Uncle Tommy.”
“G’night Uncle Tommy,” Sarah squealed as Joel tickled her sides.
“G’night nugget.”
Always a good kid, Sarah went right to bed after brushing her teeth, but not before pestering Joel about why they had to get up early on a Saturday. Pressing a loving kiss to her forehead, Joel tucked her in. “We’re going on a surprise adventure. Now, to sleep with you.”
Returning to the living room, Tommy handed him another beer as the brothers watched Sportscenter. “Have you made any progress yet?” Tommy asked.
Matching dark eyes met as Joel shrugged. He knew his brother was talking about you. “Some, I guess. Told ya I took her to lunch on Sunday and that felt a lot like a date. I asked her to go on a hike with me and Sarah tomorrow. I told her it was a date after she agreed, but she thought I was jokin’.” He paused, taking a long pull from the bottle of beer. “Then, this afternoon, I told her she was beautiful and again she thought I was teasing.”
Swirling the bottle of beer in his hand, Tommy shook his head and chuckled. “She’s givin’ you a run for your money, brother. Good on her.”
“Good on her,” Joel mocked, but his tone quickly turned to pleading. “I need more advice. Surely you got something up your sleeve for women like her.”
“Nah, brother. The only way to get someone like her is to be yourself and keep chipping away. It’s clear she has as much self-doubt as you do, so it’ll take her time to believe you’re for real.” Tommy eyed his brother a moment as he mulled over the situation. “Though, I will say this. You need to start bein’ direct – come right out and ask her on a date, for fuck’s sake. Enough hinting at shit. It’s clearly gettin’ you nowhere.”
You arrived on the Millers’ doorstep bright and early the next morning, two travel mugs of coffee and a container of chocolate milk in hand. A pair of binoculars and Sibley’s Guide to Birds were tucked away in the bag you wore over your shoulder.
“Wakey, wakey, Millers! The early bird gets the worm!”
Joel and Sarah were perched at the breakfast bar when you let yourself in, both looking half awake and less than enthusiastic about being up so early on a Saturday.
“Too damn cheerful for this early,” Joel grumbled half-heartedly. His pitiful smile looked more like a grimace, yet you found it adorable. It made you ache to run your fingers through his hair until you drew a real smile from his lips.
“Don’t gimme that. This was your idea, Joel Miller!” you sassed in return, patting his broad shoulders. “Let’s go!”
Herding cats, that was the perfect analogy to describe the next fifteen minutes as you tried to get the Millers moving and into Joel’s truck. Just when you’d get one heading for the door, the other would disappear. Finally, you managed to wrangle them both into the truck and you were well on your way to the preserve. The ride didn’t take long, Sarah peppering you with questions about birds she found in your guidebook as Joel drove. By the time Joel pulled into a parking spot at the entrance to the trails, everyone was wide awake and ready to hike.
The morning was crisp and refreshing as you zipped up your jacket and looked around. You’d never been to this preserve before and wanted to find a trail map, but the mini-Miller was too anxious to wait for that.
“I can hear the birds chirping already, Daddy! Come on!” Sarah exclaimed, charging toward the first trail excitedly.
Joel beamed as Sarah took off, turning to you before following her. “Ready?” He reached out a hand, palm up and fingers splayed, inviting you to grasp it.
Your eyes trailed from his outstretched hand to his heavy gaze, uncertain of what to make of the signals Joel gave off. The feelings you harbored for the man grew stronger each day, yet you couldn’t quite get a read on whether he shared even a fraction of those feelings. Somedays, you thought he did. Yet others, you figured he thought you had a crush on him and found amusing. Your heart sunk on those days, causing the doubt to linger every time he did something to make you think otherwise.
The moment carried on too long, you realized, as Joel’s warm eyes began to shutter, the tender smile starting to slip. Bolstering your nerves, you plunged ahead and grasped his large hand in yours, tangling your fingers with his thicker ones. His hand was warm, skin roughened from years of working with his hands, and it felt wonderful against your smoother skin.
Heat flashed up your chest and neck as Joel led you down the trail to catch up with Sarah. A broad smile never left your lips as you walked.
“I meant it, you know,” Joel’s deep, gruff voice rumbled from deep in his chest and you glanced up to meet his gaze. “What I said yesterday, about this being a date. If that’s something you’re interested in.”
Heart thumping wildly, your mouth opened and closed a few times before you found your words. “Are you sure? I mean, yes. Yes, I’m interested.” You winced at how flustered you sounded, tripping over your words. And, worse yet, why was your voice so squeaky?
“Never been surer in my life,” Joel confirmed, his gaze searing your skin as he watched you, taking in every minute change in expression. His hand squeezed yours gently, steadying the butterflies in your stomach.
“I would really like that,” you replied breathlessly, relieved to finally have confirmation that the moments between you and Joel weren’t all in your head. You were on Cloud 9 until reality smacked you in the face. “But what about my dad?”
Sarah popped around a copse of live oaks, startling you both from. “Come on, you slow pokes! The birdies aren’t gonna wait all day for us to find them!” Not trusting you both to follow her on your own, the little girl latched on to your hand and pulled you along the trail. “You need to help me find the birds,” Sarah reminded you.
Joel’s hand still clasped in yours, you dragged him behind you, grinning over your shoulder at him. “I’m liking this date already, Joel.”
He beamed back at you. The three of you walked in silence for a bit, listening to the sounds of nature around you. When you spotted a bird blind, you handed Sarah the binoculars and the guidebook, challenging her to identify as many birds as she could from that spot. Joel stood next to you, watching Sarah enjoy the activity.
“Let’s see where this goes first before we worry about your dad,” he murmured. “I’d like to take you on a few dates first, okay?”
It made sense and you nodded, pleased at the way things were working out. Your hand remained in Joel’s throughout the birding adventure and though Sarah never mentioned it, her smile grew wide at the sight.
tbc
p.s. we should start building up to the good stuff in the next chapter.
Taglist: @mellymbee @untamedheart81 @anoverwhelmingdin @runningmom94 @leilanixx @pedropascalfan221 @lovelyjess69 @sarahhxx03 @sofiparallel @tammythr @lulawantmula @islacharlotte @allyourfavesinoneblog @lover-of-books-and-tea @pedropascalsbbg @ashleyfilm @brittmb115 @lilmizmoz @loveisacowboyyy @shotgun-shelby @deninoe @casssiopeia @caitlynsixxx
#joel miller#joel miller x reader#joel x female reader#the last of us#tlou#dbf!joel#Fall Into Me#pedro pascal#eventual smut#mutual pining#idiots falling for each other
320 notes
·
View notes
Note
https://x.com/BrndnStrssng/status/1842248577587753431?t=i9wanxNVCyt8uG_82_RVaw&s=19
When Mar showed me this the other day I rolled my eyes. Okay, let’s break this down…Chris reportedly was paid $20M for this movie, a Christmas movie was on his bucket list, and correct me if I’m wrong, but wasn’t Shanna a Dwayne fan? I don’t think it takes a genius to figure this out.
The problem is that his last movies were a goofy romcom with action sequences, and a movie that will be forgotten. I will die on this hill that his performance in Pain Hustlers was solid, but Emily’s was questionable.
Before Ghosted we had TGM and again solid performance, forgettable movie. Lightyear, financially it wasn’t a success, but it’s critically a success and I enjoyed it, but I also knew it wouldn’t do as well as Disney/Pixar wanted it to.
And prior to that were a few cameos but then Defending Jacob. I think that people are forgetting some things. Obviously we’re all aware that Ghosted and PH didn’t do great for various reason, and now he’s got R1 which isn’t a high brow movie (man 2022 was rough for picking and filming movies 🥴)
I’m going to wait and see what he brings to Honey, Don’t, Materialists, and Sacrifice. I’m not judging him on subpar projects, every actor does them. And I don’t think Red One looks bad by family action Christmas movie standards.
39 notes
·
View notes
Text
So, basically according to TA... What the fans "want":
A well written story;
Likable characters with a tangible character growth (no resets);
Sympathetic villain (wants to bring Emilie back for Adrien's sake);
Main couple has chemistry in all versions of themselves (Marinette/LB has feelings for CN unlike in the show, Marinette can actually talk to Adrien, and he's in love with "the girl behind the mask" not just LB);
Ladybug and Chat Noir being equals and working together to defeat Hawkmoth;
Adrien standing up to his father and telling him how he feels;
Chat Noir being in the final battle against his father!;
"Ladybug doesn't exist without Marinette", her powers are not what makes her special;
Gabriel's love for his son being more powerful than his hatered for Ladybug and Chat Noir;
Marinette and Adrien know each other's identities before getting together (no lies);
The heroes winning in the end and saving the world.
-
What the fans "need":
Thin-as-air badly written story full of retcons;
Obnoxious female lead with obsessive stalker tendencies (that are rewarded at the end);
Male protagonist that is not allowed to take charge of his situation and is nothing but a trophy for the female lead (TA described Adrien as being Marinette's "Ken", so... he's canonically just an accessory for her character. That's... nice...);
Badly written villain (inconsistent as the rest of the plot, they wanted him to be sympathetic, but ends up coming across as just selfish, then downright deranged in s5);
Unhealty dynamics (Marinette stalking Adrien, CN not taking "no" for an answer, pictures of their person of interest on walls and pc) and there's only interest for one of their personas, Marinette-> Adrien, Adrien-> Labybug (Marinette is not interested in CN and Adrien doesn't show romantic interest in Marinette up until s5);
"I don't need Chat Noir for every mission. He's just like any other temporary holder". LB is the only leader (everybody is beneath her, even CN);
Chat Noir (one of the titular characters) not being in the final battle against his own father;
Adrien never learns the truth about his family or himself, meanwhile Marinette does (thus having more power over him... once again.... *cough* Chat Blanc) and still dates him;
Marinette has all the power, she's the bestest ever and she can do everything by herself (CN not needed);
Villain wins, destroys the world and recreates it to his desires;
Ladybug fails as a hero.
You know what? I'm pretty sure no one "needs" that. I'll stick with the movie. Sure, it's not perfect, but it's lightyears better than the show.
#the only thing I'm keeping from the show is the Hawkmoth and Mayura era#the gabenath dynamic#nathalie being a relic hunter#and plagg#the rest is dust#miraculous ladybug#miraculous the tales of ladybug and chat noir#miraculous awakening#the writers for the series should be embarassed#ml critique#escaping thoughts
233 notes
·
View notes
Text
I swear dead girl media (tm) is a thing but I was having a hard time thinking of examples so here’s a list
Marvel’s Runaways (Amy)
Ducktales 2017 (Della)
Big Hero 6 (Tadashi, it doesn’t have to be a girl)
Raya and the Last Dragon (Sisu isn’t properly dead but people thought she was)
Miraculous (Emilie)
Lightyear (Alisha)
Secret Invasion (Maria)
Into the Spiderverse (blond Peter)
Proxy (Marie)
Hawkeye (Natasha)
The Dragon Prince (Harrow)
Dead End: Paranormal Park (Jennifer Swan)
Timeless (Amy and Jessica)
Dead girl media (tm) is not my original terminology. It describes a piece of fiction in which the world, characters, conflict, and/or general premise are all shape by the (presumed) death of a supporting character — usually a woman — before or early on in the events of the story
#cw death mention#runaways#marvels runaways#ducktales 2017#big hero 6#raya and the last dragon#miraculous ladybug#secret invasion#secret invasion spoilers#into the spider verse#proxy series#hawkeye show#timeless#feel free to add on
52 notes
·
View notes
Text
Pixar Movie Reviews
I’ve watched, reviewed, rated, and ranked every Pixar film with the exception of Elemental, which I haven’t seen yet, and all of my reviews will be in this blog. The blog will go in chronological order, starting with Toy Story and ending with Lightyear.
I’m sure my interpretations will not be unanimously agreed upon, and that’s ok. These all just my opinions and I respect other opinions as long as they respect mine.
Key:
Pink: Transcendent with no significant issues
Purple: Has one main problem holding the film back, but still excellent
Blue: Great but not mind blowing
Green: Good but not great
Orange: Above average despite its problems
Red: Pretty average for the most part
Black: Below average or bad
Toy Story
A classic staple of animation, and it’s easy to see why. While a lot of the ideas in this film are pretty dated by today’s standards, the film still proves to be pretty engaging with a lot of the humor, character arcs, and heartwarming moments. Buzz and Woody have a very entertaining dynamic and it’s refreshing to have a protagonist that’s as morally flawed as Woody is. Many are bothered by Woody’s behavior and think he’s too harsh, but honestly, I have the opposite problem. I think the main flaw with this film is the other toys. They’re not infuriating, but a lot of their actions are pretty one note, inconsistent, and dare I say harsh considering what the movie shows us regarding Woody’s character. It’s not a major issue but it does hold this film back for me. There’s also a lot of cliches in this film but again, that’s expected because these ideas were fresh at the time. It’s by no means a perfect film, but it’s definitely a must see for the history.
A Bug’s Life
This film is considered pretty mediocre in the Pixar line up, and it’s definitely one of their weaker films. That being said, I still like this film ok. I think I really like the premise for how dark it kind of is, with the ants having to pay to a higher power and fighting back for it. I also really like Dot. Very cute and sweet, even when Flick, a pretty typical protagonist, fails. Hopper is also an AMAZING villain. He’s very intimidating and brutal in such an awesome way that still fits the story. So what holds this film back? Well, the story itself is kind of hard to buy. Flick believing the circus bugs are warrior bugs is really contrived and silly, and it’s such a forced liar revealed plot line. Liar revealed plot lines are among my least favorite plot lines and this film’s use of it is atrocious. It’s really unbelievable that the town would shame Flick for lying when the bugs were being so helpful toward the town. Also, I hate Princess Anna. She’s so rude and annoying and I hate that she ends up with Flick by the end. They have no chemistry and Flick deserves better than her. It’s not a must see at all, and I don’t know if I’d say I recommend it, but if you want to see it, I think there’s some good stuff to get out of it despite it’s major problems.
Toy Story 2
This film is such a huge step up from Toy Story 1. In fact, I’d argue this was the film that really cemented the Toy Story franchise into fame. It’s honestly one of the most polished films I’ve ever seen, and probably the best sequel film I’ve ever seen as well. The humor in this film is honestly among Pixar’s best. There are a wide variety of jokes and I don’t think a single one misses. The heart behind this film is also very strong. It’s a really heartbreaking follow up about Woody’s realization and fear that he’ll eventually be replaced, and wanting to avoid that heartbreak for the interests of the other toys. Speaking of which, Jessie, Bullseye, and Pete are all very charming characters. Bullseye is adorable and I love how he acts like a dog. He often serves as someone who makes Woody truly doubt his actions. Jessie is also very interesting. Her whole story with Emily is very sad and all of her PTSD with abandonment is really sad. It’s really heartwarming to see her find family again with the rest of Andy’s toys. Pete is also a pretty good villain. I love how manipulative he is of Jessie and Woody and seeing him lash out is really intimidating. I also love Buzz and the other toys in this film. They all have a decent amount of highlight in the rescue mission and I love the role reversal they pull with Buzz trying to bring Woody to reality. The other Buzz character and Zurg are also pretty fun, even if it is a bit odd that toys didn’t suspect that he was off, but it’s not totally unbelievable. This film has so much heart and variety that I think everyone would find something they love about it.
Monsters Inc
This film is one of the most famous Pixar movies to date and it’s easy to see why. The worldbuilding is really creative and interesting. I like seeing a lot of different monsters that vary in style, personality, and ability. It’s also cool to see the film set in a factory like setting and have it be really interesting. The main characters in this film are very strong. Mike and Sully have a great dynamic and they share a lot of iconic and funny lines. This film honestly has amazing humor, definitely among Pixar’s best. Randall is a pretty menacing threat and a good representation of a coworker having a bitter rivalry for a promotion. And Waternoose is honestly the best twist villain in animation I’ve ever seen. You don’t expect it because you already have Randall as a villain, but at the same time, it makes sense that he would be so adamant about harming children with how fixated he is on keeping the company running. He’s an amazing representation of corrupt CEOs who do immoral things to keep profits coming (*cough cough* pretty relevant in this day and age *cough cough*). Boo is adorable and her bond with Sully is so charming and sweet. I also really love the romance between Mike and Celia. There are a couple of story contrivances that bother me and prevent me from calling it a perfect film (the scene where Boo escapes the door for the first time in particular has a lot of that), but this film is still a lot of fun and definitely worth quite a few watches.
Finding Nemo
This movie is considered a classic among Pixar films, and while I can’t say I love this one as much as others, I do think it’s pretty great. The underwater world is absolutely gorgeous, the overall theme about disabilities and being protective over them is really beautiful, and the adventure is really suspenseful and great character development for Marlin. I loved Dory’s character and how she helps Marlin see the fault in his actions. She has a lot of great inspirational lines that are still well used to this day. Nemo and Marlin have a pretty realistic child and parent dynamic that escalated well to the main conflict. Darla is pretty funny threat that’s realistic for the fish to be scared of. The comedic moments are hit or miss for me, but the ones that hit are very funny. Also, this is a film I blocked out from memory because a lot of the imagery scared me when I first saw it when I was younger, particularly Hank chasing Marlin and Dory and Nemo getting taken away by the divers. Even watching this now, I’m still shocked by the amount of scary imagery in this film. It’s kind of weird when coupled with some of the more juvenile (but not super obnoxious) humor. I’m also not a huge fan of the tank gang, even if they do have a lot of good jokes. I still definitely recommend this film, as I’m sure my issues with it are not very common because many rank this as one of Pixar’s best and I can see why.
The Incredibles
Wow this film is…incredible (haha funny pun). I love how it takes the concept of a family of superheroes and plays it realistically. The dialogue in this film is very natural. The interactions between each of the family members feel authentic, and it gets you invested in each of their personal hang ups. The whole idea of society banning superheroes is really interesting and it definitely helps capture the “midlife crisis” and “glory days” vibe the film is going for with Bob. I imagine a lot of older audience members will relate a lot to both Bob and Helen with their struggles about an unsatisfying job and trying to raise their kids the best they can. I also really like Violet and Dash. They aren’t as well fleshed out as the parents but they still feel like real kids who are struggling to adapt to the world around them, especially a world where superheroes are illegal and villains want to kill them. Syndrome is a really strong villain as well. I like that he’s so bitter about Mr. Incredible ignoring him and his technology and plan make him feel like a major threat. The action is well blended with the drama of the main story and is really engaging to look at. There’s also a lot of memorable side characters like Edna Mode, Frozone, Cari, Mirage, and many more. This film is just all around very sophisticated and I definitely recommend it.
Cars
This film is often considered to be mediocre in Pixar’s lineup, and yeah, that’s definitely true. The worldbuilding is easily this movie’s biggest flaw. A lot of this world just feels like “human world but everyone is a car”, and the world definitely has a couple contradictions. It leaves a lot of questions for people watching this film and it can distract from the main story. The story itself is alright though. Lightning learning to be less arrogant isn’t the most amazing arc in the world, but it’s fine for what it is. And I can appreciate some love being shown for Route 66. I don’t think the romance between him and Sally is that well developed though. The side characters are kind of a mixed bag as well. Mater is really annoying, and a lot of the other side characters are just kind of forgettable and occasionally annoying. I do like Doc and King though, as they were interesting and charming whenever they were a focus. Chick Hicks is a passable and funny villain, even if it’s odd that the physical sabotage wasn’t really prohibited mid race. The two best things in this film for me are Life is a Highway, an AMAZING song, and the ending where we see Lightning’s arc wrapped up in a pretty satisfying way. This film is definitely flawed in a lot of areas, but it does have some charming moments. Not a must see but not a must avoid either.
Ratatouille
Fun fact: before doing this Pixar marathon, I had never seen this film before. And GOD do I wish I saw this sooner because this film is beautiful. It’s among the most thematically rich films I’ve ever seen. I love how the film puts a twist on the theme of “anyone can cook.” The critic makes it known that not everyone has the capability to cook, and the film further shows this with Linguine, who was trying to be someone he wasn’t and felt the need to live up to his family member’s legacy. Instead, they make it known that a great cook can come from a wide variety of backgrounds. The ending is easily the highlight in this regard with how it brings these themes together. Easily the best ending to any Pixar film. On top of that, this film really helps you love cooking so much through the amount of passion the characters, particularly Remy, have for it. I kept feeling hungry throughout this film when I watched, which was enhanced by the beautiful animation. And the side characters in this film are also very funny along the way, with a lot of their jokes being very subtle yet still able to be picked up on. The intro definitely bored me a little bit, but considering the differences in lighting compared to the rat sewers and Paris, I’m guessing that was intentional to show how Remy hates being a rat. If so, I applaud this film for it’s very good visual storytelling, along with everything else about it. It’s a very mature film that not everyone would find engaging, but it’s definitely a very well written and thought provoking film that I urge EVERYONE to see.
WALL-E
I see so many people consider this film Pixar’s best, and after seeing it for the first time, I can definitely understand why. The first half is absolutely beautiful with the amount of wordless storytelling about WALL-E, EVE, and Earth in general. Seeing WALL-E and EVE bond is very touching and adorable, and it also provides a decent amount of slapstick humor. I love the overall environment of Earth and how desolate and ruined it is. The second half is often considered to be weaker, but I’d argue it’s just as strong as the first. While there certainly isn’t as much wordless storytelling, there is still a lot of it. We see how lazy and dependent humans have become after leaving Earth, especially in their body mass. There’s also that beautiful scene of WALL-E and EVE dancing in space, and we also see a lot of different robot characters that vary in personality and humanity, in which Otto, the villain robot, has no sense of humanity and is merely following his prior orders. And the captain’s line “I don’t want to survive, I want to live” is among my favorite lines of dialogue in anything. While this film can definitely be pretty slow at points, this film is an incredible cautionary tale about environmental issues and global problems in general. I think this film will always continue to be relevant no matter what situation humanity faces. Definitely watch this one if you haven’t already.
Up
Out of every Pixar film, this one is easily the most overrated to me. The theme about remembering the small moments with people rather than the grand ones is a great moral, but the film doesn’t have a great connective tissue to the message. All it has is the first 10 minutes (which is nice but pretty overhyped imo) and the callback to scrapbook before the climax. The whole bird adventure is technically fine but I found it pretty boring for most of it. I guess it’s meant to be a reflection of how the smaller moments (protecting the bird) are more meaningful than the larger moments (going to Paradise Falls), but I feel like there could have been a more engaging way to execute that idea. I also didn’t like most of the characters. The dogs are cute and funny, but Russell and Carl are kind of eh. They are relatable and have some good moments, but they also have a lot of irritating moments. The villain is definitely one of the better twist villains due to how early his reveal is, and I like that he’s an antithesis about desperation for adventure, but other than that he’s not very engaging or interesting. This film is pretty great in a lot of ways, but it’s definitely not top tier Pixar, nor is it a film I’m in a hurry to see again in general.
Toy Story 3
I don’t this film is quite as perfect as Toy Story 2, but it is still an absolutely fantastic entry to the Toy Story franchise. The progression about the toys moving on from Andy is a really natural and emotional progression to take. I’m sure this was an emotional film for people attached to the Toy Story characters and/or those who related to the big change that moving to college is. The denial over growing up is a very realistic feeling to have and it causes a lot of emotional weight for the toys, as they realize Andy does really care about them despite having outgrown them. The daycare setting is pretty fun and I love the variety of toys we meet this time. Barbie and Ken, Lotso, Big Baby, the monkey, the telephone, the toys at Bonnie’s house, and even some of the background toys are really memorable. And the rest of Andy’s toys get a decent amount of highlight as well. Lotso is a very effective villain who is a great foil to the other toys about moving on from their owners. The way he manipulates and takes control is especially scary. If I had any complaints, I do think it’s a bit odd the toys don’t believe Woody when he said Andy wasn’t abandoning them, and I wished Buzz had a bit more going on than being essentially mind controlled for half the time, but this film is still a lot of fun and deserves the love it gets.
Cars 2
I think it’s no surprise to say that this film is Pixar’s weakest. And it’s astonishingly bad considering their line up of films beforehand. The whole plot is very forced. The racing and spy elements don’t blend well at all and making Mater the main star is very annoying. The spies act unreasonably stupid for the plot to go anywhere and most of Mater’s jokes are very bad. The reveal behind the villain is also very confusing and makes no sense considering the context of the rest of the plot. There are also confusing world building elements that are mainly left over from the first film but they are still annoying. The whole friendship message is pretty cliche and is not a very good match with the spy plot. Lightning is also uncharacteristically sympathetic towards Mater for half of the film out of nowhere. This film does have some positives with a couple of very good jokes that land as well as some somewhat heartwarming moments from the side characters, but overall, this film feels like such a mess that didn’t need to be made at all. I recommend you skip it.
Brave
Yeah this film kind of sucks. It doesn’t really piss me off that much but it just feels very cliche, boring, and predictable. It feels more like a low tier Disney movie rather than a Pixar film. The story is very uninspiring and the characters are the most unlikable and bland out of all the Pixar movies. Merida is such a brat, which is definitely the point of the film but the execution of her arc is very sloppy that it doesn’t feel satisfying when she learns by the end. Eleanor is also very obnoxious and Merida’s little brothers are useless and don’t fit the film’s darker tone very well. The animation is also pretty poor. The lighting is unusually dark to the point where I can’t see a lot of the time. It’s unfortunate because this film starts off well with a cool mystery in the forest, and it has great music and an interesting setting. Not to mention that the archery moments are really badass and cool. But those attributes sadly just make me notice the poor story and characters more. To me, this film had a lot of potential to be very mature and artistic but it’s cliche and forced story beats make it very bland. I don’t recommend this film.
Monsters University
Out of every single Pixar film, I think this one is the most underrated. This film really adds a lot to the world building about the science behind scaring works and how doors are made. It’s really cool. Mike and Sully also have a very entertaining dynamic between the hard worker who just wasn’t meant to be a scarer and the coaster who is relying on his raw skill and family name. I like these two separate character dynamics. They are pretty realistic to many people in college. The overall mature theme of dreams sometimes not coming true is also beautiful. It’s really refreshing to see things not work out perfectly for Mike, even though he really wanted to scare. Sometimes dreams aren’t meant to be, but it doesn’t mean you can’t find happiness in other ways, like Mike eventually realizes by the end of the film. The climax is also very epic. A lot of emotional moments between Mike and Sully and both of them feel like very flawed characters who learn a lot about life through college and their mistakes. This film is a lot more mature than you would expect! The scare games plot is definitely the weakest one, as it has a lot of cliche, forgettable, and sometimes annoying moments with Oozma Kappa, who aren’t awful but they’re definitely not super interesting. I like that they included an adult in college though, as that’s rare. But the scare game plot also proves to be pretty satisfying in the success and some pretty solid jokes. Honestly, I definitely recommend you check out this film. I feel like people are sleeping on how great this is.
Inside Out
God…words can’t describe how much I adore this film. The overall concept about exploring someone’s brain is so fascinating, and the way they portray a lot of these psychological concepts is so interesting and creative. It really helps people, even those not well versed in psychology or neuroscience, understand how the brain works. The dream world being a movie studio, the unconscious being a deep cavern, the imaginations being a row of exhibits, long term memory being an infinite route (like real life!), it’s all so cool! The characters in this film are also very strong. All of the emotions are flawed yet likable characters who have their own perspectives on certain issues that surprisingly don’t come off as one note. I also like the small amount of depth and character given to Riley and her parents. They feel like realistic people who would act the way they do when certain emotions are in control or out of control. The jokes are also very funny. I like how they match with the characters and emotions of the situation as well as fit with the setting. The themes, OH MY GOD THE THEMES. The themes are written so strongly, it’s among the best writing I’ve ever seen. The message about accepting sadness and bad emotions is written in subtle ways throughout the whole film, as well as ways that are very obvious for the characters to learn and understand. It’s a very human film that can resonate with everyone. Everyone feels sadness and everyone wants to push it away, but sometimes it’s incredible necessary. This film is the only Pixar film to have ever made me cry, and it made me cry 6 TIMES. The ending in particular gets me everytime with how heavy, satisfying, and authentic it feels. This film is just…absolutely flawless and incredible. It’s not just my favorite Pixar film. It’s not just my favorite animated film. It’s my favorite film of all time.
The Good Dinosaur
Ironic to me that Pixar released my least favorite film from them after they released my favorite film. While Cars 2 is objectively worse, I would rather watch that than this because this film is one of the most boring films I’ve ever seen. There is such a lack of story for me to get invested in, and half of the time I feel like the film is trying to cover that up by showing pretty scenery. What little plot there is is pretty typical: a dinosaur wants to prove that he’s courageous and then gets lost and has to find his way home, while learning to be courageous. It’s a fine enough story but a lot of it feels dragged out and uninteresting. The theme is just so dry and boring, as well as the characters. Arlo and Spot’s relationship is very mediocre. I like the scene where they explain what happened to them with sticks, but other than that, they feel like every other buddy duo in every other film. The other characters are pretty forgettable too. I also think a lot of the scenes are pretty gruesome compared to the very minimal and kiddy story and characters. It doesn’t really mend all together that well. There’s also a lot of story contrivances, such as Arlo surviving a wave his father was killed in (and the death has NO emotion because it happens in such a stupid way). Definitely don’t watch this one. It’s not entertainingly bad like Cars 2 COULD be. It’s just boring and not a good time.
Finding Dory
This is a hot take, but honestly I like this film more than the first one. I think it does a better job at showing how disabilities don’t limit us as people and that we can still accomplish things regardless of them. I also found the newer side characters to be a lot more fun and interesting this time around. Destiny, Bailey, and Hank are a lot of fun and I like that they are further representations of disabilities. There’s a lot of respect with the subject in how they don’t really bring too much attention to the disabilities. They’re simply there and a part of them, making the lesson feel natural. I also love how they explain a lot of Dory’s attributes from the first film, such as talking to whales and reading. The aquarium is a fun location for this film with a lot of cool hijinks as Dory finds her parents, which proves to be such an emotional journey. This film is definitely very similar to the first one and Marlin is a bit harsh, but overall I thought this film was a lot of fun and an improved version of the first.
Cars 3
This film blew my expectations out of the water. Granted, my expectations were not very high, as it’s a Cars film, but I’m genuinely shocked at how good this film is. The worldbuilding issues are nowhere near as prevalent as they are in the first film, as they try to draw their focus away from that, and the overall story is a lot more interesting than the story of the first two Cars films. I think a lot of older audiences can relate to Lightning’s struggle about falling behind with a newer generation of people in whatever field of work, and trying not to let other people tell you when you’re finished. The overall focus with Doc was really sweet, and it’s really moving to see Lightning try so hard to keep racing until he realizes mid race that he’s not cut out for it. I love the final act of this film because Lightning was able to accept that he’s not qualified to race anymore and give that opportunity to Cruise, a newer racer who has a chance to prove herself, and also take Doc’s legacy of mentoring Lightning. Cruise was a hit or miss character for me and the other side characters, while nowhere near as prevalent in this film as the other films, still have their annoying moments. But Lightning’s overall journey is immensely satisfying. It really feels like this film was an apology for the first two Cars movies, and if that’s the case, I accept their apology wholeheartedly. Nowhere near a perfect film, but it’s a triumph of quality for this franchise. I honestly recommend this, especially to people who have already seen Cars 1. I think they will underestimate the amount of emotion they’ll feel while watching this miracle.
Coco
Before my Pixar marathon, Coco was my second favorite Pixar film behind Inside Out. But after watching a lot of new films and rewatching this one, this film definitely moved down in the rankings for me. That being said, it’s still absolutely fantastic. I love how rich in Mexican culture this film is, as you could not really set this film in another place without dramatically changing the entire story. The whole story itself is really cool. I like how they take the “follow your dreams” lesson and apply it to the reality of corrupt celebrities desperate for fame to the point where they leave their family and morals behind. Miguel is a pretty relatable protagonist that acts like a real kid without being super annoying. And it definitely hurts to see the family be so judgmental of music. It makes you hate them, but at the same time, sympathize with them, because you understand where they’re coming from. The whole Land of the Dead world is absolutely gorgeous and I love the worldbuilding with the skeletons and the spirits. The colors are beautiful and it makes every frame stunning. There’s definitely a lot of emotion with the beautiful song “Remember Me”, which didn’t make me cry like it did for many others, but it was definitely pretty close to making me cry. I like how they foreshadow the song being stolen with the fast version with Cruz feeling kind of out of place and unnatural. So what brings this film down? Two things. One, Dante was useless. He was really gross and was mainly there to be a nuisance, apart from knowing over the photo, which could have been changed a little. Two, Cruz is a good villain with an interesting ideaology, but his actual plan and actions are kind of stupid. He shouldn’t have made a film resembling Hector’s death. He shouldn’t have kept Hector’s photo. And I don’t really understand why Hector didn’t really mention how he wrote Remember Me and Cruz stole it from him. Hector himself is a fun character though, and his love for Coco is so sweet. It’s still an absolutely wonderful film despite a somewhat weaker villain and comic relief animal, and I definitely recommend it.
Incredibles 2
This film gets a lot of hate, but I honestly enjoyed this film quite a bit. I like how this film puts more of a focus on the Superheroes being illegal law and trying to overturn that. It’s funny to see Bob try his best with parenting, as we didn’t see too much of that in the last film. His jealousy with Helen is a little inconsistent and weird at first, but I like how it develops into an inferiority complex. I also like how they focus on how being a superhero affects Violet and her love life with Toni. Dash was pretty annoying and one note in this film though, which is kind of disappointing. The story behind Helen’s plot is really interesting and the action is very good. I also like meeting more superheroes and seeing their powers. Winston and Evelyn were pretty cool characters for most of the film. I do like how they shared the same situation but had different perspectives, one wanting to legalize heroes and one wanting to ban them. Which does bring me to the biggest problem: Evelyn as a twist villain. Her actions and ideaology don’t make too much sense in universe, as she did a lot to raise heroes up, more than what was needed. And Winston didn’t really notice the goggles at that point either which is kind of annoying. Bottom line, the story itself is not as polished and cohesive as some other Pixar films, but there’s still a lot of good stuff from this film that makes it worth at least one watch.
Toy Story 4
Easily the weakest Toy Story film. I definitely would have preferred if this film never existed in the first place, as Toy Story 3 is a much better closer for the franchise. But I will acknowledge that this film does have a decent number of quality elements. The idea of having an antithesis to the first 3 films is interesting. I like how they make Woody’s loyalty unhealthy to the point where he needs to consider other life opportunities that are better for him in the long run. It definitely challenges the ideas of the first 3 films, particularly Toy Story 2, and that’s pretty daring all things considered. There are some solid jokes and moments with Bo Peep, Gabby Gabby, and Forky that support the main conflict well. The hijinks are alright with the van, old timey shop, and the carnival, though not as fun as the ones in the other Toy Story films. Bonnie is adorable and I can buy that she doesn’t really play with Woody as much, even if Woody meant a lot to Andy. It is kind of cruel and unusual to have the parents be so neglectful of Woody though. I’d expect them to know more about the importance behind the toys, particularly Woody. Even if Bo Peep says that “kids lose toys all the time” (a very good point that definitely supports what this film was going for, toys being able to find purpose without owners). The story itself is definitely not very tightly written, as the plot meanders a lot, Buzz’s B plot is awful and annoying, and there is so little relevance to the rest of the gang that they could have been cut entirely. I also can’t stand Duck and Bunny. They were so obnoxious everytime they came on screen. Out of all the Pixar films, this one is easily the one I’m the most mixed on. There are some interesting if not controversial ideas in this film that may be emotional to some and aggravating to others. If I could describe this film in one word, it would be “challenging.” I think whether or not you want to see it depends on how attached you feel towards the other films, but I do think there is some good stuff in this one.
Onward
A lot of people really don’t like this film, which I can somewhat get, but I still thought it was a good time. I think the fantasy like world about magical creatures abandoning magic in favor of technology is a really cool idea. While this film doesn’t really focus on that idea that much, I do like how it plays into the main plot about Ian trying to assert himself and grow, as well as him realizing that Barley helped him a lot through that. The ending is easily the highlight, as we see Ian make an adamant decision that puts Barley’s happiness first. Ian and Barley have a nice and realistic brother like bond that’s definitely a huge facet of them overcoming their personal struggles. The overall magic system is neat. I like that there are specific spells that Ian needs to use and it results in a lot of really cool fight scenes and character designs. There’s definitely a lot of creativity in this film. Sadly, I think this film could have really utilized said creativity a lot more and in a lot more interesting way. There are definitely a lot of contrivances and annoying moments in this film that prevent it from being great, not to mention a lot of missed potential, but I still think it has some charm and heart to it that make it worth a watch.
Soul
This film is amazing, and while I can point to many recent films to refute the claim that Pixar has lost their touch, this film would definitely be the first one I point to. The whole idea behind the purpose of life and finding what keeps us going is beautiful, and there’s so many smaller moments that capture that idea, from 22 eating food to 22 catching the leaf. Joe is a very relatable protagonist and his love for jazz is really touching and inspiring to people who have that passion that keeps them going. The great before world is gorgeous visually and I love the way they set up the souls obtaining their erth pass. 22 and Joe have a great dynamic that develops into something very meaningful for both of them, and I like how vague they leave things by the end. The start of the movie has Joe have an idea with what he wants to do, but as he keeps talking to people about life and as he remains unsatisfied with the gig, he realizes he still needs to figure things out. This is further reflected in the title card being shown only at the end, saying that Joe’s life truly begins now. Bottom line, this film is an absolute masterpiece that shows us that Pixar still has its magic touch.
Luca
I loved this film a lot more than I thought I would. I heard from other people that it was a really slow paced and simple film and I was worried that I was going to be really bored with it. But this film is unbelievably charming in its simplicit nature that I got pretty attached to the story. I even cried at a couple points. Luca, Alberto, and Giulia are all very charming characters that have pretty simple goals that you can’t help but get attached to due to their enthusiasm. It’s really cool to see Luca explode about the world he was restricted from for so long and seeing him fall in love with a lot of stuff from it. Alberto and Luca have a beautiful friendship and they play off each other very well. I also love Giulia’s father. He’s very sweet and I like how he has an arm missing just because he was born that way. Props to body diversity! This film also handles liar reveals very well, with Alberto exposing himself rather than Luca and Giulia being more concerned with their safety than the fact that they were lying. And I also love how Alberto reflects on his jealousy over Luca’s friendship and Luca reach an understanding with him. The whole outsider message is there, even though it’s not a big part of the film, and it’s a really realistic fear many children have growing up. Main reason I don’t think this film is a 10/10 is because I don’t like the bully villain nor do I like the parent subplot of them trying to find Luca, but at the end of the day these aren’t things that will ruin the film at all. It’s still a very sweet and cozy film that many people will love.
Turning Red
This film is epic and I HEAVILY disagree with the majority of the criticism against it. The whole film really plays into the idea of growing up and becoming a person separate from your family. I like how this is reflected in Mei’s culture as well, as Chinese culture tends to be very collectivist in nature. While I am not Chinese myself, and thus cannot comment on the accuracy of representation, I really appreciate the overall aesthetic and how it adds to the story. From Mei’s mother being overbearing and her dad not so much, to Mei embracing elements of individuality outside of her culture, this film has a lot of thought. And considering how this film was directed by a Chinese woman and the feedback I’ve heard from Chinese people is pretty positive, I’m inclined to believe this movie has very strong representation. I really buy the exaggerated style because it portrays family dynamics and growing up very realistically. Mei, along with her friends, feel like very real teenagers. They have a great dynamic and memorable personalities that surprisingly never got overbearing. Their bond is very sweet with how much they care for each other. The climax is also amazing with how Mei’s friends and family team up to save the day, further shown with the combination of the mantra music and 4Town’s music during the ritual. And WOW 4Town’s music is so good. Everytime they sang the song, I was having a really fun time. I love how the lyrics are all about individuality. And I also love how a lot of the things Mei embraces are often perceived as cringe by most people. Growing up is a messy experience and teenagers are often incredibly cringy when trying to figure out who they are. But the cringe never really gets that overbearing. If anything, it really helps add to the film’s comedy, which is very strong. I was so close to giving this film a 10/10, but sadly, one thing is preventing me from doing that: Tyler. Tyler is just a really annoying prick that kind of got off way too easily, especially when he was acting racist towards Mei in a later scene. The film didn’t really need him in all honesty, and anytime he was a focus, he was really obnoxious. They definitely show human sides to him, but if they wanted to redeem him, his arc needed a heck of a lot more polish. But this film is still absolutely amazing and I highly recommend EVERYONE to see it.
Lightyear
I was really nervous about this film, as I heard a lot of people consider it among the worst of Pixar, and I felt like the film was a huge executive push ever since I saw advertisements for it. Having seen it now, it wasn’t as bad as I was expecting and I don’t think it’s Pixar's worst film. But it’s still a pretty big mixed bag that is among the weakest they’ve ever made. I think this film had a lot of really cool stuff going for it with the overall space ranger aesthetic and music. It’s very cool and it definitely makes you curious about the world the film takes place in. But sadly, the world is not fleshed out well at all. If you can buy the whole time travel space plot point, which is a bit of a hard one to buy, it’s hard to get invested in Buzz’s struggle when we don’t see a lot of the world he’s living in changing, nor do we have time to get emotionally invested in his fear. All we really have is a nightmare that’s way too short for us to get invested in. Buzz’s overall character is kind of inconsistent and bland. A lot of conflicts he faces kind of come in and out and they don’t really help his arc become satisfying in any way. The side characters in this film, with the exception of Sox, are pretty mediocre and forgettable. Their dynamics feel unoriginal and it makes it hard to get emotionally invested. And of course, I’ll address the most infamous part of this film: the Zurg reveal. Zurg is a pretty poorly written villain whose actions, ideologies, and of course, overall existence, don’t make a lot of sense in the universe they’ve made. And the dynamic between Zurg and Buzz is so lifeless and rushed that it doesn’t feel suspenseful or emotional at all. Honestly, I feel like this film had potential to be a really interesting and good spinoff from the Toy Story universe. But as it is, it’s just a mash of mediocrity.
Elemental
There’s been a mix (I’m so punny) of reactions to this film, and I would definitely put myself in the category of people that really enjoyed it. I thought the overall story was really passionate. I like the immigration plotpoint in this film and how it connects so much with the family’s business and Ember’s internal conflict about her future. It definitely makes me more curious about the immigrant experience and I would love to learn more about that subject on my own time. I love a lot of the smaller details of their heritage that some into play, such as Ember’s father messing up English and the bow. Ember and Wade’s relationship was absolutely adorable. Their interactions feel very natural and heartfelt. Wade was a character I was a bit iffy on when he was first introduced but he definitely won me over pretty quickly with how sweet he is. I love the banter the two characters share and I won’t lie, I teared up at a lot of moments. The animation was also beautiful. It’s a given because it’s Pixar, but I feel like it’s more impressive here because of the fact that they had to animate subjects that were less solid in nature. A lot of people call this film basic and it definitely does tread a lot of familiar ground, but I didn’t mind that too much because when the cliches were used, they were used in a way that a) boosted the theme of the film and b) avoided a lot of the annoying moments the cliches tend to bring (particular Wade not holding a grudge in the third act breakup). I think the only cliche that kind of bothered me was the fake out death, but the moment where they bring back Wade is still very moving. This film is definitely not perfect. Clod thankfully had very little screen time but he was really annoying whenever he was a focus. The worldbuilding is cool but it definitely has a couple of contradictions and plot holes that aren’t enough for me to take my enjoyment out of the film, but they definitely make your head scratch a bit, particularly the fact that air and earth people were so sidelined. It kind of weakens the prejudice aspect a little. I still think this film is pretty good though. You can tell it comes from a place of passion and it dampers the blow on some problems. I recommend it!
Inside Out 2
I was one of the few people who didn’t need an Inside Out sequel, but this film was definitely a worthy addition to the Inside Out series. I really love the additions to the world building. The idea of beliefs is a very clever one in how they tie into the limitations of the emotions. It’s also great to see the way previous world building elements have evolved, such as the new areas in Imagination Land and the changes in size of the personality islands. The characters in this film are very strong, as always. Anxiety is a very good villain and I also love how Ennui, Envy, and Embarrassment also affect Riley’s personal experience. While Anxiety is the main player here, the other three definitely play a part in Riley’s breakdown and I appreciate that they weren’t useless. I especially love Embarrassment. They were adorable and I loved how their character changed. It makes perfect sense, as they were embarrassed about what Riley’s been doing. The old emotions are also a joy (hahahahaha please laugh at me) to watch. I love seeing Joy’s growth in the first film and how she’s questioning her ability to solve the problem when every solution she uses keeps failing. She’s an excellent foil to Anxiety and her growth showcases how she could have become Anxiety, and I love her helping Anxiety out because of that. This film also has a strong sense of comedy and tension. It was less predictable than the first film and I also found it a LOT funnier, from the sarcasm casm to some amazing one liners from the emotions. The secret vault scene in particular was amazing, with Lance, Bloofy, Dark Secret, and of course Pouchie. I also appreciated the film’s use of varying animation styles with these characters as well as in other scenes such as a Joy plan scene. They fit in well and are very nice to look at. I don’t think this film is as emotional as the first one, but the emotional core is definitely present in many moments such as Joy thinking you feel less happy as you get older, the panic attack, Joy confronting Anxiety, and the ending lines. The ending in general is very well done. The emotion repression is a great idea and I love how it comes back towards the climax. I also respect how they don’t call Anxiety bad all the time, and how they leave things on a vague note, showing how the world is unpredictable sometimes and that’s ok. I probably still prefer the first one overall, as I do have more minor nitpicks with this one, but it’s still an amazing film that I urge everyone to see. I was anxious about it, as many were, but it brought me so much joy.
Final Ranking
1. Inside Out
2. Toy Story 2
3. Ratatouille
4. The Incredibles
5. Inside Out 2
6. Soul
7. WALL-E
8. Turning Red
9. Toy Story 3
10. Coco
11. Luca
12. Monsters Inc
13. Finding Dory
14. Finding Nemo
15. Elemental
16. Monsters University
17. Incredibles 2
18. Toy Story
19. Up
20. Cars 3
21. Onward
22. A Bug’s Life
23. Toy Story 4
24. Cars
25. Lightyear
26. Brave
27. The Good Dinosaur
28. Cars 2
#pixar movies#toy story#pixar#a bugs life#toy story 2#disney pixar#monsters inc#finding nemo#the incredibles#cars pixar#ratatouille#wall e#up pixar#toy story 3#cars 2 movie#brave pixar#monsters university#inside out pixar#the good dinosaur#finding dory#cars 3 (2017)#pixar coco#incredibles 2#toy story 4#onward pixar#soul pixar#turning red pixar#lightyear pixar#elemental#inside out 2
35 notes
·
View notes
Text
☆ about me info dump because i like to talk about myself ☆
Favorite bands/music? i listen to the arctci monkeys, thee sacred souls, nat king cole, artemas, and alfie jukes
2. favorite books? Whistling season by Ivan Doig, Red Rabbit by alex grecian, little panic by amanda stern, Remarkably Bright Creatures by Shelby van Pelt, and david sedaris' entire works and Alix E Harrow's works
3. favorite fairy tale? baba yaga's tales and robin hood.
4. childhood crush? allegedly i had a crush on buzz lightyear as a toddler, though i have no memory of this. also, luke skywalker in the empire strikes back.
5. least favorite book? Wicked saints by Emily A. Duncan. I'll probably write a review on it. also twilight (sorry, u can like it if u want i just didn't)
6. least favorite flavor? artificial watermelon and grape. tastes like perfume and cough syrup respectively.
7. Birthday? june 28 (the perfect birthday because it's 6-28 and 6 plus 2 is 8) i am a cancer and i hate it.
8. wishlist? a new pair of red shoes and a cute portable coffee mug. also a nice glass pen for inking teehee.
that's it, comment any questions if u have them
ily bye xox
4 notes
·
View notes
Text
WOODWARD “WOODY” PRIDE is thirty-four years old. He is the Sheriff/ Chief of Police. He is the incarnation of Woody from the Disney film Toy Story.
+ Protective, Diplomatic, Honourable - High-Strung, Easily Frustrated, Stubborn
ABOUT WOODY
Not originally being from Redwood Hollow, Woody is the older brother to Jessie and son to Emily and Andy Pride. He doesn’t know much of his parents other than that they went travelling and didn’t return, leaving the two Pride children with their uncle. Their uncle was farmer out in a rural area and when he was older he found out the rural town had dubbed him as ‘Stinky Pete’. He was a farmer and he had a horrible attitude but he always treated Woody and Jessie with kindness until they wanted to go out in the world and live their own lives. Pete believed that the Pride kids owed him their lives work since he took them in. Taking matters into this own hands, Woody hatched a plan and in the dead of night one summer he and Jessie fled to Redwood Hollow where they reside still to this day. Woody raised his younger sister and leads by example. He’s protective over his friends and family but Jessie is in a league of her own. He’s aware his protective nature with her can be overbearing but it’s because he cares. Woody is the Chief of Police in Redwood Hollow and takes his job incredibly seriously. He’s high strung when it comes to rules and regulations and things not being by the book can lead to frustrations for him. He’s tactical and diplomatic with everything in his life and being a guy of habit can make him as stubborn as a mule. Woody means well, there’s not a bad bone in his body but even he’s aware that just because he means well and wants to help that people want his help. He’s lightened up a bit over the years but he’s still got a long way to go.
ADDITIONAL INFORMATION
Woody is full of doubts, anger, frustration, uncertainty and a great deal of sadness but he compartmentalizes this and refuses to let it show.
He always feels like he’s not enough and he needs to do more. He always feels like he should be better and it stresses him out.
CONNECTIONS
Buzz Lightyear – Best Friend and work colleague – Woody and Buzz didn’t see eye to eye in the beginning. Woody was someone that believed in structure and going by the book and Buzz was the opposite. Over time they found a common ground and became fast friends, now Woody sees Buzz as his first point of contact. Jessie Jane Pride – Younger Sister – Jessie and Woody couldn’t be more different in terms of siblings. His younger sister stresses him out to no end and he’s certain she’ll be the cause of a heart attack for him one day. Like any big brother, Woody is overprotective of his sibling and does everything he can to keep her out of trouble and on track. However, Jessie seems to have not gotten that memo and -in Woody’s eyes- makes it her life mission to drive him up the wall.
Woody is currently unavailable. His faceclaim is Henry Cavill.
2 notes
·
View notes
Note
Emily Blunt doesn’t need Pain Hustlers. If it bombs, or is just so-so, it’s not going to affect her as much IMO.
She had Oppenheimer this year. She’s likely going to represent the film in some capacity during award season. Doesn’t matter if she’s nominated or not, Oppenheimer is probably getting awards attention. She also has 7 projects in various phases of in-development and production on her IMDB profile.
Chris bombed with Ghosted this year. Grey Man wasn’t exactly a huge standout. Lightyear lost money for Disney.
His last in-theater (non-streamer) movie was Lightyear. Before that, Knives Out I think?
Defending Jacob did ok as in critically-reviewed, but was it really Mare of Easttown or The Morning Show?
He doesn’t have any confirmed projects lined up except Red One or Scott pilgrim, in which he’s probably in one episode.
He’s done with any upcoming productions after those two releases.
He needs Pain Hustlers more than Emily Blunt does.
Very much so.
Oh, and, yes, only in one episode of the Scott Pilgrim series.
15 notes
·
View notes
Text
Guys, if Thomas liked being a furry, let him. His monkey fursona is lightyears better than his elephant one. In fact, let engines have their special interests in general.
Emily had one episode of loving flowers, and while that can be stereotypically girly, the very same era that introduced that showed she likes football too (sadly, again in another sexist episode but I’ve worked with that in my series a bit anyway).
Marion loves digging and seems to know a bit about dinosaurs. Seems a casual interest compared to digging but who’s to say it can’t develop over time?
Also random one here, Diesel is really up to date on music, like all genres. Just thought it would be a nice idea after thinking of the various numbers he’s been a part of in canon.
23 notes
·
View notes
Text
My Fandoms:
Stranger Things
Wednesday
Addams Family
Captain America
Percy Jackson
9-1-1
9-1-1: Lone Star
Interview With A Vampire
Twilight
Harry Potter
The Umbrella Academy
Sweet Tooth
The Last Of Us
Bridgerton
The Sandman
What We Do In The Shadows
A League Of Our Own
Paper Girls
The 90's Show
Brooklyn Nine-Nine
Abbot Elementary
Night Court
Good Omens
Daredevil
Barbie
The Marvelous Mrs Masiel
Julia & The Phantoms
I Am Not Okay With This
Star Vs. The Forces Of Evil
Gravity Falls
Disney Descendants
Edward Scissorhands
Beetlejuice
2 Broke Girls
Schmigadoon!
----------------
To Television Watch & Catch Up On:
(Subject To Add To List & Cross Out What Has Been Watched)
Yellowjackets
Suits
The Bear
Hello Tomorrow!
Dickinson
Rise Of The Pink Ladies
Lessons In Chemistry
Our Flag Means Death
Hacks
Shinning Vale
Emily In Paris
Wolf Pack
Chucky
First Kill
Ginny & Georgia
Pretty Little Liars
Russian Doll
Julia
The Boys/Gen V
The Gilded Age
Loki
The House Of Usheer
School Spirits
Only Murders In The Building
Doctor Who
She-Hulk
Daisy Jones & The Six
Ms. Marvel
Fanfic
Mayfair Witches
The Witch Lotus
Ted Lesso
Shrinking
Films To Watch & Catch Up On:
(Subject To Add To List & Cross Out What Has Been Watched)
Lisa Frankenstein (Go See It In Theatres)
Taylor Swift Concert Movie
Wonka
Bottoms
Priscilla
Pearl
SpiderMan: Across The Spider-Verse
Do Revenge
Bridesmaids
Elemental
Fear Street
X
Asteroid City
Promising Young Woman
Theatre Camp
Ruby Gillman, Teenage Kraken
Weird Al
Blue's Big City Adventure
Joyride
Megan
Disenchanted
Dora & The Lost City Of Gold
Unpregnant
Not Okay
Princess
Rosaline
Mixtape
Birds Of Prey
Moxie
Plan B
Flower
Palm Springs
Eighth Grade
Ghost World
The Fabelmans
Permanent
The Broken Heart Club
Scoob!
Scott Pilgrim vs. the world
We Can Be Heroes
Mama Mia 2
(500) Days Of Summer
Bill & Ted Face The Music
Lightyear
Portrait Of A Lady On Fire
The Hunger Games: The Ballad Of Songbirds & Snakes
Fantastic Beasts: The Secrets of Dumbledore
Power Rangers
Cinderella
Juno
Ghostsed
Carrie
Vampires Vs. The Bronx
Poor Things
Mean Girls Musical
(Based On My List Feel Free To Reblog Or Recommend Films Or Television Shows.)
(If Anyone Has Shows Or Films Or Books That Are About People In Their Mid-Late 20s Or Entering Their Thirty That Would Be Nice. Most Media Is Either About Teenager And College Kids Or Mid-Age Adults Having A Midlife Crises.)
3 notes
·
View notes
Note
Man literally just follows his interests and uses his connections 🤷🏻♀️
//
True but Chris seems to be largely unlucky with the projects and scripts. Dexter went from a wards film with Rocketman to one being panned with “worst film of the year.” The Russos produced EEAAO the same year as Gray Man then Ryan going to do Barbie. Emily being set up for a best supporting actress nom the same year as Pain Hustlers. Wanting to leverage connections/working with friends is great but… Why is Chris getting the short end of the stick in each of these situations? Are the friend not showing him the better projects? Does he or his agents not care and would rather go for convenience? It’s frustrating! This is why he should go outside of his comfort zone. He knew no one for Knives Out and look how great it turned out.
I think part of it is that he’s bad at picking projects. There have been times where he was signed on to different projects and inevitably had to drop one for the other because of scheduling conflicts, and a lot of times I felt like (in my opinion) he made the wrong choice. But there are also times when sometimes a role sounds great on paper, and then falls short once it’s all completed. Ghosted sounded like a fun concept until we all saw how bad it was. (Granted, it’s poor quality is part of what made it fun to me). Pain Hustlers also sounded fantastic when we all learned the plot and who was involved and in the end it just didn’t quite come together. So sometimes I think he picks poorly, and sometimes I think he just gets unlucky at the end of the day. Look at Lightyear even. Pixar projects typically do exceptionally well for Disney, but the public confusion and faux controversies surrounding the project inevitably tanked it. 🦎
2 notes
·
View notes
Note
This is a great idea. I was talking to someone the other day that I hope and wish he would just write. Write what he wants to play. I bet that man has so many idea if he just sat down and wrote. It’s also therapeutic. You learn a LOT about yourself through writing. //
I know right? I would be a great agent hahaha give me that % Chris and I will help you because these roles lately.... Boy.
For me the only true dud has been Ghosted. For Pain Hustlers, he wasn’t the issue. Scott Pilgrim is getting rave reviews, including Chris, himself. The Gray Man and Lightyear were good. And his part was solid.
I do have to wonder why he was the one getting all the negative reviews with PH. I think Emily was…I’ll be nice, she wasn’t great.
7 notes
·
View notes
Photo
Except that’s not what “high fashion” is.
“Fashion” in Gabriel’s world is “art”. Haute couture, or “high fashion”, uses the medium of cloth to create wearable pieces of art.
Sure, most of high fashion is hidious, but that’s because every piece of clothing represents the artistic vision of the designer. It’s very personal and not everyone will like it (same with traditional art).
What the writers are describing here is “fast fashion”, which is a wirlwind of styles and trends engeneered to appeal to the masses, while having little staying power. It’s lightyears away from the kind of world Gabriel would work in. Sure, sometimes high fashion influences a trend in fast fashion, but designers don’t care about it. It’s beneath them. Just like an artist wouldn’t look at AI generated images as “art”.
Fast fashion is cheap and souless, while the “fashion” Gabriel creates (high fashion) is meant to be impactful and last forever.
Proof? Gabriel, Emilie and Amelie keeping the same style of clothing for years. I know that’s because of 3d models being expensive, but they can’t show us that and then make this argument. Because, if we follow that logic, Gabriel has spent the last 14-15 years “being out-of-style”, as many other fashion designers irl, that rarely change their style.
It’s sad how from scenes like this, we understand just how little the writers actually know about the topics they choose to use in their story.
#me? over analysing mlb? no.... anyways#what gabriel is refering to actually is fast fashion#something he has nothing to do with#gabriel agreste#miraculous ladybug#miraculous the tales of ladybug and chat noir#miraculous spoilers#ml season 5#ml spoilers#ml pretension#escaping thoughts
167 notes
·
View notes
Text
promised to another
If there was anything working in law enforcement taught her, it was that you had to compartmentalize. You had to learn how to separate yourself from the cases, lest you start spiraling down in grief, guilt, and sometimes, anger. While some may think it helps them to stay objective, Emily believes it takes away what makes her human. But despite years of working in the FBI, she was still unabashedly human.
So, it was no surprise that hours before JJ's wedding, she'd had half a mind to flee the country. After all, she'd be leaving for London soon enough. Emily wouldn't, though—she loves JJ too much to cause her stress on what supposedly is the happiest day of her life. But, that's the thing. Emily loves JJ too much and she'd rather stop breathing altogether than watch her walk down the aisle to someone that is not her.
She couldn't leave now. Not when she'd finally put on a pretty dress and makeup. So, she did what any good bridesmaid would do and offered the bride assistance.
"No cold feet?" Emily slipped inside the room, catching sight of her best friend sitting straight on a couch, careful not to crease her dress.
JJ smiled at Emily and tapped the seat beside her. "Nope," the blonde replied, popping the 'p'. "Not yet, at least."
Emily strode across the room and sat beside her. "Well, if you need a getaway ride, I have a ticket bound for London soon. I can always add another person to the mix," she joked.
She laughed, and all Emily could do was stare. It'd be a while until she'd hear that laugh again. Then, JJ fell silent, realization creeping in. The blonde's cold, freezing palm inched towards Emily's. "Tomorrow, I'll be a wife and next week, you'll be in London."
"I know."
"I'm gonna miss you," JJ whispered, her hold on Emily's hand growing tighter with each passing second.
Emily nodded, "I know." She couldn't say anything else, because if she did, there's no stopping. The only thing she could do was squeeze back the hand that bore Will's engagement ring, and hope to whatever deity there is that JJ understands what she meant to say.
Their eyes met then, just like one of the millions of stolen moments they shared before. A few beats passed—it could've been seconds or lightyears, and Emily wouldn't mind, but a knock came on the door, startling the both.
"Hey, sweet pea, are you ready?" Penelope softly asked. JJ looked up, a gracious smile forming on her lips. All three girls took that as a yes. "Let's get you hitched," Penelope pulled JJ from the couch and pushed her out of the room.
JJ looked back at Emily, sending a smile. So, Emily did what she does best. She held her head up and pretended that she was happy. She danced with her friends, laughed at their jokes, and even thanked their farewell messages.
And if she cried in the bathroom twice during the night, no one seemed to care. After all, she was still human.
#taylor swift#emily prentiss#jennifer jareau#jemily#criminal minds#criminal minds evolution#based on ivy from evermore
11 notes
·
View notes
Text
Dancer!Phan (4) Masterlist
part one, part two, part three
Dancer (wattpad) - tcosmos
Summary: A fanfiction where Dan Howell, the confident and self centered professional ballet dancer meets Philip Lester, the blundering 17 year old guy who started taking classes not so long ago.
Dance With Me - cocktailaunt
Summary: Popular!Phil wants to ask Shy!Dan to the school dance.
Drink Up Your Movements (Still I Can’t Get Enough) (ao3) - obsessive-fics (xoPrincessKayxo)
Summary: All Dan, an extremely skilled ballet dancer, wants to do is make it through the next dance competition. So extra rehearsals with Izzy, a ballerina he’s known forever, are just another step towards the win. What he doesn’t expect, is the constant, extremely distracting presence of Izzy’s older brother, Phil.
Falling for you (ao3) - Phantje
Summary: Moving out is probably the most exciting thing that has ever happened in Dan's life so far. It's an overwhelming experience which he wasn't too keen on having in the first place. Now that it's settled that Dan will move, he only has to worry about the normal stuff: making his new apartment feel like home and finding friends. All of this is already really crazy for Dan who has not yet seen much of the world. Of all the things he didn't anticipate, falling for a voice on the phone wins the price by far. How is he supposed to concentrate on his work when his life keeps taking unexpected turns?
Got It (ao3) - Spring_Haze
Summary: Dan surprises his partner with a little stress relief while traveling on tour.
Here We Go (ao3) - beware_phangirl (dantiloquent)
Summary: in which PJ’s shooting a ‘kinda romantic’ film, Phil’s dancing with other youtubers and Dan is just coming along for the ride.
i'll spend forever wondering if you knew (ao3) - rosecolouredjosh
Summary: Dan came to his parents house in London for the annual charity event where his mother is responsible for the catering. As he had been helping her in this event since he was a kid, he was already preparing himself to the feel extremely out of place and lonely.
But maybe, someone could help him enjoy the night a little more.
its just a dance, lover (ao3) - lilyxxxooo
Summary: When at his brother's wedding, Phil can't help but feel sad that he has no one to dance with. Briefly based off "Lover" by Taylor Swift
Lightyear Groovin' (ao3) - Tarredion
Summary: In a galaxy far, far away, there’s an abundance of 70s clubs. On Krithoo, local party freak Dan Howell works as a waiter at an often overcrowded cantina, Virgo Volans. And maybe, just maybe, has an infatuation with the extraterrestrial dj frequenting their stage.
Lucky (ao3) - lilyxxxooo
Summary: Dan and Phil are at a Lester family party with their two children: Emily, 7 and Colby, 2. Phil spends the night twirling them both on the dance floor and Dan spends the night watching his husband and wondering how he got so lucky
Oh Well, Oh Well (ao3) - incandescentphan
Summary: Phil never expected to find a home in the arms of a dancer.
Pleasers (ao3) - philsbignaturals
Summary: In which Dan is a former stripper and Phil appreciates their services
Shut Up and Dance (ao3) - spacemanlevi
Summary: Dan finds a beautiful man at a friends wedding, he just hopes he can work up the courage to ask for a dance.
Strictly Come Dancing but make it GAY (ao3) - natigail
Summary: @danielhowell: maybe i’d actually consider doing @bbcstrictly if they allowed same-sex couples. who wouldn’t want a sexy man spinning you around? it’s not just a girl’s dream. c'mon people let’s see some pretty and fierce girls pair up and handsome and strong boys get it on. i dare you.
Dan Howell calls Strictly out on Twitter for not allowing any same-sex couples and accidentally volunteers himself to be one of the contestants if they were to change that. It was a joke. It had so clearly been a joke. Why did they take him up on it?! He’s sure he’ll trip over his own feet and hate every second, but then he meets his partner, the endearingly clumsy dancer Phil Lester.
take a breath and dance (ao3) - lyricallyharley, writtennotsung
Summary: When Phil takes his friend's daughter to dance lessons, he doesn't expect to meet a dad who has a passion for dancing himself, and who's story is, well, interesting to say the least.
thrill me, chill me, fulfill me (ao3) - sadlybunny
Summary: Phil is playing Rocky in an upcoming production of The Rocky Horror Picture Show, and is sent to work with a choreographer for extra help on a song. A choreographer that turns out to be extremely fit, and a song that turns out to be extremely sexual.
Tiny Dancer (wattpad) - tipsy-mermaid
Summary: Dan is a ballet dancer and Phil just really likes watching him when he's not practicing for his next boxing match.
Will it All Turnout Okay? (ao3) - katicanteven
Summary: Dan is a dancer. Phil stumbles into the studio with the intention of taking some ballet classes, but ends up with more than just good technique.
4 notes
·
View notes