#Electra is a name I see come up a lot but I can never remember anything about her (she's 901's mom) | Explore Tumblr posts and blogs

danielxricciardo · 4 years ago

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Prompts

1. "Hi, my ex just walked in. Would you hold my hand please?"

2. "I didn't expect to see you here."

3. "Have you seen this dog?"

4. “That mouth of yours, does it ever stop making noise”

5. “Seven minutes in heaven is for virgin teenagers”

6. “Slam that door one more time and I’ll shove my foot straight up your cute ass”

7. “Jesus! Knock next time would you”

8. “You have money go and get yourself a hoodie that’s not mine”

9. "I hate roses, I thought you knew"

10. "Do you think I am an angel? Ha"

11. "I wanted to sleep but someone decided to die"

12. "I can kill you right now, what are you talking about?"

13. "Hi, I am lost, can you come after me?"

14. "When I first saw you I wanted to date your best friend"

15. "I am so funny and you are just jealous"

16. "If I have to choose... no"

17. "Stop breathing like that!"

18. "I just did my nails"

19. "I'm the best driver în the world"

20. "Will you marry me?" "No"

21. "I think I broke my arm" "So?"

22. "I think I love you" "Thanks"

23. "My arms are lonely, don't you think?"

24. "Apparently we are dating"

25. “Well it’s kind of hard to move when you’re sitting on my lap”

26. "Those things you said yesterday, did you mean them?"

27. "If we elope, you think they'll kill us?"

28. "This is yours"

29. "You can’t just kiss me, laugh and then walk away."

30. "Are you using ass as a pillow?"

31." I find your lack of faith disturbing."

32. "And I took it personally"

33. "In here I am the boss"

34. "Oh, bite me!" "Where?"

35. "What will you do if we break up?"

36. "Where is my T-shit?"

37. "This is no time for sarcastic comments." "There is always time for sarcastic comments."

38. "I’ll keep quiet, you won’t even know I’m here."

39. "The way you flirt is just awful"

40. "Don’t be fooled. I’m the epitome of mess."

41. " If you are on TV should I congratulate you?"

42. "And this, is why we can’t have nice things."

43. "That's what he said"

44. "I am scared of your boss"

45. "You should know, a lot of girls have a crush on me"

46. "Everyone is afraid of you"

47. "If I'm watching that movie one more time I'll lose my fucking mind!"

48. "I thought being on vacation will be stress free"

49. "My parents don't trust you"

50. "I don't think I should give my last name so easily"

51. “I really wish I could unsee that.”

52. “Who would’ve guessed we’d be sharing a room.”

53. “I feel like you have an unhealthy obsession with me.”

54. “Nah he’s fine, it’s the other one you really got to watch out for.”

55. “I have a suggestion.” “I’m not taking my clothes off so forget it.”

56. “You’re the genius, why don’t you tell me?”

57. “Have I ever told you your accent makes me swoon?” “Really?” “No.” He/she smiles. “ that’s why I’ve never told you.”

58. “I’m alive? How am I still alive?”

59. “You’re crazy! I love it!”

60. “Never have I ever is about to get a lot more interesting.”

61. “What did they do?” “Dude. They did the do.”

62. "You can’t keep pretending it didn’t happen, cause guess what? It did!"

63. "Well this is awkward."

64. "Im too sober for this."

65. "Im pregnant." "Wall done, Virgin Mary!"

66. " I want to protect you."

67. "Kill that spider and maybe I'll forgive you"

68. "I have no one to go to the wedding"

69. "Don’t you dare touch _______!"

70. "I thought you were dead!"

71. "This is, without a doubt, the stupidest plan you’ve ever had. Of course I’m in."

72. "Take care of you, please"

73. "If your best friend single?"

74. "Just remember, if we get caught, you’re deaf and I don’t speak English."

75. "Why does everyone assume we're a couple?"

76. "Im craving something sweet" "Are you pregnant or something?"

77. " What is the magic word?" "I'll kill you în your sleep"

78. "When I see you my knees get weak"

79. "Finally you're single. Can I take you on a date?"

80. " So, I guess you don’t do after hours?"

81. "I know what I'm doing, I've watched two whole seasons of Grey's Anatomy."

82. "I can't believe I'm stuck here with you right now."

83. "Okay, this did not go as I planned it in the shower."

84. "I'm not going to sit around and watch you destroy yourself."

85. "You were my best friend"

86. "You did what?"

87. "Can you just pretend to love me for a second!"

88. "You are enough"

89. "Take the shirt off"

90. "Your nickname is bitch"

91. "What do you want to watch?" "You"

92. "How could you ask me that?"

93. "Your mouth does this thing and I can't resist it"

94. "Are you allowed to drink?"

95. "I said Im done, leave me alone!"

96. "Don’t raise your fucking voice at me”

97. “Yeah, I remember the drill”

98. “Tell me again, slowly this time, why that dog is in my bed.”

99. “Gave you so much, but it wasn’t enough.”

100. “You and me, we were destined to fall apart.”

101. “No, you don’t know who you are until somebody breaks your heart.”

102. “I want to tell you everything. The words I never got to say the first time around.”

103. “It’s better to feel pain, than nothing at all.”

Song lyrics prompts

1. “It’s the little things about us, that I love so much.”

2. “Last night I told you I loved you // woke up blamed it on the vodka”

3. “It’s a better place since you came along”

4. “You make me love the things I hate “

5. Just a paper sheet and half a cigarette are left in my hand

6. Your faith walks on broken glass

7. "And can you teach me how to dance real slow?"

8. "I'll throw away my faith, babe, just to keep you safe"

9. "One night, you won't forget the rest of your life"

10. "We only said goodbye with words"

11. "I'll try to give you love until the day you drop"

12. "I like the pretty boys with the bow tie"

13. "Lets get drunk forget what we did"

14. Your kisses lift me higher

15. When you're ready we can share the wine

16. "And if you don't love me now you will never love me again"

17. "Why'd you have to go and make things so complicated?"

18. "When there's nothing to lose and there's nothing to prove"

19. She's the kind of girl who only asks you over when its raining, just to make you lie there catching water dripping from the ceiling.

20. Now I understand, you're a human, and you got to lie, you're a man

21. The good and the bad times: we've been through them all.

22. Now I ain't educated but I sure ain't stupid

23. I grew up in the shoes they told me I could fill

24. It's hard to say that I'd rather stay awake when I'm asleep

25. A lover would just complicate my plans

26. And in the morning, i’ll be with you, but it will be a different kind

27. My heart is yours, it’s you that i hold on to

28. And with one kiss, you inspired a fire of devotion that lasts for twenty years

29. I let go of my claim on you, it’s a free world

30. I’m in my bed, and you’re not here and there’s no one to blame, but the drink in my wandering hands

31. Cause you gave me peace and i wasted it, I’m here to admit that you were my medicine

32. Oh, dear diary, i met a boy, he made my doll heart light up with joy. Oh, dear diary, we fell apart, welcome to the life of electra heart

33. For you, I would cross the line, I would waste my time, I would lose my mind

34. Is it really me you're missing?

35. Remember that night?

36. How many times can I break till I shatter?

37. As long as I breathe, I’ll call you my home

38. "You wouldn't know love if it crushed your fucking chest."

39. "When we scream our lips don't make a sound."

40. "Please don't let me sink, wrap your arms around me and carry me home."

41. "This hasn't torn us apart so nothing ever will."

42. "A long time ago we believed that we were united."

43. "I miss the person that you were but I don't miss you."

44. "If home is where the heart is, why do I feel so fucking heartless?"

45. "I can't live, I can't breathe with or without you just go away."

46. "I'm not afraid to die, I'm afraid I'll survive and have to watch you suffer."

47. "I wanna hold you high and steal your pain away."

48. "I'm not like you I just fuck up."

49. "All because of you I believe in angels, not the kind with wings, no not the kind with halos. The kind that bring you home when home becomes a strange place."

50. "I just want to go to sleep and never wake up again."

51. “I wish people liked me more.”

52. “How could I ever love someone else?”

53. “I guess you’re getting everything you want.”

54. “She probably gives you butterflies.”

55. “I hope that you’re okay.”

56. “I defended you to all my friends.”

57. “I never cared about what they say, only care about me and you”

58. “Either way i’m gonna lose, so i’m just gonna keep on loving you”

59. “You know i’m bad at communication, it’s the hardest thing for me to do”

60. “Iwas your lover, i was your friend, now I’m only just someone you call when it’s late enough to forget”

61. “It’s fucked up but it’s true that i love you like i do”

62. “Well we both had nights waking up in strangers beds but i don’t wanna, don't wanna, i don’t wanna give up yet”

63. “Tell me I’ve got it wrong somehow.”

64. “I’m begging for you to take my hand.”

65. “I can’t make it go away by making you the villain.”

66. “He feels like home.”

67. “I’d be breaking all my rules to see you.”

68. “But I know you’re not scared of anything at all.”

69. “When can I come back?”

70. “I’m ready to owe you anything”

71. “I’ll always look best in your head”

72. “I know you know it’s wrong, but I’m ready”

73. “All I ever want is breaking me apart.”

74. “Let's talk sweetly like all our love is false.”

75. “You put a fire in my heart, painted blood on my stars, gave me faith.”

76. “I wanna meet your girlfriend, she sounds nice.”

77. “How is kissing me so wrong?“

78. “Can’t you see that I’m already yours?”

79. “I’ve been losing track of the romantic sh*t I’m tryna say but basically I love you"

80. “I don’t wanna be your friend, I wanna kiss your lips, I wanna kiss you until I lose my breath”

81. “I apologize for all your tears, I wish I could be different but I’m still growing up into the one you can call your love”

82. “I’m out of my head, of my heart, of my mind cause you can run but you can’t hide, I’m gonna make you mine”

83. "I never loved someone the way that I love you"

84. "It's the way that you know what I thought I knew, it's the beat that my heart skips when I'm with you"

85. "I hope she gettin' better sex, hope she ain't fakin' it like I did, babe"

86. “I know we’re young and people change and we may never feel the same”

87. “I can’t change the world, but maybe I’ll change your mind”

88. "You don't own me. Don't tie me down 'cause I'd never stay."

89. "Leave everything that is worth a single cent and just take me instead."

90. "And then I got you off your knees, put you right back on your feet, just so you can take advantage of me."

91. "Hey, I can't let you go with nobody. Cause I love you, baby."

92. "Tell me that it wasn't my fault and that I was enough for you."

93. "We were good at faking forever, I get it, whatever."

94. "Cause you had your chance and you blew it. Yeah, you ripped it up and you chewed it."

95. "Well, I'm too busy for your business. Go find a girl who wants to listen."

96. "Stop looking at me with those eyes, like I could disappear and you wouldn't care why."

97. "Oh, we could do whatever you want, but boy, don't go falling in love, you can't stay with me, all you'll ever have is one day with me"

98. "I pray the medication slow me down, but that shit doesn't work when you're around"

99. "Told her that I loved her once and now she'd kill for me"

100. "What the tell were we? Tell me we weren't just friends"

Who I write for

Formula 1

Daniel Ricciardo

Lewis Hamilton

Max Verstappen

Charles Leclerc

Esteban Ocon

Carlos Sainz

Lando Norris

Lance Stroll

Sebastian Vettel

Mick Schumacher

Pierre Gasly

George Russel

Football

Erling Haaland

Jadon Sancho

Giovanni Reyna

Jude Bellingham

Julian Brandt

Marco Reus

Roman Bürki

Emre Can

Mats Hummels

Leon Goretzka

Joshua Kimmich

Kai Havertz

Mason Mount

Christian Pulisici

Ben Chilwell

Gerard Pique

João Félix

Ianis Hagi

Alex Oxlade-Chamberlain

Trent Alexander-Arnold

Virgil van Dijk

Jens Petter Hauge

Martin Ødegaard

Alexander Sørloth

#f1 imagine #f1 x reader #imagine #fanfiction #formula 1 #football #my prompts #soccer #erling haaland #daniel ricciardo #max verstappen #charles leclerc #carlos sainz jr #lando norris #lance stroll #lewis hamilton #premier league #bundesliga #grand prix

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betterversion--ofme · 4 years ago

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Rebecca Black's Search for Identity

Rebecca Black's unabashedly sapphic bop 'Girlfriend' came onto my radar recently. "Holy shit," I thought to myself, thrilled, "She's grown up and got a Carly Rae Jepsen meets Katy Perry sound? I need to hear more of this!"

Well, not exactly... 'Girlfriend' is that, but Rebecca Black isn’t that. Not yet, at least - out of a dozen or more releases, it’s just that one song.

The truth is, Rebecca has been trickling out songs for years, throwing things at the wall, looking for the style that will make her take off.

As I hopped from song to song in the Youtube recommended links, each song was different. They could have each been from a different singer. I was so excited after hearing Girlfriend, but each song I listened to left me more confused.

Skipping past the series of regrettable cash-ins while she was under management of Debra Baum right after 'Friday', then a handful of forgettable EDM pop tracks, are a few more recent interesting songs with -wildly- different vibes. So who IS Rebecca Black?

Welcome Back (she never left)

Every piece of press that Rebecca gets has the same lede: Remember the Friday girl? Well she’s BACK, she’s GROWN UP, and she’s a REAL MUSICIAN now!

But apart from a 3-year hiatus between 'Saturday' and 'The Great Divide', Rebecca has actually been consistently releasing music every year since 'Friday'. There's no comeback to speak of, she's always been around, just not gathering much attention.

It's the kind of PR move that works once and only once: that was then, this is now, and then you stand on the quality of your work and move forward. But every bit of press I could find, at the release of every song coming out almost every year, has taken this stance, not even mentioning the prior songs. She keeps trying to break out, but the viral fame is too comfy to leave behind.

The lead single off her one and only EP ‘RE/BL’, 'Heart Full of Scars', feels like an intentional callback to her viral phase and the cyberbulling she experienced. And I don't doubt that the bullying and harassment she went through left some deep marks. And the biggest thing that’s put her in the headlines lately, of course, is a new version of Friday.

So on the one hand she is trying to move forward with a pop career, but on the other hand she keeps leaning on her prior name recognition and winking back at the past.

She also has a pretty large presence on Youtube. I admit, I have not done a deep dive of her Youtube, Tiktok, and other social media presence. As I understand it, she is friends with a group of LGBTQ Youtubers and makes appearances in their work as well. Most of the recent vlogs on her channel, though, once again are themed around 13-year-old Rebecca.

I mean, those viral-fame-milking videos have double or more the amount of views compared to her other videos, so I guess do what the algorithm commands you to do, girl.

A short history of Rebecca Black the artist

I want to start out by saying I'm not going to consider 'Friday' as part of her career. I want to judge her current work on its own merits: would I be listening to it, if it didn't have any name recognition?

Directly after 'Friday', Rebecca was signed to DB Entertainment and released a string of awkward songs and videos. The less said about them, the better. Then was 'Saturday', dipping from the one-hit-wonder sequel song well with the best of them (see Kung Fu Fighting's Dance the Kung Fu, and The Devil Comes Back to Georgia).

The one cohesive work she has released is the EP ‘RE/BL’ in 2017. Other than that, everything has been released in one-off singles or pairs.

She’s got very safe EDM pop in Foolish and Anyway. She’s got some sweet but dark, Melanie Martinez vibes in Sweetheart and Do You. (She’s even worked with Billie Eilish’s brother Finneas on Satellite). Every time she seems to be heading in a certain direction, she releases something completely different.

As of yet, though, she hasn't settled on any genre or general identity that I would expect from a pop artist. Not that I'm expecting every song she puts out to be the same, or that I don't love some experimentation, but the things she has put out simply don't feel cohesive, and it's like each song is aimed at a different audience.

Who Is Her Base?

So, having listened to all the songs she’s put out to date, I’m at a loss with how to describe Rebecca Black as a pop artist.

Is she a mainstream pop idol? Is she retro-inspired and glittery?

Is she cute but a little dark and edgy? Or a boundary-pushing hyperpop queen?

She's a chameleon, becoming a different artist each time she works with a new collaborator. And I think this is hurting her chances at building a devoted base of fans.

February was big PR moment for our girl Rebecca. Just a week after 'Girlfriend' dropped, so did the hyperpop remix of Friday.

Unfortunately, hearing the phrase 'Friday hyperpop remix' gives you just about everything you need to know, and you barely need to listen to the song. I'm not saying that because of any distaste for hyperpop - Simply, the actual execution of the idea was unsurprising and unexciting (IMO).

It's not completely out of left field, though, as Rebecca is honestly dipping her toe into hyperpop. She had a feature on Dorian Electra's latest album, and her main 2020 release "Closer" has some light Sophie/Charli-esque touches (albeit in a much safer and chiller way than the Dorian track). Her Fantano interview does imply this is something she’s interested in pursuing further.

If Rebecca goes full hyperpop, I am totally behind that. It's a ripe niche, people will appreciate her meme appeal rather than be driven away, and 'hyperpop star' is a rather more achievable goal than 'mainstream pop star'. If she can do that and do it well, it could be the perfect career move for her.

I do hope Rebecca finds her identity as a musician. It’s a tough step for any artist deemed a “one-hit wonder”, and doubly difficult for her unique situation. I think she’s got a lot of potential, and someday we’ll stop saying “Oh, the Friday girl?” and start saying things like “Oh, I loved her latest album!”

#rebecca black #hyperpop #dorian electra #friday #bubblegum bass #i only want good things for her #and i also want a whole album of songs like girlfriend haaha i am very biased

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omg-gojo · 4 years ago

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ZEUS ASSHOLEPOINTS +NOTES

Episode 1

I think this Is one of THE best Ares representations, it's a mature and cold headed warrior, he's loyal to his mother, he knows how shitty is his father with his stupid rules and literally with their interaction in the first episode you know he's so done with the cheats of Zeus and he goes so calm to talk with his dad in a cold manerism, he really acts as a prince, as a god of war and son of a cheater.

And Zeus acts like if Ares Is the one being a dickhead when Zeus is the one breaking the rules +100 assholepoints

Episode 2

Morpheus Is the one that sent the dream of his birth to Heron if you think of it, like, it's impossible that Heron remembers that c'mon

Also thinking of morpheus and his brothers my headcanon Is that they are childrens of Nyx

Zeus actually rape Electra?????? He actually goes see her naked, he says "nice a*s", takes the form of her ABUSER and sleep with her without her knowing. THATS SOOOO MESSED UP (and really accurate to Zeus) +100 assholepoints

EXTRA POINTS TO ELECTRA TO GET DOWN TO BUSSINESS AND NOT LETTING ZEUS FULL AROUND HER LIKE SHE KNOWS NOTHING (poor Electra they didnt even get her a name in the majority of the season)

HERA ACTUALLY CRIES, and that makes me thing how many times Zeus has made her cry, and that just +1000000 a*sholepoints

HERA GETTING DOWN TO BUSSINESS WITH ZEUS, (that makes me think, where Is HERA now? I hope she goes to the underworld because It is a neutral land)

Apollo saying "he has never show his true form to a mortal before" makes me think then what version of Dionasyus took

Episode 3

Ok. At first when she said "you fear Hera more than you love me" i was like "uh duh" but now watching it again, Zeus REALLY DOES NOT CARE OF ANYTHING THAT DIDN'T COME FROM HIS D*CK +1000 assholepoints

Zeus doesn't know how to afront problems without putting out the card "obey me" or "i'll kill you" +100 assholepoints then going to lose steam shaming and kicking ares +100

Zeus thinking he can fool around Hera +100 assholepoints (because he never learns)

I've seen people making critics where Hera says "queen of heavens" thinking she's refering to Olympus but she's actually referering to her Dominion (for people who doesn't know before Hera was godess of marriege she was considered godess of the above or cosmos) so Zeus playing the "were" he's shaming her that now thats HIS DOMINION so +100 assholepoints

"i don't answer fools" yeah baby show him but not throw sh*t to Hermes >:"( also thinking if Hera does not like Hermes why they didnt design Iris?

So you're telling me Cerberus cant smell Heron 5 feet away but can track Alexia's smell miles away? Hm

Zeus didnt NOTICE thats Hades bident???

Okok. But getting aside electra's death, the fact that Zeus makes a lot of move RIGHT after he says it's forbidden like +10 assholepoints each time he did it

Zeus getting in His face that he's breaking the law in front of the pantheon then moke It because he's the ruler and then even trying to attack them +100 assholepoints

Using the brother fact to get poseidon on His side in a place where everyone Is releated, not a good move, also treathing him because Poseidon is really trying to made him notice His breaking the law +100 assholepoints (Poseidon also got +10 assholepoints but that's because he's kind of the same)

Aphrodite has a sword! Now my headcanon Is that she has classes with Ares! Also Artemis can do like magic?

Episode 4

I like they took the fact that in greek mythology the underworld Is in far west instead of being under

Now episode 4 starts with the visit to the underworld and i realice that Is really accurate (they even have the island of armonia!) i'm hopping with the interview to the directors that More chtonic gods appear

I already talk about "the visit of the deaths" i really think this should have been played in season two (but i'll make a post of that after)

Why can everybody controls the bident?

It's impossible that a baby can survive that high (i saw a post talking that maybe Hades save him that time and It really makes Sense)

Watching the big picture here Zeus didnt even tried to save Seraphim, really, i mean It was sooooooo Easy to sent Hermes (that already knew of Electra) to take the child or to a family near by or even to Electra (that her greatest grief was losing His son), and this only reforce the fact that he does not CARE from anyone than his own blood +100 assholepoints

Also there are so many moments where Zeus could have intervine like he did for Heron and his mother that +10000 assholepoints

Did anyone notice that Zeus knew that the titan's corpse was in the shores a loooong time ago but he DIDN'T do anything? And for that Seraphim became a demon? +100 assholepoints for not being a responsable king (+100 to Poseidon because he's in charge of the ocean)

#blood of zeus #poseidon #hades #ares #aphrodite #zeus #hera #hermes #greek gods #greek mythology

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sillybub · 4 years ago

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ok so i’m trying to write a cats fanfic for the first time (fanfic for the first time i’ve never written one) and i’m mostly just hyper fixated on a few characters so i have no idea how to write anyone else, do u think u could drop some personality hcs about the younger cats who don’t have songs (provincial, ecetra... ect. lol) i would appreciate it greatly!!!!

!!!!!! HELL YEAH SURE I CAN

Pouncival

He's the character I think about the least, tbh, so I'll start with him.

He's very much an annoying little brother figure who tries to act cooler and tougher than he really is. He's super impressionable because he wants to fit in, so he kind of just goes along with what everyone else is doing. Generally just a little shit who likes getting on people's nerves.

Tumblebrutus

Parkour junkie. I saw him described as a juvenile delinquent once, and that really stuck with me. He likes to get into trouble and thinks himself a rebel, but don't let that fool you. He's very respectful to his elders, and is a model Well Behaved Lad that his parents love to brag about. He very much as the energy of the oldest kid who was left in charge of the other kids. He does enjoy stunts and showing off a lot, of course. He's actually fairly reasonable and smart; he absolutely knows what he's doing is stupid, but it's fun so he does it anyways.

Etcetera

SHE'S SO EXCITED!! Her emotions are always at 100% and she has no small feelings. She has so much energy and she is constantly chattering or moving around somehow. Because she's a big chatterbox, she's also the worst secret keeper ever. If she knows something, it's not long before everyone knows.

She has an incredible sense of humor and loves to poke fun at her friends. She's perpetually here to have a good time, and that combined with her lack of self-control, make her very accident prone. If you dare her to do anything, she will do it on the spot. Prank call, public, embarrassment--as long as it will make her friends laugh she's SO down.

She loves her friends SO much, and would do anything for them. She'll throw hands at the drop of the hat, DON'T try her. She's not actually very tough, but that won't stop her from trying. She takes no shit at all and stands up for her buddies.

Electra

Electra has a few layers to her. She's a guarded and reserved person, so she's the quietest of the bunch. She's definitely an introvert, and prefers hanging out in small groups. On the surface, she's polite and demure.

She's prideful of her independence and it can be hard to get close to her, but once she warms up to you, her personality becomes a LOT more animated. She loves stupid little jokes and stories, and she has a pretty creative mind for coming up with them. She's really clever and observant, so she can be a BLAST to hang out with.

She sort of has a perfectionist complex. She was on her own for most of her childhood, and the Jellicles are the best thing to ever happen to her. She wants to be a good friend in return, so she tends to keep all of her own problems bottled up because she doesn't want to be a burden. She's FINE, of course she doesn't have any trouble with her personal sense of belonging and abandonment issues!! Inferior complex?? Ahahaha get outta here!!

Jemima

She's the baby of the group 💕 She's super friendly and cheerful, and her positive vibes are super infectious. It's hard to be in a bad mood around her; her innocence and genuine kindness have a way of worming into your heart and making you want to protect her at all costs.

She's a lot more perceptive and observational than most people expect. She easily picks up on people's feelings, so she's a very empathic and kind person. She has this uncanny way of being able to get an exact read on people after having one conversation, and as a result, she's incredibly easy to talk to. Her understanding and kind gaze set people at ease, and they tell her all kinds of secrets. Thank God she chooses to use her powers for good.

She's a REALLY good listener as well, so she's the friend that you go to when you need to vent. She's the youngest kitten, but it's easy to forget that when she's spouting wisdom to you.

She's also not afraid to tell you what you need to hear over what you want to hear. She can be a little brutal if you're full of shit, and there's nothing more painful than seeing her disappointed in you.

BONUS: Victoria and Plato! I don't quite see either of them as kittens, so much as Baby Adults

Victoria

She's very poised and graceful, and that combined with her confidence can sometimes make her come off as a little condescending.

She does have high expectations for herself, and is definitely a perfectionist. She works hard to be the best that she can be, which earns her a lot of admiration. Her cool composure and elegance make her super attractive, and she's QUITE popular.

She's pretty well-adjusted, actually. She doesn't have much that troubles her, but she's prone to over-exerting herself to meet her personal goals and standards.

Plato

He's the only cat that I would confidently call a himbo. He's dumb as a brick, very strong, and chugs Respect Women Juice for breakfast.

He's everybody's best friend; he calls everyone "pal" and "buddy" because it takes him a while to remember new people's names. By the time their actual names are drilled into him, calling them by a nickname is already a habit.

He actually gets lost in thought a lot. He'll stare at a flower for a long time, completely stuck on "Hnnn,,, pretty flower,,,, wonder if any bees have visited it today,,,, do flowers get lonely when the bees aren't around? Do flowers have feelings? Sunflowers seem like they'd be happy a lot" and then he'll be sitting there drooling for hours as his thoughts go off on ten different tangents

And then he'll ask what the Spanish word for torilla is or something.

He's a REALLY nice guy who you can depend on to help you carry heavy things. He likes holding things because he's never sure what to do with his hands; his favorite thing ever is giving people piggyback rides or just holding them in his arms like a baby. His hugs are just the absolute BEST.

Best of luck with your fic!!! I'd love to read it when you're done!!

#can you tell who my favorites are lmao

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mr-face-both-ways · 4 years ago

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Stex Appreciation Month: CB!

Can’t trust anyone these days, remember I can face both ways!

Ah yes, my url’s namesake, i finally had time to finish and post something lol i’ll post the others soon

Questions answered under the cut! This is extra long because he is my Fave and im Biased

Fave song: There’s Me hands down, the whole scene including That Was Unfair is just so good in establishing CB’s, Greaseball and Dinah’s characters so well, plus the melody is just*chef’s kiss* and the fact that its technically a villain song?? Love that, plus the parallels of him finding Dinah alone and upset and comforting and supporting her and lending her a hand up and sending her on her way after she’s cheered up, with post race 3 where he’s the reason Rusty’s alone and hurt on the floor, kicking him when he tries to get up (looking at you 1991 boot) and mocks and insults him, leaving him alone with his confidence broken as he leaves laughing. What an absolute bastard!! But when There’s Me is taken out, you don’t properly see his two sides, both the bad and good sides are important to his character! He’s a contrary dude but that’s just him! Plus the actual song has one of my fave melodies of the show, I can and do listen to the intro from the ost on repeat, plus that lil bit in the japan vid?? So cute?? And the contrasting styles to that and Wide Smile?? Amazing, love it

Fave actor: Once again my fave actor list is gonna be like 5 people lol, the great thing about C.B’s material is that his attitude and demeanour can change based on his inflection, movement etc so! Michael Staniforth is a given, his Wide Smile really demonstrates his range which imo not many others have been quite as good, plus what extremely little footage and photos there are of him he was extremely expressive and just fun to watch! I’ll also go with Peter Rees, Andrew Prosser, Hans Johansson, Oliver Rhoe Thornton (and what the heck let’s also go for early Kapa Kitchen and Daniel Ellison)

Fave ship: Ohh boy this is super self indulgent but CBGB honestly (has the fandom given it a nickname? Greaseboose?? idk) I love that in the older scripts him and GB high five (that us boot where cb does a lil jump to hit GB’s high five?? Adorable) and actually talk like friends?? Like Greaseball is a jerk to pretty much everyone and for him to be friendly with him is just sweet. Not to mention its Greaseball who tells his gang that CB’s a “mean machine”, is always calling out to CB in the races and a recent thing that clicked in my brain is that when CB says “what a race, what a team!” and GB’s like “shhh! ohhh you mean me and dinah?” like did he just think that CB was about to out that they were working together during the race to crash the other engines in front of Dinah so he shushed him, then realised he was talking about GB and Dinah?? then just the whole exchange after sabotaging Rusty?? Duet One Rock and Roll? That GB just lifts him up like its nothing then they just kinda sit on eachother?? Those two are in cahoots I tell you!! Plus to me i get the vibe that they’ve been working together for years?? I just love their dynamic haha (and CB’s the only one i think who calls him GB that’s so cute) oh and platonic CB/Dinah is top tier, I feel like Dinah’s a very emotionally honest person so CB would feel like he could actually trust her?? And thanks to the new megamix Canoose/Elektra can have one right, as a treat

Fave thing about him: His independence! All the other characters are very much driven by either winning the races or finding love (or both), and C.B. just...doesn’t care. What you “are” is a big deal in Stex, like the engines, coaches and freight all have their identities shaped by their titles, and that can influence how they feel about the above two subjects “nobody can do it like a steam train”, etc and looking at when C.B. does participate in the races him and his partner tend to take the lead so he is good at racing!! But he chooses not to in order to make his own fun (at the expense of pretty much everyone else). He also seems to have a level of self-awareness, take his verse in Freight for example, he knows that as a brakevan he has to essentially serve the freight train, perceptually at the back of the train. But instead he uses his “purpose” aka his brakes to not do what he’s been told and to disrupt the train, and gets away with it by presenting himself as the innocent helpful brakevan! He’s just doing his own thing, (poor Rusty but,,) good for him!! And of course I have to say again, his two sides, and the ambiguity of it?? Like is he good, bad?? He’s both and neither?? An absolute force of chaos, but it only really works when both sides are present. Plus he a cutie tehe

Random headcanon: I think he’s unnervingly observant, even moreso than Pearl, and has amazing peripheral vision. That and taking notice of things like vibrations on the rails he’s very good at telling whose around before they’ve fully come into vision. He’s always watching everything around him, and isn’t necessarily being creepy, he’s just trying to get as much info on the current situation as possible. I think he likes to have some control and be on top of things?? I also really like the ex-boxcar theory (I first saw this theory on the old bellesdomain forums, rip) and I think that maybe when he was converted it was very difficult for him, having to deal with people, and having the CB radio to control what he hears helps ground him and keep his thoughts less cluttered?? He might’ve also forgotten a lot of his boxcar days, so when he says “you know I’m to blame but you don’t know my name” maybe he doesn’t even remember his original name?? And never got a new one as just the Red Caboose, so he clung onto the CB radio to give himself a sense of identity when his previous identity was stripped from him?? IDK

Unpopular opinion: This wagon can hold so many spicy takes he’s not a murderer lol but at the same time i can see where people can think that considering the lyrics reference several real-life train crashes even if they don’t make sense for CB to be there which tbh I put down to Stilgoe going tehe railway incident reference! I think he’s travelled around a lot and done a lot of questionable things, and maybe he was responsible for those crashes in the stex universe?? or maybe he’s just lying?? he’s definitely responsible for some shit, but considering he crashes 5 (!!!) engines during that one race night and being publicly humiliated after race 4 he doesn’t get in trouble and besides, all those engines are back for light at the end of the tunnel, they’re fine lol. Another thing is that I haaaate how CB has like no agency anymore in the current version like everything he does is for money, he’s basically a henchman for the engines (and everyone knows what his deal is and he isn’t in train jail?? what??) and they got rid of the pre-race 4 bit “just for me, I’m in this just for me” (in that slightly twisted there’s me melody) and Electra desperately pleading “help me caboose, help me caboose” to just the generic “I’ll help you win” at the end and not really its own little bit anymore like he barely has his own motivations anymore, it actually makes me really sad :( it really just doesn’t feel like CB anymore, though his character has been really disjointed since like 2007 when they got rid of there’s me. He’s just kinda bland now, like before he instigated a lot of the conflict, now others tell him to do something and he does it. I could like him more if he had an ounce more depth, like why is he so motivated by money? Maybe go into that old vs new tech theme and bring up that now that there’s new tech that can do the job of a brakevan he’s now antiquated and has to go into crime to get by?? Idk just please give me something, I think CB’s always been a bit of a fan favourite because he had multiple layers to his personality but new boose just has a whole lotta nothing :/

Anyway let’s end on a positive note at least we got pride lighting and a solo in the megamix so that’s something I guess XD

#stex appreciation month #starlight express #stex #cb the red caboose #stex cb #my art #musicals

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johannesviii · 4 years ago

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Top 10 Personal Favorite Hit Songs from 2020

You know, when I finished my latest list and realised every decade had the same pattern and that we were slowly going towards a series of great years for pop, I didn’t realise how good that year would be.

What’s at the top? Am I boringly predictable because I already said I loved that song all the way back in January 2020? Let’s find out.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will probably be stuff in French somewhere on this post. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

So. Uh. How was your 2020?

Mine was actually surprisingly good, considering. I’m lucky enough to have a job that I can partially do from home, and I was extremely paranoid from the get-go and nobody got sick under this roof so far. Turns out I’m even better at my job from home and I got permission to work from home one day per week even after the health crisis is over! My first name was also finally officially approved and I can’t tell you how happy I feel about that. I almost feel bad to have had such a good year considering the circumstances. I feel like an asshole just because I’m happy, haha.

The only frustrating part was that I was supposed to see Hatari in concert in Paris in early April which, as you can guess, was cancelled. I’m not too mad about it though, since their tour was called “Europe will crumble” and the message saying the tour was cancelled started with “since Europe is actually crumbling due to Covid-19″ and that’s hysterical.

Good or interesting albums that came out in 2020 now, let’s see.

Nightwish released Human/Nature, which was a huge letdown compared to their previous album, but I will relisten to it at some point to make sure I wasn’t just in a bad mood that day.

The Birthday Massacre released Diamonds, which might be their weakest album since their debut, but contained some real gems (I listened to The Last Goodbye on a loop, it floored me. Flashback and Enter are also very good).

The 1975 released Notes On A Conditional Form, and let’s be real, it’s a f█cking mess. You could cut half the tracks and end up with an excellent album, but as it is it’s like, yes, a collection of notes ; however there’s some truely excellent shit on it (see unelligible songs).

Thanks to a friend on a discord server I was exposed to Dorian Electra’s music and I haven’t been quite the same ever since. I’m so happy to be alive to see other enbies making such great music with an insanely good aesthetic surrounding it and asking so many interesting questions about gender. Also the arc the ‘gentleman’ character goes through over the course of the entire tracklist of the 2020 My Agenda album is absolutely hilarious, don’t @ me.

I also discovered 100 Gecs this year. Why are most of you guys saying it’s unlistenable garbage. It’s just as abrasive and over the top as industrial music is, but with none of the edginess or drama. I love it. What the hell. But yeah Tree of Clues was released this year. Good.

Speaking of industrial, in March 2020 Nine Inch Nails were like “hey remember when we released Ghosts I-IV a decade ago entirely for free and how amazing that was? Well we’re all in lockdown and bored as hell so here’s Ghosts V-VI and it’s also free. Enjoy” and I f█cking died instantly. And it’s even better than I-IV. What the hell was that year

Jonsi released Shiver. It’s strange and highly experimental. I’m pretty sure it’s a good thing I was into hyperpop this year, otherwise going from his previous material straight to this album would have been brutal.

Yadda yadda yadda After Hours by the Weeknd good yadda yadda.

I’ve joked about that already but if you had told me in 2019 that 2020 would have fires, a pandemic, riots, monoliths appearing and disappearing, and also a super good Machine Gun Kelly album, guess which part I would have found the most ridiculous. But yeah uh. Tickets to my Downfall good

So uh this year I tried to listen to some hyperpop and liked it a lot, and I also dipped my toes timidly into screamo and listened to Svalbard, who released When I Die this year, and the entire album was a very beautiful, very intricately decorated punch to the face. It sounds like God Is An Astronaut except with a shit ton of yelling. I love it. Open Wound is my favorite track on it.

But no, despite all of this, my album of the year was from a band I had never even heard about before that year, called Spanish Love Songs. The album is titled Brave Faces Everyone and it’s line after line after line of extremely relatable generational angst but yelled with complete sincerity and it’s so propulsive and energetic you can’t help but feel both exhausted and ready to fight the entire universe. I don’t know how it works, but it’s incredible. The entire album is wonderfully brutal, so it’s kind of difficult to pick my favorite songs on it, but Beachfront Property and the title track stand out.

Unelligible songs, now, and there’s, uh, quite a few of them too so I’m also gonna use bullet points. Good lord this post is gonna be long.

First, let me say I have literally no idea why Midnight Sky by Miley Cyrus wasn’t a bigger hit. It’s not on the year-end US top 100 and it feels extremely wrong. Would have made it to #4 on this list otherwise.

I still entertain the vague hope that stuff from Machine Gun Kelly will chart higher in 2021 but I doubt it will happen so I might as well tackle it now and say that Bloody Valentine and especially Forget Me Too are both excellent and that it’s a shame radios aren’t playing them more often.

Heaven by the late Avicii featuring Coldplay should have charted in 2019 and still didn’t chart in 2020 and that’s a real shame.

If the world was a bit less unfair, Lovesick Girls by Blackpink would have been a hit rather than the awful Ice Cream.

One day I will stop complaining about my bafflement concerning the lack of mainstream pop charts success of The 1975. Today is not that day. I just love how they keep making songs about extremely awkward relationships full of weird details, and I haven’t grown tired of that yet. So yeah If You’re Too Shy is about a guy who’s crush is asking him to get naked on Skype in his hotel room and he’s, uh, not too sure about that idea.

And Me & You Together is about a guy who never finds the right moment to tell his best friend he’s in love with her, and he manages to do so at the end and it’s cute as hell. My fave part is “I'm sorry that I'm kinda queer / It's not as weird as it appears / It's 'cause my body doesn't stop me (Stop me) / Oh, it's okay, lots of people think I'm gay / But we're friends, so it's cool, why would it not be?”. Relatable as f█ck.

And now for an international hit that should have been bigger in the US and/or in my country but wasn’t: Head & Heart by Joel Corry and MNEK.

I’ve heard Nos Célébrations by Indochine extremely often on French radio for months now so I was very surprised to see that it didn’t crack the local year-end list. What happened.

I can finally hear the appeal of Bring Me The Horizon. It took me ages. And also Death Stranding. The song Ludens isn’t in the game per say, but it’s among the ones you can pick to broadcast briefly when people drive by your constructions, and long story short it's been living rent-free in my head for months now.

Phew.

It’s time for a round of Honorable Mentions for elligible songs, containing a couple of guilty pleasures, which is saying something considering the kind of shit I put on some of my previous lists.

Ne Reviens Pas (Gradur et Heuss l’Enfoiré) - Heuss is a French artist that kept baffling me while making my lists for the previous years, and I was like “??? ok, that’s it then, I guess I’m getting too old to get what teenagers find funny”. This one worked for me, though. And the music video doesn’t hurt. Really dumb and really fun.

Adore You (Harry Styles) - Perfectly good little pop song, very pleasant to listen to, never outstayed its welcome for me.

Mood (24kGoldn) - This doesn’t sound like a very good relationship, my dude, but that’s still a super pleasant song.

WAP (Cardi B & Megan Thee Stallion) - This song is absolutely hilarious and I will hear no argument from any of you.

Control (Zoe Wees) - Was clearly a hit here. Should have been even bigger though. What a powerful but comfy voice. If I had better taste it would be on the list.

Hot Girl Bummer (Blackbear) - I. Uh. Listen. I keep saying I have bad taste and nobody believes me. Do you believe me now. But yeah. “F█ck you, and you, and you~, I hate your friends and they hate me too” is gonna pop in my head every single time someone is being a jerk anywhere near me now. It’s been happening all year already. Someone trashed my documents at work? Someone isn’t wearing a mask in public? That guy has filled his car with rolls of toilet paper? Brain goes “F█ck you, and you, and you~”. Every. Single. Time.

Come & Go (Juice WRLD & Marshmello ) - Damn, that’s a pretty good little song. I’ve seen plenty of people saying it’s ruined by the drop, but may I remind you I’m the person who loves Blue by Eiffel 65 with all my heart. If the song was ramping up consistently until the end instead of ending like that, it would have made the list, definitely.

And now, the actual list. This one actually feels pretty solid, I genuinely like everything on it, there’s no filler here for once.

10 - The Box (Roddy Rich)

US: #3 / FR: #23

Now this is a weird case, because for the longest time I couldn’t figure out why this song was so popular and I was completely neutral about it. Then, one morning in September, my mental jukebox (which always, always puts a song on a loop in my head when I wake up) decided to play it. And I was like oh wow?? I never noticed the atmosphere in that song before? It’s so great. And that hook too. Let’s listen to it.

So yeah, I don’t know what happened. It just clicked one day and everything fell into place, I guess.

9 - Alane (Wes & Robin Shulz)

US: Not on the list / FR: #93

Come on. You can’t do a remake of one of my previous #1 songs and let it chart in 2020. That’s cheating. Even with this subpar drop, I have to put it on the list, now.

I’ve already said my piece about the original, so I’m just going to send you back to my 1997 list.

8 - Kings and Queens (Ava Max)

US: Not on the list / FR: #76

[BBC documentary voice] After Lady Gaga decided to make piano balads and left her musical niche vacant, Ava Max quickly took her place as the top predator pop diva. Even after Lady Gaga was re-introduced to her natural habitat in 2020, she still hasn’t fully recovered in Europe, where Ava Max still reigns supreme on the charts -

(tldr I think it’s hilarious that this isn’t on the US Billboard while Lady Gaga isn’t on the French year-end top 100)

7 - Roses (Saint Jhn & Imanbek)

US: #19 / FR: #3

What an earworm. It doesn’t even bother trying to have an intro or an outro, so it loops almost perfectly. It’s like entering a party that started long before you arrived, and it will go on long after you leave it to go back home. Kind of hypnotic in a way.

And yes, my mental jukebox was very fond of using it to wake me up this year, so this is another song that’s here almost solely because of that.

6 - Physical (Dua Lipa)

US: Not on the list / FR: #69 (hehehe)

“Hey I’m not that old” says the guy who’s definitely a sucker for this kind of retro throwback that was so popular this year. Oh well.

I don’t have anything interesting to say about this one, though. Apart from the fact that everyone seems to have a different fave song on that album. Guess that’s quality for you.

5 - Rain on Me (Lady Gaga & Ariana Grande)

US: #48 / FR: Not on the list

That is far from being Lady Gaga’s best song, but it was a joy to listen to everytime it was on the radio anyway. Also Ariana Grande has surprisingly good chemistry with Gaga! This year was full of strange duets mostly made for commercial reasons, and this one isn’t an exception, but unlike a lot of them, it really, really works.

4 - Dynamite (BTS)

US: #38 / FR: Not on the list

I’m still not 100% sold on k-pop even if a ton of it sounds super good, but come on. Even if some bits of this song (especially the beginning of the second chorus) sound a bit like they were made on autopilot, it still sounds just as happy and fun several months after I first heard it and I never got tired of it. That’s quality. You hear it and you can’t help but tap your feet and smile.

Actually, I’m sure there’s people somewhere that don’t smile when they hear this song. And they must be avoided at all costs.

3 - Godzilla (Eminem ft Juice WRLD)

US: #62 / FR: Not on the list

What are you doing so high on this list, old man. Why are you still here in the year 2020. I thought we left you in the previous decade. Who gave you the right.

I’m gonna tell you who did, and it’s actually Juice WRLD. Because that chorus is incredible, and like a lot of people I’m pissed off because the guy died super young and this shit shouldn’t happen to anybody. No, his early material wasn’t great, but I’m sorry I’m gonna say it again: have you heard this damn chorus? It’s suspenseful and dark, it’s got this lowkey menacing quality, it’s an earworm and a half, and it’s more convincing in like six lines than Eminem’s own flexing is in the entire song.

The beat is extremely good as well, and the flow, obviously, impressive. The weakest link is Eminem’s writing, which is as usual full of puns and weird wordplay, except here a lot of it isn’t great, and that last ultra fast part at the end is technically impressive but it also drives the song up a cliff and stops it dead in its tracks once it’s over. But frankly the lines fly by so fast it’s difficult to be too annoyed by them.

Can I sincerely put this extremely flawed song so high on my list? A better question would be “did I spend hours trying to learn how to sing this shit without choking on my own spit?”. The answer is yes. To both.

2 - Heartless (The Weeknd)

US: #28 / FR: Not on the list

I’ve said it on my 2015 and 2016 lists already, but just for the record I’ll say it again: it took me ages to like The Weeknd, mostly because I found most of his songs fairly boring, or disliked the lyrics, or both. Also I never really liked the general vibe of his “sexy” songs like The Hills, they felt dark but in an unpleasant creepy way. Felt like miserable hedonism, if that makes sense.

So, because I’m a person with extremely consistent and logical tastes, here’s the exact same shit he was making before, except that this time I absolutely adore it.

What is he doing differently that makes the whole After Hours album click for me whereas almost all of his previous material failed to do so? Is it the energy? Is it the reverb? Is it the fact that the narrator sounds properly unhinged and, frankly, scared to be spiralling out of control? Why are the colors so beautiful yet full of anxiety? Why is that bridge so fantastic? How can you make your voice look like a glowstick in the dark?

I give up. I have no clue. At least I’m done talking about-

Oh.

1 - Blinding Lights (The Weeknd)

US: #1 / FR: #1 (listen sometimes something’s just that good, ok)

Surprise. Or not.

Wow, look at that, Johannes has put this year’s number one pop song at number one on their personal playlist. The audacity. The edge. What a hot take.

I discovered that song when it first came out at the end of 2019 and I adored it instantly. And I was so scared it wouldn’t be a hit. Which means I’m a f█cking dumbass considering it ended up breaking all sorts of records in 2020. But what can I say, overplay can be a blessing when you love a song that much.

Like every single song I put at number one on one of my lists, I will draw this one at some point and you will understand how incredibly satisfying it is to listen to a song called Blinding Lights, talking about city lights looking blurry when you’re driving at night, while looking itself like a bunch of blurry city lights passing by super fast. Perfect in every way.

Also it sounds exactly like A-ha, and that never hurts.

See you next year! Pretty sure it will be even better music-wise.

#Johannes’ bad not good pretty terrible music lists #music #long post #eye contact tw

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shemakesmusic-uk · 4 years ago

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Alt-pop newcomer LVRA (pronounced loo-rah, real name Rachel Lu) has shared her first new track of 2021, ‘DEAD’. Following up on 2020’s debut EP LVCID, she explains: “There’s a unique power you gain when you stop caring about what people think of you. It’s an ongoing battle, though, and ‘DEAD’ is about the conflict between the fantasy of not caring and how you feel in reality. The video captures that, with a version of myself who has her shit together and another that is fighting to survive.The use of red represents fear in the human condition, but in Chinese culture it also symbolises happiness. One rarely comes without the other.” The track – a cultural mix that matches LVRA’s heritage with bleeding edge ultra HD pop – is the first taster of a second EP, which is set to follow later this summer. You can check out an Oscar McNab (Lacuna Common, Oscar Lang). directed video above. [via Dork]

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Los Angeles artist Wallice follows debut single 'Punching Bag' with new coming of age anthem, '23'. Wallice finds herself caught between two places on fresh cut, '23'. “Too old to be a runaway”, but also too young to consider herself as grown up, the 22-year old yearns for a past that still has not happened yet. Working with producer David Marinelli since her return to California, Wallice has crafted a sound that is unique without taking itself too seriously. An angst-driven remonstration at the powerlessness of her age, '23' is also the clearest stamp of her musical identity to date. The expression of this purgatory is a cathartic garage-rock headbanger complemented beautifully by Wallice’s playful lyrics. “I just can't wait to be / all grown up and 23,” she admits in the song’s irresistible chorus. “Tell me what is wrong with me / I miss my Ohio fake ID”. In artfully portraying the limbo state of the age, Wallice describes the events in her life that have led to her own disaffection. “It’s hard not to compare your own professional success to that of your similarly aged peers. I dropped out of university in New York after studying Jazz Voice for a year, and my dad was VERY disappointed, to say the least, so it was hard not to feel like a loser in that sense. “The specific age 23 doesn’t have any milestones associated with it, but it’s more the idea of just looking forward to the future,” Wallice continues on the meaning of the track. "Much like how people ‘reset’ every new year, it’s comparable to be ‘older and wiser’ with each birthday, but instead of constantly looking to the future, it is important to be happy with where you are”. [via Line Of Best Fit]

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Coach Party have shared their new single 'Everybody Hates Me'. The Isle of Wight group are gearing up to release their incoming EP, with After Party pitting their potent indie pop influences against bittersweet lyricism. Out shortly, the EP is teased by new thumper 'Everybody Hates Me', with Coach Party adding a neat gloss to their guitar pop sound. Out now, 'Everybody Hates Me' comes equipped with a neat video steered by Daniel Broadley. Vocalist Jess Eastwood comments: “‘Everybody Hates Me’ isn’t a metaphor for anything; it’s literally about those times when you convince yourself that everyone, including your best friends don’t actually like you, and your self-confidence is so low that you don’t even blame them. Disguise that sentiment in an up-beat singalong, and there you have the third single from our new record. The video is a direct extension of the song. It swings between the insecurities of feeling like you’re not good enough amongst your friends, and the sense of unity you get from those same people when you finally wake up from your rut. Everyone feels that way from time to time, but you gotta remember that sometimes your irrational self is going to take over. And when it does, try to remember that you’re awesome, and your friends really are your friends.” [via Clash]

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Pussy Riot have gone hyperpop on their latest song 'Toxic'. The Dorian Electra collaboration features glitched out production by Dylan Brady of 100 gecs and tackles a relationship gone bad. Written, directed, and edited by Pussy Riot’s Nadya Tolokonnikova, the music video features jarring, bloody imagery matching Brady’s production. “Care about yourself, cherish your mental health, and stay away from relationships that poison you!” Tolokonnikova writes in the YouTube description. “Amen.” In the song’s lyrics, Tolokonnikova tells off an ex. “You are my daily poison so annoying,” she sings. “You’re even more toxic than my employer.” The hook continues the theme. “This combo is deadly — ’cause we used to be friendly,” Electra laments. “And now my heart is a weapon / You made me… toxic.” [via Consequence of Sound]

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Baby Queen has dropped a brand new track, ‘These Drugs’. Bella Latham’s second new track of the year – following up on the anthemic ‘Raw Thoughts’ – she explains in an Instagram post: “This is a story I really needed to tell you and I didn’t know how to for a long time. When I first wrote this song, I honestly didn’t think I was going to be allowed to release it or that releasing it would be a particularly good idea. It just felt really important and that’s all I’ve ever wanted music to be; so I knew I had to share it with you.I was in a very bad place at the time… very depressed and convinced I wasn’t a good person and didn’t deserve good things. Life is different now. I’m happy. I’ve learnt that the antidote to my misery is gratitude and caring about myself even when I don’t want to, until it becomes a habit. It’s natural to look for escapism but there’s more freedom in working to build a life you like… and by that I literally just mean learning to love yourself. You, with all your scars and all your regrets, are home to an actual life! You’ve been through so much and you’ve come out the other side stronger because of it – it’s remarkable really. You’ve got to invite the sad parts of yourself in to have a tea party with you. Don’t ignore them and cover them up. If you don’t look at them, they’ll make themselves seen! You are so worthy of love and I hope that if you don’t see that yet, you will learn to in time. Anyways guys,” she finishes, “this is all very intense. I love you very much and I hope you can understand and relate in some way.” [via Dork]

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Greentea Peng has shared her new single 'Nah It Ain’t The Same'. The UK neo-soul voice is an outstanding talent, someone who pushes herself further into that hip-hop / jazz nexus with each release. Produced by Earbuds, new single 'Nah It Ain't The Same' is out now, one that reflects the chemistry she has with her live band The Seng Seng Family. Dipping into drum 'n' bass, her vocals have a calming, beatific feel, with 'Nah It Ain't The Same' tugging at matters personal. She comments: “Deliberations of a (hu) MAN, subject to the pendulum's swing, I give you ‘Nah It Aint The Same’ off my album MAN MADE. An expression and exploration of my utter confusion and inner conflicts amidst shifting paradigms.” Greentea Peng stars in the new video, with Machine Operated sculpting the video. [via Clash]

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renforshort has debuted a brand new single, ‘virtual reality’. The first taster of a forthcoming second EP, the track sees her “connect” with Kellen Pomeranz (Pom Pom), Jesse Fink and Beabadoobee collaborator Pete Robertson. “’virtual reality’ is a song that tackles many topics. But at its core, it really is about anxiety, routine, boredom, isolation, loneliness, and fear,” she explains. “I think a lot of people have a very unhealthy relationship with technology because it’s never really been restricted enough to consider mental health and overall health, and that has fucked so many people up, now more than ever. Ever since I was young, social media has played a major role in my mental wellbeing, and I became so accustomed to it, it became a part of my routine and it came before everything else. The moment I wake up, almost instinctively, I check my phone. Depending on what I see in the morning, basically determines how I’m gonna feel for the rest of the day. I hate it. But I can’t stop. And what’s most ironic about this all is you’re likely going to read this on social media or listen to the song on some sort of electronic device…” [via Dork]

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Flock of Dimes has shared the second single from her forthcoming album Head of Roses, out April 2 via Sub Pop. Following recent single, 'Two', 'Price of Blue' is another standout from Wasner’s second solo LP, an album that showcases her ability to embrace new levels of vulnerability, honesty and openness, combined with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. It comes accompanied by an unearthly new video filmed in black and white, co-directed by Wasner with Graham Tolbert. Wasner says: “This song is about trying, and failing, to connect. It’s about the ways in which, despite our best efforts, we misunderstand each other, and become so attached to stories that we’re unable to see the truth that’s right in front of us. And it’s about the invisible mark that another person can leave on your body, heart and mind long after their absence. It can be difficult to make sense of the memory of your experience when the reality on the surface is always shifting—when the story you’re telling, or the story you’ve been told, unravels, leaving you with a handful of pieces and no idea how they used to fit together.”

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Berlin-based indie-soul five-piece, People Club, announce their new EP Take Me Home, which is due May 7 and the band are sharing the title-track and new video. The title track 'Take Me Home' is a song about the realisation of mortality in old age and the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. It is accompanied by a music video shot by long standing collaborator, Felix Spitta. Speaking of the process the band say, “Once again we worked with our very talented friend, Felix Spitta, who also shot the video for our last single Francine. We basically spent a day fooling around at his house with a smoke machine and an old tape TV camera with a red filter. The result is hazy and disorientating, just like this year has been so far.”

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Introducing MARY., the dreamy alter-ego of musician and songwriter Stef T. The self-produced debut track, ‘Day to Day’, interlaces elements of electro-pop and R&B with a voice that enchants, along with an official video filmed, edited and directed by David Risdon and Charlie Rose Creative. Reading like a page in a diary, ‘Day to Day’ offers a candid and emotionally raw glance at being overlooked as a woman in a man’s world. She is put together, glamorous and poised on the outside, but on the inside she is simmering like a pot ready to boil over, fed-up and on the brink of snapping. Speaking of the track, Stef T explains, “’Day to Day’ is a reflection on what it is to be a woman in a role where you are always unseen; constantly giving yet never receiving. As woman, we are often undervalued for our day to day work in all aspects - as mothers, in relationships, in our careers; having to push extra hard to get the basic recognition and thanks that we are entitled to. This song is a commentary of a large part of my life where I settled, sacrificed and worked, only to be used and taken for granted. It is about learning to survive a toxic relationship, discover your own individual worth again and reclaim the power that you gave away to someone else. Producing this song myself is the only thing that made sense in context with the intention of MARY. as a project. She is an entirely self made, independent woman, who does it all and doesn't need a man to confirm that she's doing a good job. This is something I have personally struggled with, so I created the MARY. persona to feel more empowered in my storytelling as an artist, in an industry without a large visible number of female-identifying producers.”

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Los Angeles based dream pop trio Tashaki Miyaki have just released a single and video of the title song from their forthcoming second album, Castaway, which will be released on April 23 via Metropolis Records. Singer, drummer and producer Paige Stark states that the song “is about the challenges of romantic love and how we are all bad at it in one way or another. The idea of a castaway in all this is that no one understands the relationship except the people in it, so you really are stuck on an island alone together there. Maybe you make it back to the mainland, or maybe you stay on the island.” Stark also shot the Sofia Coppola-inspired video on film, adding: "I wanted to tap into all the feelings that can come up in love relationships: anger, sadness, loneliness, vulnerability, stillness, joy, romance, longing. The actress in it has a beautifully expressive face and I've known her for a long time. I knew we would be able to create those moments together. I wanted it to feel like the camera was her lover, capturing her in various private moments, moods and feelings.”

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With her Vanilla Shell EP celebrating its one-year anniversary last month, Danish-Chilean composer Molina is back with another abbreviated record in the form of the new single 'Cold,' featuring vocalist Jonas Bjerre, arriving with a pair of B-sides. The brief collection of songs continues her simultaneous journey inward toward the roots of Chilean music and outward into her own unique vision of the future. The project lands with a video for the A-side, which dreams up bizarre fantasy iconography in the tradition of Grimes and Björk to complement her subdued take on these artists’ out-there recordings. Blending ambiguous electronic sounds with the familiar drone of cello and Bjerre’s backing vocals, the track’s distinct persona may have more in common with the experimental soundscapes of artists like Jenny Hval or Julia Holter. [via Flood]

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Maisie Peters has debuted her brand new single, ‘John Hughes Movie’. Described as the first single from her soon to be announced debut album, it’s a song about unrequited love, inspired by the legendary film producer and his classic coming-of-age teen comedies like The Breakfast Club and Sixteen Candles. The track comes alongside a video co-written by Maisie and director Louis Bhose (Loyle Carner, Arlo Parks, Lewis Capaldi). Maisie explains: “I wrote ‘John Hughes Movie’ when I was 17 about a house party that I had gone to. It’s a really honest depiction of being a hopeless, melodramatic teenager, being awkward and drunk and getting your heart broken by people you don’t even remember anymore. John Hughes films encapsulate that foolish romantic energy of high school and everything that I, a small town English wannabe Molly Ringwald wanted to be, but was not.” [via Dork]

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Chloe x Halle have shared the music video for their song 'Ungodly Hour.' The video was debuted on Wedneday night's episode of The Tonight Show Starring Jimmy Fallon and shows the Bailey sisters going underwater for a sci-fi-style visual filled with choreography and elaborate adventures at the bottom of the ocean. Watch the Alfred Marroquín-directed video above. [via The FADER]

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South London's Josie Man has returned with sentimental new single 'Cuts & Bruise', marking her first release of 2021. 'Cuts & Bruises' follows October 2020's 'Grow' single, and is accompanied by a Andrea Mae-directed video that shows couples enjoying tender moments, including Josie Man and her boyfriend. [via Line Of Best Fit]

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Jessie Ware has shared a new short film for her song 'Remember Where You Are'. Her album What's Your Pleasure? arrived last year, a disco-fuelled missile that presented some much-needed good vibes amid lockdown. The songwriter returns to the record for her song 'Remember Where You Are', a soulful and uplifting slice of UK songwriting. There's now a full video for the song and it's steered by BAFTA winning director Dominic Savage. Starring British actress Gemma Arterton, it opens on Valentine's Day and finds the star wandering through deserted London streets. A glimpse of hope and renewal, it taps into the growing feeling that this time, lockdown might be coming to a permanent end. "It was a real pleasure to collaborate with Jessie and Gemma on this short film that is inspired by Jessie Ware’s beautiful music. It was also inspired by the real feeling that was felt when we filmed in the deserted streets of eerily strange lockdown London on a Saturday night/Sunday morning,” Dominic said. “The feelings and emotions in the film are a true reflection of what that felt like, and what this time invokes. Sadness, nostalgia, pain and defiance. But when we climbed Primrose Hill and the sun started to rise above the city, there was real hope and joy for a future that will surely be ours. Listening to Jessie’s music. There is no doubt of that." Jessie adds... "This song has always meant a lot to me and I was determined for other people to hear it and for it to be single. I am so touched by how many people have embraced this song, particularly when it's one of your favourite actresses and an acclaimed film director. Working with Gemma, Dominic and their team has been an absolute joy. To have them realise my song with a beautiful ode to London and the longing for human touch and interaction couldn't be more of a compliment. It's a truly cherished piece of work." [via Clash]

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Jaguar Jonze has shared her new single and video 'CURLED IN' ahead of the release of her second EP ANTIHERO on April 16, both via Nettwerk Records. 'CURLED IN' presents all her best qualities at its outset. From the track’s rip-roaring, slicing guitar to her perfectly forceful, omnipresent vocals, 'CURLED IN' is a pure cathartic release. "Tear me apart, just tear me apart," she all but demands: "I've never seen wrong be done right." She's fulfilling her simplest needs, and it's freeing. "It's a bit of a twist for me to be a masochist." As a survivor of abuse, these words' unafraid power is all too apparent and an engaging statement to hear expressed.

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Following the release of eclectic and impressive debut singles 'ASOS,' 'Right Time,' and 'Papercut,' rising left-of-center pop singer and songwriter Dava returns with a fresh and bold new single 'New Ceilings' available now via Sony Music's Disruptor Records. The moody anti-pop record was co-written by Dava and Mike Adubato (Del Water Gap, Grace VanderWaal) who also produced the track, and is the latest off the Los Angeles-based musician's forthcoming debut EP, Sticky, due out later this year. On the inspiration behind her new single, Dava shares, "This song was written about survival and staying true to yourself. I was having a hard time financially after moving to LA and my phone was shut off while on my way to this session. I was upset with myself for prioritizing music when I really needed the money from driving Uber to stay afloat." She continues, "The day I wrote 'New Ceilings' I was angry and I wanted a song that felt empowering and validated all the work I had put in up to that point. I ended up choosing different songs for my project but when I revisited this one year later, I felt it needed to be heard because of how authentically it embodies my struggle."

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London-based Fifi Rong, a multi-talented avant-pop songstress, has shared the video for her stunning single, ‘Another Me’. Directed by Rok Pat, the video for ‘Another Me’ is stylistically simplistic, as Fifi Rong uses her own body as a medium of art, painting herself and inviting the simple imagery of waterside reeds and plants. A tranquil mysticism embraces the single as Fifi Rong acts as a gentle siren, luring the unsuspecting in yet known the inevitable outcome of the relationship. Speaking of the concept behind the single and video, Fifi Rong tells us: “In any doomed romance, timing is always mysteriously wrong. This is my first full CGI music video and it visually portrays the elusive nature of the character surrounding the key message: 'you won't find another me'. The undertone of the song displays a sense of pride and confidence in the character’s melancholy. Dressed in nothing but petals, I wanted my character to symbolise purity, nature, truthfulness, vulnerability and the divine feminine form. Acting as a rotating statue, I wanted to mark the passing of time and seasons as if a unique and lonely piece of art on display.”

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fleeting-sanity · 4 years ago

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OC Talk #9

My OCs as 2020 songs.

There’s a LOT of releases this year but this is all I’ve listened to so far? Post is long as always.

PS: LOL I struggled to find suitable songs for some OCs that 2020 ended ahhaha I’m slow as always-

Aryuni

Rina Sawayama - Comme Des Garçons (Like the Boys)

Yeah, oh, girl, it's okay You should never be ashamed to have it all Yeah, yeah it's gonna be okay Yeah, you've come a long way

Don’t fuck with me hoe Take you down like Judo Elevate your vision when you put me on the cover

Hot like a fever Make you a believer Write my name up in the sky From Paris to Shibuya

Lady Gaga - 911

Holding on so tight to this status It's not real but I'll try to grab it Keep myself in beautiful places Paradise is in my hands

My biggest enemy is me Pop a 911

Taylor Swift - mad woman

What did you think I'd say to that? Does a scorpion sting when fighting back? They strike to kill and you know I will You know I will

Every time you call me crazy I get more crazy What about that? And when you say I seem angry, I get more angry And there's nothing like a mad woman What a shame she went mad No one likes a mad woman You made her like that

Ariana Grande - shut up

My presence sweet and my aura bright Diamonds good for my appetite Guess it fuckin' just clicked one night All them demons helped me see shit differently So don't be sad for me

I vibrate high and my circle lit We ain't really with drugs and shit Love the game so I never miss Keep opinions muted for the hell of it 'Cause I like my shit

Harry Styles - Adore You (From Arcann)

Your wonder under summer skies Brown skin and lemon over ice Would you believe it?

You don't have to say you love me You don't have to say nothing You don't have to say you're mine

Oh, honey I'd walk through fire for you Just let me adore you

Taylor Swift - mirrorball (To Avery, Avelyn, Saxan)

I want you to know I'm a mirrorball I'll show you every version of yourself tonight I'll get you out on the floor Shimmering beautiful And when I break it's in a million pieces

Hush When no one is around, my dear You'll find me on my tallest tiptoes Spinning in my highest heels, love Shining just for you

Chloe x Halle - Tipsy (To Arcann)

I've been crucified, darling Ghost haunt me like New Orleans I've been charged with murder 'Cause some wanna push me further I'll hit you where it hurts, yeah If you don't put me first, yeah And I don't give no apologies If you lose a life that's not on me, yeah

I might be a little tipsy on your love Makes me a little crazy but so what You're strumming on my heart strings, don't be dumb If you love your little life then don't fuck up

Avery

Dua Lipa - Future Nostalgia

I know you're dying trying to figure me out My name's on the tip of your tongue, keep running your mouth You want the recipe but can’t handle my sound

No matter what you do, I'm gonna get it without ya I know you ain't used to a female alpha

Katy Perry - What Makes A Woman

Is it the way I talk sweet? The way my skin is soft? Or how I can be a bitch? Make you keep your fingers crossed?

Is it the way I cut my hair And put no makeup on? I feel most beautiful Doing what the fuck I want

Rina Sawayama - Dynasty

I'm a dynasty The pain in my vein is hereditary Dynasty Running in my bloodstream, my bloodstream Dynasty And if that's all that I'm gonna be Won't you break the chain with me

I'm gonna take the throne this time All the words all mine, all mine It's been way too long, too far Too gone, to carry on You can't hide it in the walls Sweep it under marble floors It's been living in our lives Best told damn family lie

Chloe x Halle - Overwhelmed

Holding my breath till my face turns blue Head underwater Breathe deeply they said I need a weekend again Looking for bright sides Low on the high types Running so fast, I done worn my shoes Head on the pavement I'm just trying to win Pushed in the river, I swim Nothing can blind side Me like the high tide I don't do well under pressure I don't know at all I wish I had all the answers Fix it all myself (Oh) I feel overwhelmed

Avelyn

Selena Gomez - Dance Again

Happiness Ain't something you sit back and you wait for Vulnerable Ain't easy, believe me, but I do it

Feels so, feels so, feels so good to dance again With my emotions, I just start going in With everything To dance again

Katy Perry - Resilient

'Cause I am resilient A full flower moment Won't let the concrete hold me back Oh no I am resilient Born to be brilliant You'll see me grow right through the cracks Yeah, 'cause you're gonna watch this flower grow right through the cracks

Childish Gambino - 19.10

I remember back when I was six years old Daddy said "the world's so cold" "There is something that you should know", "You're so gorgeous", (thank you daddy) "Nothing's really worth your time" "But someday soon you just might find" "The truth about the world's design", oh

“To be beautiful is to be hunted I can't change the truth, I can't get you used to this”

Ariana Grande - my hair (To Ezekiel)

It’s got body and it’s smooth to touch The same way as my skin Don’t you be scared

To run your hands through my hair Baby, ‘cause that’s why it’s there Come run your hands through my hair Ooh baby, so don’t you be scared So come run your hands through my hair

It’s been way long overdue Just like these inches down my back Usually don’t let people touch it But tonight you get a pass

Enzaran

Miley Cyrus - Midnight Sky

I was born to run, I don't belong to anyone, oh no I don't need to be loved by you See my lips on her mouth, everybody's talking now, baby Ooh, you know it's true See his hands 'round my waist, thought you'd never be replaced, baby Ooh, you know it's true, yeah

You should know right now that I never stay put in one place Forever and ever, no more

Dorian Electra - Gentleman

I'm a gentleman Take my gentle hand Off to a gentle land I'm a gentleman

I pick you up I put you down I say the perfect thing then I make you spin around Yeah I'm lighting you up Throw you around This is a conquest a war is going down

Thundercat - King of The Hill

A king in his castle A king of the hill Wasting his time Chasing cheap thrills He knows it's gonna cost him God knows how much

Jurbiend

Billie Eilish - Therefore I Am

Stop, what the hell are you talking about? Ha Get my pretty name outta your mouth We are not the same with or without Don't talk 'bout me like how you might know how I feel Top of the world, but your world isn't real Your world's an ideal

I don't want press to put your name next to mine We're on different lines, so I Wanna be nice enough, they don't call my bluff 'Cause I hate to find Articles, articles, articles

Childish Gambino - 32.22

I'm a funky motherfucker, man Don't fucking call me I been the man, don't fire me Things ain't all bad

We are the, we are the warlords We are, are you ready? Firelight, got it, warlords Pick it up, no, pick it up Firelight gonna clean it up Firelight's goin' way up Red light's on fire

Riornivo

Harry Styles - Treat People With Kindness

Maybe we can find a place to feel good And we can treat people with kindness Find a place to feel good

Givin' second chances I don't need all the answers Feelin' good in my skin I just keep on dancin'

Childish Gambino - Time (ft. Ariana Grande)

Seven billion people Tryna free themselves Said a billion prayers Tryna save myself I can see it coming But it's moving fast

Maybe all the stars in the night are really dreams Maybe this whole world ain't exactly what it seems Maybe the sky will fall down on tomorrow But one thing's for certain, baby We're running out of time

Running after something But I don't know what Am I running to? Too afraid to stop Hundred miles an hour With no seatbelt on Time is everlasting I can't wait that long

Selena Gomez - Let Me Get Me

Like a prayer surrounding us, moving effortlessly Every word is relief No self-sabotage, no letting my thoughts run Me and this spiral are done Burn this camouflage I’ve been wearing for months Tryna let a little happy in for once

Don’t get me down, I won’t let me get me I’m good right now, I won’t let me get me Take that tired heart and go and turn it inside (out)

Diving in ferociously, dancing intimately I’m so connected to me In the dark I’m letting go, so anonymously I guess this is what it feels like to be free

Troye Sivan - Take Yourself Home (To Rionnic)

Talk to me There's nothing that can't be fixed with some honesty And how it got this dark is just beyond to me If anyone can hear me switch the lights

Who you really tryna be when they see your face? Is it worth it trying to win in a losing game? Well it's all waiting for you And, boy, I know you're eager But it just might destroy you Destroy you

Arca - Calor (From Arcann)

Rio, me tienes Rio, me tienes

Eres el premio que más deseaba Eres el sueño que no me atrevía a tener Eres el premio que más deseaba Eres el dueño de todo mi ser

Lady Gaga - Stupid Love (From Vaylin)

You're the one that I've been waiting for Gotta quit this cryin' Nobody's gonna heal me if I don't open the door Kinda hard to believe, gotta have faith in me

Now it's time to free me from the chain I gotta find that peace Is it too late or could this love protect me from the pain? I would battle for you, even if I break in two

Look at me now 'Cause all I ever wanted was love I don’t need a reason Not sorry I want your stupid love

Taylor Swift - marjorie (To Vianiel)

“Never be so kind, you forget to be clever” “Never be so clever, you forget to be kind”

“Never be so polite, you forget your power” “Never wield such power, you forget to be polite”

And if I didn't know better I'd think you were talking to me now If I didn't know better I'd think you were still around What died didn't stay dead You're alive, you're alive in my head

Rionnic

Lady Gaga - Sine from Above (ft. Elton John)

When I was young, I prayed for lightning My mother said it would come and find me I found myself without a prayer I lost my love and no one cared When I was young, I prayed for lightning

When I was young, I felt immortal And not a day went by without a struggle I lived my days just for the nights I lost myself under the lights When I was young, I felt immortal

Thundercat - It Is What It Is

When the gold becomes dough And the magic starts to fade When it all comes to an end When there's nothing left to say It is what it is I tried to make it work My best just wasn't enough It couldn't be helped, the end The things I would do for you

After all is said and done And I'm all alone When I sit back and reflect From a broken heart Sometimes there's regret It is what it is

Taylor Swift - peace (From Jaesa)

Our coming of age has come and gone Suddenly this summer it's clear I never had the courage of my convictions As long as danger is near And it's just around the corner, darlin' 'Cause it lives in me No, I could never give you peace

And you know that I'd Swing with you for the fences Sit with you in the trenches Give you my wild, give you a child Give you the silence that only comes when two people understand each other Family that I chose now that I see your brother as my brother Is it enough?

Rina Sawayama - Chosen Family (From Vette, Katei)

We don't need to be related to relate We don't need to share genes or a surname You are, you are My chosen, chosen family So what if we don't look the same? We been going through the same thing Yeah, you are, you are My chosen, chosen family

Saxan

Dorian Electra - Edgelord (ft. Rebecca Black)

We live in a society That's always lashing out at guys like me They pushed me to the edge, you see Never, never, never gonna come down One question, why so serious? Did I offend you? I'm so curious Ha, my identity's mysterious Never, never, never gonna come down

Taylor Swift - this is me trying

I've been having a hard time adjusting I had the shiniest wheels, now they're rusting I didn't know if you'd care if I came back I have a lot of regrets about that

They told me all of my cages were mental So I got wasted like all my potential And my words shoot to kill when I'm mad I have a lot of regrets about that

The Weeknd - Save Your Tears (To Linnea)

You could've asked me why I broke your heart You could've told me that you fell apart But you walked past me like I wasn't there And just pretended like you didn't care

I don't know why I run away I make you cry when I run away

I made you think that I would always stay I said some things that I should never say Yeah, I broke your heart like someone did to mine And now you won't love me for a second time

Taylor Swift - gold rush (From Linnea)

I don't like a gold rush, gold rush I don't like anticipating my face in a red flush I don't like that anyone would die to feel your touch Everybody wants you But I don’t like a gold rush

What must it be like To grow up that beautiful? With your hair falling into place like dominos My mind turns your life into folklore I can't dare to dream about you anymore At dinner parties I won't call you out on your contrarian shit

Vianiel

Katy Perry - Daisies

They told me I was out there Tried to knock me down Took those sticks and stones Showed 'em I could build a house They tell me that I'm crazy But I'll never let 'em change me 'Til they cover me in daisies Daisies, daisies

Billie Eilish - everything i wanted

I tried to scream But my head was underwater They called me weak Like I'm not just somebody's daughter

Coulda been a nightmare But it felt like they were right there And it feels like yesterday was a year ago But I don't wanna let anybody know 'Cause everybody wants something from me now And I don't wanna let 'em down

Selena Gomez - She

'Cause she was a girl with good intentions Yeah, she made some bad decisions And she learned a couple lessons Wish I could tell her

She didn't know all of the hurt she could take Her world was crumbling and so was her faith Wish I could talk to her, 'cause what I would say "Oh baby, you're enough to get you out of this place"

Taylor Swift - tolerate it (To Jurbiend)

I greet you with a battle hero's welcome I take your indiscretions all in good fun I sit and listen, I polish plates until they gleam and glisten You're so much older and wiser and I

I wait by the door like I'm just a kid Use my best colors for your portrait Lay the table with the fancy shit And watch you tolerate it If it's all in my head tell me now Tell me I've got it wrong somehow I know my love should be celebrated But you tolerate it

Vyria

Rina Sawayama - Paradisin��

Paradisin' Living my best life, drivin' Drivin' you crazy Paradisin' Living my best life thrivin' You say I'm misbehaving But I'm just a kid, so save it Let me have an unforgettable time of my life

Lady Gaga - Free Woman

I'm not nothing without a steady hand I'm not nothing unless I know I can I'm still something if I don't got a man I'm a free woman

#swtor OC #FS'OC #just stuff for myself #potato mom #potato empress

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digitalcomfortspot · 3 years ago

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"You know I ain't straight, but I'mma say it straight to you, I look you in the face, every time I talk to you." Dorian Electra's whispery tones sound from the small radio in the motel room that seems to be falling apart. Stone moves with the beat, grinning as his hips swing while he makes food for the both of them. The inspector was out at the moment, getting supplies for their next upcoming trip, and Stone used that opportunity to have a little time to themselves.

"I wanna be clear, and not convolute. I'll say what I mean, I expect the same from you." He songs along with the radio, soon getting distracted from his task of making food, body swaying as it plays on.

They had no idea what the inspector thought of this kind of music, or of him. The song hits in a place they don't expect, his heart overwhelmed by the lines that speak of clear communication, with such blatant homoerotic undertones. But this doesn't stop him from dancing, or enjoying themselves, not one bit. They smile as they decide to lose themselves in it, not dwell on his feelings.

"So, you wanna play rough in the parking lot?" His voice harmonizes as his hands move up and down their body in a less than wholesome manner, just feeling out the vibe of the song. They barely hear the door open, lost to the music.

"So, you actin' tough, but I know you're not?" Their body moves like water, fluid, uniform, rippling with the infectious beats of Dorian's music. He smiles fully now, eyes closed, completely absorbed. Zenigata almost says something, but goes silent when he sees his partner in crime-catching moving his hips like... that. His face slowly colors itself a bright scarlet, watching with wide eyes.

"We can take it outside, scuffle in the streetlights, I just really wanna fight with you..." As the bridge rises in pitch, so does Stone's voice, matching the singer word for word. He turns around, trying to remember the dance he had seen in the music video, and then...

He opens his eyes as the chorus starts, and their eyes meet Koichi's. They blush brightly, his expression turning from happy, free sensuality to ashamed embarrassment. He can feel his cheeks absolutely burn, and they try to explain.

"Inspector-!! Uh! I was... just... making lunch, um, I'll, uh... yeah." They turn around, hands fidgeting nervously. What the hell was Koichi gonna think?

"Uh-! It... it's fine! Really. I... haven't uh, heard this song before!" Koichi blurts, trying to get him to keep talking. To stay open. He liked seeing Stone like that, but saying it... that was a lot harder.

"Man to Man, hand to hand, one on one, friend to friend..." Stone winces. God, this was going to be an ordeal. The sensual tones of the song were DEFINITELY coming through now, and so was the song's message. Be honest. Talk to each other.

The song, intermixed with the two talking in the room, sounded like a three way conversation.

"Uh... yeah. It's Dorian Electra, they're a really good singer, u-um... if it bothers you, I can turn it off."

"No, it's alright, just..."

"Are you man enough to soften up?"

"... I..."

"Are you tough enough to open up?"

"..." Koichi takes a pause, as the lyrics beckon him forward. "... I didn't know you could dance like that," he admits. Stone looks over at that, blinking in surprise.

"I... oh! Yeah, uh... I just..." They look down, hands fidgeting. "I used to dance for competitions. I was a lot different back then, but... I dunno. I still like it, and..."

"Man to Man, you gotta let me in."

He looks up. "... and as someone who's uh. Not straight, I relate a lot."

Koichi blinks, staring owlishly at him for a moment. "... oh. Oh! Oh, I uh. I getcha." He smiles sheepishly. Stone let's out a breath he didn't know he was holding. The beat plays on in the background, and there's a somewhat... strangely comfortable tension between the two. Nothing serious, but... a heat that settled in thick, something unsaid, but something clear to the both of them.

"Oh, yeah! Uh, I'm bisexual." They actually smile at that, seeming more confident now. They move just the slightest bit closer, to test the waters.

He doesn't move back, but Zenigata's cheeks do go back to the scarlet tone they were before at the movement, the song, the all too recent memory of the way Stone moved...

Suddenly, something in him clicked, and questions about his own sexuality, questions he'd been ignoring for years, explode into motion in his mind. Something about Stone just pried open the dam, and he tried not to look panicked as hell about the new, confusing experience he was suddenly, finally going through.

"O-Oh, that's fine! I'm, uh... glad you told me. That takes a lot of courage!" He says, smiling, but it's a little strained.

Stone sees it. "Thank you, but... are you alright? Your face is bright red..."

Koichi gawks, before hiding it with his hat. "I-I just...! Sunburn, that's what it is! The sun has been beating down on me all day!" He makes excuses, the song ironically crooning on about letting each other in. About honesty. His heart pounds in his chest, as he averts his gaze. Looking at them makes his chest feel like it's gonna explode.

"Oh, no!" Stone pouts. "We'll get some aloe for that, ok? You gonna be alright?"

"Yes! Yup, of course!" He answers far too fast. "Just uh! Gonna put...! Away the supplies yeah! Yep! Mhm!" And before Stone can ask any more questions, Zenigata rushes into the bedroom, shutting the door behind him.

They blink, looking concerned. Hm... was it something they said? They're not sure what to make of his reaction.

Koichi, meanwhile, leans against the door, back to the wood and eyes wide. His mind races. Suddenly, half of his life is practically called into question.

Suddenly, he thinks about all the times Lupin had flirted with him, and instead of responding with anger, he only ever wanted to fulfill his job. It wasn't like he minded. Chasing Lupin wasn't just work... it was fun. Spending time with Lupin this way was strangely intricate. The traded flirting and the banter, the truces, the way he had risked life and limb for the other...

Then, there was the occasional time he and Jigen would share a cigarette, and he'd see the gunman in the sun, outlined by the oranges and yellows of the sky. Truces were always strange affairs. They always made his chest feel tight, held back. He was never sure why...

And of course, Goemon. The warrior always had a beauty about him that distracted Koichi mildly, and it had annoyed him more than once in the past. Sometimes he cursed how beautiful the samurai was, wishing it was easier to focus when capturing him. It was never until now that he wondered why that was...

And then there was Stone. He thinks about them, their voice singing out alongside the radio. Their smile. His eyes. Their fluffy, soft hair.. His soft hands that somehow became so rough in a fight. Their moves... holy hell, those hips, the way they moved to the sensual ballad playing on the radio, their freed look as they were themselves for just a moment, truly themselves...

The idea of them taking those hips and moving them in just the right way, the idea of their voice saying his name in so many ways, the idea that they shared something much less friendly with him... it hits him like a truck, to think of Stone in such an intimate way. Waking up beside them in the morning and the way they made him his favorite coffee without even being asked, capturing the gang with them and how EASILY they fit into his wild routine without a problem...

It's with a skipped beat of his heart that he realizes it. It hits him hard, and he almost feels stupid for not seeing it before.

He's nowhere near as straight as he thought he was.

#f/os: koichi zenigata #so #trying slow burn #and zeni having a bi conundrum about his partner in crime-catching is DEFINITELY a way to get things rolling #also i put Dorian Electra in here bc I've been listening to them nonstop #plz listen to man to man

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tommynikkivincemick · 5 years ago

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three way call — part 9

Summary: Tommy Lee and Nikki Sixx find themselves in the frustrating predicament of being infatuated with the same woman. This calls for a competition.

Author’s note: What’s up fuckers, it’s been a minute! Sorry for the long hiatus, but shit’s been fucked! But now I’m back and will hopefully be writing more. This will probably be the last chapter of three way call, but I’ll totally write an epilogue if y’all would like one. Also sorry if I forgot anyone on the tag list, I haven’t been keeping up with requests very well. Sincerest apologies. Enjoy.

Warnings: Language, alcohol, mild violence, the usual.

Over the following weeks, Tommy, Y/N, and Nikki became inseparable and the Terror Twins became the Terror Triplets. The trio would constantly be touching, kissing, cuddling, sitting on top of each other, or excusing themselves to go have sex. They knew how each other member of the throuple liked their coffee and what kind of cigarettes they smoked, how they tossed and turned in bed, their preferred brands of beer, and what toppings they liked on their pizza. Y/N knew that Nikki didn’t think Crown Royal was worth the money as far as whiskeys went and that Tommy preferred sativa over indica because it didn’t make him feel as hazy. Nikki knew that Tommy didn’t like cheap vodka when doing shots because he’d thrown it up so many times before and he knew that when Y/N made the coffee, it somehow tasted better despite being made the exact same way by everybody. Tommy knew that Y/N only used Sally Hansen nail polish and owned every shade of red ever made, or so it seemed, and that Nikki only burned dragon’s blood incense, only from this weird little hole in the wall shop downtown.

To Vince and Mick, the closeness was nauseating. Vince was tired of fourth wheeling in his own home and tired of being kept up all night and some of the morning by “Oh Tommy, oh Nikki, oh Y/N,” and the pounding of the headboard on the wall. The most blissful times were when Y/N was at work or the trio decided to spend the night at her apartment instead. However, when Y/N was away, the boys had begun to play, testing boundaries romantically and in the bedroom at all hours of the day. Even band practice has changed; Nikki with his perfectionist tendencies harped on Vince and Mick as usual but suddenly everything Tommy did was perfect. In Tommy’s eyes everything should be dialed back a bit, unless it was his drumming or Nikki’s bass.

“I’m so sick to death of those three,” Mick said one day while the Twins were visiting their third at work.

“Oh, shut up, you don’t even live with them! They’re so far up each other’s asses, you can’t even tell where one ends and the others begin at this point,” Vince bitched.

“Don’t get me wrong, Y/N is great, and I’m glad they’re all happy, but when it affects the band is when I draw the line.”

“I know! Nikki and Tommy have been skipping practices and they’re god damned lucky all of our gigs have gone smoothly. I mean, hell; Sixx is supposed to be the leader of this band and who was it that had to call back that Zutaut guy about scheduling a meeting with those record exec guys? Fucking me! I mean, we call Nikki the leader, we call Y/N our manager, and Tommy’s the second in command, so they need to start fucking acting like it if we’re gonna score this record deal.”

“Should we break them up?” Mick asked, a devious sparkle in his eye.

“Absolutely not. Good material has been flowing from Nikki like fucking water; have you read the lyrics for new piece? ‘Looks That Kill’, or whatever? It’s bitchin’, and I don’t even care that it’s about Y/N. He told me what he wants for the instrumentals and it’s gonna be awesome, the whole next album will be.” Vince gushed.

“They’ll tire themselves out eventually,” Mick sighed, “Until then, we suffer, and also tell them to get their shit together.”

Meanwhile at the record store, Y/N swore she was about to throw her lovers out of the store.

“When’s your lunch break?”

“When does your shift end?”

“We miss you!”

“Just close the store for a little while, we won’t tell...”

“Yeah, come on, baby, live a little!”

She loved Tommy and Nikki— really she did— but today they were making her want to tear her fucking hair out. The Twins were especially needy today and it seemed like their whining and pleading wouldn’t ever stop.

“Guys, you’re gonna get me fired, stop it!” She hissed, slapping Tommy’s hand off of her ass.

“Your boss is never even here! Nine times out of ten, you’re the only one working in here,” Nikki reminded, taking another cherry sucker from the bowl on the counter, and watching as Tommy slid behind her again.

“Yeah, but there’s customers here and sometimes the owner’s son comes by to check in and... and...” Her eyelids fluttered and her train of thought went off the tracks as Tommy began kissing her neck and nibbling her earlobe to distract her, “Tommy! I’m gonna slap you in the face if you don’t stop it!”

“But don’t you like it?” He whispered.

“I love it, that’s the problem. You two go home and I’ll see you in an hour for lunch, yeah? I’ll even call in sick for the rest of the day and have what’s-her-name cover for me.”

“Fine,” Nikki pouted, “You promise?”

“I promise, lover,” She cupped his face in her hands and kissed him gently, “But I promise nothing if you two don’t get out and let me get some work done.”

“C’mon, Sixx,” Tommy huffed and leaned down to give Y/N a kiss on the cheek, “See ya later, sweet thing.”

“Later, babes,” She smiled and waved goodbye as they left at last.

She sighed a sigh of deep relief and sank into her chair that sat behind the register. Finally she could take a breather and get some work done. Then the phone rang.

“Mötley residence, Mick speaking, can I please speak to Y/N?”

“Black Cat Records, Y/N speaking, what’s up, man?” She greeted.

“Are the boys still there?”

“Nope, just left. Why, did you need something?”

“No, no. They’ll be home soon enough, I’m sure. We’re having a band meeting later, though, and you need to be there, too.”

“Yeah, got it. Good news or bad news?”

“Little of both. Well, little bad, lot of good.”

“Okay, I’ll be off in a little under two hours and I told the boys I’d call in for the rest of the afternoon. See ya later, Mars man.”

“See ya later, Terror Triplet.”

She chuckled at the name and hung up. As she stuck price labels on a new shipment of records, she wondered what the news could be. The rest of the morning drug on slowly with few customers and boring music on the radio. No Mötley Crüe, that’s for sure. Finally, it was time for the lunch break. Y/N made a quick call before she left.

“Hey, Sylvia? Can you cover me this afternoon? Yeah, yeah, band stuff, you know. Yeah, I’ll tell the boys you said hello. Thanks, hun, I owe you one.”

She was lucky her coworker picked up and was even luckier she agreed to cover her. Even though her boys annoyed her, she still couldn’t wait to go home to them. Y/N was also anxious about Mick’s news. There was so much on her mind that she couldn’t even pay attention to the Blondie song that was on the radio as she drove to the Mötley residence. She climbed through the window of the apartment to find all of the boys laying around the living room in various states of undress.

“Why are you all half naked?” She snickered.

“It’s hot as balls, babe. Our AC broke, I think,” Tommy whined.

“Did you hit it?”

“A little,” Vince sighed, “It didn’t help.”

Y/N hummed to herself and went to the other window, kicking the air conditioning unit as hard as she could, to no avail.

“Damn, that usually works. Oh well, is there cold drinks in the fridge?”

“Yeah, Vinnie went grocery shopping today. We got beer, Diet Coke, bitchy wine cooler things, and some other shit,” Nikki replied, fanning himself with a random piece of sheet music.

She kicked off her shoes and shirt and grabbed a Coke from the fridge, sitting on the floor between Nikki’s legs and leaning her head on his thigh.

“Why are you wearing these leather pants, babe? Aren’t they hot?”

“Fashion before function, sweetheart,” The bassist shrugged.

“So Mick,” Tommy piped up, “What’s your big news?”

The guitarist sat up in his chair, and cleared his throat.

“Good news first. Do you guys remember that Zutaut kid?”

“Dorky rugby shirt?” Tommy asked.

“Yeah, that’s the one. He talked it over with Electra and called today saying they want to sign us as soon as possible.”

The boys and Y/N erupted in a chorus of whoops and hell-yeahs.

“So what’s the bad news? I don’t think anything can sting after that,” Nikki grinned.

Vince shifted uncomfortably before addressing the rhythm section and their lady love.

“Nikki, Tommy, Y/N, let me start by saying we love that you guys are happy together. But me and Mick feel that you’re letting this relationship consume you a little too much. Nikki, you’ve been letting Tommy get away with murder during practices. Tommy, you’re going soft with Sixx and Y/N, man. And Y/N, you’re our manager, but you’ve been devoting more of your time to the guys than the band as a whole. You should have been the one to talk to Electra and tell us we’re getting signed, you know? But we’ve been having to pick up the slack and that sucks.”

The trio nodded guiltily. They knew their priorities were a bit skewed as of late. Y/N had been meaning to call Electra for days, Tommy had been slacking and not taking his position as second in command seriously, and Nikki was too in love to whip Tommy into shape again. It wasn’t fair to Mick and Vince, and they knew that.

“Yeah, I mean us being together makes us happy, but maybe we should’ve considered if it would be good for the band,” Tommy sighed.

“Maybe taking a break would be the best thing for the band,” Y/N mused, words soaked in sorrow.

“Hey, no! You don’t have to take a break from each other, just even out your priorities a little more, you know?” Mick offered, “Tommy still acts like a ten year old but has more grown up moments since you guys started this. Nikki broods less and the creative juices really seem to be flowing. And you seem really content, and me and Vince don’t want to take that from you. You just needed to be straightened out. It’s cool, just focus on the band more, okay?”

The three nodded and sighed in relief. Y/N excused herself to go lie down because it had been a long day, and Nikki followed. Tommy would have, but insisted that Nikki’s bedroom was too stuffy for the Los Angeles heat with no air conditioner. The bassist opened the window in his bedroom to allow for some air flow as the manager removed her shirt and pants to lie down on the dark sheets.

“Were you serious when you talked about us taking a break?” Nikki asked, sitting on the floor beside the bed.

“Only half. If it would be better for the band, I think we could all agree on it. But it would kill me not to be with you and T-Bone anymore,” She whispered.

“Yeah, I get it. I don’t think I could go back to not being with you two dumbasses,” He cracked a smirk, “The bed’s too big without a couple extra warm bodies next to me.”

“I bet you’d write some killer breakup songs, though. Everybody loves a heartbreak,” She joked, fanning herself with a magazine from the table.

“I wouldn’t love this heartbreak,” Nikki sighed, leaning his head on the mattress, inches away from hers.

She took the memo and kissed him deeply before the sounds of chaos erupted from the living room.

“Damn it, Tommy! Don’t drink all the beer!” Vince whined, “Grab another one and I’ll... I’ll shoot you with a staple gun!”

“Did you leave your bag out there?” Nikki whispered.

“Mhm,” Y/N hummed.

“Is your staple gun from the store in it?”

“Mhm, wh—“

There was a metallic pop, followed by shouting.

“FUCK, BLONDIE! YOU MISSED MY EYE BY AN INCH!” Tommy shrieked.

“HALF AN INCH!” Vince yelled back.

“Oh, fuck,” The couple in the bedroom sighed in unison, before going out to join back in the chaos.

Tag list: @jayprettymuchomw @kayladurin @crazysaladchopshop @iamtiber-andtiberismusic @loveofmyloif @saints-of-the-universe @tommyfuckinlee @oh-well1 @cranberribread @princesadeltoro @prostidudes-for-justice @miriampraez @tarahell @n-osebleed @valentines-in-london @bohemian-war @cuntlord0606 @holding-on-to-my-youth @abbysdogcollar @deacontaylormercurymay @fuckyeah-motleycrue

#motley crue #the dirt #bass daddy #nikki sixx #tommy lee #t bone #nikki #tommy #nikki sixx imagine #tommy lee imagine #nikki sixx smut #tommy lee smut #nikki sixx fluff #tommy lee fluff

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queenofcrystaltokyo · 4 years ago

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My Spotify got DELETED this year so no Spotify Wrapped. Instead I’m just going to list all of the albums I bought on iTunes and go over my thoughts on them. No ratings; ratings are lame.

Cape God - Allie X

It’s no surprise I’ve been following Allie since Collxtion I. This year’s album from her is a natural evolution and a wonderful maturation of her music up to this point. Her previous work was already developed but I find this album just strikes to the center of your person. I feel like telling you there’s a collab with Mitski on here puts that into good perspective.

Personal Standout: Sarah Come Home

Future Nostalgia - Dua Lipa

I haven’t listened to this one much since the week I bought it. It’s a good pop album though with a lot of disco influence which was fun and was definitely a trend in pop music this year. That and metal.

Personal Standout: Don’t Start Now or Physical

SAWAYAMA - Rina Sawayama

I’ve been a fan of hers since we were orange hair sisters in 2017. But oh boy. This album. In many ways album of the year (although I can name three other albums on this list that also vie for that spot). Her use of rock music and the variety of topics (compare Comme Des Garçons and XS) shows the depth of her talent. Still upset I didn’t get to see her and Allie in April.

Personal Standout: Who’s Gonna Save U Now?

Fetch The Bolt Cutters - Fiona Apple

When I first head The Idler Wheel when I was 15, I think my world changed a little. It’s like when you hear The Hounds of Love for the first time. So it was no surprise her next album would be phenomenal. But it should be illegal for an album to be this perfect. Cutting to the core of every possible emotion in a way that only Fiona could do. Flawless is selling it short.

Personal Standout: Drumset

I Disagree - Poppy

I followed Poppy for a bit when she was that one girl who made weird experimental Youtube videos and had one EP. I remember getting 3:36 on her Bandcamp. But I sort of fell off. But THEN I was made aware of this album, gave it a listen, and bought it immediately. I love good, rich rock music and deeply miss it in the pop scene I’ve stationed myself in. This scratches that itch in abundance.

Personal Standout: I Disagree

Petals For Armor - Hayley Williams

Paramore is maybe the most important rock band of the last 20 years. After Laughter is probably my actual favorite album of all time even though I still say Miley Cyrus And Her Dead Petz. But Hayley’s solo work has proven itself to be a separate entity. It’s very deep and personal and is refined in a way that could only come from years of being deeply ingrained in music and understanding it thoroughly.

Personal Standout: Cinnamon

Flamboyant (Deluxe) - Dorian Electra

I was initially hesitant to get into Dorian Electra. I think I thought it was trying too hard. But I warmed up a little and found it speaking to my queer masculine side, which I often ignored in favor of the liberation of femininity.

Personal Standout: Adam & Steve

how i’m feeling now - Charli XCX

How Charli managed to make a no-skip in two months during quarantine is completely beyond me.

Personal Standout: anthems

spice²world - Spice Girls

Now I’m sure you saw this and thought “Wait, what’s that? I’ve never heard of that album.” Well this is actually related to the Spotify deletion. It’s literally just Spice and Spiceworld stuck together. I had it as a playlist on my Spotify and decided to recreate it in my iTunes.

Personal Standout: It’s the Spice Girls. Love Thing is my favorite.

Smile - Katy Perry

I’ve loved Katy Perry since fucking meanplastic posted a soundcloud post of International Smile. From there I delved into her back catalog and learned that One of the Boys is and will always be her best album, which is somewhat unfortunate because, presumably after Lady Gaga blew up, she shifted to pop music and we’ll never get 2008 pop rock goddess Katy back again. But don’t let that deter you. Her music has been evolving since Teenage Dream, which was written by God according to people on here who jump through hoops to hate her. And though Witness was like Artpop in that it sort of broke the facade of infallibility, Smile took what worked from Witness and refined it into a more introspective album that’s trying less hard to be commercial. I hate to admit that that post comparing Katy to Cyndi Lauper as a relic of her decade was right, but I’m okay with that because I feel like Katy is gearing up to be, in the words of Britney Spears, an underground star.

Personal Standout: Tucked

Chromatica - Lady Gaga

I’ve been a little monster since the very beginning. I remember preordering Born This Way at Hot Topic when I was 14. Since then I’ve always held that it’s her best album (though Joanne didn’t make that hard to argue). But Lady Gaga did the impossible. Yes, Chromatica is now Lady Gaga’s best album. The club pop with elements of disco is sheer perfection.

Personal Standout: Replay

Pang - Caroline Polachek

I know I really hyped this album up when it came out last year, but I only got around to actually buying it this year after my Spotify got deleted. But yeah, of course this album is great.

Personal Standout: Pang

Spirit Phone - Lemon Demon

A striking departure from the previous listings. Calling it meme music would not be incorrect. But it’s fun and it’s good. I listened to it all day Halloween but I’m still listening to it right now.

Personal Standout: I Earn My Life

Dreamland - Black Box

Do y’all like house music? If you do, then this album needs no introduction. It is THE house album. Stan Martha Wash.

Personal Standout: I Don��t Know Anybody Else. But you should definitely listen to Ride on Time first.

BONUS:

apathy + Vacuum Noises - Astrophysics

I didn’t buy these albums on iTunes. I got them off of Astrophysics’ Bandcamp. So that’s why they’re bonuses. But I love these albums so much. I only started following Astrophysics this year. You might know them for doing synthwave remixes of anime songs like Connect from PMMM or Komm Süsser Todd from NGE. But their music has evolved into more glitchcore/shoegaze (with a Soviet aesthetic that I love). It’s some of the best music I’ve heard in that field.

Personal Standout: The remix of Sometimes by My Bloody Valentine from Vacuum Noises. Listen to it here!

ベノマ - かいりきベア (Venomer - Kairiki Bear)

This one I also did not buy on iTunes. But I didn’t get it on Bandcamp either. I got it on mikudb, which is my go-to website for Vocaloid music. Venomer is a remix collab album by Kairiki Bear where he invited several other Vocaloid producers to remix his most popular songs. It’s a real who’s-who of the hottest Vocaloid producers right now.

Personal Standout: The Niru Kajitsu remix of Ángel (I have an audio post of it here!)

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williamismyhomeboy · 4 years ago

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Interview from www.popmusicfan.com 2005

If you only choose one new band to listen to this year, don't let it be anyone other than The Academy Is. With a brand new debut CD out on Fueled by Ramen records and a tour with labelmates Fall Out Boy and Gym Class Heroes, this band is ready to show everyone that they take their music seriously -- but still have fun while doing it. We hung out with lead singer William Beckett on the April 14th stop of their tour and somehow braved the freezing Florida weather.

How's the tour going so far? William: Well, the tour has been pretty spectacular so far. This is our first tour having had the record out and it's been really overwhelming, the response from people and from the other bands as well. We're good friends with all the bands on tour, we didn't know Silverstein until like two days ago, but they're really cool guys. But yeah, it's been great, I miss Midtown... but there's always next time. If you had to choose three bands for the ultimate tour, either to go see or to play with, who would you choose and why? William: Fleetwood Mac because I love Fleetwood Mac, they're one of the great rock bands that did it in a pop way, in a really classy way, too. Led Zepplin.. to go see or to go play with? Jennifer: Either one. William: Oh, yeah, it'd be the same anyway. Pink Floyd, I wouldn't want Pink Floyd because it'd be bad to play with them, they're just too conceptionally profound. Their show is far too extravagant, we'd look like amateurs. Jennifer: Well, if you were just going to see them... William: Oh, yeah, so Pink Floyd. What are your pet peeves about the other guys in the band? William: I've never been asked this before, this is interesting. Yeah, there's a lot. It's a cool thing about being in the band, you never spend that much time with anyone ever. Even married couples don't spend that much time together and that's not even just one on one, that's seven or eight dudes sleeping on a bus. So yeah, we have our differences, just being different people, having different personalities. One day we'll be in a bad mood, one day we'll be in a good mood, one day someone will smell bad and we won't, you know... But for the most part, it's a really brotherly love/hate relationship like most brothers and sisters. For us, we're like a family, the way that we sort of stick it through, for the most part. If you found out you were adopted and you had two celebrities as your birth parents, who would you want them to be and why? William: Wow, I haven't been asked these questions before, this is really cool. If I found out I was adopted... do they have to be like during the same time? Jennifer: Nope, whoever. William: For a mom, I'd probably go with Audrey Hepburn and I'd probably go with... this is tough. I should pick someone like Abe Lincoln or someone crazy. Yeah, I'm gonna pick George Bush. Jennifer: Which one? William: GW, I'm gonna pick GW. Jennifer: Do you like Bush? William: I don't want to talk about it. But his kids seem to have a good time. [everyone laughs] Jennifer: True! William: Right? So there we are.

What's the most embarrassing CD you have in your collection? William: Well, I have a lot of guilty pleasures, stuff most people would think is like, 'What?' Like Rod Stewart and Prince, a lot of stuff that you guys probably don't like or listen to. But my first hip hop CD that I ever bought was Ginuwine so bad. Jennifer: That's not that bad, it could be worse! William: No way, that's so bad, that's so terribly bad. Jennifer: What about Sisqo or something? William: Well, that's... wait, is that you? Jennifer: No! [everyone laughs] Well, I do have his CD, but it's from like seventh grade! William: Yeah, Ginuwine... well, Sisqo's probably worse. But at any rate, I'm a big opera fan, too. That's not really an embarrassing thing, but yeah. Jennifer: Have you seen Phantom of the Opera? William: Yeah! Jennifer: Was it good? William: Uh, no. I've seen the actual opera before... Jennifer: I did, too! On Broadway? William: Yeah! And it's amazing, I was raised on the Andrew Lloyd Webber performance disc and then I saw the movie and it was cool, but they changed some lines and it was just really Hollywood. The singing wasn't great, all the actors actually sang so it was cool but they just didn't do it very well, I don't think. Who's the most famous person that you have in your cell phone? William: Probably, like... I don't like name dropping. Jennifer: You can do it, we'll forgive you. William: [laughs] I should make a joke... Pete Wentz, and that's a joke, but Pete's getting pretty famous. That I actually talk to? Jennifer: Um... yeah. Or do you have any random people in there that you just got from a friend or anything? William: Yeah, I have Jakob Dylan's number but I never use it. I have, I don't know, I don't really look for famous peoples' numbers but the most famous person I have is probably Lyor Cohen, you probably don't know who he is. He owns Warner Brothers and Electra and Atlantic. He's like a multi-billionaire and he's one of the coolest guys in the world. I've met a lot of label people before but yeah, he's probably the most admirable one. If you had to describe yourself in five words, which ones would you choose? William: Myself? I'm really bad with self description, I'm really good with self reflection and creation and song writing and things like that, but actually flat out 'this is who I am?' Honest, passionate, polite, moderately-conservative... hyphenated! And, uh, sexual. Jennifer: Oh, that's a good one! Just kidding. William: I'm actually kidding, that wouldn't be my top five. Jennifer: None of them? William: No! None of them wouldn't except for sexual. Kidding once again, there we are! There we are, just joking. So there's my four. What's the biggest purchase that you've made since getting signed and everything? William: Other than my laptop... uh, yeah, it's my new Mac G4, I don't know I feel like a nerd talking about it. But yeah, my new laptop, probably. I try to conserve, to save my money, I don't really like to spend it on a lot of things. What are one of your favorite lyrics from one of your songs? William: It's really hard because... I think you'd have to take each song for it's whole, the song in it's whole is the work, you know what I mean? But I guess in the bridge of "Down and Out," I don't know if you know which song that is, but that song is the closest to me personally. The bridge is really cool and really close to me and all of our friends, just because we name dropped all of our good friends who really helped us and who we wouldn't be here without, and a bunch of records that we were influenced by during the writing process. Like, uh, Johnny and Tony, if you know the lyrics, they started a small record label called LLR and we had our EP on there. I had a solo project in high school.. Jennifer: Wasn't that Remember Maine? William: Yeah! Wow! You did your homework. So that was sort of like the moment in my life where I was making the decision to do music versus going to school, and no one believed in me really except for me and Johnny and Tony. It was a little bit later on that Tony came into the picture but Johnny was and is my best friend and the reason why I'm here, so he helped us get our foot into the door and we've sort of had this success since then which surpassed what they did for us. But we kind of took them with us, like now Johnny is head of retail at Fueled by Ramen. We were like, 'Hey, Fueled by Ramen, this dude is awesome, pick him up!' And Tony is our tour manager, on tour with us, so it's great, it's awesome. That's pretty much the bridge. Jennifer: We were kind of talking about that last night, about how random all the names are and stuff? We were wondering about that. William: Well the song sort of starts with this story about domestic abuse and escaping and getting away from something that you're afraid of or harmed by, it's sort of really dark. But the whole essence of the song, we didn't want to just focus on that, we wanted to focus on the ups and downs of life and growing up. The second verse says a lot about that growth process and friends and coming to that realization that most of your friends in high school, you're going to have to say goodbye to relatively soon and that's something that's hard for everybody I think, to say goodbye to anyone, be it death or be it whatever someone chooses or ends up having have happen to them. But for us it's not about like finding a dark corner and hiding and blaming other people and getting angry and aggressive, it's about accepting darker times and sort of welcoming those things when they happen, you know, to better understand and appreciate the great things in your life and the people that love you. Are you okay? Jolene: Uh huh! William: You're just cold, aren't you? Do you want my jacket? Jolene: No, it's okay. William: Are you sure? Jolene: Yeah, I'm fine! William: So yeah, for us it was really fitting to make the song about more than just that instance, you know, to make it a little more well-rounded so that was just, yeah.

What's something that people would be surprised to learn about the band? William: Probably our seriousness and what we're trying to accomplish. We have a lot of fun, we do, we indulge but our main scope isn't to be a big band and get famous and get chicks, or to get drunk and do drugs and be like this icon. Like, no one will tell you that unless they're just straight up rockstars, but for us, we really want to help people and change the world in the smallest way or globally and that's really what our end of the road goal is. To transcend age, to transcend sex, to transcend race, to transcend languages. Bands like U2, bands like Pink Floyd and bands that I was talking about earlier, bands that shaped generations and shaped people. It's like, 'You're playing these indie tours, you're playing to these young kids, how are you supposed to change the world?' But for me, I see that as an opportunity also. I also want to appeal to older crowds, I want to appeal to people our age, or maybe people that are a little bit older, like twenty-six, twenty-seven years-old and I think that our record does and will once they hear it. But for the future, as we expand and grow and as our minds grow and as our musicianship and our scope and those things grow, we want to be one of those bands that can make a difference and can help people. We want to be that band that you saw when you were fourteen, like our parents loved the Beatles or whoever when they were fourteen years old and they still love them today, and they're like fifty or sixty years-old. That's the band that we're going to be, because we're going to be the band or the songwriters that stick with the generations. I think the way you do that is being fucking straight up honest and genuine and unselfish. If you write about things that are self-loathing and very trendy and very high school angst, those are the people you're going to appeal to and that's it. You know, your mom's not going to listen to a band that sings about slitting their own throat or hanging themselves or crappy metaphors that are in like, Goosebumps books, you know? I think being genuine and honest and smart and unselfish and really looking at the world in a different light... if you have a minute, I try to do this exercise every morning. I think about people's minds, in this example let's think about the musician or whoever that's on a label that's writing these lyrics, okay? I sort of think of their creative mind as a room and let's take one of these singers that sings about one of these things like self-loathing or slitting wrists or something. So they're in this room and it's totally dark, and they have this candle in front of them and it's creating this light that they can only see like three inches in front of their face. They can only relate to those three inches in front of them which is their own little isolation bubble where they can't relate to anything beyond that because they don't know it exists. So they're so wrapped in themselves, writing about how much life sucks and how much it's unfair and about how much they've been mistreated. Or also things that are very self-righteous, like, 'I'm the best, this is how you do it,' things like that. There are those people everywhere, they're in high schools, they're parenting children, they're on their death beds... they're everywhere, you know? These people, I think, especially these artists are too wrapped up in themselves to realize that there might be a wall behind them with a light switch and if you flip that switch there's this whole room around you that illuminates. And for me, that's the world around me, that's everything. That's this tree, that's you guys, that's my family back home, that's this show, these people that are here, the people that are staying at this hotel. It's how it's cold and you're cold and I'm sorry that you're cold, you know? It's the world around you. Every morning I try to wake up and turn on the light, I try to turn on my creative room light to make sure that I'm always viewing the world in the way. I think if more people did that, a lot of things could change for people in their own lives and in other people's lives. That's one of the main things that I'm trying to convey, especially in our newest stuff that we're writing for the next record, so yeah, that's sort of something that people probably don't know about me or us. Jennifer: You're awesome, I decided that. Just now. What's the strangest voicemail or answering message that you've ever received? William: Received? I've given a lot of crazy ones. Probably the strangest one I've ever received... man, it's on the spot, you got me again. I'm tongue tied. Ohhh yeah, this is awesome! [everyone laughs] There was a point when I got a lot of prank calls when people hated me and stuff, it was that stupid, like... Jennifer: Jealousy? William: Kind of, but it was before I had really any success, it was just myself going for what I believed in. Since I was doing something different and not going for a screamo band or something, so it was a big deal when I was playing an acoustic guitar and singing melodies, so it was like 'What the hell?' It was a big uproar. So I got like crazy ones like, 'You're a faggot, you should kill yourself,' stuff like that. Jennifer: That's so mean! Jolene: That's terrible! William: Yeah, but it's awesome, though. No, for real! It's so funny, I know for a fact that that person has grown up and has seen me live by example and that I went for my dream and it's totally paid off, and it's going to pay off in the future more fruitfully than ever. Instead of me feeling anger and being like, 'Fuck that guy, I hope he's burning in Hell' or whatever, I hope that he realized that the way that he was living and the fear that he had about being his own person, I hope that he turned that around, so yeah, it's kind of funny. Jennifer: What about one of the funny ones that you've left people? William: Oh, man, there were some nights that I just called people singing crazy songs that I totally made up at four in the morning, I don't even know, man. I can't really get into too much detail, there were some wild ones. I do voices, I'll be like, 'Hey, yo-a, it's Johnny from over at Auto Repairing, I got your car and it's looking sweet.' [everyone laughs] I have this British voice and this gay voice and some other shit and it's hilarious, I would leave people messages like that and not tell them who I am. What's the last movie that you saw? William: Last movie? Oh, man, that's bad, that's terrible. I had a journal that I write on the website and I actually just talked about this. I'm on this weird horror movie kick right now, and I'm into crappy old horror movies right now. Not even old, like eighties or nineties. I don't recommend them to anyone, it's like Pet Sematary and From Dusk Til Dawn. Well that's like a Quentin Tarantino movie so that's actually a good movie, but the last movie I actually watched was House of 1000 Corpses. [everyone laughs] Jennifer: Oh, God. Jolene: Did you like that? William: I think it's great! For two reasons, alright. One, it's not original by any stretch of the imagination as far as a horror film, it's like Texas Chainsaw Massacre meets something vile, you know. It's basically like Texas Chainsaw Massacre meets a strip club, that's what that movie is. But, BUT-- Jennifer: Oh, I want to hear the but, because I don't think there's any defending this movie. [everyone laughs] William: The way that the movie is edited and the way that the movie is shot, with the color contrast and the way that it looks is just fucking phenomenal. I think the movie is so cool purely because of the way that it looks and because of the cinematography of it, but I'm just a geek like that, those are the kinds of things I look for. But if we're talking about movies that are actually good, go buy Big Fish, it's a great movie. Jennifer: Is it good? I heard that it's really depressing. William: Did you? No way. Jennifer: I work at a video store and that's what everyone's told me, I haven't watched it. William: But those people that told you that mind be those people-- Jennifer: Oh, the close minded ones, yeah. William: The people with the light off! If you watch that movie it's so cool because it seriously confronts some issues like death and memories and relationships being parents and fathers and mothers and their children. I thought it was a really heartwarming movie, especially at the end. It's not this cheese fucking Hollywood ending that everyone wishes would happen but doesn't, you know, but yeah I think it's a great movie. Jennifer: Have you seen I Heart Huckabees? William: I have not, yet. Jennifer: It seems like a movie you'd like. William: I'm sure I would like it. Jennifer: It's kinda like, off the wall, it seems like one you'd like. William: My girlfriend got it and said that it was pretty cool and I'd probably like it. Yeah, I should probably get it. Jennifer: Yeah, I didn't like it that much. William: You didn't? Jennifer: I like my stupid girly movies. William: Like what? Like what? Jennifer:: Like, have you seen the Notebook? William:: I haven't seen that one yet! Jennifer: What?! It's so good. You will cry, I bet. William: I'm one of those dudes that cries in movies, like seriously. Jennifer: Everyone cries in that movie! William: Dude, I even cried in, this is so embarrassing, I even cried in A Walk to Remember. Jolene: Oh, I cried in that one. Jennifer: That movie is so sad! William: I cried like seven times in that movie ALONE, I was alone! I have a huge crush on Mandy Moore, too, like a Hollywood Crush. Jennifer: That one was really sad. William: But at the same time, you know, it's also very... Jennifer: No. William: You don't think so? Jennifer: No! She should've lived. William: But she did through him! She changed. Jennifer: I know, I know! But wouldn't it have been better if she just lived forever? William: Well, it's not Hollywood. Jennifer: I know! What's in your pocket right now? William: Like, seventeen cents in change and a guitar pic, and that's it. Oh, and my cell phone is in my jacket, if that counts. Jennifer: It counts! William: These are cool questions! Did you make them up, too? Jolene: No. [laughs] William: Maybe you should let her make some up next time! Jennifer: I tried! I was like, 'Jolene, help me think of some questions.' She said, 'We're going to do it on the way there.' Two and a half hours later, oh no, no questions. [everyone laughs]

What's in your CD player right now? William: I have an I-Pod. Jennifer: Well what's on your I-Pod that you're listening to a lot lately? William: I'm just going to be difficult. No, I have an I-Pod, sorry. [everyone laughs] I listen to tapes, I don't even have a CD player. No, uh, what am I like loving right now? I'm loving Ryan Adams right now. I'm loving Muse. Jennifer: Oh, they're so good! William: I was on this huge Muse thing and I totally forgot about it and didn't listen to it for forever. I listened to them again today and I was like, AH! I was like, [does Italian voice] yes, yes, yes, this is so good. [everyone laughs] I'm listening to a lot of Radiohead, I'm always listening to Simon and Garfunkel, I'm a huge Simon and Garfunkel fan. Prince, I'm listening to a lot of Prince, a bit of Bowie. It's sort of today's little shuffle encompassed, so that was that. What's the last concert you've went to, other than one that you've played at? William: Damn... I was at South by Southwest but I didn't see any bands, I was just wandering throughout the streets. Last time I was at a show, watching bands... oh, yeah! it was an acoustic show in Chicago, it was Bob Nanna from Hey Mercedes and Justin Pierre from Motion City Soundtrack. They just played acoustic, it was really cool. What are some questions that you hate hearing in interviews? I probably should've asked you this at the beginning so I wouldn't have asked you any of them. William: [laughs] Yeah, right! There really aren't any questions that I really hate, I encourage tough questions. I enjoy people asking tough questions. Hard hitting questions or ones that are condescending because it's their right as journalists to ask those questions. I wouldn't ask somebody, 'What songs do you hate? And I won't write those.' No, I wouldn't ask anyone that, I would just write what I love and write what I want. So yeah, that's my answer. What's a question that you've been wanting an interviewer to ask you but they haven't? William: I haven't thought of one because with every interview, with a few exceptions, I've been asked new questions that I haven't heard before, like today for instance. That's enough for me to keep interested.

#the academy is #william beckett #2005 #interview #text #early 2005 #no specific date #mine

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queen-mischief-fanfiction · 5 years ago

Text

Trailer #2

An: Okay everyone I think this will be my last trailer redesign but I’ll make this promise if this gets a lot of attention then after I see the new film, which is in a view days, I’m going to do a redesign of the film, I will write the movie like I’ve written these okay.

“Jellicle Cats meet once a year At the Jellicle Ball where we all rejoice And the Jellicle Leader will soon appear And make what is known as the Jellicle Choice

When Old Deuteronomy, just before dawn, through a silence you feel you could cut with a knife Announces the cat who can now be reborn

And come back to a different Jellicle Life For waiting up there is the Heaviside Layer Full of wonders one Jellicle only will see And Jellicles ask because Jellices dare Who will it be? Who will it be?”

A black cat is seen walking through the streets, avoiding cars and rummaging through bins. Bustopher jones stands in front of her “oh my, we better get you cleaned up” he says and the screen fades black.

“Follow me home if you dare to, I wouldn't know where to lead you”

Three knocks are heard and the cat door opens up to a Jennyanydots “oh Bustohoer Jones what a surprise, Jelly and I weren’t expecting you” she says after a small curtesy and Bustopher bowed back “I know but I have an urgent matter about a dirty kitten and this time we will need a bucket of water” he says showing the cat with a streak of white on her cheek. The next shot she’s in the bubbly bath playing with the bubbles, one floats in front of her face and shows Plato’s face before it pops and he wasn’t there. “Sorry I’m late ladies I had a little trouble” duchess says coming inside with Quaxo and Alonzo seeing a clean Victoria with the pink bow “oh whose this darling little queen?”

“Should I take chances when no one took chances on me? So I watch from the dark, wait for my life to start With no beauty in my memory. All that I wanted was to be wanted Too young to wander London streets, alone and haunted Born into nothing At least you have something, something to cling to Visions of dazzling rooms I'll never get let into And the memories were lost long ago But at least you have beautiful ghosts”

*Dame Judi Dench*

“They call me Duchess and it’s now my duty to show you around, now the gentleman that brought you here is my Brother Bustopher Jones,”

*James Barron*

Bustopher is seen sitting on his hat and the toms standing proudly around him, “duchess listen to me it’s not your fault, do not regret a mistake you did not make” he tells his sister “but it is my mistake Bustopher and I must pay for it until she is back in my arms” she says.

“,the Queen’s that cleaned you are Jennyanydots,”

*Susie McKenna*

Jennyanydots is smiling wide finishing her song, “now which one? Oh yes thank you darling, run along now” Jenny thanks her mice friend taking the pink ribbon from his paws before tying it around Victoria’s neck “purrfect like a little queen”.

“,and Jellyorum,”

*Susan Jane Tanner*

Jellyorum pats Gus’s paw affectionately. “Jennyanydots I heard a rumour yesterday” she says “what is it this time sister?” Jenny was so over Jelly’s gossip “Bustopher Jones was seen strutting about town, perhaps he’ll join us tonight for the celebrations”.

“Then we have Munkustrap he’s the next leader,”

*Michael Gruber*

Munkustrap prowls around defensively awaiting an attack on his father behind him, “Everlasting Cat give me strength and sanity to last the Jellicle ball” he prays as his brother watches him bored.

“, his mate Demeter,”

*Aeva May*

Munk And Demeter share a dance with each other. “I wish I can be as strong and brave as you one day” Victoria admires Demeter making her smile and pet the younger queen “Victoria if you were any braver you’d be a lioness, and you are strong not every queen can tame a wild Tom” Demeter says “Plato isn’t wild” Victoria replies and Demeter chuckles “not all Toms are wild on the outside” she says mysteriously.

“Alonzo,”

*Jason Gardiner*

“Woah! Careful there, kittens must always watch where they are going” Alonzo says stopping the kittens from walking into a pollicle area.

“Bombalurina,”

*Rosemarie Ford*

Bomba saunters up to Victoria looking her up and down “little kitten you have a lot to learn about Toms and luckily auntie Deme and Bomba are here to help” she says making Deme smile as she shakes her head at her sister.

“Rum Tum Tugger!!”

*John Partridge*

Cettie squeals moving to sit between his legs and rub herself against him as Victoria and Rumple playfully claw at his legs and he smirks blowing a kiss to Quaxo. “My darling Victoria I have discovered that life’s greatest treasures lie in having a family with the ones you love” Tugger tells Victoria as he looks over his litter of seven kittens, three are red, brown and yellow with a mix of stripes and spots and four are black, white with gold spots and two have similar looking names. “How did we let him talk us into mating with the both of us?” Misto asked Bomba “we love him and all his eccentricities” she answers.

“Then we have Cassandra,”

*Rebecca Parker*

a close up of Cassandra shown dancing. Alonzo holds Cassandra back from Grizabella. “Look at her, she fits in so well with everyone” Cassandra tells Alonzo watching Victoria interact with the kittens, “I know it’s like she’s home” he says.

“,Exotica,”

*Femi Taylor*

Exotica is shown near Deuteronomy during Gus’s song. She is also seen fawning over Tugger. “I wonder who’ll be picked to go tonight?” Exotica asks the other girls “I’m thinking it’ll be gus” Rumpleteazer says “ladies no one but Deuteronomy knows who’ll be chosen tonight, but Gus is a worthy candidate” Cassandra says.

“,Mungojerrie and Rumpleteazer,”

*Drew Varley* *Jo Gibb*

Mungojerrie and Rumpleteazer peak into the house using the cat door before they acrobat their way in. They interrupt Misto’s song by jumping on the piano keys behind him making him jump and hiss at them, “tut tut Quaxo that’s not your story to tell” Jerrie chuckles finding his reaction funny “he’s right, time to let the us troublesome tigers sing our song” Teazer declares before they start singing their song.

“,Tantomile and Coricopat our psychic twins,”

*Kaye Brown* *Tommi Sliiden*

The Psychic twins are seen reacting to an unknown presence in the yard. Tantomile and Corcipat watch Victoria and Misto sharing a secret smile with each other. “Will the yard’s magician make a big show?” Tantomile asks Misto “I believe it will be a sight one must see to believe” Coricopat says.

“,Skimbleshanks,”

*Geoffrey Garratt*

Skimble And Jenny are tap dancing together and skimble twirls Jenny around and they pose finishing their dance in each other’s arms. “I still wonder how our daughter ended up with him?” Skimble says watching Rumple and Jerrie, “if my memory serves me correctly you were just as wild as him in your youth, or did you forget how Rumpleteazer was conceived?” Jenny says smirking at her husband.

“,Gus the theatre cat,”

*Ian McKellen*

Gus is sitting on a hat telling the kittens his stories. Flashbacks of him as Fireforefiddle and Growltiger are shown. “Back in my day you needed to do more than jump through hoops to be talented” Gus chided the kittens “back in your day dad, don’t be silly that was last week on the telly, we were watching an animal talent show” asparagus laughs.

“Asparagus Jnr,”

*Tony Timberlake*

Asparagus And Munk share a look of disbelief as someone asked ‘what’s a Jellicle Cat?’ “Boys please settle down you know how upset Munk gets if everything isn’t perfect” he chided his sons stopping then from their prank, making them groan.

“,our leader Old Deuteronomy,”

*Ken Page as Old Deuteronomy*

Deuteronomy sits down on the tire and he sons come up to bow before nuzzling him. A flashback is shown of a younger Deuteronomy with his sons of varying age with the oldest being Macavity and youngest Tugger. “Deuteronomy do you really believe that she’s out there?” Duchess asks him “all Jellicles find their way home eventually” he says as Grizabella and then Victoria is shown.

“The magical, the marvellous Mr Mistoffelees!”

*Jacob Brent*

Music pauses as Misto And Victoria sit together on a windowsill “what do you really think of Tugger?” She asks him “I think he’s terrible bore,” a shot of Misto winking at Tugger is seen “,he’s my terrible bore” Misto finishes smiling at Victoria.

“,the queen kittens, Etcetera,”

*Jo Bingham*

“Wait! You know Tugger likes Misto then why do you fawn over him?” Victoria asks watching Cettie gussy herself up in the mirror. “Because the more I gush the more Tumblebrutus sees me and one day I’m hoping he’ll take me as his mate when we are older” she says excitedly.

“,Electra,”

*Leah Sue Morland*

“Don’t worry about Cettie I think she was dropped on her head as a kitten” Electra jokes sitting next to Victoria. Electra covers her ears as Cettie squeals loudly “Etcetera for the love of Everlasting Cat shut up!” She screams at her best friend.

“,the youngest Jemima,”

*Veerle Casteleyn*

“You’re very lonely out there, you should stay” Jemima tells Victoria by the entrance of the yard, “How do you know?” “I can feel your sadness as you remember your life, so please for Plato, for duchess, for everyone please stay” Jemima begs grabbing the taller kitten’s paws, Victoria’s ears and tail tilt down “I can’t” a shot of sad Jemima standing alone at the entrance is shown.

“,and the Tom kittens, George,”

*Frank Thompson*

“Is he really a cat?” Victoria says not knowing she could be heard, Bomba slides up behind her “not sure we have a theory going he’s part pollicle” she says watching George smile goofily at Electra and wagging his tail.

“,Tumblebrutus,”

*Fergus Logan*

Tumblebrutus does a double flip and backflip before turning around and seeing Cettie wasn’t watching him. “How the hell can I get her attention if she’s obsessed with Tugger” Tumble rants to his friends “go and say hi” Plato says “that’s easy for you, you are tall dark and mysterious Queens love that plus you have very intense eyes. Meanwhile I’m quirky, flippy and akward especially talking to Queens” Plato groans finding Tumblebrutus’ plans stupid.

“,Pouncival,”

*Karl Morgan*

Pouncival and the other Tom kits are on top of boxes looking at Victoria after her bath, Pouncival leans forward too much and falls off the box landing on his feet as the others laugh at him. “,And please be wary of anyone named” “Macavity!” Demeter screeches as the other cats run and hide, Munkustrap stands tall in front of Macavity, who calmly walks up to him and Tugger who was hiding behind Munk “look at this a family reunion” Macavity says mockingly “leave Macavity there is nothing for you here” Munk states making Macavity cackle “Give me what is mine and there won’t be any cats getting hurt” he threatens and the light turns red as the other cats hiss at Macavity before everything turns black.

*Elaine Paige*

Grizabella is shown crying as she lays on the floor, Deuteronomy watches shedding tears for the queen he can’t help. “Does she really think one night can make 20 years of hurt disappear just because she’s sorry?” Tugger said enraged and Deuteronomy sighs “no but even the worst cat in history feels regret for actions made out of ignorance”.

*Bryn Walters*

Plato stares dreamily at Victoria as she talks with the Queens “fellas Plato has a case of Love at first sight” Tugger tells the toms as they watch Plato, “go on up and tell her how you feel” Tumblebrutus orders.

*Phyllida Crowley Smith*

Victoria gazes at Plato and the Queen’s look on hesitantly “be careful around him” Electra warns her “why he seems like a nice Tom?” Victoria asked as the Queens just go “you’ll find out”.

“Who are you?” Victoria asked Plato as they circle each other in the moonlight, “I’m called Plato, and you?” He asks “I’m Victoria”. “Will it hurt?” Victoria asked as they start dancing together “I don’t wanna lie it will hurt, I can’t stop it but what I will do with your permission is give you the most pleasurable experience in your life” he promises and he drags his claws lightly down her back making her moan.

“And so maybe my home isn't what I had known

What I thought it would be But I feel so alive with these phantoms of night And I know that this life isn't safe, but it's wild and it's free”

Various shots are seen including the kittens all smiling as they dance a chorus line behind Tugger, Munk and Macavity fighting, Rumpleteazer and Mungojerrie in their Peke and Pollicle costumes messing up the barking line, and Deuteronomy nuzzling a shiny Mistoffelees. The final shot is Victoria throwing her magic glitter to the camera as Plato holds her up in the center of a circle of mating partners, Rumpleteazer and Mungojerrie, Electra And George, Etcetera and Tumblebrutus, Jemima and Pouncival, Misto and Tugger, Demeter and Munk.

*Cats*

#cats the musical #queen-mischief-fanfiction #cats 2019 #Cats 1998 #cats musical #coming to a fanfiction site near you

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inmyownlittlecorner5 · 5 years ago

Text

Rota Fortunæ

A “Missing Moment” from Moonlight+ la-topolina

Rated for All Audiences

Unstoppable Force/Immovable Object Masterpost+

I know that Aunt Electra was mad as a hatter, but I am glad that she taught me to play the piano. I’ve found it to be a very useful skill during my time here at Hogwarts. You see, I’m not very pretty and I’m not very clever. I am a pure-blood, of course, but otherwise I’m quite average. It seems to me that everyone in Slytherin house is jockeying for position all the time, and I’d rather stay out of the fray. So, I sit over here in the common room, playing the piano while everyone else studies and talks and laughs. They’re so used to me by now that I overhear the most interesting things. Everyone assumes that I don’t pay attention to what’s going on around me when I’m playing. And if I’m hearing something I’d rather not—well, I can always play a little louder, can’t I?

Playing the piano has won me a bit of respect, too. I know a decent amount of classical repertoire, but I also know popular tunes and dances. There’s a reason that everyone in Slytherin house could dance so well at the Yule Ball last year. The older students have been teaching the younger ones since I first started school here and everyone appreciated having live music to practice with. I think the idea of Professor Snape coming in to teach us terrified everyone, so we made sure that we wouldn’t have to bother him with something we could take care of ourselves. He likes it when we manage things ourselves.

It was Sunday evening and the common room was full of my lethargic housemates. Everyone was trying to deny the fact that we had classes the next morning. It had been, well, an eventful time at school to say the least. The discovery of Dumbledore’s Army, followed by Dumbledore’s escaping arrest, followed by the installing of Headmistress Umbridge, followed by the chaos of Fred and George Weasley’s escape from Hogwarts—and we fifth years still had O.W.L.s to study for. It was a wonder that anyone could concentrate at all.

I was halfway through Rondo alla Turca when Pansy Parkinson walked up behind me and set a note on the piano. I could tell from the cramped handwriting that it was from Professor Snape, even though it only said my name, Cassandra Borgin, on the outside of it. And I already knew what it was going to be about. I already knew that I was going to be expelled.

As I hit the off-set octave section of the Rondo, I played as loudly as I could. Pansy’s voice was pitched annoyingly high as she informed everyone in the common room that I was in trouble. I fairly pounded on the keys through the fanfare at the end of the piece, striking them so hard that my fingers hurt. I knew I shouldn’t care what Pansy said. I knew she’d already told everyone anyway. After all, she was there when the D. A. meeting broke up that night. I had managed to slip away, but Headmistress Umbridge had the list of the members and my name was on it.

I finished banging, snatched my note, and shot off the piano bench, hoping to escape from the common room. I thought it was reasonable to want to open the thing and endure my shame in private. But Pansy and Millicent were there, blocking my path. I have never hated being short so much as I did in that moment. I briefly considered trying to dart between their legs to escape, but thought better of it. Millicent would probably sit on me if I tried, and then I would be expelled AND dead.

“Open it here, Cassie,” Pansy said with a cat-like grin. “We all want to know what the punishment for treason is.”

I glared at her, but I opened the note. I knew they would wrestle it away from me if I didn’t.

Miss Borgin,

I expect you in my office at six o’clock Monday evening.

—Professor Snape

“It just says I have to go to Professor Snape’s office tomorrow evening. Nothing exciting,” I said, trying to move past them.

They stayed where they were and Pansy taunted, “You’d better pack your little trunk tonight so that you won’t have to show your face back here after you’re expelled.”

I tried to look as though I wasn’t worried. “Then how would I be able to tell you what the punishment for treason is?”

She seemed mildly confused by that and I took the opportunity to slip past her and away to the dormitory. Maybe she was right. Maybe I should pack.

*****

It hadn’t been easy for me to convince Harry Potter and his friends to let me join the the D. A. I wouldn’t have known anything about it except that I happened to overhear Marietta and Cho talking about it as they came out of the Hog’s Head that day back in October. They didn’t notice me following them and I heard enough to realize that Harry Potter was starting a secret club to practice Defense Against the Dark Arts. I was sick of Professor Umbridge’s classes by then and the fact that we weren’t learning anything in them. I knew that Draco, Pansy and most of Slytherin house was sucking up to her, but I thought it was stupid that she refused to teach us anything. I mean, even if she just gave private lessons to Slytherins that would have been something. But we were being kept just as ignorant as everyone else, and I couldn’t stand it. Uncle Orestes was holding a job for me in his shop in Knockturn Alley, and I knew he wouldn’t like it if I didn’t do well on my O.W.L.s. And how was I supposed to do well if no one would teach me?

I also thought it was stupid of Draco and his friends to alienate Harry Potter and Gryffindor house, although I made sure to keep such thoughts to myself. Draco had been doing it since day one. It seemed now that Slytherins were in the ascendancy, but that wouldn’t always be the case. No matter how secure your power seems, eventually the wheel will turn and you’ll be on the bottom again. And you can be sure that your enemies will remember every slight you ever did them and pay you back when that happens. Better to maintain a cordial relationship with everyone as much as possible. Then they won’t notice what you do behind their backs. But maybe that’s just the apprentice shopkeeper in me.

I approached Harry, Ron, and Hermione in the library one Tuesday not long after that Hogsmeade trip. They didn’t remember my name and I saw them all exchange an unhappy look when they saw my Slytherin colors.

“Hello,” I said. “I’m Cassandra Borgin.”

“Wait, as in Borgin and Burkes?” Harry interrupted.

“Yes. Mr. Borgin is my uncle.” I swallowed hard as they frowned at me, clearly wishing I would leave. I decided it was best to cut to the chase. “Listen, I know there’s a lot of bad blood between our houses, but I want you to know we don’t all agree with Draco Malfoy on everything.” I smiled at Harry and added, “I think you were just brilliant last year in the Tri-Wizard Tournament.” He shifted uncomfortably and I rushed onwards before they told me to scram. “The thing is, I want to join your secret club.”

Their eyes widened and Harry said cooly, “I don’t know what you’re talking about.”

I expected this. “You can put whatever jinx on me you think necessary. I’ll even take the Unbreakable Vow that I won’t reveal any of the secrets if you want me to. I just want to learn this. I need to learn this and you’re the only one who can teach us right now.”

The golden trio exchanged a look and Hermione said, “We’ll think about it and let you know.”

I nodded. That was probably the best I could hope for at that point. It took a few more weeks, but I wore them down and the let me join. And, when they did, they didn’t ask me to do anything more than sign that jinxed parchment.

The D. A. meetings had been brilliant. We were working together, learning together without any teachers at all. It felt so liberating, to take matters into our own hands in that way. After a while, the fact that I was a Slytherin didn’t bother anyone in the D. A. anymore. I was one of the secret group—learning even when the teachers refused to teach us. But, when we were caught, Headmistress Umbridge certainly remembered that I was a Slytherin. And Professor Snape obviously remembered too.

I sighed and decided I would hedge my bet and pack half of my trunk. Part of me still hoped that I would be allowed to stay, but if my trunk were half packed then it wouldn’t take me very long to escape if I were expelled.

*****

My hands were sweating the next day as I approached Professor Snape’s office. I was trying to put on a brave face. We all knew he hated it when members of his house acted like sniveling cowards in front of him. He was fair to us, most of the time, but he expected a certain amount of decorum, too. If he saw me shaking or worse—crying—he’d have me on the train home tonight. I had to keep myself under control.

I reached the door and my hand only shook a little bit as I knocked on it. The door swung open and I saw Professor Snape standing by a shelf, eyeing a jar of bat skulls. I took a deep breath and walked into the office. The door slammed shut behind me and I stood there awkwardly in the dim light.

“Sit down, Miss Borgin,” he said quietly.

I climbed into the chair across from his desk. I had to perch on the edge of it and still my feet barely touched the ground. As much as I had hated being short the day before, I think I hated it a lot more today. I felt like a little kid about to be read the riot act by my father. Except that Professor Snape was a lot scarier than my father.

“You are, of course, aware of the reason I have called you here,” he said, still not looking at me.

“Yes, sir,” I muttered, my eyes on the ground.

“Speak clearly, Miss Borgin,” he snapped as he stalked to his desk. He sat down at it and stared at me with that look that made everyone think he could read their minds.

“Yes, sir!” I repeated. My voice cracked a bit, but at least it was loud enough to hear this time. He said nothing, just kept staring at me over his steepled fingers. Finally I added miserably, “You want to know why my name was on the D. A. list, sir.”

“Very good, Miss Borgin.” How could his voice be so quiet and so frightening at the same time? “I find it most disturbing that a member of my house was involved with such nonsense.”

I gulped. I had hoped that I could convince him to at least let me take my O.W.L.s. I thought that would be enough for Uncle Orestes. But the way Professor Snape was staring at me, I knew I was done for.

“If you have some sort of an explanation, now would be a good time to give it,” he said lazily.

I’d been dreading this meeting ever since the D. A. was broken up that night two weeks earlier. Now that I was actually here and about to be expelled, I felt a sudden surge of courage. After all, if I was going to be expelled, it didn’t matter so much what I said. Maybe I should just be honest.

“Well, sir, I….I wanted to learn,” I said slowly. “That’s why I came to school, after all.”

“You are aware that you have been provided with teachers and classes for that purpose.”

I flinched. “Of course, sir, that goes without saying. It’s just that….well…..our DADA classes weren’t terribly helpful this year. Not that I blame Headmistress Umbridge at all.” I was starting to feel very exposed and my voice trailed off as he raised an eyebrow at me. But, in for a knut, in for a galleon. “It’s just, well, Harry Potter was the only one offering us an option to be ready for our O.W.L. practical, and I wanted to do well. You see, I’m going to work with Uncle Orestes in his shop when I’m finished with school, but he won’t take me if I don’t do well on my O.W.L.s, especially the DADA one.”

“You seem oddly confident that you will be here to take your O.W.L.s.”

“I didn’t mean to assume, sir.” My eyes dropped back to the floor and I could feel his cold stare boring into the top of my head. He was silent for so long, that I just started talking again. “I know that Harry Potter is an arrogant prat, but he knows his Defense. I wanted to learn, so I took the option that was available to me. I know it was against the rules, but I’d do it again if I were faced with the same choice. I’ve always thought it was a bad idea for Draco and his friends to be so openly antagonistic to Harry and his friends. We’re all just students and making enemies when you don’t absolutely have to seems like a bad idea to me. I know we’re on top now, but someday we might not be.”

I suddenly realized that Professor Snape’s stare had become more of a glare. I had obviously said something very wrong.

“But that’s just my opinion, sir. I’m probably wrong,” I finished lamely.

“And what did Potter teach you?” He spat out the name Potter as though it tasted vile.

I wracked my brain, trying to figure out the right answer to this question. This was my last chance to prove that I was justified in my actions. My last chance to stay at Hogwarts. I had to think of just the right thing, but what was it?

I lifted my eyes from the floor, trying to get a hint from him. His face was as stony and unreadable as a statue’s. I chewed on my lips, desperately thinking. And then, suddenly, it came to me.

“May I just show you, sir?” I asked humbly.

“Very well,” he said, his tone implying that he did not expect to be impressed.

I got up slowly and took out my wand. I closed my eyes and imagined the summer sun on my face. I was in a field of flowers with Aunt Electra. We were weaving daisy chains and she was sending them careening through the air like flowery eels. We were laughing and shouting and we hadn’t a care in the world.

A wide smile spread across my face and I shouted, “Expecto Patronum!”

A silvery robin flew gracefully out of the tip of my wand. She circled around the room a few times and disappeared through the door. I watched her, smiling proudly. Maybe it wouldn’t matter to Uncle Orestes if I wasn’t allowed to take my O.W.L.s. I could still study after all. There were accomplished witches and wizards in my family—I could always learn from them. And I could read, couldn’t I?

After my robin patronus flew away, I turned back to Professor Snape. He was giving me a calculating look. His hand was in front of his mouth, but I thought it was possible that he was smirking. It was a look I had seen him give Draco and Pansy many times when they had done something clever. It was a look he had never given me.

“Sit down, Miss Borgin,” he said and whatever smile might have been there was gone.

I sat and waited for my sentence. He was silent again for a long time. I assumed he was doing it to make me nervous. He had probably made up his mind about my punishment before I had even set foot in his office today. I guess I should have packed after all.

“I believe that detention on Fridays and Saturdays for the rest of term are called for in this instance. You will report to the potions room at six o’clock in the evenings and juice flobberworms.”

I blinked. Did this mean I was going to stay?

“Yes sir,” I said hopefully.

“And I expect an Outstanding in Potions and Defense Against the Dark Arts.”

“Yes, sir!”

“You may go, Miss Borgin.”

“Yes, sir. Thank you, sir.”

I stood, feeling as light as air, feeling like my robin flying through the sky. I almost skipped to the door, I was so relieved. But I knew that Professor Snape might change his mind and expel me after all if I did that, so I restrained myself.

When I reached the door, I paused and turned back to him.

“Sir, there was something I have been meaning to ask you, if it wouldn’t be too much of a bother.”

“What is it?”

“Sir, I was just wondering, why are some magics called dark magic at all? It seems to me that any spell could be dark or light, depending on how you used it. If I transfigured someone into a mouse and let a cat eat him, that would be dark, wouldn’t it? But transfiguration isn’t considered dark magic. Or what if I used Petrificus Totalus on someone when he was crossing the street and he were hit by a Muggle car? Wouldn’t that be dark magic? Or what if a Healer used Imperio to force an unconscious patient to take a potion he needed. Wouldn’t that be light magic then? I just don’t understand how these distinctions are made. It seems to me that anything could be light or dark—it just depends on how you use it.”

He gave me that calculating look again—and this time I could see his smirk.

“My thoughts exactly, Miss Borgin,” he said.

“Thank you, sir. Good night, sir.”

I was about to open the door when he added, “Miss Borgin?”

“Yes, sir?”

“The next time you decide to take matters into your own hands, see to it that you do so without being caught.”

I smiled. “Yes, sir.”

I went out into the hallway and saw my robin still circling. I was able to watch it for a few seconds before it disappeared completely. Then I headed back to my part of the dungeons, skipping and humming Rondo alla Turca all the way.

*****

End Notes:

I take my hat off to Mr. Zingarella, who beta-ed this story. He also occupied the little Zingarellas while I banged out the draft of it. And it was a conversation we had a while ago in which he expressed his opinion that dark magic in the HP universe didn’t seem very different from light magic in the HP universe that sparked my idea for this story in the first place. I’m a lucky lady to have him.

Rondo alla Turca is the third movement of Piano Sonata No. 11 in A-Major by Wolfgang Amadeus Mozart.

*****

Unstoppable Force/Immovable Object Masterpost+

#harry potter #harry potter fanfic #harry potter fanfiction #oc #ocappreciation #severus snape #pro snape #snape fanfic #snape fanfiction #severus snape fanfiction #severus snape fanfic #hogwarts #second wizarding war

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