#Effective Revision

[recsspecs]

27 Exam strategies from 'Cracking the GRE Premium Edition with 6 Practice Tests, 2020' which can also become life tips

As you become more familiar with the test, you will also develop a sense of “the ETS mentality.” This is a predictable kind of thinking that influences nearly every part of nearly every ETS exam. By learning to recognize the ETS mentality, you’ll earn points even when you aren’t sure why an answer is correct. You’ll inevitably do better on the test by learning to think like the people who wrote it.

You’ll do better on the GRE by putting aside your feelings about real education and surrendering yourself to the strange logic of the standardized test.

You might be surprised to learn that the GRE isn’t written by distinguished professors, renowned scholars, or graduate school admissions officers. For the most part, it’s written by ordinary ETS employees, sometimes with freelance help from local graduate students. You have no reason to be intimidated.

Our focus is on the basic concepts that will enable you to attack any problem, strip it down to its essential components, and solve it in as little time as possible.

In many ways, taking a standardized test is a skill and, as with any skill, you can become more proficient at it by both practicing and following the advice of a good teacher.

Think of your GRE preparation as if you were practicing for a piano recital or a track meet; you wouldn’t show up at the concert hall or track field without having put in hours of practice beforehand (at least we hope you wouldn’t!). If you want to get a good score on the GRE, you’ll have to put in the necessary preparation time.

After all, the GRE leaves you no room to make explanations or justifications for your responses.

However, the difficulty of an individual question plays no role in determining your score; that is, your score is calculated by your performance on the entirety of the scored sections, not just a handful of the hardest questions on a given section.

This strategy is called Take the Easy Test First. Skip early and skip often.

On your first pass through the questions, if you see a question you don’t like, a question that looks hard, or a question that looks time consuming, you’re going to walk on by and leave it for the end.

Sometimes, however, a question that looks easy turns out to be more troublesome than you thought. The question may be trickier than it first appeared, or you may have simply misread it, and it seems hard only because you’re working with the wrong information.

Over four hours your brain is going to get tired.

Once you read a question wrong, however, it is almost impossible to un-read that and see it right. As long as you are still immersed in the question, you could read it 10 times in a row and you will read it the same wrong way each time.

Whether a question is harder than it first appeared, or made harder by the fact that you missed a key phrase or piece of information, the approach you’ve taken is not working.

Reset your brain by walking away from the problem, but Mark the question before you do. Do two or three other questions, and then return to the marked problem. When you walk away, your brain doesn’t just forget the problem, it keeps on processing in the background. The distraction of the other questions helps your brain to consider the question from other angles. When you return to the problem, you may find that the part that gave you so much trouble the first time is now magically clear. If the problem continues to give you trouble, walk away again.

Staying with a problem when you’re stuck burns time but yields no points. You might spend two, three, five, or even six minutes on a problem but still be no closer to the answer.

In the five minutes you spend on a problem that you’ve misread, you could nail three or four easier questions. When you return to the question that gave you trouble, there is a good chance that you will spot your error, and the path to the correct answer will become clear. If it doesn’t become clear, walk away again. Any time you encounter resistance on the test, do not keep pushing; bend like a reed and walk away

You should take the easy test first and you should spend most of your time on questions that you know how to answer, or are reasonably certain you can answer.

As a result, it’s better to guess than it is to leave a question blank. At least by guessing, you stand a chance at getting lucky and guessing correctly.

In fact, sometimes it is easier to identify the wrong answers and eliminate them than it is to find the right ones,

Trap answers are specifically designed to appeal to test takers. Oftentimes, they’re the answers that seem to scream out “pick me!” as you work through a question. However, these attractive answers are often incorrect.

Get into the habit of double-checking all of your answers before you click on your answer choice

The only way to reliably avoid careless errors is to adopt habits that make them less likely to occur.

Every time you begin a new section, focus on that section and put the last section you completed behind you. Don’t think about that pesky synonym from an earlier section while a geometry question is on your screen. You can’t go back, and besides, your impression of how you did on a section is probably much worse than reality.

The week before the test is not the time for any major life changes. This is NOT the week to quit smoking, start smoking, quit drinking coffee, start drinking coffee, start a relationship, end a relationship, or quit a job. Business as usual, okay?

Before you dive in, you might wish to take one of the practice tests in this book or online to get a sense of where you are starting from.

Accuracy is better than speed. Slow down and focus on accumulating as many points as possible. Forcing yourself to work faster results in careless errors and lower scores.

[squigglysquidd]

I commissioned the ever so sweet and awesome @palavenmoons for another commission of Juxtaposed Shakarian and this time, a wing it comm!

I'm so excited to see what Pally did with it!

[yourmoonie]

Moonie, have you ever revised anything? I want to revise my age and appearance, I have never manifested anything huge so it’s scaring meeeee.

Hey my moonlight

Yes I have! And many many things

I have shared some stories on X/Twitter before. I will link some of the stories down below. (Just click on pink words/sentences down below, and you will be able to see the stories.)

Revision -> Revision is you changing your memories, which also “changes” other people’s memories or POVs on the situation. I have done revision before, and it's as real as you can imagine

"The present is not what we want, but it is what the past has produced. In revision, we heal the past“ - Neville Goddard.

Card debt

NO, turning into a YES

Exams

Bachelor’s

Legal stuff regarding road police

[drlancasterpsychology]

Pikmin

*he goes quiet, twitching slightly, before murmuring a quiet*

pikmmin

[seonghwacore]

🏍 AKIRA-ISH MOTION BLURRED LIGHT EFFECT (or the cooler name, ✨Rear Sync Flash effect✨)

as requested for my carrot kid @renjunniez (and everyone) <3

⁕ Tool: Photoshop 2021 (PS)

⁕ GUIDE:

1. Open/place your picture of your choice on PS. For this set, I took a screenshot from the MV using VLC. Didn't bother to take it from VS.

You need a black & white picture with dense shadow/black shade and focused highlight to achieve this effect. If your base is as colorful and bright as a 4 year old's imagination about the world of unicorns, you gotta need some adjustments. The effect still appears but give a totally different vibe. I put an example at the end of the tutorial.

2. Then, do the basic sharpening and resizing for the base layer. I crop them to 540x540px.

3. Copy the base layer and delete the sharpening smart filters. Double click the layer to open Layer Style panel.

On General Blending, change the Blend Mode to Lighten. On Advanced Blending, uncheck the Green (G) and Blue (B) channels, so you'll be left with Red (R) channel. And then, move the picture to the right because you want the red shadow to "trail" Seonghwa (your subject)'s movement.

Your pic will look somehow like this:

4. Go to Filter > Blur Gallery > Path Blur. The default option is usually Basic Blur. Change the option to Rear Sync Flash.

Now, you have to decide the direction of the "red trail". This is quite tricky because it's better if you apply the blur with the subject's real movement in mind. In this example, I imagined Hwa was swaying to the left in slow motion as he restrained from being dragged away. So, my path's starting point is from the left.

Once you've decided, click on a random point to pin a starting point and stretch the arrow to your desirable distance. You can also curve the arrow to give a more, well, fancy direction.

I set the Speed to 146% and the Taper to 17%. Uncheck everything else.

*Hover over the word "Speed" and "Taper" to know what it'll do to your pic

**If you wanna know more about Rear Sync or Rear Curtain Flash in photography [x]

5. After this part, basically you're free to do whatever with your gfx. These steps below are OPTIONAL.

5-a. First, I adjusted the lighting and contrast.

5-b. Then, I added text.

5-c. After that, I placed a lined texture. I set the blending to Overlay with 82% Opacity and gave it a Basic Blur effect from Path Blur. I definitely just fuckin around with this step and found out that it changed the opacity of the lines depending on where it's applied on: shadow, midtone, or highlight parts.

5-d. Lastly, add grains texture

Et voila! You'll get this effect 🤩

Now, if you have a bright, colorful pic as the base. For example, I use this The Real Hwa dontevenaskmehowmanypicsofhwaihaveinmyputer. The "highlight" part (the sky) is surrounding the "shadow" (Hwa in hanbok). Then, I applied the same effect.

Still slay but definitely not as "dramatic" and intense as the dark mode version. Kinda lose the purpose of the trail to me. HOWEVER. I encourage you to fuck around and improvise 👍

Hope this helps!

[priafey]

things the US needs to address:

the collective psychosis that leads people to make posts like these

[zestysthoughts]

Tep Tons: Fictional Melee Weapons (Revised)

10. Edge of Duality (LoZ)

9. Final Cutter (SSB)

8. Krug's Cleaver (Heroscape)

7. Ruyi Bang / Jingu Bang (RWBY)

6. Bloodhoof Runespear (Warcraft)

5. Vahki Blades (Bionicle)

4. Tricky's Stop Sign (Madness Combat)

3. Omnissian Axe (Warhammer)

2. Paracesis (Warframe)

1. Protoss Psi-Blade (Starcraft/2)

[outeremissary]

break and secret for Balthazar and Kasander?👀

Thanks for the question, and sorry for the delay!! These are things I can go on for ages about for most characters, haha. Personal limits and private experiences are essential in some way to me when thinking through characters. Even though I tried to keep this under control it still got really long... it's under a cut for that and the umm. Content warnings.

CW: mentions of disordered eating, self harm, suicidal ideation, and suicide

[prompt list]

break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?

Balthazar

For Balthazar, total breakdown is the result of being completely, inescapably trapped, especially when it shows a harsh limit on what he's able to do or be. As it is, he already sees his bounds in everything. In his mind he's always struggling through them to live the life he wants rather than what he feels the world is fencing him in to. He knows that he's weak and there's a limit to what he can control. He also knows that he's choosing something with his life that destroys his value in the eyes of others. Still, he needs to believe that he can play past the point where he should have to quit, that his cruel and self-isolating exercises in agency will give him control even if there's no other reward.

At his lowest, Balthazar shuts down near completely. He's been shown that there's nothing that can be gained by fighting; thus, the fight leaves him. He's lethargic, unresponsive, and pliant. To point to a specific incident: when his wings developed and shackled him to the inescapable image of his heritage he withdrew into himself for weeks, avoiding being in the public eye and doing nothing more than the minimum to maintain the illusion of control over his domain- and struggling to do even that. But the withdrawal felt like all he could do to assert control over his body and to shield himself from seeing the extent to which the carefully maintained narrative of himself had escaped him. It was a self-pitying, self-punishing period of neglect. He did very little beyond function. Near the beginning he stopped looking after himself more or less completely. He also stopped eating, something common to his deepest lows but made more intense by the awareness of how the wings merely existing had changed his appetite, the way they ate up energy. He interacted with them only to try to find ways to crush them down to be less visible, or to idly pick at neglected feathers. More than anything, he avoided the people who knew and cared for him. It seemed like the ugliest indignity to be seen in that state. The thought of being pitied made him nauseous.

Still, he's never seemed to have the dignity of suffering alone during any breakdown he's had in his life. No matter how he tries to isolate himself his worst moments always seem to be seen, and sometimes they've been taken advantage of as well. There's a nasty spiral to being shown how much further he can fall when he already feels helpless. He was lucky in this one though: for the most part, it was only the concerned and supportive interacting with him (except Lander, as typical for the rat). And Jaethal, who was instrumental in pressing him back into his daily tasks, wasn't one for pity- that abrasive appeal to his pride did a lot to pull him out of the state. Although she did enlist some help in following through on the more menial or overly sensitive tasks: for a time afterwards, Tristian was in charge of making sure he was eating.

Kasander

So: Kasander is an Oath of the Ancients paladin, the oath most focused on love of life and defense of its sanctity. Light, joy, life. Everything that Bhaal exists to destroy, and that Bhaal made them to snuff out. And you have to understand that Kas takes 1) takes this ungodly seriously and 2) has an extremely radical interpretation of what their oath means. Kasander is a reckless savior. Their mercy can easily be as destructive as their violence. Without very immediate threat they hate to destroy even for a greater good, not while there's still some foolish hope that somehow, the situation will turn around. Kasander has lost their oath three times over the course of BG3 and every time it has been because they've strained the concept of mercy to the breaking point: refused to kill what was lethal, refused to destroy what was tormented. And they're not exactly doing a lot of follow-through here. They hate to control others as much as they hate to condemn them. Their mercy is unconditional. They'll turn around and wait until you're gone- do whatever you want after that. To them, this is what it means to shelter life and see value in it. To just keep offering and offering. To hope against hope and against reason. It isn't as if they're naive, not really. But they're stubborn anyway. And on top of that, they don't want to pass judgment that they know would condemn them. Whatever chance they've been given they have no right to withhold.

To me, Kasander is kind of incorruptible, but that's what can destroy them: they're holding themself and the world to a standard that just isn't possible. They believe too fervently, too uncompromisingly. They're trying to be too good for good, too kind to be kind. And when the world pushes back and tells them no, that's not an answer they can accept. It's not about realism. It's about rejection. Breaking their oath over attempted mercy is being told that their best intentions and all their attempts to overcome everything the world has tried to make them still aren't enough. It makes them feel fundamentally broken. Too dirty to be saved. Far too dirty to save others.

Their lowest points are born out of that conflict between their radical idealism and their oath (or reality at large) more than the direct influence of the Urge (or actions of their siblings). In the game itself, their lowest point was probably the first time they lost their oath. In the same short period they'd endured Alfira's death, had accidentally killed innocents for Ethel, had been called a monster by people they wanted to save and accidentally killed some of the victims they tried to rescue, and when they finally thought they could do one good thing for Mayrina by putting control over her future in her hands and letting her choose what to do about her husband, that was the thing that finally shattered their oath. How much crueler could anything get? Even their attempts at atonement were too monstrous to be accepted. And there's no such thing as a private low- not with Bhaal watching, waiting for them to break completely.

In their total breakdown, they backslide more or less completely into despair. They succumb to self-destructive behavior without the hope of repairing a situation, and they're often driven by the influence, passive or active, of parts of their internal system which are already inclined to shame and self-punishment. Bride in particular holds sway in these moments: though Bride doesn't mean it with any ill will, they see suffering in everything, and they want to find accountability through self-harm and release through death. For Bride, hope is unreliable, and the hard reality is that only extreme solutions can work. It was somewhere in the halfway point between Kasander drowning in their own misery and Bride's desires to save them all from pain that they committed suicide by goading Astarion into killing them while feeding. Their death didn't stick- Shadowheart "rescued" them immediately after finding out, and they wallowed in the guilt of knowing that Astarion almost paid the price for their choices.

Though not characteristic of that particular incident, it's also not uncommon for them to withdraw very quickly and instinctually inside themself, causing someone else to switch to front. In response to distress this is usually Bride, who resolves the situation through self-punishment, or Asperia, who resolves it by lashing out. The things that cause Kasander pain don't often get to Asperia. Asperia is good at going beyond Kasander's limits. Whatever the results, withdrawing gives Kas time to calm down and return to something different.

secret: What's one secret your OC never wants anyone to know about them?

Balthazar

There are a lot of things Balthazar hates to have people know about him, but some of his worst moments and deepest weaknesses have been ripped from him against his will and laid bare to the world. It gives him a strange relationship with personal secrets- most of what he doesn't want known is already out there somewhere. He's used to living in a constant state of damage control. Leaving Absalom gave him a blank slate though, and in many ways he doesn't want others to know anything at all about who he was or what his life was like before he crossed the Inner Sea and went north. As much as it makes him feel cut off from a past he mourns, he feels it's best to hide as much of it as possible through avoidance, vague answers, and lies.

In terms of more specific things though... one thing that he managed to keep from spreading too outside his immediate home neighborhood was information about his mother and about his father's relationship with her. Even before his aasimar heritage had manifested, he knew what it was like to have people look right through him, searching for someone else. He never knew much about her himself because of the way she disappeared, but speculation about her hung over his early childhood and haunted his relationship with his father. He never discusses her willingly. When people ask about his mother he tends to say that she died in childbirth, elaborating occasionally some sickly sweet additional details. His father's fiance, you see. She was young and frail, but they were in love, you understand. A beloved presence and a dearly missed one. All lies, but what a wonder a banal family sob story does for shutting down questions. Anything to stop people seizing on the knowledge she could be alive out there somewhere and thinking she ought to be found. There's no one he has less desire to know more about.

But if there was one thing he wishes he could turn into a secret that he'll never be able to, it would be his aasimar heritage.

Kasander

Despite the fact that Kasander is a painfully honest person and a chronic oversharer, there are still many things they don't want anyone to ever know about them, or to not know the extent of. It's the burden of being a Bhaalspawn: the visions, the acts, the private battles, the lapses... And more than anything, I think that Kasander doesn't ever want anyone to know how much they have suffered over the course of their life. Even Kas can't truly grasp it- like Asperia, they had very few memories before around age 9 even prior to the Tadpole Incident. And after that point there were still always long periods of patchiness. Sometimes scraps from those periods drift through when they trance, and there are dark memories they understand are bound up in the others and can't be accessed by them.

What they remember they still don't want to share. They hate for their pain, past or present, to be a burden on others and find the reactions other people have to it distressing. They know that they've experienced terrible things and that few people can understand that, and they don't want to be hurt again by others denying their experiences, downplaying them, or misinterpreting them. With most of the party members distress and pushback seem to be the norm- it's made them reluctant to confide in anyone outside themself. It also feels like they've failed other people when just talking about their past with others seems to hurt them. Jaheira is the only consistently safe person, and they're thankful beyond words for her, especially after many of their memories were restored. It's hard to imagine continuing to just push through without processing, but they couldn't process all of that alone.

There's another element to past hurt as well though: not all of it belongs to them, and that vulnerable part of the other alters is too sacred to violate by sharing even through implication. Concealing their past- their shared past- is an act of protection so natural they don't even think about it.

[b-dubs-valdubs]

hey chat its decomposition hours againnnnnn

[bethiniancorpuscle]

Causes of drug-induced lupus

SHIP

Sulfasalazine & Sulfonamide Hydralazine Isoniazid Procainamide & Phenytoin

This is by no means a definitive list (they are many!) but these are some of the most common causes.

[eli-is-an-idiot]

so when i said that i might not be updating you'd have to stop the world bc of exams...

yeah that was a lie i'm editing chapter four now and it should be out by the end of the day

[squigglysquidd]

Juxtaposed Update

Chapter 29/51 Complete! (Not counting all the additions and new, extra chapters in between which total 36 already)

[uefb]

I have so many one-shots in my one-shot folder right now I don’t even know where to start… So here’s the opening of a new one I started writing in my head while driving today! 🫠

[farie-insignias]

Revised Chapter 18 of AE

Hi everyone! I hope you're doing well!!!! Yes, I'm still alive.

The following post will address the topic of SA - just to warn you, so if you have any triggers, please be mindful when reading.

After thinking about it for several, several months, I’ve decided to go back and rewrite part of Chapter 18: Photographic Evidence – namely, the section dealing with Caroline’s trauma. There are several reasons for this and I’ll list them below.

Firstly, I just didn’t like how I handled the subject matter. When I set out to write this story I had no intention of ever addressing the subject of sexual assault in any concrete way. I mean, it’s a stark and terrible reality of the world that many woman, unfortunately, have to deal with, and I knew I might brush against it as I painted a picture of Bonnie’s experiences in 1864, but I had no intention of diving any further into it than that. That simply wasn’t what this story was going to be about, and I know writing about a character that has gone through something like that should be done with thoughtfulness and respect.

So, why did I even bother trying in the first place?

I’ve responded to a few reviews asking me this very question, and the answer is pretty simple: timing. That’s what it boils down to. Just as I was gearing up to write the moment between Caroline and Bonnie, a video started making the rounds on Tumblr. It was of a woman talking about the media’s representation of assault culture and how it needed to change, and I believe she even used Caroline as an example of this – how all she does is shove Damon and call him a jerk in response to remembering that he assaulted her.

Some of you old hats might remember which video I’m talking about.

It was an interesting video, very well articulated points – and suddenly I felt very unsure about how I wanted to handle the Caroline/Bonnie scene I was about to write. Personally, even to this day, I don’t really think about a vampire’s compulsion in terms of how it would function in the real world – though that could make for an interesting exploration and for a very gritty and grounded series. Basically, I don’t think too deeply about the realistic consequences of a vampire using their naturally given powers – especially on a show like The Vampire Diaries. Maybe if this were The Walking Dead or Game of Thrones, I might have thought about it more, but…

As it was, I started to wonder: was I a part of the problem? Should I be addressing this? Would it be wrong of me to ignore it? Do I really believe Caroline views what happened to her in those terms?

If Caroline existed in the real world, I would say a thousand percent yes. But the Caroline in The Vampire Diaries? No, I honestly don’t think she does. I don’t think ANY of the characters do. For exactly the same reason as the young woman was addressing in the video: none of the writers saw it as sexual assault.

Which left me in a weird position – did I go along with the established portrayal of Caroline (which would be the easy thing to do) or did I bite the bullet and talk about what was on everyone’s mind at the time? Tbh, I wasn’t convinced I should touch it, because I deeply believe that sexual assault isn’t something that should be marginalized in a story and, if it’s going to be addressed it needs to be at the forefront.

But I also believe in signs from God… And a video popping up, just when you’re about to write a character’s perspective on another character, talking about the very same said character and how their justified hatred for other said character has been watered down… I mean, it seemed like a pretty clear sign to me.

In the end, we know what I chose. It simply felt like it would be wrong of me to try and sweep it under the rug. So, I took a swing at it… and I missed.

I got an extremely insightful review from someone named Miss 45 that really helped me realise how far off the mark I was with my attempt. I am eternally grateful to this person, because I now know what to avoid doing if I ever tackle this subject matter again in the future.

They also said, and I quote – “Tbh, when I think about bamon as a ship I usually pretend that it didn't happen bcs I can't imagine Bonnie ever doing that to Caroline […]”

And they are completely right! Especially looking back, I can see that now. The only reason I could write the scene and have it turn out fairly acceptable was because I was focused on Bonnie’s experiences/emotions and not Caroline’s – which was selfish of me as a writer. At the time, I had thought I had addressed the issue, but I really hadn’t. At least not in a way that represented Caroline’s trauma realistically.

So, I made a promise to myself and to Miss 45, that when I did address the issue again, as I was planning to at least once or twice more, I would do a better job.

Which brings us to where we are now, because the closer I get to talking about what happened to Caroline again and how it affects, not only her, but also Bonnie/Damon’s potential relationship… I realize there is no feasible way to do it and stay true to the characters/have a happy ending.

I’ve been wracking my brain about it for ages now. If I want to honestly do a good job, I realize I would have to dedicate far more of the story than I’m willing to on the subject of Caroline/Damon.

And not just because, if I’m being true to Bonnie, she wouldn’t be able to write off what Damon did to Caroline for her own happiness, no matter what Caroline said (which realistically Caroline wouldn’t want her doing either – who would want that?). But Damon wouldn’t be able to forgive himself either.

I honestly, with every fiber of my being, don’t believe Damon views what he did as sexual assault. Which is not to excuse him, but his understanding of the situation is definitely not objective. If he ever did come to understand the full extent of his actions I think that knowledge would destroy him. He’s a lot of things – proudly a monster who will cross many a line, but I can’t imagine he would ever cross that one. At least, not knowingly. So, if his perception of himself and his actions were to change so fundamentally, and in such a negative way… if he were to see himself fully for what he actually is and what he actually did... He already has issues with self-hatred…

Yeah, all the Damon scenarios in my head got pretty dark, pretty quickly.

I realized that if I wanted Bonnie and Damon to have any chance of being together, Damon would have to go on a very long journey towards recovery – which completely changed what the story was about and was something I wasn’t willing to do.

So, in order to tell the story I originally set out to tell, I made the decision to retcon Caroline and Bonnie’s forest conversation in Chapter 18 and make it into something that better serves the purposes of the story as a whole. *deep sigh* I’m not 1000% happy with this decision, but I do believe it’s the right decision to make. I think the story will, ultimately, be stronger for it.

I hope this doesn’t upset anyone. I understand if people think I’m being cowardly or even selfish for deciding not to pursue the topic anymore (and I would agree with you completely). I feel it would take a far more educated, sensitive and talented writer than myself to be able to do that particular storyline justice in the story I’m setting out to tell. But I’ve learned a lot from this experience that I plan to take with me into the future.

[fideidefenswhore]

In St Paul's churchyard, Elizabeth heard a Latin address from the schoolboys, then moved through Ludgate to Fleet Street where the last pageant stood. In political terms, this was perhaps the most significant. Once again, Anne Boleyn's coronation was invoked, this time in association with that of Edward VI. In 1533, Anne's symbol, the falcon, had flown from a 'cloud' of fine sarsenet into a nest of Tudor roses, accompanying verses declaring that God had conferred imperial authority on her as Queen and on Henry's issue by her. The bird appeared in the same manner at Edward's 1547 ceremony, this time transformed into Jane Seymour's phoenix.

Elizabeth: Renaissance Prince, Lisa Hilton

[silicon-tmblr]

DRV3: Resolute Rebellion - Character Intro 16

"I lie about a lot of things, you know. And there's lots of things you don't know! Does He even take blood sacrifices? Maybe He prefers dog's meat! Maybe He prefers human meat! How can you know for sure...?"

A girl who states her devotion to her island's god and her leadership of said island as its god's prophet. Though the exact meaning of her talent is rather unclear, it's safe to assume her leadership of her island is the precedent... at least, if Angie is to be believed.

A liar at heart, Angie befuddles her peers with her tricks and toying with the truth, insisting that only He, her god, truly knows the answer to anything. From threats of violence to psychological torment, everything she does is with a glint in her eyes and a smile on her lips.